not on tour therapy lyrics

INTERRUPTERS SUPPORT & SUMMER FESTIVALS

Whaaat!! We’re supporting Interrupters at their shows in Hamburg and Amsterdam! And we’ll play a sweaty little punk rock show in Münster on our way to JERA ON AIR.  Check out our summer dates in the tour dates section

GROWING PAINS RELEASE TOUR

We’re coming to a town near you and we’re bringing our new album!

Check out tour dates here

New single & video “Therapy”

We just released our first single off our coming album ‘Growing Pains’. Check out “Therapy” on our bandcamp or spotify

There’s also a video to look at Right here!

Hamburg (Interrupters Support)

Amsterdam (interrupters support), jera on air, krach am bach festival, brakrock eco fest, xtreme fest, punk rock holiday, sima - vocals, mati - guitar, gutzy - drums.

Not On Tour was formed in 2008 as a joke, a band project to play during the summer and entertain all the left-behind punks in Tel Aviv, who were also “not on tour” and stranded. Too bad the set turned out great, the shows to be fun and the band too excited to ever break up. Here they are today, 10 years later with a tour history that is quite the opposite of what was once intended.

The four friends have been touring all over the globe since 2014, Japan with Strung Out and A Wilhelm Scream, Russia with Satanic Surfers and Useless ID, Europe with Descendents, Propagandhi, Lagwagon, Feine Sahne Fischfilet, Pennywise, Face To Face, Good Riddance, Pears, No Trigger, Chixx Diggit and Masked Intruder. Festivals like Groezrock (BE), Punkrock Holiday (SLO), Xtreme Fest (F), Brakrock (BE), Gasteiz Calling (ESP) and more have been played multiple times. They became road warriors quickly, and made sure to bring the party to where they could.

Not On Tour’s music is pure melodic punk rock energy, keeping the crowds dancing wherever they go. Armed with an in-your-face mentality, the band is throwing intense shows with songs rarely passing the 90 seconds mark. Not On Tour delivers a positive, raw punk rock sound with lyrics about the challenges of life, mental health, politics, love, fun but also day-to-day struggle, paired with catchy tunes and impressive female front vocals, ranging between anger and soul. Their obvious hardcore influences push the melodies forward, while voluminous backing harmonies do the rounding off and turn songs into punk rock anthems.

Three Full Length albums and one EP have been released to the world so far: Self Titled (2010), N.O.T EP (2011), All This Time (2012) and Bad Habits (2015, produced by Yotam Ben Horin of Useless ID). Their next album “Growing Pains” (produced by Ishay Berger of Useless ID) will be released on April 12th via SBÄM Records and La Agonía de Vivir . You can look forward to 20 songs, on an LP that will approximately be about 30 minutes long. And a mad tour all over the place, that’ll bring “Growing Pains” straight to your neighborhood.

Growing Pains (2019)

Listen on Bandcamp

Produced by Ishay Berger (Useless ID) Recorded by Liron Schaffer at Jaffa Sound Arts Mixed & Mastered by Jamie McMann Released by SBÄM Records and La Agonía De Vivir (Spain) Cover Art by Eyal Eliezer

• 1 Daddy 0:48
• 2 Fantasy World 1:09
• 3 Lost and Found 1:32
• 4 Growing Pains 1:09
• 5 N.O.T Funny 0:48
• 6 Cute 0:56
• 7 Saw It Coming 1:53
• 8 Therapy 1:39
• 9 Witch Huny 1:37
• 10 The Distance 1:38
• 11 Run For It 1:48
• 12 Try Trust 1:00
• 13 Call It Freedom 1:38
• 14 Fears Come True 1:11
• 15 Outta My Head 1:13
• 16 Give Me A Sign 1:27
• 17 Waste Your Time With Me 1:32

Bad Habits (2015)

Recorded December 2014 by Eli Pikover in I-Scream studios, Ramat Gan, Israel Mixed and mastered by Jamie McMann and Mike Mulet at the Shire and Alley Cat studios All songs written by Not On Tour Produced by Yotam Ben Horin and Not On Tour Cover Artwork by Work Hard Be Nice

• 1 Flip 1:12
• 2 Gut Feeling 1:19
• 3 Rumors 1:40
• 4 Write It Down 1:32
• 5 Maybe One Day 1:18
• 6 Different Kind Of Weather 1:12
• 7 Black Coffee 1:20
• 8 Sick Of This Mess 1:44
• 9 Bad Habits 1:34
• 10 Stuck In A Rut 1:21
• 11 No Communication 1:08
• 12 Lies 1:33
• 13 Waste Of Time 1:18
• 14 Waiting In Line 0:42
• 15 Failing 1:13
• 16 Wake, Work, Sleep 1:24

All This Time (2012)

Recorded at Pikover Studios 2012 Mixed & mastered by Eli Pikover Artwork by TM paint

• 1 I Wanna Be Like You 0:42
• 2 Banks 1:06
• 3 All This Time 1:33
• 4 Stay Home 1:30
• 5 That's Why 1:14
• 6 Oded 1:44
• 7 Over Night 1:28
• 8 True Illness 1:29
• 9 Tunnel 1:00
• 10 Box 1:29
• 11 Modern Slavery 0:43
• 12 Operation Running 1:23
• 13 This Is Revealing 1:10
• 14 (poisoned water) Bunnies 1:41
• 15 Darling 1:06
• 16 The Question Came Up 0:58

N.O.T On Tour EP (2011)

Recorded, Mixed & Mastered by Eli Pikover at Pikover studios Art by Gutzy

• 1 Did You Get Enough 1:50
• 2 Journey To The Ocean 1:35
• 3 Just Forget It 1:32
• 4 Dirty Envelopes 1:27
• 5 Puke 0:54
• 6 90% Out 1:04
• 8 Fine 1:16

Self-Titled (2010)

Recorded Nov 2009 at Bardo Studios in Ramat Gan, israel by Eli pikover Mixed by Eli pikover at pikover studios in tel aviv, israel Mastered by Maor Applebaum at Maor Appelbaum Mastering Artwork by Cristy C. Road

• 1 Baby You Such A Ho 0:33
• 2 Not On Tour 0:33
• 3 Silly Thoughts 0:59
• 4 What Comes Outta Yo Mouth? 1:04
• 5 Don't Touch My Stuff 1:26
• 6 Central Station, Final Destination 0:37
• 7 Split The Earth 0:41
• 8 Rhyme-Less 0:30
• 9 Cut All The Cords 1:14
• 10 Peace Of Mind 2:06
• 11 Disturbing Hour 1:47
• 12 Ok, What Now? 1:49
• 13 Postcards 1:44
• 14 Need Fixing 1:45
• 15 On The Road 1:21
• 16 Lazy Ass Brother 1:23

Flip (official video)

Maybe One Day – Official Video

Different Kind Of Weather – Official Video

Live show @ Levontin 7

Rumors – Official Video

Silly Thoughts – Official Video

Full show @ Barby

For inquiries, random questions, vegan hummus recipes: [email protected] Management & Booking: GRöli Music // Eva Label SBÄM Records // Stefan , La Agonia de Vivir // Fon (Spain) Press SBÄM Records // Chris

Mailing Address: Not On Tour (Oded Idan), 30 Dror st. Pardes Hanna 37025 Israel

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Not On Tour

After all this Say I need a psychiatrist Smash my head with my fist Kick down the door and piss on the floor I don't miss anymore all the hate from before I am just angry Its coming along the anxiety’s been gone I've been crazy

I wanna have a breakdown Therapy, therapy you’ll never get the best of me

I'm gonna have a breakdown Therapy, therapy you’ll never get the best of me

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• All This Time
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• Just Forget It
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• Need Fixing
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Therapy Lyrics as written by Khalid Robinson Joel Little

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Khalid Donnel Robinson (born February 11, 1998), known mononymously as Khalid, is an American singer and songwriter. He is signed to Right Hand Music Group and RCA Records. His debut single, "Location", was released in July 2016 and peaked at number 16 on the US Billboard Hot 100 chart and was later certified quadruple platinum by the Recording Industry Association of America (RIAA). His debut studio album, American Teen, was released on March 3, 2017. In 2018, "Love Lies", his duet with singer Normani, recorded for the Love, Simon film soundtrack, reached the top ten of the Billboard Hot 100. more »

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Watch CBS News

Taylor Swift's European Eras Tour leg kicked off in Paris with a new setlist. See which songs are in and out.

May 9, 2024 / 8:24 PM EDT / CBS/AFP

Taylor Swift fever struck Paris on Thursday as the highest-grossing tour in history finally arrived in Europe, with fans treated to the first-ever performance of songs from her latest album.

The Eras Tour began its European leg with four dates at the La Defense Arena in Paris.

"I wish I could have toured Europe more. This is a dream crowd," the 34-year-old megastar told the ecstatic audience.

There were deafening shrieks as images of typewriter sheets indicated that songs off the new album "The Tortured Poets Department" were starting late in the show.

Emerging in a lyrics-covered dress, she ran through several of the darker new tracks starting with "But Daddy I Love Him" and "Fortnight", a particularly furious rendition of "Who's Afraid of Little Old Me?" and an elaborate "I Can Do it with a Broken Heart," with a golden-era Hollywood dance routine.

Other "The Tortured Poets Department" songs performed included "So High School," "Down Bad" and "The Smallest Man Who Ever Lived," according to ETonline .

"You were the first crowd to see songs from 'The Tortured Poets Department'," she said, before adding: "Or, as I like to call it, 'Female Rage: the Musical.'"

That was a dream come true for many in the audience.

"I've been so excited for so long, I can't believe it's actually happening," said 11-year-old Emma, who had flown in with her mother from New York.

Adding songs from "The Tortured Poets Department" wasn't the only change to the show and its 45-song setlist.

Perhaps the biggest change, according to ETonline, is the "Folklore" and "Evermore" setlists were combined, cutting four songs across the two albums: "'Tis the Damn Season," "Tolerate It," "The 1" and "The Last Great American Dynasty."

"On the Eras Tour, we have now reunited the sisters, combined them into one chapter," Swift said, according to video posted to social media. "You can call it "Folklore, Evermore" or you can call it the Sister Albums! You can call it whatever you want as long as you promise to sing 'Champagne Problems' with me."  

"The Archer" was removed from the "Lovers" portion of the show and "Long Live" was cut from the "Speak Now" era setlist, according to ETonline.

One of the secret songs was, fittingly, the "Midnights" bonus track "Paris."  

Parts of the show were also rearranged to make room for the newest era. The "Red" era was moved from the fifth to the third slot, according to ETonline, and the newest album was introduced following the "1989" set.

The venue said a fifth of the crowd were from the United States — many attracted by Europe's rules against charging huge mark-ups on resale tickets that can save Americans thousands of dollars compared with shows at home.

Georg'Ann Daly decided to celebrate her 23rd birthday with the Paris show. It meant flying from Nashville to Chicago to London and catching the Eurostar to Paris.

"I've always been obsessed with Taylor Swift," she told AFP.

A handful of superfans camped out from Tuesday in Paris to ensure they got a prime spot.

"I didn't plan to, but I came to check it out and I saw the first tents and I panicked a little," said Chris, 30.

Noah, 20, is seeing all four Paris concerts — he used 22 email addresses to get through the lottery system and secure the tickets.

After wrapping up her run in Paris, Swift will head for dates in Sweden, Portugal, Spain, Britain, Ireland, the Netherlands, Switzerland, Italy, Germany, Poland and Austria.

The Eras Tour has worked its way across North and South America and Asia since starting in March 2023.

By the end of the year, it had already become the first to sell more than $1 billion in tickets and is on track to more than double that by the time it concludes in Vancouver this December.

Swift's popularity shows no sign of dimming — the new album sold 1.4 million copies on its first day and broke every streaming record , reaching a billion streams on Spotify within five days.

Swift's tell-all dissections of her love stories have been the fuel powering her global domination, and fans have been poring over "The Tortured Poets Department" for cryptic clues about ex-boyfriend Joe Alwyn, her short-but-dramatic fling with Matty Healy (lead singer of The 1975), and her current partner, American football star Travis Kelce.

"Taylor talks about toxic relationships, impossible love, politics, mental health, and so much more," said Chris as she waited by her tent for the big moment. "I think we can all find a song that resonates with our experiences." 

• Taylor Swift
• European Union

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Taylor Swift Performed ‘The Alchemy’ for Travis Kelce and Included a Very Romantic Easter Egg

At the concert, Swift ended up giving Kelce a special tribute on stage. During the surprise song portion of the show, she said, “I always do two different songs during the acoustic section. One is on guitar. One is on piano, and I switch it up every single night, because here on the Eras Tour, we feel like every single night should be special and different than every other night. Can you believe this is our 87th show on the Eras Tour?”

She then started playing “The Alchemy,” one of the songs off her new album, The Tortured Poets Department , believed to be about Kelce. She mashed it up with “Treacherous” from her album Red, another one of her poignant love songs that captures the experience of falling for someone.

If Swift had done this tribute at any show Kelce attended, it would’ve been sweet. But choosing to perform it during the 87th show is, of course, an Easter egg, as Kelce’s Kansas City Chiefs jersey number is 87.

It marks one of the most romantic moments of her tour so far, if not her entire performing career.

Taylor's ‘Tortured Poets’ Songs Rumored to be About Travis

Taylor Swift Doesn’t Hide the Travis Kelce References in ‘The Alchemy’

Swift literally uses the phrase “touch down” in this song about a love that happens “once every few lifetimes.” Read the lyrics.

Taylor Swift’s ‘The Albatross’ Lyrics Seemingly Reveal the Warnings Travis Kelce Got About Her

Fans theorize this song captures the beginning of Swift and Kelce’s relationship and how they coped with public scrutiny.

Taylor Swift Sings About Wanting to Marry Travis Kelce in ‘So High School’

Swift is not subtle about her feelings about Kelce and their high school-like romance in this love song’s lyrics.

Kelce hasn’t spoken about the tribute or concert yet, but given his track record of sharing details about the Eras Tour shows he attends on his podcast, New Heights , there’s a good chance he’ll talk about his Paris experience soon.

Shortly after The Tortured Poets Department came out, a source spoke to Entertainment Tonight about how Kelce felt about Swift’s songs that seem to reference him. “Travis is so supportive of the entire album and loves that he is a part of Taylor’s story,” the insider said. “He is a Swiftie through and through, and is very proud of her.”

Go Even Deeper on Taylor Swift

Travis Kelce and Taylor Swift’s Full Relationship Timeline

How their whirlwind romance took off, from podcast shoutout to Super Bowl kiss.

Taylor Swift’s 30 Things I Learned Before Turning 30

Read Swift’s candid essay for ELLE about the life lessons she learned before hitting that milestone year.

Taylor Swift and Joe Alwyn’s Complete Relationship Timeline

Swift spent six years dating Alwyn. Revisit the history that Tortured Poets is expected to explore.

Celebrity News 2024

Travis Gushes About Being at Taylor’s Paris Show

Meet Jake Bongiovi, Millie Bobby Brown’s Fiancé

Rihanna and A$AP Rocky’s Complete History

Victoria and David Beckham’s Relationship Timeline

All About Malcolm, Anya’s Husband

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• International edition
• Australia edition
• Europe edition

Taylor Swift Eras tour adds Tortured Poets Department and combines Folklore and Evermore eras – as it happened in Paris

Join us live as the epic show begins again at La Défense Arena in Paris

• Read more: Taylor Swift debuts new tracks as she returns to The Eras Tour
• 6d ago End Game
• 6d ago The missing songs
• 6d ago Eras Tour Europe: the new setlist
• 6d ago First Europe show ends
• 6d ago On to Midnights...
• 6d ago It's the acoustic set
• 6d ago Taylor moves to I Can Do It With a Broken Heart
• 6d ago Taylor sings The Smallest Man Who Ever Lived
• 6d ago Taylor sings Who’s Afraid of Little Old Me?
• 6d ago Taylor performs But Daddy I Love Him
• 6d ago Taylor moves to The Tortured Poets Department
• 6d ago On to 1989!
• 6d ago Evermore and Folklore eras combined.
• 6d ago On to Folklore
• 6d ago Another shift, with several Folklore songs skipped
• 6d ago Reputation
• 6d ago Another change: Long Live skipped
• 6d ago Taylor sings epic 10-minute All Too Well
• 6d ago International crowd in Paris
• 6d ago Moving on to the Red era
• 6d ago Second setlist change: Red instead of Evermore!
• 6d ago Taylor moves to Fearless era
• 6d ago First setlist change…
• 6d ago Lover Era
• 6d ago Taylor Swift appears on stage
• 6d ago How will tonight’s performance differ from earlier performances?
• 6d ago Paramore on stage
• 6d ago 'The tour will be different,' Paris arena official says
• 6d ago French fans in the merch line
• 6d ago Welcome to the blog

Eras Tour Europe: the new setlist

Will this be the new lineup for this leg of the show? Time will tell, but here’s what we witnessed in Paris tonight.

Miss Americana and the Heartbreak Prince

Cruel Summer

You Need to Calm Down

You Belong With Me

We Are Never Ever Getting Back Together

I Knew You Were Trouble

All Too Well (10-minute version)

… Ready For It?

Don’t Blame Me

Look What You Made Me Do

Folklore/Evermore

Now combined as one Era

champagne problems

illicit affairs

my tears ricochet

Blank Space

Shake It Off

Wildest Dreams

The Tortured Poets Department

But Daddy I Love Him

So High School

Who’s Afraid of Little Old Me?

The Smallest Man Who Ever Lived

I Can Do It With A Broken Heart

Surprise songs

Paris (from Midnights)

loml (from TTPD)

Lavender Haze

Midnight Rain

Vigilante Shit

Thanks so much to everyone who followed the blog, to the fans in Paris who shared their thoughts throughout the day and to the readers who sent tips. It’s been a memorable evening.

Special thanks to the Guardian’s head of digital (live) Claire Phipps , a fellow Swiftie.

You can read more about tonight’s show here:

Taylor has three more nights at Paris La Défense Arena before heading to Stockholm, Lisbon and Madrid in the coming weeks.

1/4 ✅ Thank you @taylorswift13 🥹💖 #ParisTSTheErasTour pic.twitter.com/KKF3X4rlUA — Paris La Défense Arena (@ParisLaDefArena) May 9, 2024

The missing songs

To make way for seven new performances of songs from The Tortured Poets Department, some songs that previously were staples of the Eras tour weren’t there tonight and presumably have now disappeared from the setlist … for now.

The Archer (from Lover era)

Long Live (from Speak Now era)

the 1 (from folklore era)

the last great american dynasty (from folklore era)

’tis the damn season (from evermore era)

tolerate it (from evermore era)

Thanks to Phoebe Woodward for compiling this list.

Catch up here on Taylor’s performance of the song Paris… in Paris!

🚨| Taylor Swift performing "Paris" for the first time ever in Paris! #ParisTSTheErasTour pic.twitter.com/eQOCYAAm6p — The Eras Tour (@tswifterastour) May 9, 2024

Fans will certainly be analysing this evening’s performance for some time.

New setlist, new performances, new outfits – while some songs were cut.

First Europe show ends

“I love you so much,” Taylor tells the crowd in the Paris arena, closing the first night of the Europe leg of her Eras tour, where she revamped her setlist and performed new music for the first time.

Taylor is singing Karma.

‘Cause karma is my boyfriend Karma is a god Karma is the breeze in my hair on the weekend Karma’s a relaxing thought Aren’t you envious that for you it’s not? Sweet like honey, karma is a cat Purring in my lap ‘cause it loves me Flexing like a goddamn acrobat Me and karma vibe like that

We’re on the last song :(

“This has been an unforgettable night in Paris, we love you so much!” Taylor tells the audience.

We’re close to the end of the show…

Taylor is now singing Mastermind. Love these lyrics:

What if I told you none of it was accidental And the first night that you saw me, nothing was gonna stop me? I laid the groundwork and then, just like clockwork The dominoes cascaded in a line

“So on the weekends She don’t dress for friends Lately she’s been dressing for revenge”

She’s moved to Vigilante Shit.

And here’s footage from the earlier TTDP set:

🚨| Taylor Swift performing "The Smallest Man Who Ever Liver" on 'The Eras Tour' #ParisTSTheErasTour pic.twitter.com/c4OI2lkcl9 — The Eras Tour (@tswifterastour) May 9, 2024

Midnight Rain is up now.

“It’s me, hi, I’m the problem, it’s me At tea time, everybody agrees I’ll stare directly at the sun but never in the mirror It must be exhausting always rooting for the anti-hero”

• Taylor Swift

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How Music Therapy is Changing People’s Lives

T here's one patient that SarahRose Black still thinks about. Back in 2019, the nursing team in the palliative care unit at Toronto’s Princess Margaret Cancer Centre asked if she could reach out to a patient who had been there for about a week. The man was struggling, and unwilling to engage with staff or be part of any activities. “They told me, ‘He’s short and grumpy with us, and we wonder if you might have an in.’”

Black isn’t a doctor or a nurse. Since 2013 she has played an important role for patients as Princess Margaret’s on-staff music therapist. On any given day, she might see one person who’s anxious about an upcoming procedure, another who’s undergoing chemo and in need of a soothing moment. Or, like the man in the palliative care unit, it might be someone who doesn’t yet know they need her.

So, on a wintery Wednesday afternoon, Black approached the patient’s room and introduced herself. She asked if she could sit, and offered to play some music. In an effort to convince him, she said, “If you don’t like it, you can tell me to leave,’” she recalls.

After some gentle urging, the 70-something man, who had lung cancer, told her a few classical composers he liked and then turned away to look out the window. But as she started to play one of his favourites, Bach, on her portable keyboard, a change came over him. He unfolded his arms, turned toward Black and started to cry.

She stopped playing. “Do you want me to continue?” she asked.

“Absolutely,” he said through tears.

“It was as if the music went places that nothing else could,” recalls Black. “He shared with me afterward that he’d been holding in so much and had been unable to talk about anything—but the music showed up at a moment when it felt like a hug.”

Anyone who has felt that spark of joy when a favourite song comes on the radio at just the right moment—or wept along with a singer who is expressing heartache—will understand the emotional resonance of music. But now, a growing body of scientific evidence is actually demonstrating that music can be medicine, too. Read on to discover the many health benefits of music therapy.

The benefits of music therapy

In a review of 400 research papers looking into the neurochemistry of music, Daniel Levitin , a psychologist and neuroscientist at McGill University in Montreal, found that playing and listening to music had clear mental and physical health benefits , including improving our immune systems and reducing stress levels.

One 2007 study from a team of Spanish researchers found that listening to music before surgery had the same effect in reducing preoperative anxiety as taking Valium—an important finding, as anxiety before a major surgery can affect post-operative pain and recovery time. Another Spanish study, conducted in 2018 in the palliative care unit of Barcelona’s Hospital del Mar, found that patients participating in a music-therapy program experienced significant decreases in tiredness, anxiety and breathing difficulties, as well as an increase in feelings of well-being .

Even major health-care institutions are embracing music therapy on a wide scale. In 2019, the National Institutes of Health in the U.S. introduced significant funding—$20 million—to support research projects in music therapy and neuroscience.

A music-therapy session can be as unique as an individual patient’s needs on a given day. With Black, who also sings, that inevitably involves the cart of instruments she travels with (“I’m pretty much a one-woman band,” she jokes). Aside from the keyboard, to create rhythms and texture she has other instruments such as a guitar, tambourine, singing bowls and more. She also brings recording equipment and an iPad, to supply song lyrics.

If a patient loves classical music, she’ll play it. Maybe it’s folk or jazz. She did a Bob Marley tune for a man’s assisted-dying process. “One woman spoke no English, but she taught me a Farsi folk song, and we had this wonderful exchange,” says Black. “She’d sing a line, I’d sing it back, and we were singing this beautiful song together.”

She’s gentle in her approach with patients. “I make it very clear that preexisting musical experience or training isn’t required to participate,” she says. “If I were to ask, ‘What kind of music do you like?’ that might be a difficult question to answer. Instead I ask what they want to feel , which is an easier question to answer.”

If the goal is pain management, Black might match the pace of her playing with the patient’s breathing, and then gradually slow the music. This process, called “entrainment,” can help slow the breath, too, and has a calming effect.

Or a session might be about helping a patient process the emotions stemming from what they are going through. It may even be about connecting with loved ones who are in the room with them. “Sometimes the patient says, ‘I’m having such a profound experience. I have no words,’” she says. “We know from so many wonderful brain studies that music can trigger memories and touch parts of the brain that other mediums cannot.”

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Music therapy programs

Once a week Carol Cameron hops on Zoom from her home in Madison, Wisconsin. She’ll be joined by a dozen or so other participants, all following along as music therapist Jason Armstrong Baker leads them through drumming exercises—sometimes clapping their hands in a distinct rhythm he’s laid out for them, sometimes tapping on their own bodies.

Like everyone taking part in the session, Cameron, 71, has Parkinson’s disease, and this drumming circle—known as Rx 4 Rhythm—is designed to help strengthen her coordination. “My tremor is on my left side, so learning things with my left hand is difficult,” she says. “But it’s really good to get this regular rhythm going—it gives you a feeling of overcoming a problem.”

Rx 4 Rhythm is just one of the programs offered at the Johns Hopkins Center for Music and Medicine in Baltimore. The research institution is the brainchild of Dr. Alexander Pantelyat , a violin player and former member of the Penn Symphony Orchestra in Philadelphia. Today, he is a neurologist who specializes in movement disorders like Parkinson’s and Huntington’s. The centre provides music therapy and more, Pantelyat explains. They’re taking music into the “precision medicine” realm.

Applying that kind of treatment to movement disorders is relatively new; previously, it was mainly the domain of cancer therapies. “There’s a revolution in oncology and cancer research—more people are being cured, and much of it can be attributed to a very targeted precision treatment that really is individualized for the patients,” he explains. “Just listening to music activates many regions of the brain simultaneously.”

He adds that there is an understanding in the field of music medicine that there can be tailored interventions using music that a person actually likes, that speaks to them culturally, personally, autobiographically.

One study from the Center for Music and Medicine followed a choir composed of Parkinson’s patients (called the “Parkinsonics”) to learn how singing might impact the speaking voice of those patients. After 12 weeks, the singers’ speaking volumes—which often fade as Parkinson’s progresses— grew demonstrably stronger . The Rx 4 Rhythm drumming circle, meanwhile, came out of a 2015 study that showed that Parkinson’s patients had improved their ability to walk after six weeks of drumming practice.

The centre’s blueprint is to continue to fund these musically oriented groups, even after the studies have wrapped up. “Patients in the Parkinsonics told us that they didn’t want to stop singing when the study was over,” says Pantelyat. The centre now funds a professional choir instructor, a music therapist and a social worker to help the choir members carry on with their classes, which rolled onto Zoom during the pandemic.

And while sessions at the centre do have therapeutic goals—working on coordination, say, or breathing techniques for anxiety management—there’s a community-building element to the groups, too. Kerry Devlin is the centre’s senior music therapist and runs an online support group for people with a broad range of neurological disorders, along with their care partners—those people in patients’ lives, usually loved ones, who are supporting them through their illness.

“There can be folks who are experiencing really intensive symptoms, like a decline in their ability to verbally communicate,” says Devlin. Music, she notes, can sometimes help such patients find ways to respond again.“I’ve had the honour of making music with people, and all of a sudden they’re coming up with new words. It turns into this beautiful improvisational moment—and a care partner is saying, ‘I’ve never seen this happen.’”

It’s a powerful thing, she says, to witness someone find themselves again for a moment, and when a song is the vehicle for that shift.

Much of what Devlin does is designed to help patients feel like more than just cogs in the medical system. “Of course they want to come and receive medications and treatments, but they’re also a person,” she says. “It’s important when we’re thinking about holistic care to provide opportunities for patients to actually process the impact that a diagnosis is having on their lives.”

Music therapy for kids

Music can have a profound effect on helping sick children, too. Ruth Hunston is a music therapist in the “play department” at the Great Ormond Street Hospital in London, England. As the U.K.’s oldest children’s hospital, it sees more than 69,000 patients a year.

“When children are in the hospital, their worlds get much smaller,” says Hunston, who explains that her program, introduced in 2019, helps give young patients back some sense of control. “They’re having so many things done to them and around them, but this allows them to create something themselves.”

Extended time in pediatric care can also affect a child’s development, says Hunston. In light of that, much of her program is designed to help them progress. “I’ve had lots of infants who have sat up for the first time at the drums, because they’re just so motivated to play,” she says. “Or they start making sounds because I’m singing to them, and they want more.”

The parents also become part of the therapeutic process. “It’s not easy being in a hospital, and it’s not easy to leave your child there,” she says. “What’s really lovely is when you go in and you start to make music, and the children invite their parents to join. There’s this beautiful interaction between everyone, and sometimes I get to step back and just watch them play—to really laugh and have fun.”

Palliative care

At the Dr. Bob Kemp Hospice in Hamilton, Ontario, music therapy has become an integral part of patient care in residential end-of-life settings. “The palliative journey isn’t really about someone dying,” says Doug Mattina , director of the hospice’s pediatric unit. “It’s about bringing the most joy. It’s providing the wrap-around care not only for the individual but for those impacted by it.”

Mattina himself experienced the music-therapy program when his father spent his last days at the hospice. “I remember when the music therapist said to him, ‘Bill, what kind of mood are we in today?’ And he said, ‘Today is time to dance,’” says Mattina.

He was so moved by the whole experience that he left a career in the foreign service to work full-time for the hospice. “Even though my father was feeling like crap, and we knew that we had days or hours left, me, my sister, my brother and my mom would dance around his bed. His favourite song for this was ‘Rasputin,’ and he would request high kicks from us as he clapped along. Sometimes he’d fall asleep as we danced.”

Sara Klinck directs the music-therapy program at the hospice, where, at a patient’s bedside, she might improvise a call-and-response song to help them open up about how they’re feeling that day, or help a resident write a song as a legacy for their family.

"We might also revisit songs that have personal significance for residents and families, as a way to communicate emotion to one another,” she says. “It can feel like a whole choir as visitors and family members join in. For some people, sometimes what’s hard to say is easier to sing.”

It could also mean fulfilling a lifelong goal before a patient passes away, as she did for someone with late-stage ALS. “He had very limited movement in his hands but had always wanted to play guitar,” says Klinck.

She brought in the instrument and laid it on his lap in bed. “He was able to put his hands on the strings and interact with them; often I moved the guitar, as well.” This music experience was something his family felt would be very meaningful to him.

Finding those moments is the skilled therapist’s role, but as SarahRose Black notes, people have been connecting with music for their whole lives—she is just helping them access it again at a time when they need it most.

"We have a heartbeat, so we have a drum inside us; we are wired to be musical people,” she says. She smiles softly as she reflects back on one patient, a man in his late 30s with late stage brain cancer.

“He said, ‘SarahRose, I have a lot of friends, and they’re great. They show up and they’re helpful, but they don’t really understand what’s going on here,’” she says. “He told me that the music is like a friend who ‘gets it.’”

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