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Originally starting out as a duo, OM was formed by two members – Al Cisneros (Bass Guitar and Vocals) and Chris Haikus (Drums) in 2003. They are now a trio, joined by band member Robert Lowe (Percussion, Synthesizer, Vocals and Guitar) and Haikus being replaced by Emil Amos on the drums in 2008. Together they form an experimental drone metal band, from San Francisco, United States. Their earliest work to date is originated from Tibetan and Byzantine rhythms, as you will hear on their first ever album Variations on a Theme, 2005, under the label Holy Mountain. The band’s name ‘OM’ originates from Hindu backgrounds – meaning the natural vibrations from Earth. Said band name to them is the reflection of absolute reality, ‘OM’ in Mantra being the name of God, hence why their songs connote religion. Unlike modern bands, OM also publish their albums on both vinyl’s and cassettes. Their most recent album, Advaitic Gods released in 2012 is their fifth studio album which has received a vast mixture of reviews from fans and critics – fans believed they moved too far away from their original heavy genre as it frequently visits (like their album Pilgrimage – 2007 – and God is Good – 2009) Christian Iconography with an image of John the Baptist on the album cover.

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I consider(ed) myself as a huge OM fan... I saw them live two times before, as I can recall 2008 and 2009. One show on the Roadburn festival was amazing when they still used to play as a duo.

With the years they used to implement more and more other instruments and sounds besides bass and drums, which is - on record - a good addition.

The concert last night was the first time I saw them live as a three-piece. And unfortunately I have to say it was just a huge, huge disappointment.

The bass sound - which used to be warm and lively - just sounded dull. The drummer Emil Amos sounded absolutely great and played tight. But Al Cisneros and the percussionist "Lichens" just could not play tight together. Every song was much much slower than on CD and there was no groove at all.

Overall: the playing sucked and they seemed to be glad to get off stage (no encore after a short 1 h set with no other bands).

Saw OM in DC tonight. I’m a big fan, I like their unique sound and when I heard they were coming I bought tickets like 4 months in advance. I’m glad their opening band WOVENHAND was playing because they stole the show. Wovenhand was great. OM was dull, predictable and monotonous. No groove at all. The drummer, despite respectable skill, plays the same damn patterns over and over, each song is the same. After two songs my girl and I played pinball to pass the time of the rest of the set. It sucked. I was relieved when they finished, and so was the crowd, it began thinning after half of the set, and the second the band said thanks everyone turned and rushed for the door. No one even wanted an encore. They just wanted to get the fuck out of the building and make sure they were still alive and didn’t die of boredom. On the upside, I discovered a much better band... Wovenhand.

The experience of seeing OM live was really something else, however, the sound was unfortunately a bit poor. They played in a church though, so it might have had something to do with that.

The definitive highlight for me would be Thebes.

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Om Concert Setlists & Tour Dates

• Om ( American stoner/doom metal band )
• OM ( Swiss jazz, Urs Leimgruber, Christy Doran, Bobby Burri, Fredy Studer )
• OM ( Ramon Nova )
• OM ( "Singer" "Sober" "Reezons" )
• OM ( spanish jazz-rock )
• Om ( Japanese Happy-Hardcore artist )
• OM ( "Adam" )
• Om ( Japanese 80s group )
• Om ( vocals )
• Öm ( Belgian jazz duo, Pierre-Yves Leman & Stéphane Wertz )
• OM ( Probably US Rapper )
• Om ( German Hard Trance project (Mike Eggert & Olli Kuntzer) )
• Om ( Lost at Last )
• Om ( early 90’s trance/techno collaboration )
• show 12 more

Om at Sister, Albuquerque, NM, USA

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Om at Gothic Theatre, Englewood, CO, USA

Om at metro music hall, salt lake city, ut, usa, om at brooklyn bowl, las vegas, nv, usa.

• State of Non-Return
• Cremation Ghat I

Om at The Nile Underground, Mesa, AZ, USA

• Cremation Ghat II

Om at Lodge Room, Los Angeles, CA, USA

Om at felton music hall, felton, ca, usa, om at aladdin theater, portland, or, usa, om at dicken's pub, calgary, ab, canada, om at fine line music cafe, minneapolis, mn, usa.

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• Cremation Ghat I ( 129 )
• Cremation Ghat II ( 125 )
• Meditation is the Practice of Death ( 117 )
• Bhima's Theme ( 113 )
• Sinai ( 104 )

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The OM stadium Tour

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• The OM stadium tour

To all the OM (‘Olympique de Marseille’, Marseille’s football team) fans out there… have you ever dreamt of going backstage and learning the secrets of this legendary stadium? Whether you’re from Marseille or not, this place is a legend for many and a visit to it won’t leave you indifferent. Let us be your guide and discover what goes on behind the scenes at the Orange Vélodrome, we’ve tested it for you.

Solar, contradictory, bubbling.

The Castellane district. Always lively even on Sundays. You can have a drink with friends, have a coffee before going to work or stroll around the market on Saturday morning.

Off to the Velodrome stadium

After buying our tickets online, we took the metro to the famous Stade Orange Vélodrome . It’s very easy to get to, as it’s located right in the city, and we’re there in just a few minutes. We were immediately impressed by the imposing structure. We followed the directions and went straight to the reception desk, where we were offered audio guides (available on hire), but we preferred to decline and explore the stadium on our own.

We were greeted, virtually, by the President of OM, Pablo Longoria himself! He welcomed us and promised us a great visit.

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Let the visit begin!

So we climbed the stairs, as the Chairman told us, and arrived in a large area where a number of photos, reproductions and key dates were displayed on the wall. The history of the stadium since its construction, its beginnings, its works and of course its important matches, its victories, but also its major events and concerts – a real discovery! We continued our visit with a little tour of one of the famous boxes , where the view over the pitch is fabulous and we realise just how big the stadium is . The privileged few who are lucky enough to be able to watch a match from here must be in for a real treat! We stood there for a while, imagining ourselves surrounded on all sides by ecstatic supporters. After a while, we headed back to the changing rooms, the sports hall, the fitness room and the press conference room , where we took our places behind the podium in the players’ seats – it was almost like being there!

As the tour continues, we put ourselves in the shoes of the players and follow their journey from the dressing room to the pitch. It was to the tune of Van Halen that we took this mythical corridor to tread (just a little) the Vélodrome pitch ! Quite a feeling if you’re an OM fan. We were offered the chance to try out the players’ seats at the edge of the pitch, so we didn’t hesitate for a second and headed for the Olympique de Marseille side!

So here we are, on the edge of the pitch , admiring this huge field and this exceptional pitch, which, it has to be said, is extremely well looked after! Seen from up here, the stadium is truly gigantic, and in a soothing silence, with only a few sounds echoing, you can almost hear the chanting of the supporters, who set the stands on fire the day before!

These seats are decidedly comfortable and we stay here for a long time… But it’s time to leave the place anyway, and head for the stands just above, where the view is just as breathtaking, but the comfort of the seats is not the same!

We end our tour in the trophy room , where the famous Champions League Cup won in 1993 sits on its pedestal, a real treasure trove for Phocaean city supporters.

This visit is a wonderful discovery. You can take it at your own pace, staying as long as you like. When you leave, you’ll know everything there is to know about the history of the Velodrome and, of course, OM!

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The Sound of “Om” Demonstrated

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Yoga Journal co-founder Rama Jyoti Vernon demonstrates a proper Om, syllable by syllable—a-ā-u-ū-m-(ng)-(silence).

Her tutorial is simple enough: To sound the first two syllables, open the mouth wide as if you want to take in the fullness of the universe. Pursing lips together helps stretch out the next two syllables. “It’s like both sides of the brain come together to form an arrow that is sent out with sharp focus,” she says. Place the tip of your tongue on the roof your mouth to sound the last two syllables, m and ng, which symbolize the close of the creation cycle. Let the silence drape over you before inhaling again.

See also Beginner’s Guide to Common Chants + Mantras

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See taylor swift's sizzling costume transition at her eras tour paris show, share this article.

Taylor Swift added seven songs from her newest album — The Tortured Poets Department — to the setlist for her Eras Tour show , and the sold-out crowd in Paris got to see them for the first time on Thursday.

The performances were flawless, adding incredible costumes and choreography to an already amazing show. For the first six songs of the TTPD era, Swift donned a white gown, sometimes with a white jacket similar to that of a lion tamer.

After finishing her performance of “The Smallest Man Who Ever Lived,” Swift fell onto a prop sofa before being helped up to transition into her costume for “I Can Do It With A Broken Heart.” It was perfect.

Taylor Swift's outfit change between "The Smallest Man Who Ever Lived" and "I Can Do It With a Broken Heart" during her Paris Eras Tour show. pic.twitter.com/rdwTqL0M3y — Variety (@Variety) May 9, 2024

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The songs from 'The Tortured Poets Department' that made the cut in Taylor Swift's revamped Eras Tour

Taylor Swift introduced "The Tortured Poets Department" to the Eras Tour in Paris on Thursday, dramatically revamping a set list that'd been relatively static for more than a year.

The Paris La Défense Arena show marked Swift's return to live performing, after her last gig March 9 in Singapore. It was her first time onstage since the April 19 release of "Poets."

Fans had been wondering whether and how "Poets" would be integrated into her setlist, which had been about 45 songs long and largely unchanged since she kicked off Eras in March 2023 in Glendale, Arizona .

In a video Swift recently posted to YouTube shorts , she showcased clips of what appeared to be rehearsals for the upcoming leg of the tour.

Fans were quick to point out costumes and props they hadn't seen before on the Eras Tour — including a short view of her dancers performing with hats and canes, as well as a quick glimpse of a barrier that appeared to show the "TTPD" logo.

That all but sealed the deal that Swift would be ushering in a new era, which came to life Thursday in Paris.

"Poets" made its "Eras" debut in the show's second half and included: "But Daddy I Love Him," "So High School, "Who’s Afraid of Little Old Me?" "Down Bad," "Fortnight," "The Smallest Man Who Ever Lived" and "I Can Do It With a Broken Heart."

The wild card of Swift's Eras shows has been a two-tune acoustic set when she performs two songs not normally included in the shows and speaks to her fans.

Those "surprise" songs that followed the "Poets" set Thursday were the aptly chosen "Paris" on guitar and "loml" on piano. Swift also took the time to tell fans that her nickname for the "TTPD" section is "female rage, the musical," to the crowd's cheers.

The timing of Swift's shows has been consistent all tour long, with performances usually lasting less than 3½ hours. So the "Poets" addition meant the subtractions of several fan favorites.

The first hint that changes were on the way came early in Paris as "The Archer," which had been the show's sixth song, went missing when Swift quickly transitioned from her "Lover" era to "Fearless."

Other Eras stalwarts that vanished Thursday were "Long Live" — added to the setlist after July's release of "Speak Now (Taylor's Version)" — "’Tis the Damn Season," "The Last Great American Dynasty,” “The 1” and “Tolerate It.”

Swift also changed up the order of eras, as her "Red" set — with the beloved, crowd pleasing "22," "We Are Never Ever Getting Back Together," "I Knew You Were Trouble" and the 10-minute-long "All Too Well" — moved up from sixth in the batting order to the No. 3 spot. All "Red" songs that been consistently played on the tour survived Thursday night's cuts.

After "Red" came "Speak Now" and then "Reputation," before Swift launched into her first-ever double-era set — combining sister albums “Folklore” and “Evermore.”

Swift used the European kickoff to usher in a host of wardrobe changes. She donned an orange-and-red bodysuit for "Lover" and a pink-and-blue skater skirt set for "1989" that echoed its original 2014 style.

There were dynamic new introductions for some of the eras, including new choreography before Swift took the stage for "Enchanted."

And when she called out the names of all of her albums before she launched into show opener, "Miss Americana and the Heartbreak Prince," she added "TTPD" to the discography.

Rebecca Cohen is a breaking news reporter for NBC News.

David K. Li is a senior breaking news reporter for NBC News Digital.

Doha Madani is a senior breaking news reporter for NBC News. Pronouns: she/her.

Did Taylor Swift just add a popular UC cheer to her Eras Tour choreography? Maybe

Taylor Swift has called an audible for her upcoming Eras Tour shows .

Following the release of her 11th album, "The Tortured Poets Department," the pop superstar added a handful of new songs to her concert setlist (her Thursday show in Paris was her first since the album came out last month). She also created a new tour logo and added new outfits, which have the internet buzzing.

But one change in particular has Cincinnatians shook.

Videos of Swift singing "So High School," a song seemingly about her relationship with NFL tight end Travis Kelce , have flooded the internet. And one clip appears to show her paying homage to his alma mater: the University of Cincinnati .

In the video, Swift is seen, along with her background dancers, moving her arms in a circular motion before clapping her hands together. A Twitter/X user pointed to a video of Kelce doing a similar move during a game against the Cincinnati Bengals in 2022 .

Need a break? Play the USA TODAY Daily Crossword Puzzle.

Kelce's routine was actually " Down the Drive," a popular UC cheer fans and students do when attending Bearcats sporting events. The school's football team had just played in the College Football Playoff days earlier, so Kelce was showing his support.

It's fair to note, Swift didn't appear to do the entire "Down the Drive" routine. She didn't spell out "U-C" with her arms or anything. So the singer may have just been doing a cheerleader-like dance, which would fall in line with the high school theme of her song. But it's fun to imagine her watching the Bearcats with Kelce.

UC's social media team even reposted the video, along with the words to the famous "Down the Drive" cheer.

Travis Kelce and his brother, Jason, visited UC last month for a live show of their "New Heights" podcast . Bengals stars Joe Burrow and Orlando Brown Jr., and former Bearcats quarterback Desmond Ridder, were also in attendance.

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Katie Maloney Gives a New Look at the Something About Her Exterior Ahead of Its Opening

The  Vanderpump Rules  cast member is almost ready to open the doors of her and Ariana Madix's long-awaited sandwich shop. 

On the April 30 episode of   Watch What Happens Live with Andy Cohen ,  Katie Maloney  and  Ariana Madix  revealed that their long-awaited sandwich shop ,  Something About Her , is finally set to open on May 22. 

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After years of  permit issues,   staffing changes , and  menu tastings , the  Vanderpump Rules  co-owners were excited to share the news of their beloved business. In addition to their appearance at the Clubhouse, Katie took to her Instagram Stories on May 6 to revel in the anticipation around her business' fast-approaching opening date. The West Hollywood resident shared a photo of the Something About Her storefront, looking up at the shop's beautiful black-and-white sign and white lights. 

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Though that was the only photo Katie shared, which gave us just a  small  peek at the exterior of the store, luckily she and Ariana gave BravoTV.com a tour of the space in the video you can watch above. In the video tour, Katie revealed it was " designed by Jon Hutman,  who is Nancy Meyers' production designer," adding, "That was the whole inspiration of this sandwich shop in general. We wanted it to feel like main-character energy in a rom-com."

Katie Maloney & Ariana Madix Reveal Exactly When Something About Her Will Open: "Finally"

Ariana explained, "We also wanted it to feel like us. We wanted it to feel very California yet European," to which Katie added, "California country meets European cafe." 

As Vanderpump Rules  fans saw on   Season 11, Episode 14, which aired on April 30, Ariana and Katie hired  Tom Sandoval 's former assistant Ann Maddox to work at Something About Her. On April 26,  Ann told  The Daily Dish  via email, "I am very excited about my new job at Something About Her. Ariana and Katie are the best bosses a girl can ask for! [I] can’t wait to 'break bread' with all the lovely fans of  VPR  at the sandwich shop. See you soon!"

Does Ann Maddox still work at Something About Her? 

In addition to our interview,  WWHL  host  Andy Cohen asked Katie and Ariana during the aforementioned April 30 episode about Ann's employment status. 

"We got some viewer questions wanting to know how Ann wound up becoming a Something About Her employee, and is she still working for the two of you?" he questioned. 

Ariana shared, "We actually just got a message from her the other day," and noted, "She's had another temporary job."

Watch the video above for a tour of Something About Her. 

RELATED:  Channel the Rom-Com Vibes of Vanderpump Rules' Something About Her Wth This Decor 

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