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Brian Fallon  

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Since 2009, I've seen a number of shows, both Brian solo and with TGA. On this tour, I saw the 1/14 acoustic show in Red Bank, the 4/28 show at the 9:30 Club in DC, and the 4/29 show at the Starland Ballroom in NJ. I witnessed this man's talent - musically, lyrically, and technically, really grow and develop over the past decade. It has been a fun ride, so far. On this tour he’s putting together a great blend of the new stuff with older stuff and pulling out some really cool surprise covers, like Spirit in the Night, Sultans of Swing, Downbound Train, Bell Bottom Blues, Don’t Think Twice, It’s All Right…can you believe this? My only regret is that he still appears to be a ‘reluctant rock star’. At times, he almost seems embarrassed to be onstage and he does not command the venue. Too often he engages the one or two audience loud mouths, unwittingly encouraging them to keep being stupid. Then he gets sidetracked from stories that might otherwise explain a song’s mood or subject, bring a laugh, or just generally add to the evening, and the show bogs down. It happened at all three of these shows. Frank Turner once described how a rock singer HAS to be part entertainer – it goes with the territory. I’m looking forward to the day Brian develops this part of the persona, because then his shows will go from being really good to being transcendental. In the meantime, I’ve got my TGA tix for 5/27 back at the 9:30 and I’m looking forward to it.

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Fantastic show! Great energy with the crowd, who already knew the words to the songs despite the album coming out YESTERDAY! Brian seemed glad to be "home" albeit for a moment. Love the new tunes (wish they played "Open All Night" plus a nod to Molly & the Zombies with "Smoke", Gaslight with "Mary Ann", and the Horrible Crowes with "Ladykiller"

Opener Jared Hart (The Scandals) ended up playing the whole set with The Crowes, not sure that's been happening every night or not, but I liked it!

As with other shows on the tour they covered Springsteen's "Atlantic City" and of course the Jersey crowd sung along.

Starland is a nice venue; it was pretty packed but the crowd was respectful and I saw no problems. Sound was also good.

this is my second time seeing him perform and he is amazingly talented as well as engaging and funny. the music was, of course wonderful (thought I'm not a huge fan of the Horrible Crowes stuff) and he handled the Kind-of annoying crowd well. I'm assuming last night was a night where he definitely preferred pizza to people. I hope he comes back...with the Gaslight Anthem would be amazing. overall, in spring musician. thanks for paying in stl.

Brian is en excellent live performer.

His music is honestly and full of emotion.

My favourite song was sugar from the elsie album.

The audience knew is new songs and the old songs.

the music was absolutely great.

But the location (Löwensaal in Nuremberg).

Horrible accoustic, dirty- no place for a good concert, sorry guys.

Please Brian- there are a lot of better locations in this area- forget this ruin.

Brian was on great form - relaxed, joking with the crowd, with powerhouse performances of his latest album.

Having been a huge fan of Brian's since the Sink or Swim days, it's great to see he hasn't changed a bit and I enjoyed every part of the gig.

The highlight was watching him play the piano, really soulful renditions of the music he was playing and a great way to take it all back to basics.

Wasn't sure what to expect of a solo acoustic performance having seen him three times fronting a band (including the Gaslight Anthem), but he exceeded expectations. He's always had a great rapport with the audience, but this proved to be a cross between stand-up comedy act and a toned down musical repertoire which everyone appreciated. A great gig, which I left with a huge smile on my face.

Best night ever! The gig was amazing, the crowd were brilliant, the venue is great! And to top it off we met Brian Fallon afterwards, where he said hello, shook my hand, signed my ticket and we had a photo, what a lovely amazing man, I'm head over heels! Been my dream to meet him and it happened at Koko in Camden! Fantastic memories! Grin grin grin!! :-D

Brian's concert at The Observatory was a fantastic way to spend Wednesday night. We had 8 people there from our group of friends, and everyone thought it was one of most personal and enjoyable concert any of had been to in a long time. And we all loved Brian's anecdotes and stories. Keep 'em coming. Thanks Brian.

Last night's show was fantastic. The music was fabulous and Brian's stage presence was great. Very entertaining show. I will definitely go to the next show that comes to our area. The guitar work was really good especially when they broke out the 12 strings. All around great show.

Great show, thoroughly enjoyed the acoustic set! Cool Venue in a very beautiful town. Always entertained by Brian and his amazing singing and songwriting. The opening act Craig Finn,was also very good. I thought he was a good pick.

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Brian Fallon tour dates and tickets 2024-2025 near you

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Brian Fallon is not due to play near your location currently - but they are scheduled to play 2 concerts across 1 country in 2024-2025. View all concerts.

Next 2 concerts:

• Asbury Park, NJ, US

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Concerts played in 2024:

Touring history

Most played:

• Newark (34)
• New York (NYC) (25)
• London (12)
• Los Angeles (LA) (9)
• SF Bay Area (7)

Appears most with:

• Dave Hause (45)
• Chris Farren (45)
• Craig Finn (37)
• Worriers (36)
• Brian Fallon & the Howling ... (32)

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• October 26, 2021

Brian Fallon Unveils 2022 North American Headlining Tour

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Brian Fallon  has unveiled plans for an epic North American headline tour in 2022. The 37-date trek – featuring full backing from his longtime live band,  The Howling Weather  – gets underway  January 11, 2022 at Portland, ME’s State Theatre  and then travels through an eagerly awaited homecoming show set for  March 4, 2022 at the famed Count Basie Center for the Arts in Red Bank, NJ.  Special guests include The Dirty Nil (January 11-February 16), Worriers (January 11-March 4), and Hurry (February 18-March 4). 

Fan presale begins tomorrow , October 27 at 10am local with password “fallon22” while  local presales follow on Thursday, October 28 . All remaining tickets will be released to the  general public on Friday, October 29 at 10am  local. For complete details, please visit  www.brianfallon.net/tour . 

Separately, Fallon’s new holiday album,  Night Divine , is due out  Friday, November 5  via Lesser Known Records/Thirty Tigers; pre-orders are available now. Produced and recorded by Fallon, the album comprises powerful new renditions of classic hymns and spirituals including the recently premiered “ Virgin Mary Had One Son ” and “ Amazing Grace ,” both available now at all DSPs and streaming services. 

allon will end the year with a sold-out, five-night holiday residency at Garwood, NJ’s Crossroads, set for December 4, 16, 17, 18, and 23. In addition, next spring will see Fallon and The Howling Weather crossing the Atlantic for a wide-ranging tour of the UK and Europe, including already sold-out shows in Sweden, Denmark, Germany, Scotland, and England; support throughout comes from special guests Chris Farren and Jesse Malin. 

Photo Credit: Kelsey Ayres 

BRIAN FALLON

2021 US TOUR DATES

DECEMBER 2021

4 – Garwood, NJ – Crossroads (SOLD OUT)

16 – Garwood, NJ – Crossroads (SOLD OUT)

17 – Garwood, NJ – Crossroads (SOLD OUT)

18 – Garwood, NJ – Crossroads (SOLD OUT)

23 – Garwood, NJ – Crossroads (SOLD OUT)

BRIAN FALLON AND THE HOWLING WEATHER

2022 TOUR DATES – NORTH AMERICA/EU/UK

JANUARY 2022

11 – Portland, ME – State Theatre *

12 – Holyoke, MA – Gateway City Arts *

14 – Montreal, QC – L’Astral *

15 – Toronto, ON – Danforth Music Hall *

16 – Buffalo, NY – Babeville/Asbury Hall *

18 – Munhall, PA – Carnegie of Homestead Music Hall *

19 – Cleveland, OH – House of Blues*

21 – Columbus, OH – Newport Music Hall *

22 – Indianapolis, IN – Deluxe at Old National Centre *

23 – Detroit, MI – St. Andrew’s Hall *

25 – Chicago, IL – Park West *

26 – Minneapolis, MN – Varsity Theater *

28 – Denver, CO – Summit Music Hall *

29 – Salt Lake City, UT – Metro Music Hall *

31 – Portland, OR – Hawthorne Theatre *

FEBRUARY 2022

1 – Seattle, WA – Showbox *

2 – Vancouver, BC – Vogue Theatre *

4 – Sacramento, CA – Ace of Spades *

5 – San Francisco, CA – The Fillmore *

6 – Solana Beach, CA – Belly Up Tavern *

8 – Los Angeles, CA – The Fonda Theatre *

9 – Phoenix, AZ – Crescent Ballroom *

11- Austin, TX – Mohawk *

12 – Dallas, TX – Kessler Theater *

13 – Houston, TX – The Heights Theater *

15 – Atlanta, GA – Masquerade – Heaven Stage *

16 – Charleston, SC – Charleston Music Hall *

18 – Nashville, TN – Mercy Lounge/Cannery Ballroom #

19 – Charlotte, NC – Neighborhood Theatre #

20 – Raleigh, NC – Lincoln Theatre #

22 – New York, NY – Town Hall #

25 – Boston, MA – Royale #

26 – South Burlington, VT – Higher Ground#

27 – Philadelphia, PA – Union Transfer #

1 – Washington, DC – Lincoln Theatre #

2 – Port Chester, NY – The Capitol Theatre #

4 – Red Bank, NJ – Count Basie Center For The Arts #

26 – Frankfurt, DE – Batschkapp **

27 – Hamburg, DE – Edel-Optics.de Arena **

28 – Gothenburg, SE – Pustervik **

29 – Stockholm, SE – Debaser Strand ** (SOLD OUT)

30 – Copenhagen, DK – Lille Vega ** (SOLD OUT)

2 – Cologne, DE – Carlswerk Victoria ** (SOLD OUT)

3 – Berlin, DE – Huxleys **

4 – Vienna, AT – Ottakringer Brauerei **

5 – Stuttgart, DE – LKA Longhorn **

6 – Munich, DE – Neue Theaterfabrik **

7 – Nuremberg, DE – Löwensaal **

8 – Milan, IT – Circolo Magnolia **

10 – Zürich, CH – Komplex 457 **

12 – Barcelona, SP – Sala Apolo – La 2 **

13 – Madrid, SP – Ochoymedio **

14 – Cascante, SP – Estaciones Sonoras

16 – Paris, FR – Backstage **

17 – Antwerp, BE – Trix Club **

18 – Utrecht, NL – TivoliVredenburg **

20 – Norwich, UK – The Waterfront **

21 – Manchester, UK – Academy **

22 – Leeds, UK – O2 Academy **

24 – Glasgow, NI – SWG3 ** (SOLD OUT)

25 – Bristol, UK – O2 Academy **

26 – London, UK – O2 Shepherd’s Bush Empire ** (SOLD OUT)

27 – Birmingham, UK – O2 Institute **

28 – Nottingham, UK – Rock City **

* with special guests Worriers and The Dirty Nil

# with special guests Worriers and Hurry

** with special guests Chris Farren and Jesse Malin

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Brian Fallon

Latest setlist, brian fallon on january 26, 2024.

Crossroads, Garwood, New Jersey

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Brian Fallon

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Brian Fallon

Show: 8:00pm

Ticket price: $49 – $59, november 17, 2023 @ 8:00 pm - 10:00 pm.

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About the Artist

Brian Fallon is best known as the lead vocalist, rhythm guitarist, and main lyricist of the 2000’s New Jersey-based indie rock band, the Gaslight Anthem. With his latest solo album, Local Honey, Fallon has created a softer sound unlike anything he or the Gaslight Anthem have ever released. The album’s acoustic-leaning, introspective, singer-songwriter artistry is a benchmark of a time and place, a heartfelt and grown-up sound that has been in his mind and heart for a while. Local Honey is a snapshot of Fallon’s current existence and a masterstroke from an artist with immense songwriting talent. As Fallon put it, he is leaving his rockstar days behind him. After nearly 20 years of being with the Gaslight Anthem, Fallon is taking the time to explore more stripped-down sounds in his writing and enjoying a quieter life with his family. Rolling Stone Magazine refers to Local Honey as a “snapshot… of an artist at peace with both settling into middle age and making a new beginning.”

Visit  Bareburger  (38 Danbury Road, Ridgefield) before or after the show and enjoy a complimentary glass of house wine or draft beer with your entrée when you present your ticket!

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2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024

The 2025 GRAMMYs return to Los Angeles on Sunday, Feb. 2. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8. Learn more about the key dates and deadlines ahead of Music's Biggest Night.

Music's Biggest Night is back! The 2025 GRAMMYs will take place Sunday, Feb. 2 , live at Crypto.com Arena in Los Angeles, the Recording Academy announced today. The 2025 GRAMMYs will broadcast live on the CBS Television Network and stream live and on demand on Paramount+. As well, nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024 . See the full list of key dates and deadlines for the 2025 GRAMMYs, officially known as the 67th Annual GRAMMY Awards, below.

Key dates for the 2025 GRAMMY Awards season are as follows:

Sept. 16, 2023 – Aug. 30, 2024 Product Eligibility Period The period by which recordings are submitted for GRAMMY consideration. All releases must be available for sale, via general distribution, to the public by this date and through at least the date of the current year’s voting deadline (final ballot) to be eligible for the 2025 GRAMMY Awards.

July 8, 2024 – Aug. 23, 2024 Media Company Registration Period Media companies must apply for registration with the Recording Academy to submit recordings.

July 17, 2024 – Aug. 30, 2024 Online Entry Period All eligible recordings must be entered prior to the close of the Online Entry Period, regardless of the public release date.

Oct. 4, 2024 – Oct. 15, 2024 First Round Voting First Round Voting determines all the GRAMMY nominees for each GRAMMY Awards year.

Nov. 8, 2024 Nominees Announced for the 2025 GRAMMY Awards Announcing the official nominees list for the 2025 GRAMMYs.

Dec. 12, 2024 – Jan. 3, 2025 Final Round Voting Determines the GRAMMY winners across all categories revealed on GRAMMY night.

Feb. 2, 2025 2025 GRAMMY Awards Music's Biggest Night, recognizing excellence in the recording arts and sciences.

This February, the 2024 GRAMMYs proved to be an epic, history-making night. Women dominated the 2024 GRAMMYs : For the second time in four years, women won in the majority of the General Field Categories, winning Album Of The Year ( Taylor Swift ), Song Of The Year ( Billie Eilish ), Record Of The Year ( Miley Cyrus ), and Best New Artist ( Victoria Monét ). Elsewhere, Taylor Swift broke the all-time record for most GRAMMY wins in the Album Of The Year Category after winning for Midnights . Tyla won the first-ever GRAMMY Award for Best African Music Performance , one of three new GRAMMY Categories that debuted this year .

The 2024 GRAMMYs also celebrated the return of music legends , including Tracy Chapman , Joni Mitchell and Celine Dion , and ushered in new music icons-in-the-making like Victoria Monét, Samara Joy and Tyla. Relive some of the must-see moments and memorable, heartwarming acceptance speeches from the 2024 GRAMMYs. And rewatch all of the performances and key highlights from the 2024 GRAMMYs all year long on Live.GRAMMY.com .

Learn more about the upcoming 2025 GRAMMY Awards season and the annual GRAMMY Awards process .

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Photo Courtesy of the Recording Academy and GRAMMY Museum

215 Quarterfinalists Announced For The 2025 Music Educator Award

Today, the Recording Academy and GRAMMY Museum announced a total of 215 music teachers as quarterfinalists for the 2025 Music Educator Award. This prestigious award is given to current educators—from kindergarten through college in both public and private schools—who have made a significant and lasting contribution to the field of music education and who advocate for the ongoing inclusion of music education in schools. This year’s quarterfinalists hail from 202 cities and were chosen from more than 2,400 initial nominations. Additionally, 159 legacy applicants from 2024 are also eligible for this year’s award.

Semi-finalists for the 2025 Music Educator Award will be announced later this year. The ultimate recipient will be celebrated during GRAMMY Week 2025.

A collaborative effort between the Recording Academy and GRAMMY Museum, the Music Educator Award invites nominations from students, parents, friends, colleagues, community members, school deans, and administrators. Teachers may also nominate themselves, and those nominated are invited to complete a more detailed application.

Each year, one recipient is selected from among 10 finalists and recognized for their profound impact on students' lives. The 11th annual honoree will be flown to Los Angeles to attend the 67th GRAMMY Awards and participate in various GRAMMY Week events. The nine other finalists will receive a $1,000 honorarium, and the schools of all 10 finalists will receive matching grants. Additionally, fifteen semi-finalists will be awarded a $500 honorarium with matching school grants.

Read More:   8 Artists Who Were Inspired By Their Teachers: Rihanna, Adele, Jay-Z & More

The Music Educator Award program, including the honorariums and matching school grants, is supported by the Chuck Lorre Family Foundation this year. Additional backing comes from the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association, which support the program through outreach to their members.

Learn more about the Music Educator Award and see the full list of the 2025 Music Educator Award quarterfinalists and legacy applicants below:

QUARTERFINALISTS

Legacy applicants.

Photo: Mauricio Santana/Getty Images

Twenty One Pilots' Road To 'Clancy': How The New Album Wraps Up A Decade-Long Lore

Three years after 'Scaled and Icy,' Twenty One Pilots' seventh studio album is here. Dig into the rock duo's journey to 'Clancy,' and how it further showcases their knack for vivid world-building.

Long before Twenty One Pilots developed a cult following, the Columbus, Ohio natives were determined to not be put into a box. From their first EP, 2009's Johnny Boy , they've blended elements of emo, rap, alt-pop, electronica, incorporating hardcore and hip-hop into their shows. "No one knew where to put us," drummer Josh Dun told USA Today in 2014. "But we've approached live shows as a way to build something from nothing."

In the decade since, the band's sheer determination and eclectic onstage personality have made them one of the biggest rock groups of their generation. They're equally as spontaneous and intriguing in their music, building an entire world through dynamic soundscapes and visuals — and their new album, Clancy , ties all of it together.  

As the band revealed in a press release upon announcing the album in March, Clancy "marks the final chapter in an ambitious multi-album narrative" that began with Blurryface in 2015. But it certainly doesn't feel like an ending; Clancy further expands on the theatrical style and eclectic sound they've showcased from the start, offering both a resolution and an evolution.

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While the makings of the signature Twenty One Pilots aesthetic began with its original formation as a trio — lead singer Tyler Joseph and his friends Nick Thomas and Chris Salih — it truly took shape when Dun replaced Thomas and Salih in 2011. Dun and Joseph had a common goal to re-formulate the way songs and shows were crafted; the drummer utilized samples and backing tapes at their gigs, helping the band dive deeper into their alternative style by fusing everything from reggae to pop together.

As a newly formed duo, Twenty One Pilots issued their album Regional at Best in 2011 — their last release before they signed to a major label (though, as they told Huffpost in 2013, they since consider the record a "glorified mixtape"). After significant social media buzz and selling out a show at Newport Music Hall in Columbus, the duo was courted by a dozen record labels, which set the stage for their big break.

"We went from no one in the industry caring to all of the sudden it was the hot thing for every label, independent and major, to be interested in some way," Joseph told Columbus Monthly in 2012 upon signing to Fueled by Ramen, which the singer said they were drawn to because they were able to retain "creative control" — a factor that would become increasingly more important with each release. 

Their 2013 album Vessel — which featured a combination of new and re-recorded songs from Regional At Best —spawned the band's first charting single, "Holding On to You," a rap-meets-pop track that oscillates from sensitive indie ballad to energetic anthem. Not only had they begun making a mark commercially, but it seemed to be the album that Twenty One Pilots felt they were hitting their stride creatively, too: "I know some people might not like this, but I kind of view Vessel as our first record," Joseph told Kerrang! at the time.

Though the character "Clancy" first came about with 2018's Trench , Twenty One Pilots actually introduced the world that Clancy would eventually live in with 2015's Blurryface , which focused on a titular character who embodies depression and anxiety. "It's a guy who kind of represents all the things that I as an individual, but also everyone around me, are insecure about," Joseph said of his alter-ego in a 2015 interview with MTV .

To convey the "feeling of suffocation" caused by insecurities from what he creates, Joseph began wearing black paint on his neck and hands in music videos and on stage to represent the "Blurryface" character. As Joseph told the Recording Academy in 2015, the "common thread" of all of the songs on Blurryface was that Joseph's alter-ego would be defeated, and each song wrestled with the dichotomy between darkness and optimism.

While Vessel kickstarted the band's commercial success, Blurryface saw their popularity explode and resulted in the band's best-selling single, the eerie rap-rock anthem "Stressed Out." The commercial success of Blurryface helped their hot streak continue into 2016 with the release of "Heathens." While the song served as the first single from the Suicide Squad soundtrack, its haunting production fits right into the world the pair had begun building with Blurryface . Their acclaim continued to grow, with Twenty One Pilots earning their first GRAMMY in 2017 for "Stressed Out" in the Best Pop Duo/Group Performance Category — and, in line with their affinity for stunts, dropping their pants as they accepted their award.

Ahead of the release of their 2018 concept album Trench , the lore surrounding "Clancy" really began. Twenty One Pilots began leaving clues for fans on a website known as DMAORG , which featured black-and-white images and letters from "Clancy," who ultimately became the protagonist of the album. Twenty One Pilots fans (often referred to as the"Skeleton Clique") began clamoring to deduce puzzling clues and posting their theories about the narrative's endgame online.

With Trench , they found more characters and a deeper narrative. The overall album depicts "a world where nine dictatorial bishops keep the inhabitants (Tyler included) of a fictional place named Dema from escaping its controlling clutches, with the help of the Banditos — a rebel organization (featuring Josh)." On a larger scale, the album grapples with mental illness, suicide and an expansion on Joseph's insecurities from Blurryface . 

But Trench isn't one cohesive story; rather, it's a series of songs with clues embedded within. For instance, in "Morph," the character Nico is introduced, who is also the subject of "Nico and The Niners." From there, fans gleaned that Nico was one of nine bishops controlling the citizens of Dema, and those nine bishops were represented by each of the songs on Blurryface . The bombastic "Pet Cheetah" references that the house has vultures on the roof which alludes to it — and Joseph's home — being Dema. 

As with Blurryface , visuals became an integral part of the album cycle. This time, they used them to illustrate life in the dystopian Dema, which personifies depression through the trilogy of music videos for "Levitate," "Nico and The Niners" and "Jumpsuit." While Joseph's black-painted neck and hands signaled the Blurryface era, dark green clothing marked with yellow tape signaled the Trench era. During this time, the "Clancy" character remained shrouded in mystery — though through videos and letters shared by the band, fans theorized that it is an opposing force to "Blurryface."

By the time Twenty One Pilots' 2021 album, Scaled and Icy , came around, fans quickly noticed that it paid homage to "Clancy" as an anagram for "Clancy is dead," while also acknowledging the COVID-19 pandemic as a shortened phrase for "scaled back and isolated." While Twenty One Pilots could have leaned into the harrowing events of lockdown, they instead chose to focus on what has driven the band itself, the power of imagination — something that has been behind much of the band's work since Blurryface .

With the album came three singles — the propulsive "Shy Away," the heartwrenching banger "Choker" and the funk-pop-tinged "Saturday — which were recorded when the duo was working virtually during the pandemic. Unlike the past two projects which grappled with this doomed slant, Scaled and Icy pivoted toward a sunnier sound, signaling a shift in the narrative. But it didn't mean the dark world of Blurryface and Trench were completely in the past; upon Scaled and Icy 's release, Joseph revealed to Apple Music that there would be "one more record" and "an explanation and book end" before moving onto another story.

Three years following the release of Scaled and Icy , fans began receiving letters from the "Sacred Municipality of Dema" — a reference to the fictional city featured on Trench , signaling what appeared to be a new era diving deeper into the band's lore. Since the previous record featured an anagram about "Clancy" in its title, it seemed natural that the next album would be named after the character. 

"'Clancy' is our protagonist in this story we've been telling, stretched out over the last several records. 'Clancy' is the type of character who, for a long time, didn't know if he was a leader or not, didn't want to take that responsibility," Joseph told BBC Radio earlier this year .

As the singer had hinted in the Scaled and Icy era, Clancy brings fans back to the darker narrative that began with Blurryface t. After Joseph's character escapes Dema a handful of times, joins a rebellion, then is captured again, he finally has the same abilities as the bishops and aims to free the people of Dema. The album attempts to answer a few conceptual questions along the way.

Clancy 's blistering first single, "Overcompensate" is inherently hopeful, and answers the long-lingering question fans have been wondering: Who is "Clancy"? According to the psych-funk number, it's been Joseph all along (" If you can't see, I am Clancy/ Prodigal son, done running, come up with Josh Dun .") As Joseph further explained to BBC Radio , "[With] 'Overcompensate', there's a bit of a confidence and swagger in it that the character needed to embody in order to take on the new role in the story we've been telling, and Clancy is gonna rise up as that person."

But much of the album focuses less on the literal lore, instead tackling the overarching themes of its counterparts: Joseph's struggles with mental health. Despite the darker, anxious nature of the album's lyrics, the majority of Clancy has a self-assured breeziness to it, jumping off of the upbeat Scaled and Icy sound. 

On the ballad-like closer, "Paladin Strait" — named after a fictional body of water off the coast of Dema —Twenty One Pilots really digs into the narrative of "Clancy" the character in a literal way again. What's revealed is the final battle between "Clancy" and "Blurryface" with no apparent winner — alluding to the idea that there is not necessarily a triumph over depression. In the final line, the band offers a callback to a lyric from Blurryface : "So few, so proud, so emotional/ Hello, Clancy."

While the ending may remain ambiguous, it may not be a coincidence that Twenty One Pilots postponed Clancy 's release date by a week (from May 17 to May 24) in order to finish filming music videos for each of the tracks, all of which were unveiled upon the album's release. So, there's still hope that fans will find out definitively what happened to "Clancy" — or maybe it means his story isn't completely finished. 

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Photo: Kito Muñoz

Nathy Peluso Is 'Grasa': How Hard-Earned Lessons, The Mafia & A Lost Album Led To Her Most Vulnerable Work

Both honest and brash, Nathy Peluso's first album in four years is the culmination of therapy and deep musical work. "It’s important to bring that energy to the music, like, rude, strong, dangerous," she says.

Those who follow underground Spanish music have known the name Nathy Peluso for a while, but in 2020 the Argentine-Spanish artist came to the attention of a broader audience. That year,  the rapper and singer released her official debut album Calambre , which won a Latin GRAMMY for Best Alternative Album and received a GRAMMY nomination for Best Latin Rock or Alternative Album in 2021. 

Four years later, Peluso is back with Grasa [ Grease ]. Out May 24, the 16 track follow-up is simultaneously bolder, more vulnerable and more revealing than its predecessor, crystalizing the artist's iconoclastic and often cinema-inspired vision.

At Legacy Records, a hotspot for haute Mediterranean fare in Manhattan's Hudson Yards neighborhood, Nathy is draped in an oversized blazer and pants. She looks like a relaxed, elegant CEO and the style becomes her, especially as she balances it with ultra-feminine touches. Today, its long nails tipped in fire-engine red.

Her fashion choices are as pointed as her manicure, on and off stage. In the recent video for "Aprender a Amar," she raps ferociously into a mirror, sharply dressed in a pin-stripe tie, a jacket with exaggerated shoulders, and delicate black lace gloves. These sartorial choices ask, Why settle for a mob-wife aesthetic when you can be a don yourself?

Both visually and aurally, Nathy Peluso is part cinematic diva and part underworld kingpin, with a fair amount of Missy Elliott swagger. Her tough, independent persona was on full display on her now-multimillion streamed 2020 Bizarrap session , which smoldered and crackled with her bombast. It was fully formed on "Business Woman," from Calambre , and returned with a roar on her 2021 single "Mafiosa," a high drama salsa track.  

Her powerful energy is pure hip-hop in steel-toe Timbs, but she performs with the generous spirit of a burgeoning pop star ministering to a big house of fans. On Grasa , Nathy Peluso brings humanity to her braggadocio. This doesn’t stop her from picking up the mafia saga where she left off on Calambre . The opening track is titled "Corleone." 

Ahead of the release of her first album in four years, Nathy Peluso spoke with GRAMMY.com about overcoming creative burnout, taking inspiration from mob movies, and the true meaning of "grasa."

This album is more personal than your previous releases. What led you to open up more lyrically?

I think it just happened because I am growing. I am learning and I need to tell my truth. The way for me to do that is music. It’s been four years, but, when the moment came, I was ready.

Speaking of four years ago, 2020 was a very big year for you. A lot happened. What are your most vivid memories from that time?

Calambre was the moment. It was really special for me. Winning the GRAMMY was the moment, and then touring with that album was an amazing learning experience for me. I grew up on the stage. 

I grew up as a woman, as an artist, as a performer, maybe as a lover too. You are traveling around the world with so much pressure. Physically, it was a difficult show. I was alone on stage, with my musicians, but no dancers. It was a challenge. 

I grew up in so many ways, but when I finished that tour I was broken. My soul was broken. I was empty. I started looking for myself. It was very tough. 

It sounds like you were experiencing creative burnout.

Yes, my brain was broken, but it was necessary in order to start again. I did an album then, but I decided not to go with that album and to start again. So, it was a very long path. 

You wrote a whole album and then discarded it? What wasn’t working about it?

It was working, but it wasn’t the feelings I wanted to share and the music I wanted to share. Sometimes there are projects whose purpose is just to learn from. It was a process of learning for me. That was a very special moment. 

You start feeling like a failure, but no. It was necessary to go through that to get to Grasa . The things I learned were exactly the things I needed to know to then make this music. 

So, how did you overcome this period of burnout and get to the point where you were feeling creative again?

A lot of therapy. A lot of working on my s— and confronting it.

Is there one song on Grasa that is more intense to perform, or more emotional for you than the others?

"Envidia" is talking real s—. Things happen around you and you need to know who you are and what your intention is. You have to be focused on what you want to bring to the world and not care about anything besides your craft. People are going to talk. Things are going to be crazy. You’ve got to know your choice, your path.

Can you tell me about the song "Corleone"? How do gangster movies inspire you?

I have a song called "Mafiosa." It’s a character I love to perform and I see myself in that character. It’s relatable. The mafia have codes that represent me — not everything [ laughs ] — but, you know, the family, the legacy, working hard, respect. That kind of feeling in music, in cinema, is what I was looking for. I love the aesthetic. I love Tarantino . I love Tony Montana, the character. On stage, I feel like him sometimes. 

I love for a woman to be that type of character. I think it’s interesting. Usually, those kinds of feelings in music or cinema are represented by men. It’s always that way in salsa. If you look at Celia or Gloria , they were always more romantic. Maybe La Lupe was dangerous. For me, it’s important to bring that energy to the music, like, rude, strong, dangerous. Be careful, bitch!

What were some of your specific musical influences while working on this album?

Always folklore and roots, salsa and bolero, but then I was paying attention to Kendrick Lamar and Kanye West . They are a big inspiration for me. 

How do you bridge the gap, or find the connections among your different influences?

I don’t even know. I just do music, really. I go to the studio and I start singing. I just feel it.  I go to the studio, and suddenly I want to sing, and I want to cry. And then another day, I feel powerful and I want drama and aggressive stuff. It’s very honest. The starting point is always the way I feel.

Is it important to you to make music that empowers other women?

Yes. For sure. But it wasn’t ever a strategy, like, "I want to do music for empowering women." I just did my music without direction. Then I discovered people were feeling the power and using it. I feel inspired by that, but it wasn’t the point. 

What does the word " grasa " mean to you?

I chose that word because it’s the strongest word. It’s dirty. It’s funky. But it’s a word that, at least in Spanish, has a lot of meanings. So, I want people to choose the meaning. After listening to the album, you can choose the meaning and maybe redefine it with the album.

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Photo: The Chosunilbo JNS/Imazins via Getty Images

Stream RM's New Album 'Right Place, Wrong Person': See The Tracklist, "LOST!" Video & Special Guests

The second solo album from BTS' RM further displays his knack for genre-bending experimentation, while also delving deeper into his vulnerable side. Listen to the new album here, and get to know the project's featured artists, tracklist and more.

As the world patiently awaits the return of BTS in full force, each member continues to deliver solo projects to show off their individual talents. And 18 months after his last album, RM is back.

With a discography that hops between pop, R&B, and hip-hop, RM returns to the spotlight with his second solo album, Right Place, Wrong Person . The project tells the relatable story of an individual who is a creature of habit, but slowly comes to find solace in foreign spaces.

Below, listen to RM's latest album, and discover more about how he's revealing a new side of his artistry with Right Place, Wrong Person .

The Tracklist

After RM's debut solo album, 2022's Indigo, had 10 tracks (including features from the likes of Erykah Badu , Anderson .Paak ), he ups the tally with an 11-song tracklist this time around.

Here is the complete tracklist for Right Place, Wrong Person :

1. Right People, Wrong Place 2. Nuts 3. out of love 4. Domodachi (feat. Little Simz) 5. ? (Interlude) 6. Groin 7. Heaven 8. LOST! 9. Around the world in a day (feat. Moses Sumney) 10. ㅠㅠ (Credit Roll) 11. Come back to me

The Creative Visuals

Two weeks before the album dropped, he unveiled the music video for "Come Back to Me," the lead single from Right Place, Wrong Person . Directed by the critically acclaimed actor Lee Sung Jin, the music video narrates the tale of feeling like an outsider and yearning for a sense of belonging in unfamiliar surroundings.

Then, on the day Right Place, Wrong Person arrived, RM added to release-day excitement with another intriguing visual, this time for "LOST!" The five-minute clip sees RM as the star of "The Lost! Show," where he and a group endure an eerie whirlwind of scenarios they can't seem to get out of. It's equal parts dramatic and slapstick, and another clever display of RM's creative versatility.

Noteworthy Guests

The featured artists on Right Place, Wrong Person — British rapper Little Simz on "Domodachi" and art-pop artist Moses Sumney on "Around the world in a day" — underscore RM's ability to interlace his own musical style with artists from various genres.

The album also has some notable behind-the-scenes collaborators as well. Production credits include Kim Han-joo, keyboardist and vocalist from the South Korean rock band Silica Gel, on "LOST!" and GRAMMY-nominated jazz duo DOMi & JD Beck on "? (Interlude)."

On "Come back to me" — which RM initially debuted last August during a surprise performance at BTS bandmate Suga's encore concert in Seoul — he delves into the album's central theme of wanting to venture into unknown areas, but feeling the intense urge to stay with what's already known. The track was composed and arranged by OHHYUK from the South Korean indie-rock band Hyukoh, but also features credits from artists Kuo, JNKYRD, and San Yawn.

But no matter who RM is working with, his own talent and prowess as a creator always shines. Right Place, Wrong Person presents a diverse array of tracks marked by sheer vulnerability, honesty, and sensitivity — a masterful continuation of a remarkable solo journey.

K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour

• 1 2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024
• 2 215 Quarterfinalists Announced For The 2025 Music Educator Award
• 3 Twenty One Pilots' Road To 'Clancy': How The New Album Wraps Up A Decade-Long Lore
• 4 Nathy Peluso Is 'Grasa': How Hard-Earned Lessons, The Mafia & A Lost Album Led To Her Most Vulnerable Work
• 5 Stream RM's New Album 'Right Place, Wrong Person': See The Tracklist, "LOST!" Video & Special Guests

Time in Elektrostal , Moscow Oblast, Russia now

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Best restaurants in Elektrostal

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Down captain Michael Dorrian lifts the Richie McElligott Cup at Croke Park. Photo by Ray McManus/Sportsfile

All-Ireland U-20 “B” Hurling Championship (Richie McElligott Cup) Final

Down 0-20 Roscommon 0-11

By Kevin Egan at Croke Park

Down were always the better team as they picked up their second Richie McElligott cup in three years in Roscommon’s expense this afternoon in Croke Park, though it was only in the final 20 minutes that they stamped their undoubted class all over the hallowed Dublin 3 soil and eased to victory.

Shea Pucci at centre back and Finn Turpin in the half-forward line were the key figures as Down took control of the middle third of the field, but they struggled to put early scores on the board and put their first three efforts wide of the target.

Meanwhile Roscommon’s very first attack saw Liam Óg Coyle flick the ball into the path of Seán Canning, who duly split the uprights for the game’s opening score.

And so it continued for much of the first half, with Down doing more of the hurling, but Roscommon making their efficiency count on the scoreboard. Turpin and team captain Michael Dorrian were the next two scorers after Canning’s opener, but Roscommon looked sharp when they got the ball into scoring positions and a lovely long range effort from Ryan Conlon nudged them 0-5 to 0-3 in front by the midway point in the first half.

However, while Down racked up the wides, shooting nine in all the first half, Roscommon missed a couple of good chances too, with Paddy Fallon shooting for goal from nearly 25 metres out when a point might have been the safer option, while Conor Morris turned inside his man well and tried to drive for goal, but looked for a pass when it wasn’t really on – albeit he might have felt aggrieved about the lack of support available.

Turpin pointed on the run and Noah Rogers picked off a good one as Down moved 0-8 to 0-6 ahead after a good run, but a superb effort from Tommy Fleming before half-time would have given Roscommon heart, as they turned around to play with the aid of the swirling breeze, which seemed to blow from the Davin End of the ground.

A run of Paddy Fallon frees, punctuated by scores from Dorrian and Turpin, left it finely poised at 0-10 each with six minutes gone in the second half, but Down were about to step up a gear and leave Roscommon behind.

By now, both sides were guilty of wides, including several Fallon frees, but overall their forward division was starved of possession and gradually, but inexorably, Down started to turn the screw. Turpin, Shea McCarthy, Shea Pucci and Odhran Birt hurled a lot of ball and they could have killed the game with two goal chances, only for the crossbar to save Roscommon on both occasions, first denying Dorrian and then Birt.

Down were undaunted, and the point of the day from the Hogan Stand side from Rogers pushed them three clear, and they never led by less than a goal again.

Canning’s third point of the day didn’t stem their momentum and the last six points of the day all went the way of the Mourne County, with late goal chances for Fallon and Micheál Hussey both blocked to deny the Rossies even a consolation goal on what is their third successive McElligott Cup final defeat.

Scorers for Down: Ben Christie 0-6 (0-5f), Michael Dorrian 0-4, Finn Turpin 0-3, Noah Rogers 0-3, Seán McCarthy 0-2, Pearce Smyth 0-1f, Odhran Birt 0-1.

Scorers for Roscommon: Paddy Fallon 0-5f, Seán Canning 0-3, Ryan Conlon 0-1, Rory Coyle 0-1, Tommy Fleming 0-1.

Down: Pearce Smyth; Leigh Morgan, Ben Taggart, Patrick McGarry; Donal Magee, Shea Pucci, Deaglán Mallon; Seán McCarthy, Odhran Birt; Finn Tupin, Tiernan Connolly, Calum O’ Neill; Ben Christie, Michael Dorrian, Noah Rogers.

Subs : Rory McCamphill for O’Neill (20), Tiernan Kelly for Connolly (41), Conor Leneghan for McCarthy (54), Adam Rogan for Rogers (60+1), Cormac Blaney for Birt (60+2).

Roscommon: Jack Ryan; Jimmy Hoey, James Dillon, Oisín Flynn; Rory Coyle, Tommy Fleming, Micheál Hussey; Keelan Ryan, Liam Óg Coyle; Paddy Fallon, Seán Canning, Ryan Conlon; Rory Lyons, Conor Morris, Brian Mannion.

Subs : Tommy Morris for Conlon (39), James Connolly for Lyons (44), Gavin Meares for Mannion (53), DJ Hession for Flynn (54), Aidan Hoare for R Coyle (60+1).

Referee: Pádraig Dunne (Laois).

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Out of the Centre

Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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• The Doobie Brothers
• the tonight show starring jimmy fallon

Watch Michael McDonald Croon His Doobie Brothers Hit “Takin’ It to the Streets” with Jimmy Fallon and The Roots

by Matt Friedlander May 21, 2024, 2:43 pm

Doobie Brothers singer/keyboardist Michael McDonald visited The Tonight Show Starring Jimmy Fallon on Monday, May 20, to promote his new memoir, What a Fool Believes . McDonald was joined by his friend, actor Paul Reiser, who co-wrote the book with him.

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At the end of the appearance, host Jimmy Fallon handed McDonald and Reiser cordless microphones, as The Roots, The Tonight Show ’s house band, kicked into the 1976 Doobies Brothers hit “Takin’ It to the Streets.”

[Buy Doobie Brothers Concert Tickets]

As McDonald prepared to start singing, he commented to the audience to “sing along if you feel the spirit.” After he crooned the lines, “You don’t know me but I’m your brother / I was raised here in this living hell,” McDonald quipped, “with my gold-plated microphone.”

Fallon then joined in, doing his best impression of Michael’s smooth and throaty voice. McDonald and Fallon then harmonized together, with Reiser also singing a bit.

McDonald’s Previous Tonight Show Performance with Fallon & Justin Timberlake

Before the “Takin’ It to the Streets” performance, Fallon brought up a previous appearance McDonald had made on The Tonight Show where he sang “Row Your Boat” with Fallon and Justin Timberlake, who were both made up to look like Michael.

McDonald on Playing with Steely Dan and The Doobie Brothers

During the interview, Fallon asked McDonald how he wound up as a member of both Steely Dan and The Doobie Brothers.

“The key to that is being fired by one so that [you’re available for] the other one,” McDonald joked.

[RELATED: Donald Fagen Says He Regrets That Michael McDonald Didn’t Replace Him as Steely Dan’s Lead Singer]

He then explained that he’d been in Steely Dan when Donald Fagen and Walter Becker “decided they weren’t going to tour anymore, [which] kind of opened the door for the rest of us to just kind of wander out there in the marketplace.”

McDonald added that Jeff “Skunk” Baxter had gone from playing in Steely Dan to becoming a Doobie Brothers member, paving the way for him to be invited to join the latter group.

Reiser on Co-Writing McDonald’s Book

The 72-year-old Rock & Roll Hall of Famer also credited Reiser for being the motivating factor in the book being written.

Reiser then explained to Fallon, “Everybody’s a big fan of Michael McDonald. But … I’ll go, ‘I don’t know anything. How did this happen?’ And luckily … all those questions get answered [in the book], and I find out, ‘Oh, I get it now. I get how you got to where you are.’ But in the midst of that, there’s all these personal stories that are really beautiful and funny … and very universal.”

McDonald and Reiser Also Played a Game with Fallon

Earlier in the show, McDonald and Reiser played a game of Password against Fallon and Oscar-winning actor Eddie Redmayne. McDonald and Reiser were the winners, correctly coming up with the words “espresso,” “mullet,” and “guacamole.”

McDonald’s Plans for a Book Tour

As previously reported, What a Fool Believes , named after the chart-topping Doobie Brothers hit McDonald co-wrote with Kenny Loggins, was released Tuesday, May 21.

To promote the memoir, McDonald and Reiser will appear together at a series of book-tour events . They’re scheduled for May 21 in New York City, May 22 in Nashville, May 23 in St. Louis, and May 29 in Los Angeles.

McDonald’s 2024 Tour Plans with The Doobie Brothers

McDonald, who rejoined The Doobie Brothers in 2019, will hit the road with the band for its 2024 trek. First up for The Doobies are a series of European concerts opening for the Eagles in late May and June. They include five concerts in Manchester, U.K., and two in Arnhem, Netherlands.

After the European dates, The Doobie Brothers will launch a North American headlining tour. That trek runs from a June 23 concert in Inglewood, California, through an October 16 show in Saint John, Canada.

Tickets for The Doobie Brothers’ concerts are available now via various outlets, including StubHub .

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