rnzb tours 2023

Tutus on Tour 2023

Te Raukura ki Kāpiti Theatre, Coastlands, 32 Raumati Rd , Raumati

23/02/2023 - 25/02/2023

Carterton Events Centre , Wairarapa

27/02/2023 - 27/02/2023

Clarence Street Theatre , Hamilton

04/03/2023 - 05/03/2023

Ashburton Trust Events Centre , Christchurch

11/03/2023 - 11/03/2023

Royal New Zealand Ballet

The Royal New Zealand Ballet (RNZB) will open its 70 th  anniversary season by taking a fresh, new production of the ever-popular  Tutus on Tour  to 8 theatres across Aotearoa, from Whangārei to Ashburton.

Tutus on Tour  2023, which opens in Kāpiti on 23 February before travelling to  Hastings, Carterton, Gisborne, Whanganui, Hamilton, Blenheim, Nelson, Kerikeri, Ashburton  and  Whangārei , looks back with affection at the RNZB’s early days and travels through time.

RNZB Artistic Director Patricia Barker has carefully curated a collection of works which encapsulate the history of ballet, and her desire to share treasures from the RNZB’s recent past alongside works new and old which the dancers can’t wait to perform.

Barker says, “Our 70 th  anniversary  Tutus on Tour  is a beautiful journey through magical ballet moments. It is an opportunity for audiences to experience how ballet has evolved through the decades, and for the dancers to showcase their incredible abilities to shift choreographic styles.”

Marie Taglioni’s  Le Papillon  (The Butterfly) from 1860 and Christopher Wheeldon’s  After the Rain  – made almost two centuries apart – both unveil the timeless magic of a couple dancing together, creating a breath-taking, intimate world onstage for the audience.

RNZB Dancer Damani Campbell Williams, who joined the company in 2022, says. “ After the Rain  is truly magical. Although there is no exact narrative, each movement carries so much weight and meaning that I get completely lost in it. It’s the ultimate feeling of escapism and the intimacy of the piece allows us to take the audience along the journey with us. I’m so excited to share this masterpiece with RNZB audiences and travel this beautiful country!”

‘Nobody Takes Me Seriously’ from 2001’s landmark  FrENZy  is a toe-tapping solo to Tim Finn’s Kiwi classic and the chance for one of the company’s men to cut loose, with style.

The  Tutus on Tour  2023 programme is completed with two works each for eight dancers: the New Zealand premiere of Brian Enos’ elegantly neo-classical  Cold Winter’s Waiting  (2013) and Greg Horsman’s classical showpiece  Holberg Suite , created for  Tutus on Tour  2009 and now given a welcome revival.

Principal Mayu Tanigaito, who celebrates her 11th anniversary with the RNZB this year, says, “ I have performed in many towns with  Tutus on Tour,  with my first being 10 years ago, and I have many great memories. The smaller venues allow for a more intimate connection with the audiences, and we always feel very welcome. I love the kiwi hospitality – some venues provide snacks, and sometimes children give us flowers and ask for autographs. While we can’t perform our biggest shows in the smaller venues, and so can’t visit as often, I am proud to dance for a ballet company which finds a way to bring ballet to the regions.”

Tickets are on sale now.  

The full RNZB 2023 programme can be found on  www.rnzb.org.nz .

The Royal New Zealand Ballet (RNZB),  the national ballet company of Aotearoa,  was founded in 1953 by Danish dancer Poul Gnatt, as a touring professional ballet company for all New Zealanders. Based in Wellington, the Royal New Zealand Ballet is an intrinsic part of New Zealand’s national heritage, and has one of the largest followings of all New Zealand performing arts companies. 

1 hour 40 minutes

This is one of the stronger programmes of recent years.

Review by Dr Ian Lochhead 13th Mar 2023

The return of  Tutus on Tour  in its traditional format, with the company split into two sections touring the North and South Island’s smaller centres, is a welcome development.  The Royal New Zealand Ballet’s South Island contingent’s final performance brought them to Ashburton’s Event Centre, a well-appointed modern venue with excellent sightlines.

The 2023 programme is well suited for this kind of tour and included works seen on previous  Tutus  tours, works new to the company and a mix of solos and pas de deux.  The programme opens with Greg Horsman’s  Holberg Suite,  set to Grieg’s suite for strings.  Made specifically for a previous  Tutus on Tour  programme in 2009 when Horsman was the company’s ballet master, it is ideally suited to showing off the dancers’ strengths.  Set on four couples, the work provides opportunities for the entire ensemble as well as differing combinations of dancers, to shine.  Following the opening Prelude the Sarabande is treated as a pas de trios, Joshua Guillemot-Rodgerson and Luke Cooper providing secure and gallant support for Jennifer Ulloa, a new member to the company this season.  After the energetic Gavotte, Guillemot-Rodgerson partners Ana Gallardo Lobaina in the wistful Air before the spirited Rigaudon brings the work to a close. 

Christopher Wheeldon’s  After the Rain  pas de deux featured in the company’s final 2022 programme and it is good to see a work performed in the main centres being shown in smaller venues around the country.  Set to the Estonian composer, Arvo  Pärt ’s haunting piece  Spiegle im Spiegel,  (Mirror in Mirror), it is given an assured performance by Kate Kadow and Calum Gray.  The slowly evolving piece, which includes a series of striking lifts, places considerable demands on the dancers and Kadow and Gray maintained their intense focus from beginning to end.

The first half closes with a complete change of mood, the brief solo from New Zealand choreographer Mark Baldwin’s  FrENZy, ‘Nobody Takes Me Seriously’  to the music of Split Enz.  Joshua Guillemot-Rodgerson’s spirited performance captured the moves but missed the anarchic energy that is the essence of the piece.  It was a reminder, nevertheless, that Baldwin is one of New Zealand’s outstanding international dance-makers and it would be timely for the RNZB to invite him to restage previous works he has made for it and to make a new piece on the company’s current crop of dancers.

Following the interval Cadence Barrack and Laurynas Véjalis perform the pas de deux from  Le Papillon,  originally created by Marie Taglioni, one of the great stars of the Romantic ballet in nineteenth-century Paris.  This provided a glimpse into another era of ballet’s history in which Vejalis was able to display a range of virtuoso leaps and turns.  Barrack’s butterfly-inspired tutu produced an audible gasp from the audience but the gossamer lightness required for the part of Farfalla, the girl who is transformed into a butterfly, eluded her.

The programme ends with  Cold Winter’s Waiting,  a further work for four pairs of dancers, thus bookending the evening in the manner in which it started.  In contrast with the classical vocabulary of  Holberg Suite,  Brian Enos’s choreography is in a contemporary idiom with music by contemporary French, American and Argentinian composers.  The mood is dark and brooding and a lone figure, danced strongly by Shaun James Kelly, opens and closes the work.  Apparently alienated from the larger group, he is briefly welcomed by his fellows before being cast out into the gloom once more.  Daniel Wilson’s lighting design adds to the impact of the work, but what is suitable for the moody tone of one piece does not necessarily work for another;  After the Rain  would have benefited from some warm sunlight brightening the pervasive gloom.

This is one of the stronger  Tutus on Tour  programmes of recent years, with a good balance of lighter and more substantial fare.  Regional audiences deserve to see the best the company can offer and the dancers commitment right to the end of their tour is clearly in evidence.  During the final curtain calls acknowledgement was made for Madeline Graham’s decade-long contribution as a dancer with the RNZB.  Recently promoted to soloist, she is now leaving to pursue future dance opportunities in Europe.  She has been a stalwart of the company with a highlight being her creation of the role of Juliet in Francesco Ventriglia’s production of  Romeo and Juliet  in 2017.   She was farewelled with warm applause.

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Blend of tradition and the avant-garde, with something to offer audiences.

Review by Leila Lois 28th Feb 2023

The first touring season of the Royal New Zealand Ballet’s seventieth birthday year and the last under the directorship of Patricia Barker,  Tutus on Tour  is set to be an auspicious event that enshrines the ballet company’s history, while heralding a new era. The bill for the tour is a characteristically capricious blend of tradition and the avant-garde, with something to offer audiences of differing ages and engagement in ballet. 

At the events centre venue, the lights lift on the sparkling first act,  Holberg Suite,  a picture perfect ensemble piece, choreographed by former RNZB ballet master, Greg Horsman. A classical ‘tutu ballet’ in miniature, the muscular, cheesecake charm of this piece with glittering tutus, wide smiles and immaculate petit allegro cannot fail to please. The various movements of Grieg’s score encapsulates the augustness of eighteenth century dances. Sassy flick flacks, épaulement and pas de trois add contemporary pizzazz. The male ensemble perform gravity-defying leaps and barrel turns like it’s a piece of cake. The work is spirited, fun and light as a feather but perhaps overly long with no narrative to hold the audience’s imagination in an otherwise snappy line-up.

The second piece for the evening,  After the Rain  by New York City Ballet choreographer Christopher Wheeldon, is predictably touching. Performed with such tenderness by soloists Kihiro Kusukami and Katherine Minor, this pas de deux to the sublime  Spiegel im Spiege l by Arvo Pärt oozes with pared back tenderness. The duo embrace, fall and lean into each other, with softness and strength. Minor’s ribcage rises and falls like a startled bird, under her nude leotard, as Kusukami lunges and lifts her, bare-chested in his pale washed pants. The piece culminates in her being carried above his head like a precious queen in a chariot and gently placed down, kissing her forehead; signature motions for this profoundly moving piece. 

The stage is swept with disco fever for the next piece,  Nobody Takes Me Seriously,  a solo from  FrENZy  by Mark Baldwin an excerpt from  Ihi FrENZy , a collaboration between RNZB and kapa haka champions Te Matarae I Orehu to music by Kiwi treasures, Split Enz. Shae Berney, in sequinned jacket and spray-on black leggings shakes it on down—ballet style—bounding across the stage in air splits and tossing his hair like a lead singer. A highly enjoyable high energy, high octave piece to lead into interval. 

The second half features two starkly contrasting works:  Le Papillion Pas De Deux  and  Cold Winter’s Waiting . The former is a gem of nineteenth century romantic ballet, choreographed by Marie Taglioni.. Brimming with elegance, airy lifts, dizzying spins and fluttering arms, Kihiro Kusukami and Mayu Tanigaito shine with ephemeral radiance. 

The final act for the evening,  Cold Winter’s Waiting  by Brian Enos, certainly lives up to its bleak name. Low candle-like lighting reveals the dancers staring starkly into the audience, the movie-like musical score of heavy bass piano and strings wafting through the night. The ensemble dance in pas de deux and formation with machine-like precision. Bare torsos and slicked back bunheads in clocklike turns add metropolitan desolation to the work. Cinema and dance collide in this futuristic piece.  Tutus on Tour  lives up to its celebrated, diverse and accessible reputation in an eventful year for the ballet.

A gentle kiss on the forehead and the audience is breathless.

Review by Lyne Pringle 25th Feb 2023

Tutus on Tour is an opportunity for smaller centres to experience the Royal New Zealand Ballet in more intimate venues. It has become an iconic part of their programme, eagerly anticipated by audiences across Aotearoa. Opening night for the 2023 tour at Te Raukura ki Kāpiti is greeted warmly by a full auditorium.  To read more

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To begin the Royal New Zealand Ballet’s 70 th  birthday year, Tutus on Tour 2023 looks affectionately back at the RNZB’s early days, with performances in some of Aotearoa’s smaller cities and towns and loveliest historic theatres.

Patricia Barker has carefully curated a collection of works which encapsulate the history of ballet, and her desire to share treasures from the RNZB’s recent past, alongside works new and old that the dancers can’t wait to perform.

Le Papillon  and  After the Rain  – made almost two centuries apart – both show the intimate magic of a couple dancing together, creating a miniature world in the spotlight onstage. ‘Nobody Takes Me Seriously’ from 2001’s landmark  FrENZy  is a toe-tapping solo to Tim Finn’s Kiwi classic and the chance for one of the company’s men to cut loose, with style.

The programme is completed with two works each for eight dancers: the New Zealand premiere of Brian Enos’ elegantly neo-classical  Cold Winter’s Waiting  (2013) and Greg Horsman’s classical showpiece  Holberg Suite , created for Tutus on Tour in 2009 and now given a welcome revival.

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Tutus on Tour

Home > Events & Shows > Tutus on Tour

To begin the Royal New Zealand Ballet’s 70 th birthday year, Tutus on Tour 2023 looks affectionately back at the RNZB’s early days, with performances in some of Aotearoa’s smaller cities and towns and loveliest historic theatres.

Patricia Barker has carefully curated a collection of works which encapsulate the history of ballet, and her desire to share treasures from the RNZB’s recent past alongside works new and old that the dancers can’t wait to perform.

Le Papillon and After the Rain – made almost two centuries apart – both show the intimate magic of a couple dancing together, creating a miniature world in the spotlight onstage. ‘Nobody Takes Me Seriously’ from 2001’s landmark FrENZy is a toe-tapping solo to Tim Finn’s Kiwi classic and the chance for one of the company’s men to cut loose, with style.

The programme is completed with two works each for eight dancers: the New Zealand premiere of Brian Enos’ elegantly neo-classical Cold Winter’s Waiting (2013) and Greg Horsman’s classical showpiece Holberg Suite , created for Tutus on Tour in 2009 and now given a welcome revival.

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Dzerzhinsky in Moscow Oblast Destination Guide Russia

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Dzerzhinsky in Moscow Oblast, Russia

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Explore Dzerzhinsky

Dzerzhinsky in Moscow Oblast is located in Russia about 13 mi (or 21 km) south-east of Moscow, the country's capital.

Local time in Dzerzhinsky is now 03:22 PM (Wednesday). The local timezone is named Europe / Moscow with an UTC offset of 3 hours. We know of 7 airports in the wider vicinity of Dzerzhinsky, of which two are larger airports. The closest airport in Russia is Bykovo Airport in a distance of 8 mi (or 13 km), East. Besides the airports, there are other travel options available (check left side).

There are several Unesco world heritage sites nearby. The closest heritage site in Russia is Church of the Ascension, Kolomenskoye in a distance of 7 mi (or 12 km), West. If you need a place to sleep, we compiled a list of available hotels close to the map centre further down the page.

Depending on your travel schedule, you might want to pay a visit to some of the following locations: Orekhovo-Borisovo Yuzhnoye, Moscow, Cheremushki, Ramenskoye and Vostochnoe Degunino. To further explore this place, just scroll down and browse the available info.

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Ugresha Monastery

Nikolo-Ugreshsky Monastery is a walled stauropegic Russian Orthodox monastery of St. Nicholas the Miracle-Worker located in a suburb of Moscow formerly known as Ugreshi and now called Dzerzhinsky. It is the town's main landmark and is featured on the . The monastery is known to have existed as early as 1521, when the Tatar horde of Mehmed I Giray reduced Ugreshi to ashes. The old katholikon of St. Nicholas (later destroyed by the Soviets) was built in the 16th century.

Located at 55.6217, 37.84 (Lat. / Lng.), about 1 miles away. Wikipedia Article Russian Orthodox monasteries, Buildings and structures in Moscow Oblast, Christian monasteries established in the 14th century, Museums in Moscow Oblast, Religious museums in Russia, Biographical museums in Russia, Decorative arts museums in Russia

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Tutus on Tour

Forum North , 7 Rust Ave, Whangārei

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To begin the Royal New Zealand Ballet’s 70th birthday year, Tutus on Tour 2023 looks affectionately back at the RNZB’s early days, with performances in some of Aotearoa’s smaller cities and towns and loveliest historic theatres.

Patricia Barker has carefully curated a collection of works which encapsulate the history of ballet, and her desire to share treasures from the RNZB’s recent past alongside works new and old that the dancers can’t wait to perform.

Le Papillon and After the Rain – made almost two centuries apart – both show the intimate magic of a couple dancing together, creating a miniature world in the spotlight onstage. ‘Nobody Takes Me Seriously’ from 2001’s landmark FrENZy is a toe-tapping solo to Tim Finn’s Kiwi classic and the chance for one of the company’s men to cut loose, with style.

The programme is completed with two works each for eight dancers: the New Zealand premiere of Brian Enos’ elegantly neo-classical Cold Winter’s Waiting (2013) and Greg Horsman’s classical showpiece Holberg Suite, created for Tutus on Tour in 2009 and now given a welcome revival

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Taylor Swift Reflects on Her 100th Eras Tour Show: 'Adventure of a Lifetime Because of You'

The 14-time Grammy winner said the milestone "feels truly deranged to say because this show feels new to me every time we play it"

Xavi Torrent/TAS24/Getty Images for TAS Rights Management 

Taylor Swift recently played her 100th Eras Tour show, but she says each show still feels like the first!

In an Instagram post shared on Sunday, June 16, the pop star reflected on her latest shows in Liverpool, England , and celebrated the record-breaking tour reaching its 100th show on June 13.

“So many dreamy memories from Liverpool!! We played our 100th show on The Eras Tour (which feels truly deranged to say because this show feels new to me every time we play it),” Swift, 34, wrote in her caption.

Gareth Cattermole/TAS24/Getty 

The 14-time Grammy winner continued: “I want say thank you to our Eras Tour crew, my fellow performers and band who have now committed hundreds of hours to putting on this show and giving their all on and behind that stage. I can’t believe the work ethic, creativity and dedication I get to be surrounded with every day.”

Swift then addressed her three shows at Liverpool’s Anfield Stadium.

“All 3 Liverpool crowds were so expressive and generous and endlessly FUN,” she noted. “Thank you to everyone who came out this weekend (you broke the all-time stadium attendance record!!)

Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories.

“AND thank you to everyone who has come to any of the shows on The Eras Tour. It’s been the adventure of a lifetime because of you. 🤍,” she concluded.

While celebrating 100 shows on June 13, Swift also revealed to the sold-out crowd when the Eras Tour will come to an end.

At the milestone concert, the Tortured Poets Department artist told the audience that the international, career-spanning tour would hit the stage for a final time in December .

Kevin Mazur/Getty

In fan-captured footage of the show, Swift is seen telling the Liverpool crowd, "A lot of you are like, 'How are you going to celebrate the 100th show?' ”

“The celebration of the 100th show, for me, means this is the very first time I've acknowledged to myself and admitted that this tour is going to end in December,” she said. "That feels so far away from now, but then again, it feels like we just played our first show on this tour because you have made this so fun for us.”

She continued, "It's taken over everything. I think I once had hobbies, but I don't know what they were anymore because all I do when I'm not on stage is sit at home and try to think of clever acoustic song mashups.”

Since the Eras Tour’s initial run in the U.S., Swift has announced several additional legs, including dates in Latin America , Asia , Australia and Europe — plus an additional North American leg.

The final scheduled show — the 152nd of the tour — is in Vancouver on Dec. 8.

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2024 Travelers Championship: How to watch, TV coverage, streaming info, tee times

The 2024 Travelers Championship is a Signature Event this season.

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The PGA Tour makes its way to Connecticut this week for the 2024 Travelers Championship . Here’s everything you need to know to watch the tournament, including full Travelers TV coverage, streaming info and complete tee times for the first and second rounds.

How to watch the Travelers

With golf fans still buzzing from a thrilling finish at the U.S. Open, we have another heavy-hitting tournament on tap with the Signature Event Travelers Championship, and most of the biggest PGA Tour stars are in the field.

2024 Travelers Championship odds: 3-time Tour winner is our long shot in Connecticut

That includes Scottie Scheffler , who despite a sideways performance at Pinehurst is far and away the best golfer in the world. U.S. Open runner-up Rory McIlroy , however, withdrew from the tournament on Monday night following his devastating loss to Bryson DeChambeau on Sunday.

Golf Channel and CBS will provide TV coverage of the 2024 Travelers Championship, while ESPN+ , Peacock and Paramount+ will offer streaming coverage online.

You can find complete information about streaming and TV options for the Travelers Championship below.

Tournament basics

What: 2024 Travelers Championship Where: TPC River Highlands, Cromwell, CT When: Thursday-Sunday, June 20-23 Purse: $20 million; $3.6 million winner’s share Defending champion: Keegan Bradley

How to watch 2024 Travelers Championship on TV

Golf Channel and CBS will share TV coverage of the 2024 Travelers Championship. Check out the full TV schedule below.

Thursday, June 20: 1-3 p.m. ET (Golf Channel) Friday, June 21: 1-3 p.m. ET (Golf Channel) Saturday, June 22: 1-3 p.m. ET (Golf Channel); 3-6 p.m. ET (CBS) Sunday, June 23: 1-3 p.m. ET (Golf Channel); 3-6 p.m. ET (CBS)

How to watch 2024 Travelers Championship online, streaming

You can watch the 2024 Travelers Championship online with Paramount+, Peacock and PGA Tour Live on ESPN+ . ESPN+ will provide exclusive early coverage and featured group coverage all four days of the tournament. Peacock will offer simulcasts of Golf Channel’s TV coverage, while Paramount+ will stream CBS’s coverage.

2024 Travelers Championship tee times: Round 1 (ET)

8:05 a.m. – Chris Gotterup 8:15 a.m. – Robert MacIntyre, Jake Knapp 8:25 a.m. – Akshay Bhatia, Thomas Detry 8:35 a.m. – Taylor Pendrith, Victor Perez 8:45 a.m. – Davis Riley, Rickie Fowler 8:55 a.m. – Lee Hodges, Eric Cole 9:05 a.m. – Brian Harman, Tom Hoge 9:15 a.m. – Nick Taylor, Harris English 9:25 a.m. – Taylor Moore, Seamus Power 9:40 a.m. – Kurt Kitayama, Mackenzie Hughes 9:50 a.m. – Sahith Theegala, Sepp Straka 10:00 a.m. – Jason Day, J.T. Poston 10:10 a.m. – Cameron Young, Patrick Rodgers 10:20 a.m. – Hideki Matsuyama, Keegan Bradley 10:30 a.m. – Scottie Scheffler, Max Homa 10:40 a.m. – Wyndham Clark, Jordan Spieth 10:50 a.m. – Shane Lowry, Justin Thomas 11:00 a.m. – Nick Dunlap, Adam Scott 11:15 a.m. – Will Zalatoris, Ben Griffin 11:25 a.m. – Austin Eckroat, Webb Simpson 11:35 a.m. – Peter Malnati, Christiaan Bezuidenhout 11:45 a.m. – Emiliano Grillo, Andrew Putnam 11:55 a.m. – Sam Burns, Byeong Hun An 12:05 p.m. – Si Woo Kim, Adam Svensson 12:15 p.m. – Matt Fitzpatrick, Adam Hadwin 12:25 p.m. – Tom Kim, Corey Conners 12:35 p.m. – Justin Rose, Adam Schenk 12:50 p.m. – Chris Kirk, Sungjae Im 1:00 p.m. – Russell Henley, Denny McCarthy 1:10 p.m. – Cam Davis, Brendon Todd 1:20 p.m. – Lucas Glover, Tommy Fleetwood 1:30 p.m. – Collin Morikawa, Viktor Hovland 1:40 p.m. – Tony Finau, Patrick Cantlay 1:50 p.m. – Xander Schauffele, Matthieu Pavon 2:00 p.m. – Ludvig Åberg, Michael Thorbjornsen 2:10 p.m. – Billy Horschel, Stephan Jaeger

2024 Travelers Championship tee times: Round 2 (ET)

8:05 a.m. – Will Zalatoris, Ben Griffin 8:15 a.m. – Austin Eckroat, Webb Simpson 8:25 a.m. – Peter Malnati, Christiaan Bezuidenhout 8:35 a.m. – Emiliano Grillo, Andrew Putnam 8:45 a.m. – Sam Burns, Byeong Hun An 8:55 a.m. – Si Woo Kim, Adam Svensson 9:05 a.m. – Matt Fitzpatrick, Adam Hadwin 9:15 a.m. – Tom Kim, Corey Conners 9:25 a.m. – Justin Rose, Adam Schenk 9:40 a.m. – Chris Kirk, Sungjae Im 9:50 a.m. – Russell Henley, Denny McCarthy 10:00 a.m. – Cam Davis, Brendon Todd 10:10 a.m. – Lucas Glover, Tommy Fleetwood 10:20 a.m. – Collin Morikawa, Viktor Hovland 10:30 a.m. – Tony Finau, Patrick Cantlay 10:40 a.m. – Xander Schauffele, Matthieu Pavon 10:50 a.m. – Ludvig Åberg, Michael Thorbjornsen 11:00 a.m. – Billy Horschel, Stephan Jaeger 11:15 a.m. – Chris Gotterup 11:25 a.m. – Robert MacIntyre, Jake Knapp 11:35 a.m. – Akshay Bhatia, Thomas Detry 11:45 a.m. – Taylor Pendrith, Victor Perez 11:55 a.m. – Davis Riley, Rickie Fowler 12:05 p.m. – Lee Hodges, Eric Cole 12:15 p.m. – Brian Harman, Tom Hoge 12:25 p.m. – Nick Taylor, Harris English 12:35 p.m. – Taylor Moore, Seamus Power 12:50 p.m. – Kurt Kitayama, Mackenzie Hughes 1:00 p.m. – Sahith Theegala, Sepp Straka 1:10 p.m. – Jason Day, J.T. Poston 1:20 p.m. – Cameron Young, Patrick Rodgers 1:30 p.m. – Hideki Matsuyama, Keegan Bradley 1:40 p.m. – Scottie Scheffler, Max Homa 1:50 p.m. – Wyndham Clark, Jordan Spieth 2:00 p.m. – Shane Lowry, Justin Thomas 2:10 p.m. – Nick Dunlap, Adam Scott

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As managing producer for GOLF.com, Cunningham edits, writes and publishes stories on GOLF.com, and manages the brand’s e-newsletters, which reach more than 1.4 million subscribers each month. A former two-time intern, he also helps keep GOLF.com humming outside the news-breaking stories and service content provided by our reporters and writers, and works with the tech team in the development of new products and innovative ways to deliver an engaging site to our audience.

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23 Feb - 16 Mar 2024

The ever-popular Tutus on Tour returns to regional theatres throughout Aotearoa to mark the end of summer and the start of a brand new year of ballet-going.

Dance lovers of all ages can look forward to a programme which celebrates classical favourites and virtuoso ballet technique as well as offering a timely tribute to one of the Royal New Zealand Ballet’s founding fathers. As a prelude to 2024’s major revival, Tutus on Tour will feature excerpts from Russell Kerr’s beautiful production of Swan Lake,  in the dazzling designs created by Kristian Fredrikson in 1996. Performances will include the ‘Black Swan’ pas de deux, the famous ‘Cygnets’ quartet, the graceful Pas de Trois from Act I and the grand Hungarian and Neopolitan dances, always a highlight of Act III.

Complementing the classical splendour of  Swan Lake  is Choreographer in Residence Shaun James Kelly’s  Prismatic,  inspired by Russell Kerr’s landmark  Prismatic Variations,  set to the music of Johannes Brahms. Commissioned to mark the RNZB’s 70th birthday in 2023,  Prismatic  will include all the hallmarks of Kelly’s confident choreographic style, grounded in traditional ballet technique and inspired by the rhythmic and melodics arc of the soaring score. Devilishly quick changes of direction, explosive leaps and intricate partnering will make this new piece a breathless delight.

Rounding out the programme is  Clay  by Alice Topp, the mesmerising, emotionally charged pas de deux which opens her acclaimed Logos, first seen in Aotearoa in 2023.

This performance is approximately 90 minutes long, including one interval.

Tutus on Tour is not available as part of 2024 subscription packages.

Swan Lake - Choreography

Russell Kerr ONZM QSM, after Marius Petipa and Lev Ivanov

Swan Lake - Music

Pyotr Ilyich Tchaikovsky

Prismatic - Choreography

Shaun James Kelly

Prismatic - Music

Johannes Brahms

Clay - Choreography

Clay - Music

Ludovico Einaudi

Principal Cast

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Katy perry announces new single as she kicks off post-‘idol’ career.

• All the Surprise Songs Taylor Swift Has Played On The Eras Tour So Far

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Dessi Gomez

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Over a year into Taylor Swift’s Eras tour , she has found ways to keep the show fresh and new for those who have been waiting since she opened in Phoenix, Arizona in March 2023 to see her. Since the tour began in the United States last year, Swift has released two rerecorded albums —  Speak Now (Taylor’s Version)  and  1989 (Taylor’s Version)  in addition to a brand-new double album,  The Tortured Poets Department. 

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Taylor Swift: Which Eras Tour Songs Didn’t Make Concert Film & Which Surprise Songs Got In

Every show on the Eras Tour involves an acoustic set where Swift performs at least two songs custom to that night’s show. At first, she wouldn’t allow herself repeats unless she messed up the lyrics to a song, but now, she has done away with that rule and gotten more creative by combining songs in mashups and playing up to four in a segment. The first song or three take place on guitar, and then she shifts to piano for the second half before diving beneath the stage to resume the setlist – which has since contracted and expanded to include a  Tortured Poets Department  era and set .

Below you’ll find Taylor Swift’s surprise songs that she has played most recently in Europe as well as a record of all those she has played on the entire tour so far.

International Leg 2024

• February 6 — “Holy Ground” and “Dear Reader”
• February 7 — “Eyes Open” and “Electric Touch”
• February 8 — “Superman” and “The Outside”
• February 9 — “Come In With the Rain” and “You’re On Your Own Kid”
• February 16 in — “Red” and “You’re Losing Me”
• February 17 — Mashup of “Getaway Car”/”August”/”The Other Side of the Door” and “This Is Me Trying”
• February 18 — Mashup of “Come Back… Be Here”/”Daylight” and “Teardrops on My Guitar”February 23 in Sydney, Australia – “How You Get the Girl” and Mashup of “White Horse/Coney Island” with Sabrina Carpenter
• February 24 — “Should’ve Said No (Naur)” and Mashup of “New Year’s Day/Peace”
• February 25 — Mashup of “Is It Over Now/I Wish You Would” and Mashup of “Haunted/Exile”
• February 26 — Mashup of “Would’ve Could’ve Should’ve/Ivy” and Mashup of “Forever & Always/Maroon”
• March 2  — Mashup of “long story short/The Story of Us” and Mashup of “Clean/evermore”
• March 3 — Mashup of “Mine/Starlight” and Mashup of “I Don’t Wanna Live Forever/Dress”
• March 4 — Mashup of “Foolish One/Tell Me Why” and Mashup of “This Love/Call It What You Want”
• March 7 — Mashup of “Death by a Thousand Cuts/Babe” and Mashup of “Fifteen/You’re On Your Own Kid”
• March 8 — Mashup of “Sparks Fly/gold rush” and “False God/Slut!”
• March 9 — Mashup of “Tim McGraw/Cowboy Like Me” and “Mirrorball/Epiphany”

RELATED: ‘Taylor Swift Vs Scooter Braun: Bad Blood’ Doc Set At Discovery+ UK

April 19 –  The Tortured Poets Department  release day

*Resuming her European tour in 2024 involved an additional set for the record-breaking   The Tortured Poets Department  complete with 7 staple songs. Most — “Fortnight (feat. Post Malone),” “Down Bad,” “But Daddy I Love Him,” “Who’s Afraid of Little Old Me?” “I Can Do It With A Broken Heart,” “The Smallest Man Who Ever Lived” from the first half and “So High School” from the second half. 

• May 9 — “Paris” and “loml”
• May 10 — Mashup of “Is It Over Now/Out of the Woods” and “My Boy Only Breaks His Favorite Toys”
• May 11 — “Hey Stephen” and “Maroon”
• May 12 — Mashup of “The Alchemy/Treacherous” and “Begin Again/Paris”
• May 17 — Mashup of “I Think He Knows/Gorgeous” and “Peter”
• May 18 — “Guilty as Sin” and Mashup of “Say Don’t Go/Welcome to New York/Clean”
• May 19 — Mashup of “Message in a Bottle/How You Get the Girl/New Romantics” and “How Did It End?”
• May 24 — Mashup of “Come Back…Be Here/The Way I Loved You/The Other Side of the Door” and Mashup of “Fresh Out the Slammer/High Infidelity”
• May 25 — Mashup of “Now That We Don’t Talk/The Tortured Poets Department” and Mashup of “You’re On Your Own Kid/Long Live”
• May 29 — Mashup of “Sparks Fly/I Can Fix Him (No Really I Can)” and Mashup of “I Look in People’s Windows/Snow on the Beach”
• May 30 – Mashup of “Our Song/Jump Then Fall” and “King of My Heart”
• June 2 – Mashup of “The Prophecy/Long Story Short” and Mashup of “Fifteen/You’re On Your Own Kid”
• June 3 – Mashup of “Glitch/Everything Has Changed” and “Chloe or Sam or Sophia or Marcus”
• June 7 – Mashup of “Would’ve Could’ve Should’ve/I Know Places” and Mashup of “‘Tis the Damn Season/Daylight”
• June 8 – Mashup of “The Bolter/Getaway Car” and Mashup of “All of the Girls You’ve Loved Before/Crazier”
• June 9 – Mashup of “It’s Nice to Have a Friend/Dorothea” and Mashup of “Haunted/Exile”
• June 13 – Mashup of “I Can See You/Mine” and Mashup of “Cornelia Street/Maroon”
• June 14 – “This Is What You Came For” and Mashup of “The Great War/You’re Losing Me”
• June 15 – “Carolina/No Body No Crime” and “The Manuscript/Red”
• June 18 – “I Forgot That You Existed/This Is Why We Can’t Have Nice Things” and “I Hate It Here/The Lakes”

RELATED: ‘Taylor Swift: The Eras Tour’ Writes Her Name As No. 7 In Deadline’s 2023 Most Valuable Blockbuster Tournament

• March 17 — Mirrorball” and “Tim McGraw”
• March 18— “State of Grace” and “This Is Me Trying”
• March 24 — “Our Song” and “Snow on the Beach” 
• March 25 — “Cowboy Like Me” with Marcus Mumford and “White Horse”
• March 31 — “Sad Beautiful Tragic” and “Ours”
• April 1 — “Death by a Thousand Cuts” and “Clean”
• April 2 — “Jump Then Fall” and “The Lucky One”
• April 13 — “Speak Now” and “Treacherous”
• April 14 — “The Great War” with Aaron Dessner and “You’re on Your Own, Kid”
• April 15— “Mad Woman” with Aaron Dessner and “Mean”
• April 21 — “Wonderland” and “You’re Not Sorry”
• April 22— “A Place in This World” and “Today Was a Fairytale” 
• April 23 — “Begin Again” and “Cold as You”
• April 28 — “The Other Side of the Door” and “Coney Island”
• April 29 — “High Infidelity” and “Gorgeous”
• April 30— “I Bet You Think About Me” and “How You Get the Girl”
• May 5 in — “Sparks Fly” +  Speak Now (Taylor’s Version) Album Announcement  and “Teardrops on My Guitar”
• May 6 — “Out of the Woods” and “Fifteen”
• May 7— “Would’ve, Could’ve, Should’ve” with Aaron Dessner and “Mine”
• May 12 — “Gold Rush” and “Come Back…Be Here”
• May 13 — “Forever & Always” and “This Love”
• May 14 — “Hey Stephen” and “The Best Day”
• May 19  — “Should’ve Said No” and “Better Man” 
• May 20 — “Question…?” and “Invisible” 
• May 21 — “I Think He Knows” and “Red”
• May 26 — “Getaway Car” with Jack Antonoff and “Maroon” 
• May 27 — “Holy Ground” and “False God”
• May 28 — “Welcome to New York” and “Clean”
• June 2 in “I Wish You Would” and “The Lakes”
• June 3 in — “You All Over Me” with Maren Morris and “I Don’t Wanna Live Forever”
• June 4 Chicago, Ill. — “Hits Different” and “The Moment I Knew”
• June 9 — “Haunted” and “I Almost Do”
• June 10 — “All You Had to Do Was Stay” and “Breathe”
• June 16 — “Mr. Perfectly Fine” and “The Last Time”
• June 17 — “Seven” with Aaron Dessner and “The Story of Us”
• June 23 — “Paper Rings” and “If This Was a Movie”
• June 24 — “Dear John” and “Daylight”
• June 30 — “I’m Only Me When I’m With You” and “Evermore”
• July 1— “Ivy” with Aaron Dessner, “I Miss You, I’m Sorry” with Gracie Abrams and “Call It What You Want”
• July 7 — “Never Grow Up” and “When Emma Falls in Love”
• July 8  — “Last Kiss” and “Dorothea”
• July 14 — “Picture to Burn” and “Timeless”
• July 15 — “Starlight” and “Back to December”
• July 22 in — “This Is Why We Can’t Have Nice Things” and “Everything Has Changed”
• July 23 — “Message in a Bottle” and “Tied Together With a Smile”
• July 28 — “Right Where You Left Me” and “Castles Crumbling”
• July 29 — “Stay Stay Stay” and “All of the Girls You Loved Before”
• August 3 – “I Can See You” and “Maroon”
• August 4 — “Our Song” and “You Are in Love”
• August 5 — “Death By a Thousand Cuts” and “You’re On Your Own Kid”
• August 7 —“Exile” and “Dress”
• August 8 —“I Know Places” and “King of My Heart”
• August 9 — “New Romantics”  + “1989 (Taylor’s Version)”Album Announcement  and “New Year’s Day”

RELATED: Taylor Swift Breaks Yet Another Record In The UK, After A Historical Week On Spotify

International Leg 2023

• August 24 — “I Forgot That You Existed” and “Sweet Nothing”
• August 25 — “Tell Me Why” and “Snow on the Beach”
• August 26 — “Cornelia Street” and “You’re on Your Own, Kid”
• August 27 —“Afterglow” and “Maroon”
• November 9 —“The Very First Night” and “Labyrinth”
• November 10 — Cancelled Due to Rain
• November 11 — “End Game” and Mash-Up of “Out of the Woods” & “Is It Over Now?”
• November 12 — “Better Than Revenge” and “Slut!”
• November 17 — “Stay Beautiful” and “Suburban Legends”
• November 19 — “Dancing. With Our Hands Tied” and “Bigger Than the Whole Sky”
• November 20 — “Me!” and “So It Goes”
• Nov. 24 — “Now That We Don’t Talk” and “Innocent”
• Nov. 25— “Safe and Sound” and “Untouchable” 
• Nov. 25 — “Say Don’t Go” and “It’s Time to Go”

RELATED: Matty Healy Reacts To Taylor Swift’s “Diss Track” From ‘The Tortured Poets Department’

Songs That Haven’t Been Played Yet:

From Taylor Swift (her debut album):

• “Mary’s Song (Oh My My My)”
• “A Perfectly Good Heart”

Fearless (Taylor’s Version)

• “Change”
• “Superstar”
• “We Were Happy”
• “That’s When (feat. Keith Urban)”
• “Don’t You”
• “Bye Bye Baby”

Speak Now (Taylor’s Version)

• “Foolish One”

Red (Taylor’s Version)

• “Girl at Home”
• “Forever Winter”
• “Run (feat. Ed Sheeran)”

1989 (Taylor’s Version)   –  All songs have been played at least once [except for “Sweeter Than Fiction (Taylor’s Version)]

Reputation  – One of two rerecorded albums awaiting release.

• “I Did Something Bad”
• “London Boy”
• “Soon You’ll Get Better (feat. The Chicks)”
• “It’s Nice to Have a Friend”
• “Epiphany”
• “Hoax”
• “Happiness”
• “Long Story Short”
• “Closure”

Midnights All songs have been played at least once.

The Tortured Poets Department

• “So Long London”
• “Florida!!!”
• “I Can Fix Him (No Really I Can)”
• “Clara Bow”
• “The Black Dog”
• “imgonnagetyouback”
• The Albatross
• “I Hate It Here”
• “thanK you aIMee”
• “The Prophecy”
• “Cassandra”
• “Peter”
• “Robin”

Grab-bag (songs not attached to specific albums):

• “I Heart ?”
• “Ronan”
• “Only the Young”
• “Renegade”
• “The Alcott”
• “Gasoline”
• “Beautiful Eyes”
• “Beautiful Ghosts”
• “Sweeter Than Fiction”

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The First Look: Travelers Championship

The First Look

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With the U.S. Open now in the rearview, the PGA TOUR’s best head to Connecticut for the final Signature Event of the season – the Travelers Championship.

TPC River Highlands has been the site of plenty of excitement over the last few years, including an emotional homegrown victory from New England native Keegan Bradley a year ago.

With the TOUR’s best in Connecticut, the Olympics field set and the race to make the Presidents Cup teams firmly in the spotlight, we could be heading for an all-time week at the Travelers Championship.

“This is as good as it could get. I don’t know any other way to say it,” tournament director Nathan Grube told CT Insider about the field strength in 2024. “It feels like this version of the Travelers Championship has been 17 years in the making.”

With all the TOUR’s top-ranked players heading to the Travelers Championship, here’s everything else you need to know:

FIELD NOTES: World No. 1 Scottie Scheffler looks to bounce back after his week at the U.S. Open. After a closing 74 at the Memorial Tournament presented by Workday and rounds of 71-74-71-72 to start the U.S. Open, it was Scheffler’s first time shooting five straight over-par rounds. However, Scheffler, who has won five times already this season, continues to lead dozens of key statistical categories on TOUR – and finished T4 at the Travelers last season… Keegan Bradley looks to become the first golfer to go back-to-back at the Travelers Championship since Phil Mickelson in 2001-02. Bradley has had two runners-up this year, including a playoff loss at the Sony Open in Hawaii… World No. 2 Xander Schauffele – winner of the PGA Championship and 2022 champion at TPC River Highlands – returns to action at the Travelers. Schauffele has 11 top-10 finishes this season in 15 events, including four in a row and is having a tremendously complete campaign so far in 2024, sitting second in Strokes Gained: Total… All the TOUR’s top stars are set to tee it up at the Travelers, including two-time winner this season Rory McIlroy , reigning FedExCup champ Viktor Hovland , along with Ludvig Åberg , Collin Morikawa , Patrick Cantlay and Max Homa – all ranked in the top-10 in the world… The field is currently at 69 players, and there will be no cut… Keep an eye on the Presidents Cup standings as we inch closer to this year’s competition in Montreal, Quebec. Along with Scheffler, Schauffele, Morikawa and Homa, Wyndham Clark and Sahith Theegala – both in the field at the Travelers – are inside the automatic top-six spots for Team USA. Hideki Matsuyama , Jason Day , Tom Kim , Byeong Hun An , Sungjae Im and Nick Taylor are the top six on the international side (and are also all in the field in Connecticut).

SPONSOR EXEMPTIONS: Michael Thorbjornsen will make his professional debut at the Travelers Championship. Thorbjornsen finished No. 1 in PGA TOUR University ranking in May, earning PGA TOUR membership for the remainder of the 2024 and 2025 seasons. He played four seasons at Stanford, earned three victories, and climbed as high as No. 2 in the World Amateur Golf Ranking. Thorbjornsen finished solo fourth at the Travelers Championship in 2022 – the first top-five by an amateur on the PGA TOUR since 2017… Other sponsor exemptions include Adam Scott , Webb Simpson and Billy Horschel .

SIGNATURE EVENT STORYLINES: The Travelers Championship marks the final Signature Event of the season… The Aon Swing 5 was unchanged from the Memorial Tournament presented by Workday, with Robert MacIntyre , Davis Riley , Ben Griffin , Chris Gotterup and Victor Perez earning spots in the Travelers field. The Aon Next 10 was also unchanged after the U.S. Open. Åberg, Matthieu Pavon , Shane Lowry , Christiaan Bezuidenhout, Stephen Jaeger , Thomas Detry , Akshay Bhatia , Justin Thomas , Taylor Pendrith and Will Zalatoris earned a spot in the Travelers.

COMCAST BUSINESS TOUR TOP 10 UPDATES: Ludvig Åberg moved up two spots to No. 5 following a T12 finish in his U.S. Open debut… Hideki Matsuyama jumped over Byeong Hun An after an impressive solo sixth finish at Pinehurst… Patrick Cantlay reentered the Top 10 in the final spot with a T3 finish in the season's third major championship… The top four players in the rankings remain unchanged heading into the final Signature Event of the season at the Travelers Championship.

FEDEXCUP: Winner receives 700 FedExCup points

COURSE: TPC River Highlands, par 70, 6,835 yards. One of the TOUR’s shortest layouts, the course opened in the 1920s before being completely redesigned by Pete Dye in 1982 and renovated in 1989 by Bobby Weed. The key stretch at TPC River Highlands comes late as golfers play around a four-acre lake on Nos. 15-17. Jim Furyk shot the TOUR’s lowest round, a 58, at TPC River Highlands in 2016.

72-HOLE RECORD: 257, Keegan Bradley (2023)

18-HOLE RECORD: 58, Jim Furyk (fourth round, 2016).

LAST TIME: Despite a few down-the-stretch bogeys, Keegan Bradley had built up enough of a lead that it mattered little as he won by three in front of adoring New England fans. Bradley was 5-under through 12 holes in the final round and even going 3-over for his final six holes didn’t open the door enough to the chasing pack. He won for the sixth time on the PGA TOUR and set the tournament scoring record at the Travelers Championship with a 23-under 257. Bradley was the first New Englander to win the event since Connecticut’s J.J. Henry in 2006. Zac Blair and Brian Harman tied for second at 20-under, while Scottie Scheffler, Patrick Cantlay and Chez Reavie rounded out the top five at 19-under.

HOW TO FOLLOW:

Television: 

• Thursday-Friday: 3-6 p.m. ET (Golf Channel).
• Saturday-Sunday: 1-3 p.m. (Golf Channel), 3-6 p.m. (CBS)

PGA TOUR Live:

PGA TOUR Live is available exclusively on ESPN+

• Main feed: Primary tournament-coverage featuring the best action from across the course
• Marquee group: New “marquee group” showcasing every shot from each player in the group
• Featured groups: Traditional PGA TOUR LIVE coverage of two concurrent featured groups
• Featured holes: A combination of par 3s and iconic or pivotal holes
• Thursday-Friday: noon-6 p.m.
• Saturday-Sunday: 1-6 p.m.

The World’s Highest-Paid Golfers 2024

Jon rahm is no. 1 with a record $218 million in earnings—more than double the next highest player—despite not winning a tournament this year. and five other liv golfers join him atop the leaderboard., by justin birnbaum , forbes staff.

In 2022, when Scottie Scheffler wrapped up his final round at the BMW Championship in Wilmington, Delaware, he accomplished something no player on the PGA Tour had ever done before. The world’s No. 1 golfer posted a record-breaking $14 million in regular season earnings . A year earlier, Jon Rahm topped the PGA Tour’s official money list with a little more than half that amount, $7.7 million.

Scheffler followed that campaign with another extraordinary season, obliterating his own record and earning more than $21 million last year. And as impressive as that may have been, the 27-year-old has already surpassed his mark again, having won more than $24 million with roughly a third of the 2024 golf season remaining. Scheffler has been dominant on the course again, winning the Masters for the second time and four other tournaments. But he’s also been the beneficiary of rising financial tides in the sport.

The PGA Tour will award $402.4 million in prize money in just the 2024 regular season alone, with roughly another $340 million on the table when factoring the four Majors, a slate of yet-to-be scheduled fall events and bonus pools from the FedEx Cup, the Comcast Business Tour Top 10 and the Player Impact Program. That amounts to more than $740 million disbursed to players this year, about 9% more than the $680 million from the 2022-23 season. (In 2024, the PGA Tour returned to a calendar year format as opposed to the multi-year schedule it had used since 2013.)

A lucrative media rights package spread across CBS, NBC, ESPN and Warner Bros. Discovery, which reportedly pays the PGA Tour nearly $900 million per year, has played a role in the sport’s financial growth. Despite the progress the PGA Tour has made, it’s a player from LIV Golf, Jon Rahm, who is the highest-paid golfer for 2024.

The breakaway tour, backed by the $925 billion (assets) Public Investment Fund (PIF) of Saudi Arabia, has permanently altered the economics of golf with its unusual format and astronomical paydays . By the time LIV completes its third season in 2024, it will have awarded nearly $1.1 billion in prize money, on top of committing at least $1 billion in guarantees to entice the defections of star golfers to the upstart league.

“It’s simple economics,” says Tim Derdenger, an associate professor at Carnegie Mellon’s Tepper School of Business. “Competition is good for the players.”

Combined, the world’s 10 highest-paid golfers earned an estimated $678 million over the past 12 months before taxes and agents’ fees, a 10% decrease from $752 million in 2023. That’s mainly because LIV has slowed its outsized spending spree in the past year, with Rahm being the only big-name defection. The 29-year-old Spaniard joined the Saudi-backed tour for a reported $350 million guarantee, half of which Forbes estimates he received up front. With total earnings of $218 million, he’s the third LIV golfer to rank No. 1 on our list in the last three years even though he has yet to win an event on his new tour.

Rory McIlroy, a stalwart PGA Tour player, is a distant second this year with $83 million in total earnings, despite collecting victories at the Genesis Open, the Zurich Classic and the Wells Fargo Championship over the past 12 months. The 35-year-old McIlroy remains the most successful pitchman not named Tiger Woods in the sport, partnering with Nike, Optum, and Workday, among others. Woods, who pulled in an estimated $67 million and left Nike in January after 27 years to launch a joint apparel venture with TaylorMade called Sun Day Red, ranked No. 3, just ahead of the fourth-place Scheffler at $61 million.

The long-term impact of golf’s fractured landscape, however, remains unclear. While the warring tours have increased player earnings over the past few years, dividing the best golfers in the world has left fans and longtime sponsors of the sport with a less-compelling product. A solution appeared to be on the horizon last June when the PGA Tour, DP World Tour and the Saudi Public Investment Fund agreed to join forces to form a new for-profit, commercial entity called PGA Tour Enterprises. The move, which ended a slew of bitter legal battles between the tours, has also drawn antitrust concerns from Congress and the U.S. Department of Justice.

Negotiations have stalled and, in the meantime, the PGA Tour found another investor in a consortium of American billionaires. Strategic Sports Group, which is backed Boston Red Sox co-owners John Henry and Tom Werner, Atlanta Falcons owner Arthur Blank, New York Mets owner Steve Cohen and Boston Celtics owner Wyc Grousbeck, as well as other investors, imbued the nascent enterprise with $3 billion in January. In the months since, PGA Commissioner Jay Monahan has outlined a $1.5 billion equity program earmarked for players on tour, and Woods joined the PGA Tour Enterprises’ 13-member board of directors.

While the recent resignation of Jimmy Dunne, a PGA Tour policy member and one of the architects behind the initial deal with the PIF, has done little to inspire hope that a revised agreement is coming any time soon, the PGA Tour issued a vague statement citing progress from a recent meeting in New York on June 7. “Definitely things are heading in the right direction,” McIlroy told reporters at the Memorial Tournament over the weekend . “A lot of progress was made. I can't really say much more than that, but it was really positive.”

THE WORLD’S 10 HIGHEST-PAID GOLFERS 2024

No. 1 • $218 million

On-course: $198 million | off-course: $20 million | age: 29 | tour: liv.

Lintao Zhang/Getty Images

Much like many of his LIV compatriots, Rahm’s move to the upstart league cost him a slew of sponsors. In July, he signed a multi-year extension with digital supply chain firm Blue Yonder, having previously worn their logo on his chest. However, the partnership is no longer active and he now wears the logo of his LIV team, Legion XIII, in that spot. Rahm will not compete in the U.S. Open this weekend due to a foot injury.

No. 2 • $83 million

Rory mcilroy, on-course: $38 million | off-course: $45 million | age: 35 | tour: pga.

Andrew Redington/Getty Images

One of the PGA Tour’s most outspoken supporters since the arrival of LIV Golf, McIlroy recently lamented how the division have played out. “In hindsight, I wish I hadn’t have gotten as deeply involved in it,” he told reporters last month . The ongoing tour drama hasn’t stopped his momentum off the course, though. McIlroy cofounded TMRW Sports with Tiger Woods and sports executive Mike McCarley, which plans to launch a stadium-based, virtual golf league in 2025, while his Symphony Ventures has invested in companies like Puttery, Hyperice and Whoop.

No. 3 • $67 million

Tiger woods, on-course: $12 million | off-course: $55 million | age: 48 | tour: pga.

Woods may no longer be the Major-winning machine he once was, but he still found a way to break another record this year. In April, he made the cut at the Masters for the 24th consecutive time, passing Gary Player and Fred Couples. Unfortunately, his pursuit of a sixth green jacket came up far short. Woods finished 60th at Augusta.

No. 4 • $61 million

Scottie scheffler, on-course: $41 million | off-course: $20 million | age: 27 | tour: pga.

Keyur Khamar/PGA TOUR/Getty Images

Scheffler currently has a vice grip on the World Golf Ranking’s No. 1 spot. His only blemish in 2024 was a traffic-related incident while on the way to the PGA Championship at Valhalla Golf Club that resulted in the alleged assault of a Louisville police officer and Scheffler’s subsequent arrest . The charges were dropped two weeks later, though he told reporters he’s still struggling with the incident . “It’s not something that I love reliving, just because it was fairly traumatic for me being arrested going into the golf course.”

No. 5 • $47 million

Cameron smith, on-course: $43 million | off-course: $4 million | age: 30 | tour: liv.

Asanka Ratnayake/Getty Images

Smith may have received a reported $100 million guarantee to join LIV Golf, but his time with the upstart tour has been far more lucrative on the course than a decade spent competing in PGA Tour events and Majors. In three seasons, the 2022 British Open Champion has won just shy of $40 million in prize money with LIV , according to Spotrac, roughly $5 million more than his career total on the PGA Tour .

No. 6 • $44 million

Bryson dechambeau, on-course: $43 million | off-course: $1 million | age: 30 | tour: liv.

Warren Little/Getty Images

DeChambeau may not have the endorsement portfolio he once had, a list that once included Cobra Puma Golf, Bridgestone and Rocket Mortgage, among others. But his lighter sponsorship load has opened other opportunities, such as growing his YouTube presence. DeChambeau’s channel now has more than 670,000 subscribers and over 76 million views, with a nine-hole match between DeChambeau and Mickelson scoring 2.6 million views alone.

No. 7 • $43 million

Brooks koepka, on-course: $35 million | off-course: $8 million | age: 34 | tour: liv.

Maddie Meyer/Getty Images

Koepka celebrated his 34th birthday last month by winning the fourth LIV Golf event of his career at Sentosa Golf Club in Singapore, which made him the career leader in titles on the nascent tour. He also remains the only golfer to win a Major under the LIV banner, with a victory at the 2023 PGA Championship. Off the course, Koepka has partnerships with Nike, Srixon and NetJets.

No. 8 • $40 million

Viktor hovland, on-course: $33 million | off-course: $7 million | age: 26 | tour: pga.

Hovland is still chasing his first Major title and he’s come achingly close, finishing second to Koepka at the PGA Championship last year. In the meantime, he has plenty to celebrate. Hovland secured the FedEx Cup crown in 2023, which came with an $18 million bonus.

No. 9 • $38 million

Phil mickelson, on-course: $36 million | off-course: $2 million | age: 53 | tour: liv.

Mike Stobe/Getty Images

Mickelson has earned more than $1 billion in his golf career, becoming the second player, after Woods, to surpass that mark. However, his ability to spend has become equally infamous. The 53-year-old allegedly bet more than $1 billion over the past three decades, with losses reaching as much as $100 million, according to a book written by renowned professional gambler Billy Walters . Off the course, Mickelson has become significantly less active since joining LIV, but he did cofound coffee company For Wellness in 2020.

No. 10 • $37 million

Dustin johnson, on-course: $32 million | off-course: $5 million | age: 39 | tour: liv.

Jon Ferrwy/LIV Golf/Getty Images

Johnson gave a simple explanation for why he joined LIV Golf. “Play less golf, play for more money—it just made sense,” he told Forbes in 2022 . The two-time Major winner hasn’t quite earned the roughly $75 million he did in his PGA Tour career yet, but with $56 million in LIV prize money, according to Spotrac, and a reported guarantee of $125 million, he’s not exactly hurting for cash. The 39-year-old also recently joined a slew of legendary athletes, including Derek Jeter, Serena Williams and Michael Strahan, as an investor in Cincoro Tequila.

METHODOLOGY

This year’s list of the world’s highest-paid golfers tracks earnings over the last 12 months, dating to the 2023 U.S. Open. The on-course earnings figures include prize money and bonuses, as well as upfront payments golfers received for signing with LIV Golf. Based on conversations with a dozen industry sources, Forbes estimates top-tier LIV players received half of their guarantees upfront while lower-tier players received smaller sums in bulk. Forbes estimates any remaining signing money is being paid in equal annual installments across four-year contracts. Bonuses from the PGA Tour’s Player Impact Program are included in on-course income, while payments for joining the TGL were not included since the league pushed its start back to 2025.

The off-course earnings figures are an estimate of sponsorship deals, appearance fees and memorabilia and licensing income over the last 12 months, plus cash returns from any businesses in which the athlete has a significant interest. Forbes does not include investment income such as interest payments or dividends but does account for payouts from equity stakes athletes have sold. Forbes does not deduct for taxes or agents’ fees.

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