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Beyoncé Renaissance Tour times: What time does Beyoncé take to the stage?

28 September 2023, 10:50

beyonce tour concert length

Beyoncé officially releases Renaissance

Sam  Prance

By Sam Prance

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How long is a Beyoncé concert? Everything you need to know about the schedule for Beyoncé's Renaissance World Tour and when it starts at the Arrowhead stadium in Kansas City, Missouri and the rest of the tour stops.

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Beyoncé 's Renaissance World Tour is finally here but what time do you need to get to the venue and when is she on stage?

On May 10th, Beyoncé's highly-anticipated Renaissance World Tour began in Stockholm. The critically-acclaimed show has an epic 31 song setlist featuring tracks from Renaissance alongside many of Beyoncé's biggest hits. Not to mention, there are glimpses of Beyoncé's unreleased Renaissance visuals , incredible set-pieces, choreography and outfits throughout.

READ MORE: Beyoncé Renaissance Tour setlist: Every song Beyoncé plays on the Renaissance World Tour

Naturally, millions of fans have bought tickets to see the Renaissance tour in action. What's the schedule though and how long is Beyoncé performing for? Here's everything you need to know about all the Renaissance World Tour times.

What time does Beyoncé's Renaissance Tour start?

Beyoncé Renaissance Tour times: What time does Beyoncé take to the stage?

There is no opening act for Beyoncé's Renaissance tour (well, no traditional opening act - if you know, you know), so there's no need to be in place until Beyoncé takes to the stage. That being said, we recommend that you find your place/seat an hour before the show is scheduled to begin to give you as much time as possible to get settled and comfortable.

On dates where Beyoncé performs the full Renaissance setlist, the concert is 2 hours and 30 minutes long. The opening night setlist was 2 hours and 45 minutes long but Beyoncé has since cut three songs from the setlist. In recent weeks, Beyoncé has begun performing them again at select dates.

Beyoncé Renaissance World Tour times in the US:

  • Doors Open: 17:00
  • Show Starts: 19:30
  • Beyoncé: 20:30
  • Show Ends: 23:00

However, the start time and end time will vary from show to show based on stadium curfews and whether or not Beyoncé performs the full set list. The first show in Stockholm, Sweden started at 20:30 and ended at 23:15. The latest show in Inglewood, California started at 21:40 and ended at 00:30.

What time is Beyoncé performing in Kansas CityA?

The official stage times for Beyoncé's show at Arrowhead stadium in Kansas City on October 1st are as follows:

To avoid missing anything, we suggest that you are in your seat/place from 20:00 onwards.

Be sure to listen out for weather warnings too in case there are any delays.

We will keep you posted with any updates.

How long is Beyoncé's Renaissance Tour concert?

Beyoncé's show at Arrowhead stadium in Kansas City, Missouri on October 1st is currently scheduled to be her last concert in the Renaissance World Tour. However, given that she is yet to perform in South America, Australia and Asia on this tour, some fans suspect that more dates may be announced in the future.

Bookmark this page and we'll let you know timings for each Renaissance World Tour concert as and when they happen.

Read more Beyoncé news:

  • Beyoncé Renaissance Tour merch: Prices, items, opening times and Club Renaissance gift information
  • Beyoncé Renaissance visuals: Everything we know about the upcoming music videos
  • Beyoncé praised for gender neutral toilets at the Renaissance World Tour

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What Time Does Beyoncé Go On Stage For The ‘Renaissance Tour?’

Lexi Lane

Beyoncé is having a blast as she continues the North American leg of her Renaissance Tour — and so are the fans, who put on their sparkliest outfits for the shows they attend. It has been this way since the European dates, as the pop star turns the concert into an all-out celebration.

She also doesn’t have an opening act, which might have many wondering when she starts the show and what time they should be there. Thankfully, we’re here to help with the answers!

According to Setlist.FM , Beyoncé’s most recent show at Massachusetts’ Foxborough Stadium had the doors open at 5 p.m.. The concert then kicked off at 9, with her full set spanning several hours until around 11:30.

However, in other cities, she has gone on at varied times. At Detroit and the second New Jersey shows, it began at 9:30 p.m.. For the first Jersey date, she started at 9:10. This also delays the concert’s end time until closer to midnight.

Other key information is that the time that the doors open for the Renaissance Tour also vary by city. Chicago ‘s opened at 6, Louisville ‘s at 6:30. Depending on what show you’re attending, the safest bet is to verify the times with the venue to get a stronger idea.

View the rest of Beyoncé’s Renaissance Tour dates here .

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  • Everything to Know About Beyoncé’s <i>Renaissance</i> Tour

Everything to Know About Beyoncé’s Renaissance Tour

Atlantis The Royal Grand Reveal Weekend 2023 - Beyonce Performance

B eyoncé’s fans have been waiting for this day: the pop megastar finally announced that she will embark on the long-awaited Renaissance World Tour. She uploaded a post to Instagram early Wednesday morning with the caption: “RENAISSANCE WORLD TOUR 2023,” and her official website has been updated to show the tour dates. The tour starts in May in Sweden and will hit Belgium, the United Kingdom, France, Spain, Denmark, the Netherlands, and Poland, before she makes her way to North America. The first date stateside will be in Philadelphia, Pa., in July and the tour will hit the major U.S. cities before wrapping up in New Orleans, La., on Sept. 27.

View this post on Instagram A post shared by Beyoncé (@beyonce)

Following the release of her seventh album, Renaissance , in July, fans have been itching for a tour announcement, in addition to music videos to accompany the songs. Beyoncé’s last solo tour was the Formation World Tour back in 2016 to support her sixth album, Lemonade . Following that, she went on the On The Run Tour with her husband, Jay-Z, in 2018 after releasing their joint project, Everything Is Love . The announcement of a new tour just before the Grammy Awards on Sunday raises suspicion that Beyoncé might be performing or, at the very least, attending the night’s festivities.

The singer is nominated for nine Grammys at this year’s awards ceremony, which are set to take place on Feb. 5 in Los Angeles. This year, she is up against Adele for multiple awards, including Album of the Year, Song of the Year, and Record of the Year. There has been speculation about whether or not Beyoncé would be performing ever since the nominations were announced. The last time fans saw her perform on a major televised stage was at last year’s Oscars ceremony, where she performed “Be Alive” from the King Richard movie for the first time.

Read More: 6 Takeaways from Beyoncé’s New Album Renaissance

Beyoncé most recently took the stage for a private concert at the opening of the Atlantis The Royal resort in Dubai in January. However, she did not perform any songs from Renaissance . Also, given that Beyoncé unveiled the album’s title on Instagram as “act [one],” her dedicated fanbase has been busy theorizing what acts two and three might be. Some have hypothesized that the tour would be act two and then a concert movie would be act three. Others have ventured to guess that this is a three-part album and that Renaissance was just the beginning.

Tickets for the concert will not be an easy get if Taylor Swift’s Eras Tour is any indication. Beyoncé’s fans can click on the date they would like to attend to register for Ticketmaster’s Verified Fan program and will then have to wait to see if they are given an access code to purchase tickets to the event. With Verified Fan and the “unexpected” traffic the pre-sale brought to the site, many Swifties likened the ticket-buying process to a warzone. The disastrous rollout drew ire from Swift’s fans and political officials alike. After the ticketing fiasco, the Senate held a hearing to look into whether Live Nation and Ticketmaster have a monopoly over the ticketing industry. This, coupled with the technical problems that Swift fans faced, have Beyoncé fans worrying that finding their way to an actual concert will be nothing short of an ordeal.

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Beyoncé performs during the opening night of the Renaissance World Tour on 10 May at Friends Arena in Stockholm, Sweden

Beyoncé: Renaissance World Tour review – a dizzying three-hour spectacular

Friends Arena, Stockholm Queen Bey’s first solo headline tour in seven years is a lavish leap forward for live entertainment, dripping with sci-fi disco decadence, sex and Black pride

E ven without Taylor Swift’s Ticketmaster-melting Eras Tour nipping at her heels, it wouldn’t do for a star as compulsively ambitious as Beyoncé to merely protect her status as the greatest pop show on Earth. Not when her first solo headline tour since 2016 could instead push 21st-century live entertainment another lavish leap forward.

Titled after the Texan’s disco glitter bomb post-pandemic party album of the same name , Renaissance is a monster blockbuster concert experience on a different plane. Fifty-seven stadium dates globally, starting in Stockholm, are projected to gross as much as £1.9bn ($2.4bn) by the time the tour ends in New Orleans late September. Dripping with sci-fi disco decadence, sex, body positivity and feminine Black pride, the near three-hour spectacular plays out in front, behind and, at times, inside a football-pitch-wide high-definition video screen designed to assault the senses at dizzying scale.

The BeyHive, as Beyoncé’s fans collectively style themselves, are buzzing pre-show as they flood into the venue from around the world for their first chance proper to see their queen live since 2018’s On the Run II co-headliner with Mr B, Jay-Z. Dressed head to toe in official tour merch, including a cap and hoodie both emblazoned with the word “THIQUE”, Mykwain Gainey has been to 20 Beyoncé shows over the past two decades and has spent nearly £2,000 to fly here from New York. “To see her transcend, and become what she has become, especially as a Black woman, is exciting,” he enthuses.

Beyoncé in Stockholm on Wednesday. With many of the show’s 36 songs abridged, the tempo was relentless.

Brazilian Yhes Bezerra wears a spangly cowboy hat like the one sported by Beyoncé in the tour poster, except theirs is homemade; sticking on the thousands of tiny mirror panels took nine hours. They were determined to come to the opening night to avoid social media spoilers about what to expect. “I want everything to be a surprise,” Bezerra smiles.

Beyoncé appears first in a video cut scene, laid out luxuriously across the giant screen semi-naked in dimensions big enough to be visible from space. And yet, once she emerges in the flesh – all sequins, shoulder pads and that megawatt smile, drinking in the crowd’s screams – she begins disarmingly with a slew of her rawest soul songs. By the second, Flaws and All, she already appears to be fighting back tears, whether of release or gratitude or both. It’s an opening that seems designed to strip away artifice, if only to provide some sharp contrast for the heavily technologically augmented spectacle about to follow.

Harking back to early house and techno and the ecstatic utopia of the dancefloor, a segment dedicated to the Renaissance album ensues with Beyoncé done up something akin to the Maschinenmensch in Metropolis. She grinds with a dozen backing dancers to the jittery reggaeton of her boss bitch mission statement I’m That Girl, then dances with some actual robots (a pair of mechanical arms) during Cosy. Were all that not semi-hallucinogenic enough, Alien Superstar interpolates narcissistic anthem I’m Too Sexy by 90s dance-pop twosome Right Said Fred.

Beyoncé performing on Wednesday

With many of the setlist’s whopping 36 songs abridged, the tempo is relentless. Blink and you’ll miss dancers popping out of the stage like champagne corks, or Beyoncé’s powerhouse band getting wheeled into occasional view on a tall stepped riser (shades of Beychella), such as during Chic-style feelgood funk workout Cuff It. “Y’all having a good time, Stockholm?” our host inquires, wiping an imperceptible bead of sweat from her brow. “Me too.”

Black Parade finds Beyoncé cruising the stage atop what looks like a kind of lunar rover. Somewhat comically, it exits up the gusset of a pair of massive splayed legs. Later she sings Plastic Off the Sofa stretched out in a clamshell. Come Crazy in Love, the show finally gets the enormous disco ball it seems to have long craved, dangled from the rafters for only a bit longer than the time it takes for the crew to get it up there and back down.

Bass-quaking, envelope-pushing Black power anthem Formation is a powerful political statement in any setting. Performed in a kind of virtual cathedral, horny southern rap and gospel cocktail Church Girl (sample lyric: “drop it like a thottie, drop it like a thottie”) might just be intended to provoke. But by Beyoncé’s own standards, it’s hard not to read Renaissance as a show much lighter on overt socio-political messaging than it is sheer, unfettered, mildly chaotic indulgence. And who could blame her?

In a final, unsubtle, retro-futuristic fanfare, Bey summons Bianca Jagger’s iconic Studio 54 moment by gliding through the air on a glitter-encrusted white horse while Summer Renaissance – which samples Donna Summer’s I Feel Love – blares. The disco history references may or may not be landing with the mostly young BeyHive, but that’s not really the point. By rewiring dance music past in a sensory overload of truly stunning ambition and stamina, Beyoncé is writing some history of her own.

The Renaissance World Tour continues until 27 September, see https://tour.beyonce.com/ for dates

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Beyoncé’s Renaissance tour is 3 hours long with no opener. Here’s the rumored set list

Beyoncé strikes a pose in a skimpy silver outfit with her hands over her head in front of a translucent silver horse.

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OK, ladies, now let’s get information — about Beyoncé ‘s highly anticipated Renaissance tour .

Queen Bey has kept details about her first solo tour in more than six years — inspired by her seventh solo studio album — tightly under wraps since announcing the concert dates in January. But a few crumbs have emerged ahead of the musician’s first Renaissance shows in Stockholm.

The “Break My Soul” hitmaker is set to perform Wednesday and Thursday night at Stockholm’s Friends Arena, which states on its website that the concert is expected to last three hours with no opening act. Concertgoers are advised to take their seats at least 30 minutes before the show, which is scheduled to begin promptly at 8 p.m. and end at 11.

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A set list for the tour has yet to be verified. However, fans, blogs and news outlets have shared lists of songs rumored to be included in the show. Fans in Stockholm have reported hearing the Grammy winner rehearsing the following numbers at the Friends Arena in preparation for opening night:

  • “Love on Top ”
  • “Crazy in Love ”
  • “Plastic Off the Sofa”
  • “Virgo’s Groove ”
  • “Naughty Girl”
  • “Get Bodied”

Beyoncé strikes a pose in a silver outfit with her hands over her head in front of a translucent silver horse

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Other fans have shared a photo of what appears to be a version of a set list from what they claim is the official Renaissance tour book. Based on that picture, the following songs could also be on the set list:

  • “Brown Skin Girl”
  • “I’m That Girl”
  • “Alien Superstar”
  • “Break My Soul”
  • “Savage (Remix)”
  • “Formation”
  • “Run the World (Girls)”
  • “Black Parade”
  • “Church Girl”
  • “Before I Let Go”
  • “Bow Down/I Been On”
  • “All Up in Your Mind”
  • “Drunk in Love”

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None of these alleged set lists or rehearsal reports has been verified, so the Bey Hive will probably have to wait a few more hours to find out what the singer is really performing.

When Beyoncé announced her Renaissance tour earlier this year, concert promoter Live Nation reported that demand for tickets “drastically” exceeded supply, an early indication that many would get shut out of Ticketmaster’s infamous Verified Fan pre-sale.

According to Beyoncé’s website, the majority of the concerts are sold out, prompting some people to go to extreme lengths — such as traveling from the Americas to Europe — to see the performer live. One fan based in Brazil recently told the New York Times that she purchased tickets to see Beyoncé in Germany, while another from Los Angeles said she was attending a show in Poland.

The Renaissance tour dates span Europe, the United Kingdom, Canada and the United States, including three shows in California. Beyoncé is slated to play Levi’s Stadium in Santa Clara (Aug. 30) and SoFi Stadium in Inglewood (Sept. 1, 2 and 4).

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Christi Carras reports on the entertainment industry for the Los Angeles Times. She previously covered entertainment news for The Times after graduating from UCLA and working at Variety, the Hollywood Reporter and CNN Newsource.

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Beyoncé Renaissance tour 2023 setlist: Full list of all songs in her nearly 3-hour show

beyonce tour concert length

The Bey-aissance has arrived.

After more than two months of traversing Europe with her six-part, nearly three-hour show, Beyoncé has landed in the U.S. with the Renaissance World Tour .

Five-plus years since she last graced a concert stage, Beyoncé played for more than 1 million fans on her opening run overseas and will perform 23 stadium shows in the U.S., which started July 12 in Philadelphia.

Her setlist of nearly three dozen songs leans heavily on her current "Renaissance" album , but there are plenty of throwbacks, with "Crazy in Love," "Love on Top" and "Formation" joining new tracks including "Plastic Off the Sofa," "Cozy" and "Break My Soul."

Here’s a look at what fans can expect when Beyoncé's Renaissance hits their city.

Beyoncé Renaissance Tour setlist

OPENING ACT

  • "Dangerously in Love 2"

2. "Flaws and All"

4. "I’m Goin' Down" (Mary J. Blige cover)

5. "I Care"

RENAISSANCE

6. "I’m That Girl"

8. "Alien Superstar"

9. "Lift Off"

MOTHERBOARD

10. "Cuff It"

11. "Energy"

12. "Break My Soul"

13. "Formation"

15. "Run the World (Girls)"

16. "My Power"

17. "Black Parade"

18. "Savage (Remix)"

19. "Partition"

20. "Church Girl"

21. "Get Me Bodied"

22. "Before I Let Go"

23. "Rather Die Young"

24. "Love on Top"

25. "Crazy in Love"

ANOINTED – PART 2

26. "Plastic Off the Sofa"

27. "Virgo’s Groove"

28. "Naughty Girl"

30. "Heated"

31. "Thique"

32. "All Up In Your Mind"

33. "Drunk in Love"

MIND CONTROL

34. "America Has a Problem"

35. "Pure/Honey"

36. "Summer Renaissance"

For the Bey-hive

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I went to beyoncé’s renaissance tour & here’s everything you need to know, prepare for a marathon, not a sprint.

View this post on Instagram A post shared by Beyoncé (@beyonce)

What to wear? Dress comfortably but on theme

beyonce tour concert length

What’s going on with Club Renaissance? 

beyonce tour concert length

We may not have the visuals, but get ready for a visual feast

View this post on Instagram A post shared by Beyoncé Fan Account (@rumiyonce)

Celebrate Beyoncé 's entire career

beyonce tour concert length

Forget the spoilers & expect the unexpected

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Beyoncé Regally Resets Her Renaissance World Tour With a U.S. Premiere in Philadelphia: Concert Review

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July 12, 2023 - Philadelphia, PA. - Lincoln financial field. Beyoncé rocked Lincoln Financial Field in the US opener of her RENAISSANCE WORLD TOUR, before a lively capacity crowd. The tour continues in Nashville on Saturday, July 15. Beyoncé opens her RENAISSANCE WORlD TOUR first US stop in Philadelphia tonight in a look by Givenchy, styled by Shiona Turini. Jewelry by Tiffany & Co. Hair by Neal Farinah and Makeup by Rokael Lizama. Photographer: Julian Dakdouk --- RIGHTS GRANTED FOR USE OF THIS PHOTO IN CONJUNCTION WITH COVERAGE OF THE RENAISSANCE WORLD TOUR. NO OTHER USE OF THIS PHOTO IS APPROVED.

From a private show in Dubai and its official opening in Stockholm to its Canadian dates last week, most of the globe has gotten at least a glimpse, from afar, of Beyoncé on the Renaissance World Tour — her first in nearly five years. Last night, the United States got its first in-person peek at the vibrancy of Club Renaissance with an opening show at Philadelphia’s Lincoln Financial Center.

Four words immediately come to mind in trying to do justice to the show: Daring. Elastic. Silvery. Very .

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After the balladry of segment one’s “Opening Act” (the show is broken into six segments), the mood shifted and Beyoncé and company were ready to party, albeit robotically. Removing herself from “Metropolis”-inspired, metallic fem-bot gear, the vocalist jaggedly cut through fresh robo-R&B versions of “Renaissance” material such as “I’m That Girl,” “Cozy” and “Alien Superstar.” By doing so – and with adventurous choreography utilizing mechanical framing to mirror the songs’ lyrics – Beyoncé recontextualized her most recent album as something stranger, freer and more audacious in its live setting than in its studio renditions. For good measure, Bey also threw in elements of the odd-hop “Apeshit” from her Carters album with husband Jay-Z, and a stretch of Hova’s “Lift Off” cut with Kanye West.

Listening for what Beyoncé laced into each song and interpolated throughout each track became something of a spectator sport during this “Motherboard” segment. The brassy, hand-clapped disco of “Cuff It” mixed into thumpers such as “Energy” and “Break My Soul,” interspersing crowd-thrilling covers such as Teena Marie’s “Ooh La La,” the Jacksons’ “Shake Your Body,” Robin S’s “Show Me Love” and – for real pop-house punctuation – Madonna’s “Vogue.”

That segment’s rough feel made the next shift, “Anointed,” all the nicer. Starting off with a processional coat of many colors, this segment found her in peak vocal form, and her band at its most fluidly musical. The slow-to-fast gospel pop of “Church Girl,” the cosmopolitan quiet storm of “Rather Die Young” (you could hear her heart breaking when she sang “Boy, you’ll be the death of me”), the ever-ascending “Love on Top” (with its hat tipped to “I Want You Back” from the Jackson 5) — perfection. When Bey sang elastically through an insistent, aggressive “Crazy in Love,” with its catwalk choreography, it was the tart cherry on an already delicious sundae. When an oversized disco ball moved through mid-air for the creamy, drifting balladry of “Plastic Off the Sofa” and an overheated, swirlingly romantic mash-up of “Virgo’s Groove” and “Naughty Girl” (the latter with a caramelly chunk of “Say My Name” at its center), Beyoncé readied her crowd for an old school, tickling house music finale. With the star dressed in bee-bug yellow-and-black gear for this last “Mind Control” segment, the party rolled on hard with spare, bone-rattling percussion and bitchy swagger (“I’m just as petty as you are,” she roared during “Heated”), some Kraftwerk-ian soul (on the rough-edged “America Has a Problem”) and her lowest-voiced sing-speak (“Pure/Honey”). This transpired before yet another costume change (yes, a shiny silvery one) and her mount atop an arena-traveling flying horse for the syncopated, heavenly Giorgio Moroder epiphany of “Summer Renaissance.”

Two and a half hours after its start, Beyoncé turned off the strobe lights on Club Renaissance, and the party that started off with surprise tenderness and welcome poignancy ended with a loud and lovely bang of glorious disco communion.

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Beyoncé Rides Her Bedazzled Horse Into Canada for Triumphant Tour Kickoff

By Richard Trapunski

Richard Trapunski

The North American leg of Beyoncé ’s Renaissance tour was already a hit before she ever stepped foot onstage at the Rogers Centre. 

Saturday was the first of two consecutive nights at the Toronto stadium, but the buzz was growing Wednesday with the opening of a pop-up shop selling exclusive tour merch at luxury retailer Holt Renfrew. By the weekend, bars, clubs and tourist attractions were filled with superfans who had traveled from all over America to catch the concert — drawn as much by the prospect of seeing an early tour date as by the lower ticket prices afforded by the relatively weaker Canadian dollar. 

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The response was deafening, but it was a relatively quiet start. Rather than the celebratory house anthems that were to come, she started by showing off her legendary pipes with a mini-set of ballads that started with “Dangerously in Love,” a Destiny’s Child song that later became the title of her debut solo album. She pulled the classic lie-down-on-the-piano move and hit Minnie Ripperton-style high notes in “1+1” and even cracked a slight unrehearsed smile by the audience’s full-blast singalong for “I Care.” If that suggested this would be a career-spanning set, though, it wasn’t. This was a fully-composed two-and-a-half-hour concert experience centered mostly around one album — an unabashedly celebratory, unabashedly queer ode to Black LGBTQ music and culture.

Blue Ivy Carter Is Lioness Kiara in New 'Mufasa: The Lion King' Trailer

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It wasn’t the always-in-motion marathon fans are sometimes used to from the singer (who’s been performing since she was 15), but it was perhaps her most spectacular. Her singers, dancers, and horn-inflected band all got their moments to shine. Her costumes were immaculate, from disco-inspired gowns to nude leotards with built-in-hands covering her private parts and built-in red nails. “It should cost a billion to look this good,” she sang on “Honey,” and it felt like it actually might have. 

That song segued into a snippet of the Jackson Five’s “I Want You Back,” one of many snippets of other artists’ songs that she nodded to throughout the set — from Diana Ross to Lauryn Hill to Kendrick Lamar to her own girl group history in Destiny’s Child. That became even more overt on the Queens remix of “Break My Soul” which shouts-out everyone from Nina Simone to Jill Scott to Grace Jones. It also interpolates Madonna’s “Vogue,” which brought the queer underground ballroom subculture to the mainstream. Beyoncé’s dancers included current ballroom heavyweights Honey Balenciaga and Carlos Basquiat, and they got a chance to shine alongside twerkers and other dance styles towards the end of the show. Subtly or not so subtly, Beyoncé paid reference to the music history that made her, from disco to R&B, soul, Motown, hip-hop and house, then filtered it back through her own lens. Whether or not you saw it coming, it felt big. 

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It’s also a world created by the pandemic and inflated ticket prices, with many fans only able to experience big arena shows like this vicariously. (The other current global blockbuster tour, Taylor Swift’s Eras Tour, isn’t even coming to Canada, which caused talk in parliament and an embarrassing tweet from Prime Minister Justin Trudeau asking her to come. But this blockbuster night more than made up for it.) Just as Beyoncé has blended her persona and music, she’s now obscuring the physical parameters of live performance. 

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Taylor Swift’s “Eras” Tour vs. Beyoncé’s “Renaissance” Tour, in Charts

Which singer boasts the longest set list the most costume changes the most horses on stage.

Everyone is talking about the biggest movie battle of the year , but no one is talking about this summer’s other, equally important double feature: Taylor Swift’s Ticketmaster-crashing “Eras” tour vs. Beyoncé’s record-breaking “Renaissance” tour. Now, here at Slate we’re not in the habit of pitting women against each other. But we are interested in celebrating the massive achievements of two of our most influential entertainers. In order to do that, it’s helpful to know just how massive these achievements are, especially when the two tours are projected to become the highest grossing of all time. And maybe you, like many unlucky others who couldn’t snag a coveted ticket to one or both, are wondering how they measure up to each other. We are on the case.

With the recent announcement of an additional extension, Taylor Swift’s “Eras” tour will wind up lasting for a year and a half, with her first date having occurred in March 2023 and her last (for now, at least) set for November 2024. Beyoncé, on the other hand, doesn’t have time for all that! In addition to being a superstar, she’s also a mother! Her “Renaissance” tour will run from May to October , barring any extensions.

While individual concerts on each tour vary in length, Swift’s career-spanning run-through generally clocks in at over three hours , sometimes as long as 3 hours and 30 minutes . Overall, Setlist.fm estimates that the average show length on the “Eras” tour is 3 hours, 23 minutes . Meanwhile Beyoncé’s traveling ballroom is more unpredictable—sometimes over three hours , sometimes closer to two and a half , with Setlist.fm estimating that the average performance is 2 hours, 29 minutes .

Swift takes the lead here with an average set list of 46 songs (including the two “surprise songs” that change each show), which makes sense considering her tour is a celebration of her entire career thus far. Whereas Beyoncé’s is a celebration of something else entirely .

This is for all the Swifties out there wondering how much play time each era gets in her setlist (excluding special songs). #JusticeForSpeakNow!

The three unreleased covers specified here include two sung by Beyoncé: Rose Royce’s “I’m Going Down” (popularized by Mary J. Blige) and a tribute to the late, great Tina Turner with “ River Deep–Mountain High .” The third cover is from Beyoncé’s backup singers, who offer a beautiful rendition of Diana Ross’ “Love Hangover.” Beyoncé also performs her version of “Before I Let Go,” by Maze, but we categorized that with  Homecoming: The Live Album , since that’s where her version was first released.

Though the numbers have changed over time, Taylor Swift goes through about 16 different costumes per show, most of which echo her iconic looks from each respective “era” she reprises. Beyoncé completes about half the amount of quick-changes, instead segmenting her show with visual interludes that allow her to sport around nine different costumes .

Swift may don more outfits per night than Beyoncé, but when it comes to switching looks, overall, it’s Queen Bey who takes the crown. Swift has worn approximately 44 costumes throughout her entire tour—though, I must say, many sources count a simple exchange of kitschy jackets as a whole new outfit, which is a debatable inclusion. By comparison, Beyoncé has worn nothing but the fashions of today’s top designers (including her own Ivy Park line), which she refreshes at nearly every stop on her tour. Her stylist, Shiona Turini, posted on Aug. 28 that after 42 shows in 12 countries, Bey officially wore her 100 th look (a black Loewe dress with a metallic bodice).

At Swift’s Aug. 9 show in Los Angeles, the crowd of 70,000 delivered an impressive eight-minute ovation following her performance of “Champagne Problems,” the extended applause for which has become something of a nightly showstopping ritual . On the other hand, Bey’s production doesn’t allow much time for cheering. But the loudest and longest cheers that have taken place have definitely been for her daughter, Blue Ivy , who often dances during the songs “My Power” and “Black Parade.”

At the end of her show, Beyoncé flies around the stadium on a gigantic silver horse , a reference to her Renaissance album cover . Unsurprisingly, Swift’s show features no equivalent.

Beyoncé’s 23 dancers include the famous duo Les Twins and an official dance credit for Blue Ivy, while Swift boasts a comparatively modest 16 dancers .

After all is said and done, the “Eras” tour will have hosted 10 opening acts , from established groups like Paramore and Haim to up-and-coming indie darlings like Beabadoobee and Girl in Red. In contrast, Beyoncé is her own opening act. [ Update, Sept. 5:  While Beyoncé has not had official openers, she has invited the occasional DJ to curate an opening set, including the musician Arca in June for her Barcelona show. For two of Beyoncé’s Los Angeles concerts at the beginning of September, which celebrated the singer’s Sept. 4 birthday, DJ Khaled filled that slot, bringing out 11 other hip-hop artists: 2 Chainz, Wiz Khalifa, Offset, Coi Leray, Roddy Ricch, Lil Wayne, YG, Big Sean, Doechii, O.T. Genasis, and Lil Durk. For the third L.A. performance, taking place on Beyoncé’s actual birthday, she was serenaded by Diana Ross, who sang “Happy Birthday,” and joined by Kendrick Lamar to perform their remix of “America Has a Problem.”]

Swift, very much in the spirit of celebrating other artists and turning her tour into a party, has had five special guests perform with her so far, including frequent collaborator Aaron Dessner of the National and rapper Ice Spice. The number jumps to eight if we’re including her opening acts joining her on stage for a song or two, though that’s less of a surprise. Beyoncé’s show is a tad more structured, and because of that, the only consistent “special” guest she’s brought on stage is her daughter. As of this writing on Sept. 1, the other special guest Beyoncé has featured was another dancer, voguer ChaCha Balenciaga, who performed in Washington, D.C., during the show’s mini ball section .

No tour, no matter how meticulously planned, can go off without a hitch. And it’s safe to say that’s no different for our reigning divas. From our research, we were able to find seven mishaps during Swift’s tour (that were no fault of her own): like when her trap door didn’t open on time , or her mic stopped working , or she swallowed a bug . Meanwhile, Ms. Carter had to work some stage direction into her song when her crew forgot to turn her fan on. There was also that time the aforementioned giant flying horse malfunctioned, which visibly annoyed the perfectionist . Nobody’s perfect, but even with equestrian blunders, some of us still come closer than others.

Update, Sept. 7, 2023: This article was updated to clarify that Beyoncé’s version of “Before I Let Go” is both a cover and a song that she previously performed on  Homecoming: The Live Album .

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How Far Would You Travel to See Beyoncé?

Members of the BeyHive are going to extraordinary lengths — some of them trans-Atlantic — to ensure they don’t miss the superstar on her coming world tour.

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Beyoncé, wearing a sparkling silver and pink body suit, is surrounded onstage by dancers in glittery purple tops and red pants.

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How far would you go to see the winningest artist in Grammy history? Is it more or less than 5,800 miles?

For Janny Nascimento, a 29-year-old English teacher in Brazil, missing Beyoncé’s Renaissance World Tour — the singer’s first solo tour since 2016 — was not an option. So she plunked down 850 euros, or about $900, for a pair of tickets to see her favorite artist on June 24 in Frankfurt, Germany.

“I would do it again if I had to because this is the dream come true,” Ms. Nascimento said from her apartment in Campos dos Goytacazes, a town four hours northeast of Rio de Janeiro. Though she has never before traveled outside Brazil, “now I’m going through two continents to a place that I have never been to, a country where I don’t even speak the language,” she said.

The announcement of the tour on Instagram last week immediately touched off a frenzy for tickets, with fans losing their minds with presale (and resale) anxieties. Chances to snag tickets before they went on sale to the general public were offered to members of Beyoncé’s official fan club and holders of certain credit cards through exclusive presale drops.

But early in the registration process, Ticketmaster issued an ominous warning that “demand already exceeds the number of tickets available by more than 800 percent” in several cities, prompting some worried fans to consider an unlikely option: If I’m determined not to miss this tour, is it possible that the rational thing to do is cross an ocean for a concert?

Bre Harper, 27, a creative partnerships manager at Spotify who lives in Los Angeles, realized her chances of getting tickets to a North American stop on the tour were slim to none.

“I, with the rest of the internet, went on Ticketmaster, where you have to be verified as a fan,” Ms. Harper said, referring to restrictions on sales for U.S. tour dates .

“I did not make a Verified Fan account with Ticketmaster,” she added. “I just have a regular account. I didn’t feel like fiddling with the whole Verified Fan thing.”

While scrolling on TikTok, Ms. Harper learned that she did not have to be verified to buy tickets to the European leg of the tour. She also noticed that tickets for European dates were often hundreds of dollars cheaper than comparable tickets in the United States, she said. When she asked her boyfriend if he would be willing to travel with her, he said yes.

The only European city she could find with tickets available in the “Club Renaissance” standing section was Warsaw, Poland. Ms. Harper, who said she believed the 40-city tour could be the artist’s last, bought a pair of $475 tickets as quickly as she could.

“She now has a life, a family,” Ms. Harper said. “I think this is going to be her last hurrah and I didn’t want to miss it.”

Tickets to the tour, which is in support of Beyoncé’s seventh solo studio album, “Renaissance,” went on sale to members of the BeyHive fan club on Monday. Ticketmaster’s decision to require Verified Fan registration reflects one of the company’s most muscular attempts yet to thwart bots and stop scalpers from buying tickets and reselling them at absurd markups.

Late last year, Ticketmaster was forced to cancel a planned general release of tickets to Taylor Swift’s Eras Tour after an overheated presale period ended in chaos. Ms. Swift’s fans complained that tickets were being sold at preposterous markups of up to tens of thousands of dollars on sites like StubHub.

The Justice Department has opened an antitrust investigation into Live Nation Entertainment , which owns Ticketmaster. Last month, during a nearly three-hour Senate Judiciary Committee hearing, politicians painted the concert giant as a monopoly that hinders competition and harms consumers. Shortly after the announcement of the Renaissance World Tour, the Senate Judiciary Committee issued an ominous warning to Ticketmaster on Twitter .

Ticketmaster, whose parent company’s president has acknowledged problems with the presale for Ms. Swift’s tour, did not immediately respond to questions on Friday.

The tour is scheduled to begin on May 10 in Stockholm, cutting a path across Europe through June before heading to North America in July.

Ms. Harper, a self-described military brat, said she had traveled through Europe extensively, but she had never been to Poland.

“It’s not that frightening to me,” Ms. Harper said. “You only live once — let’s go!”

Ms. Harper, who posted on Twitter about acquiring her tickets, said that, as a Black woman, she was nervous about only one thing.

“I had a lot of people comment or quote my tweet and tell me that there are some racial issues in Poland currently,” she said. “That’s probably the only thing that I’m just a tad bit nervous about.”

“But the BeyHive is so supportive,” she added, referring to the superstar’s legion of fans. “There are so many folks that are in my DMs saying that they live or they have relatives in Poland. They are already offering to help me with places to go, eat, and how to navigate the metro.”

After she missed an opportunity to see Beyoncé in Rio de Janeiro in 2013, Ms. Nascimento was resolved not to let another chance go by. Although she doesn’t have a passport yet, she has already taken a photo for it.

“I’m still struggling, looking at the credit card receipt,” Ms. Nascimento said. “I would do it again if I had to,” she added wistfully.

“This is inspired by the album,” Ms. Nascimento said, her pink box braids pulled away from her face. “When ‘Break My Soul’ came out, I was in a very dark place in my life,” she said, “and it was like Beyoncé wrote this thinking about me.”

“She knows that I’m struggling, she knows what’s going on,” Ms. Nascimento added. “She was like, release your job, release your mind, you know, let down your hair.”

Audio produced bt Tally Abecassis .

Beyoncé was 'mom first' alongside daughter Blue Ivy in 'Mufasa,' director says

Barry Jenkins said working with the mother-daughter duo was "really special."

Beyoncé was a "mom first" alongside her daughter Blue Ivy in "Mufasa: The Lion King," according to director Barry Jenkins, whose forthcoming prequel debuted its first trailer on "Good Morning America" today.

Jenkins spoke to "GMA" about working with Beyoncé, reprising her role as Nala from the 2019 live-action "Lion King" adaptation and her daughter Blue Ivy Carter , who is taking on the role of Kiara, the daughter of King Simba and Queen Nala.

MORE: 'Mufasa: The Lion King' trailer debuts exclusively on 'GMA': Watch here

"Beyoncé is this larger-than-life figure, but when she's working with her daughter, when she's in the room with her daughter, she's a mom first," said Jenkins. "So much of that energy bled into the film."

Jenkins said the real-life relationship between Beyonce and her daughter made the role a natural fit for the film.

PHOTO: Blue Ive Carter and Beyonce perform onstage during the "RENAISSANCE WORLD TOUR" at Mercedes-Benz Stadium on Aug. 11, 2023 in Atlanta.

"I think for them, too, they just approached it that they both wanted to perform and do the best they could. And yet, they didn't have to pretend very much because they really are mother and daughter."

Jenkins said working with the mother-daughter duo was "really special."

"I was so glad that both Beyoncé and Blue Ivy were down to do it, and watching them work together was just really special," said the "Moonlight" director.

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Jenkins also spoke highly of Blue Ivy’s work ethic, calling the 12-year-old a "professional."

He said he heard her narration on the audiobook version of "Hair Love" and was confident that she would fit the "Mufasa" role.

"I could just hear that Blue could do it, that she could play this character, Kiara," Jenkins said.

As part of the "Mufasa" trailer debut, "GMA" also revealed the cast and that the film, out Dec. 20, features original songs by Lin-Manuel Miranda, with additional music and performances by Lebo M.

PHOTO: The official poster for Disney's "MUFASA: THE LION KING."

Aaron Pierre takes on the titular role of Mufasa and is joined by Kelvin Harrison Jr. as Taka, a lion prince with a bright future who accepts Mufasa into his family as a brother; Tiffany Boone as Sarabi; and Mads Mikkelsen as Kiros, a formidable lion with big plans for his pride.

John Kani (Rafiki), Seth Rogen (Pumbaa), Billy Eichner (Timon) and Donald Glover (Simba) join Beyoncé in reprising their roles from the 2019 live action "Lion King" remake.

MORE: Beyoncé's 'Cowboy Carter' highlights challenges for Black artists in country industry

"The Lion King," released in 1994 and directed by Roger Allers and Rob Minkoff, is one of Disney's most iconic animated films. It won two Oscars and spawned two direct-to-video sequels as well as a Broadway musical adaption still going strong today. The 2019 live-action remake was directed by Jon Favreau.

"The Lion King," both the 1994 and 2019 versions, are currently available to stream on Disney+.

Disney is the parent company of ABC News and "Good Morning America."

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Maroon 5  

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Maroon 5 is one of the best-known pop rock bands out there. Its musical style vacillates between pop and pop rock with some indie rock and funk influences. The group has also experimented with new wave and disco sounds on several albums.

The band’s general tone and style shifts from one album to the next. Songs from Songs About Jane concentrated on frontman and vocalist Adam Levine’s former girlfriend. The material from It Won’t Be Soon Before Long is less personal and has a more electric sound with an overall synthesized, retro feel. With Hands All Over, the band returned to the theme of lost love from its first album. Regardless of the style it’s drawing on, Maroon 5’s knack for churning out catchy, jammable pop hits keeps it at the top of charts year after year.

The band is largely responsible for its own songwriting, with most of its most popular songs being written by various band members or in collaborative efforts among the members. Michael Jackson, The Police, Stevie Wonder, the Bee Gees, The Beatles, Tonic, Marvin Gaye, and Prince are all cited as significant influences on the band’s sound. Levine personally cites Billy Joel as a major influence, and guitarist James Valentine cites Queens of the Stone Age as his biggest influence.

Formed by high school friends Adam Levine, Jesse Carmichael, Mickey Madden and Ryan Dusick in Los Angeles, California in 1994, the band originally played under the name Kara’s Flowers. It changed its name to Maroon 5 after its musical direction matured while each member attended college and it added guitarist James Valentine.

The new urban edge and pop-soul sound their time at college had lent to the band’s music proved successful, and its 2002 debut album Songs About Jane sold 5 million albums in the US. Singles “Harder to Breathe” and “She Will Be Loved” quickly propelled the band to mega-stardom.

The success of Maroon 5’s debut album in 2002 caught the attention of John Mayer, The Rolling Stones, Sugar Ray, Gavin DeGraw, The Hives, and a number of other top performers, all of whom Maroon 5 has toured alongside. While three years of constant touring did wonders for the band’s popularity and fan base, it took its toll on drummer Ryan Dusick, who was forced to leave the band in 2006 due to an injury.

With Dusick replaced by Matt Flynn, the band soon released its 2007 album It Won’t Be Soon Before Long, which broke iTunes records by selling over 101,000 albums within the first week of its release. The single “Makes Me Wonder,” a sexy departure from the band’s sweeter tracks on Songs About Jane, took the US by storm, hitting the number one spot on the Billboard charts.

The band’s following albums, Hands All Over (2012) and Overexposed (2012), both performed similarly, with each hitting either the number one or number two spot in the US album chart. The band’s most successful single, though, is the 2011 megahit “Moves Like Jagger,” which featured Christina Aguilera and sold a staggering 15 million copies, making it one of the best-selling singles of all time.

Carmichael left the group in 2012 before rejoining it again in 2014. The same year, the band signed a new recording contract with Interscope Records and Adam Levine’s vanity label 222 Records. The band returned to the studio to record its fifth album, V, which reached number one on the Billboard 200. The single “Sugar” from the album quickly climbed to number two on the Hot 100 chart. The song was immensely popular and was featured in several commercials.

2014 marked one of the most successful and active phases of the band’s career to date. Maroon 5 was highly visible on the music scene that year, performing at several large-scale events and festivals. Early in the year, Maroon 5 was part of the 2014 iTunes Festival at the Roundhouse in London, England. Later that year, the group performed at the iHeartRadio Jingle Ball Tour.

Chasing the success of V, the group released its sixth album, Red Pill Blues, in 2017. The successful single “Girls Like You” skyrocketed to the number one position on the Hot 100 chart.

With the addition of Sam Farrar on bass in 2020, the band’s lineup jumped to seven total members: Adam Levine (lead vocals), Jesse Carmichael (keyboards, lead and rhythm guitar), James Valentine (lead and rhythm guitar), Matt Flynn (drums), PJ Morton (keyboards, backing vocals), and Sam Farrar (bass).

In June 2021, the band’s seventh album, Jordi, was released to mixed critical reviews. Despite the lukewarm critical reception, the album was a commercial success and sold well. The highly popular singles “Memories,” “Beautiful Mistakes” and “Nobody’s Love” featuring Megan Thee Stallion appeared on the album.

Maroon 5 is the recipient of numerous music industry awards and honors. To date, the band has won three Grammy Awards, three American Music Awards, three People’s Choice Awards, and eight Billboard Music Awards.

Maroon 5 embarked on the Maroon 5 World Tour in 2022, and the North American leg of the tour will begin in 2023. Stay tuned to find out when you can catch it live!

Live reviews

Sometimes when you hear a band that you love perform live for the first time, you're a bit disappointed because they do not sound as great as they do in the recordings. Well, that is NOT the case with Maroon 5, what you hear on recording is what you get live.

Adam Levine has an amazing voice. He is super talented, and they made no mistake when they decided to make him a judge on the show, The Voice. I could watch him perform live with his band all day. Some of my very favorite songs by Maroon 5 are their old ones such as “Never Gonna Leave This Bed”, “Harder To Breathe”, and “Misery” but when they start singing “Payphone”, I go crazy. I absolutely love this song performed live!

Perhaps the best song to see them perform live is “Moves Like Jagger”. It makes you move when you hear it on the radio, but when you hear it live, you're dancing non stop. Maroon 5 concerts are mostly upbeat and fun, but there are times when it slows down and they perform those songs that make you want to call your ex. The atmosphere to their concerts is just right. Chill at times, but also upbeat and loud.

Put Maroon 5 on your list of bands to see live because you will not be disappointed.

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Maroon 5 have been constant and consistent in the charts over their long career which now spans almost fifteen years. The band, fronted by Adam Levine has come along way since the immediate success with 'Songs For Jane'. Now working on their sixth album, they obtain a consistency within their live show to match.

Armed with a plethora of hits, the band tear into 'One More Night' from the 2012 album 'Overexposed'. The audience singalong as Levine confidently struts around the stage commanding his loyal followers. A good mixture of material old and new make for a solid setlist where the band are able to show consistency through their recordings as the likes of 'Sunday Morning' and 'Maps' sit well together and achieve an equally positive reaction.

A real track of the 00's, 'She Will Be Loved' makes for perhaps the largest singalong of the evening as the crowd proudly attempt the high, long notes in the same way Adam does during the chorus. Evidently hitting their stride with latest album 'V', Maroon 5 impress crowds by remaining as relevant now as they were during their incarnation back in 2002.

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This is my second show in the last 2 years and neither time was I disappointed in the least. This time I was fortunate enough to have the money I saved to purchase pretty good seats. I am now spoiled and can no longer sit in the stands. I am already saving my money for the next US tour in hopes to be even closer next show. No matter where your seats though....Adam is all over the stage in high energy, which is very infectious!! Anyone who did not enjoy that show, must not have been paying attention. They sounded awesome live...awesome!! Adam made the audience feel as though they were part of the show and VERY, VERY much appreciated! The lights were perfect, the set list was awesome as well. They played much longer than most people expected and the encore was just as great as the rest of the show, maybe even better. Maybe that is because I am partial to "Moves Like Jagger" and there it was....This was worth every dollar I paid, which was way more than I would pay to see anyone but maroon 5!! If you get a chance to see them sometime....make it a point....you will fall in love!!

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IT WAS SOOOOOO AMAZING. they played all the songs i grew up listening to so all the memories just came flooding in and it was simply the best experience EVERR! seeing my favs live in concert was so LIT. What Lovers Do, Payphone, Maps, Cold, Sugar, Sunday Morning, Wait, Girls Like You, This Love AND MOVES LIKE JAGGER WOOO these are all my favourites and they played all of them AND MORE!!! i can’t barely describe how amazing this experience was. i was a bit upset that they didn’t perform an encore and some songs from the album that i really thought would be played like Help Me Out and Whiskey. from what my sister told me, Maroon 5 performed an encore last time round so i was quite let down when the concert ended without an one this time. nevertheless, it was a still a fantastic performance and i really hope to see them again soon!!!

jeselle-maegan-somas’s profile image

No food allowed into the event, and the only food available from vendors was junk food (3-4 different pizza vendors, 2-3 sub vendors), not 1 single option for those wishing to eat healthy (not even a freaking salad was available anywhere).

Paid over $300 for "zone 1 seating", which was PACKED and there really was no "seating" as it was on the beach and turned into a free for all battle for a spot.

Lines into and out of "seating zones" were HORRIBLE throughout the ENTIRE event! The shitty food vendors were located past "zone 3" which meant that getting a bite to eat was about an hour process for those of us in zone 1!

Absolutely the last time I'm ever attending a concert at this venue!

As for the show itself, Maroon V was good, but for some reason decided to only play 3-4 songs from their new album.. Go figure.

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I've been waiting to see Maroon 5 for 6 years and I'm so glad I finally did it.

I love that they didn't lose the essence of them as a pop rock band and a as a collective of musicians rather than just Adam Levine, especially since that's what it seems like in recent albums V and Red Pill Blues.

They started the show with videos and interacted a lot with the audience which made it a memorable show!

That said, Adam Levines voice was a little off... most of the time. He can't hit high notes and instead of really singing the lyrics sometimes it seemed like he was talking.

Still enjoyed the solos and appreciate that they played more "rock" songs like Harder To Breathe as well as their very recent pop music.

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The band was really good at times, but Adam Levine did not seem to be at his best. Entire show including encore was 1:20. No real effects, which is ok, if the music is great, but no one was super impressed with the performance. Maybe an off day. If you are thinking about getting the VIP package- DON'T! Complete rip off and Maroon 5 and VIP Nations EU should be ashamed. Grocery bag with Maroon 5 on it, a lanyard, a silk screen pillow (seriously), and cheap sunglasses. No band photos, certainly no pictures with you and the band, no autographed anything. Complete and utter SH*T for your extra money. They also made us wait outside for 35 minutes, 28 degree heat, beyond their published entrance opening, no apology. Awful!

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AMC makes big distribution moves after Taylor Swift, Beyoncé wins

After the successes of Taylor Swift : The Eras Tour and Renaissance: A Film by Beyoncé , AMC Theatres is making a bold decision.

Variety is reporting that the theater chain is going to further get into the distribution game. The chain has seen success as a distributor thanks to the aforementioned concert films. They appear to believe there’s even more room to grow.

They are expanding their team as they have hired Stephanie Terifay as the VP of Distribution. She previously worked with Fandango as a part of their integrated marketing team.

Additionally, AMC Theatres has promoted Kevin Arnold to VP of programming promotions and partnerships. This move was made effective immediately. Arnold has been with the company since 2011 and has continuously climbed the ladder. His role will now oversee “promotional strategies that aim to drive moviegoer engagement and increase ticket sales,” per Variety’s report.

“The remarkable success of AMC Theatres Distribution last fall opened an exciting  new business for AMC, and we are thrilled to have Stephanie Terifay’s expertise and enthusiasm build upon the brilliant leadership of Nikkole Denson-Randolph,” AMC’s chief content officer Elizabeth Frank said. “Through the addition of Stephania and the much-deserved elevation of Kevin Arnold, AMC Theatres Distribution is well positioned to continue to deliver exciting and compelling content to moviegoers at AMC and across the industry domestically and internationally.”

 AMC’s success with Taylor Swift, Beyoncé

In the fall, AMC had huge hits including Taylor Swift: The Eras Tour and Renaissance: A Film by Beyoncé. The concert films proved to be moneymakers, as the former film made over $260 million, the most ever by a concert film, and the latter made $43 million.

Both Swift and Beyoncè made unique moves. They went directly to the theater chain to distribute their films, forgoing a traditional studio to distribute the film. The bets clearly paid off, and it makes sense that AMC wants to capitalize on concert films’ popularity.

Sure, Swift’s film benefited from the “Eras” tour being the biggest of 2023. The tour is still going on, with Swift gearing up for a European leg ahead of her return to the United States.

There are plenty of other artists who will likely see the model Swift and Beyoncé took and attempt to find similar success.

The moves made by AMC are also unlikely to be exclusive to concert films. Don’t forget, AMC also distributed Kiss the Future. The documentary chronicled U2’s “Popmart” tour concert in Sarajevo in 1997. With names like Matt Damon and Ben Affleck backing it, it was a no-brainer for the theater chain to pick it up.

Perhaps independent films will begin going to the theater chain for distribution. Filmmaking is a risky business, as there is no such thing as guaranteed hits. AMC is opening new avenues for distribution and success.

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Here’s How Taylor Swift Should Update Her Eras Tour Setlist to Include ‘The Tortured Poets Department’

The crowd was chanting "More!"

By Hannah Dailey

Hannah Dailey

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Taylor Swift

Leading up to the release of Taylor Swift ‘s The Tortured Poets Department , one question lingered in the backs of Swiftie minds for months: How would the new album affect the already three-hour-plus setlist of the pop star’s ongoing global Eras Tour?

When the record finally dropped April 19, bringing with it not just 16 pre-announced tracks, but 15 surprise bonus songs as well, their concerns were only exacerbated. How could Swift possibly slim down her pre- Tortured Poets setlist to fit any new material once she hit the road again? Where would she even begin selecting just a handful of the 31 songs on TTPD to include? Would she even bother trying? (Based on a video the singer posted of recent rehearsals for her next run of shows, which kicks off May 9 in Paris, the answer to that last question is most likely a “Yes.”)

It’s no small task, especially given that no matter what the “Anti-Hero” singer cuts or adds, some fans are bound to be upset when their favorites inevitably don’t make the final listing. Even so, Billboard has risen to the challenge, selecting the best possible collection of Tortured Poets tracks to represent Swift’s newest era while trimming the fat of past eras for an updated, ultimate dream Eras Tour setlist.

Some songs were hard to say good-bye to (sorry, “Mastermind”), and others were truly painful to not extend an invitation (don’t hate us, “Guilty as Sin?”). But in service of a well-rounded, comprehensive Eras experience, difficult decisions had to be made. Keep reading to see how Swift should move forward with her trek, Tortured Poets and all — plus, an idea on how her debut album Taylor Swift can finally get its flowers — below.

ACT I: 'Lover'

  • “Miss Americana & The Heartbreak Prince”
  • “Cruel Summer”
  • “The Man”
  • “You Need to Calm Down”
  • “Lover”

CUT: “The Archer”

Note: Swift could also probably benefit from shortening her meandering pre-“The Man” monologue in Act I to save room for more songs later on.

ACT II: 'Fearless'

  • “Fearless”
  • “You Belong With Me”
  • “Love Story”

Note: At three songs, the Fearless era is already the perfect length, holistically comprised of the album’s title track and its two breakthrough hits, which made Swift a global star. No room for cuts here.

ACT III: 'Evermore'

  • “‘Tis the Damn Season”
  • “Willow”
  • “Champagne Problems”
  • “Tolerate It”

CUT: “Marjorie”

Note: Swift definitely deserves to drink in the applause for a moment after her magnificent piano performance of “Champagne Problems,” but at past Eras shows, she’s allowed the ovations to last for upwards of eight minutes . To save room for more songs, she may want to keep things moving at future stops.

ACT IV: 'Reputation'

  • “…Ready For It?”
  • “Delicate”
  • “Don’t Blame Me”
  • “Look What You Made Me Do”

Note: If you’ve been to an Eras show, you know: There’s no messing with the Reputation set. The already ear-splitting crowd somehow gets even louder as soon as this first notes of “Ready For It” blast through the speakers, and the stadium stays at peak volume throughout the traditional “1, 2, 3, Let’s go b–ch” chant during “Delicate” and the seamless transition between “Don’t Blame Me” and “Look What You Made Me Do.” No cuts.

ACT V: 'Speak Now'

  • “Enchanted”
  • “Long Live”

Note: Justice for Speak Now . Swift’s third album deserves a proper showcase each night, so we sincerely hope that the pop star doesn’t scrap “Long Live” — which she only added to the setlist four months into the Eras Tour’s first leg — to make room for TTPD.

ACT VI: 'Red'

  • “22”
  • “We Are Never Ever Getting Back Together”
  • “I Knew You Were Trouble”
  • “All Too Well (10 Minute Version)”

Note: It may seem like an easy time-saver to simply swap out the ten-minute version of “All Too Well” for Swift’s original five-minute version, but doing so would be robbing Swifties of the best ten-minute segment in the entire show. We simply won’t hear of it. That song aside, the other three hits on this mini-set — similar to the Fearless era — form a perfect bite-sized capsule of the album they represent, leaving no excess behind.

ACT VII: 'Folklore'

  • “Betty” 
  • “August”
  • “Illicit Affairs” (Bridge Only) 
  • “My Tears Ricochet” 
  • “Cardigan”

CUTS: “The 1” / “Invisible String” & “The Last Great American Dynasty”

Note: Sorry, Folklorians: It’ll always have a special place at the heart of the Eras Tour show, but Swift has now released three new albums since her initial alt-folk pivot — hence the harsher cuts here.

ACT VIII: '1989'

  • “Style”
  • “Blank Space”
  • “Shake It Off”
  • “Wildest Dreams”
  • “Bad Blood”

Note: It’s almost impossible to imagine cutting any of the five songs on the 1989 setlist, each of them massive, stadium-rocking hits a full ten years after their original release (three of them peaked at No. 1 on the Billboard Hot 100, while “Wildest Dreams” and “Style” reached Nos. 5 and 6, respectively). A time-saving mashup between two or more of them could, however, be an avenue to explore if needed, with a majority of the tracks boasting similar keys and corresponding musical styles.

INTERLUDE: Surprise Songs

  • Surprise Song No. 1
  • Surprise Song No. 2

Note: It’s safe to assume that the nightly surprise song section will be where Swift makes up for unused Tortured Poets songs, giving fans the chance to hear acoustic versions of the 20+ tracks on her newest album that probably won’t make it onto the regular setlist .

ACT IX: 'Midnights'

  • “Lavender Haze” 
  • “Anti-Hero” 
  • “Vigilante Shit” 
  • “Bejeweled”
  • “Karma” 

CUTS: “Midnight Rain” & “Mastermind”

Note: The only non-single to remain safe, “Vigilante Shit” would’ve been next on the chopping block. But honestly — what would the Eras Tour be without Swift’s iconic sultry, Chicago -esque dance break?

ACT X: 'The Tortured Poets Department'

  • “Fortnight”
  • “The Tortured Poets Department”
  • “Down Bad”
  • “So Long, London”
  • “Who’s Afraid of Little Old Me?”
  • Mashup: “Teardrops on My Guitar” x “I Can Do It With a Broken Heart”
  • “But Daddy I Love Him”

Note: As Swift’s newest album, Tortured Poets deserves to be the finale. And while, upon first listen, the record may not seem like it has enough stadium-ready bops to close out the show, the above songs 100% have the potential to be converted into the high-energy moments the Eras Tour commands. Just imagine the theatrical potential of “Who’s Afraid,” the meta-ness of a real-life crowd chanting “More!” during “Broken Heart,” and confetti falling from the sky during the final chorus of “But Daddy…” We picture gothic visuals, writing desks, typewriter props, period costumes and lightning strikes during this section.

Now, about that mashup. It’s absurd that Swift has never included any songs from her 2006 self-titled debut album — aka her first-ever era — on the main Eras Tour setlist. But it’s not too late to rectify that.

Picture this: The lights go down after Swift performs “Who’s Afraid of Little Old Me?” Costumes change, a tiger cage and other circus-themed set pieces are wheeled away. Then, the songwriter — her silhouette barely visible under the dim glow of an aquamarine spotlight — sings a cappella the final chorus of the first song about faking smiles in the face of heartbreak she ever released: “Teardrops on My Guitar.” Emphasis on the lyric, “the only one who’s got enough of me to break my heart.”

After she trails off on the last line — “Drew looks at me, I fake a smile so he won’t see” — the stadium comes to life once more as the crowd’s multi-color light-up bracelets go haywire, an explosion of sound filling the space. “I can read your mind,” Swift jumps in, surrounded by dancers as the lights suddenly go up, revealing one last fabulous costume. “‘She’s having the time of her life…'”

Once that’s done, she’ll move on to the finale, flipping off the haters, embracing her truest fans and proudly proclaiming her love for the man of her dreams in one fell swoop with “But Daddy I Love Him,” disappearing offstage before concertgoers have even finished singing along. Fin.

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