hall sisters tour

The Hall Sisters Release Here and the Other Side

Nashville, TN (April 19th, 2021) – The Hall Sisters have put together their best collection to date, showcasing phenomenal vocals, impeccable musicianship and unmistakable family harmonies. Here & The Other Side, featuring the new single Magnificent Obsession, has something for everyone. This new release will quickly become a favorite of listeners of all ages and musical tastes.

In support of the project, Jessica, Natalie, Lydia and Valerie spent the week in Nashville not only promoting the new release through media and radio, but also finishing vocals for another upcoming album. Release week culminated with a national television appearance on TBN’s Huckabee, showcasing the new song, ‘Original,’ which encourages the listener to find power in their own individual body and personality, rather than conforming to societal standards. The sisters also stunned the audience with a special after-show performance of the upbeat tune, ‘Up.’

In addition to the release of Here & The Other Side, Natalie Hall also celebrated the release of her new book, ‘Nothing To Lose, But Everything To Gain.’ The work chronicles her journey through multiple eating disorders, as well as anxiety and depression, and the redemption and hope that lies on the other side. Her story is one of encouragement for anyone struggling with an addiction of any kind, as well as the friends and family fighting along with them.

The Hall Sisters don’t plan on slowing down with the release of Here & The Other Side. The family band will have a 2 week residency at Dollywood beginning the end of May, as well as many additional tour dates on the horizon.

Here & The Other Side is now available on all streaming & digital platforms, as well as  thehallsisters.com

To stay up-to-date on current happenings, follow The Hall Sisters on social media or visit  thehallsisters.com .

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The Hall Sisters

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The hall sisters biography.

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The Hall Sisters grew up in a home filled with music from a wide range of genres and artists, which influenced them individually and collectively. Imagine going to a concert and hearing not just one style of music, but music that spans genres and generations.

- The iconic sibling harmonies of the 40s and 50s.

- The soulful, groovy vibes that only the 60s and 70s could bring.

- Heart-wrenching ballads and instrumentals, fiery fiddle tunes, and country classics sprinkled with some pop.

This is what is presented on stage as these singing sisters deliver an engaging, uplifting, family-friendly, captivating musical experience that is fun for people of all ages!

The Hall Sisters have brought their music to many stages across the country. With appearances at notable venues such as Carnegie Hall, the Grand Ole Opry, Dollywood, and Las Vegas. They have also had several tours in the Midwest and a Christmas tour in four countries in the Balkans. They have released six albums, the last two produced by Grammy and Dove award-winning producer Tré Corley.

The Hall Sisters invite you into their hearts as they share not only their music but who they are and how they got to where they are today: a very poignant and powerful story. Witnessing their strong bond of sisterhood, audiences will come away understanding that their "tight sibling harmony" is not just something that exists on stage vocally but in every aspect of their lives.

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New Music from The Hall Sisters

Nashville, TN (April 19th, 2021) 

The Hall Sisters have put together their best collection to date, showcasing phenomenal vocals, impeccable musicianship and unmistakable family harmonies. Here & The Other Side, featuring the new single Magnificent Obsession, has something for everyone. This new release will quickly become a favorite of listeners of all ages and musical tastes.

In support of the project, Jessica , Natalie , Lydia and Valerie spent the week in Nashville not only promoting the new release through media and radio, but also finishing vocals for another upcoming album. Release week culminated with a national television appearance on TBN’s Huckabee, showcasing the new song, ‘Original,’ which encourages the listener to find power in their own individual body and personality, rather than conforming to societal standards. The sisters also stunned the audience with a special after-show performance of the upbeat tune, ‘Up.’

In addition to the release of Here & The Other Side , Natalie Hall also celebrated the release of her new book, ‘Nothing To Lose, But Everything To Gain.’ The work chronicles her journey through multiple eating disorders, as well as anxiety and depression, and the redemption and hope that lies on the other side. Her story is one of encouragement for anyone struggling with an addiction of any kind, as well as the friends and family fighting along with them.

The Hall Sisters don’t plan on slowing down with the release of Here & The Other Side. The family band will have a 2 week residency at Dollywood beginning the end of May, as well as many additional tour dates on the horizon.

Here & The Other Side is now available on all streaming & digital platforms, as well as thehallsisters.com

To stay up-to-date on current happenings, follow The Hall Sisters on social media or visit thehallsisters.com.

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The Hall Sisters

Saturday, october 26, 2024 – 7:30 pm.

“…good, wholesome, delightful.” – Mansfield Theatre, Great Falls Civic Center

• Performed at Carnegie Hall and the Grand Ole Opry
• Two albums produced by Grammy Award-winning producer, Tre Corley

The Hall Sisters are one of the industry’s up-and-coming, premier acts in the country/pop genre. The sibling quartet marries stunning harmonies and brilliant musicianship with engaging, uplifting, family-friendly music. Owing to their upbringing in a home filled with music from a wide range of artists and genres, their show features heart-wrenching ballads and instrumentals, fiery fiddle tunes, and country classics sprinkled with pop. Their repertoire features hit songs like “Good To Be Alive,” “Boondocks,” “Boogie Woogie Bugle Boy,” and more.

Daryl Hall and Elvis Costello Make Double-Feature Dreams Come True at the Greek: Concert Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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Daryl Hall and Elvis Costello , take a seat.

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In Costello’s case, his turn at the piano was a short one, unlike Hall’s extended foray at the keys. Normally, EC has Steve Nieve to meet all his keyboard needs. But, eight songs in, he took to the ebony-and-ivories himself to sing and play “A Face in the Crowd,” the title song of a long-in-the-works stage musical, based on the same Budd Schulberg novel that was the basis for the classic 1957 Elia Kazan movie. Costello has often played this number in concert in recent years, but with a mounting of the musical finally set to take place in London this fall, maybe there’s a reason to sing it with some extra urgency. It felt like his voice had been somewhat in warmup mode before then, but Costello belted this one with a clarion quality that made it sound as if he passionately believed the false promises in the lyrics.

Having established that Hall and Costello both have a way with a mid-set wail, what kind of tour partners do they make?

Good ones, from a booking perspective. A Venn diagram would probably show that there aren’t that many music fans that feel equally passionate about both performers, vastly different as the appeal of each is. But most devotees of each artist probably have some kind of affection for, and not much aversion to, the catalogs of the singer that is second fiddle in their minds… so this is effectively nearly doubling up the size of the potential audience without risking very many noticeable late arrivals or early walkouts. So, compliments to the chef, whoever that might be, who thought there’d be a certain complementarity that would work here.

This is not like the previous co-headlining tour Hall did with Todd Rundgren last year, where the latter performer joined him for a significant part of the show after doing the opening set. Nor is it like the Costello/Nick Lowe joint tour of last year, where no duets were guaranteed but you stood about a one-in-five chance of having Lowe stick around long enough to join Elvis for “Peace, Love and Understanding” or “Alison.” The one obvious overlap these two have had in the past was Hall singing the harmony vocal on Costello’s 1984 hit “The Only Flame in Town,” a chemistry one or both of them apparently have zero interest in recreating on the road.

Costello has been adding “The Only Flame in Town” to his set more and more in these shows, though, as a soloist, and it was fortunate for the Greek audience that Tuesday was one of those nights where he saw fit to include it. The original recording from the ‘80s sounds dated and cloying now (truth be told, it was a little dated and cloying the day it came out). But at the heart of it is a brilliant composition that Costello has revived from time to time in concert as a slow, breathy ballad, getting more clearly in touch with the idea that, yep, true to its ironic title, it is a torch song. It’s just as well that he didn’t ask Hall to come out and find his way between those lyrical flares; for this purpose, it’s fine that Costello is the only fireman in town.

For longtime fans who are used to certain hits coming at certain places, Costello is messing with heads a little by putting “Pump It Up” and “Watching the Detectives” right at the top of the show (a lot of folks were probably hearing Davey Faragher’s opening bass riff out in the parking lot). And by moving up “Peace, Love and Understanding” from its traditional finale spot, the shows now end on a balladic note — albeit still a give-the-people-what-they-want note — with “Allison.” Whether or not Costello always maintained the same affection for that last song that everybody else does, he seems to love it a lot more now that he has Charlie Sexton as an auxillary member of the Imposters, since Sexton is able to play the guitar part the intricate way it was performed on the original record. “Allison” might hit differently if he were closing out the night with it, instead of just leading into intermission, but it feels just right as a set-closer on this tour… leaving the audience feeling at intermission like the crowd with the most cake.

Costello gets to go to a lot of extremes in his repertoire on any given night, whether he’s doing a two-and-a-half-hour show on his own or playing for a mere hour-and-20 as a leadup artist here. Hall doesn’t have nearly that range in his catalog — no punky “No Actions” or Bacharach soliloquies here — but he does hit on enough variations of tone and style to make the set feel like it has some dynamics, before he satisfyingly settles into pure soul-man mode. At the Greek, he also eschewed hitting all the Hall and Oates greatest hits — leaving out, for instance, “Rich Girl” — in order to hit upon a few deep cuts and solo tracks. His set struck a finely tuned balance between delivering what most of the audience came for and offering a few surprises for his most faithful fans.

I’d like to say that Hall performed like a man unbound, now that he has declared that is done with Daryl Hall & John Oates as a duo once and for all. But if you follow his recent interviews, Hall kind of makes it sound like he always considered himself essentially a solo artist… if one who was duty-bound to make room for a sidekick to keep the branding alive. In any case, officially being solo once and for all doesn’t mean he’s about to get indulgent and start doing stuff off his ancient cult-favorite Robert Fripp collaboration (though some of us would have jumped up and down if he did). Even with his new solo album, “D” (which he helpfully held up a vinyl copy of), Hall is dedicated to making his current sound part of the H&O continuum.

No one on hand was about to argue with the vintage nature of 11 out of 12 tunes. There was no reason to when Hall has assembled a band that locks so neatly into grooves that turn out to have a lot more to them live than you necessarily remember coming from the radio back in the day. There’s a key link to the past here, besides Hall’s own indelible voice — it’s sax player Charles DeChant, still turning up in the same spots for solos that he did on the recordings of “Maneater” and “I Can’t Go for That.” He turned from sax man to flautist for the extended opening to “Sara Smile,” a long instrumental R&B fanfare so warm and inviting that you wished the song would never stop getting started.

Elvis Costello and the Imposters setlist at the Greek:

Watching the Detectives

The Only Flame in Town (incl. Yesterday)

Unwanted Number (incl. Love Child)

Wonder Woman

Everyday I Write the Book

A Face in the Crowd

Everybody’s Cryin’ Mercy

I Still Have That Other Girl

Clubland (inclu. Ghost Town, Insensatiz)

You Little Fool (incl. Young Girl)

(What’s So Funny ‘Bout) Peace, Love and Understanding

(I Don’t Want to Go to) Chelsea

Alison (incl. I’m Gonna Make You Love Me)

Daryl Hall setlist at the Greek:

It’s Uncanny

Foolish Pride

Did It in a Minute

Out of Touch

I’m in a Philly Mood

Everytime You Go Away

I Can’t Go for That (No Can Do)

Can’t Say No to You

You Make My Dreams

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Chloë Bailey  is gearing up to release her second studio album,  Trouble in Paradise , and she's getting inspiration from some iconic singers, including her mentor ,  Beyoncé .

Talking with NYLON in a wide-ranging interview, the 25-year-old shares that her sophomore album has a markedly different sound from her 2023 debut project,  In Pieces . The former was about "appreciating the sadness of heartache," whereas Trouble in Paradise is "a coming-of-age celebration of being a woman and having fun, not taking life too seriously."

"The story of this album is like when you have a summer fling," Chloë tells the outlet about Trouble in Paradise . "You're a hopeless romantic and you fall in love, deep. You know it won't last forever, but it feels too good to really care."

As an artist who was very candid about how she's struggled with the  public's reaction to her shedding the kid-friendly image  she established early in her career and how comparisons to her younger sister,  Halle Bailey , added to her frustration, Chloë explains how she's looked to barrier-breaking Black artists that came before her as inspiration for her new era.

Her GRAMMY-record-breaking mentor is an obvious inspiration, but so is the late Whitney Houston , still known for having one of the best voices in the music industry . 

Chloë notes that, similar to Whitney, she's caught flak from those questioning her musical direction. An experience that her mentor, Beyoncé, has experienced as well, most recently with the release of  her eighth studio album,  Cowboy Carter . The Houston-born musician infamously  received pushback for tapping into her country roots  because she's traditionally viewed as an R&B/Pop artist.

"Early on in [Houston's] career, when she was doing the big pop records, she got a lot of flak for that: being told she wasn't Black enough and wasn't catering to the base that made her," Chloë points out. "To see how she persevered and has become one of the most iconic, legendary artists that we've ever seen, shows that music has no race, it has no genre, it has none of that. It's just a feeling and it's a vibration. And that's why I was really proud of Beyoncé doing Cowboy Carter , because Black people originated country music. It's just showing that possibilities are endless."

During an appearance on Latto's Apple Music 1 show,  777 Radio  in March 2023, Chloë admitted that people's reactions to her sexy solo singles that differ from her previous work as part of  Chloe x Halle , left her "confused."

"It's like, if I do it, it's forced, it's contrived. But… I've come to the conclusion it's because they're not used to seeing me in that light," she said. "They've grown up with my sister and I since we had our little short baby locks on YouTube and everything. But it's like, this has been me. When I perform, that's when I feel the most confident and the most sexy. It's nothing contrived or forced about it. That's just passion coming out."

She noted that while the criticism can sometimes "get under my skin," she's ultimately glad that "people are talking."

"I'm like, 'Damn it, y'all just don't let me be. You let everybody else be and not me,'" she said. "But it's OK."

When it comes to her 42-year-old, chart-topping mentor, Beyoncé, Chloë says that gave her and her younger sister,  Halle , advice that sometimes they have to "let the world catch up because you're always ahead of the curve."

Back in 2023,  Chloë told ET that the "Break My Soul" singer gave similar help when she was working on  In Pieces.   

"Yes, I know she listened to the album," Bailey shared when asked if Bey had heard  In Pieces  yet. "She gave me notes on it before I released it."

She continued, gushing over having the mega pop star's support, "I love her so much. Dearly, dearly, and I'm so grateful to her for everything."

And it's with her mentor's advice in mind that Chloë says she's excited for fans to consume  Trouble in Paradise . "What I kind of love about my art is that it sneaks up on you. When In Pieces came out, not many people really got it. But now a year later, people are like, 'Oh, it's genius! It's beautiful! It's amazing!'" she tells  NYLON . "And if you think about it, that's how it has been with me and my sister's previous work as well. No one ever gets it when it first comes out."

And the singer has a sweet treat for fans who have been hungering for the sisters to work together again since they released various solo projects after their second studio album,  Ungodly Hour,  dropped in June 2020.

Chloë revealed that Halle is featured on a  Trouble in Paradise  track, although she didn't share the song title. "I got in my sister's head and was like, 'OK, what is going on in her life right now?' We both have our own lives," the singer said, a nod to her sister having her hands full with the  arrival of her son with boyfriend DDG in January . "I was like, 'Sis, we're going to be in New York at the same time, I would love for you to be on the record.' It just felt like old times."

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