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Taylor Swift reputation Stadium Tour Announced!

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The Taylor Swift reputation Stadium Tour  just announced with the first set of dates – and we are SO “ready for it!”

Remember, to get exclusive Presale access you must register for Taylor Swift Tix . Registration closes on Tuesday afternoon, November 28 at 12PM ET . 

Already registered? Make sure you’ve taken these steps  before November 28 so you’re ready for the presale:

• Visit your Taylor Swift Tix portal to confirm your mobile number
• Set your ticket preferences in your Taylor Swift Tix portal
• Log into your Ticketmaster account and make sure you have a valid credit card and updated billing information on file

The Taylor Swift Tix Presale will begin on  Tuesday, December 5  and will run through  Friday, December 8 .  Look out for an email on Saturday, December 2 assigning you your very own presale date and time.  After registration closes, you’ll hear more about special presale windows that were designed just for Taylor Swift Tix participants!

Exact pricing information isn’t available yet, but we can tell you Taylor Swift Tix participants will have the opportunity to unlock access to the best tickets at the best prices.

More details about VIP packages will be available soon and there will be a 6 (six) ticket limit.  We’ll share everything you need to know as we get closer to the presale. For now, check out the dates below and head over to your Taylor Swift Tix portal to get ready.

Taylor Swift reputation Stadium Tour

To learn more about Taylor Swift Tix visit the official FAQ .

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• The Internet Is Losing It Because Taylor Swift Just Announced These <i>Reputation</i> Tour Dates

The Internet Is Losing It Because Taylor Swift Just Announced These Reputation Tour Dates

Taylor Swift has announced the dates and locations for her Reputation stadium tour , which will take place in the U.S. between May 8 and Oct. 6 next year.

The 27-year-old will be performing on 27 dates in more than 20 different cities across the country, kicking off at the University of Phoenix Stadium in Glendale, Arizona, and ending at the AT&T Stadium in Arlington, Texas.

The tickets can be bought using Ticketmaster , and details about price and VIP packages have not yet been released. Avid Swift fans can register for Taylor Swift Tix presale access before 12 p.m. ET on Nov. 28. The presale will run between Dec. 5 and Dec. 8.

Predictably, the internet went into meltdown mode following the announcement, with many social media users voicing their frustration at not knowing when Swift is coming to their country. Date’s for the pop star’s international tour will be announced at a later date.

Taylor Swift announced tour dates but I'm at work at cannot freak out appropriately pic.twitter.com/l8iHrrxD5v — Ashley Allen (@TheBlondeAshley) November 13, 2017

OMG @taylorswift13 has just announced the first few dates for her stadium world tour. Hurry up announcing UK dates #repuatation pic.twitter.com/YlJYptk0zR — Sol Loredo (@sol_de_mar) November 13, 2017

Taylor Swift just released tour dates and I know I won't be able to go and it makes me want to scream. pic.twitter.com/FShu5EQrbq — Sam (@Samrp01) November 13, 2017

Below is the full list of dates and locations for Swift’s highly anticipated tour.

May 8: University of Phoenix Stadium in Glendale, Arizona May 12: Levi’s Stadium in Santa Clara, California May 19: Rose Bowl in Pasadena, California May 22: CenturyLink Field in Seattle, Washington May 25: Sports Authority Field at Mile High in Denver, Colorado June 2: Soldier Field in Chicago, Illinois June 30: Papa John’s Cardinal Stadium in Louisville, Kentucky July 7: Ohio Stadium in Columbus, Ohio July 10: FedEx Field in Washington, D.C. July 14: Lincoln Financial Field in Philadelphia, Pennsylvania July 17: First Energy Stadium in Cleveland, Ohio July 21: MetLife Stadium in East Rutherford, New Jersey July 28: Gillette Stadium in Foxborough, Massachusetts August 4: Rogers Centre in Toronto, Ontario August 7: Heinz Field in Pittsburgh, Pennsylvania August 11: Mercedes-Benz Stadium in Atlanta, Georgia August 14: Raymond James Stadium in Tampa, Florida August 18: Hard Rock Stadium in Miami, Florida August 25: Nissan Stadium in Nashville, Tennessee August 28: Ford Field in Detroit, Michigan September 1: U.S. Bank Stadium in Minneapolis, Minnesota September 8: Arrowhead Stadium in Kansas City, Missouri September 15: Lucas Oil Stadium in Indianapolis, Indiana September 18: The Dome at America’s Center in St. Louis, Missouri September 22: Mercedes-Benz Superdome in New Orleans, Louisiana September 29: NRG Stadium in Houston, Texas October 6: AT&T Stadium in Arlington, Texas

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Taylor Swift announces 2023 ‘Eras Tour’ of U.S. stadiums; international dates to come

Taylor Swift  announced Tuesday morning her long-rumored return to the road, with an outing dubbed the “Eras Tour” scheduled to hit U.S. stadiums beginning in March 2023 and running into August, with international dates set to be revealed later.

The supporting acts are very much all about the sisterhood, with a host of acts Swift has championed in the past. Opening acts for the U.S. leg of the tour are Paramore, Haim, Phoebe Bridgers, Beabadoobee, Girl in Red, Muna, Gayle, Gracie Abrams and Owenn.

The tour starts March 18, 2023 in what is apparently a sweet spot for Swift, Glendale, AZ, the same place her last outing, the pre-pandemic “Reputation” tour, began in 2018.

The U.S. leg wraps up four and a half months later with two nights at L.A.’s SoFi Stadium Aug. 4-5 — the venue she was set to open as a concert venue in 2020 with the canceled “Lover Fest” mini-tour.

As for which album we can consider the tour to be supporting, since she has released four original studios albums since her last tour? All of them. Swift described the tour as “a journey through the musical eras of my career (past and present!),” with a graphic showing her look from different phases of her career.

The public on-sale happens at 10 a.m. local time on Nov. 18. As with all major tours nowadays, there will be an earlier rollout of tickets for credit card members, in this case holders of Capital One cards, beginning Nov. 15 at 10 a.m. local time.

As with her previous tour, there will be a Ticketmaster Verified Fan program “to ensure tickets get into the hands of fans.” Aspiring ticket buyers can register for the setup now through Nov. 9  here .

Unusually in the modern era of variably priced “platinum tickets” where fans get little information about set ticket prices, Swift has announced the cost of her tickets in advance. They run from $49 up to $449, with VIP packages that start at $199 and go up to $899.

Swift’s announcement promised that international dates are to follow.

Of all her “Eras,” Swift is really due to represent the modern one on tour, as much as fans may relish the idea of a somewhat nostalgically themed outing encompassing the full spectrum of her career. She has released “Lover,” “Folklore,” “Evermore” and now “ Midnights ” since she last was on the road, along with bonus-track-aided re-recordings of the “Red” and “Fearless” albums, any one of which would have been occasion enough to prompt its own tour in an era before the entire concert scene necessarily hit a pause.

There was an attention to detail in the tour announcement even in the graphics signifying the opening acts at different spots in the tour routing, with Bridgers, for instance, being represented by a tiny ghost, in honor of the skeleton costume she’s used on her own headlining tours.

Not accidental, probably, is how that same graphic breaks the tour itinerary down into two columns of 13 dates each. There will be 26 shows in 20 cities. The venues getting a two-night stand are in Los Angeles, Atlanta, Philadelphia, Chicago, Arlington, TX, Foxborough, MA and East Rutherford, NJ.

The reception for “Midnights” upon its October release left no doubt just how strong the appetite for Swift tickets will be. It had the biggest week since Adele’s “25” album, per Luminate this week, with 1,578,000 album-equivalent units.

Additionally, it was announced Monday that for the first time in history, all 10 top slots of the Billboard Hot 100 were filled by a single artist’s songs, with “Anti-Hero” leading the way at No. 1. Fans very much wanted the full album, anyway — of the nearly 1.6 million album units registered for “Midnights,” 1,140,000 were copies purchased in the form of the full album. It became Swift’s fifth album, out of her 10 original studio releases overall, to sell a million-plus copies in the first week out. The figure also represented the best first-week sales for an album by any performer since “Reputation” came out of the gate with 1,216,000.

Taylor Swift: Reputation Stadium Tour

• View history

For more about the tour, visit Reputation Stadium Tour .

Taylor Swift: reputation Stadium Tour is the Netflix original special featuring American singer-songwriter Taylor Swift , in support of her sixth studio album, reputation . The special was released to Netflix on December 31st. It was filmed at AT&T Stadium in Arlington, Texas.

This special has created many new fans as a result of being released.

The film left Netflix on December 30th, 2023. [1]

Trailer [ ]

References [ ]

• ↑ "Netflix Is Removing 38 Titles in December 2023, Including a Taylor Swift Tour Movie & 'Love Actually'" . Just Jared . November 21, 2023 . https://www.justjared.com/2023/11/21/netflix-is-removing-38-titles-in-december-2023-including-a-taylor-swift-tour-movie-love-actually/ .

Stage and Cinema

Arts and Entertainment Reviews

Extras | Concerts: TAYLOR SWIFT’S REPUTATION TOUR BREAKDOWN

by Jim Allen on March 5, 2024

in Concerts / Events , Extras

The Reputation Stadium Tour, Taylor Swift’s first all-stadium venture, represents a significant chapter in her illustrious career, showcasing her evolution from a small-town girl to an international icon.

This ambitious project not only highlighted Swift’s musical genius but also redefined the contours of live music entertainment . Commencing on May 8, 2018, in Glendale, Arizona, the tour embarked on an unforgettable journey that left an indelible mark on the hearts of millions.

The Genesis of a Superstar: Early Years in Reading, Pennsylvania

Taylor Swift’s journey to stardom began in Reading, Pennsylvania, where she was born and raised. From an early age, Swift displayed an uncanny knack for storytelling and melody, crafting songs that resonated with her personal experiences and aspirations. This foundation in Reading laid the groundwork for her meteoric rise, imbuing her music with authenticity and emotional depth that would become her signature.

Embarking on the Stadium Saga

The Reputation Stadium Tour marked a monumental shift in Swift’s live performance strategy. Transitioning from arenas to stadiums, Swift undertook a bold step that few artists could dream of, let alone achieve. This move was not just about the scale of the venues but also about creating a more immersive and impactful experience for fans. It was a testament to Swift’s draw as a global superstar and her ability to connect with audiences on a massive scale.

The Inaugural Show in Glendale: A Night to Remember

On May 8, 2018, the city of Glendale, Arizona, witnessed the inception of the Reputation Stadium Tour, a concert that set the tone for what was to become an epic journey across stadiums. This first show was a spectacle of lights, energy, and music, blending Swift’s new songs with her classics, and setting the stage for a tour that would be remembered for its grandeur and artistic integrity.

Paying Homage to Pennsylvania Roots: Lincoln Financial Field Performance

As Taylor Swift took her Reputation Stadium Tour across the nation, she not only showcased her musical prowess but also paid homage to her Pennsylvania roots, performing in iconic stadiums that are landmarks in the sports world.

For instance, her concert at Philadelphia’s Lincoln Financial Field was not just a musical event but a gathering place for local fans who share a love for both Swift’s artistry and the spirited competition found in sports.

This blending of music and sports culture offers a nod to the common ground shared by concert-goers and sports betting and casino enthusiasts in Pennsylvania, who revel in the excitement of a well-played game and a well-performed concert alike.

The Artistry of Live Performances: A Blend of Music and Spectacle

The Reputation Stadium Tour was not merely about the music; it was a masterclass in live performance artistry. Swift meticulously crafted each show to be a visual feast, complete with elaborate stage designs, costumes, and choreography that complemented her musical narratives. This attention to detail ensured that each concert was not just a listening session but a full-on sensory experience that captivated audiences.

The Setlist: A Musical Journey

The tour’s setlist was a carefully curated mix of tracks from the “Reputation” album alongside fan favorites and hits from her previous albums. This selection ensured that the concerts appealed to long-time Swifties as well as newcomers to her music. By balancing her newer, edgier tracks with the classic hits, Swift offered a comprehensive overview of her musical evolution.

Audience Engagement: Connecting With Fans

A hallmark of Swift’s concerts is her ability to forge a personal connection with her audience, and the Reputation Stadium Tour was no exception. Swift went beyond mere performance, sharing anecdotes and experiences that resonated with her fans, creating an atmosphere of intimacy amidst the vastness of the stadiums. This personal touch made each concert feel unique and left fans with the sense that they were part of something truly special.

The Impact on Live Music: Redefining Concert Experiences

The Reputation Stadium Tour set new benchmarks in the realm of live music entertainment. Swift’s all-stadium endeavor showcased the potential for artists to create expansive and elaborate live shows that go beyond traditional concert formats. It pushed the boundaries of what live music events could be, influencing both contemporaries and upcoming artists to think bigger and bolder in their concert presentations.

Legacy of the Tour: A Milestone in Swift’s Career

The Reputation Stadium Tour is remembered not just for its commercial success but as a pivotal moment in Taylor Swift’s career. It solidified her status as one of the most influential artists of her generation, capable of pulling off an unprecedented stadium tour. The tour’s legacy lies in its demonstration of Swift’s versatility as an artist and her unwavering connection with her fans.

Conclusion: A Testament to Talent and Tenacity

Taylor Swift’s Reputation Stadium Tour was more than just a series of concerts; it was a bold statement of artistic ambition and a celebration of the bond between an artist and her fans. From its kickoff in Glendale to the finale, the tour encapsulated the essence of Swift’s journey from Reading, Pennsylvania, to global superstardom.

Through sheer talent, determination, and a deep connection with her audience, Taylor Swift redefined the landscape of live music entertainment, leaving an indelible mark on the industry and on the hearts of millions of fans worldwide.

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Taylor Swift

Photo: Steve Jennings/Getty Images

Taylor Swift Announces More Dates For 'Reputation' Stadium Tour

The GRAMMY-winner pumps up her North American tour with seven additional dates across the U.S.

With an already massive tour planned in support of her sixth album, Reputation , Taylor Swift has given her fans even more opportunities to catch her live in 2018 by adding seven U.S. dates to her Reputation stadium tour.

The announcement comes the same week Reputation reclaimed the top spot on the Billboard 200, after being temporarily dethroned by Eminem 's Revival . Swift's Reputation tour was already on track to be one of the most talked-about tours of the year.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">New dates for Taylor Swift’s reputation Stadium Tour have just been announced! Tickets go on sale January 31st at 10a local time. Get more information at <a href="https://t.co/nl2zos8L1x">https://t.co/nl2zos8L1x</a>. <a href="https://t.co/XI9yBKTi6Q">pic.twitter.com/XI9yBKTi6Q</a></p>&mdash; Taylor Nation (@taylornation13) <a href="https://twitter.com/taylornation13/status/948556164324872192?ref_src=twsrc%5Etfw">January 3, 2018</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

The newly announced dates will expand the tour to add an additional show in each of these seven cities: Santa Clara, Calif.; Washington, D.C.; Philadelphia; Rutherford, N. J.; Foxborough, Mass.; Minneapolis, Minn.; and Arlington, Texas.

Advance ticket sales for the added dates will begin for fans registered for the Taylor Swift Presale via Ticketmaster Verified Fan starting on Jan. 5 and continuing through Jan.18. Tickets for the general public will go on-sale Jan. 31.

Lin-Manuel Miranda Plots "Hamilton" 2018 Tour

Photos (L-R): Buda Mendes/TAS23/Getty Images for TAS Rights Management, Jeff Kravitz/FilmMagic, Christopher Polk/Getty Images for Clear Channel

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Upon the arrival of Taylor Swift's 'The Tortured Poets Department,' take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today.

Editor’s note: This story was updated on April 19 to reflect the release of The Tortured Poets Department.

The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Since then, she's released 11 studio albums, re-recorded four as "Taylor's Version," and cultivated one of the most feverish fan bases in music. Oh, and she's also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist.

Swift has become one of music's most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk and beyond. A once-in-a-lifetime generational storyteller, one could argue that she is music's modern-day maverick, constantly evolving both her music and the culture around her.

Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. In turn, Swift hasn't just become one of the biggest artists of all time — she's changed pop music altogether.

To celebrate Taylor Swift's newest era with The Tortured Poets Department , GRAMMY.com looks back on all of her albums (Taylor's Versions not included) and how each era shaped her remarkable career.

Taylor Swift : Finding Her Place In Music

In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist. The thing that differentiated her from other writers — and still does to this day — is her songwriting. She didn't want to be just "another girl singer" and knew writing her own songs would be what set her apart. 

Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. Serving as a snapshot of Swift's life and teenhood, she avoided songwriting stereotypes typically found in country music. Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. 

As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers. One writer in particular, Liz Rose , applauded Swift's songwriting capabilities, stating that she was more of an "editor" for the songs because Swift already had such a distinct vision. 

The album's lead single, "Tim McGraw," an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift's songwriting process; meticulously picking apart her emotions to better understand them. With its follow-up, "Our Song" — which spent six consecutive weeks on the top of Billboard's Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. 

Although Swift's eponymous debut is underappreciated now — even lacking its own set on Swift's Eras Tour — Taylor Swift 's forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer's current and more refined vocals. Still, for fans who haven't properly explored Taylor Swift , it's easy to tie together Swift's earlier work to her current discography. 

On the track "A Place In This World," a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights ' "You're On Your Own, Kid." 

Even as a new country artist, critics claimed that she "mastered" the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. 

Fearless : Creating A Different Kind Of Fairytale

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift's coming-of-age record. More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like "Love Story" and "You Belong With Me," yet still keeps the confessional attributes known in country songwriting. 

Most of Fearless is Swift coming to terms with what she believed love to be. On the album's liner notes, Swift says Fearless is about "living in spite" of the things that scare you, like falling in love again despite being hurt before or walking away and letting go. The 2008 version of Taylor wanted to "believe in love stories and prince charmings and happily ever after," whereas in Swift's Fearless (Taylor's Version) liner notes, she looks back on the album as a diary where she was learning "tiny lessons" every time there was a "new crack in the facade of the fairytale ending she'd been shown in the movies." 

Much of Fearless also sees Swift being reflective and nostalgic about adolescence, like in "Never Grow Up" and "Fifteen." Still wistful and romantic, the album explores Swift's hopes for love, as heard in the album's lead single "Love Story," which was one instance where she was "dramatizing" observations instead of actually experiencing them herself. 

Unlike the slow-burn of Taylor Swift , Fearless went straight to No. 1 on the Billboard 200 and stayed there for eight consecutive weeks. It won Swift's first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20. To date, it has sold 7.2 million copies in America alone. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come.

Speak Now : Proving Her Songwriting Prowess

Everything that happened after the success of Fearless pushed Swift from country music's best-kept secret to a mainstream star. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.

For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. No longer was she the girl writing songs like "Fifteen" in her bedroom — now she was working through becoming a highly publicized figure. Speak Now is the answer to those growing pains. 

Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. But that also resulted in some of her most poignant lyrics to date.

Read More: For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. The album's title track pulled from the saying, "Speak now or forever hold your peace," inspired by a friend's ex-boyfriend getting engaged; meanwhile, "Mean" was everything Swift wanted to say to a critic who was continuously harsh about her vocals.

Retrospective and reflective, Speak Now is an album about the speeches she could've, would've and should've said. From addressing the aforementioned VMA incident in the forgiving "Innocent" to a toxic relationship in "Dear John," Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.

Red : Coming Into Her Own

Highly regarded as Swift's magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first "adult" record. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience " intense love, intense frustration, jealousy and confusion " — all feelings that she'd describe as "red." 

Unlike most of her previous writing that had been inspired by happy endings and fairytales, Red explores the lingering pain and loss that can embed itself within despite trying your hardest to let go. In her liner notes, she references Pablo Neruda's poem "Tonight I Can Write," stating that "Love is so short, forgetting is so long" is the overarching theme for the album. She plays with time — speeding it up in "Starlight," dabbling in the past in "All Too Well," and reframing it in "State of Grace" — to better understand her experiences. 

After releasing country-pop records, Red toed the line between genres more than ever before. Swift leaned further into the full pop territory by working with esteemed producers Max Martin and Shellback for the dubstep-leaning track "I Knew You Were Trouble," the punchy lead single "We Are Never Getting Back Together," and the bouncy anthem "22." But even when the pop power players weren't involved, her country stylings still leaned more pop across the album, as further evidenced with the racing deep cut "Holy Ground" and the echoing title track. 

The slight change of direction became polarizing for critics and fans alike. Following the more country-influenced Speak Now , some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out. If that wasn't enough, Red became an era where Swift's personal life went from speculation to tabloid fodder, with misogynistic headlines and diluting her work to just "writing about her exes." It's an era that would eventually inspire many tracks on Red 's successor, 1989 , like "Blank Space" and "Shake It Off."

Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. The impact of Red extended beyond its own success, too. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray , Swift's confessional, soul-bearing authenticity set a new standard for straightforward pop music. 

1989 : Reinventing Into A Pop Genius

The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. And in true Swiftian fashion, turning into a pop artist didn't just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone.

1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. Swift opted to lean more into radio-friendly hits, which resulted in songs like "Style," "Wildest Dreams," "Blank Space," and "Shake It Off," all of which became singles. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn't falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.

After exploring pop-leaning sonics she first found with Red , Swift worked with Martin and Shellback again on most of 1989 . This reinvention brought new (and very important) collaborators as well. Swift's now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with "I Wish You Would" and "Out Of The Woods"; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights .

At the time, 1989 became Swift's best-selling album to date. It sold nearly 1.3 million copies within release week in the U.S., debuting atop the Billboard 200 and reigning for 11 non-consecutive weeks. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice. 

Following the release of 1989 , Swift became a cultural juggernaut, and the album has had an omnipresence in music since. Swift didn't just normalize blending genres, but proved that you can create a sound that is uniquely yours by doing so. In turn, Billie Eilish , Dua Lipa and more pop stars have refused to conform or stick to what they've done prior. 

reputation : Killing The Old Taylor

For years, Swift was on a strict two-year cycle — she'd release an album one year, tour the next, and then release a new album the following year. But following the heightened scrutiny and highly publicized tabloid drama that followed the end of the 1989 era, Swift completely disappeared for a year. She stayed away from public appearances, didn't do any press, and missed the album schedule fans became accustomed to. It wasn't until summer 2017 when she returned from her media (and social media) blackout to unveil the fitting title for her new album: reputation .

Born as a response to the naysayers and name-callers, reputation follows Swift shedding her public image — which includes the pressure to be perfect, the drama, and the criticism — by declaring, "There will be no further explanation. There will just be reputation." Leaning on the same tongue-in-cheek songwriting techniques she used while penning "Blank Space," Swift wrote from the mindset of how the public perceived her.

When Swift released the lead single "Look What You Made Me Do," a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. Although Swift said that the album has its vindictive moments — even declaring that the "old Taylor" is dead on the bridge of "Look What You Made Me Do" — it's a vulnerable record for her. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments. 

Swift still remained in the pop lane with reputation , largely leaning on Antonoff and the Martin/Shellback team. The sound almost mirrored the scrutiny Swift faced in the years prior — booming electropop beats, maximalist production and pulsing synthesizers dominate, particularly on "End Game," "I Did Something Bad," and "Ready For It…?" But the "old Taylor" isn't entirely gone on songs like "Call It What You Want," "So It Goes…" and "New Year's Day," where she lets her guard down to write earnest love odes.

Even after Swift spent some time away from the spotlight, the public didn't immediately gravitate toward her return. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989 . With time, though, it became clear that the response to reputation became muddled with the public's overall perception of her at the time — some even claimed that Swift was ahead of her time with the album's overall sound.

For her 2023 TIME Person of the Year profile , Swift described reputation as a "goth-punk moment of female rage at being gaslit by an entire social structure." For years, she felt the pressure to be "America's Sweetheart" and to never step out of line. Writing reputation became a lifeline following the events that catalyzed it  — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. 

Lover : Stepping Into The Daylight

After finding love amongst chaos with reput ation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover . Both sonically and visually, Lover was a complete change from reputation . After touring reputation , Swift found that her fans saw her as "a flesh-and-blood human being," inspiring her to be "brave enough to be vulnerable" because her fans were along with her. Stepping away from the dark and antagonistic themes around reputation encouraged Swift to step into the light and be playful with her work on Lover .

Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of "Blank Space" and "Look What You Made Me Do." Leaning into Lover being a "love letter to love," Swift explored every aspect of it. Tracks like "Paper Rings" and "London Boy" exude a whimsical energy, even if they center on more serious themes like marriage and commitment. Other songs, including "Death By A Thousand Cuts" and "Cornelia Street," are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. 

Looking at Lover retrospectively, it's an album that almost symbolizes a bookend in her discography. She was playful yet poignant, picking apart her past lyrics and feelings and looking at them with the perspective of someone who was once on top of the world, hit rock bottom, and survived in spite of it. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012's Red , "Daylight," which sees her describe her love as "golden" rather than "burning red." 

Lover also marked the first time Swift divulged into politics and societal issues, like campaigning against Donald Trump, releasing the Pride-infused "You Need To Calm Down," and feeling disillusioned by the political climate with "Miss Americana & the Heartbreak Prince." Swift's documentary Miss Americana explores this change further, discussing how she regrets not being vocal about politics and issues prior, in addition to opening up about her body image issues and mental health struggles.

Lover became Swift's sixth No. 1 album in America, making her the first female artist to achieve the feat. But Lover was more than any accolades could reflect — it was Swift's transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018.

folklore : Looking Beyond Her Personal Stories

After the pandemic started and Swift cancelled her Lover Fest, she spent the early stages of quarantine reading and watching a myriad of films. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. The result became folklore , 2020's surprise archetypal quarantine album.

Crafting a world with characters like the folklore love triangle between those in "betty" and "august," as well as Rebekah Harkness from "the last great american dynasty" (who once lived in Swift's Rhode Island mansion), was Swift's way of venturing outside her typical autobiographical style of writing. She'd see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. 

She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National . Some songs, like "peace," were recorded in just one take, capturing the essence and fragility in the song's story, whereas the lyrics for the sun-drenched "august" were penned on the spot as Swift was in her makeshift home studio in Los Angeles.

Another aspect that separated folklore from her previous work was the obvious decision not to create hits made for radio play, so much so that Dessner claimed that she made an anti-pop record at a time when radio wanted clear "bops." Sonically, it ventured into genres Swift hadn't explored much outside of a few folkier tracks on Lover . Rather than relying on mostly electronic elements, Swift, Antonoff and Dessner weaved in soft pianos, ethereal strings, and plucky guitars.

folklore 's impact on the zeitgeist at a time where everyone was stuck at home helped shape people's quarantine experience. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke , Gracie Abrams , and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. At the 2021 GRAMMYs, folklore took home Album Of The Year , making her the fourth artist in history to win three times in the Category. 

evermore : Embracing Experimentation

It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. So when evermore was released just six months after folklore , fans were in shock. 

Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn't have distinct "eras" between albums. She felt like there was something "different" with folklore , stating in a social media post that making it was less like she was "departing" and more like she was "returning" to the next stage of her discography. In turn, the album served as a similar escape for Swift as folklore did.

Bridging together the same wistful and nostalgic themes as heard on its predecessor, evermore sees Swift venture even further into escapism. She explores more stories and characters, some based in fiction like "dorothea," and some real, like "marjorie," written in dedication to Swift's grandmother. 

Evermore follows folklore 's inclusion of natural imagery and motifs, like landscapes, skies, ivy, and celestial elements. In contrast to the fairytale motifs and happy endings of Fearless , evermore saw Swift become fixated on "unhappy" endings — stories of failed marriages ("happiness"), lifeless relationships ("tolerate it"), and one-time flings ("'tis the damn season"). 

Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift's past records — from pop to country to indie rock — and features all of them on one album. Country songs like "cowboy like me" and "no body, no crime" reaches back to Swift's earlier work in narrative building, seamlessly crafting a three-party story with ease. "Closure" is a "skittering" track that has the same energy as tracks like Lover 's "I Forgot That You Existed," whereas the ballad "champagne problems" is thematically reminiscent of Swift's Speak Now track "Back To December" where she takes responsibility for her lover's heartache. 

Working mostly with Dessner on evermore , Swift was emboldened to continue creating and opted to embrace whatever came naturally to them rather than limiting themselves to a sound. Swift felt a "quiet conclusion" after finishing up evermore , describing that it was more about grappling with endings of all "sizes and shapes," and the record represented a chapter closing. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department .

Midnights : Encapsulating Her Artistic Magic

After coming out of the folklorian woods following folklore and evermore , fans and critics alike were intrigued to see what direction Swift would take on her next studio album. On Midnights , Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover .

Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to "what if" fantasies, falling in love, and falling apart. They are the things that keep her up at night, like the self-critiquing in "Anti-Hero," her rise to fame in "You're on Your Own, Kid," and the anxiety of falling in love again in "Labyrinth." Similarly to Swift's cheeky songwriting style that sees her create caricatures of herself in songs like "Blank Space" and "Look What You Made Me Do," she doubles down on claims she's "calculated" on "Mastermind," a song about devising a plan for her and her lover. 

Although the album is a departure from the two pandemic sister albums, the overall creation process didn't differ too much. In addition to working alongside Antonoff (and bringing Dessner in for the bonus-track-filled 3am Edition), Swift's worldbuilding is still the throughline that connects Midnights and Swift's recent albums, whether she's dreaming of a Parisian escape in "Paris" or using war imagery as a metaphor for the struggle of love in "The Great War."

Read More: 5 Takeaways From Taylor Swift's New Album 'Midnights'

Following the success with folklore and evermore , Swift's intrigue was at a then-all-time high upon the release of Midnights . Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift's 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).

To say that Swift's celebrity has become otherworldly since the release of Midnights would be an understatement. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift's work. 

As a result, there has arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February. Midnights helped further solidify Swift's larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. 

The Tortured Poets Department : A Grief-Stricken Poetic Odyssey

It’s been a while since Swift has penned a full-fledged breakup album. On The Tortured Poets Department , she navigates the five stages of grief — denial, anger, bargaining, depression and acceptance — after her long-term relationship ended. Taking a page from the release of folklore and evermore , she dropped a double album and announced The Tortured Poets Department: The Anthology at 2 a.m. on release day. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. 

On Instagram, Swift described the album as a collection of poetic songs that reflect the "events, opinions and sentiments from a fleeting and fatalistic moment in time," Swift pulled out the fountain and quill pens to craft songs about the "tortured poets" in her life — sometimes musing about lovers, sometimes taking aim at villains, and sometimes pointing the finger at herself. 

TTPD is also her most confessional album thus far. It pokes fun at so-called fans who overstep with her personal life ("But Daddy I Love Him"), says goodbye to a city that gave her a home ("So Long London"), and muses on how her own celebrity has stunted her growth ("Who's Afraid Of Little Old Me?"). To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan ("Peter"), and Patti Smith .

In the same post, Swift declared that once she’s confessed all of her saddest stories, she’s able to find freedom. Yet The Tortured Poets Department (and its accompanying 15-track anthology) spends much time reflecting: she toys with her own lore, self-referencing past songs from albums like 1989 and poems from her reputation era. 

Fourteen years ago, Swift declared that she would never change, but she’ll never stay the same either. The Tortured Poets Department proves that in the throughline of Taylor Swift's many artistic eras is a commitment to exploration and a love of autobiographical lyricism.

All Things Taylor Swift

Photo: Don Arnold/TAS24/Getty Images for TAS Rights Management

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

"There is nothing to avenge, no scores to settle once wounds have healed," Taylor Swift wrote of her new album. From grapplings with fame to ultra-personal reflections on love lost, her latest set of fountain and quill pen songs marks the end of an era.

"All’s fair in love and poetry," Taylor Swift declared when she announced her 11th studio album, The Tortured Poets Department , at the 66th GRAMMY Awards . 

Taken from the proverb "All’s fair in love and war," the pop phenom gave us a fair warning: there’s no limit to what she’ll go through to achieve her ends. 

On the freshly released The Tortured Poets Department , Taylor Swift has a few things to get off her chest — so much that it required a surprise second record, The Tortured Poets Department: The Anthology , adding an additional 15 songs . The sprawling album is a masterclass in songwriting and so personal that it's analogous to performing a post mortem autopsy; The musical shapeshifter is here to exhume the tortured poets of her past and make peace with them. 

In an Instagram post , Swift called the record an anthology that reflects " events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure." With the release of Tortured Poets , "t here is nothing to avenge, no scores to settle once wounds have healed…our tears become holy in the form of ink on a page." 

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

Describing Swift’s work as a collection of tracks about boys and break-ups has always felt underbaked and disingenuous, but much of The Tortured Poets Department is just that. In true Swiftian fashion, she plays on preconceived theories, opting to toy with the five stages of grief — denial, anger, bargaining, depression, and acceptance — after a break-up, bringing listeners along on a peregrination exploring the depths of her relationships and personal growth. 

Analyzing her feelings to craft songs is muscle memory at this point, but with every release Taylor Swift somehow does so with a refreshed and reimagined perspective. The stories she shares with her fans in TTPD might’ve made her feel like she died, but she’s a revenant no longer tortured by the whims and words of other poets.

With The Tortured Poets Department open for business, read on for five key points to consider when listening to Taylor Swift’s new album .

It's Much More Than A Break-Up Record

Although the record orbits around a break-up, The Tortured Poets Department demonstrates Swift's ability to shapeshift as a songwriter. A song about a break-up is layered, typically forcing Swift to unveil her own flaws while wearing her broken heart on her sleeve.

The fifth track on a Taylor Swift album is typically the most emotionally cutting, and "So Long London" is no exception. On the standout track, Swift views the loss of her lover and the breakdown of her relationship to Joe Alwyn through the lens of the city they once shared together. It’s a cathartic release for Swift who point-blank notes the pain they inflicted upon her and how, in turn, they ended up just as heartbroken as she is. 

The high-spirited "Down Bad" and subdued "The Smallest Man in The World" are two sides of the same coin. The former is hopeful that a love could be reignited, whereas the latter sees Swift at her grittiest, pointing the finger at her former lover. "Smallest" poses a series of questions, accusing her ex of being a spy who only wanted to get intel on her.

On piano ode "loml," Swift looks back at the "get-love-quick" schemes she first wrote about in "Why She Disappeared," a poem for reputation . The poem originally considered the death of her reputation and how its aftermath made her stronger while she was simultaneously nursing a new relationship. 

The track has a similar energy to fan favorite "All Too Well," but is even more accusatory — seemingly unlocking another level of her songwriting prowess as she teeters between seething rage and mourning with lines about picking through a "braid of lies" spewed by a partner who "claimed he was a lion" but is really a coward. While Swift is honest about never feeling a loss so deeply, she maturely accepts that the effort she put into keeping the relationship afloat was all she could do. It’s distinctly different from the battles she bravely fought in "The Great War," "Daylight" and "long story short."

She's Grappling With Fame & Owning Her Choices

That Taylor Swift struggles with her own celebrity and the public's perception is nothing new. On reputation ’s album prologue, she stated, "We think we know someone, but the truth is that we only know the version of them they have chosen to show us." 

On The Tortured Poets Department, Swift has never been more honest about her feelings towards those who claim to know better than she does. On "But Daddy I Love Him," she doubles down on these frustrations, taking aim at self-righteous "vipers" and "judgmental creeps" who condemn her choice of a lover. Swift holds nothing back, declaring "I'll tell you something about my good name/It's mine alone to disgrace."

Swift stated that her life sometimes feels like a public autopsy with people psychoanalyzing her every thought and feeling. Following the release of Midnights and her larger-than-life Eras Tour , Swift’s been in her "glittering prime" despite experiencing her long-term relationship ending and the media hysteria around it would make anyone feel the opposite. "I Can Do It With A Broken Heart" confirms fans' theories that the GRAMMY winner was indeed putting on a brave face.  

On "Clara Bow" — a song named for the silent film actress whose public life was so scrutinized that she admitted herself into a sanatorium — Swift sings "Beauty is a beast that roars/Down on all fours/Demanding, 'More.'" Again, Swift plays with the double-edged sword of fame, comparing herself to a performing circus animal — something she sings about in "Who’s Afraid Of Little Old Me?" 

Taylor Swift Gets By With A Little Help From Her Friends

Swift has always looked up to and honored the greats in her music and art, and Tortured Poets is no exception. She recruits rock icon and songwriter Stevie Nicks to help build TTPD ’s world, and Nicks penned a poem featured in Swift’s physical album. Written in Texas, the poem is "For T and me..." and tells the tale of two ill-fated lovers. (Swift also namedrops Nicks in "Clara Bow," touching on the comparisons made between Clara, Nicks and herself.)

There are two additional guest appearances on TTPD : Post Malone appears on "Fortnight" and Florence Welch of Florence + the Machine is featured on "Florida!!!" (a surprisingly toned-down lead single). Swift particularly shines when paired with Welch, and the soaring "Florida!!!" sees their intertwined vocals creating a sound as infectious as the "drug" they sing about.

J.M. Barrie’s Peter Pan inspired Swift on "cardigan" ("Tried to change the ending/Peter losing Wendy") but now the Lost Boy gets his own track on The Anthology ’s "Peter." The ever-inquisitive Swift pleads, "You said you were gonna grow up/Then you were gonna come find me" and confronts this man who wouldn’t grow up. She even puts herself in the shoes of Wendy who waited for Peter Pan to return but has grown tired of waiting.

TTPS Is All Quill And Fountain Pen Songs

A few years ago, Taylor Swift categorized her songwriting according to three writing devices: glitter gel pens for fun tracks, fountain pens for songs using modern imagery and lyrics, and quill pens for tracks with flowery, figurative language. Although devoid of the glittery gel pen songs that comprise many of Swift's hits, TTPD and its accompanying anthology are steeped in fountain and quill writing. 

Most of The Tortured Poets Department are fountain pen tracks — thanks to 2024 Producer Of The Year Jack Antonoff ’s sleek pop production and synth use. Tracks like "Fresh Out The Slammer" and "My Boy Only Breaks His Favorite Toys" are sharp, snappy, tongue-in-cheek tales of love affairs about to begin and coming to an end with the same sonic exuberance of past Swift & Antonoff songs, like "Out of the Woods" and "Getaway Car."

Tracks on The Anthology , mostly produced by Aaron Dessner , are stripped-back, folk-tinged quill songs brimming with sorrow and harrowing thematics and dives even deeper into her chaotic psyche. "The Prophecy" sees Swift beg to change a prophecy that has been laid out ahead of her — likely stemming from the pressure of being a global superstar when all she wants is to be loved.

This Is The End Of An Era (Or A Chapter)

To her occasional disdain, Swift's highly personal songwriting has created a global obsession with her inner life.  Although she's tired of the "public autopsy," Tortured Poets offers her time to reflect on the "events, opinions, and sentiments" over a time that was equal parts transient and transformative. 

From her growth from the country-twanged teen singer on her self-titled debut to woman who is fearless in her pursuit of happiness, love, and peace, Swift has transformed time and time again. By viewing her work in eras — or, in this case, a chapter in a book of her life — it’s clear that Swift sees this current chapter of her life coming to a close, turning the last page and no longer longing to look back. 

One could argue that Swift is an unreliable narrator, only ever presenting her side of the story. But she says that while considering the pain described on TTPS , many now-healed wounds turned out to be self-inflicted. With these stories immortalized, Taylor Swift has spoken her saddest story and is now "free of it." The tortured poets and poems will no longer take up space in this next chapter of her life.

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

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Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More

Just over two months after Taylor Swift announced 'The Tortured Poets Department' at the 2024 GRAMMYs, the sprawling, bracingly personal album is here. Before you open the department door, arm yourself with the following knowledge.

We’ll be wandering through this Department for the foreseeable future.

Not only has Taylor Swift unleashed an absolute maelstrom with her 16-song new album, The Tortured Poets Department ; she’s dropped a whopping 15 additional tracks via its expanded version, The Tortured Poets Department: The Anthology .

Clearly, there’s an absolute treasure trove here — for Swifties and the merely Swift-curious alike. A mostly downbeat and discursive affair, The Tortured Poets Department feels like the shadow cast by the gilded, giddy, exhilarating Eras Tour , which isn’t over yet. (Which makes all the sense in the world, as she was simultaneously chipping away at the album while crisscrossing the globe.)

If you’re reading this, you’re probably bracing yourself for this long, solemn, darkly funny journey. Don’t go alone: here’s a brief breakdown of what you should know going in. (And keep checking GRAMMY.com, as there’s plenty more Taylor and Tortured Poets coming your way.)

The Tracklisting

As previously reported , here’s the standard tracklist for The Tortured Poets Department:

Side A "Fortnight" (feat. Post Malone ) "The Tortured Poets Department" "My Boy Only Breaks His Favorite Toys" "Down Bad"

** Side B ** "So Long, London" "But Daddy I Love Him" "Fresh Out the Slammer" "Florida!!!" (feat. Florence + the Machine )

** Side C ** "Guilty As Sin?" "Who’s Afraid of Little Old Me?" "I Can Fix Him (No Really I Can)" "Loml"

** Side D ** "I Can Do It With a Broken Heart" "The Smallest Man Who Ever Lived" "The Alchemy" "Clara Bow"

The Expanded Tracklisting

Aside from The Black Dog Edition , The Albatross Edition , The Bolter Edition , and The Manuscript Edition — which consist of the standard edition of the album with its titular bonus track — here are the additional tracks that complete The Tortured Poets Department: The Anthology .

"The Black Dog"

"Imgonnagetyouback"

"The Albatross"

"Chloe or Sam or Sophia or Marcus"

"How Did It End?"

"So High School"

"I Hate It Here" "thanK you aIMee"

"I Look In People’s Windows"

"The Prophecy" "Cassandra" "Peter" "The Bolter" "Robin"

"The Manuscript"

Physical copies of The Tortured Poets Department feature an original poem by the one and only Stevie Nicks .

Titled "For T and me…," the poem starts off with "He was in love with her / Or at least she thought so / She was brokenhearted / Maybe he was too." It goes on to trace a doomed relationship — one party being "way too hot to handle" and the other "way too high to try."

Elsewhere, Post Malone lends a haunting vocal to opener and lead single "Fortnight," and Florence + the Machine elevate "Florida!!!".

https://www.youtube.com/watch?v=FiqoZyauhdA

The lion’s share of the album was produced by Jack Antonoff ; Aaron Dessner handled a handful of tunes on the standard edition and the majority of The Anthology .

The Easter Eggs

Where do we begin? For starters, most of the songs seem to be directed at ex Matty Healy of the 1975, but Joe Alwyn and Travis Kelce seem to pop up here and there as well.

In the title track, Swift describes embracing the "cyclone" of a relationship with a partner akin to a "tattooed golden retriever." And they’d be remiss to compare themselves to Patti Smith or Dylan Thomas or any other famously tortured poet of the 20th century: "We’re modern idiots… we’re two idiots."

Elsewhere, Lucy Dacus of boygenius — and Antonoff himself — pop up ("But you tell Lucy you’d kill yourself if I ever leave / And I had said that to Jack about you / So I felt seen").

Far be it from us to speculate on exact subjects, but there are shades of depression ("You sacrificed us to the gods of your bluest days"), a betrothal that wasn’t to be ("You swore that you loved me but where were the clues? / I died on the altar waiting for the proof") and the racket of fame ("The circus life made me mean").

As usual, Swift has dumped puzzle pieces on the carpet — daring her ardent, global fanbase to start at the edges and work their way to the center. But never to this degree, across such an ocean of material.

Tortured poets — and those who fall in love with them — assemble!

Songbook: An Era-By-Era Breakdown Of Taylor Swift’s Journey From Country Starlet To Pop Phenomenon

Photo: Jason LaVeris/FilmMagic/Getty Images

GRAMMY Rewind: Watch Taylor Swift Become The First Woman To Win Album Of The Year Twice

Celebrate the release of ‘The Tortured Poets Department’ by revisiting the night Taylor Swift made history as the first woman to win Album Of The Year twice at the 2016 GRAMMYs.

At the 2024 GRAMMYs, Taylor Swift became the artist with the most Album Of The Year awards in GRAMMY history with four total wins. But her first record-breaking AOTY moment traces back eight years ago, when she became the first woman to win the category twice.

In this episode of GRAMMY Rewind, relive the moment she won the historic golden gramophone for her iconic fifth studio album, 1989 , at the 2016 GRAMMYs .

“I want to thank the fans for the last 10 years,” Swift beamed, praising her loyal fanbase, the Swifties. She later acknowledged the Recording Academy for “this unbelievable honor” and the project’s main producer, Max Martin , who “deserved to be up there for 25 years.”

Before she left the stage, she offered an inspiring message to aspiring female musicians in light of her groundbreaking win. “To all the young women, there are going to be people along the way who try to undercut your success or take credit for your accomplishments or your fame,” she explained. “But if you just focus on the work and don’t let those people sidetrack you, someday, when you get where you’re going, you’ll look around and know that it was you and the people who love you who put you there. That will be the greatest feeling in the world.”

Check out Taylor Swift’s complete acceptance speech for her second Album Of The Year win, before diving into the release of The Tortured Poets Department , and check back to GRAMMY.com for more new episodes of GRAMMY Rewind .

Get Ready For Taylor Swift's ‘The Tortured Poets Department’ Album Release: Everything You Need To Know

• 1 Taylor Swift Announces More Dates For 'Reputation' Stadium Tour
• 2 Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon
• 3 Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album
• 4 Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More
• 5 GRAMMY Rewind: Watch Taylor Swift Become The First Woman To Win Album Of The Year Twice

Taylor Swift Taps Paramore for European Eras Tour Run

Taylor Swift knows we need more — so she’s giving us just that. The singer has added 14 more shows to the European/U.K. leg of her Eras Tour , and announced that Paramore will provide support throughout the trek.

“Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour,” Swift wrote on Twitter Wednesday, July 5. “And I get to travel the world doing shows with @paramore !! Hayley and I have been friends since we were teens in Nashville and now we get to frolic around the UK/Europe next summer??? I’m screaming???”

Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour. And I get to travel the world doing shows with @paramore !! Hayley and I have been friends since we were teens in Nashville and now we get to frolic around the UK/Europe next summer??? I’m… pic.twitter.com/kl1aijxR2o — Taylor Swift (@taylorswift13) July 5, 2023

Last month, Swift added dozens of shows to her Taylor Swift: The Eras stadium tour — bringing the total count of shows to a whooping 104 nights . She also extended her run at Los Angeles’ So-Fi Stadium with a sixth show scheduled for Aug. 7.

The new addition comes after the singer announced shows in Japan, Australia, Singapore, and Europe earlier this week. (See below for the full tour dates.)

“EXCUSE ME HI I HAVE SOMETHING TO SAY 🙋‍♀️,” she wrote on Instagram. “I can’t wait to see so many of you on The Eras Tour next year at these new international dates!”

She also added more dates to her already-announced Latin America tour. After wrapping her U.S. dates in Los Angeles on Aug. 9, Swift will head to Mexico City for four straight shows at Foro Sol starting Aug. 24. She’ll then stop in Buenos Aires, Argentina, and both Rio de Janeiro and São Paulo in Brazil in November.

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Joining the artist on her Latin America run and shows in Singapore and Australia will be “sweet angel princess” Sabrina Carpenter.

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

Swift first announced the tour last October after she completely took over the Billboard Hot 100 top 10 with Midnights . The added dates, which follow the addition of eight new shows last week, were slotted in “due to unprecedented demand,” according to the singer’s camp.

“Good Morning America, it’s Taylor,” Swift said during the announcement. “I wanted to tell you something that I’ve been so excited about for a really long time and I’ve been planning for ages, and I finally get to tell you I’m going back on tour. The tour is called the ‘Eras’ tour, and it’s a journey through all of my musical eras of my career.”

The tour began on March 17 in Glendale, Arizona and extends through Aug. 9, where the singer will wrap with a fifth night at SoFi Stadium in Los Angeles. Swift still has stops left in Detroit, Minneapolis, Cincinnati, Seattle, and Santa Clara.

She gave us 8 shows last week, honey, but we want ‘em all. 💕 Due to unprecedented demand for tickets to #TSTheErasTour , Taylor has added 17 more shows in the US! https://t.co/ebjX0GgXTu pic.twitter.com/1NQeUZ7vml — Taylor Nation (@taylornation13) November 11, 2022

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Across the tour, Swift is being supported in select cities by a combination of special guests including Paramore, beabadoobee, Phoebe Bridgers, girl in red, MUNA, HAIM, GAYLE, Gracie Abrams, and OWENN.

The Eras tour follows the cancelation of her planned 2020 Lover Fest tour, which was originally going to see her make stadium stops in Los Angeles, Boston, and New York, along with Brazil, Denmark, Norway, and Poland. “This is an unprecedented pandemic that has changed everyone’s plans and no one knows what the touring landscape is going to look like in the near future,” she wrote in 2021.

Swift last went the road in 2018 for her massive Reputation Stadium Tour , which saw Swift accompanied by the likes of Charli XCX and Camila Cabello across the United States, the United Kingdom, along with Australia, New Zealand, and Japan. The tour was the highest-grossing music tour by a female artist that year.

Since her last tour, Swift has released four albums and two re-releases: Lover , Folklore , Evermore , Midnights , and Taylor’s Version editions of Fearless and Red with additional songs. In total, she’s dropped 90 tracks of new material, not including collaborations with the likes of Haim and Big Red Machine.

Fans have long wondered what music she’ll be performing on the road, with some theorizing that she’d host a residency in Las Vegas or a music festival where she’d perform different “eras” on different nights.

Along with packing her setlist with songs from Reputation in 2018, she surprised each city with an acoustic rendition of fan favorites like “Red,” “Holy Ground,” and “Wildest Dreams.” At select shows, she also brought out special guests. Shawn Mendes, Selena Gomez, Hayley Kiyoko, and Maren Morris were among the artists to be brought out by Swift.

The stadium tour was accompanied by a concert film released on New Year’s Eve that year.

She previously took her 1989 album on the road for 85 dates, where she was accompanied by the likes of Mendes, James Bay, Vance Joy, and Haim. Before then was The Red Tour in 2013 and 2014, and her Speak Now World Tour from 2011 to 2012.

Feb. 16 – Melbourne, AUS @ Melbourne Cricket Ground Feb. 17 – Melbourne, AUS @ Melbourne Cricket Ground Feb. 23 – Sydney, AUS @ Accor Stadium Feb. 24 – Sydney, AUS @ Accor Stadium Feb. 25 – Sydney, AUS @ Accor Stadium March 2 – Kallang, SGP @ Singapore National Stadium March 3 – Kallang, SGP @ Singapore National Stadium

May 9 – Paris, FRA @ Paris La Défense Arena May 10 – Paris, FRA @ Paris La Défense Arena May 12 – Paris, FRA @ Paris La Défense Arena May 17 – Stockholm, SWE @ Friends Arena May 19 – Stockholm, SWE @ Friends Arena May 24 – Lisbon, POR @ Estádio da Luz May 25 – Lisbon, POR @ Estádio da Luz May 30 – Madrid, ESP @ Santiago Bernabéu Stadium June 2 – Lyon, FRA @ Groupama Stadium June 3 – Lyon, FRA @ Groupama Stadium June 7 – Edinburgh, SCO @ BT Murrayfield Stadium June 8 – Edinburgh, SCO @ BT Murrayfield Stadium June 9 – Edinburgh, SCO @ BT Murrayfield Stadium June 13 – Liverpool, ENG @ Anfield June 14 – Liverpool, ENG @ Anfield June 15 – Liverpool, ENG @ Anfield June 18 – Cardiff, WAL @ Principality Stadium June 21 – London, ENG @ Wembley Stadium June 22 – London, ENG @ Wembley Stadium June 23 – London, ENG @ Wembley Stadium June 28 – Dublin, IRL @ Aviva Stadium June 29 – Dublin, IRL @ Aviva Stadium June 30 – Dublin, IRL @ Aviva Stadium July 4 – Amsterdam, NED @ John Cruyff Arena July 5 – Amsterdam, NED @ John Cruyff Arena July 6 – Amsterdam, NED @ John Cruyff Arena July 9 – Zürich, SUI @Letzigrund July 13 – Milan, ITA @ San Siro July 14 – Milan, ITA @ San Siro July 17 – Gelsenkirchen, GER @ Veltins-Arena July 18 – Gelsenkirchen, GER @ Veltins-Arena July 19 – Gelsenkirchen, GER @ Veltins-Arena July 23 – Hamburg, GER @ Volksparkstadion July 27 – Munich, GER @ Olympiastadion Aug. 1 – Warsaw, POL @ PGE Narodowy Aug. 2 – Warsaw, POL @ PGE Narodowy Aug. 8 – Vienna, AUT @ Ernst-Happel-Stadion Aug. 9 – Vienna, AUT @ Ernst-Happel-Stadion Aug. 10 – Vienna, AUT @ Ernst-Happel-Stadion Aug. 15 – London, ENG @ Wembley Stadium Aug. 16 – London, ENG @ Wembley Stadium Aug. 17 – London, ENG @ Wembley Stadium

Taylor Swift The Eras Tour 2022 Latin America Dates (Additional Dates Bolded)

Taylor Swift The Eras Tour Second Round Additional Dates (Latest Addition Bolded) March 17 – Glendale, AZ @ State Farm Stadium March 24 – Las Vegas, NV @ Allegiant Stadium March 31 – Arlington, TX @ AT&T Stadium April 13 – Tampa, FL @ Raymond James Stadium April 21 – Houston, TX @ NRG Stadium April 23 – Houston, TX @ NRG Stadium April 30 – Atlanta, GA @ Mercedes-Benz Stadium May 7 – Nashville, TN @ Nissan Stadium June 4 – Chicago, IL @ Soldier Field June 9 – Detroit, MI @ Ford Field June 16 – Pittsburgh, PA @ Acrisure Stadium June 23 – Minneapolis, MN @ U.S. Bank Stadium June 30 – Cincinnati, OH @ Paycor Stadium July 7 – Kansas City, MO @ GEHA Field at Arrowhead Stadium July 14 – Denver, CO @ Empower Field at Mile High Aug. 7 – Los Angeles, CA @ SoFi Stadium Aug. 8 – Los Angeles, CA @ SoFi Stadium Aug. 9 – Los Angeles, CA @ SoFi Stadium

Taylor Swift The Eras Tour Additional Dates April 14 – Tampa, FL @ Raymond James Stadium May 5 – Nashville, TN @ Nissan Stadium  May 14 – Philadelphia, PA @ Lincoln Financial Field  May 21 – Foxborough, MA @ Gillette Stadium  May 28 – East Rutherford, NJ @ MetLife Stadium  July 23 – Seattle, WA @ Lumen Field  July 28 – Santa Clara, CA  @ Levi’s Stadium Aug. 3 – Los Angeles, CA @ SoFi Stadium

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This story was updated on June 27 at 11:50 a.m. to include Swift adding a sixth night at So-Fi Stadium in Los Angeles.

This story was updated July 5 at 12:50 p.m. ET with Swift’s additional U.K./European shows, and news that Paramore would open on the tour.

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Taylor Swift Announces U.S. Dates for 2023 Eras Tour

The stadium shows will mark the superstar's first proper tour in nearly five years.

By Jason Lipshutz

Jason Lipshutz

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Taylor Swift is, at long last, headed back on the road. Following this week’s monumental chart debut of Midnights , her tenth studio album, Swift announced the U.S. leg of her 2023 Eras tour on Tuesday morning (Nov. 1), confirming her first official tour in nearly five years following months of rumors.

“I wanted to tell you something that I’ve been so excited about for a really long time. I’ve been planning for ages and I finally get to tell you: I’m going back on tour,” Swift said on GMA . “The tour is called the Eras tour and it’s a journey through all of the musical eras of my career.”

Taylor Swift Is ‘IN SHAMBLES’ Over ‘Midnights’ Dominating the Hot 100 Top 10

Swift said that after kicking off in the U.S., the tour will go on an international swing, with those dates to be announced soon.

Support on the tour will come via a rotating cast of opening acts including Paramore, beabadoobee, Phoebe Bridgers, girl in red, Muna, Haim, Gayle, Gracie Abrams and Owenn. The public on-sale date for the tour will be 10 a.m. local venue time on Nov. 18. Swift has partnered with Ticketmaster’s Verified Fan program, with fans able to register here for the TaylorSwiftTix presale now through Nov. 9 at 11:59 p.m. ET. Registered fans will get a code with exclusive access to purchase tickets on Nov. 15 starting at 10 a.m. local venue time.

Previous Lover Fest Verified Fan purchasers will get preferred access to participate in the TaylorSwiftTix presale; make sure to register with the same Ticketmaster Account as your Lover Fest purchase. Capital One cardholders will have priority access to purchase tickets on Nov. 15 at 2 p.m. local venue time through Nov. 17 at 10 p.m. local venue time or until supplies last.

Swift’s planned follow-up to the Reputation tour, Lover Fest, was scheduled to take place in 2020 following the 2019 release of her Lover album, but was canceled due to the pandemic. Since the Reputation tour, Swift has released four original studio albums — Lover , 2020’s Folklore and Evermore , and Midnights — as well as two re-recorded albums, Fearless (Taylor’s Version) and Red (Taylor’s Version) , both in 2021.

This week, Midnights blasted in atop the Billboard 200 albums chart with 1.578 million equivalent album units earned in the U.S. in the week ending Oct. 27, according to Luminate — the biggest week for any album in nearly seven years. Meanwhile, Swift made history on the Hot 100 by becoming the first artist to claim the chart’s entire top 10 in a single frame, with “Anti-Hero” debuting at No. 1 to become her ninth career chart-topper.

See the full list of Eras U.S. tour dates below:

• March 18 — Glendale, AZ @ State Farm Stadium (Paramore, Gayle)
• March 25 — Las Vegas, NV @ Allegiant Stadium  (beeabadoobee, Gayle)
• April 1 — Arlington, TX @ AT&T Stadium (beabadoobee, Gracie Abrams)
• April 2 — Arlington, TX @ AT&T Stadium (beabadoobee, Gracie Abrams)
• April 15 — Tampa, FL @ Raymond James Stadium (beabadoobee, Gracie Abrams)
• April 22 — Houston, TX @ NRG Stadium (beabadoobee, Gracie Abrams)
• April 28 — Atlanta, GA @ Mercedes-Benz Stadium (beabadoobee, Gracie Abrams)
• April 29 — Atlanta, GA @ Mercedes-Benz Stadium (beabadoobee, Gracie Abrams)
• May 6 — Nashville, TN @ Nissan Stadium (Phoebe Bridgers, Gayle)
• May 12 — Philadelphia, PA @ Lincoln Financial Field (Phoebe Bridgers, Gayle)
• May 19 — Foxborough, MA @ Gillette Stadium (Phoebe Bridgers, Gayle)
• May 20 — Foxborough, MA @ Gillette Stadium (Phoebe Bridgers, Gayle)
• May 26 — East Rutherford, NJ @ MetLife Stadium (Phoebe Bridgers, Gayle)
• May 27 — East Rutherford, NJ @ MetLife Stadium (Phoebe Bridgers, Gracie Abrams)
• June 2 — Chicago, IL @ Soldier Field (girl in red, Owenn)
• June 3 — Chicago, IL @ Soldier Field (girl in red, Owenn)
• June 10 — Detroit, MI @ Ford Field (girl in red, Owenn)
• June 17 — Pittsburgh, PA @ Acrisure Stadium (girl in red, Owenn)
• June 24 — Minneapolis, MN @ U.S. Bank Stadium (girl in red, Owenn)
• July 1 — Cincinnati, OH @ Paycor Stadium (Muna, Gracie Abrams)
• July 8 — Kansas City, MO @ GEHA Field at Arrowhead Stadium (Muna, Gracie Abrams)
• July 15 — Denver, CO @ Empower Field at Mile High (Muna, Gracie Abrams)
• July 22 — Seattle, WA @ Lumen Field (Haim, Gracie Abrams)
• July 29 — Santa Clara, CA @ Levi’s® Stadium (Haim, Gracie Abrams)
• August 4 — Los Angeles, CA @ SoFi Stadium (Haim, Owenn)

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5 most interesting stations of the Moscow Metro

Traces of the great victories of the Russian state are gathered in metro that sometimes is compared with a museum. Foreign tourists guided by a personal guide admire mosaics at “Kievskaya” station, rub intensively the nose of the statue of the dog at “Revolution Square” station, it is said, this will give them luck, take pictures of the inlay at “Mayakovskaya” station.

So here, there is a list of five most curious subway stations:

1.Kievskaya (circular line)

It was opened in 1953. This station owes its cheerful and Southern look thanks to the first secretary of the Central Committee of the Communist Party Nikita Khrushchev. Nikita Khrushchev did not like at all the two other stations “Kievskaya” located nearby. He wanted to add a solemn look to this station in honor of the Soviet republic where he worked before. So the design contest was announced. 73 projects were submitted for the competition and the project won the architect from Ukraine. The station was dedicated to the 300th anniversary of the union between Russia and Ukraine.

Komsomolskaya

It was opened in the 50s. Firstly, it had to bear the name of “The Kalanchevskaya Square” but then it was decided to name it in honor of the young workers who took an active part in metro construction, the youth organization called “Komsomol”.

During the Moscow tour don’t forget your camera. The station has a wonderful  majolica  tile  mosaic which was designed by the academic of pictorical art Lanceray. The young builders of the subway are represented there.

Revolution Square

It was opened in 1938. The station has a complicated but happy life. Different miraculous abilities were attributed to the sculptor who made all the statues here. Moscow students come to this station before exams to touch the dogʼs nose. It is considered this will help to get the highest marks. That’s why the four dogs that are set at the station are polished. And only one gentle touch of the leg of the student, people say, treat from unhappy love.

Novoslobodskaya

The marvelous stained-glass of the station was executed in Litonia. The pieces of glass were prepared for one of the cathedrals. Communist ideologists suspected about the stained-glass decoration if  it would remind a church to workers. But the windows began to recall an aquarium with pictures of the sea kingdom.

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My name's Arthur Lookyanov, I'm a private tour guide, personal driver and photographer in Moscow, Russia. I work in my business and run my website Moscow-Driver.com from 2002. Read more about me and my services , check out testimonials of my former business and travel clients from all over the World, hit me up on Twitter or other social websites. I hope that you will like my photos as well.

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Moscow metro private tours.

• 2-hour tour $87:  10 Must-See Moscow Metro stations with hotel pick-up and drop-off
• 3-hour tour $137:  20 Must-See Moscow Metro stations with Russian lunch in beautifully-decorated Metro Diner + hotel pick-up and drop off. 
• Metro pass is included in the price of both tours.

Highlight of Metro Tour

• Visit 10 must-see stations of Moscow metro on 2-hr tour and 20 Metro stations on 3-hr tour, including grand Komsomolskaya station with its distinctive Baroque décor, aristocratic Mayakovskaya station with Soviet mosaics, legendary Revolution Square station with 72 bronze sculptures and more!
• Explore Museum of Moscow Metro and learn a ton of technical and historical facts;
• Listen to the secrets about the Metro-2, a secret line supposedly used by the government and KGB;
• Experience a selection of most striking features of Moscow Metro hidden from most tourists and even locals;
• Discover the underground treasure of Russian Soviet past – from mosaics to bronzes, paintings, marble arches, stained glass and even paleontological elements;
• Learn fun stories and myths about Coffee Ring, Zodiac signs of Moscow Metro and more;
• Admire Soviet-era architecture of pre- and post- World War II perious;
• Enjoy panoramic views of Sparrow Hills from Luzhniki Metro Bridge – MetroMost, the only station of Moscow Metro located over water and the highest station above ground level;
• If lucky, catch a unique «Aquarelle Train» – a wheeled picture gallery, brightly painted with images of peony, chrysanthemums, daisies, sunflowers and each car unit is unique;
• Become an expert at navigating the legendary Moscow Metro system;
• Have fun time with a very friendly local;
• + Atmospheric Metro lunch in Moscow’s the only Metro Diner (included in a 3-hr tour)

Hotel Pick-up

Metro stations:.

Komsomolskaya

Novoslobodskaya

Prospekt Mira

Belorusskaya

Mayakovskaya

Novokuznetskaya

Revolution Square

Sparrow Hills

+ for 3-hour tour

Victory Park

Slavic Boulevard

Vystavochnaya

Dostoevskaya

Elektrozavodskaya

Partizanskaya

Museum of Moscow Metro

• Drop-off  at your hotel, Novodevichy Convent, Sparrow Hills or any place you wish
• + Russian lunch  in Metro Diner with artistic metro-style interior for 3-hour tour

Fun facts from our Moscow Metro Tours:

From the very first days of its existence, the Moscow Metro was the object of civil defense, used as a bomb shelter, and designed as a defense for a possible attack on the Soviet Union.

At a depth of 50 to 120 meters lies the second, the coded system of Metro-2 of Moscow subway, which is equipped with everything you need, from food storage to the nuclear button.

According to some sources, the total length of Metro-2 reaches over 150 kilometers.

The Museum was opened on Sportivnaya metro station on November 6, 1967. It features the most interesting models of trains and stations.

Coffee Ring

The first scheme of Moscow Metro looked like a bunch of separate lines. Listen to a myth about Joseph Stalin and the main brown line of Moscow Metro.

Zodiac Metro

According to some astrologers, each of the 12 stops of the Moscow Ring Line corresponds to a particular sign of the zodiac and divides the city into astrological sector.

Astrologers believe that being in a particular zadiac sector of Moscow for a long time, you attract certain energy and events into your life.

Paleontological finds 

Red marble walls of some of the Metro stations hide in themselves petrified inhabitants of ancient seas. Try and find some!

• Every day each car in  Moscow metro passes  more than 600 km, which is the distance from Moscow to St. Petersburg.
• Moscow subway system is the  5th in the intensity  of use (after the subways of Beijing, Tokyo, Seoul and Shanghai).
• The interval in the movement of trains in rush hour is  90 seconds .

What you get:

• + A friend in Moscow.
• + Private & customized Moscow tour.
• + An exciting pastime, not just boring history lessons.
• + An authentic experience of local life.
• + Flexibility during the walking tour: changes can be made at any time to suit individual preferences.
• + Amazing deals for breakfast, lunch, and dinner in the very best cafes & restaurants. Discounts on weekdays (Mon-Fri).
• + A photo session amongst spectacular Moscow scenery that can be treasured for a lifetime.
• + Good value for souvenirs, taxis, and hotels.
• + Expert advice on what to do, where to go, and how to make the most of your time in Moscow.

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