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International Journal of Contemporary Hospitality Management

ISSN : 0959-6119

Article publication date: 4 February 2014

Richard N.S. Robinson (2014), "The Tourist Gaze 3.0", International Journal of Contemporary Hospitality Management , Vol. 26 No. 1, pp. 154-156. https://doi.org/10.1108/IJCHM-02-2013-0097

Emerald Group Publishing Limited

Copyright © 2014, Emerald Group Publishing Limited

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The tourist gaze

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The original Tourist Gaze was a classic, marking out a new land to study and appreciate. This new edition extends into fresh areas with the same passion and insight of the object. Even more essential reading! Nigel Thrift Vice-Chancellor, Warwick University

Very relevant reading for our PG students...this subject matters crosses so many courses and units. This is Urry updated...what could be better?!

A classic work is back in its third edition. Urey and Larsen provide once again a deep insight in the psychological perspective of traveling and explain in a very appealing way the concept of the tourist gaze. Highly recommended to everyone that deals with these issues!!!

This book covers many topics from mass tourism to vision and photography. Highly recommended from tourism academics or tourism students doing research projects.

Recommended book for the course Tourism development and social and cultural impacts. This courses addresses Tourism theory in its first part. And this book is a classic on the field. Furthermore, this new and updated edition with Jonas Larsen incorporates new debates in a fast-paced changing issue such as tourism and mobility.

The book has become a classic text in travel and tourism studies and this new edition is yet another useful reference for academic, professionals and students in this multidisciplinary field!

The book is a good read in formulating an alternative and modern view of modern tourism but not suitable as a textbook for students' needs.

A classic text book which every Tourism student should have read, providing a good snapshot of tourist behaviour and society. This edition benefits from interesting and timely updates to the changing and dynamic tourism industry and how tourists are changing.

My students would find this book useful when they prepare a coursework.

A useful updated version of the tourism classic.

Urry's original 1990 text was ground breaking for its time. This new 3.0 edition continues to plot the cultural changes brought about by the continuing extension of liquid modernity over the globe. The Tourist Gaze 3.0 is an excellent text for undergraduates. The chapters are perfect starting points from which to initiate debates on emergent geographies, cultural performances and new outlooks in our era of mass mobilities and spectacularized markets.

An excellent update to a seminal text. The chapter on Tourism Risks and Futures is particularly salient (for my purposes). I always recommend it to my final year UG and PG(T) students studying social science perspectives on tourism.

An easy to follow text with interesting perspectives and approaches to key issues within and affecting the industry. Students will particularly find chapters 1-3, 5 and 9 useful for their studies within a number of modules on their programme.

I find this updated landmark contribution to the study of tourism sociology once again very useful as a basis of rich discussions at a Master's degree class in Tourist Behaviour.

Great update to previous editions. recommended as essential reading and also for student led research projects.

New and essential version of a key book for mobility studies.

together with my colleague we have decided to make the destination text supplementary reading for the new courses starting in year 3 and 4. The text is comprhensive and provides insight is various aspects of DM that is not or hardly covered by other books on the topic

The Tourist Gaze 3.0 contains significant amounts of new material compared to the previous edition of The Tourist Gaze. While still providing authoritative overviews of social and cultural theories of tourism, the history and economics of tourism, and, of course, the practices and materialities associated with the tourist gaze, each of the chapters has been updated. There are also new chapters on photography, performance, and 'risks and futures' that keep the argument bang up to date.

A true classic for everyone who is interested in the field of visual impact on society. The latest edition is even better, following new media and general Zeitgist flows.

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A review of: ‘The Tourist Gaze 3.0’

2013, Tourism Geographies

Related Papers

Jonas Larsen

Tourism and photography are modern twins. Since its early invention, photography has become associated with travelling. At a time when steamships and railways made the world physically more within reach, photographs made it visually at hand. Photographers travelled to faraway places, photography soon became a ritual practice of tourism and photographic objects roamed the globe, which, in turn, engendered a train of ideas, objects, places, cultures and people.

Tourism Review

WHMS Samarathunga

The tourist gaze remains a key concept in tourism research. The main objective of this state of the art paper is to comprehend the theoretical and empirical development of tourist gaze notion and its contributions to tourism knowledge, identifying potential research directions by reviewing and analyzing articles that have defined, refined, and applied the concept of tourist gaze. The study identified 109 relevant research papers primarily through the Web of Science and Scopus databases. Google Scholar, ResearchGate.net, and Academia.edu were used to capturing additional work not indexed in the key databases. Qualitative content analysis was used to map the evolution of the concept, distinguish between different perspectives, and identify gaps in the tourist gaze literature. This “State of the Art” paper on tourist gaze outlines Foucault’s original work on gaze and power, which underpins subsequent theorization within tourism. The study identifies how the tourist gaze operates in different contexts and circumstances allowing the development of gaze theory. Importantly, the evolution of the gaze theory is presented after analyzing the knowledge gaps, the contexts in which it was used, the methodologies with which it was applied. Based on the findings, the study proposes future works of gaze with the use of technology, science, nature, and social media. This paper is among one of the first state of the art papers in tourism literature that comprehensively analyzes the works on the tourist gaze, tracing its evolution and identifying future research directions to address gaps in existing knowledge.

Japan Review (Special Issue: War, Tourism, and Modern Japan)

Andrew Elliott , Daniel Milne

The Tourist Gaze (Urry 1990, 2002) is one of the most discussed and cited tourism books (with about 4k citations on Google scholar). Whilst wide-ranging in scope, the book is known for the Foucault-inspired concept of the tourist gaze that brings out the fundamentally visual and image-saturated nature of tourism encounters. However, some recent literature has critiqued this notion of the 'tourist gaze' for reducing tourism to visual experiences-to sightseeing-and neglecting the other senses, bodily experiences and 'adventure'. The influential 'performance turn' (see Edensor, 1998; Coleman and Crang, 2002; Haldrup and Larsen, 2010 amongst others) within tourist studies suggests that the doings of tourism are physical or corporeal and not merely visual and it is necessary to regard 'performing' rather than 'gazing' as the dominant tourist research paradigm (Perkins and Thorns, 2001). Yet we argue here that there are in fact many similarities between the paradigms of gaze and of performance. They should 'dance together' rather than stare at each other at a distance. This paper rethinks the tourist gaze in the light of this performance turn and of a Goffmanian dramaturgical sociology by examining the embodied and multisensuous nature of gazing, as well as the complex social relations and fluid power geometries comprising performances of gazing. The Foucault-inspired notion of the tourist gaze can be enlivened, made more bodily

Tourist Studies

Connie Svabo

Museums are largely neglected in the tourist research literature. This is even more striking given that they are arguably designed for gazing. There is little doubt that "graying" of the Western population adds to the number and range of museums. And yet, even in adult museums, there will be children who are "dragged along." Museums are increasingly aware of such conflicts and dilemmas. Many museums offer printed booklets with "treasure trails." They afford a trail through the museum that forms a treasure hunt for specific objects and correct answers to questions related to the objects. This article draws attention to this overlooked, mundane technology and gives it its deserved share of the limelight. We are concerned with exploring ethnographically how trails are designed and especially used by young families in museums for gazing. The article gives insight into how children, broadly speaking, learn to gaze within museums as well as small-scale negotiations and conflicts between families gazing. So we are concerned with how family trails affect the museum visit.

Annals of Tourism Research

Emily Höckert , Monika Lüthje

The article illuminates one of the central ethical questions concerning tourist photography: the ways in which tourists photograph local people in tourist destinations. In line with the previous research on tourist photography, the study suggests that tourists' experiences of responsible behaviour become continuously redefined and negotiated in relations with others. Through a hermeneutic phenomenological analysis of tourists' accounts, the study focusses on the role of the face in photography; that is, how encountering the face of the other interrupts the photographer and calls for heightened responsibility and reflection. Drawing on the Levinasian idea of ethics as being-for-the-other, the article visualizes relational ethics that do not originate from the tourist's gaze, but from the face of the other.

Giulia Meier

Crispin Thurlow

CITATION DETAILS: Thurlow, C. & Jaworski, A. (2014). ‘Two hundred ninety-four’: Remediation and multimodal performance in tourist placemaking. Journal of Sociolinguistics, 18(4), 459-494.

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