tame impala us tour dates

• Latest News

‘Experimental Jet Set, Trash And No Star’: A Sonic Youth Masterpiece

‘fish rising’: the maiden solo voyage of steve hillage, ‘addicted to love’: america couldn’t get enough of robert palmer, ‘operation: mindcrime’: queensrÿche’s lofty concept album, ‘open up and say… ahh’: how a little pain yielded big gains for poison, ‘lovin’ you’: minnie riperton soars, with stevie wonder’s help, ‘wings over america’ tour: paul mccartney’s prodigious wingspan, ‘stax: soulsville u.s.a.’ to premiere on hbo, billy idol performs ‘rebel yell’ on nbc’s ‘today’, gracie abrams returns with new single ‘risk’, julius rodriguez announces new album ‘evergreen’, the john lennon estate teams with lumenate for ‘meditation mixes’ of ‘mind games’, pearl jam and zane lowe talk new record ‘dark matter’, ghost’s feature film ‘rite here rite now’ will premiere this june, tame impala announces 2022 tour dates, share ‘no choice’.

The new single, ‘No Choice,’ will be featured on ‘The Slow Rush Deluxe Edition.’

Published on

Tame Impala (Kevin Parker) has confirmed a 2022 North American tour with dates that kick off February 27 with a headline slot at the Innings Festival at Tempe, AZ’s Tempe Beach Park.

On March 7, Tame Impala hit the road for a run of headline arena dates that conclude with another festival appearance at the Buku Music + Art Project in New Orleans, LA on March 25th. The tour also hits the Okeechobee Music & Arts Festival, Scotiabank Arena in Toronto on March 9 and Brooklyn’s Barclays Center on March 14th. ATickets go on-sale on Friday, December 10 at 10am local time.

With today’s announcement Tame Impala also share “No Choice,” a track off the forthcoming The Slow Rush Deluxe Box Set which will be released on February 18, 2022 via Interscope.

‘World’s Strongest Man’: Gaz Coombes Flexes His Creative Muscles

‘disintegration’: how the cure perfected the art of falling apart.

The box set features B-Sides and remixes of his GRAMMY-nominated 2020 album. The physical version will feature two transparent red LP’s and alternate artwork including a 40-page booklet and The Slow Rush 2050 calendar. Both the physical and digital versions released on February 18 will feature another never-before-heard b-side “The Boat I Row,” the pre-album single “Patience” (both original and remix), plus additional extended versions and remixes.

Back in October, Parker released “Breathe Deeper ( Lil Yachty Remix),” a special imagining of the track from the famed rapper. Lil Yachty shared, “It was so amazing to work with Kevin as I’ve been a big fan since high school so it was a pleasant surprise and honor to be a part of such an incredible song.”

Visit Tame Impala’s official website for tour dates and ticket information.

Tame Impala Tour Dates : 2/27/22 – Innings Festival (Tempe Beach Park) – Tempe, AZ 3/3-6/22 – Okeechobee Music & Arts Festival (Sunshine Grove) – Okeechobee, FL 3/7/22 – Petersen Events Center – Pittsburgh, PA 3/9/22 – Scotiabank Arena – Toronto, ON 3/10/22 – Place Bell – Montreal, QC 3/12/22 – Mohegan Sun – Uncasville, CT 3/14/22 – Barclays Center – Brooklyn, NY 3/16/22 – TD Garden – Boston, MA 3/18/22 – Hampton Coliseum – Hampton, VA 3/19/22 – Wells Fargo Center – Philadelphia, PA 3/21/22 – ExploreAsheville.com Arena – Asheville, NC 3/22/22 – ExploreAsheville.com Arena – Asheville, NC 3/23/22 – Bridgestone Arena – Nashville, TN 3/25/22 – Buku Music + Art Project – New Orleans, LA 5/22/22 – Hangout Music Festival – Gulf Shores, AL

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

• Subscribe to Relix
• Radio Charts
• Livestream Guide

Current Issue Details

Buy Current Issue

Published: 2021/12/07

Tame Impala Announce 2022 North American Tour Dates, Shares New Track “No Choice”

Photo by Dana Trippe

Tame Impala have confirmed a 2022 North American tour beginning Feb. 27 with a headlining slot at the Innings Festival in Tempe, Ariz. 

The Australian psychedelic rock band will continue their festival run at Okeechobee Music & Arts Festival in Fla. before headlining a run of arena dates starting Mar. 7 in Pittsburgh, Pa. at Petersen Events Center. 

Next, the group will head east to perform at Scotiabank Arena in Toronto, before heading to Montreal on Mar. 10 to perform at Place Bell. Tame Impala will return to the U.S. on Mar. 12 to play five east coast shows before trekking south for two nights at the ExploreAsheville.com Arena in Asheville, N.C., on March 22 and 23. The North American run will close out on May 22, at Hangout Music Festival in Gulf Shores, Ala. 

With today’s announcement, Tame Impala has also shared “No Choice” a new track off the forthcoming The Slow Rush Deluxe Box Set , which will be released on Feb. 18 via Interscope. 

Tickets go on sale Dec. 10 at 10 a.m. local time.

Tame Impala 2022 Tour Dates 

Feb. 27 – Innings Festival – Tempe, Ariz.

Mar. 3-6 – Okeechobee Music & Arts Festival – Okeechobee, Fla.

Mar. 7 – Petersen Events Center – Pittsburgh, Pa.

Mar. 9 – Scotiabank Arena – Toronto, ON

Mar. 10 – Place Bell – Montreal, QC

Mar. 12 – Mohegan Sun – Uncasville, Conn.

Mar. 14 – Barclays Center – Brooklyn, N.Y.

Mar. 16 – TD Garden – Boston, Mass. 

Mar. 18 – Hampton Coliseum – Hampton, Va.

Mar. 19 – Wells Fargo Center – Philadelphia, Pa.

Mar. 21 – ExploreAsheville.com Arena – Asheville, N.C.

Mar. 22 – ExploreAsheville.com Arena – Asheville, N.C. 

Mar. 23 – Bridgestone Arena – Nashville, Tenn.

Mar. 25 – Buku Music + Art Project – New Orleans, La. 

May 22 – Hangout Music Festival – Gulf Shores, Ala.

Show No Comments

No Comments comments associated with this post

Note: It may take a moment for your post to appear

• Waxahatchee Welcomes Lucinda Williams, Wynonna and MJ Lenderman at Ryman Auditorium
• Vampire Weekend to Return as Musical Guests on ‘SNL’
• Jam Cruise Outlines 2025 Excursion: STS9, Snarky Puppy, Thievery Corporation and 40+ Others
• Mickey Hart Frames ‘Art at The Edge of Magic’ Exhibit
• High Sierra Music Festival Forecasts “Significant Changes” for 2025, Calls on Community for Support
• Ra Ra Riot Drop First New Single in Five Years, Share Tour Dates with Vampire Weekend
• David Gilmour Plots First Tour Since 2016
• Live Nation Announces Return of Concert Week: $25 Tickets to Outlaw Music Festival, Vampire Weekend, The Marley Brothers and More

Most Popular

• Most Commented
• Dead & Company Detail Free Immersive Dead Forever Experience at The Venetian
• Trey Anastasio Talks New Vermont Divided Sky Residential Recovery Program
• Watch: Dave Matthews Band Take Royal Albert Hall, with Robben Ford Sit-in and “Dreamgirl” Bust-out
• Listen: Widespread Panic Bestow Wisdom on New Single “Life as a Tree”
• Watch: Susan Tedeschi, Derek Trucks and Bill Frisell Pay Tribute to Leonard Cohen with National Symphony Orchestra
• Jaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics
• Phish Gift Drew Carey Signed Blender, Following Sphere Comments
• Report: Dead & Company Cancel West Palm Beach and Tampa Shows
• Willie Nelson, Bob Weir and More to Participate in ‘Biden For President’ Livestream Fundraiser
• SiriusXM Announces Launch of Phish Radio, Jam On Moves to App and Online
• Eric Clapton Releases Politically-Charged “This Has Gotta Stop”
• Thousands of Music Fans Sign Petition to Bring Jam On Back to SiriusXM
• “You Should Fuckin’ Pay Attention”: Chris Robinson Gets Frustrated at Philadelphia Crowd During “Brothers of a Feather” Gig
• Nike Confirms Grateful Dead Sneaker Collaboration, Sets Release Date
• Zach Deputy Responds to His Attendance at DC Trump Rally
• Monthly Contributors

Find anything you save across the site in your account

Tame Impala Announce 2022 Tour Dates, Share New Song “No Choice”: Listen

By Matthew Strauss

Tame Impala have announced a handful of 2022 North American tour dates. The newly announced shows take place this winter and spring. Kevin Parker and his band will also perform in Europe, the United Kingdom, and Australia later in 2022. Find the band’s schedule below.

Along with the tour announcement, Tame Impala have released “ No Choice ,” a track from the forthcoming deluxe box set edition of The Slow Rush . Hear the new song below.

The new edition of The Slow Rush is out February 18. The set includes “No Choice,” another unreleased song called “The Boat I Row,” and 2019’s “ Patience ,” along with a slew of remixes.

Find “ RIYL: Tame Impala’s The Slow Rush ” on the Pitch.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Tame Impala:

02-27 Tempe, AZ - Innings Festival (Tempe Beach Park) 03-03-06 Okeechobee, FL - Okeechobee Music & Arts Festival (Sunshine Grove) 03-07 Pittsburgh, PA - Petersen Events Center 03-09 Toronto, Ontario - Scotiabank Arena 03-10 Montreal, Quebec - Place Bell 03-12 Uncasville, CT - Mohegan Sun 03-14 Brooklyn, NY - Barclays Center  03-16 Boston, MA - TD Garden 03-18 Hampton, VA - Hampton Coliseum 03-19 Philadelphia, PA - Wells Fargo Center 03-21 Asheville, NC - ExploreAsheville.com Arena 03-22 Asheville, NC - ExploreAsheville.com Arena 03-23 Nashville, TN - Bridgestone Arena 03-25 New Orleans, LA - Buku Music + Art Project 05-22 Gulf Shores, AL - Hangout Music Festival 06-02 Barcelona, Spain - Primavera Sound Festival 06-09 Porto, Portugal - NOS Primavera Sound Festival 06-11 Barcelona, Spain - Primavera Sound Festival 08-25 London, England - All Points East Festival 08-27 Paris, France - Rock En Seine 08-29 Amsterdam, Netherlands - AFAS Live 08-30 Amsterdam, Netherlands - AFAS Live 09-07 Milan, Italy - Ippodromo Snai San Siro 10-15 Auckland, New Zealand - Spark Arena 10-18 Brisbane, Australia - Brisbane Entertainment Centre 10-20 Sydney, Australia - Qudos Bank Arena 10-22 Melbourne, Australia - Rod Laver Arena 10-26 Adelaide, Australia - Adelaide Entertainment Centre 10-29 Perth, Australia - RAC Arena

By signing up you agree to our User Agreement (including the class action waiver and arbitration provisions ), our Privacy Policy & Cookie Statement and to receive marketing and account-related emails from Pitchfork. You can unsubscribe at any time. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

By Jazz Monroe

By Madison Bloom

• Consequence

Tame Impala Announces 2022 North American Tour

The Kevin Parker-led outfit has also shared The Slow Rush B-side "No Choice"

Tame Impala have mapped out a new leg of North American tour dates for early 2022.

In between festival appearances at Florida’s Okeechobee and New Orleans’ Buku Project, the Kevin Parker-led outfit will play a series of arena shows. Stops include the Scotiabank Arena in Toronto, Barclays Center in Brooklyn, TD Garden in Boston, and Bridgestone Arena in Nashville, as well as two dates at the ExploreAsheville.com Arena in Asheville, North Carolina. See the full itinerary below.

A ticket pre-sale begins Wednesday, December 8th at 10:00 a.m. local time (pre-sale code: RUSHIUM), with a public on-sale following on Friday, December 10th. Visit Ticketmaster.com for more information.

To coincide with today’s tour announcement, Tame Impala have also shared “No Choice,” an unreleased B-side from the band’s latest album, The Slow Rush . It’ll be released alongside several other B-sides and remixes as part of a new deluxe box set due out in February. Take a listen to “No Choice” below.

Tame Impala 2022 Tour Dates: 02/07 – Tempe, AZ @ Innings Festival 03/03-06 – Okeechobee, FL @ Okeechobee Music & Arts Festival 03/07 – Pittsburgh, PA @ Petersen Events Center 03/09 – Toronto, ON @ Scotiabank Arena 03/10 – Montreal, QC @ Bell Place 03/12 – Uncasville, CT @ Mohegan Sun Arena 03/14 – Brooklyn, NY @ Barclays Center 03/16 – Boston, MA @ TD Garden 03/18 – Hampton, VA @ Hampton Coliseum 03/19 – Philadelphia, PA @ Wells Fargo Center 03/21 – Asheville, NC @ ExploreAsheville.com Arena 03/22 – Asheville, NC @ ExploreAsheville.com Arena 03/23 – Nashville, TN @ Bridgestone Arena 03/25 – New Orleans, LA @ Buku Music + Art Project 05/22 – Gulf Shores, AL @ Hangout Music Festival 06/02 – Barcelona, ES @ Primavera Sound 06/09 – Porto, PT @ Optimus Primavera Sound 06/11 – Barcelona, ES @ Primavera Sound 08/25 – London, UK @ All Points East 08/27 – Paris, FR @ Rock En Seine 08/29 – Amsterdam, NL @ AFAS Live 08/30 – Amsterdam, NL @ AFAS Live 09/07 – Milan, IT @ Ippodromo Snai San Siro 10/15 – Auckland, NZ @ Spark Arena 10/18 – Brisbane, AU @ Brisbane Entertainment Centre 10/20 – Sydney, AU @ Qudos Bank Arena 10/22 – Melbourne, AU @ Rod Laver Arena 10/23 – Melbourne, AU @ Rod Laver Arena 10/26 – Adelaide, AU @ Adelaide Entertainment Centre 10/29 – Perth, AU @ RAC Arena

Personalized Stories

Around the web, latest stories.

illuminati hotties Announce North American Tour, Share New Song "Can't Be Still": Stream

May 2, 2024

Jeff Rosenstock Announces "Potentially Infinite" Brooklyn Residency

May 1, 2024

Ben Folds to Reprise His "Paper Airplane Request Tour" on Massive 2024 Tour [Updated]

Live Nation Unveils $25 All-In Tickets for Over 5,000 Shows

UB40 Announce 45th Anniversary "Red Red Wine Tour" [Updated]

April 30, 2024

Cat Power Extends 2024 Bob Dylan Tribute Tour

Squeeze and Boy George Announce 2024 Co-Headlining Tour

Testament and Kreator Announce Fall 2024 North American Co-Headlining Tour

• Manage Account

Tame Impala Announces Rescheduled North American Tour Dates for 2021

Tame Impala has today (September 29) announced a series of rescheuled North American tour dates for 2021, with stops including Washington's The Gorge, Chicago's United Center and San Francisco's…

By Katie Bain

• Share this article on Facebook
• Share this article on Twitter
• Share this article on Flipboard
• Share this article on Pinit
• + additional share options added
• Share this article on Reddit
• Share this article on Linkedin
• Share this article on Whatsapp
• Share this article on Email
• Print this article
• Share this article on Comment
• Share this article on Tumblr

On Tuesday (Sept. 29), Tame Impala  announced a series of rescheduled tour dates after its summer 2020 run was canceled due to COVID-19.

Kevin Parker’s rock act will kick off its 2021 tour in Mexico City on July 22 and wrap up three months later in Miami on Oct. 18. Parker released his fourth album as Tame Impala, The Slow Rush , in February of this year.

Tame Impala's Kevin Parker on His Pop Ambitions: 'I Want to Be a Max Martin'

Tame impala.

See latest videos, charts and news

Major stops for next year’s tour include The Gorge in Washington, The Chase Center in San Francisco and the United Center in Chicago. Festival dates include San Francisco’s Outside Lands on Aug. 8 and Las Vegas’ Life Is Beautiful in late September. See the complete schedule below.

Tame Impala 2021 Tour Dates July 22 – Foro Sol Stadium – Mexico City, MEXICO July 28 – Gila River Arena – Phoenix, AZ July 30 – Pepsi Center – Denver, CO Aug. 2 – Moda Center – Portland, OR Aug. 4 – Rogers Arena – Vancouver, CANADA Aug. 6 – The Gorge – George WA Aug. 8 – Outside Lands Festival – San Francisco, CA Aug. 12 – Toyota Center – Houston, TX Aug. 13 – American Airlines Center – Dallas, TX Aug. 14 – Frank Erwin Center – Austin,TX Sept. 15 – Chase Center, San Francisco, CA Sept. 17 – Life Is Beautiful Festival – Las Vegas, NV Oct. 4 – Scotiabank Arena, Toronto, CANADA Oct. 5 – Little Caesars Arena – Detroit, MI Oct. 7 – United Center – Chicago, IL Oct. 8 – Fiserv Forum – Milwaukee, WI Oct. 10 – Xcel Energy Center – St Paul, MN Oct. 13 – Capital One Arena – Washington DC Oct. 15 – State Farm Arena – Atlanta, GA Oct. 17 – Amway Center – Orlando, FL Oct. 18 – American Airlines Arena- Miami, FL

Get weekly rundowns straight to your inbox

Want to know what everyone in the music business is talking about?

Get in the know on.

Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.

optional screen reader

Charts expand charts menu.

• Billboard Hot 100™
• Billboard 200™
• Hits Of The World™
• TikTok Billboard Top 50
• Song Breaker
• Year-End Charts
• Decade-End Charts

Music Expand music menu

• R&B/Hip-Hop

Culture Expand culture menu

Media expand media menu, business expand business menu.

• Business News
• Record Labels
• View All Pro

Pro Tools Expand pro-tools menu

• Songwriters & Producers
• Artist Index
• Royalty Calculator
• Market Watch
• Industry Events Calendar

Billboard Español Expand billboard-espanol menu

• Cultura y Entretenimiento

Honda Music Expand honda-music menu

Tame Impala Announces 2022 North American Tour Dates

The Slow Rush Deluxe Box Set which will be released on February 18, 2022.

Tame Impala (Kevin Parker) has confirmed a 2022 North American tour with dates that kick off February 27 with a headline slot at the Innings Festival at Tempe, AZ's Tempe Beach Park. On March 7 Tame Impala hit the road for a run of headline arena dates that conclude with another festival appearance at the Buku Music + Art Project in New Orleans, LA on March 25th.

The tour also hits the Okeechobee Music & Arts Festival, Scotiabank Arena in Toronto on March 9 and Brooklyn's Barclays Center on March 14th. All dates are listed below and tickets go on-sale on Friday, December 10 at 10am local time.

With today's announcement Tame Impala also share "No Choice," a track off the forthcoming The Slow Rush Deluxe Box Set which will be released on February 18, 2022 via Interscope. The box set features B-Sides and remixes of his GRAMMY-nominated 2020 album. The physical version will feature 2 transparent red LP's and alternate artwork including a 40-page booklet and The Slow Rush 2050 calendar. Both the physical and digital versions released on February 18 will feature another never-before-heard b-side "The Boat I Row," the pre-album single "Patience" (both original and remix), plus additional extended versions and remixes. In October he shared "Breathe Deeper (Lil Yachty Remix)". The box set is available for pre-order here .

The Slow Rush, released in 2020, has amassed over 1.5 billion streams worldwide. The album landed at #1 album in multiple territories and was his highest charting album to date in both the US and UK with 14 top 10 chart positions around the world. The album serves as a deep reflection on the passage of time. "The Slow Rush is an extraordinarily detailed opus," said Pitchfork. "I have to marvel that all this sound and history comes from Parker alone, picking every string and twisting every knob." The Slow Rush has amassed over 1.5 billion streams and counting.

In addition to its chart success, Parker won an ARIA Awards haul, taking home Album of the Year, Best Group, Best Rock Album, Engineer of the Year and Producer of the Year. Parker was nominated for two GRAMMY Awards in 2021 for Best Alternative Album and Best Rock Song for the single Lost In Yesterday. This marked his third nomination in the Alternative category, having previously been nominated for Currents and Lonerism. The Slow Rush was also nominated for two Billboard Music Awards and an American Music Award (AMA).

Parker has emerged as one of the most influential voices of the last decade. Thanks to the ravenous demand of fans for a transcendent live performance, Tame Impala has headlined festivals and theatres around the world and released four full length albums - InnerSpeaker, Lonerism, the RIAA Platinum-Certified Currents and The Slow Rush. As a writer and producer Parker has collaborated with The Weeknd, SZA, Lady Gaga, Mark Ronson, Kanye West, Kali Uchis, Theophilus London, Miguel, A$AP Rocky and more.

Listen to "No Choice" here:

2/27/22 - Innings Festival (Tempe Beach Park) - Tempe, AZ 3/3-6/22 - Okeechobee Music & Arts Festival (Sunshine Grove) - Okeechobee, FL 3/7/22 - Petersen Events Center - Pittsburgh, PA 3/9/22 - Scotiabank Arena - Toronto, ON 3/10/22 - Place Bell - Montreal, QC 3/12/22 - Mohegan Sun - Uncasville, CT 3/14/22 - Barclays Center - Brooklyn, NY 3/16/22 - TD Garden - Boston, MA 3/18/22 - Hampton Coliseum - Hampton, VA 3/19/22 - Wells Fargo Center - Philadelphia, PA 3/21/22 - ExploreAsheville.com Arena - Asheville, NC 3/22/22 - ExploreAsheville.com Arena - Asheville, NC 3/23/22 - Bridgestone Arena - Nashville, TN 3/25/22 - Buku Music + Art Project - New Orleans, LA 5/22/22 - Hangout Music Festival - Gulf Shores, AL

Play Broadway Games

TICKET CENTRAL

Join us on Social

Tame Impala

Photo: Andrew Lipovsky/NBC/Getty Images

Tame Impala Announce U.S. Tour Dates

In addition to headlining Coachella 2019, the Australian psych-rock outfit has revealed several more show dates stateside

Tame Impala , the GRAMMY-nominated psych-rock project of Australian Kevin Parker , has announced four new spring U.S. tour dates, following the group's headlining sets at Coachella in April.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Tame Impala play Nashville, Asheville, St. Augustine &amp; Miami this May. Tickets on-sale Friday, Feb. 1st at 10am local time. <a href="https://t.co/8DZtw94dUA">pic.twitter.com/8DZtw94dUA</a></p>&mdash; Tame Impala (@tameimpala) <a href="https://twitter.com/tameimpala/status/1090336379781885952?ref_src=twsrc%5Etfw">January 29, 2019</a></blockquote>

<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

The 2019 U.S. dates begin in Indio, Calif. at Coachella on April 13 and 20, followed by dates in Nashville, Tenn., Asheville, N.C., St. Augustine, Fla. and Miami in May. While Parker is a one-man show in the studio, he has a touring group to translate the music live. 

Last week, the group was also announced as a headliner at the Corona Capital festival in Guadalajara, Mex. on May 11. Other May dates Tame Impala is set to play include  Shaky Knees in Atlanta, Boston Calling in Boston, and Primavera Sound in Barcelona, Spain.

Parker  has revealed that a new album is on the way and will be released sometime before the end of 2019. Tame Impala's last album, 2015's Currents , was nominated for Best Alternative Music Album at the 58th GRAMMY Awards . 

Tickets for the new show dates go on sale on Feb. 1 at 10 A.M. local time via Ticketmaster .

Primavera Sound 2019 Features A "New Normal" Equal-Gender Lineup

Photo: Julie Vincent

Justice On Creating New Album 'Hyperdrama': "We'll Always Try To Make Everything Sound A Bit Like A Space Odyssey"

"Every time we go back to the studio, we start a bit from zero again, mainly because we try to get rid of old habits every time we start something new," Justice's Xavier de Rosnay says of creating their fourth studio album, 'Hyperdrama.'

GRAMMY-winning French electro duo Justice have always moved to the tune of their own drum machine.

Gaspard Augé and Xavier de Rosnay's debut release, 2003's "We Are Your Friends," was a radical reimagining of a tune from experimental psych-rock group Simian. Originally a remix made for a Parisian college radio contest , "We Are Your Friends" didn't win, but grabbed the attention of Daft Punk 's manager Pedro Winter, who had just founded his impactful indie dance label Ed Banger Records. The track eventually became an anthem of the bloghouse era .

Response to their second single — 2005's glitchy, fuzzy "Waters of Nazareth" — nearly made them reconsider their decision to switch careers from graphic design to electronic music. Two years later, the duo had another major hit — along with their first GRAMMY nominations and some international chart success — with their third single, "D.A.N.C.E.", a joyous bop sung by a youth chorus. 

While their core influences of disco, electro, funk and psych rock remain, Justice is not interested in rehashing the same sounds. They are interested in making you feel , and the sounds that get them the most excited in the studio are the strange and boundary-pushing ones.

They're beloved for their high-production live show, where they mashup and reimagine their biggest tunes into a frenzy of sound and lights. They debuted a new live show at Coachella 2024 , which features a dizzying new light contraption created over 18 months by their long-time lightning designer Vincent Lérisson . After each studio album, they produce a live album from the subsequent tour, a costly and time-consuming project which they recently told Billboard nearly bankrupts them every time. Yet their last, 2018's Woman Worldwide , won a GRAMMY award for Best Dance/Electronic Album.

Justice is just as meticulous in the studio. For their first studio album in eight years, Hyperdrama, (out on April 26 on Ed Banger/Because Music), they created hundreds of versions of each track and spent an extra year on the album stitching the best parts together. While they've produced for and remixed plenty of big names over the years, the new album is their first to feature recognizable stars like Tame Impala , Miguel and Thundercat , along with Rimon, Connan Mockasin and the Flints.

GRAMMY.com caught up with Xavier de Rosnay to dive deep into the creation of Hyperdrama , the album's new collabs, Justice's new live show, and more.

This interview has been edited for clarity.

How were your performances at Coachella?

It was good. It was only the second show of the tour. And the beginning of the tool is generally where there's a lot of space for improvement. We could definitely feel that we did better [on weekend 2] than the week before because we were a bit more relaxed, a bit more accustomed to the stage setup and to what we used to conduct the music and everything. Everything felt more fluid. But there can be a difference between what we feel and how the crowd feels, and that's impossible for us to say.

How did you envision this new live show and what are you excited about bringing it around the world?

The way we envision it is as has been the same since the beginning, it's just now we have access to a larger array of technologies to be able to do that. We've always liked the idea of instead of hiding the technical aspects of the stage, enhancing them in every way possible. Everything you see on stage at the beginning [of the show] is stuff that is very mechanical, technical and that are meant to be on stage. As it evolves, everything is moving and lit up.

We hope that there's a lot of moments where the audience can actually get lost [in the moment] and not fully understand what's happening on stage because of the way things are lit. We know the matrix of the stage in and out, but sometimes we see things we don't really understand because it creates a dimensional space that is difficult to comprehend at times. For us, that's the best, it's when we have kind of magic moments.

And musically, same thing, it's always the same as from the beginning but better, freer, bigger. Justice live is Justice's greatest hits; we're not the kind of band that won't play the hits and will force feed the weird [tracks]. For us, it has to be a big party, it has to be fun from top to bottom. Although it's only our fourth album, now we feel we have enough of a catalog to make something that is relentless and fun from the beginning to the end.

I definitely feel a cinematic journey on the new album, is that intentional? And what's the story you're trying to tell with Hyperdrama ?

Well, it's intentional in the way that the most powerful music is music that brings images to the mind. Classical pieces of music, like Beethoven's Fifth Symphony, are the biggest hits ever and they have no drums, no beats, no lyrics. But they've been the biggest hits for centuries because they have a very powerful, evocative strength. For us, music is first and foremost meant to reveal this. So we never make music with the idea that it has to be for dancing or pop or anything, we always make music to try to convey powerful emotions. Although we didn't work with a theme like cinematic in our mind, we're happy to hear that some listeners are feeling that way.

The way the album is structured is very classic in the sense that it's structured like a lot of narrative forms. The beginning of the record, let's say the first third, is setting the tone and feeling at home. After our first album, we entertained the idea of starting every album with the theme of "Genesis," a bit like when you go to the cinema and hear the 20th century theme.

You feel good for three, four songs, you go on cruise control and then things start to drift a bit. For [ Hyperdrama ], that's "Moonlight Rendez-Vous" and "Explorer" — when things start to turn wrong a bit and, and then you go into a sort of vortex, like on "Muscle Memory," "Harpy Dream." In a film, that would be when the goofy sidekick of the protagonist dies. At that moment, you think everything is at its worst, then you have the final drop with "Saturnine" and "The End," which is a bit like the homecoming and happy ending situation — you're back at home again and hopefully you end on a positive note.

Is it kind of a Justice Space Odyssey?

Yeah, totally. I think for as long as we make music, we'll always try to make everything sound a bit like a space odyssey. It's funny that you mentioned space odyssey because [ Hyperdrama ] has four different sections that are very distinct. That's something that we love too — connecting things that don't really make sense at first glance.

Within some tracks, for example "Incognito," we're going from this almost psychedelic funk intro, and then you have a straight cut and you're in the future, everything is electronic. Things don't really make sense at first, but you listen to it and you get used to [this kind of transition].

And that was something where we really worked on a lot on this album, to make those different universes coexist and sometimes in a not very peaceful way. It can be a bit off-putting at first listen, but that's what's great with the record. You can feel it's a bit strange and you return to it and hopefully you start getting used to these kinds of things until they become almost natural.

The two of us have been working closely for a long time, so getting surprised and sometimes getting a bit unsettled is really what we're looking for in the studio. Generally, when we start to track and we're having a laugh because we are feeling we're going too far, it's something we've haven't done before, or we're making something ridiculous, that's a very good sign. These are typically the things we're looking for when we write a track or produce a song. 

"Incognito" feels very classic Justice, although you've said Travis Scott 's "Sicko Mode" kind of inspired its shifts. How did "Incognito" come together and how did it shake up your songwriting process?  

I think the "Sicko Mode" thing is getting a bit bigger than what it is. It was not like we had an epiphany hearing that song. We think it's a great track, but for us, it was more of a reminder that it's always possible in any context to approach things in a very naïve way in a sense, and that it's possible to escape the canon of classical structures and classical writing and still achieve something that is surprising and free and that is legible for a vast amount of people. The principle of juxtaposing things that are foreign next to each other is not new, but to see it on such a big song always gives us a lot of hope about music in general. 

"Incognito," "One Night/All Night," "Generator," "Afterimage" and "Dear Alan" all work a bit on that principle that we had where we recorded several versions of the same track, of the same riff separately. For "Incognito," we had a plan of the song very precisely from the demo. But when we produced it, we recorded the intro and outro, that was one track that we mixed and produced separately. All the electronic parts were another track, all the disco parts in the middle were another. We produced and mixed them separately and only during mastering, we brought them back together. We really wanted to feel like it was separate songs that we'd put together.  

Would you say you are perfectionists?  

No, because there is no such thing as perfection. For us, the best we can do is make something that we feel good about, and this is when we know it's done. It's not perfection because we're not looking to make something that checks all the boxes of what perfection should be. 

Most of the music that we listen to is not perfect to any extent. But for us, it's perfect when it's faithful to the original feeling and idea we had when we started putting those songs together.

I've been really obsessed with "One Night/All Night." What was it like working with Tame Impala's Kevin Parker , and how did you find that mesh between your sounds?

We didn't think of "One Night/All Night" as a song with vocals at first.  We played [the demo] for Kevin and he was like, "I can hear something in that one." His vocal topline really adds some sort of weird sadness and melancholy to the track. The main riff is so simple, I think the simplest we've ever made, the dun dun dun . That's what is great with collaborating, a topline can very much shape a song. We fell in love with that new emotion that he brought to the song.

We really wanted to sound like we had found an unused Kevin Parker song, and sampled it and made a futuristic song with it. So we re-recorded the disco parts; it's almost like the disco part in the middle was the original record and what's before and after is the modernized version of it. And in the intro, his voice is in a key that is a bit off-putting. It builds up slowly and when the first chorus hits, you have his real voice that is instantly recognizable and very powerful and everything comes together — it's a beautiful moment to us.

It was really fun working with him. I mean, it was fun working with everyone [on Hyperdrama ]. We almost felt like a mouse in a hole just looking out at things; you get to see everybody's idiosyncrasies and the way they think about music.

Why did you want to make a sonic tribute to Alan Braxe on "Dear Alan"?  

It's more of an inside joke than anything, but in the realm of electronic music, he's been an inspiration for us from the beginning. He's always had this kind of melancholic thing to his music that a lot of other bands from the French Touch first wave don't really have. For us, the French Touch first wave is more like shiny club music that's very euphoric. Alan Braxe was always a bit less dance-y but a bit more melancholic and elegant in a way, and that touches us a lot more than straight dance music. 

We also love his persona. The guy has been releasing maybe one song every three years for the past 20 years. This guy is even less productive than we are. But every time he puts one song out, it's always a gem, it's perfect. I don't think he's ever released one bad track.

The track is based on the sample of "Dear Brian" by Chris Rainbow. Chris Rainbow is a musician from the '70s and '80s that was doing post- Beach Boys music and "Dear Brian" was to Brian Wilson. For a long time, the working name of our track was "Dear Brian" and when we had to give it a proper name, we were like, Okay, the vocal sample reminds us of Alan Braxe, let's call it Dear Alan . It's a way for us to pay tribute to Alan Braxe and also Chris Rainbow.

When you think back to 2007 and "D.A.N.C.E." and having that kind of fast success on a global scale, what memories remain for you from that early era of Justice?

The truth is that it was not fast. There were four years between the moment we started the band and "D.A.N.C.E." and our first album came out. It was four years of doubts and thinking we were doing artistic suicide, for real. All those tracks took a lot of time to actually reach an audience.  

In the meantime, we did our first commercial suicide with "Waters of Nazareth" in 2005. We felt really bad about that track for a couple of months because we had no positive feedback about it. When we would play at festivals, as soon as the song would start, the technical people from the festival would run on stage to see if everything was plugged in correctly. Finally, a year after, it started to reach the underground, people more coming from rock music that felt there was something cool about it. 

Once that was settled, we released "D.A.N.C.E." which was not at all what people wanted us to make, because that was a disco track with a kid singing on it. It took some months, but then it made [an impact]. Then we made "Stress" and had a huge backlash on the video .

Our first album sold a lot of units, but it was over the course of maybe two years. It was really at the end of 2008, beginning of 2009 that it had reached its kind of cruise speed. So, retrospectively, it looks a bit like we came out of nowhere and found a spot for us, but it was made over five, six years; it was a proper development in a way. 

How do you feel you've grown as individuals and as producers since that early Justice era?

 We didn't grow up too much, to be honest. Every time we go back to the studio, we start a bit from zero again, mainly because we try to get rid of old habits every time we start something new. We also change the instruments that we use. The first months of Hyperdrama were really almost like R&D. We were trying to find new ways of making sounds. We didn't produce much music then, we were just trying things and getting accustomed to the new setup. We learn everything as we're making a record and especially on this one. We also wanted to get rid of all habits we have in terms of writing and producing. 

To us, knowledge, a lot of times, can be the enemy of the good. We're trying to find the good balance between, of course, using what we've learned throughout the years to make things that get better hopefully with time and at the same time not to get stuck into patterns that can make you feel old. We're very aware that we're entering a phase of being an old band in a lot of ways. 

We really hope that Hyperdrama does not translate as an old record made by an old band. Hopefully it still sounds fresh and naive and playful, as if it was a record from a young man.

Chromeo On Their New Album 'Adult Contemporary,' Taking Risks And 30 Years Of Friendship

Photo: Koh Hasebe/Shinko Music/Getty Images

7 Ways Blur's 'Parklife' Served As The Genesis Of Britpop

On the heels of their Coachella return, Blur celebrates the 30th anniversary of their opus, 'Parklife,' on April 25. Take a look at how the album helped bring Britpop to the mainstream.

In April 1993, journalist Stuart Maconie coined the term Britpop for a Select magazine article celebrating the UK's fight back against the dominance of American rock. Remarkably, London four-piece Blur weren't even mentioned in the story. And yet, frontman Damon Albarn , guitarist Graham Coxon , bassist Alex James , and drummer Dave Rowntree would provide the catalyst for the scene's mainstream breakthrough.

Just a year later, Blur released what many consider to be Britpop's defining statement. Parklife served as a colorful, vibrant, and incredibly infectious love letter to all things Anglocentric, drawing upon the nation's great cultural heritage while also foreshadowing what was to come. And it instantly struck a chord with homegrown audiences desperate for guitar music that wasn't drowning in abject misery, and better reflected their day-to-day lives.

Remarkably, Albarn had predicted Parklife 's success four years earlier. As he declared to music writer David Cavanagh in 1990, "When our third album comes out, our place as the quintessential English band of the '90s will be assured. That is a simple statement of fact."

Three decades after its game-changing release, here's a look at how Parklife forever changed both Blur's career trajectory and the history of British rock.

It Kickstarted Britpop's Greatest Rivalry

In one of those great rock coincidences, Blur's third LP hit the shelves just 24 hours after "Supersonic" gave a then-relative unknown Manchester outfit named Oasis their first ever UK Top 40 single. And the two bands would remain intertwined (perhaps begrudgingly so) from then on, culminating in the most high-profile chart battle in British music history.

You could argue that Oasis' Noel Gallagher threw the first stone, describing Parklife as "Southern England personified" in a manner that suggested it wasn't exactly complimentary. And according to his manager Alan McGee , Definitely Maybe cut "Digsy's Dinner" was written as a deliberate "piss-take of Blur."

An increasingly bitter war of words then broke out in the summer of 1995 as the "Country House" versus "Roll With It" war swept the nation . Blur emerged victorious, although Oasis had the last laugh when (What's The Story) Morning Glory spent 10 weeks atop the UK album chart.

It Brought Storytelling Back To Indie Pop

Heavily inspired by Martin Amis novel London Fields , Parklife was inhabited by a cast of intriguing fictional characters, essentially doubling up as a series of short stories. "Tracy Jacks," for example, is about a golf-obsessed civil servant who ends up getting arrested for public indecency before bulldozing his own house.

"Magic America" is the tale of Bill Barret, a Brit who commits to a life of excess during a Stateside holiday ("Took a cab to the shopping malls/ Bought and ate until he could do neither anymore"), while "Clover Over Dover" explores the mindset of a manipulative boyfriend threatening to jumping off the titular white cliffs.

Over the following 18 months, everything from Pulp's "Common People" and Space's "Neighbourhood" to Supergrass' "Caught by the Fuzz" and The Boo Radleys' "It's Lulu" were combining classic British guitar pop with witty Mike Leigh-esque vignettes of modern life.

It Originated The Big Indie Ballad

Dramatic ballads aren't necessarily the first thing that come to mind with Parklife , a record famed for its jaunty, "knees-up Mother Brown" ditties. But it boasts two examples: "To The End," an alternate Bond theme featuring a burst of Gallic flair from Stereolab's Laetitia Sadler, and the swoonsome "This Is A Low." Turns out the " mystical lager-eater " the record was designed to embody could also get a little vulnerable from time to time.

This appeared to give all of their laddish peers some pause for thought. Oasis, the most fervent advocates of the "cigarettes and alcohol" lifestyle, later scored their biggest hit with acoustic ballad "Wonderwall." And bands including Cast ("Walkaway"), Shed Seven ("Chasing Rainbows") and Menswear ("Being Brave") all enjoyed UK hits revealing their softer sides. No doubt Coldplay , Travis, and every other sensitive post-Britpop outfit that emerged in the late 1990s were taking notes, too.

It Paid Respect To The Greats

The Britpop scene was renowned for its slavish devotion to the first time British guitar bands ruled the airwaves, the Swinging Sixties. Oasis freely admitted they modeled themselves on the Beatles , while the likes of Ocean Colour Scene, Kula Shaker and The Paul Weller all released albums that sounded like they'd been discovered in a vintage record shop.

And while Blur would later distance themselves from the past with a sense of invention (which Albarn would also parlay into his various side projects, including the virtual band Gorillaz ), they were more than happy to get all nostalgic on Parklife . See "Far Out," their only track to feature James on lead vocal, which resembled the trippy psychedelia of Pink Floyd in their Syd Barrett era, and the Sgt. Pepper -esque brassy instrumental "The Debt Collector," while there are also echoes of the Walker Brothers, The Kinks, and Small Faces. Suddenly, retro was the new cool.

It Turned Blur Into Britain's Biggest Guitar Band

The UK Top 10 success of 1991's "There's No Other Way" proved to be something of a false start for Blur, with the band soon falling by the wayside like every other baggy pop outfit that emerged at the turn of the decade. "Popscene," the 1992 single intended to revolutionize both their career and British guitar music in general, stalled at No. 32 , while 1993 sophomore Modern Life is Rubbish sold just 40,000 copies .

But Parklife single-handedly turned Blur into Britain's biggest guitar band, reaching No. 1 in their homeland, spending 82 weeks in the Top 40, and eventually becoming a million-seller . It went on to pick up four BRITs, a Mercury Prize nomination, and has been recognized as an all-time great by Spin , Pitchfork , and Rolling Stone . Further proof of its glowing reputation came in 2009 when Royal Mail selected it as one of 10 albums worthy of commemorating on a postage stamp.

It Spawned A String Of Classic Singles

Parklife 's campaign was kicked off in March 1994 with "Girls and Boys," a glorious dissection of British vacationers — which, surprisingly in the days when genre-hopping was frowned upon — evoked the '80s synth-pop of Duran Duran and Pet Shop Boys . Rowntree was even replaced by a drum machine, not that he particularly minded , luckily.

This indie floorfiller was followed up by the hugely underrated "To The End" and then the much-quoted title track. Everything about "Parklife" the song is larger than life: the Cockney geezer narration from Quadrophenia 's Phil Daniels, the festival-friendly sing-along chorus, and the brightly colored video in which James — perhaps tipping his hat to Queen 's "I Want to Break Free" -– donned soap opera drag. But fourth release "End of a Century," a melancholic tale of domestic drudgery complete with mournful trombone solo, once again proved there was a depth beyond their cheeky chappy personas.

It Made Brits Proud To Be British Again

Unable to connect with the oppressive angst and flannel shirts of the grunge movement that had plagued their first major North American tour in 1992, Blur first started to embrace their inherent Englishness on the following year's Modern Life is Rubbish . Unfortunately, this throwback to the original British Invasion was met with a resounding shrug of the shoulders on both sides of the Atlantic.

Undeterred, however, the band doubled down on all things Anglocentric on its follow-up, from its original title of London, to its greyhound racing cover art, to its celebrations of bank holidays, Club 18-30 holidays, and shipping forecasts. This time around, they managed to capture the zeitgeist (at home, at least), as the rise of New Labour and the forthcoming hosting of Euro '96 made everyone proud to be British again. Within 12 months, the UK charts were littered with homegrown guitar bands selling the idea of the English dream — and it all started with Parklife .

Coachella 2024 Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey To Olivia Rodrigo With No Doubt

Photo: Joseph Okpako/WireImage

10 Must-See Artists At Coachella 2024: Skepta, The Last Dinner Party, Mdou Moctar, Cimafunk & More

Peso Pluma, Lana Del Rey, Doja Cat, Tyler, The Creator, J Balvin and a reunited No Doubt may be some of the biggest draws at Coachella 2024, but the beloved festival will host a multitude of must-see artists whose names appear in smaller text.

Ah, springtime. For the average person, that means sunshine, flora in bloom, perhaps a figurative fresh start in the new year. But for music festival fans, it signals another season starter: Coachella .

An estimated 125,000 people will flock to the Empire Polo Fields in Indio, California for the first weekend (April 12-14) of the 23rd Coachella Valley Music and Arts Festival. While the first weekend is already sold out, tickets are still available for the second weekend (April 19-21).

Coachella's headliners have been busy: Both Lana Del Rey (headlining Friday) and Doja Cat (slated to close out Sunday) just wrapped extensive tours at the end of 2023 and, while Saturday closer Tyler, the Creator 's only other 2024 festival date is at Lollapalooza, he did stage a large-scale appearance in 2023 at the Camp Flog Gnaw Carnival in Los Angeles. Still, it stands to reason that there are scores of fans who missed out on those tour stops, and Coachella would be an ideal chance to catch them in a particularly special setting. 

There's also the potential to see a slew of surprise guests (a long-standing Chella tradition) and much-hyped reunions. Coachella 2024 attendees will likely flock to see a reunited No Doubt and Sublime, the latter with a Nowell back at the helm ( Bradley’s son, Jakob ).

Then there’s the economic logic behind opting to see those bigger acts at a festival: for a price not much more than what you’d pay for an arena ticket, you get the bonus of catching dozens of other incredible artists while you’re at it. The diversity and quality of music throughout even the lower tiers of the Coachella lineup is staggering, so overall the price for a pass is quite the steal. Read on for the inside scoop on 10 of this year’s most exciting undercard performances.

Read More: Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More

Cuban artist Cimafunk has been relatively quiet since releasing a third studio album, El Alimento, in 2021. But the success of that record — which garnered his first GRAMMY nomination for Best Latin Rock or Alternative album at the 2023 GRAMMY Awards — appears to have propelled him to new career heights. He will be the first Cuban-born artist to perform at the festival, kicking off a string of worldwide shows that begin with his appearance at Coachella on April 12 and 19. 

Read more: At Getting Funky In Havana, Young Musicians Feel The Power Of Cross-Cultural Connection

Cimafunk’s sole release since his last album was the December 2023 single “Te tango en salsa,” which expands upon his self-designated brand of Afro Cuban Funk with accents of disco and grooves filled with New Orleans-style horns. Though the track hasn’t been publicly connected to any upcoming EP or album, one might presume that his impending run of concerts is a precursor to a complete body of new music. Perhaps Coachella will function as a testing ground, and considering the inclusion on El Ailmento of prominent artists George Clinton , CeeLo Green and Lupe Fiasco , who knows what other surprises might be in store at the desert festival known for delighting audiences with plenty of guest features.

L’Imperatrice

Through the years following their inception in 2012, French pop band L’Imperatrice have played primarily in Europe and surrounding regions, so it’s no small feat that they’re poised to make their second appearance at Coachella in two years. They first played the fest in 2022, a makeup show for Coachella's 2020 COVID-19 cancellation. 

Their slots on April 12 and 19, stops on their just-launched Double Trouble Tour, follow the 2018 release of debut full-length Matahari and performances at prominent festivals like Austin City Limits and Outside Lands. Self-produced sophomore album Pulsar arrives on June 7, and its infectiously groovy and sensual debut single “Me Da Iqual” promises a Coachella set sure to incite emotional release among the masses — ideally during one of the fest’s famed golden hours to match the music’s euphoric vibes. 

Regarded as one of the most influential rappers in the UK grime scene, Skepta is set to commence his latest return to stateside stages with appearances at Coachella on both Fridays, which marks his second time at the festival after lauded dual appearances in 2017. 

Following a semi-secret DJ set at Austin’s South by Southwest festival in March, these shows will preview a run of summer dates in the UK and Europe and the release of upcoming sixth solo album Knife and Fork . 

With that record’s release date still in question but imminent, it’s a good bet that he’ll introduce new material to build upon the January drop of lead single "Gas Me Up (Diligent)," which adopts a flow and melodic structure more akin to popular American rap. To that end, Skepta’s previous collaborations with U.S. rappers like Drake , Ye and members of ASAP Mob could lead to a loaded lineup of guests during his Coachella set. It has the potential to be a huge moment, though his reputation for high-energy and rowdy gigs are reasons enough to prioritize his performance. 

Read More: UK Drill Is An International Sensation. Will It Be Censored To Death?

Mandy, Indiana

English-French noise rock upstarts Mandy, Indiana make music that isn’t necessarily easy to digest. Minimalist and chaotic compositions, primarily from their widely celebrated 2023 debut album I’ve Seen a Way , resonate as tunes tailor-made for technically minded music nerds. Still, danceable moments emerge among the sonic helter-skelter, which combines experimental elements of industrial, classic house music and samples aplenty (think Death Grips with more palatable melodies and exclusively French lyrics). 

So far, the dynamic four-piece hasn’t played much on this side of the pond — their debut shows at Coachella arrive on the heels of a handful of U.S. appearances in 2023 that included the SXSW Music Festival. Which means Mandy, Indiana’s sets on April 13 and 20 will mark relatively rare (and therefore must-see) chances to embrace their overtly wonderful weirdness in the desert among the more prominent pop-leaning artists on the roster.

The Last Dinner Party

If you’re not yet keen on British indie rock band the Last Dinner Party, it’s time to get with the program. With only one album under their belt, Prelude to Ecstasy (released Feb. 2) — which echoes various influences ranging from Siouxsie and the Banshees to Kate Bush and ABBA —the quintet has already earned multiple awards and accolades, including topping the UK Album Chart. To boot, they opened for the Rolling Stones in London’s Hyde Park two years prior to putting out their record.

The band’s performances are reportedly jaw-dropping, further evidenced by the complete sell-out of their current U.S. tour. That jaunt wraps with their April 20 appearance at Coachella (they also play during the first weekend on April 13), so, unless you want to pay ridiculous resale prices for one of their club shows, this is a prime chance to see them live with the added benefit of catching many more amazing acts while you’re there.

Young Fathers

Young Fathers are often categorized under the umbrella of hip-hop, but it would be wrong to pigeonhole them that way. True, one can pinpoint elements of a spitting, old-school style — especially on debut album Dead (winner of the prestigious Mercury Prize in 2014.. However, their sound spans the landscape of many genres, often weaving in threads of electronic, industrial, and trip-hop. It should be telling that they’ve collaborated multiple times with Massive Attack .

The music clearly resonates with a substantial audience. They’ve reached prime positions on the UK Album charts, their fourth and latest album Heavy Heavy ( released Feb. 3, 2023) won them their third Scottish Album of the Year Award, and this year marks their second invitation to Coachella (catch them on Sundays: April 13 and 20). With a full year gone since putting out new songs, there’s no telling if they’ll serve up anything fresh. Regardless, fans of heavy-hitting experimental music, assuredly energizing at any time of day or night, should prioritize seeing their set.

Oneohtrix Point Never

It’s a wonder that Oneohtrix Point Never has never played Coachellal until now given his string of consistent releases since emerging in the early 2000s (with never more than three years between albums) and Coachella’s penchant for historically championing experimental electronic artists. Following the Feb. 29 release of his latest EP “Oneohtrix Point Never - Ambients,” he debuts in the desert on April 13, with his second weekend encore on April 20. 

The Massachusetts-bred beatmaker’s music swings from sparse to compositionally complex. It's not geared toward a typical EDM dance party, but always cinematic and hypnotizing, creating a space where listeners can truly lose themselves in the sonics. Given his style, it’s safe to assume he’ll occupy an evening time slot, so if you’re the type who prefers something a little more raw to the mainstream big-timers topping the bill, Oneohtrix Point Never might be just the ticket.

Mdou Moctar

If there’s one artist on this year’s Coachella lineup that will truly thrive in a desert setting, it’s Mdou Moctar. The Niger-based musician plays rock music steeped in the style of Tuareg, guitar-based blues-rock fusion that originates in the Sahara region. However, Moctar’s music decidedly transcends the traditional sound, often reverberating as sublimely psychedelic.

His performances in Indio on April 14 and 21 precede the release of his sixth album Funeral For Justice (arriving May 3). Based on the two singles made available from that record so far (title track “Funeral for Justice” and “Imouhar”), the people of Coachella are in for a true desert trip.

Atarashii Gakko!

When Japanese “girl group” Atarashii Gakko! make their Coachella debut on April 14 and 21, anticipate the unexpected. The four singers’ have a stated goal of “redefining what it means to be a girl group.” They’re technically categorized as J-Pop, but among the many catchy choruses, their music also incorporates shades of speed metal, trap beats and alt-rap à la Rage Against the Machine, all of which you can hear on their latest album ICHIJIKIKOKU .

What you can certainly expect is an outrageously high-energy show chock-full of nonstop, self-designed choreography performed in colorful sailor-fuku uniforms (essentially sailor suits worn by Japanese students in the ‘70s and ‘80s … think Sailor Moon but intentionally less provocative). If you need an adrenaline boost on the final day of the fest, look no further than Atarashii Gakko!.

Olivia Dean

Dear America, it’s time to give a proper welcome to an artist destined for stardom:  Olivia Dean. With only a handful of U.S. shows in the bank, the 25-year-old British neo-soul singer’s debut at Coachella on April 14 — arguably her biggest U.S. gig yet — will serve as the most well-deserved of receptions. 

Sure, her nominations for the 2023 Mercury Prize (for debut album Messy ) and 2024 Brit Awards (Best Pop Act, British Artist of the Year and Best New Artist) should merit attention enough for those who don’t know her. But even a few moments of listening to key album tracks “Dive” and “The Hardest Part” (don’t sleep on the alternate version featuring Leon Bridges) are the real deal-sealers. The richness of Dean’s recorded vocals are absolutely arresting, evocative of and equal to top-tier divas who preceded her. It’s thrilling just thinking about the impact she’ll make at Coachella — do yourself a favor if you have the chance and go witness it firsthand. 

The Taylor Swift Effect: 8 Ways The Eras Tour Broke Records & Shattered Sales

Photo: Dania Maxwell / Los Angeles Times via Getty Images

Chappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop "Feminomenon"

Just after Chappell Roan made her festival debut at Coachella, hear from the pop starlet about some of the defining moments of her career thus far — and how it all helped earn her a spot at one of music's biggest fests.

Before this year, Chappell Roan had never even been to Coachella. Now, not only can she say she's attended — she's performed in the desert, too. 

Roan played an evening set on the Gobi Stage on April 12, and is set to return for Weekend 2. Fans clad in everything from cowboy boots, Sandy Liang-inspired bows and, perhaps most importantly, jorts, gathered to celebrate their shared love of Roan's radiance, karmic kink and gay cowgirl doctrine.  

Throughout her performance, bubbles breezed through the air as Roan belted out her infectious (and aptly titled) track "Femininomenon," which speaks to lover girls forced to live in an online-dating hellscape. "Ladies, you know what I mean?/ And you know what you need and so does he/ But does it happen? No!" Following collective screams of pure joy, the already enlivened crowd roused to match Roan beat-for-beat, shouting back in perfect unison, "Well, what we really need is a femininomenon!" 

In an era of bedroom pop and sad-girl music, Roan has been hailed by both critics and fans for bringing fun back to pop music. Along with her staunch sense of self, Roan's penchant for explicit lyrics that are equally parts introspective and horny makes her dance-pop anthems all the more infectious. 

Roan's ambitiously experimental debut album, 2023's The Rise and Fall of a Midwest Princess , cemented her status as one of the most exciting pop stars on the rise. While she only recently landed her first single on the Billboard Hot 100 with "Good Luck, Babe!," her rapidly growing fan base — and an opening slot on Olivia Rodrigo's sold-out GUTS World Tour — indicate that she's on her way to superstardom .

Perhaps part of Roan's magic is that it was all on her own terms. After parting ways with her first label, Atlantic Records, she built a loyal following as an independent artist before signing with Island Records last year. Even as a major label artist, she's determined to only do things her way; her indefatigable commitment to her craft — as well as writing her own rules when it comes to fashion and makeup — is precisely why her fans are so enraptured by both her music and persona. 

Her fearlessness was on full display during her first Coachella set, where the words emblazoned on her bodysuit read "Eat Me." She talks the talk, and walks the walk (in fabulous, knee-high boots, of course), matching her unabashed aesthetic with equally bold career moves; for one, the openers for her headlining tour are local drag queens.

View this post on Instagram A post shared by Doniella Davy (@donni.davy)

With eyeliner winged to the heavens, near-perfect vocal stability and fiery curls ablaze, Roan's shimmering Coachella Weekend 1 performance proved that her stage presence is equally dynamic. And if she had any doubters, she had one thing to say to them: "B—, I know you're watching!" 

In between rehearsals for her Coachella debut, Roan took a look back on her journey to one of music's most coveted stages. Below, hear from Roan about five of the most impactful milestones in her career — so far. 

Releasing Her Debut Album, The Rise And Fall Of A Midwest Princess

I ended up signing [with Island Records in 2023] because this project honestly got too big to be independent anymore. I just wasn't willing to give up anything, any creative control or for any amount of money. 

Being an independent artist was really special because I proved to myself that I could do all these hard things that I had never done. I built it with an entire friend group and many, many years of work. So it wasn't just me, but it proved a lot to me.

It proved I can make it through hard circumstances — with no money. You truly can. You do not need a label to do a lot of what an artist's career requires. You don't need a label to put on your own show, or make a music video, or even write a song, or find creative people. You don't need that s—t. I mean, a label is just money, you know? You don't need a lot of money to do this. To make it grow is, I think, where it takes a lot of money. That's what was difficult.

Music allows me to express anything, even things that I've never experienced before. It allows me to express queerness, even if it was only daydreams at that point. It allows me to express parts of me that I'm not even ready to accept yet.

I don't give a f— if you don't  f— with the music. You don't have to come to the concert. That's the whole point of it. You don't have to like it. I think throughout the year, I'm like, "What can I get away with?" Because right now it's pretty tame for what it is like to be a gay artist. But I just want to push it to see how far can I go — with the most controversial outfits or things to rile people up. I'm not really afraid to do that.

Having a song [like "Casual] with the lyric, "Knee deep in the passenger seat/ And you're eating me out," and it's being considered to go to radio. That's kind of a big thing to get away with. 

It's not even that big of a thing. What's that song? Is it Flo Rida ? That's like, "Can you blow my whistle, baby/ whistle baby." Okay, that's obviously about like a f—ing blowjob. [ Laughs .] No one cares about that. To me, I'm like, Let's talk about eating out on the radio . I actually think it has to be bleeped, but still, if I can get away with it, that's cool.

Feeling Financial Freedom & Stability

Not making money at all just sucked. But I learned how to do my own makeup and bedazzle and sew a little bit. I think that the scrappiness came from [the idea that] it's scrappy if it's fun. 

I think that's what kept me going — because if this wasn't fun, I would not even be here. But it was scrappy and fun, and it was with my friends. It didn't feel dire. I was also just working at a coffee shop, and I was a nanny, and I was working at a donut shop. I was doing part time jobs all on the side too. So it was all just rough [in the beginning].

I have freedom because now [singing] is my full-time job. It provides for me now. As the project grows, I can do bigger shows and be like, I want outfit changes now , and I want more lights, and I want confetti . I can afford confetti now! 

It's about expanding the universe in a thoughtful way. And not just like throwing a s— ton of money at things to make things look expensive or wear all this designer s— for no reason. 

I just try to look at how we are starting to gain momentum financially and see how can I intentionally use that to, one, pay the team in a way where they're not bare bones anymore, and two, [ask ourselves] how can we honor this project and this album and the queer community? Can we pay drag queens more? Can we bring drag on the road? Now, financially, doors have opened where we can walk through them with love and intention. Just recklessly, throwing money at s— to see if it works. 

View this post on Instagram A post shared by ･ﾟ: *✧ Chappell Roan ✧*:･ﾟ (@chappellroan)

Opening Olivia Rodrigo's Arena Tour

Olivia [Rodrigo] just asked. It was official, we went through our management. But I was like, Oh my God . 

Preparing a 40-minute set is a different vibe than headlining, obviously. You are going out to an audience that is not there for you and doesn't necessarily care if you're there or not.

This is, like, my fourth or fifth artist I've opened for. But for an arena tour, I just needed to gather my nerves. I think that's the difference between any other show. Like, F—, there's 20,000 people out there right now. I've never performed in front of that many people. I don't know what this emotion is, and I just have to tame it right now.

Standing Up For Herself Creatively, Even When There's Pushback

I stand up for myself, I would say, every day. Sometimes, you get this opportunity, a huge opportunity with a lot of money on the table. [Yet,] I'm just like, That just doesn't make sense creatively. That doesn't align with my values. I'm not doing that.  

One huge creative decision was I stood up and pushed the entire headlining Midwest Princess tour back to the fall. The album was supposed to come out while we were on tour. I was like, "This is a horrible idea!" 

That caused a big ruckus, but it ended up being fine, and I was right. I'm usually right. [ Laughs .] It's like a mother with her kid — a mother knows best. I feel like [that] when it comes to the integrity of my project.

I know how it is to not be able to afford a ticket or even f—ing food. A concert ticket, a lot of times, means multiple meals for someone. I get it, I couldn't afford some artists' tickets. That's why it's really important to me to try to keep them as low as I can and my merch as low as I can. 

There's pushback of ticket prices being low and we're playing rooms that are so expensive. The fee to even play them is so expensive. So, you have to raise the ticket prices to just even be able to afford to play the room. There's always an argument [with my team] there, every tour. I'm in control of stuff and if I'm saying this is how it's going to be —- it's just going to be that way.

Performing At Coachella For The First Time 

[After the first weekend of Coachella] I am feeling very relieved. I was so stressed about many things. How is the outfit going to work? Will the crowd really be engaged? It went so well, I have no qualms with anything. I loved every second of it.

It feels like I am partying with [my fans]. I am not performing to them; I’m performing with them. [I want people to remember] a really fun, freeing show. Very campy but very meaningful too. 

4 Ways Olivia Rodrigo's GUTS World Tour Shows A New Side Of The Pop Princess

• 1 Tame Impala Announce U.S. Tour Dates
• 2 Justice On Creating New Album 'Hyperdrama': "We'll Always Try To Make Everything Sound A Bit Like A Space Odyssey"
• 3 7 Ways Blur's 'Parklife' Served As The Genesis Of Britpop
• 4 10 Must-See Artists At Coachella 2024: Skepta, The Last Dinner Party, Mdou Moctar, Cimafunk & More
• 5 Chappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop "Feminomenon"

Current Issue

• Pleased to Meet You

Tame Impala Announces 2022 North American Tour Dates, Shares New Song “No Choice”

The slow rush deluxe box set due out february 18, 2022 via interscope.

Tame Impala (aka Kevin Parker) has announced a string of North American tour dates for 2022. He has also shared the song “No Choice,” the latest release from the forthcoming deluxe version of his most recent album, 2020’s The Slow Rush . Check out the new song, as well as the full list of tour dates, below.

The upcoming deluxe version will feature a box set containing 2 transparent red vinyl LPs, a set of alternate album artworks, a 40-page booklet, and a Slow Rush 2050 calendar. Upon announcement of the deluxe reissue in October, Parker shared a remix of the album’s “Breathe Deeper,” which featured Lil Yachty .

Tame Impala Tour Dates:

2/27/22 - Innings Festival (Tempe Beach Park) - Tempe, AZ 3/3-6/22 - Okeechobee Music & Arts Festival (Sunshine Grove) - Okeechobee, FL 3/7/22 - Petersen Events Center - Pittsburgh, PA 3/9/22 - Scotiabank Arena - Toronto, ON 3/10/22 - Place Bell - Montreal, QC 3/12/22 - Mohegan Sun - Uncasville, CT 3/14/22 - Barclays Center - Brooklyn, NY 3/16/22 - TD Garden - Boston, MA 3/18/22 - Hampton Coliseum - Hampton, VA 3/19/22 - Wells Fargo Center - Philadelphia, PA 3/21/22 - ExploreAsheville.com Arena - Asheville, NC 3/22/22 - ExploreAsheville.com Arena - Asheville, NC 3/23/22 - Bridgestone Arena - Nashville, TN 3/25/22 - Buku Music + Art Project - New Orleans, LA 5/22/22 - Hangout Music Festival - Gulf Shores, AL

Support Under the Radar on Patreon.

Submit your comment

Name Required

Email Required, will not be published

Remember my personal information Notify me of follow-up comments?

Please enter the word you see in the image below:

There are no comments for this entry yet.

Apr 19, 2024 Issue #72 - The ‘90s Issue with The Cardigans and Thurston Moore

Most Recent

• illuminati hotties Shares Video for New Song “Can’t Be Still” and Announces New Tour Dates (News) —
• Jon Hopkins Announces New Album, Shares Video for New Song “RITUAL (evocation)” (News) —
• Why Bonnie Shares Video for New Song “Dotted Line” (News) —
• Fiona-Lee Signs with Gravity/EMI (News) —
• Look to the East, Look to the West (Review) —

Join our newsletter!

Tame Impala Announces 2022 Tour Dates, Shares “No Choice” B-Side From ‘The Slow Rush’ [Listen]

Tame Impala  will tour behind its 2020 album  The Slow Rush   with a slate of 2022 arena and festival headlining dates. The Kevin Parker -led Australian psy-pop outfit also shared a B-side from the album, “No Choice”, in anticipation of a deluxe reissue out February 18th, 2022 via Interscope .

Tame Impala’s  Rushium (The Slow Rush Tour) arena schedule includes stops in Pittsburgh, PA (3/7); a pair of Canadian dates in Toronto, ON (3/9) and Montreal, QC (3/10); and major markets including Brooklyn, NY (3/14); Boston, MA (3/16); Hampton, VA (3/18); Philadelphia, PA (3/19); two nights in Asheville, NC (3/21–3/22); and Nashville, TN (3/23).

The past month has seen the band featured in headlining slots for Innings Festival in Tempe, AZ (2/27); Okeechobee Music & Arts Festival in Florida (3/3–3/6); the yet-unannounced Buku Music & Art Project in New Orleans, LA (3/25); and Hangout Music Festival in Gulf Shores, AL (5/22).

Related: Tame Impala Releases “Imaginary Place” Remix Of ‘The Slow Rush’ LP [Listen]

In addition to the tour dates, Tame Impala has shared “No Choice”. The B-side from  The Slow Rush  is just one of several unheard tracks set to appear on The Slow Rush Deluxe Box Set . The song’s sleek modern production meets up with wandering psych-rock guitar tones for a decidedly contemporary take on the classic Tame Impala sound.

The expanded edition will also host never-before-heard B-side “The Boat I Row” along with the pre-album single “Patience” (both the original and remix), and new remixes of the album’s original 12 tracks. Physical copies will arrive on two red transparent LPs and alternate artwork including a 40-page booklet and The Slow Rush 2050 calendar.

Related: Tame Impala Deepens The ‘Rushium’ Mystery With Announcement Of “Clinical Trials” [Video]

Scroll down to see a full list of Tame Impala 2022 tour dates and listen to “No Choice” via the player below or on your preferred streaming platform .  The Slow Rush Deluxe Box Set  is available here for pre-order.

Tame Impala – “No Choice”

Tame Impala 2022 Tour Dates

2/27/22 – Innings Festival (Tempe Beach Park) – Tempe, AZ 3/3-6/22 – Okeechobee Music & Arts Festival (Sunshine Grove) – Okeechobee, FL 3/7/22 – Petersen Events Center – Pittsburgh, PA 3/9/22 – Scotiabank Arena – Toronto, ON 3/10/22 – Place Bell – Montreal, QC 3/12/22 – Mohegan Sun – Uncasville, CT 3/14/22 – Barclays Center – Brooklyn, NY 3/16/22 – TD Garden – Boston, MA 3/18/22 – Hampton Coliseum – Hampton, VA 3/19/22 – Wells Fargo Center – Philadelphia, PA 3/21/22 – ExploreAsheville.com Arena – Asheville, NC 3/22/22 – ExploreAsheville.com Arena – Asheville, NC 3/23/22 – Bridgestone Arena – Nashville, TN 3/25/22 – Buku Music + Art Project – New Orleans, LA 5/22/22 – Hangout Music Festival – Gulf Shores, AL

• global">Global
• indonesia">Indonesia
• united_kingdom">United Kingdom

We got you covered. Don’t miss out on the latest news by signing up for our newsletters.

By subscribing, you agree to our Terms of Use and Privacy Policy .

Download Our App

• dark_mode" data-event-name="menu_navigation" data-custom-event="null" class="dark-mode icon-type d-none d-lg-flex nav-item">
• login">Login
• sign_up">Sign Up
• search" data-event-name="menu_navigation" data-custom-event="null">
• Food & Beverage
• Movies & TV
• Tech & Gadgets
• Brand Ranking
• Brand Directory
• Hypebeast100

Tame Impala Shares 2022 Tour Dates, Releases New Song "No Choice"

“no choice” comes off of the album’s deluxe edition..

Tame Impala is going on tour early next year, performing his fourth studio album The Slow Rush . The artist, whose real name is Kevin Parker, released the LP in February last year.

Kicking off on February 27, Parker will take the stage at the Innings Festival on February 27, followed by the Okeechobee Music & Arts Festival in Florida on March 6.

What to Read Next

Tokyo Disney Resort Announces an Opening Date For Its 'Toy Story' Hotel

Maille and Mike's Hot Honey Collide for a Hot Honey Dijon Release

V1 Gallery Is Selling an Assortment of Children’s Toys by Keith Haring

Twitter Tests Out New Approach to Reporting Harmful Content

Madhappy and Beats Collaborate on Custom Studio3 Wireless Headphones

Christian Rex van Minnen Will Release 10 Grotesque New Paintings With Avant Arte

SAINTWOODS Updates Signature Staples for Its SW.014 Collection

ASRV Teams up With Dupont™ Kevlar® Team for Futuristic Sportswear Line

Tame Impala, Doja Cat, Post Malone and More To Headline 2022 Hangout Fest

Lucky Daye Serves Up the Title Track Off His Upcoming 'CandyDrip' Album

• Moscow concerts Moscow concerts Moscow concerts See all Moscow concerts ( Change location ) Today · Next 7 days · Next 30 days
• Most popular artists worldwide
• Trending artists worldwide

• Tourbox for artists

Search for events or artists

• Sign up Log in

• Get the app
• Moscow concerts
• Change location
• Popular Artists
• Live streams
• Deutsch Português
• Popular artists

Tame Impala  

• On tour: no
• Upcoming 2024 concerts: none

2,278,956 fans get concert alerts for this artist.

Join Songkick to track Tame Impala and get concert alerts when they play near you.

Find your next concert

Join 2,278,956 fans getting concert alerts for this artist

Similar artists with upcoming concerts

Tours most with, past concerts.

THE LAWN CANGGU

Parq Nightclub

Lollapalooza

View all past concerts

Formed in Perth, Australia, Kevin Parker’s Tame Impala have helped to bring psychedelic sounds floating back into the 21st century.

Kevin Parker bounced between a number of acts in the Perth scene before some home recordings he posted on Myspace under the name ‘Tame Impala’ earned him some label attention, eventually going on to sign a deal with Modular Recordings.

A self-titled EP was released in 2008 which had some success in the Australian Independent charts and even garnered some radio time for singles like ‘Half Full Glass of Wine’.

After enlisting the help of a few other musicians including Dominic Simper on bass and Jay Watson on drums, Kevin and Tame Impala spent most of 2008 and 2009 touring and playing shows with the likes of The Black Keys and MGMT. This all led up to the release of their debut album ‘Innerspeaker’ which was a huge success not only in their native Australia but the UK and US too. A ‘Best New Music’ title from Pitchfork was just some of the praise the album received, also picking up awards for ‘album of the year’ from places like Triple J.

This momentum carried through into the release of their follow up album ‘Lonerism’ which represented an expanding sound for the band and far eclipsed the successes of the previous album. Its release was met with universal acclaim and went on to be dubbed the album of the year by the NME and other publications and even got a Grammy nod.

Now they are a live and festival staple meaning more and more people are witnessing the transition Tame Impala’s music makes, from the mind of Kevin Parker to stages around the world.

Live reviews

Tame Impala is a raucous time machine of a band. Their sound is straight 60s progressive rock. The psychedelic synths accompanied by rocking guitars are great to relax to but I didn't quite know what to expect from their live show. All in all I'd say the show was good but was needing in some key areas. I was happy to see they had two nights, the band must be doing very well as our Saturday night show was packed. However my greatest disappointment was the sound mix, especially considering it was their second night and you'd hope they'd key that in. The entire show sounded too much like a wall of sound making it very difficult to pick out anything, especially Kevin Parker's vocals which were almost impossible to make out, providing only the melody and no words at best. And while synths are key to the band's sound, I was hoping the mix would focus equally if not more on the rock element of the band as they tend to perform better live than the keys. Technically the show was pretty amazing. The lights were appropriately psychedelic with a retro oscilloscope feel to them and plenty of neon tie-dye action. It was a bit seizure inducing at times and the band was very darkly lit for the entire show but I can appreciate this artistic choice as it forces to audience to absorb the music and not focus on the individual performers. As implied by the lighting choice, there was very little interaction with the crowd, only a brief mention of performing at the venue before and a "Hello San Francisco"...even though we were in Oakland? I like it when bands engage with the audience to some degree, even if it's just gauging their reaction to a song, but not if it's a silly joke about how you can get the lead's t-shirt at the merch booth. This wasn't an annoyance but definitely an area I feel that could use improvement, though it's possible they were just tired after back to back performance nights. Lastly the set list was very well crafted. The show started off with some of more chill tracks, warming up the audience with songs like "Be Above It." From there it built up to the energetic highs of "Elephant" before having us drift away on the brain wave beauty of the hit "Feels Like We Only Go Backwards." While there was definitely more of the "Lonerism" album than not, I felt the show was a good balance between their older material and the newer hits. In sum Tame Impala put on a great show Saturday night at the lovely Fox venue in Oakland and I hope to see them again soon. Most excitingly I feel there's still a lot of untapped potential to make this act an even bigger crowd pleaser in the future!

Report as inappropriate

With so much that sounds the same on the radio and popular Hot100 playlists on Spotify, I naturally gravitate towards sounds that are unique and bring an interesting perspective to the sonic palette. And Tame Impala brings that something different to the table - a unique electronic-driven alternative rock sound that blends together in a truly inventive way. The sounds they are exploring on their upcoming album, "Currents", and their previous explorations on their breakout album, "Lonerism", mix together sounds of the 70s, 80s, current electronica, and the lead frontman Kevin Parker's voice, and bring out the colors of sound in an exciting way.

I was curious though to see if the sounds that come across through their albums could be replicated live. They were playing at Echostage - not my favorite DC venue. But as the show got going, it was easy to see why they were at Echostage. The lights dropped, the crowd cheered, and the psychedelic sounds began, coupled with an incredible light show - much like Alt-J's performance in November, in which the show is just as much about the lighting as it is about the musical performance (hence why I suspect they choose Echostage).

As the first songs kicked off ("Let It Happen" was the opener, one of my fav tracks off of "Currents") and Kevin Parker sang his first notes, my suspicion deepened as to if they could match the sound off of their albums. But I think it took Parker a couple of songs to get that falsetto range he sings in warmed up, because as the night went on, he sounded much better and much like the production of their albums (which I think is the hallmark of good, authentic artists - if their sound can match the production of their albums live). There were a lot of groovy jams throughout the night, and as the band continued playing through a solid two hour set, all the favorites were played - "Elephant", "Be Above It", "Feels Like We Only Go Backwards", etc. - plus material on their upcoming album - "Let It Happen", "Cause I'm a Man".

It was a great set list, solid light show (though I did think I was going to have a seizure from the constant strobe lights at one point), and endearing performance. They're fun to listen to, bop around a bit, and enjoy the psychedelic grooves of their sound. Very much worth seeing live.

Since their Grammy win, Tame Impala once unknown to the U.S., has generated tons of interest in America— playing the biggest festivals and drawing the biggest crowds they would ever imagine.

This showed at their concert in New Orleans at the Civic Theater. There was plenty of young adults of course, but I was surprised by the turn out of much older people.

Only one band came on before Tame Impala's near 2-hour show. The set up is very forthright. No hidden special features or magic tricks. The back screen and lighting is all set to go. The band doesn't even waste time getting on stage they all came on, said hello, and began playing.

It really works for the image of the band. They're not known for being very flashy performers. They're known for being very grounded musicians that really focus on the music, and that's precisely what their live set reflects. The set will make you dance, jump, scream, and feel just like any set, but you don't freak out over cool pyrotechnics or messages in videos or long speeches from the frontman. In fact, they only spoke four times to say hello, acknowledge the drummer's birthday, say it was their second to last song, and then just say thank you.

What really makes this show stand out — what really made this show so great— is that they bring back the importance of letting the music speak for itself and take you somewhere new. It got so dark in the venue that everyone stopped dancing for a second and just watched the screen, overwhelmed in the sound. It was so amazing and different even if the concept is very old. I have gotten so used to shows dazzling me with great performances that it took my breathe away to see everyone just incapable of sewing the band and being forced to just listen to the music. You don't end up going to see Tame Impala at all. You go to hear their music, and you kind of are forced to remember how that's the exact objective of going to a concert anyway.

Everyone came together that night for music instead of seeing their favorite band. They weren't really given a choice, and I can pretty confidently say that they left with more than they expected from four very humble Australian musicians that have crafted one of the best live sets contemporary music has ever seen.

Write your review of Tame Impala here...The first time that I saw Tame Impala in concert was at Primavera Sound festival (Barcelona), back in 2013. Their popularity was growing after the release of 'Lonerism,' an instant classic album. They were great, the sound was incredibly good being a festival. But everybody knows how festival concerts are; fairly and full of people that haven’t listened to the band playing. You need to see them in a separate gig to really appreciate how careful they are with the details.

This time I saw them in Theaterfabrik, in Munich. It could be a really uncomfortable venue when you are in a sold out concert. But Tame Impala took care of making us forget how extremely hot it was inside. They appeared on the stage very punctually (no supporting band this time) and they just did what they are good at: they made us feel we were in 1969 with their music. The Australian band had some technical problems a couple of times, but you didn't feel like something was going wrong from the back of the room, which is a good thing. All their greatest songs popped up one after the other: "Solitude is Bliss," "Elephant" and "Mind Mischief" to name a few. The staging was in accordance with their style: colourful lights and never-ending psychedelic videos were played in the background. But the highlight of the concert was when “Feels Like We Only Go Backwards” appeared right after the encore. You could see from behind how everybody took their smartphones to keep that perfect moment forever in their devices. Everybody sung together to probably the most famous song of the band while one of the attendees was waving a big Australian flag. At the end, you just feel they deserve a greater success like other indie rock bands have reached in the latest years. After the concert, I normally take a look of the merchandising, even if I’m not planning to buy something (I have too many band t-shirts already) but this time the band had a limited edition posters with their short German tour that were too good not to buy. If you are a fan of really good old style music, Tame Impala should be in your list of “bands to see in concert." You won’t regret it.

Not one inch of my body could stay still, toing and swaying to the dreamy psychedelic whirls and swirls of the heavily effected guitars. I was stood up on the balcony to get a good view, and from there I could see how packed the venue had become, people shoulder to shoulder, creating a buzzing atmosphere that was hard not to get caught up in. Tame Impala were giving it their all but at first it was hard to hear them over the audience who were passionately singing along to every word. At one point Kevin Parker took to the microphone and said "Nottingham! You guys really like to sing don't you! You guys are so cool! I have never had to ask for myself to be turned up so that I can hear myself over the crowd before!". This filled the content of Rock City with pride and encouraged crowd surfing and girls on peoples shoulders, much to the dismay of the bouncers. The whole set blew me away but I completely lost control of myself when they played my favourite song 'Alter Ego'. The galloping opening rhythm, 7th chords played through astral effects, a bass line that cuts right through the rises and falls of the dynamic percussion, and Kevin's sweet voice singing melodies that could have come straight from 60's psychedelia is just jaw dropping. Tame Impala are easily one of the best live bands I have ever seen! They were tight, extremely passionate and into the whole vibe of the crowd. It was obvious the band and the audience were feeding off each other and that, along with a well rehearsed set is what makes and epic gig!

Hello Songkick adepts!

Best regards from Mexico City.

I cannot begin to explain my bliss and joy, so I'll start by stating that I'm a handicapped person, living with fibromyalgia and other muscular illness.

Been said that, I want you to know that this was my first Tame Impala Live Performance attendance and it was fricking awesome! I managed to endure the concert because I took some massive pain killers (obviously properly prescribed) and was able to walk, stroll and even jump for a while.

I needed to see Tame Impala's GIG. I did. I saved for the tickets for two months, my family and I have limited resources but I managed to purchased my ticket. My abode is humble but I aim for total happiness. The pain is terrible but it'd be worse if I wouldn't try to make the most of it.

Let me tell you: TAME IMPALA made September the 8th. One my my happiest days ever! I screamed, I cried, I soared, I dreamt, I felt alive for the first time in months.

The show was great. A pristine yet powerful set-list thrilled thousands.

I was "craving" for two of my favorite songs: "Solitude is Bliss" and "I'm a man, but they decided not to performed it. Nevertheless, I enjoyed every single song.

Don't want to be dreadful here but, I am getting worse everyday, so; when I watched them marched towards the stage I was grateful.

Thank you guys. And I mean, the band, the people who may read this and all the fans that are sky-psychedelic bounded to Tame Impala.

Respectfully:

Sergio Guadarrama

Tame Impala. Since my first show at Bonnaroo 2013 I have pretty much named their album, Lonerism, as one of my favorite albums from the last ten years. No other band has that 60's acid-rock sound and let me tell you, their music is just amazing. I live in Atlanta and their show at the Tabernacle last summer was just as amazing. Kevin Parker, their lead singer, reminds me so much of Paul McCartney, not only in the vocals, but as a whole band. Such a unique blending of alternative, psychedelic-rock, and melt-your-face-off electronic to yield this talented group who I heard came out of Australia which makes them that much cooler. Tame Impala had such a profound effect on my friend and I that we now incorporate some of the basic chord progressions along with their mellow synths in our jam sessions. I absolutely love the bass lines in their songs. They really are so sick live though. "Elephant" or "Half Full Glass of Wine," such groovy perpetual songs, and then all of a sudden a 5 minute solo that you get lost in. Almost when you think you're completely lost in the solo they just bring it all back to the simple muted bass notes of the song and throw the entire crowd back into a relentless jam. But don't take my advice for it! Go see them yourself! I really hope they come back to Atlanta of Athens asap because now that I have fully grown into both their albums I am much ready to see them a third time!

that was my second and most incredible concert, I can still hear the Intro waves and base in my head vividly. Probably because I'm running on 3 hours of sleep and I'm already back in school and all I can think about is getting home after work and practicing with my guitar. Kevin Parker said the place was too nice to just stand around so he walked up the stage and sat down on the edge like fucking Spider-Man. When he said "is everybody feeling alright" the regret in my mind for not getting tabs prior to the concert only intensified. My friend and I spent 30 minutes before the show started asking around trying to find someone with acid, unfortunately we didn't but that concert was life altering. You could smell marijuana everywhere and everyone was feeling the music, it was the best place to be. I did not want to leave and when they said thank you at some point and left I wanted to jump the orchestra because I didn't know if they were coming back or not. The most hype I've experienced in ages, but they did come back and they did blow my mind and I can't wait for them to perform in the city again so I can get as many drugs as possible.

Having been a fan of Tame Impala since the release of their debut album Innerspeaker, I was rather excited to be able to see them live for the first time on Saturday at Alexandra Palace. I am pleased to say that I was not disappointed at all!

I hoped that they would put on a good show, but they blew my expectations out of the water with a terrific performance. Great setlist played with aplomb and accompanied by a lush and indulgent lazer / light show.

'Currents' is my favourite album of 2015, and it is clear to me that Kevin Parker has grown in confidence as a songwriter, and was fronting a band at the top of their game. I didn't realise that they were as popular in the UK as they have become (it was my first visit to Alexandra Palace) - 2 nights performing to 10,000 people is not to be sniffed at!

If Kevin and Tame Impala continue to progress as they have done, then they are going to become one of the biggest bands in the world, and must-see live performers - potentially all-time greats.

Loved every second. :)

When I heard that Tame Impala would be playing in my area, I was pretty excited. I had been a long time fan of the Australian band and so I immediately bought a ticket!

My expectations were blown away. While Tame Impala is already amazing in-studio, their live performance blew their recorded work out of the water. Through a mix of projected light work, amazing crowd antics, and obviously killer music, the performance was an unforgettable one. This was their kick-off performance for their tour and supposed to be a "warm-up" before Coachella, but honestly I would never have known. It was essentially flawless.

In addition, I got the chance to hear them play two of their newest songs for the first time live, "Let it happen" and "'Cause I'm a Man". They were a little rough at times with "Let it happen", but that is understandable. And "'Cause I'm a Man" was perfect, so all in all it was incredible.

To summarize, BUY YOUR TICKET RIGHT NOW! You won't regret it, I can guarantee.

Photos (12)

Posters (193)

Find out more about Tame Impala tour dates & tickets 2024-2025

Want to see Tame Impala in concert? Find information on all of Tame Impala’s upcoming concerts, tour dates and ticket information for 2024-2025.

Unfortunately there are no concert dates for Tame Impala scheduled in 2024.

Songkick is the first to know of new tour announcements and concert information, so if your favorite artists are not currently on tour, join Songkick to track Tame Impala and get concert alerts when they play near you, like 2278956 other Tame Impala fans.

Last concert:

Popularity ranking:

• Khalid (75)
• Tame Impala (76)
• Selena Gomez (77)

Concerts played in 2024:

Touring history

Most played:

• Sydney (29)
• New York (NYC) (26)
• Los Angeles (LA) (22)
• Melbourne (22)

Appears most with:

• Jagwar Ma (25)
• Of Monsters and Men (24)
• Mumford & Sons (23)

Distance travelled:

Similar artists

• Most popular charts
• API information
• Brand guidelines
• Community guidelines
• Terms of use
• Privacy policy
• Cookies settings
• Cookies policy

Get your tour dates seen everywhere.

• But we really hope you love us.

Tame Impala Verified

Similar artists on tour, tame impala merch.

Live Photos of Tame Impala

concerts and tour dates

Fan reviews.

About Tame Impala

Tame Impala Announces ‘Phase 1 Rushium Trials’ Tour Dates

By Claire Shaffer

Claire Shaffer

After a mysterious teaser appeared earlier this week, Tame Impala have announced Phase 1 of their Rushium Trials, the band’s official tour for their 2020 album The Slow Rush . Although the album was released in February 2020, the tour was delayed due to the Covid-19 pandemic.

The tour kicks off September 4th at the Bonnaroo Festival in Manchester, Tennessee, followed by a September 7th show at the United Center in Chicago. The North American leg will run through at least November, with a final show on November 9th at Dallas, Texas’ American Airlines Center; in addition to the U.S. dates, Tame Impala will perform in Toronto, Canada, on a date to be announced. Tickets will be available on VividSeats .

The Phase 1 Rushium Trials include two nights at the Hollywood Bowl in Los Angeles, with Perfume Genius as the opener. More special guests on the tour will be announced in the coming weeks.

Tame Impala Phase 1 Rushium Trials Tour Dates

September 4 – Manchester, TN @ Bonnaroo Festival September 7 – Chicago, IL @ United Center September 10 – George, WA @ The Gorge September 12 – Portland, OR @ Moda Center September 15 – San Francisco, CA @ Chase Center September 17 – Las Vegas, NV @ Life is Beautiful Festival September 18 – Glendale, AZ @ Gila River Arena September 20 – Denver, CO @ Ball Arena September 23 – Washington, DC @ Capital One Arena September 25 – Dover, DE @ Firefly Festival September 28 – Atlanta, GA @ State Farm Arena October 31 – San Francisco, CA @ Outside Lands Festival November 2 – Los Angeles, CA @ Hollywood Bowl November 3 – Los Angeles, CA @ Hollywood Bowl November 7 – Austin, TX @ Frank Erwin Center November 9 – Dallas, TX @ American Airlines Center DATE TBD – Toronto, ON @ Scotiabank Arena

Cage the Elephant Can't Outrun Their Dreams on New Single 'Metaverse'

• Going and Going
• By Larisha Paul

Jesse Malin Previews New Concert Film 'Chasing the Light' With Bad Brains Cover

• Keep the PMA
• By Joseph Hudak

Sia is the Motivational Speaker She Needs on 'Reasonable Woman'

• ALBUM REVIEW
• By Jon Dolan

Ed Sheeran Teases New Music, But He's 'Going to Sit On It for a Bit'

• Waiting Game
• By Jon Blistein

Watch the Rolling Stones Play 'Time Is on My Side' With Irma Thomas at Jazz Fest

• Out of Time
• By Andy Greene

Most Popular

Ethan hawke lost the oscar for 'training day' and denzel washington whispered in his ear that losing was better: 'you don't want an award to improve your status', abc news meteorologist rob marciano out at the network, king charles’ latest appearance has body language experts predicting a 'problem' in future events, ed orgeron divorce court finds loophole in ‘binding’ term sheet, you might also like, ‘disco’s revenge’ filmmakers talk nile rodgers, archive troves and the genre’s fall and rise (exclusive), the most over-the-top hats at the kentucky derby through the years, the best yoga mats for any practice, according to instructors, more filmmakers are experimenting with a.i. than would like to admit, nfl lawyer jeffrey pash retiring after decades of triumph, tumult.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

Tame Impala Reveal Rescheduled 2021 North American Tour Dates

By Katrina Nattress

June 22, 2021

Tame Impala released The Slow Rush in February of 2020, expecting to tour on it that same summer . Of course, COVID-19 had other plans, and the band rescheduled to summer of 2021. Then that got postponed. On Tuesday (June 22), Kevin Parker announced what will hopefully be the final rescheduled North American tour dates.

The trek is being billed as "Phase 1 Rushium® Trials" and was teased on Monday (June 21) with a clip of Parker in a lab coat, examining the new drug, which, according to a press release, is a "treatment of Acute Time Metagrobolization in Cells (ATMiC) within patients from 16 to 95 years of age. ATMiC is a common cellular condition within the brain’s Suprachiasmatic nucleus, much of the research into this condition is cutting edge and still being performed. Based on the current findings, ATMiC could affect up to half of the population. Currently there are no medications approved for this condition and the only treatment is supportive care and third dose mesothermal procedure."

Phase 1 Rushium® Trials begin at Bonnaroo in September and traverses the country throughout the rest of the year, making stops at the Life Is Beautiful, Firefly , and Outside Lands festivals. See the teaser video above and check out a full list of tour dates below.

Tame Impala 2021 North American Tour Dates

09/04 — Manchester, TN @ Bonnaroo Music & Arts Festival

09/07 — Chicago, IL @ United Center

09/10 — George, WA @ The Gorge

09/12 — Portland, OR @ Moda Center

09/15 — San Francisco, CA @ Chase Center

09/17 — Las Vegas, NV @ Life Is Beautiful Festival

09/18 — Glendale, AZ @ Gila River Arena

09/20 — Denver, CO @ Ball Arena

09/23 — Washington, DC @ Capital One Arena

09/25 — Dover, DE @ Firefly Festival

09/28 — Atlanta, GA @ State Farm Arena

10/31 — San Francisco, CA @ Outside Lands Festival

11/02 — Los Angeles, CA @ Hollywood Bowl

11/03 — Los Angeles, CA @ Hollywood Bowl

11/07 — Austin, TX @ Frank Erwin Center

11/09 — Dallas, TX @ American Airlines Center

TBD — Toronto, ON @ Scotiabank Arena

© 2024 iHeartMedia, Inc.

• Privacy Policy
• Terms of Use

The Slow Rush

Tame impala au.

• Today's news
• Reviews and deals
• Climate change
• 2024 election
• Fall allergies
• Health news
• Mental health
• Sexual health
• Family health
• So mini ways
• Unapologetically
• Buying guides

Entertainment

• How to Watch
• My watchlist
• Stock market
• Biden economy
• Personal finance
• Stocks: most active
• Stocks: gainers
• Stocks: losers
• Trending tickers
• World indices
• US Treasury bonds
• Top mutual funds
• Highest open interest
• Highest implied volatility
• Currency converter
• Basic materials
• Communication services
• Consumer cyclical
• Consumer defensive
• Financial services
• Industrials
• Real estate
• Mutual funds
• Credit cards
• Balance transfer cards
• Cash back cards
• Rewards cards
• Travel cards
• Online checking
• High-yield savings
• Money market
• Home equity loan
• Personal loans
• Student loans
• Options pit
• Fantasy football
• Pro Pick 'Em
• College Pick 'Em
• Fantasy baseball
• Fantasy hockey
• Fantasy basketball
• Download the app
• Daily fantasy
• Scores and schedules
• GameChannel
• World Baseball Classic
• Premier League
• CONCACAF League
• Champions League
• Motorsports
• Horse racing
• Newsletters

New on Yahoo

• Privacy Dashboard

Justice Unveil New Album Hyperdrama: Stream

The post Justice Unveil New Album Hyperdrama: Stream appeared first on Consequence .

Justice are back today with the release of their fourth album, Hyperdrama .

Hyperdrama was initially announced back in January after the French duo appeared on the 2024 Coachella lineup, and serves as their first album since 2016’s  Woman . Justice previously shared singles “Generator,” “One Night/All Night (with Tame Impala),” “Incognito,” and “Saturnine (with Miguel)” as a preview for the album, and also debuted  Hyperdrama songs “Neverender,” “Mannequin Love,” “Muscle Memory,” “Afterimage,” and “The End” during their Coachella set.

Get Justice Tickets Here

In addition to appearances from Tame Impala and Miguel,  Hyperdrama  features collaborations from Thundercat, Connan Mockasin, The Flints, and RIMON. Hyperdrama arrives via Ed Banger/Because Music, and is available as a physical release on CD, double black vinyl, limited edition double crystal clear vinyl, and limited edition double picture disc vinyl.

Justice are supporting  Hyperdrama with several festival appearances and a slew of tour dates, including a brief run of US tour dates taking place along the East Coast in July. See the duo’s tour dates below, and get tickets to all US dates here — or on viagogo for international dates.

Hyperdrama Album Artwork:

Hyperdrama Tracklist: 01. Neverender (with Tame Impala) 02. Generator 03. Afterimage (with RIMON) 04. One Night/All Night (with Tame Impala) 05. Dear Alan 06. Incognito 07. Mannequin Love (with The Flints) 08. Moonlight Rendez-Vous 09. Explorer (with Connan Mockasin) 10. Muscle Memory 11. Harpy Dream 12. Saturnine (with Miguel) 13. The End (with Thundercat)

Justice 2024 Tour Dates: 04/25 — Guadalajara, MX @ Explanada Estadio Akron 04/27 — Tehuixtla, MX @ Festival Vaivén 05/30 — Barcelona, ES @ Primavera Sound 06/01 — Paris, FR @ We Love Green 06/07 — Porto, PT @ Primavera Porto 06/07 – 06/09 — Hilvarenbeek, NL @ Best Kept Secret 06/14 — Provincia Di Lecco, IT @ Nameless Festival 06/28 – 06/30 — Pilton, UK @ Glastonbury 07/04 — Hérouville-saint-clair, FR @ Beauregard Festival 07/06 — Arras, FR @ Main Square Festival 07/11 — Le Barcarès, FR @ Les Déferlantes 07/13 — Aix-les-bains, FR @ Musilac 07/14 — Monts, FR @ Terres du Son 07/19 — Köniz, CH @ Gurtenfestival 07/21 — Dour, BE @ Dour Festival 07/25 — New York, NY @ Brooklyn Navy Yard 07/26 — New York, NY @ Brooklyn Navy Yard 07/28 — Washington, DC @ The Anthem 07/31 — Philadelphia, PA @ The Met 08/02 — Boston, MA @ MGM Music Hall at Fenways 08/04 — Montreal, QC @ Osheaga Festival 08/17 — Charleville-mézières, FR @ Cabaret Vert 08/24 — London, UK @ Field Day Festival 09/01 – Aussonne, FR @ Rose Festival 09/04 — Marseilles, FR @ Delta Festival 12/12 – Hamburg, DE @ Sporthalle Hamburg 12/14 – Berlin, DE @ Max-Schmeling-Halle 12/17 — Paris, FR @ Accor Arena 12/18 — Paris, FR @ Accor Arena

Justice Unveil New Album Hyperdrama: Stream Paolo Ragusa

Popular Posts

Kanye West Planning to Launch Career in Porn: Report

Rock & Roll Hall of Fame's 2024 Class: Ozzy, Dave Matthews Band, Cher, Jimmy Buffett & More

Kanye West Can't Sell the $57 Million Mansion He Gutted

Tool Give Surprise Performance at A Perfect Circle-Puscifer-Primus Show

Neil Young and Crazy Horse Announce 2024 Tour [Updated]

Justin Timberlake's New Album Departs Billboard 200 After Just Four Weeks

Subscribe to Consequence’s email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.

Recommended Stories

Philadelphia 76ers 2024 nba offseason preview: prepare for plenty of change.

Philadelphia has Joel Embiid ... and a whole lot of cap room.

Milwaukee Bucks 2024 NBA offseason preview: It's all about improving around the margins

Year 1 of Giannis Antetokounmpo and Damian Lillard was one big mess.

The best Mother's Day gifts for 2024 chosen by Autoblog Staff

Looking for the perfect gift to get your mom this Mother's Day? Here are some ideas straight from the Autoblog staff.

Apple stock pops 6% after results top estimates, company reveals $110 billion buyback

Apple shares popped after it reported better-than-expected Q2 earnings and boosted its dividend and share repurchase plans.

2024 Jeep Gladiator available in Tuscadero Pink

Jeep is making Tuscadero Pink available on the Gladiator for the first time until the end of the 2024 model year. The color costs $895.

11 stocks that mattered most this earnings season

The busiest two weeks of first quarter earnings season are over. Here are the most significant reports.

Get a youthful glow with this Martha Stewart-approved multitasker from L'Oreal — it's only $8 (that's 50% off)

Use this No. 1 bestseller on its own as a moisturizer, or layer it under makeup for a flawless finish.

Trump trial live updates: Testimony resumes in hush money case

The former president’s criminal hush money trial resumes Friday in Manhattan, where the prosecution will continue presenting its case.

Trump jurors hear secret recording in hush money trial, Arizona repeals its near-total abortion ban and evacuations called amid Texas floods

Get caught up on this morning’s news: Trump trial nears end of second week, Arizona repeals its near-total abortion ban and more in today’s edition of The Yodel newsletter

'Elegant and functional': Get $150 off the Le Creuset Signature Sauteuse — plus other incredible deals today

Also on our cheat sheet: Spring savings from Apple, Coach, Hanes, 23andMe and more.