les miserables tour paris

Les Misérables

Victor hugo’s paris and the district of le marais.

Paris is the real-life stage of Les Miserables . The royal district of le Marais (mostly the 4th arrondissement) is its most seductive, secluded, historical scene. There we find Gavroche , the barricades, Marius, Cosette, Javert, Jean Valjean ’s last home in the Rue de l’Homme Armé. Follow them step by step through the narrow, mysterious, medieval streets. Admire the parish church of Saint Paul , imagine the wedding of Cosette and Marius in the middle of the celebration of Mardi Gras day.

Along the way discover hidden gardens , courtyards, 16th and 17th century former residences of the lords and ladies of the age, the Place des Vosges - the heritage the good king Henri IV left to Paris. Meet with Catherine de Medicis , the powerful family of the Prince de Guise, de Rohan Soubise, Madame de Sévigné (the noble gossip of the Marais) whose accounts of public, political, literary and artistic events vividly describe the great age of the Roi Soleil (Sun King). We also lift the veil on the Marquise de Maintenon who secretly married Louis XIV after having been his mistress and the governess of his eight illegitimate royal children.

The Jewish quarter with its typical ambience and the best falafels in Paris is an irresistible plus on this unique walk.

At the end of the tour feel free to pay a visit to Victor Hugo in his apartment at the Place des Vosges.

Classic Tour (3 hours)

Full day tour (7 hours).

Please, contact me for a quote.

For a combination of 2 or more tours.

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23-24 24-25

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Le Châtelet

Théâtre du Châtelet 1 place du Châtelet 75001 Paris

Les Misérables

du 20 nov. 2024 au 2 janv. 2025

Nouvelle production en français

Mercredi 20 novembre 2024 15h00

• Grande Salle
• de 12 à 119 €
• Carte châtelet

Jeudi 21 novembre 2024 19h30

Vendredi 22 novembre 2024 19h30

Samedi 23 novembre 2024 15h00

Dernières places

Samedi 23 novembre 2024 20h00

• de 12 à 129 €

Dimanche 24 novembre 2024 15h00

Mardi 26 novembre 2024 19h30

Mercredi 27 novembre 2024 19h30

Jeudi 28 novembre 2024 19h30

Vendredi 29 novembre 2024 19h30

Samedi 30 novembre 2024 15h00

Samedi 30 novembre 2024 20h00

Dimanche 01 décembre 2024 15h00

Mardi 03 décembre 2024 19h30

Mercredi 04 décembre 2024 19h30

Jeudi 05 décembre 2024 19h30

Vendredi 06 décembre 2024 19h30

Samedi 07 décembre 2024 15h00

Samedi 07 décembre 2024 20h00

Dimanche 08 décembre 2024 15h00

Dimanche 08 décembre 2024 20h00

• de 10 à 99 €

Mardi 10 décembre 2024 19h30

Mercredi 11 décembre 2024 19h30

Jeudi 12 décembre 2024 19h30

Vendredi 13 décembre 2024 19h30

Samedi 14 décembre 2024 15h00

Samedi 14 décembre 2024 20h00

Dimanche 15 décembre 2024 15h00

Dimanche 15 décembre 2024 20h00

Mardi 17 décembre 2024 19h30

Mercredi 18 décembre 2024 19h30

Jeudi 19 décembre 2024 19h30

Vendredi 20 décembre 2024 19h30

Samedi 21 décembre 2024 15h00

Samedi 21 décembre 2024 20h00

Dimanche 22 décembre 2024 15h00

Dimanche 22 décembre 2024 20h00

Mercredi 25 décembre 2024 15h00

Jeudi 26 décembre 2024 15h00

Jeudi 26 décembre 2024 20h00

Vendredi 27 décembre 2024 19h30

Samedi 28 décembre 2024 15h00

Samedi 28 décembre 2024 20h00

Dimanche 29 décembre 2024 15h00

Dimanche 29 décembre 2024 20h00

Mardi 31 décembre 2024 15h00

Mardi 31 décembre 2024 20h00

• de 15 à 149 €

Mercredi 01 janvier 2025 15h00

Jeudi 02 janvier 2025 15h00

Jeudi 02 janvier 2025 20h00

Comédie musicale de tous les records, Les Misérables doit son succès à l’universalité de son histoire, qui a su toucher plus de 130 millions de spectateurs à travers le monde.

Cette nouvelle production, en langue française, 45 ans après les débuts de l’aventure en 1978, permet de redécouvrir de nombreuses chansons devenues intemporelles : J’avais rêvé, À la volonté du peuple, Mon histoire, Le Grand jour … Le livret est remanié pour l’occasion par Alain Boublil. Au service du texte, la mise en scène souligne la dimension symbolique des personnages (Jean Valjean, Cosette, Javert, Les Thénardier, Gavroche…) tout en préservant la fluidité de passage d’un décor à l’autre, caractéristique de l’œuvre. La fresque humaniste de Victor Hugo retrouve dans la musique son ampleur et résonne en tout un chacun : “ Tant qu’il y aura sur terre ignorance et misère, des livres de la nature de celui-ci pourront ne pas être inutiles ”.

Production : Théâtre du Châtelet et SPJL Production – Stéphane Letellier-Rampon, en accord avec Cameron Mackintosh. En accord avec Music Theatre International, Drama Paris et Cameron Mackintosh Ltd.

REPRÉSENTATION RELAX LE JEUDI 2 JANVIER À 15h

Les représentations Relax accueillent les spectateurs dont le handicap peut entraîner des comportements atypiques (autisme, polyhandicap, handicap intellectuel ou psychique, maladie d’Alzheimer…) dans un environnement bienveillant et confortable, dans lequel ils peuvent exprimer leurs émotions sans appréhension. Le public et les artistes sont sensibilisés et les codes habituels de la salle assouplis (possibilité de sortir et rentrer durant la représentation) pour que chacun puisse profiter du spectacle sans crainte.

Carte Châtelet

Bénéficiez d’une réduction de 20 à 30 %, pour une à deux places, sur une sélection de spectacles de la saison, mais aussi de beaucoup d’autres avantages tels que : Achat de places disponibles toute la saison / Possibilité de choisir une catégorie de prix différents par spectacle / Ligne dédiée au 01 40 28 28 00 et par mail à [email protected] / Échanges de places offerts pour une autre représentation du même spectacle (au lieu de 5 €/place) / Avantages auprès de nos partenaires / Invitations à des événements privilégiés : Répétitions ouvertes, rencontres…

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• Les Misérables

Une nouvelle production, en langue française, 45 ans après les débuts de l’aventure en 1978, qui permet de redécouvrir de nombreuses chansons devenues intemporelles.

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• Théâtre du Châtelet
• à partir de 48,50 €
• à partir de 71,10 €
• à partir de 52,80 €
• à partir de 40,90 €

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Paris French Revolution Marie Antoinette Les Misérables Tour

Did Marie Antoinette really say 'Let them eat cake'? Trace the footsteps of French revolutionaries in Paris, find out how historically accurate Les Misérables is, and learn about the execution of King Louis XVI and the Queen Marie Antoinette.

• Hear the epic story of French Revolution in Paris with a 5-Star Expert Guide
• Learn about the causes and effects of the Revolution, its heroes and anti-heroes
• Find out what led to the guillotine of King Louis XVI and Queen Marie Antoinette
• See places featured in Victor Hugo’s novel Les Misérables
• Enjoy an original history-themed tour with live commentary in 1 chosen language

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Activity details.

• Small Group Maximum of 25 participants
• Just buy and we instantly organize Your booking ensure the tour is already fully organized, just come and enjoy!
• Live Guide English
• Walking tour

Why did the French Revolution happen, and what were its effects? Join our Expert Guide on this original history tour to witness the revolt, liberation, and the birth of a new era of democracy in Paris! Discover key facts, the timeline of events and people who shaped the history of France. Hear the true story of Marie Antoinette and Les Misérables!

Take our 2-hour French Revolution Tour to explore the landmarks and stories of passion, ideals, and struggles of a nation in upheaval during a pivotal moment in French history. We begin our exploration at Place de la Bastille, where the storming of the Bastille prison marked the symbolic start of the French Revolution.

We’ll follow in the footsteps of French revolutionaries through the Marais district, which during the 17th and 18th centuries was inhabited mostly by aristocrats, who abandoned their fashionable mansions as the key events unfolded amidst the fervor of revolutionary ideals. We’ll pass not far away from the former residence of Victor Hugo, whose best-selling novel Les Misérables was set in the midst of this tumultuous era.

Another place of interest will be Hôtel de Ville, which was the focus of numerous popular uprisings, and where guillotine executions were held. We’ll also learn about the change in the relationship between the church and the state as we pass Tour Saint-Jaques, the remains of a church that was destroyed during the Revolution. We’ll walk across Pont au Change, which was featured in the novel Les Miserables, and head to Ile de la Cite – the birthplace of Paris. Here, we’ll learn about the last days of Queen Marie Antoinotte, who awaited her trial in Conciergerie.

• French Revolution History, Marie Antoinette and Les Misérables Walking Tour of Paris
• 5-Star Licensed Guide with live commentary in 1 chosen language
• Places where the events of French Revolution took place
• Historical facts, cultural anecdotes and legends about Paris
• Small group of 1-25 people
• Tickets to Conciergerie

Important information

What you should know.

• You should arrive at the meeting point 10 minutes early, as latecomers won’t be able to join the tour or receive a refund.
• The guide will provide commentary in 1 language. Select your preferred language when booking.
• We will have a maximum of 25 participants.
• This tour is not suitable for people with disabilities.
• There is no luggage storage so please do not bring extra clothing, umbrellas, large bags, scooters, etc. Pets are not allowed.
• Tickets to the Conciergerie and other attractions are not included
• We’re not afraid of the sun and rain, so the tour will take place as planned, regardless of weather, so please check the forecast
• and dress appropriately.
• It is a walking tour, so we recommend wearing comfortable shoes.
• Customer Info on the voucher :

1. Please arrive 10 minutes before the tour starts. You will not be able to join the tour or receive a refund if you are late. 2. It is possible to cancel and modify the booking, e.g. change the number of participants, through the portal system on which you made the reservation. Please contact their Customer Service if you need assistance. 3. The guide will arrive 5-10 minutes before the scheduled start time. You may contact us if you arrive during this time but your guide is not there. 4. There is no luggage storage for umbrellas, large bags, suitcases, etc. 5. Pets are not allowed. 6. The tour is not suitable for people with disabilities. 8. Tips are greatly appreciated if you are satisfied with the tour. 9. Did you know that bad weather is a common reason for dissatisfaction with a tour? Don’t let extreme weather spoil your experience, check the forecast and dress appropriately for the conditions, rain or shine.

Why choose Rosotravel.com

Customer reviews

• Customer Service: 4.55 4.55 / 5
• Organization: 4.55 4.55 / 5
• Value for money: 4.55 4.55 / 5
• Guide: 4.55 4.55 / 5

Only customers who have purchased this product may leave a review.

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Les Misérables

June 17 – 23.

The epic Les Misérables , based on Victor Hugo’s 1862 novel, returns to The Muny to make history once again. Set against the backdrop of post-Revolutionary France, this celebrated mega-musical follows the journey of Jean Valjean, an ex-convict seeking a fresh start, and his relentless pursuer, Javert. Its powerful songs and thrilling story of love, passion, sacrifice and redemption have been beloved the world over for generations. 

 Music by  CLAUDE-MICHEL SCHÖNBERG   • Lyrics by  HERBERT KRETZMER  • Book by  ALAIN BOUBLIL, CLAUDE-MICHEL SCHÖNBERG   

Performance time 8:15 p.m. nightly • Running time 2:45 including intermission

More videos!

About the show, show content guidelines.

Les Misérables is a true cultural phenomenon, based on Victor Hugo’s 1862 French novel of the same name. The sprawling plot centers on the fugitive and sacrificial existence of reformed ex-convict Jean Valjean, lived out within the inscrutable urban landscape of 19th-century Paris, which is overtaken by a deadly youth uprising in Act 2. Along the way, the story contrasts the transformative power of love and redemption with the dogged threat of retribution, which chases Valjean to the end.

Ratings and age restrictions are not issued for The Muny’s professionally licensed shows, but we offer the following notes regarding content that may have a bearing on patron comfort.

Language • The words bastard, bitch, damn, hell, slut and whore and are each used several times. The words hussy, pissed and shit are each used once.

Sexual Innuendo • Prostitution is depicted in several scenes and is the topic of one song.

Drugs and Alcohol • Characters reference alcohol or drink in several scenes.

Violence • The show includes a youth uprising in which many characters are killed.

Mature Content • A character dies by suicide onstage.

Special Effects • Includes haze, gunshots and a blinding effect.

Story Synopsis

PROLOGUE: 1815, DIGNE

Jean Valjean, released on parole after 19 years on the chain gang, finds that the yellow ticket-of-leave he must, by law, display condemns him to be an outcast. Only the saintly Bishop of Digne treats him kindly. Still, Valjean, embittered by years of hardships, repays him by stealing some silver. Valjean is caught and brought back by the police, but he is astonished when the Bishop lies to the police to save him, also giving him two precious candlesticks. Valjean decides to start his life anew.

1823, MONTREUIL-SUR-MER

Eight years have passed, and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has become both a factory owner and Mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. The foreman, whose advances Fantine has rejected, throws her out.

Desperate for money to pay for medicines for her daughter, Fantine sells her locket and her hair, then joins the whores in selling herself. Utterly degraded by her new trade, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when the “Mayor” arrives and demands that she be taken to the hospital instead.

The Mayor then rescues a man pinned down by a runaway cart. Javert is reminded of the abnormal strength of the convict 24601, Jean Valjean, a parole-breaker whom he has been tracking for years but whom, he says, has been recaptured. Valjean, unable to see an innocent man go to prison in his place, confesses to the court that he is prisoner 24601. At the hospital, Valjean promises the dying Fantine that he will find and look after her daughter, Cosette. Javert arrives to arrest him, but Valjean escapes.

1823, MONTFERMEIL

Young Cosette has been lodged for five years with the Thénardiers, who run an inn. They have horribly abused the little girl, whom they use as a skivvy, while indulging their own daughter, Éponine. Valjean finds Cosette fetching water in the dark. He pays the Thénardiers to let him take her away to Paris.

1832, PARIS

Nine years later, there is a great unrest in the city because of the likely demise of the popular leader, General Lamarque, the only man left in the government who shows any empathy for the poor. The urchin, Gavroche, is in his element mixing with the whores and the beggars of the capital. Among the street-gangs there is the one led by Thénardier and his wife, which sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognize Valjean until he has gone.

The Thénardiers’ daughter, Éponine, who is secretly in love with the student, Marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love.

At a political meeting in a small café, a group of idealistic students prepare for the revolution they are sure will erupt following the death of General Lamarque. When Gavroche brings news of the General’s death, the students, led by Enjolras, stream out into the streets to whip up popular support. Only Marius is distracted by thoughts of the mysterious Cosette.

Cosette is consumed by thoughts of Marius, with whom she has fallen in love. Valjean realizes that his “daughter” is changing very quickly but refuses to tell her anything of her past. Éponine brings Marius to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert lurking outside his house, tells Cosette they must prepare to flee the country.

On the eve of the revolution, the students and Javert see the situation from different viewpoints; Cosette and Marius part in despair of ever meeting again; Éponine mourns the loss of Marius; and Valjean looks forward to the security of exile. The Thénardiers, meanwhile, dream of rich pickings underground from the chaos to come.

INTERMISSION

The students prepare to build the barricade. Marius, noticing that Éponine has joined the insurrection, sends her with a letter to Cosette, which is intercepted at Rue Plumet by Valjean. Éponine decides, despite what he has said to her, to rejoin Marius at the barricade.

The barricade is built, and the revolutionaries defy the army’s warning for them to give up or die. Gavroche exposes Javert as a police spy. In trying to return to the barricade, Éponine is shot and killed.

Valjean arrives at the barricade in search of Marius. He is given the chance to kill Javert but instead lets him go.

The students settle down for a night on the barricade, and Valjean prays to God to save Marius from the onslaught that is to come. The next day, with ammunition running low, Gavroche runs out to collect more and gets shot. The rebels are all killed, including their leader, Enjolras.

Valjean escapes into the sewers with the unconscious Marius. After meeting Thénardier, who is robbing the corpses of the rebels, Valjean emerges into the light only to meet Javert once more. He pleads for time to deliver the young man to a hospital. Javert lets Valjean go, and — his unbending principles of justice having been shattered by Valjean’s own mercy — Javert throws himself into the swollen River Seine.

A number of Parisian women come to terms with the failed insurrection and its victims.

Unaware of the identity of his rescuer, Marius recovers in Cosette’s care. Valjean confesses the truth of his past to Marius and insists that, after the young couple are married, he must go away rather than taint the sanctity and safety of their union.

At Marius and Cosette’s wedding, the Thénardiers try to blackmail Marius. Thénardier says that Cosette’s “father” is a murderer and as proof produces a ring that he stole from the corpse in the sewers the night the barricade fell. It is Marius’ own ring, and he realizes it was Valjean who rescued him that night.

Marius and Cosette go to Valjean, where Cosette learns for the first time her own history before the old man dies.

Seth Sklar-Heyn

Choreographer

James Moore

Music Director/ Conductor

Ann Beyersdorfer

Scenic Design

Gail Baldoni

Costume Design

Jason Lyons

Lighting Design

John Shivers

Co-Sound Design

David Patridge

Video Design

Ashley Rae Callahan

Willie Porter

Production Stage Manager

Artist Spotlight

As part of the 106th Muny season, we’re excited to debut a feature we’re calling Artist Spotlight. Meet John Riddle , our Jean Valjean, our spotlight artist for Les Misérables !

JOHN RIDDLE

Jean Valjean

received a St. Louis Theater Circle Award for his performance of Anatoly Sergievsky in last season’s production of Chess . Other Muny: Disney’s The Little Mermaid , Titanic , Show Boat , Legally Blonde and others. Broadway: The Visit (OBC), Frozen (OBC) and Raoul in the final company of The Phantom of the Opera . Off-Broadway/NY: Cal Hockley in Titanique the Musical (Lortel nomination), The Secret Garden in Concert (Lincoln Center), Cinderella’s Prince in Into the Woods (Town Hall). National tour: Evita . Regional: Kennedy Center, Long Wharf Theatre, Goodspeed, Pittsburgh Civic Light Opera, Casa Mañana, Naples Opera. Other: Cincinnati Pops Orchestra, American Pops Orchestra.

JORDAN DONICA

most recently starred as Sir Lancelot in the Lincoln Center Theater production of Camelot , for which he received a Tony Award nomination. He originated the role of Freddy Eynsford-Hill in the Tony-nominated My Fair Lady (Lincoln Center Theater) and starred as Raoul in Broadway’s The Phantom of the Opera . New York City Center Encores!: Into the Woods (Rapunzel’s Prince). Tour: Hamilton (first national tour, Marquis de Lafayette/Thomas Jefferson, SF/LA companies). Concerts: Washington National Opera, Pasadena Symphony, The New York Pops (Carnegie Hall), Indianapolis Symphony and Lincoln Center Theater’s Camelot. Featured performer at the American Songbook Hall of Fame. TV: Jordan Chase in the CW’s Charmed . Directing: The Exonerated in conjunction with the Center on Wrongful Convictions, Little Prints by Anna Mulhall. “Every day is a gift.”

On Broadway, Teal originated the roles of Lady in The Cher Show , Mary Barrie in Finding Neverland and Emma Carew in the revival of Jekyll & Hyde . She made her Broadway debut as Elphaba in Wicked after playing the role to critical acclaim in Los Angeles and San Francisco. Off-Broadway and across the US, Teal has created lead roles in The Ballad of Little Jo (Two River Theater), The Blue Flower (Second Stage/A.R.T.), Piece of My Heart: The Bert Berns Story (Signature Theatre NYC), The Life of the Party (TheatreWorks, with Andrew Lippa) and Fahrenheit 451 (59E59). TV/streaming appearances include The Peripheral (Amazon), The Night Agent (Netflix), NCIS: New Orleans, Evil , Elementary , The Good Wife , Chicago Justice .

RED CONCEPCIÓN

Broadway: Chicago (Amos Hart). National/International tours: Miss Saigon (The Engineer, US national and UK/Ireland tours). Asian and Philippine credits: Priscilla, Queen of the Desert (Adam/Felicia; Manila and Singapore; Gawad Buhay Outstanding Male Lead in a Musical and Aliw Award for Best Actor in a Musical), Equus (Alan Strang), The Normal Heart (Tommy), Annie (Rooster), Rodgers & Hammerstein’s Cinderella (Lionel), West Side Story (A-rab) and more.

Madame Thénardier

The Muny: Disney & Cameron Mackintosh’s Mary Poppins , The Color Purple. Off-Broadway: Vanities . Regional: Disney’s Beauty and The Beast (Belle), A.D. 16, The Amen Corner , Macbeth , Into the Woods , The Wiz , 110 in the Shade , Sweeney Todd , School Girls; or, The African Mean Girls Play. TV: Chicago P.D., Cinderella: The Reunion, A Special Edition of 20/20 (ABC).

The Bishop of Digne

has performed in over 45 shows on the Muny stage. Ken is widely known as the voice of Mr. Oogie Boogie in the classic Disney/Tim Burton animated film The Nightmare Before Christmas . He has performed the score live at The Hollywood Bowl, Barclays Center NY, LA’s Banc of California Stadium, Glasgow, London (SSE Arena, Wembley), Dublin and Tokyo. Film: Dreamgirls , Torch Song Trilogy , All Dogs Go to Heaven and more. Ken made his Broadway debut in the all-Black revival of Guys and Dolls as Nicely-Nicely Johnson (Theatre World Award). Other Broadway: Cats (Old Deuteronomy, OBC video/film cast), Ain’t Misbehavin’ (OBC, LA, Paris, Drama Desk Award for Best Actor, Grammy Award cast album), The Wiz (Lion). London’s West End: Children of Eden (Father, OLC), My One and Only in Concert (London Palladium). Mr. Page’s solo concert, Page By Page , was released on CD (LML Music). He is the recipient of a Lifetime Achievement Award from the Manhattan Association of Cabaret Artists (MAC), Project One Voice/Black Theatre and the St. Louis Arts Foundation.

EMILY BAUTISTA

made her Broadway debut in the 2017 revival of Miss Saigon , where she understudied the lead role of Kim. She later returned to the role full time on the first national tour. In between the Broadway and touring productions of Miss Saigon , Emily took on the role of Éponine in Cameron Mackintosh’s North American touring production of Les Misérables . Following her time on tour, Emily made her London debut in the world premiere of Vanara: The Legend in the lead role of Ayla. On television, she is recognized for her role as Elodie on Pretty Little Liars: Original Sin . Additionally, Emily has made notable appearances in films The Compound (2021) and Which Brings Me to You (2023).

GRACIE ANNABELLE PARKER

Regional: Guys and Dolls (Sarah Brown, The Carnegie), Brigadoon (Fiona, Wagon Wheel), Legally Blonde (Ensemble). Gracie is a recent graduate of the University of Cincinnati College-Conservatory of Music, BFA musical theatre.

PETER NEUREUTHER

Regional: Newsies (Jack Kelly) at the Warsaw Federal Incline Theater. Peter is a recent graduate of the University of Cincinnati’s College-Conservatory of Music (CCM).

JAMES D. GISH

Broadway: Wicked (Fiyero). Off-Broadway:  The Light in the Piazza (Fabrizio, New York City Center Encores!),  The Jerusalem Syndrome (Mickey Rose, York Theatre, OOBC). National tours: Beautiful (Gerry Goffin), Les Misérables (Feuilly). Recent regional: Daddy Long Legs (Jervis, Phoenix Theatre Co.), West Side Story (Tony), Newsies (Jack Kelly) and The Toxic Avenger (Toxic Avenger).

KATE KAPPEL

Little Cosette

was last seen at The Muny in The Sound of Music (Gretl von Trapp) and in the Youth Ensemble of Joseph and the Amazing Technicolor Dreamcoat and Sister Act . Kate is 12 years old and just finished the sixth grade at South City Catholic Academy in St. Louis. She is a vocal student at Lisa Christine Studios and learns dance at the Professional Dance Center, where she is a member of the Ensemble competition team. Kate is a member of the Muny Kids and Muny Holiday troupes.

GRACE MOORE

Young Éponine

is 10 years old and is going into fifth grade, where she sings with her school choir and is a student house leader. Grace studies dance at Performing Arts Centre. She performs with the competition team and is a classroom helper. She studies voice with Kelly Stinnett Studios.

WILL SCHULTE

Petit Gervais/Gavroche

made his Muny debut in the Youth Ensemble of Beauty and the Beast last summer and is so excited to be performing with the Muny Kids touring troupe this summer. Will has also performed with Gateway Center for Performing Arts and was most recently seen as Kassim in Aladdin Jr. at his school. Will studies voice with Katie Kopff and also enjoys playing tennis. He will be attending St. Louis University High School in the fall.

Ensemble and Swings

Lee H. Alexander, Leah Berry, Patrick Blindauer, MatÍas De La Flor, Chris Hunter, Dan Klimko, Ángel Lozada, Daniel Brooks McRath, Sydni Moon, Grant Pace, Sarah Pansing, Nicholas Pattarini, Tim Quartier, Shelby Ringdahl, Matt Rosell, Grace Marie Rusnica, Liz Shivener, Sydney Short, Cecilia Snow, Kyle Timson, Noah Van Ess, Annie Zigman

Youth Ensemble

Langston Casey, Harrison Dunsworth, Julia Gerling, Tyler Gregg, Trixie Lu Kohlenberger, Amelie Lock, Courtney Lucas, Alex Malone, Drew Mathers, Emerson Mattia, Aspen Meyer, Brynn Meyer, Kyra Mitchem, Jack Mullen, Sherrod Murff, Gavin Nobbe, Eli Oster, Jarod Rhodes, Jack St. John, Eliana Thomas, Fiona Weber, Tatum Wilson, Julia Worley

St. Louis Symphony Chorus Supernumeraries

Nicholas Bashaw, Annemarie Bethel-Pelton, Rachel Buttram, Laurel Dantas, Mary Donald, Lea Luecking Frost, Megan Glass, John Herget, Matthew Jellinek, Jei Mitchell Evans, Hannah Nelson, Brian Pezza, Valerie Reichert, Greta Rosenstock, Paul Runnion, Matthew Stansfield, Philip Touchette, Robert Valentine, Nicole Weiss, Tristan Wood

Members of the St. Louis Symphony Chorus are appearing as a courtesy and in partnership with the St. Louis Symphony Orchestra.

Creative Team

SETH SKLAR-HEYN

directed the current London production of  The Phantom of the Opera , as well as the 2020 UK/Ireland tour (both based on Harold Prince’s original staging). Seth has served as executive producer for Cameron Mackintosh Inc. since 2013, working on all recent Broadway and North American touring productions of  Phantom ,  Miss Saigon  and  Les Misérables . Seth directed the Australian premiere of the new production of  Phantom  at Sydney Opera House in 2022 (based on Laurence Connor’s original staging). Previously, Seth directed US tours of  Frost/Nixon  and  Evita  (both based on Michael Grandage’s original staging). Additional Broadway and touring credits include  Evita ,  A Little Night Music ,  Finian’s Rainbow ,  Mary Stuart ,  Rock ’n’ Roll ,  Frost/Nixon ,  The Coast of Utopia ,  Good Vibrations  and  Billy Elliot . Graduate of Vassar College.

On Broadway, Jesse is the co-choreographer of the new musical  Water for Elephants . He recently choreographed the twice-extended 2023 production of  Spamalot  at the Stratford Festival of Canada. He was the associate choreographer to Bob Avian for the Tony-nominated revival of  Miss Saigon  and staged the subsequent North American tour and Austrian companies. Jesse is also the movement director for both the North American tour and South Korean productions of  Les Misérables . His work has been produced regionally at Theatre Calgary, Ogunquit Playhouse and The 5th Avenue Theatre.

JAMES MOORE

Music Director

Muny:  Sweeney Todd ;  1776 ;  Gypsy ;  The Music Man ;  Holiday Inn ;  Hello, Dolly! ;  West Side Story ;  Meet Me in St. Louis ;  The Producers . Broadway:  Miss Saigon ,  On the Town ,  Gigi ,  Follies ,  South Pacific ,  Ragtime  (original, revival companies),  Steel Pier ,  Company . National tours:  The Producers ;  Kiss Me, Kate ;  Crazy for You ;  And the World Goes ’Round . Encores! Off-Center:  Road Show . Kennedy Center:  The Music Man  starring Norm Lewis,  Camelot  starring Brian Stokes Mitchell,  My Fair Lady  starring Jonathan Pryce,  Mame  starring Christine Baranski. Recordings:  On the Town ,  Follies . Moore is music supervisor for the North American touring production of  Les Misérables . He holds master’s and bachelor’s degrees from the Indiana University Jacobs School of Music.

MICHAEL HORSLEY

Associate Musical Director

is music supervisor for The Muny, music director for the San Francisco Conservatory of Music Opera/Music Theatre Department, and on staff at Webster University. Broadway:  Chicago ,  Seussical . National tours:  White Christmas ,  Thoroughly Modern Millie ,  Chicago  (with Chita Rivera and Ben Vereen),  42nd Street ,  Seven Brides for Seven Brothers , Rodgers + Hammerstein’s  Cinderella . Solo concerts for Lee Roy Reams, Judy Kaye, Luci Arnaz, Shirley Jones, Karen Mason, Tovah Feldshuh. Vocal direction: Detroit Symphony (holiday concert series), National Symphony, Birmingham Symphony. Select Regional Theatre:  Roman Holiday  (Guthrie Theater),  White Christmas  (Wang Theatre, Detroit’s Fox Theatre, Toronto’s Sony Center),  On a Clear Day …  (Music Theatre Wichita),  Fiddler on the Roof  (American Musical Theatre of San Jose),  A Chorus Line  (Pioneer Theatre),  The Full Monty  (North Carolina Theatre).

• Cast & Creative
• Tour Dates & Tickets

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Cameron’s Mackintosh’s production of Boublil and Schönberg’s  LES MISÉRABLES: THE ARENA SPECTACULAR  will embark on a World Tour from this September with strictly limited UK dates. Expanded from the hugely successful  Les Mis é rables The Staged Concert , which played for over 200 record-breaking performances in the West End, this spectacular production will have an extraordinary new design specifically created for larger venues with a cast and orchestra of over 65.

Tickets are now on sale for the only UK and European dates. CLICK HERE for tour dates and to book tickets.

Initial UK and European casting now announced. CLICK HERE to find out more.

Trailer features initial UK casting. Please note that the appearance of any artist is not guaranteed and is subject to change without notice. Full casting to be announced.

The World Tour begins

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Take a Tour of Victor Hugo’s Paris

As a film version of his Les Miserables hits theaters, consider traveling in the French writer’s footsteps

Nina Fedrizzi

Legend has it that Victor Hugo, the prolific French scribbler whose body of published work amounts to seven novels, 18 volumes of poetry and 21 plays, also holds the record for the world’s shortest correspondence. In 1862, while in exile on the British Isle of Guernsey for speaking out against Napoleon III, Hugo telegrammed his publisher “?” demanding the reaction to the release of his latest novel, Les Misérables . The reply: “!”

A century and a half later, “!” is still an apt description of Hugo’s epic masterpiece, which is still spawning numerous iterations on the page, stage and screen. In fact, many modern admirers may only be familiar with the iconic, 1980 musical production of the story created by Alain Boublil and Claude-Michel Schönberg. It is this stage version of Les Misérables that will be brought to life again this month in director Tom Hooper’s film starring Hugh Jackman as Jean Valjean, the redeemed convict who prevails in the face of repeated persecution, and Anne Hathaway as the downtrodden single-mother, Fantine. Amanda Seyfried will play Valjean’s adopted daughter, Cosette.

“The story is, in many ways, a love affair with Paris,” says Kathryn Grossman, a French professor at Pennsylvania State University who has authored four books on Hugo and Les Misérables . She notes that at the time of its release, Les Mis was both a call to arms for the French people and a lamentation of the “old Paris” that Hugo loved.

The controversial urban planner, Baron Haussmann, razed much of Hugo’s old Paris in the mid-19th century while the writer was in exile. The labyrinth of narrow, interweaving streets and hidden neighborhoods, relics of the medieval age, was leveled into the broad, sidewalk-bordered avenues that define modern Paris. This was both an effort to quell the city’s rampant congestion and the disease it fostered, and to prevent the building of revolution barricades. Today, though, it is still possible for travelers to find echoes of the Paris that Hugo once knew, from the house where he lived and the places he frequented, to the subterranean abyss that haunts the pages of the author’s most enduring novel.

Maison de Victor Hugo

The first stop for any Hugophile in Paris is undoubtedly the writer’s home-turned-museum on the second floor of the Hôtel de Rohan-Guéménée, where he lived from 1832 to 1848 with his wife Adèle and their four children. It was in this apartment, in the crimson-draped drawing room, that Hugo solidified his position as the father of French Romanticism. It is also the place where he wrote two collections of poetry, plays such as “Ruy Blas” and “Les Burgraves,” and a portion of Les Misérables . He started Les Mis in 1845 and worked for 17 years, spending the entire last year at Guernsey making corrections—eight hours a day—to the manuscript.

The museum is divided to illustrate the three sections of Hugo’s life: before, during and after exile. It contains hundreds of his drawings and is decorated with artifacts collected by the writer during his travels. The China Room exhibition, which represents his exile in Guernsey, was designed by Hugo for his mistress, Juliette Drouet, and is scattered with romantic allusions to her.

6 Place des Vosges 75004 Paris Tel: 01 42 72 10 16 Metro: Bastille, Saint-Paul ou Chemin Vert

Hours: Tuesday to Sunday from 10am to 6pm; closed on Mondays and public holidays

Admission: Free for permanent collections

  Church of Saint Paul – Saint Louis

Located in the Marais neighborhood, this Baroque church serves as the setting for Cosette and Marius’s nuptials in Les Mis. After the wedding, Hugo writes, “People halted in the Rue Saint-Antoine, in front of Saint-Paul, to gaze through the windows of the carriage at the orange-flowers quivering on Cosette’s head.” The Jesuits constructed Saint Paul-Saint Louis from 1627 to 1641, and the church’s 180-foot dome, intricate carvings and shadowy corners appear much as they did 200 years ago. Hugo was a parishioner of the church and donated the shell-shaped holy water fonts on either side of the entrance. Like Cosette, Hugo’s daughter Léopoldine was married in Saint-Paul in 1843.

99 Rue Saint-Antoine 75004 Paris Metro: Saint-Paul

Jardin du Luxembourg

Paris’s second largest park is one of the most beloved spots in the city, for locals and visitors alike. Just south of Luxembourg Palace, where the French Senate meets, the garden was created in the early 1600s by Marie de Medici and modeled after parks in her native Florence. Hugo was just one of many writers to appreciate Luxembourg’s charms: Baudelaire, Sartre, Balzac and Hemingway were also frequent guests. In  Les Mis , Luxembourg’s tree-lined alleyways and private nooks offer the perfect place for Marius to observe Valjean and Cosette on their daily trips to the park, and later to catch Cosette’s attention for the first time, “one day, when the air was warm, the Luxembourg was inundated with light and shade… [and] the sparrows were giving vent to little twitters in the depths of the chestnut trees.”

Rue de Médicis Rue de Vaugirard 75006 Paris Tel: 01 42 64 33 99 Metro: Odéon

Hours:  Opens between 7:15 a.m. and 8:15 a.m. and closes between 2:45 p.m. and 9:30 p.m., depending on the season

La Comédie-Française

Louis XIV established the world’s longest-running national theater in 1680 with a royal decree signed at Versailles. In 1830, Hugo—by then a driving literary force in Paris—set out to bring Romanticism to the steadfastly conservative Comédie-Française with his controversial new play,  Hernani . While the critics organized to boo the play off the stage, Hugo found himself at the head of a young Romantic army, literally. His supporters arrived opening night dressed in eccentric outfits, ate and relieved themselves in the theater, and rose to meet their  bourgeois  dissenters with applause, jeers and fisticuffs. The ‘Battle of Hernani,’ as the melee was later known, played out 39 times, and it became a spark plug for Paris’s greater societal and political tensions. Today, visitors to the company’s three theaters can enjoy tamer shows by some of its most famous playwrights, Jean-Baptiste Molière and Jean Racine, and even Hugo’s “Hernani,” which will run through February 2013.

Salle Richelieu (company’s main theater) 2 Rue de Richelieu 75001 Paris Tel: 33 825 10 16 80 Metro: Palais Royal-Musée du Louvre

Le Grand Véfour

One of Hugo’s favorite spots to eat was the Grand Véfour in the Palais-Royal, which first opened its doors (as the Café de Chartres) in 1784. Though the menu has changed, the restaurant’s gilded frames, neoclassical paintings and mirrored walls are original. During the 19th century, the Véfour served as a hangout for the literary elite; Hugo and his friends even ate there before the “Battle of Hernani.” The writer’s order was always the same: vermicelli noodles, mutton and white beans. Today, the Michelin-starred restaurant, helmed by Chef Guy Martin, is known for rich French dishes such as duck liver ravioli and Prince Rainier III pigeon. Reserve a seat at the “Hugo table” near the window, with its courtyard view.

17 Rue de Beaujolais 75001 Paris Tel: 33 1 42 96 56 27 Metro: Pyramides, Palais Royal-Musée du Louvre

Notre-Dame Cathedral

The Hunchback of Notre-Dame  (1831), Hugo’s great tale about a disfigured bell ringer and a 12th-century cathedral, made him the most famous writer in Europe. Hugo was a frequent visitor to the church, and at its heart,  Hunchback  is a story about preservation; when the book was published, most Parisians­—when they thought of it at all—saw Notre-Dame as a shabby, moth-eaten antiquity. The novel’s   popularity drew thousands of tourists to the grand edifice on the Îsle de la Cité, a natural island in the Seine, and it was finally restored in 1844. Today, visitors still flock for a chance to view the cathedral’s Gothic bell towers, flying buttresses and  rosace  stained-glass windows. Notre Dame offers free, hour-long tours each day, with information on its history, architecture and more.

6 Parvis Notre-Dame, Place Jean-Paul II 75004 Paris Metro: Cité or Saint-Michel

Hours:  Mon-Fri, 8 a.m. to 6:45 p.m.; Sat-Sun, 8 a.m. to 7:15 p.m.

Musée des Égouts de Paris  (Paris Sewer Museum)

Paris’s underworld features heavily in  Les Misérables,  most famously its sewers, which once branched for a hundred miles beneath the city’s cobbled streets. It is here that Jean Valjean escapes in one of the book’s most dramatic scenes, fleeing the barricade with a wounded Marius on his back. “An abrupt fall into a cavern; a disappearance into the secret trapdoor of Paris; to quit that street where death was on every side, for that sort of sepulchre where there was life, was a strange instant,” writes Hugo. Baron Haussmann’s overhaul left few stones unturned, including the black, squalid sewer tunnels of Hugo’s day. But, visitors to the city can still catch a glimpse of Paris’ underground at the Musée des Égouts, which offers hour-long tours chronicling the sewer system’s modern development—no hazmat suit required.

Face au 93 Quai d’Orsay 75007 Paris Tel: 33 1 53 68 27 81 Metro: Alma-Marceau

Hours:  Mon-Wed, Sat-Sun 11 a.m. to 4 p.m. (October-April), 11 a.m. to 5 p.m. (May-September), Closed Thursday and Friday.

Admission:  adult/child €4.30/3.50

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Valjean, beyond Les Misérables

• Information

1 hour 15 minutes

No intermission

One-man-show

Suitable for all ages

100% in English

Highlights: Valjean, beyond Les Misérables

An intimate look at Victor Hugo's Les Misérable hero, Jean Valjean. Valjean's story is one of rising from the ashes, His moral battle from prisoner and fugitive, to business man and loving guardian has turned him into a French literary hero. But once his beloved Cosette leaves his side, how can life go on? Glimpse the Jean Valjean beyond Les Misérables in a unique original performance.

Story: Valjean, beyond Les Misérables

Valjean's journey from a fierce hatred of the human race to the discovery of love, embodying an elevation of consciousness. He is an anti-hero who became a heroic icon, but he remains a human being above all and therefore, he is deeply vulnerable.

This original intimate adaptation of Les Misérables offers a new approach – simple, essential and intimate - of Victor Hugo’s masterpiece. Inspired by the literary hero since childhood, the talented performer has been enthralling audiences with his original work, a personal dive into the inner workings and reflections of Jean Valjean.

A truly unique way to experience French literature, all in the most perfect of settings: an intimate neighborhood theatre in the very heart of Hugo's Paris. Under the sloped vaulted ceilings of the Essaion cave, prepare yourself for a journey back to Paris in the early 19th century.

I truly recommend this show. A wonderful text performed by a brilliant actor.

The performance and the writing are remarkable

An excellent actor, from the first few minutes, he brings us on a journey. From the beginning to the end, it's captivating. A must see!

The actor doesn't just play Jean Valjean, he is Jean Valjean! This show is a magnificent dive into the world of Victor Hugo. After the show all you want to do is read or reread the story. Bravo!

Théâtre Essaïon

History and fun facts about théâtre essaïon.

Fast facts Capacity: 102 Handicap Accessible: Unfortunately, no. This underground venue is accessible only via staircase. Air conditioning: No, but as it is underground, this venue is naturally cool! Heating: Oui Coat Check: No

Is the show accessible to English speakers?

The show is originally performed in French, the language of Victor Hugo himself. But luckily the bilingual actor has decided to hold a weekly performance 100% in English, so everyone can appreciate the story of Valjean, hero of Les Miserables.

How do I get to the theatre?

The Théâtre Essaion is located in the very heart of the city, accessible by lines 1 and 11, and the closest metro stations are Hôtel de Ville and Rambuteau. Our hotline can be reached in case of difficulty finding the theatre weekdays from 10 am to 7pm Paris time. For details, we invite you to consult the map below.

What do I do when I get to the theatre?

We invite you to arrive 15 minutes before the beginning of the show, and present your voucher at the front desk. The theatre's English-speaking staff members will guide you to your seats.  

Can I purchase a programme?

Tickets for Valjean, beyond Les Misérables do not include a programme.

How long does the show last?

The show lasts one hour and fifteen minutes with no intermission.

Is it a show for travelers or French people?

Both! Valjean, beyond Les Misérables has been appreciated by French audiences for years, and we're thrilled the team has decided to transform the show into a bilingual work of art! Performances 100% in English mean everyone can be transported back to the world of Victor Hugo.

Is tipping customary?

The Essaion is a very small theatre with open seating. It is therefore not expected that you will tip the usher. However, if you feel like rewarding a very nice welcoming host, please note that ushers will usually expect a small tip of between 2€ and 5€, which you can give them when they've shown you to your seat. Fun fact: the French word for “tip” is “pourboire,” which literally translates to “to have a drink.”  

• 631.600.1120

Private Victor Hugo's Paris Tour

No character plays a larger role in some of his novels than the city of Paris, and few writers have left such an impact on the character of the City of Light as Victor Hugo. Even so, visiting the Paris of Victor Hugo is not easy to do today, because there is very little left of the exotic and sinister city that he so compellingly portrayed. Relentless modernisation has sanitised and swept most of that away, and our private tour of Victor Hugo’s Paris is one of the only ways available today to see what he portrayed. Here and there, if you know where to look, glimpses still remain, and we will take you to them.

At Paris Luxury Tours, our private Victor Hugo tours take you, in a comfortable sedan driven by your personal bilingual guide, who is intimately familiar with the poet and novelist’s writings, to his city and to his Notre Dame de Paris cathedral. One of his novels, relating to a certain hunchback, helped save it from destruction. Our private Victor Hugo tours can also include a visit to the Paris sewers immortalized in Les Misérables (transformed by Haussmann), followed by his 21 other neighborhoods and places where he either lived, frequented, or about which he wrote in his novels.

Interested In Our Private Victor Hugo Paris Tour?

We will visit his 1832-48 home at the place de Vosges in the Marais, where we will explore the apartments he occupied (which have been recently refurbished) and where there is an extensive collection of his manuscripts and drawings. We will also pass by the site of his last home on the Avenue Victor Hugo, as well as visit the Rodin statue of him at the near-by intersection of Henri Martin avenue. We continue by passing on to the Arc de Triomphe, from where his funeral procession to the Panthéon originated, which was attended by two million citizens who paid him homage, even more than turned out for Napoléon.

We will also trace his last voyage to his resting place at the Panthéon, which we will enter to visit his tomb.

“Shahin, Just a quick note to let you know how much we enjoyed the tour of the Loire Valley [Custom Loire Valley Day Tour from Paris of 2 chateaux and 1 wine estate]. Let me start by saying the best part of the trip was meeting you and listening and learning about the history of France and specifically Chenonceaux. Your comments and guidance throughout the day made the experience far more than just a sight-seeing trip. Lunch was great and so were Amboise and the wine tasting. I can’t thank you enough for putting this tour together for us, we will enjoy the memories for years to come. Merci beaucoup,”

Stephen Kelly – San Francisco, CA

For more information or to schedule a tour, please contact us at our

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Full Day Private Tours

Tour prices.

Your price is determined by the number of persons in your party, as follows:

• 1 - 3 Persons: $1375 US
• 4 - 5 Persons: $1475 US
• 6 - 8 Persons: $1625 US

Our price includes our provision of our guide and an upscale vehicle for the number of hours required, plus fuel, tolls and parking fees. Snacks, drinks, meals, gratuities, and entry/tasting fees at places that charge them are not included in our tour fee.

• Cast & Creative

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