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Tyler, the Creator Announces 2022 Tour With Kali Uchis, Vince Staples, and Teezo Touchdown

By Matthew Strauss

Tyler, the Creator has announced the North American tour in support of his new album Call Me If You Get Lost . The tour is scheduled to take place between February and April 2022 and feature support from Kali Uchis , Vince Staples , and Texas rapper Teezo Touchdown. Check out the schedule below.

Tyler, the Creator released Call Me If You Get Lost —his follow-up to Igor —in June. The record includes a guest contribution from Teezo Touchdown on “RunItUp.”

Kali Uchis shared Sin Miedo (del Amor y Otros Demonios) ∞ in fall 2020, and Vince Staples recently released his self-titled album .

Read “ 5 Takeaways From Tyler, the Creator’s New Album Call Me If You Get Lost ” over on the Pitch.

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Tyler, the Creator:

02-10 San Diego, CA - Pechanga Arena 02-11 Phoenix, AZ - Footprint Center 02-12 Las Vegas, NV - Michelob Ultra Arena 02-14 El Paso, TX - Don Haskins Center 02-16 Dallas, TX - American Airlines Center 02-18 St. Louis, MO - Chaifetz Arena 02-19 Kansas City, MO - Cable Dahmer Arena 02-20 Minneapolis, MN - Target Center 02-22 Chicago, IL - United Center 02-24 Milwaukee, WI - Fiserv Forum 02-27 Columbus, OH - Schottenstein Center 02-28 Detroit, MI - Little Caesars Arena 03-03 Worcester, MA - DCU Center 03-04 Norfolk, VA - Chartway Arena 03-06 Philadelphia, PA - Wells Fargo Center 03-07 Washington, D.C. - Capital One Arena 03-09 Montreal, Quebec - Place Bell 03-11 Toronto, Ontario - Scotiabank Arena 03-12 Pittsburgh, PA - Petersen Events Center 03-13 New York, NY - Madison Square Garden 03-16 Charlotte, NC - Bojangles Coliseum 03-18 Orlando, FL - Amway Center 03-19 Tampa, FL - Yuengling Center 03-20 Miami, FL - FTX Arena 03-23 Charleston, SC - North Charleston Coliseum 03-25 Duluth, GA - Gas South Arena 03-27 Houston, TX - Toyota Center 03-29 Denver, CO - Ball Arena 03-31 Los Angeles, CA - Staples Center 04-01 Oakland, CA - Oakland Arena 04-02 Sacramento, CA - Golden 1 Center 04-04 Portland, OR - Moda Center 04-07 Vancouver, British Columbia - Pacific Coliseum 04-08 Seattle, WA - Climate Pledge Arena

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Tyler, The Creator tour dates 2024

Tyler, The Creator is currently touring across 1 country and has 4 upcoming concerts.

Their next tour date is at Grant Park in Chicago, after that they'll be at Zilker Park in Austin.

Currently touring across

Upcoming concerts (4) See nearest concert

Lollapalooza

Austin City Limits Weekend One

Austin City Limits Weekend Two

Past concerts

Coachella 2024 (1st Weekend)

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Recent tour reviews

Amazing experience... Taco was an amazing DJ doing a great job of hyping the crowd up. Then Vince came out and killed it just a great set. the stage design was like no other the rotating screens were really cool and it was nice that they put timers up so we knew when Vince would come out. Tyler's performance was just amazing he performed for 2 1/2 hours and he really is a great performer, he performed both old and new songs there wasn't a favorite of mine that he missed. The stage design was so cool with a huge tree for Tyler to stand on. Tyler really cares about his fans he sang happy birthday to this one dude which was so sick. The show was sold out so 2,400 people were all singing the words to his songs which was just amazing the best concert experience I have ever had I have to go see him live again.

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Rex Orange County opened with dope beach vibes then later joined in on "Boredom". After Rex finished, Tyler carried the show alone reflecting the energy of the whole crowd. He is a lightening storm on stage. He said that one of his goals on this tour is to see the crowd dance and his beats strongly reflect that sentiment. If you find yourself lucky at one of his shows, do yourself a favor; wear sneakers and don't bring your drink into the mosh pit, you're in for a treat.

I loved every min of his performance.. I loved and appreciated the re-verb of ''tell these black kids they can be who they are'' means so much to us. And I know this isn't his favorite album and It didn't come out as this ''star studded'' album. But there's no one couldn't have said it better than Tyler at this time. So I want to thank him for that. Maybe he will finally be able to score a movie that would be so !!!!

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P.S Get that verse right bitch.

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Tyler, the Creator Announces 2022 North American Tour

In support of his summer album Call Me If You Get Lost , Tyler, the Creator is embarking on a North American tour that will begin in February and run through April 2022.

On the tour, Tyler will get support from frequent collaborator Kali Uchis, "Are You With That?" singer Vince Staples , and Texas rapper Teezo Touchdown - who is featured on the track "RunItUp."

Tyler, the Creator released Call Me If You Get Lost , the follow-up to his Grammy-winning Igor , back in June. It hit #1 on the Billboard 200 Chart in early July: thus becoming his second album after Igor to rank on top of the chart. Besides his album release and upcoming tour, Tyler recently gave a performance at the 2021 edition of Lollapalooza.

Not only is Tyler's tour a celebration for the rapper, but for his guests as well. In addition to Teezo Touchdown being featured on Call Me If You Get Lost , Kali Uchis is still riding the success of her highly-acclaimed 2020 LP Sin Miedo (del Amor y Otros Demonios) , and there's been buzz around Vince Staple's recently released 10-track self-titled LP.

Tickets for Tyler's 34-stop arena tour will be available to purchase starting Friday, August 6 at 10am local time via Ticketmaster.

See the full tour schedule below.

TOUR: ON SALE FRIDAY pic.twitter.com/dgsN317pnI — Tyler, The Creator (@tylerthecreator) August 3, 2021

READ NEXT: Top 10 Tyler, the Creator Songs

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Article Image: Tyler, the Creator on stage during a 2018 performance in San Francisco. ( agwilson via Shutterstock .)

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Tyler, the Creator’s Tour Opener Was a Cross-Generational Triumph

By Jeff Ihaza

PHOENIX – Tyler , the Creator sits at the center of multiple generations’ imaginations. That much was clear last night at the Footprint Center in Phoenix, Arizona, where he kicked off his Call Me If You Get Lost Tour. Not since the cathartic early days of Odd Future has the 30-year-old rapper seemed this in command of an audience. The only difference is that now, in addition to an audience of teens enthralled by his most recent work, Tyler’s fan base includes aging millennials nostalgic for when he first came onto the scene and the parents of today’s youth, themselves enthralled by one of today’s most musically vibrant and energetic performers. Last night made for a detente among Gen Xers, millennials, and zoomers.

The entire show was still decidedly youthful. Opening act Teezo Touchdown ‘s performance left many of the older members of the audience with confused looks on their faces, but it was clear the kids loved it. The same can be said for the perennially underrated Vince Staples , whose set was a welcome reminder of the durability and longevity of his output over the past few years. Kali Uchis rounded out the openers, and easily gave Tyler a run for his money in terms of audience excitement. Uchis’ many years of consistency have paid off, as seemingly every teenage girl in the country is completely obsessed. The teens in Phoenix mouthed the lyrics to the 2015 cut “Ridin Round,” despite the fact that most of them don’t have any of the college-age memories associated with the track’s blog-era release.

That felt like a theme throughout the evening. Tyler’s catalog now features more than 10 years’ worth of music. He’s one of few living artists today that can say they’ve created adolescent anthems for kids in high school right now, as well as adults who were in high school a decade ago. So, when he emerged onstage — seated in that baby blue Rolls-Royce slowly rising from a platform beneath the stage — you got the sense that, for a moment, everyone in the sold-out arena got to channel their inner children.

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Call Me If You Get Lost is also something of a shift for Tyler, as he leans into a more sophisticated aesthetic. The loud pastels of the early OF era have made way for subtle, tastefully selected hues. The commitment to a more elevated simplicity shined through in the show’s set design. Pyrotechnics popped at the opening and closing of Tyler’s set, and he traversed the audience, from the main stage to a secondary stage styled to look like a meadow, on a giant prop yacht. Still, there was something elegant about how low-fidelity the set work looked. Like a room decorated with just enough frills, Tyler’s set design brought you into the universe of the performance without distracting from it.

No matter how engrossing the sets were, though, it would have been hard to upstage Tyler himself last night. The set was a reminder just how long he’s been in the business, and just how much he’s touched in that time. During his performance of the Goblin throwback “She,” the crowd made easy work of Frank Ocean’s entire verse. When he performed “IFHY,” from 2013’s  Wolf , the crowd erupted in a cathartic kind of ecstasy. Tyler’s credo, of making space for the misfits and outlaws, resonated more deeply than one might immediately think. You just need to be in the presence of the parents of teenagers letting out their frustrations to a song whose music video features Tyler in a make-believe dollhouse.

Tyler’s set featured a handful of emotional peaks that provide a sense of what he’s been able to offer young people these past few years. During “Boredom,” the crowd huddled as close to the stage as it could. This, it seemed, was the song that most moved them. And why not? This generation had a chunk of its teenage years robbed by a pandemic. So when Tyler raps about being bored in his room eating cereal, it simply hits different.

You could say that the entire show hit differently, in fact. It certainly never feels safe to say we’re out of the woods with Covid, but Tyler managed to pack the stadium full of joy in a way that has felt impossible these past few years. He closed the show with “Runitup,” a confident and confessional cut from Call Me If You Get Lost . It gave the show a feeling of triumph. No one thought we’d make it this far, and Tyler can relate.

Call Me If You Get Lost Set List: “Intro” “Corso” “Lean” “Lumberjack” “Massa” “Wusyaname” “Boredom” “911” “See You Again” “IFHY” “She” “Yonkers” “Bimmer” “Tamale” “I Thought” “Who Dat Boy” “I Think” “Earfquake” “New Magic Wand” “RunItUp”

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Tyler, The Creator

TYLER, THE CREATOR ANNOUNCES NORTH AMERICAN TOUR ACCOMPANIED BY KALI UCHIS, VINCE STAPLES & TEEZO TOUCHDOWN COMING TO AMERICAN AIRLINES CENTER ON FEBRUARY 16, 2022!

GENERAL ADMISSION LINE WRISTBANDS WILL BE ISSUED AT AAC SOUTH DOORS STARTING AT 8AM ON SHOW DAY.

General Admission Ticket Procedures

• On show day, Wednesday, February 16, fans may start lining up at 8AM on AAC property in PNC Plaza.  Prior to this time, No camping is allowed .  AAC will have security patrolling our property to make sure no one is camping. 
• Scan event ticket to make sure it is valid
• Issue numbered wristband
• Chutes will be set up in PNC Plaza for guests to line up in numerical order. 
• The wristband station will close at 5:00pm.
• If you do not receive a wristband prior to 5:00pm, you will get one once you enter at the South doors. Doors open at 6:00pm.
• One wristband per valid event ticket per person.

For the latest fan safety guidelines at AAC:  FULL FAN SAFETY GUIDELINES HERE

Dates & Times

• Feb 16, 2022 - 7:30PM Add to cal

More Information

• Date Feb 16 , 2022
• Time 7:30 PM
• Doors Doors: 6:00 PM
• On Sale Buy Now

Review: Tyler, the role model? On sincere and ambitious new album, Tyler, the Creator comes into his own

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A little past the halfway mark of Tyler, the Creator’s gripping new album, “Call Me If You Get Lost,” the Los Angeles rapper’s mom puts in a cameo that threatens to steal the show from her son and his other, far more famous guests.

Titled “Momma Talk,” the appearance takes the shape of a minute-long monologue in which Tyler’s mother, Bonita Smith, recounts the lengths she went to to protect Tyler (whose last name is Okonma) when he was a kid growing up in Hawthorne : “I’d kill a motherf— over this one right here,” she says, pride coursing through her words. “My son used to record me beating bitches’ ass.” She runs down a partial list of the people she “bossed up” on — “teachers, principals, mamas, kids” — then interrupts herself.

“Am I lying?” she asks, to which Tyler responds in his low, gravelly voice: “You have no reason to.”

It’s a striking endorsement of the cold, hard truth from an artist who made his name with willfully provocative hyperbole.

Now a well-connected member of a Black creative vanguard that also includes the likes of Solange , Donald Glover and Issa Rae, Tyler emerged more than a decade ago as the scowling face of L.A.’s punk-inspired Odd Future collective — a teenage Eminem stan whose raw, rowdy music showcased a rogues’ gallery of unreliable narrators boasting about rape and murder.

On early records like 2011’s “Goblin” and “Wolf,” from 2013, you knew not to take Tyler’s words literally, even if you understood that they carried real pain.

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In contrast, here he is at age 30 on “Call Me If You Get Lost” telling sincere, relatively plainspoken stories about the alienating effects of celebrity and about the pressure to form coherent political thoughts and, most vividly, about a furtive romantic relationship with the lover of a close friend.

What’s more, after years of feinting, he’s finally taking a clear moral stance: “I’m a bad person — like, I’m in the wrong,” he admits in “Wilshire,” the album’s stirring emotional centerpiece, in which he spends eight minutes sifting through the facts and the self-delusions of that complicated affair.

Yet “Call Me If You Get Lost” — Tyler’s seventh LP and the follow-up to 2019’s Grammy-winning “ Igor ” — isn’t the somber, stripped-back confessional you might expect; it’s not a millennial’s version of Jay-Z’s “ 4:44 ,” where hip-hop’s alpha braggart radically toned down his sound to ruminate on his reasons for cheating on his wife, Beyoncé.

Hosted, as Tyler puts it, by the ever-spirited DJ Drama, “Call Me If You Get Lost” instead aspires to one of rap’s most grandly theatrical traditions: the quasi-legal gray-market mixtape — specifically Drama’s beloved “Gangsta Grillz” series, which in the mid-2000s yielded boisterous, freewheeling documents by Lil Wayne, Jeezy, Pharrell and others.

Drama threads his signature exhortations throughout the album, alternately hyping Tyler up (“On this here stage tonight is something legendary,” he bellows to open “Corso”) and providing comic-absurdist detail (“A young lady just fed me French vanilla ice cream,” he notes in “Hot Wind Blows,” about Tyler’s world travels).

And though Tyler produced all the songs himself — a rarity among rappers — the music covers a huge amount of ground, moving from the creamy R&B of “Wusyaname” to the trippy soul-jazz of “Hot Wind Blows” to the grimy boom-bap of “Lumberjack,” which in classic mixtape form more or less cribs the beat from an existing track, in this case the Gravediggaz’s mid-’90s “2 Cups of Blood.”

Splashy cameos from Pharrell, Lil Wayne and Lil Uzi Vert further broaden the disc’s stylistic scope even as Tyler invites the listener deep into the private space of a song like “Manifesto,” in which he ponders his old antics (including a bunch of creepy tweets he sent to Selena Gomez) and frets over whether he’s “doing enough or not doing enough” to advance the cause of racial justice. In its blend of the spectacular and the hyper-personal, the result can recall “My Beautiful Dark Twisted Fantasy” by one of Tyler’s heroes, Kanye West.

“Call Me If You Get Lost,” which is forecast to top next week’s album chart, also reframes Tyler’s relationship with the hip-hop mainstream. For years he saw himself as an outsider — “I never fully felt accepted in rap,” he said in his speech at the Grammys — and so he and the rest of Odd Future built a kind of parallel universe complete with clothing lines, TV shows and L.A.’s annual Camp Flog Gnaw music festival.

That universe attracted fellow misfits: In 2019, when Drake made a surprise appearance at Flog Gnaw in a slot many thought was meant for Odd Future’s Frank Ocean, the crowd infamously booed the pop superstar.

Yet social media and digital streaming, where Tyler flourishes, have shifted power away from the record labels and radio stations that once controlled hip-hop; now Tyler enjoys the type of industry prestige and commercial clout that earlier charismatic weirdos could only dream of, which might be why he seems so at home amid DJ Drama’s big-tent trappings. (Looking back, Tyler’s flirty 2019 interview with Funkmaster Flex — that stalwart guardian of centrist hip-hop values — seems like a crucial step in this album’s development.)

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Indeed, he’s become sufficiently established that on “Call Me If You Get Lost” he’s the one arranging guest spots from quirky younger acts with devoted online followings: Teezo Touchdown, who adds emo-rap squeaks to “Runitup”; 42 Dugg, charmingly growly in “Lemonhead”; YoungBoy Never Broke Again, who yelps a wistful verse in “Wusyaname.”

In a way that’s a very Drake move — pulling close potential threats. But with Tyler the curating feels less opportunistic; he seems to take real pleasure in serving as a bridge figure between two generations. There’s a great series of backstage photos of Tyler and Lil Nas X at Sunday’s BET Awards, and what comes across is Tyler’s genuine admiration for the artists remaking hip-hop in his footsteps.

With the psychedelic “Igor,” Tyler’s innovation had to do with his formal slipperiness — here was a rap record, according to the Grammys, with basically no rapping on it — and with lyrics widely perceived to be about queer romance.

And he’s still tweaking the genre’s conventions in those ways — in a song like the nearly 10-minute-long “Sweet/I Thought You Wanted to Dance,” which mashes together sparkly R&B and throbbing reggae, and in “Massa,” where he says, “Everyone I ever loved had to be loved in the shadows.”

Yet the evolution on display on “Call Me If You Get Lost” is more elemental; he’s rethinking what kinds of stories he wants to use his music to tell and how much of himself his success obliges him to reveal.

“This is my perspective / This is how I feel,” he insists toward the end of the epic yet painstaking “Wilshire,” “I ain’t fabricate nothing / I kept it real.”

He sounds as surprised as anyone else.

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Tyler, the Creator Concert Setlists & Tour Dates

Call me if you get lost tour, upcoming shows.

• Date and Venue Doors Scheduled
• Aug 01 2024 Lollapalooza 2024 Chicago, IL, USA  –  Find tickets Add time Tickets Add time Add times
• Aug 09 2024 Outside Lands Music & Arts Festival 2024 San Francisco, CA, USA  –  Find tickets Add time Tickets Add time Add times

Tyler, the Creator at Coachella Festival 2024

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Tyler, the Creator at Camp Flog Gnaw Carnival 2023

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Tyler, the Creator at El Rey Theatre, Los Angeles, CA, USA

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Tyler, the Creator at Budweiser Made in America 2022

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Tyler, the Creator at Rod Laver Arena, Melbourne, Australia

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Most played songs

• IFHY ( 241 )
• Tamale ( 237 )
• Yonkers ( 220 )
• She ( 177 )
• See You Again ( 172 )

More Tyler, the Creator statistics

A/V CLvB A$AP Rocky Aurora Avenue ÆONIAN BADBADNOTGOOD black midi Black Wing Halo Breakbot Channel Tres Domo Genesis Earl Sweatshirt Earlwolf Elfran DJ Excel Flying Lotus Ethan Flynn Fana Hues i///u Mad Madmen MellowHigh Frank Ocean Odd Future Okey Dokey Others by No One Playboi Carti Rex Orange County slowthai Teezo Touchdown Thundercat Kali Uchis Grace VanderWaal Pharrell Williams Charlie Wilson Jamie xx

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Artists covered

A$AP Mob Domo Genesis Earl Sweatshirt MellowHype Mac Miller NIGO® Frank Ocean Odd Future Tyler, the Creator & A$AP Rocky Pharrell Williams Ye YG

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2,597 people have seen Tyler, the Creator live.

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Tyler, The Creator

Call me if you get lost 2022.

Toyota Center is excited to welcome Tyler, The Creator on March 27, 2022. The announcement arrives on the heels of his critically-acclaimed album CALL ME IF YOU GET LOST, which debuted at #1 on the Billboard 200 charts upon its release, as well as a show-stopping performance at this year's BET awards, and a headlining set at Lollapalooza 2021. Tyler, The Creator will be joined by Kali Uchis, Vince Staples and Teezo Touchdown. Don't miss this great night of hip-hop in March!

COVID-19 Protocols For This Show: For ticket holders attending this event, masks are strongly encouraged but not required. The tour promoter is not requiring ticket holders to provide proof of vaccine for COVID-19 or a negative COVID-19 test to attend this event. Ticket holders will receive more information via email if there are updates to these protocols. 

Ticket Information

All dates, times, acts and ticket prices are subject to change without notice. *Opening acts may change without notice, but is not a condition of sales/refunds. Online ticket sales end 2 hours before the ticketed start time. Please visit our Box Office on the night of the show for available tickets. (Subject to availability.)

Toyota Center FAQs:

What is AXS Mobile ID?

With mobile ticketing through AXS, you’re able to keep your tickets securely stored in your AXS App until it’s time for your event and enter with a quick and simple scan. Easy!

How do I get the AXS App?

The AXS App is free to download and available in the App Store or Google Play. To login, use the same email address you used when purchasing your tickets. You can also download the Houston Rockets app to enter Toyota Center for events. 

How do I use the AXS App to enter the building?

• Open the AXS App
• From the “Home” screen tap the ticket icon at the bottom of the screen
• Login to your account entering the email address used to purchase the tickets
• (If you can’t remember your password, tap Forgot Password and follow the instructions sent to your email)
• Browse your upcoming events and tap the one you want to view
• Tap “View Barcode” and present QR code at the door to be scanned for entry to Toyota Center

How do I access my Parking pass?

Your parking pass for the Toyota Tundra garage will load like a ticket with a barcode to be scanned as you enter the garage.

Can I print my tickets?

AXS Mobile ID tickets are digital and cannot be printed for venue entry.

Are screenshots of the barcode valid for entry?

No, tickets must be scanned through the AXS App.

Can I have multiple tickets on one phone?

Yes. However, we recommend that you transfer tickets to each person attending the event.

What if I don’t have a smartphone?

Please bring a valid photo ID and the card you used to purchase the tickets to the Toyota Center box office.

How far in advance can I access my tickets?

Unless otherwise noted, tickets are accessible on the AXS app and ready to manage as soon as the purchase is complete. Ability to transfer and/or sell tickets varies by show and is subject to change.

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Weekly updates:

Tyler, the creator announces world tour.

Weekly updates

Prepare yourself, OF fans. Following the release of his latest album   Cherry Bomb ,  Tyler, the Creator has announced a world tour. We’re pumped to see him take the bizarre plush bedroom stage constructed specifically for  Cherry Bomb  tour around the world. Currently, the dates only cover the US and Europe with Australian dates yet to be announced. For more details, check out the Golf Media website .

Cherry Bomb , World Tour:

4/29 – Charlotte, NC – The Fillmore 5/1 – Myrtle Beach, SC – House of Blues 5/2 – Raleigh, NC – The Ritz 5/3 – Norfolk, VA – The Norva 5/5 – Richmond, VA – The National 5/6 – Columbus, OH – Newport Music Hall 5/8 – Cincinnati, OH – Bogart’s 5/9 – Detroit, MI – The Fillmore 5/10 – Grand Rapids, MI – The Intersection 5/12 – Glasgow, UK – Barrowland 5/13 – Manchester, UK – Academy 5/14 – London, UK – Roundhouse 5/15 – Bristol, UK – O2 Academy 5/17 – Utrecht, Netherlands – Ronda 5/19 – Hamburg, Germany – Mojo 5/20 – Copenhagen, Denmark – Vega 5/21 – Berlin, Germany – C-Club 5/23 – Zurich, Switzerland – Volkhaus 5/24 – Munich, Germany – Theater Fabrik 5/25 – Cologne, Germany – Kantine 5/26 – Paris, France – Le Trianon 5/28 – Barcelona, Spain – Primavera Sound 6/1 – Albuquerque, NM – Sunshine Theater 6/2 – El Paso, TX – Tricky Falls 6/4 – Oklahoma City, OK – Diamond Ballroom 6/5 – Dallas, TX – Bomb Factory 6/6 – Austin, TX – Emo’s 6/7 – Tulsa, OK – Cain’s Ballroom 6/9 – Winston-Salem, NC – Ziggy’s 6/10 – Baltimore, MD – Rams Head Live 6/12 – New York, NY – Irving Plaza 6/13 – Wallingford, CT – The Dome at Oakdale Theatre 6/14 – Buffalo, NY – Town Ballroom 6/16 – Louisville, KY – Mercury Ballroom 6/17 – Cleveland, OH – House of Blues 6/19 – Indianapolis, IN – Egyptian Room 6/20 – Saint Louis, MO – The Pageant 6/21 – Columbia, MO – The Blue Note 6/23 – Kansas City, MO – Arvest Bank Theatre at The Midland 6/24 – Boulder, CO – Fox Theatre 6/26 – Fort Collins, CO – Aggie Theatre 6/27 – Salt Lake City, UT – The Complex 6/28 – Missoula, MT – Top Hat Lounge 6/30 – Spokane, WA – Knitting Factory Concert House 7/1 – Seattle, WA – Showbox SoDo 7/2 – Portland, OR – Roseland Theater 7/3 – Surrey, BC – Fvded In The Park Festival 7/16 – Houston, TX – Warehouse Live – Ballroom 7/17 – Memphis,TN – Minglewood Hall 7/18 – Mobile, AL – Soul Kitchen 7/19 – Birmingham, AL – Sloss Music and Arts Fest 7/31 – Chicago, IL – Lollapalooza After Party 8/1 – Chicago, IL – Lollapalooza 8/2 – Montreal – Osheaga 8/12 – Budapest, Hungary – Sziget Festival 8/13 – Oslo, Norway – Oya Festival 8/14 – Gothenburg, Sweden – Way Out West 8/16 – Helsinki, Finland – Flow 8/18 – Moscow, Russia – Glavclub 8/19 – St. Petersburg, Russia – Glavclub 8/21 – Katowice, Poland – Nowa Muzyka Festival 8/23 – Charleville-Mezieres, France – Cabaret Vert 8/26 – Dublin, Ireland – The Academy 8/28 – Leeds, UK – Leeds Festival 8/30 – Reading, UK – Reading Festival

More Music News

Jay-Z’s Tidal is Sinking Kendrick Lamar Now Has an Official Salad, Hints at a Secret Message Hidden in TPAB’s Physical Copy Splendour in the Grass 2015 Sideshows Announced

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FALLING IN REVERSE Announces New Album 'Popular Monster', Summer 2024 U.S. Headline Tour

FALLING IN REVERSE make anthems that provoke and inspire. Unnervingly ahead of the pack and yet always decisively right on time, their mix of bombastic declarations and intimate confessions connect with diverse crowds worldwide. The rule-breaking, genre-busting, hellraising band delivers raw emotion with double and triple entendre like Molotov cocktails thrown at pop culture.

Since 2017, the band has continued to explode by leaps and bounds. The catalog has clocked billions of streams, several gold and platinum certifications, recognition from top tier press such as Pitchfork , Billboard , The New York Times and Forbes , and several No. 1 radio singles.

FALLING IN REVERSE has announced its new album — and first since 2017's "Coming Home" — "Popular Monster" . It arrives on July 26 via Epitaph Records . Additionally, the band has shared the video for the new single "Ronald (Feat. Tech N9ne And Alex Terrible)" . Watch it below

The two-times-platinum smash "Popular Monster" and the album of the same name couldn't have come from anyone else but Ronnie Radke , who produced the album alongside Tyler Smith . Both Kerrang! and Revolver magazine counted the charismatic Las Vegas-born frontman and bandleader among "the greatest living rock stars." The album arrives with several RIAA -certified singles, which have been released over time since 2018. "Popular Monster" is certified two times platinum. while "Zombified" , "Voices In My Head" and "Watching The World Burn" are all certified gold.

FALLING IN REVERSE 's catalog has accrued 5 billion streams, with 1.7 billion across all the album singles released to date. The catalog streaming remains robust at 35 million per week. Over on TikTok , the band has a stronghold, with 5.7 billion video views, with 4 million creations and a 1.5 billion creator reach.

FALLING IN REVERSE has also announced its summer 2024 headline tour plans, produced by Live Nation . The band will play 7,000-12,000-capacity venues with support coming from BLACK VEIL BRIDES , DANCE GAVIN DANCE and Tech N9Ne . Jeris Johnson and Nathan James appear on select dates. Full routing can be found below.

A special BLABBERMOUTH.NET presale will begin on Thursday, May 9 at 10:00 a.m. local time and end on Thursday, May 9 at 10:00 p.m. local time. When prompted, type in the presale code "BBM2024" to access tickets before the general public. Check back here on Thursday for ticketing links to individual shows. General on-sale will be Friday, May 10 at 10 a.m. local time.

This is the first announced leg of a planned world tour. Additional dates and cities around the world, and their support acts, will be announced soon.

"Popular Monster" track listing:

01. Prequel 02. Popular Monster 03. All My Life 04. Ronald (Feat. Tech N9ne + Alex Terrible) 05. Voices In My Head 06. Bad Guy (Feat. Saraya) 07. Watch The World Burn 08. Trigger Warning 09. Zombified 10. No Fear 11. Last Resort - Reimagined

FALLING IN REVERSE on tour with BLACK VEIL BRIDES , DANCE GAVIN DANCE and TECH N9NE :

Aug. 18 - Nampa, ID - Ford Idaho Amphitheater* Aug. 21 - Airway Heights, WA - BECU Live at Northern Quest* Aug. 22 - Auburn, WA - White River Amphitheatre* Aug. 23 - Ridgefield, WA - RV Inn Style Resorts Amphitheater* Aug. 25 - Salt Lake City, UT - Utah First Credit Union Amphitheatre* Aug. 27 - Albuquerque, NM - Isleta Amphitheater* Aug. 29 - Irving, TX - The Pavilion at Toyota Music Factory^ Aug. 30 - Houston, TX - The Cynthia Woods Mitchell Pavilion presented by Huntsman^ Sep. 01 - Alpharetta, GA - Ameris Bank Amphitheatre^ Sep. 02 - Charlotte, NC - Skyla Credit Union Amphitheatre^ Sep. 04 - Raleigh, NC - Red Hat Amphitheater^ Sep. 06 - Bristow, VA - Jiffy Lube Live^ Sep. 07 - Scranton, PA - The Pavilion at Montage Mountain^ Sep. 09 - Boston, MA - Leader Bank Pavilion^ Sep. 10 - Buffalo, NY - Darien Lake Amphitheater^ Sep. 12 - Burgettstown, PA - The Pavilion at Star Lake^ Sep. 13 - Holmdel, NJ - PNC Bank Arts Center^ Sep. 15 - Sterling Heights, MI - Michigan Lottery Amphitheatre^ Sep. 16 - Indianapolis, IN - Everwise Amphitheater at White River State Park^ Sep. 17 - Chicago, IL - Huntington Bank Pavilion at Northerly Island^ Sep. 20 - Franklin, TN - FirstBank Amphitheater^ Sep. 21 - St Louis, MO - Hollywood Casino Amphitheatre^ Sep. 23 - Denver, CO - The JunkYard^ Sep. 25 - Phoenix, AZ - Talking Stick Resort Amphitheatre^ Sep. 26 - Los Angeles, CA - Kia Forum^

* With Nathan James ^ With Jeris Johnson

"Popular Monster" is a defiant statement and triumphant victory for singer, songwriter, bandleader, and provocateur Ronnie Radke , who invented FALLING IN REVERSE inside a prison cell.

Radke fills the fifth full-length from FALLING IN REVERSE with invincible and irresistible songs that resonate across generations and genres. Co-produced with longtime collaborator Tyler Smyth ( I PREVAIL , LIGHTS ), "Popular Monster" is full of confessional angst, bravado, and clever wordplay.

Ronnie formed a series of pop-punk bands in Las Vegas as a teenager, culminating in the creation of ESCAPE THE FATE . The metalcore group's meteoric rise coincided with the singer's spiral into addiction. By the time he was sentenced to two years in prison, the band he started had moved on without him. Some fans, critics, and industry types figured his story would end there.

They were very wrong.

The gold-certified debut album from FALLING IN REVERSE , "The Drug In Me Is You" (2011),arrived less than two years after Ronnie 's release. Thanks to his formative fascinations with metal, punk, and hip-hop, he almost single-handedly revived rap rock with the ambitious "Fashionably Late" (2013). "Just Like You" (2015),debuted in the Top 5 on the US Rock chart. The grungy and atmospheric "Coming Home" (2017) demonstrated yet another adventurous side of Radke 's self-expression.

"Losing My Mind" and "Losing My Life" surprised the so-called "scene" all over again in 2018 when he became the first of his peers to swerve from the album format to standalone singles. "Drugs" explored the American substance abuse epidemic and channeled Ronnie 's own heartbreak.

The massive "Popular Monster" became Ronnie 's first No. 1 song on the radio and his first platinum single less than two years after its release. It was also the first No. 1 song on Billboard 's inaugural Hot Hard Rock Songs chart, which considers airplay, streaming, and downloads. "Popular Monster" eventually went double platinum in the US and triple platinum platinum in Australia. "Zombified" and "Voices In My Head" went to No. 1 back-to-back. "Voices In My Head" was also the No. 1 Song of 2022 at SiriusXM 's Octane . The unconventional, caustic, and super heavy "Watch The World Burn" dominated rock radio in 2023 and improbably became his first Billboard Hot 100 song.

As with the top-notch producers and directors Ronnie has hired to help execute his vision, he'd regularly surrounded himself with incredible live players, resulting in unforgettable performances with various lineups over the years. Radke owns the stage, whether taking the Warped Tour mantle held by MY CHEMICAL ROMANCE , AVENGED SEVENFOLD and FALL OUT BOY in the tour's final years, performing in prominent spots on every major rock festival, or on massive headlining treks.

"Popular Monster" , the album, marks another chapter in the ongoing story of an artist who continually beats the odds, surmounting obstacles (and adversaries) both within and without.

" Radke stands as one of this generation's most revered rock frontmen," wrote the esteemed Forbes magazine in a 2020 profile. "And maybe even one of the scene's last true rockstars."

Photo credit: Jeremy Pavia

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