journey themed songs

20 Best Journey Songs of All Time, Ranked

Posted: April 25, 2024 | Last updated: April 25, 2024

The Top 20 Journey Songs, Ranked

20. “walks like a lady”.

• Album: Departure
• Hot 100 Peak Position: 32

"Walks Like a Lady,” released in 1980 as part of the album "Departure," is a classic rock anthem known for its energetic guitar riffs and soulful message. With its driving rhythm and Steve Perry's strong vocals, the song describes the magnetic power and complexities of women.

19. “After The Fall”

• Album: Frontiers
• Hot 100 Peak Position: 23

"After the Fall" is a poignant ballad exploring post-breakup emotions. It spent 12 weeks on the Billboard Hot 100’s Chart! Steve Perry's emotive vocals convey themes of heartbreak, reflection, and resilience. The song dives into the aftermath of a relationship, portraying vulnerability and eventual strength, showcasing Journey's emotional depth and melodic prowess.

18. “Still They Ride”

• Album: Escape
• Hot 100 Peak Position: 19

This song tells the story of perseverance and determination in the face of adversity. With its melodic hooks and Steve Perry's impassioned vocals, the song chronicles the journey of individuals overcoming challenges, and holding onto hope despite the odds. It's a testament to resilience and the human spirit's ability to endure hardships.

17. "Suzanne"

Album: Raised on Radio

• Hot 100 Peak Position: 17

"Suzanne" is a heartfelt ballad expressing longing and devotion. Steve Perry's soulful vocals convey a man’s deep affection for Suzanne, a woman he can’t have. The song captures the essence of romantic yearning, evoking emotions of love and longing with its melodic arrangement and poignant lyrics.

16. “Be Good to Yourself”

• Hot 100 Peak Position: 9

"Be Good to Yourself" made its way to the top 10 of the Billboard Top 100 list for a reason– it’s an uplifting anthem about self-care! With its upbeat tempo and catchy chorus, the song encourages listeners to prioritize their well-being and pursue their dreams, serving as a reminder to cherish oneself amidst society’s challenges.

15. “Send Her My Love”

"Send Her My Love" is a poignant ballad about longing and regret. Penned by band members Steve Perry, Jonathan Cain, and Neal Schon, the song reflects on a lost love, with the vocalist stating that the girl he loved “needed so much more” than he could give. It’s based on a teenage breakup that Cain experienced– ouch!

14. “Girl Can’t Help It”

This rock anthem celebrates the irresistible allure of a captivating woman. With its infectious rhythm and catchy hooks, the lyrics embody the bittersweet love of a couple who return to each other after a breakup. The man in the song has a “fire in his eyes” for the woman who just can’t help the fact that she needs more.

13. “I’ll Be Alright Without You”

Hot 100 Peak Position: 14

The aftermath of a breakup is discussed in "I'll Be Alright Without You.” The song's lyrics suggest a sense of resignation and acceptance, with the protagonist acknowledging the pain of separation but also expressing determination to move forward and find solace in independence. This heartfelt ballad that resonates with those experiencing the end of a relationship.

12. "Only the Young"

• Album: Vision Quest

"Only the Young" reflects on the resilience of youth and the pursuit of dreams. The first person to hear the song after its creation was 16-year-old Journey fan Kenny Sykaluk through the Make-A-Wish Foundation, one day before his untimely death. It conveys a message of hope and perseverance, urging young listeners to stay strong in the face of challenges.

11. “Stone in Love”

Possessing one of Journey’s many Platinum awards, “Stone in Love” describes the feeling of falling in love, likening it to being “stoned,” or intoxicated by love. The song captures the excitement, passion, and energy of newfound, summer romance. It's a celebration of the joy and thrill that young love brings!

10. “When You Love a Woman”

• Album: Trial by Fire
• Hot 100 Peak Position: 12

"When You Love a Woman" is a tender ballad exploring the depth of love and the commitment it entails. The song delves into the complexities of relationships, emphasizing the importance of communication, understanding, and cherishing each other's presence. It conveys a heartfelt message about the transformative power of love and the willingness to overcome obstacles together.

• Album: Infinity
• Hot 100 Peak Position: 68

“Lights” was one of the first songs that Steve Perry wrote for Journey. Originally written about Los Angeles, Perry eventually changed the lyrics to be about San Franciso. Interpretations suggest it's a reflection on returning home after being gone, capturing the sense of belonging and comfort found in familiar surroundings. This song eventually became a staple on every “Oldies” radio station.

8. “Wheel in the Sky”

• Hot 100 Peak Position: 57

This song was the first Journey song to ever make the Hot 100 list– and for good reason! The lyrics stem from a poem that bass player Ross Valory’s wife, Diane, wrote about the longing she felt for her husband while he was on tour. Valory then revamped the poem to be about missing Diane while on the road, reflected in the lyrics: “Haven’t been home in a year or more, I hope she holds on a little longer.” How sweet!

7. “Lovin', Touchin', Squeezin'”

• Album: Evolution
• Hot 100 Peak Position: 16

This song describes the heartbreak and confusion that comes with being cheated on, with the song’s first lines being “You make me weep and wanna die.” Inspired by Steve Perry’s life, this blues-esque rock anthem convey the depth of infidelity and the turmoil it causes.

6. “Who’s Crying Now”

Hot 100 Peak Position: 4

This chart topper is a poignant ballad featuring Steve Perry's emotive vocals and Neal Schon's melodic guitar. Lyrically, it discusses the complexities of a troubled relationship, with the protagonist pondering who bears the most pain amidst the turmoil, resonating with listeners seeking solace in heartfelt music.

5. “Any Way You Want It”

"Any Way You Want It" is a feel good anthem released in 1980. It's known for its infectious energy, catchy guitar riffs, and memorable chorus. The song expresses a sense of freedom and spontaneity in love, with the protagonist proclaiming their willingness to adapt to their partner's every whim.

4. “Separate Ways (Worlds Apart)”

• Hot 100 Peak Position: 8

"Separate Ways (Worlds Apart)" is characterized by its energetic rhythm, catchy synthesizer riff, and Steve Perry's powerful vocals.The song speaks about the end of a relationship and the emotional fallout. The song became a signature hit for Journey, known for its memorable hook and anthemic quality.

3. “Open Arms”

• Hot 100 Peak Position: 2

This chart topper camped out on the #2 spot of the Billboard Hot 100’s list for a shocking 6 weeks! The lyrics detail the efforts to reignite a relationship between two people who have drifted apart. The singer says, “now I come to you, with open arms, nothing to hide, believe what I say.” A sweet power ballad, this song welcomes listeners with open arms.

3. “Faithfully”

"Faithfully" is a power ballad that explores the challenges and rewards of life on the road for a touring musician. Written by Jonathan Cain, it reflects on the sacrifices made in pursuit of a dream, particularly the strain it places on relationships. Steve Perry's emotive vocals convey the longing for connection despite physical distance, making it a timeless anthem of devotion and dedication.

1. “Don’t Stop Believin'”

The most iconic Journey song, “Don’t Stop Believin’” hasn’t stopped gracing the airways since its release in 1981. This song shot up to the 9th postion on the Top 100s list and stayed on the Billboard 200’s list for 700 weeks! The biggest song of all time, it has sold a stunning 20 million units.

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The 10 Best Journey Songs of All-Time

Journey is the kind of band that inspires intense emotion. Some people hate them, some people love them. Very few people manage to stay indifferent to them. Known for their soulful (some say slushy) ballads, their massive choruses, and their consummate musicianship, this is a band that defines AOR. Their line up may have experienced multiple changes over the years (in fact, the only original member to still remain with the group is lead guitarist Neal Schon) , but their classic hits remain a constant source of pleasure… at least to those who fall on the ‘love’ side of the debate. But which of those hits rank as the best Journey songs of all time? Find out as we reveal the ten finest moments from the band’s back catalog.

10. Girl Can’t Help It

As loudersound.com writes , the production of the 1986 song “Girl Can’t Help It” might be very much a product of its time, but there’s enough good stuff happening elsewhere to make it one of the band’s most enduring classics. Steve Perry’s vocals are a thing of beauty, while Neal Schon’s heavy guitar riffs cut through Jonathan Cain’s velvety keyboards perfectly.

When Perry joined the band in 1977, he meant business. He may have been recruited as a lead singer and frontman, but his talent as a writer soon became evident, as seen in the 1978 song, “Infinity.” It may have charted at a disappointing 68, but its soulful lyrics and Perry’s shining vocals have since tuned it into a concert staple.

8. In My Lonely Feeling / Conversations

Before Journey decided that soulful ballads and power anthems would get them more album sales, they were a jazz fusion band with hints of progressive rock. Some of their earlier work has been criticized as self-indulgent, but there’s still plenty of gems in among the dross. Taken from their 1975 album “In The Beginning,” “In My Lonely Feeling / Conversations” is a psychedelic number that, as recording-history.com notes , has the kind of memorable riff that will have you bobbing your head for days.

7. Lovin,’ Touchin,’ Squeezin’

Big ballads may be what Journey has become best known for, but this is a band with roots in jazz fusion. When it wants to pull out a funky groove, it can, as demonstrated by the electrifying “Lovin,’ Touchin,’ Squeezin’.” As one of the highlights of the 1979 “Evolution” album, “Lovin,’ Touchin,’ Squeezin'” features soaring vocals, heavy guitars, and several moments that would convince even the most committed Journey hater of the band’s merits. As the first Journey single to reach the Top 40 in the United States, “Lovin,’ Touchin,’ Squeezin'” occupies a special place in the hearts of fans, and for good reason.

6. Faithfully

When Cain wrote “Faithfully,” he was channeling his emotions as a rocker on the road with a wife and family at home. The result is wistful, poignant, utterly human, and a timely reminder of Journey’s soulful side The melody, piano backing, and plaintive vocals combine to create what some critics have described as the greatest power ballad ever recorded. In the event, the song outlived the marriage it was written to celebrate: within just four years of it reaching number 12 on the Billboard Hot 100, Cain and his wife had divorced.

5. Any Way You Want It

The Thin Lizzy-inspired track “Any Way You Want It” may not have performed as well as some of Journey’s later singles (it peaked at number 23 on the US Billboard Hot 100 chart), but since its release in 1980, it’s become one of the band’s most popular and revered tracks. Featuring a storytelling style reminiscent of Thin Lizzy’s Phil Lynott along with gliding guitar riffs, it marked a departure from the band’s usual style, but a very welcome one nonetheless.

4. Open Arms

As ultimateclassicrock.com (ultimateclassicrock.com/journey-songs/) writes, the melody for “Open Arms” was pitched by Cain during his time with rock group, the Babys, but singer John Waite decided it was too sentimental to work. Initially, Journey felt the same, with Schon, in particular, dismissing it as too lightweight. Fortunately, Cain won the toss. The track became one of the band’s most commercially successful songs of all time, holding the number 2 spot on the Billboard 100 for 6 consecutive weeks and wining a permanent place in the hearts of Journey fans around the world.

3. Separate Ways (Worlds Apart)

The year was 1983. Journey was riding high on the success of “Escape,” their most commercially successful album to date. Expectations for their follow-up album, “Frontiers,” were riding high. It didn’t disappoint. Its opening track, “Separate Ways (Worlds Apart)” is a hugely enjoyable, powerhouse of a song that features Cain, Perry, and Schon bouncing off each other’s strengths and intertwining to masterful effect.

2. Wheel In The Sky

By 1977, Journey (and quite possibly, their record label) were getting sick of poor album sales. Determined to move the band in a more commercial direction, they hired a new frontman in the form of Robert Fleischman. Differences between Fleischman and the band’s management would ultimately lead to his departure within the year, but his time with Journey wasn’t completely wasted. The proof? “Wheel in the Sky,” a dazzling little number co-written by Fleischman. Featuring a dynamic guitar groove and a heavier beat than we were used to from Journey, it ranks as one of the highlights on “Infinity.”

1. Don’t Stop Believin’

When it came to the number one spot, there was never any real competition. “Don’t Stop Believin'” isn’t just a song. It’s not just an anthem. It’s a seminal moment from the 1980s that managed to make the decade everyone would rather forget that little bit brighter. If you ever come across someone who says they’ve never heard it, don’t trust them. They’re either lying or have never turned on a radio in their life. Either way, they’re best avoided. “Don’t Stop Believin'” is peerless. It’s one of the few songs that everyone, whether they care to admit it or not, likes. The vocals, the musicality, the simplicity…. whatever it is, it makes us happy, and for as long as it does, we’ll keep on belivin’.

No, do not confuse this Thomas Newman with the composer. But I'm still a music lover nonetheless. You'll catch me mostly writing articles about the artists and bands I love. Maybe some theory. Maybe some analysis. Whatever lands in the world of music is something I'm likely interested in. In particular I'm a huge fan of classic rock and the oldies. Zeppelin are among my favorites and Foghat's "Slowride" is one of my favorite tracks.

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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The Best Journey Songs Of All Time

What is Journey's biggest hit? Here are the best Journey songs of all time, ranked by fans everywhere. Journey are indisputably known as one of the greatest rock bands to ever walk the Earth, with former lead singer Steve Perry even crowned "the voice" by many industry moguls. Established in San Francisco, CA, in 1973, Journey has sold out countless concert tours worldwide throughout their five decade career. The arena rock band's legendary music and unparalleled performance style ultimately led to their Rock & Roll Hall of Fame induction in 2017. Some of Journey's top songs include "Don't Stop Believin'" ( Escape , 1981), "Any Way You Want It" ( Departure , 1980), "Lights" ( Infinity , 1978), "Separate Ways (Worlds Apart)" ( Frontiers , 1983), and "Wheel In The Sky" ( Infinity , 1978).

From their new and latest music to their older popular songs, this Journey playlist features all of their greatest hits, according to the fans. Do your favorite Journey songs crack the top 10? Vote up the best songs by Journey, and don't forget to show their underrated tracks love as well.

Don't Stop Believin'

Best Lyrics:

Strangers waiting Up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night

Stone in Love

In the heat with a blue jean girl Burning love comes once in a lifetime She found me singing by the rail road tracks Took me home, we danced by the moonlight

Those summer nights are calling Stone in love Can't help myself, I'm falling

Feeling That Way

Opened my eyes to a new kind of way All the good times that you saved Are you feeling You feeling that way too Or am I just Am I just a fool

Wheel in the Sky

Winter is here again, oh lord Haven't been home in a year or more I hope she holds on a little longer Sent a letter on a long summer day Made of silver, not of clay I've been runnin' down this dusty road

Wheel in the sky keeps on turnin' I don't know where I'll be tomorrow

And being apart ain't easy on this love affair Two strangers learn to fall in love again I get the joy of rediscovering you Oh girl, you stand by me I'm forever yours, faithfully

Separate Ways (Worlds Apart)

Someday, love will find you Break those chains that bind you One night will remind you How we touched and went our separate ways

If he ever hurts you True love won't desert you You know I still love you Though we touched and went our separate ways

When the lights go down in the City And the sun shines on the bay Ooh, I wanna be there in my City, oh Oh, oh, oh

Any Way You Want It

She said, any way you want it That's the way you need it Any way you want it

I was alone I never knew What good love could do Ooh, then we touched Then we sang About the lovin' things

Send Her My Love

Callin' out your name I'm dreamin' Reflections of a face I'm seein' It's her voice That keeps on haunting me

Send her, send her my love Roses never fade Memories remain

Who's Crying Now

One love, feeds the fire One heart, burns desire I wonder who's crying now? Two hearts, born to run Who'll be the lonely one? I wonder who's crying now?

Only the Young

Shadows of a golden age A generation waits for dawn Brave carry on Bold and the strong

Only the young can say They're free to fly away Sharing the same desire Burnin' like wildfire

Ask The Lonely

You've got some fascination With you high expectations This love is your obsession Your heart, your past possession Let down your defenses Won't be up to the one who cares

Still They Ride

Spinning 'round, in a spell It's hard to leave this carousel 'Round and 'round And 'round and 'round

Still they ride, on wheels of fire They rule the night Still they ride, the strong will survive Chasing thunder

Touchin', Lovin', Squeezin'

It won't be long, yes, till you're alone When your lover, oh, he hasn't come home 'Cause he's lovin' who he's touchin', he's squeezin' another

He's tearin' you apart Ooh, every day, every day

Just The Same Way

Take a chance now the timing's right. You're free to leave the key to my life. Stay with me. Won't you stay the night, In the mornin' feelin' fine, yeah.

That's the same way you love me. 

Girl Can't Help It

If he could hold her, so close in his arms again If she could show him The letter her heart forgot to send why They're livin' dreams on their own Ooh they'll never stop running

The girl can't help it, she needs more He hasn't found what he's lookin' for They're still standing in the rain He can't help it, and she's just that way

Be Good To Yourself

Runnin' out of self-control Gettin' close to an overload Up against a no win situation Shoulder to shoulder, push and shove I'm hangin' up my boxin' gloves I'm ready for a long vacation

Be good to yourself when, nobody else will Oh be good to yourself You're walkin' a high-wire, caught in a crossfire

I'll Be Alright Without You

I'll be alright without you Oh love's an empty face, I can't replace (You don't need it) People wonderin' why we broke apart The great pretender here I go again These things I do (It's all because of you) I'll keep holdin' but I'll try (Try not to think of you)

Mother, Father

Through bitter tears And wounded years, those ties Of blood were strong So much to say, those yesterdays So now don't you turn away.

Hey, mother, father, sister Hey, come back, tryin', believein' Hey, mother, father, dreamer

The Party's Over (Hopelessly In Love)

So I will tell you this, Our love is in a fix. Just what more can I do. When I'm hopelessly in love with you?

When You Love A Woman

When you love a woman You see your world inside her eyes When you love a woman (Well) You know she's standing by your side A joy that lasts forever There's a band of gold that shines Waiting somewhere, oh, yeah

After The Fall

But a head strong stubborn man Only works it out the best he can Valentines he never sent There's not enough time he's a working man

Can't stop falling Heartaches calling Finds you after the fall

I see your face at the movies I hear your voice on the radio You're making love on the silver screen I want you more than you will ever know Temptation...Infatuation

Suzanne, don't walk away

Why Can't This Night Go On Forever

Lost in twilight, the memories Precious moments, you and me We've been old friends, all through the years Picture postcards, sharing tears

What's in our hearts, there's never time, to say Need you tonight, lover don't fade away I've seen your city lights As I walk away Why can't this night...go on forever

After All These Years

A faded wedding photograph You and me in our first dance Our eyes are closed We're lost in one sweet embrace Since those days the world has changed But our love remains the same God knows we've had our share of saving grace

Where Were You

I didn't know what the hell was goin' on, Someday you're gonna break. So don't try to get yourself straight, You're just a little too late.

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All 173 Journey Songs Ranked Worst to Best

Journey 's discography will always have a clear line of demarcation: before Steve Perry and after Steve Perry. That makes sense on a couple of levels. The albums they made together remain Journey's best-selling and best-loved. But, as the following list of All 173 Journey Songs Ranked Worst to Best shows, the band did important work before he arrived and it's had some perhaps overlooked successes afterward. ( Revelation , their first with current singer Arnel Pineda , was a platinum-selling No. 5 hit, for instance.)

So, we decided to take a complete accounting. Whether you're a fan of original contributions by Gregg Rolie or Jonathan Cain , George Tickner or Steve Augeri, they're all here. The only thing we left out were live takes and cover songs including Perry's version of Sam Cooke's "Good Times" from the Time3 box and Pineda's return to earlier Journey songs on Revelation . Which one will end up on top? Keep scrolling as we count them all down on the following list of All 173 Journey Songs Ranked Worst to Best.

No. 173. "Back Talk" from 'Frontiers' (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn it this spot.

No. 172. "Gone Crazy" from 'Generations' (2005)

For a singer, co-founding member Ross Valory is a terrific bassist.

No. 171. "Can Do" from 'Infinity' (1978)

Actually, can't.

No. 170. "Butterfly (She Flies Alone)" from 'Generations' (2005)

Steve Augeri, Perry's first replacement, drew a bad hand. He had to follow a legend, to lead a difficult transition after Journey was dropped by Columbia Records, to endure gimmicky moves like sharing the mic with everyone in the band, then to step aside after faltering out on the road. But this misfire was all his.

No. 169. "Baby I'm a Leavin' You" from 'Trial By Fire' (1996)

If you were wondering what Journey would sound like as a reggae band.

No. 168. "Venus" from 'Eclipse' (2011)

As Journey co-founder Neal Schon consolidated his latter-day power, a long-dreamt-of goal of a guitar-focused Journey album – on hold since 1977's Next – finally came to fruition. This freed Pineda, a former cover-band singer Schon found on YouTube, from the trap of sounding exactly like Steve Perry. But it also opened the door for plenty of indulgent Schon-related moments. Eclipse inevitably ended with yet another three-and-a-half minutes of Schon.

No. 167. "Pride of the Family" from 'Generations' (2005)

Augeri had to have been dismayed as some of the best material on his second album went elsewhere – including "A Better Life," found later on our list of Journey Songs Ranked Worst to Best. But Jonathan Cain's thin, objectively lazy bonus track (he swipes a line from .38 Special ) isn't one of those times.

No. 166. "The Journey (Revelation)" from 'Revelation' (2008)

If you're wondering what Journey would sound like as a boring fusion-jazz band.

No. 165. "Human Feel" from 'Eclipse' (2011)

Eclipse at its worst took Eclipse at its best to a mind-numbing zenith. What's missing on this pummeling, endlessly propulsive track is, ironically enough, human feel. It's is all head, no heart.

No. 164. "After All These Years" from 'Revelation' (2008)

Another of Journey's undeniably well-crafted, but often un-involving later-period ballads.

No. 163. "Departure" from 'Departure' (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.

No. 162. "I'm Cryin'" from 'Departure' (1980)

Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.

No. 161. "Every Generation" from 'Generations' (2005)

This is the first time Cain had been at the mic since singing lead on "All That Really Matters," a Frontiers -era leftover found elsewhere on our list of Journey Songs Ranked Worst to Best. Admittedly, he's a better singer than Ross Valory, but not Deen Castronovo – and certainly not Augeri. A missed opportunity.

No. 160. "Positive Touch" from 'Raised on Radio' (1986)

The demos for Raised on Radio were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Part way through the sessions, it became the latter. "They felt that the drum machine itself was part of the compositions," Smith later complained in Don't Stop Believin': The Untold Story of Journey . "I started feeling that it wasn't a band, and it certainly didn't have the same band approach as when we wrote collectively."

No. 159. "La Do Da" from 'Infinity' (1978)

Steve Perry's initial collaborations with Schon were a revelation. So many of the group's foundational songs emerged from those initial writing sessions. And then there was this.

No. 158. "Liberty" from 'Time3' (1992)

If you were wondering what Journey would sound like as a country band.

No. 157. "Troubled Child" from 'Frontiers' (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 156. "Wildest Dream" from 'Revelation' (2008)

Schon wants to rock, and he's always talking about rocking, so every once in a while they let him rock. The results are sometimes better than those undeniably well-crafted, but often uninvolving later-period ballads. And sometimes, as with "Wildest Dream," they are not.

No. 155. "Into Your Arms" from 'Time3' (1992)

One of a pair of unfinished jams from the Raised on Radio sessions that were later completed for release as part of the Journey's Time3 box set, and the less interesting of the two.

No. 154. "Tantra" from 'Eclipse' (2011)

Pineda spends most of the album inhabiting a fresh, almost feral persona, which makes this downshift into required balladry even more jarring. He sings like it's required too, recalling every Perry tick he can manage without giving any of himself to the lyric.

No. 153. "Lady Luck" from 'Evolution' (1979)

Journey join a number of artists who have sung tracks called "Lady Luck," including Deep Purple , Rod Stewart and David Lee Roth . Come to think of it, none of those are really any good either.

No. 152. "Karma" from 'Next' (1977)

The last pre-Steve Perry album ends with a grinding, unfocused rocker featuring Schon at the mic. Changes were coming.

No. 151. "Resonate" from 'Eclipse' (2011)

There might have been a hook buried in this song somewhere. Schon's army of guitars marched right over it, though.

No. 150. "Happy to Give" from 'Raised on Radio' (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.

No. 149. "Ritual" from 'Eclipse' (2011)

Imagine one of those classic-era mid-tempo Journey tracks, but in a wild-eyed 'roid rage. Settle down, boys.

No. 148. "What I Needed" from 'Revelation' (2008)

There's slightly more drama here than on the weirdly slack "After All These Years," but Journey seemed to be struggling to update their tried-and-true ballad style in Augeri's absence. Pineda co-wrote this song, but he's utterly subsumed in the trademark Journey sound. He ends up sounding like the nondescript tribute singer he once was.

No. 147. "Topaz" from 'Journey' (1975)

There's no denying the level of musicianship here. It's just not very interesting music.

No. 146. "Believe" from 'Generations' (2005)

Any good coach will tell you players have to be positioned to their strengths. So if you have Jonathan Cain available to play, you let Jonathan Cain play, right? Instead, we find Augeri at the keyboard on a repetitive song that becomes pure drudgery. "Well, I have a love and a desire to play the piano, and I love the way Jon plays and I get a chance to listen to him every night," Augeri told Melodic Rock in 2005. "So, he has influenced my writing and my arranging." Seriously, though, coach: Put Cain in.

No. 145. "Chain of Love" from 'Eclipse' (2011)

Journey spend roughly a minute and a half lulling you into thinking that they've put the sledgehammer away. Then: nah.

No. 144. "In the Morning Day" from 'Journey' (1975)

This serviceable mid-tempo song abruptly turns into mostly shapeless jam.

No. 143. "Change for the Better" from 'Revelation' (2008)

A Journey-by-the-numbers tune, kicked into another gear by Pineda's undeniable energy.

No. 142. "La Raza Del Sol," B-side of "Still They Ride" (1981)

The song's heart in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.

No. 141. "Let It Take You Back" from 'Revelation' (2008)

This was the first bonus track on Pineda's initial studio album with Journey, and a much better conclusion that Schon's amorphous instrumental "The Journey (Revelation)."

No. 140. "All the Things" from 'Arrival' (2001)

The last thing Augeri – a largely unknown Brooklyn-born singer trying to separate himself from the obvious Steve Perry comparisons – needed to be saddled with was an anonymous rocker. But that's what he was given.

No. 139. "Knowing That You Love Me" from 'Generations' (2005)

Jonathan Cain has been trying to write the next "Faithfully" since the day after he brought it into a Journey recording session. He still hasn't found it.

No. 138. "Mother, Father" from 'Escape' (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.

No. 137. "I Got a Reason" from 'Arrival' (2001)

This isn't as a faceless as "All the Things," but it's close.

No. 136. "The Time" from 'Red 13' (2002)

After a promising opening track that tapped the band's Journey's early fusion-loving roots, "The Time" falls back into more comfortable, and far less intriguing, blues rock.

No. 135. "Better Together" from 'Generations' (2005)

Augeri boasts a rare co-composing credit on a Glenn Hughes -ish song that tries very hard to be heavy, to be anthemic, to be defiant. Too hard, actually.

No. 134. "Majestic" from 'Evolution' (1979)

An abbreviated multi-tracked instrumental that was used as this album's opening theme, their last with producer Roy Thomas Baker. It's probably best remembered as the taped intro music for Journey concerts during this era.

No. 133. "Colors of the Spirit" from 'Trial By Fire' (1996)

This seemed like it was going to be more intriguing. They begin (and end) with a vague world-music feel, but return to expected post '80s-era Journey-isms in between.

No. 132. "All That Really Matters" from 'Time3' (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.

No. 131. "With Your Love" from 'Arrival' (2001)

Unfortunately, "With Your Love" doesn't live up to the thoughtful reinvention surrounding "Loved by You," found later in our list of Journey Songs Ranked Worst to Best.

No. 130. "Homemade Love" from 'Departure' (1980)

Despite discovering a newfound chart prowess, Journey were still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.

No. 129. "One More" from 'Trial by Fire' (1996)

The first in a number of Trial by Fire songs that made overt faith references. That became an underlying theme on the album, sparked when Perry arrived at the sessions carrying a Bible.

No. 128. "Never Too Late" from 'Generations' (2005)

Augeri was probably relieved to learn that Castronovo didn't get all the good songs.

No. 127. "To Be Alive Again" from 'Arrival' (2001)

There's nothing too offensive about this one, but nothing all that interesting either.

No. 126. "I Can Breathe" from 'Red 13' (2002)

This often-forgotten EP was initially self-released as a thank-you note to fans after Journey lost their longtime label support from Columbia. It's formatted as a kind of four-song travelogue through their history, with a proggish track, a blues rocker, the expected ballad and a more uptempo melodic rocker. The latter is the least interesting of the bunch. Augeri is in fine voice, but he's saddled with poor material.

No. 125. "Nothin' Comes Close" from 'Arrival' (2001)

This deep into Side Two of the ballad-heavy Arrival , basically any rocker was a relief. Even one this generally unimaginative.

No. 124. "To Whom It May Concern" from 'Eclipse' (2011)

Pineda's crying vocal gives this otherwise rather mechanical slow song a notable emotional underpinning.

No. 123. "Live and Breathe" from 'Arrival' (2001)

Yes, another ballad. At this point, even Neal Schon was, like, "Dude, really?" And he was listed as co-composer on almost all of them. "Yeah, I did write a lot of music on this album with Jon and everybody else this time – a lot of ballads and a lot of rock too," Schon told Melodic Rock in 2001. "But I had no idea that, you know, they'd pick every ballad that all of us wrote, you know what I'm saying?"

No. 122. "Dixie Highway" from 'Captured' (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 121. "Livin' to Do" from 'Arrival' (2001)

This song doesn't live up to thoughtful reinvention surrounding "Loved by You," either. It nevertheless holds an important place in the band's catalog because of a strong connection with Neal Schon's father Matt, who had earlier co-writes on "Winds of March" and "Mother, Father." "It was a couple of years before he passed away, and it was one of the last things that him and I sat down on a piano and we were playing together," Schon told Melodic Rock in 2001. He presented the rough idea to Cain and lyricist Kim Tribble, "and before the day was out, that song was sitting there. We really didn't change much at all in the studio on that one from the demo."

No. 120. "It's Just the Rain" from 'Trial By Fire' (1996)

Perry achieves a sweet sense of reverie, his most favored place, but the surroundings owe too much to rather boring solo forays into smooth jazz by Cain and Schon.

No. 119. "Lifetime of Dreams" from 'Arrival' (2001)

Journey's inventive call-and-response, first vocally and then with Schon's growling guitar, lifts an otherwise somewhat rote ballad to the next level.

No. 118. "The Place in Your Heart" from 'Generations' (2005)

Augeri sings his guts out, but this kind of undistinguished Cain/Schon-composed melodic rock is why Generations sunk to a paltry No. 170.

No. 117. "Keep On Runnin'" from 'Escape' (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.

No. 116. "Trial by Fire" from 'Trial by Fire' (1996)

This track made direct reference to verses in 2 Corinthians, underscoring once again how Cain's long-dormant songwriting partnership with Perry was reborn through a shared interest in scripture. "It was refreshing," Cain later told the Christian Post . "We wrote about 'treasures in jars of clay, let the light shine in the darkness.' I thought, 'This was fresh.' That was my first encounter with scripture and music, and I have been a believer all my life." Cain later returned to the theme on 2016's What God Wants to Hear , which consisted exclusively of faith-based songs.

No. 115. "Next" from 'Next' (1977)

Journey remind you of their canny knack for achieving liftoff here, but this time it's only window dressing for a song that doesn't feel completed.

No. 114. "Remember Me" from 'Armageddon: The Album' (1998)

Steve Augeri's first song with Journey was actually a soundtrack contribution that arrived years before his official full-length debut on 2001's Arrival . "Remember Me," unfortunately, was more utilitarian than memorable. They'd incorporated a nifty soundalike, but still needed to figure out how to draw out something creative from what began as a blatantly commercial decision.

No. 113. "Still She Cries" from 'Trial by Fire' (1996)

See "It's Just the Rain."

No. 112. "Dead or Alive" from 'Escape' (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.

No. 111. "City of the Angels" from 'Evolution' (1979)

"Lights," found later on our list of Journey Songs Ranked Worst to Best, was originally about Los Angeles , before Perry shifted its locale to his new home base in San Francisco. He later returned to the idea of paying tribute to L.A., with much poorer results.

No. 110. "I Can See It in Your Eyes" from 'Trial by Fire' (1996)

The obvious goal of getting the early-'80s lineup back together was to recreate the sound of that era – and they did that here. Unfortunately, it was the sound of their throwaway stuff on Side Two of Frontiers .

No. 109. "With a Tear" from 'Time3' (1992)

A leftover instrumental track from the Raised on Radio -era that Schon and Cain returned to finish in 1992. After "Be Good to Yourself," this would have been the edgiest thing on the album, had it come to fruition earlier.

No. 108. "Can't Tame the Lion" from 'Trial by Fire' (1996)

See "I Can See It in Your Eyes."

No. 107. "Kiss Me Softly" from 'Arrival' (2001)

One of four Jack Blades co-writes on Arrival , "Kiss Me Softly" started out as a much heavier vehicle for a Schon riff before the Night Ranger singer-bassist suggested they move in a different direction. It worked.

No. 106. "Escape" from 'Escape' (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs.

No. 105. "Winds of March" from 'Infinity' (1978)

Credited to a crowd including Matt and Neal Schon, Fleischman, Rolie and Perry, "Winds of March" actually sounds like a meeting of two minds: Perry, who deftly croons his way through the first two minutes, and his new bandmates – who absolutely tear through the remaining three.

No. 104. "Someone" from 'Eclipse' (2011)

The penultimate moment on Journey's heaviest album since the pre-Perry days was – wait, what? – a pop song. And a pretty good one, to boot. It's like a fever that just broke.

No. 103. "Line of Fire" from 'Departure' (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."

No. 102. "Signs of Life" from 'Arrival' (2001)

This appropriately titled song emerged from a period of deep uncertainty, when Schon and Cain were still waiting for Perry to make up his mind about rejoining Journey. "I said, Why don't we start writing?" Schon told Melodic Rock in 2001. "I mean, you know, maybe Steve will decide that he wants to come back, maybe he won't. But at least when we decide what we're going to do, and we figure out what's going on, we won't be starting right at the beginning again." Steve Augeri eventually stepped in, and they had a ready-made song to help introduce him to fans.

No. 101. "Precious Time" from 'Departure' (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 100. "Lay It Down" from 'Escape' (1981)

Smith approximates co-founding drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.

No. 99. "Turn Down the World Tonight" from 'Revelation' (2008)

Pineda breaks the mold here, following Augeri's example of doing more with less emoting. There's another twist: "Turn Down the World Tonight" appears headed toward an almost operatic conclusion before they switch gears again, ending on a nicely placed grace note.

No. 98. "Midnight Dreamer" from 'Look Into the Future' (1976)

The book on Journey was always that Steve Perry arrived and they suddenly shook themselves awake to commercial considerations. One listen to "Midnight Dreamer," and a good portion of the album it originated from, makes a powerful counter-argument. They still stretch out – dig that crazy keyboard solo! – but "Midnight Dreamer" wasn't that far from what album-oriented radio was playing at the time.

No. 97. "Chain Reaction" from 'Frontiers' (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.

No. 96. "Once You Love Somebody" from 'Raised on Radio' (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.

No. 95. "What It Takes to Win" from 'Revelation' (2008)

Pineda lets a roughness slip into his vocal, and a little bit more of himself. "What It Takes to Win" is better for it. He was 40 when he joined Journey, a fully formed singer in his own right. He deserves a lot more of these moments.

No. 94. "For You" From 'Time3' (1992)

An important, if not entirely successful, Robert Fleischman-sung track from the demo phase for 1978's Infinity . Journey were already headed toward a more compact, radio-ready direction, even before Perry arrived.

No. 93. "World Gone Wild" from 'Arrival' (2001)

The Augeri-era Journey lineup credibly recreates a "Separate Ways"-type groove, switching things up with a spacious, inspirational bridge.

No. 92. "Never Walk Away" from 'Revelation' (2008)

Arnel Pineda came bursting out of the gates with the opening track on his first Journey studio effort, singing with power to spare. Kevin Shirley, back for his third Journey album after 1996's Trial by Fire and 2001's Arrival , turns everything up around Pineda – in particular Schon.

No. 91. "In My Lonely Feeling / Conversations" from 'Journey' (1975)

The cool interplay between Schon and quickly departed co-founding rhythm guitarist George Tickner is perhaps best showcased on this composition by Rolie and Valory. Tickner was given two subsequent songwriting credits for 1976's Look Into the Future , but was already gone by the time it was released.

No. 90. "I'm That Way" from 'Arrival' (2001)

Augeri's ability to handle this kind of lithe, very Steve Perry-esque ballad is precisely why they brought him in. Unfortunately, you'll have to search way too hard to find it: For some reason, Journey originally tucked "I'm That Way" away as a bonus track on the Japanese version of Augeri's debut.

No. 89. "Natural Thing," B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.

No. 88. "People" from 'Next' (1977)

Journey get proggy, and it would've worked – a few years earlier.

No. 87. "Easy to Fall" from 'Trial by Fire' (1996)

Presented in their classic arena-ballad style, but without much to differentiate it from other, better, more popular iterations, "Easy to Fall" is the sound of Journey trying to sound like Journey. This would go on for a while.

No. 86. "Walkin' Away from the Edge" from 'Red 13' (2002)

Before being felled by vocal issues, Augeri was able to convey a depth, a relative darkness, that no other Journey singer since Gregg Rolie could touch.

No. 85. "On a Saturday Nite" from 'Look Into the Future' (1976)

Rolie opens their second album with an approachable, yet still tough-minded song that confidently moves Journey more toward traditional classic rock, if not all the way over to the pop-leaning sound that later sent them to the top of the charts.

No. 84. "Rubicon" from 'Frontiers' (1983)

This song drove a seemingly permanent wedge in the band. Schon was playing "Rubicon," he told The New York Times in 2003, when Perry came over and turned down his amplifiers. "They want to hear the voice," Schon remembered Perry saying. "That was the start of it for me." They put out only two more albums together, and it took them 13 years to do it.

No. 83. "Look Into the Future" from 'Look Into the Future' (1976)

Everybody was into Led Zeppelin at this point, including Journey.

No. 82. "When I Think of You" from 'Trial by Fire' (1996)

"When I Think of You" appeared on Journey's Perry-curated Greatest Hits 2 not because of its chart history, but because of what it meant to him. Perry wrote this little-known deep cut after his late mother appeared, happy and healthy, in a particularly vivid dream. "She had been sick for so long that this was what I needed to know – even if it was a dream," Perry said in a 2011 fan Q&A . "I later went to Jon Cain's and told him I wanted to write a song about this experience and started singing a melody, and we finished it together."

No. 81. "She Makes Me (Feel Alright)" from 'Look Into the Future' (1976)

"She Makes Me (Feel Alright)" builds on Rolie's album-opening foray into more digestible song structures, though Schon's metallic asides nearly push it into hard rock.

No. 80. "Loved by You" from 'Arrival' (2001)

Augeri updates the patented Journey ballad model by staying modulated, singing with a steadier, quieter certitude. That showed no small amount of guts. Problem: This was not what Journey fans wanted. Arrival stalled at No. 56, the group's worst finish since Next in 1977.

No. 79. "Mystery Mountain" from 'Journey' (1975)

"The way I look at the early Journey stuff is, if we played that now, we'd be out with Phish, or the [Dave] Matthews Band ," Rolie remembered in 2011 . "We were a great jam band." Exhibit A: their trippy debut album-closing "Magic Mountain," written by Rolie and Tickner with help from Ross Valory's wife.

No. 78. "Frontiers" from 'Frontiers' (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for warmongers: "War is for fools; crisis is cool."

No. 77. "In Self-Defense" from 'Generations' (2005)

A track that had been bouncing around since Schon's 1982 Here to Stay collaboration with Jan Hammer. That version showcased Journey's early-'80s lineup (minus Cain) at the peak of their increasingly rare heavy-rocking form. Same here, with Castronovo in place of Steve Smith. They miss Perry's elevating vocals during the solo, though.

No. 76. "It Could Have Been You" from 'Raised on Radio' (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.

No. 75. "She's a Mystery" from 'Eclipse' (2011)

A lovely, Pineda co-written acoustic aside, "She's a Mystery" is that rare moment on Eclipse where Journey take their foot off the gas without swerving into power-ballad cliche.

No. 74. "Sweet and Simple" from 'Evolution' (1979)

Perry brought this dream-like song with him, having written it years before while looking out over Lake Tahoe. Journey completed it with a quickly ascending final segment that matched now-patented multi-tracked vocals with a Schon's typical pyro.

No. 73. "All the Way" from 'Arrival' (2001)

In their first album without Perry, Journey clearly had an eye on recapturing the successes they found when Jonathan Cain joined the band in the '80s. Cain was game, co-writing this instantly familiar love song with Schon, Michael Rhodes and the recently installed Steve Augeri. "All the Way" may not have been a big hit, but it showed Journey could still be Journey even without their famous former frontman.

No. 72. "Cookie Duster" from 'Time3' (1992)

Journey's label asked that they replace this underrated Ross Valory instrumental with something more commercial for 1977's Next . The album stalled at No. 85 anyway.

No. 71. "Anything Is Possible" from 'Eclipse' (2011)

On an project that boldly reanimated the wide-open heavy fusion of Journey's original '70s-era records – a period when Schon fiercely pulled and stretched his muse – "Anything is Possible" gave Arnel Pineda an opportunity to showcase his pop-star sensibilities. There's a feeling of soaring expectancy here that balances the tough, guitar-focused tracks found elsewhere on Eclipse .

No. 70. "Where Were You" from 'Departure' (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. They were just coming off an opening gig with AC/DC at this point, and clearly the headliner's knack for outsized, riffy rockers rubbed off.

No. 69. "Spaceman" from 'Next' (1977)

Co-written by Aynsley Dunbar and Gregg Rolie, "Spaceman" offers Journey fans some of the most obvious initial flowerings of a pop sensibility. They placed it first on the album, and released it as a single – to no avail. "Spaceman" failed to chart as a single, and Journey were ordered to rework their lineup. They briefly added Robert Fleischman — who arrived shortly after the album’s release, toured with the band and even received co-writing credit on three songs for Journey’s following album — but eventually settled on Perry.

No. 68. "Castles Burning" from 'Trial by Fire' (1996)

A badly needed rocker on an album that too often played down to their ballad- and mid-tempo-loving fan base.

No. 67. "Beyond the Clouds" from 'Generations' (2005)

A slow burner co-written by Steve Augeri in his final outing with the band, "Beyond the Clouds" illustrates why he was such a good initial fit. Augeri's ability to elevate, as this track zooms into the stratosphere, and then to wind down into a whispery vulnerability recalls a Certain Other Steve. This wouldn't prove to be his principal strength, but it mattered at the time.

No. 66. "Like a Sunshower" from 'Revelation' (2008)

Schon couldn't have done a better job of smoothing the way for the just-arrived Pineda than he did on "Sunshower," which begins with a lick straight out of "Stay Awhile" from Departure . Fans reacted positively, making Revelation Journey's first platinum-selling project since Trial by Fire , their last with Perry.

No. 65. "Little Girl," B-side of "Open Arms" (1981)

"Little Girl" was the most Journey-sounding thing on 1980's Dream After Dream , which isn't really part of the band's catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey were already on a pop-chart roll after the Top 25 hits "Lovin,' Touchin,' Squeezin'" and "Anyway You Want It." Unsurprisingly, Dream After Dream disappeared without a trace once Journey issued their multi-multi-platinum smash Escape a year later. This too-often-overlooked song has since became known — if it was known at all — simply as a B-side to the "Open Arms" single.

No. 64. "Out of Harms Way" from 'Generations' (2005)

A hard-nosed war song, "Out of Harms Way" was handled with an eye-opening aggression unique to Journey, thanks to the gone-too-soon Augeri.

No. 63. "It's All Too Much" from 'Look into the Future' (1976)

Journey drill down to the marrow on this throwaway piece of psychedelia, finding a seriously nasty groove beneath the Beatles ' old atmospherics.

No. 62. "Raised on Radio" from 'Raised on Radio' (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. It's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, he also could see himself as a DJ, rather than a huge pop star. "I love radio," Perry said in that 2011 fan Q&A. "I think the idea of playing whatever music comes to your mind and talking about it is exciting to me."

No. 61. "City of Hope" from 'Eclipse' (2011)

You could say Schon is an unstoppable force on this song, except that Pineda – in one of his most impressive vocal performances – is every bit the equal of his molten riffs. At least at first. Eventually, Schon and company step forward for a floorboard-rattling, song-closing jam that edges all the way into fusion. Journey, who saw Eclipse become the second consecutive Pineda-sung Top 20 album, haven't sounded this wide open since the Jimmy Carter administration.

No. 60. "Nickel and Dime" from 'Next' (1977)

This very Mahavishnu Orchestra-influenced instrumental was originally constructed in three parts. The final section was ultimately cut off, however, leaving a pair of segments with unusual Aynsley Dunbar signatures – thus the name, "Nickel and Dime."

No. 59. "Higher Place" from 'Arrival' (2001)

Journey again move beyond Augeri's similarities with Perry on this composition by Schon and Jack Blades, which at one point has an almost a proggy feel. In that way, "Higher Place" references the group’s previous successes, but ultimately uses them as a foundation for something new.

No. 58. "Message of Love" from 'Trial by Fire' (1996)

A continuation of the untroubled sleekness of Raised on Radio -era Journey, this could have easily passed as a Steve Perry solo track.

No. 57. "Red 13 / State of Grace" from 'Red 13' (2002)

Journey return after the soft rock-dominated Arrival with a scorching, fusion-kissed EP-opening song. They spend two minutes easing into things before launching into a wrecking-ball groove – and Augeri is with them, step for breathless step.

No. 56. "I'm Gonna Leave You" from 'Look Into the Future' (1976)

Early rhythm guitarist George Tickner – he joined after a stint in the San Francisco psych-rock band Frumious Bandersnatch with Ross Valory – wasn't around long. He left behind this intriguingly offbeat 5/4 shuffle for fans to ponder what might have been.

No. 55. "A Better Life" from 'Generations' (2005)

Poor Steve Augeri. One of the best moments on his final album with Journey is this delicately conveyed track, featuring one of Schon's more restrained turns. And Deen Castronovo on vocals.

No. 54. "Where Did I Lose Your Love" from 'Revelation' (2008)

Here's Pineda's version of the familiar arena-ballad Journey sound, which is, on one level, very much in the style of their Escape / Frontiers era. Castronovo and Cain, who co-wrote this track with Schon, even close things out with a fierce entanglement that also must have brought older fans right back to "Separate Ways." But Pineda adds a few new wrinkles along the way to ultimately move past the same old Perry comparisons.

No. 53. "Ask the Lonely" from 'Two of a Kind' (1983)

"The guy can write love songs in his sleep," Jonathan Cain said of Perry in the liner notes for Journey's Time3 box set. Unfortunately, this only-okay leftover is an example of that assembly line-type approach. That said, "Ask the Lonely" is still better than most of the stuff on the back end of Frontiers .

No. 52. "Faith in the Heartland" from 'Generations' (2005)

The urge to return to an everyday working-stiff theme has been almost unavoidable for a group that, in no small way, is best remembered for "Don't Stop Believin.'" And yet "Heartland" never slips into tribute – or, worse still, parody. Credit goes most of all to Augeri, who strikes a visceral pose on upbeat tracks like this one, singing every line as if his whole heart is in it. Unfortunately, Generations went nowhere, and Augeri – citing throat problems – was gone after just two albums with Journey.

No. 51. "Lovin' You Is Easy" from 'Evolution' (1979)

Starts out as another cookie-cutter '70s-era Journey song, then Perry gets to the ear-worm title lyric and everything changes.

No. 50. "Anyway" from 'Look Into the Future' (1976)

A dark then searching rocker from Journey's second album, featuring one of Rolie's most desirous vocals.

No. 49. "When You Love a Woman" from 'Trial by Fire' (1996)

Featuring a saccharine sentiment with a too-sweet string section to match, this is Journey balladry at its limpest. Still, "When You Love a Woman" became a gold-selling No. 12 smash. Because, Steve Perry.

No. 48. "We Will Meet Again" from 'Arrival' (2001)

Deen Castronovo's inventively layered rhythm gives "We Will Meet Again" a distinct character among Journey's more anthemic-leaning tunes, setting the stage for a moment of controlled fury from Augeri. It all builds toward a sweeping vista reminiscent of Journey's Roy Thomas Baker-helmed sides like "Winds of March" and "Opened the Door," a welcome development indeed. And as with those two 1978 tracks, "We Will Meet Again" serves as an emotionally resonant side-closing moment.

No. 47. "Don't Be Down on Me Baby" from 'Trial by Fire' (1996)

Nobody aches like Steve Perry.

No. 46. "Hustler" from 'Next' (1977)

An explosion of heavy-rocking sexuality, "Hustler" found Journey considerably toughening up its by-then-established fusion-based formula — something the group would eventually return to, but only decades later, with 2011's impressively muscular Eclipse .

No. 45. "Why Can't This Night Go on Forever" from 'Raised on Radio' (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 44. "Edge of the Moment" from 'Eclipse' (2011)

Castronovo and Valory create a foundation-rattling rhythm, while the big-voiced Pineda ably conveys a fiery sense of sensuality required by the song's narrative. But "Edge of the Moment" will always belong to Neal Schon, who is by turns melodic, out there, gurgling, eruptive – and nothing like we've heard from him since the days of the spaceman 'fro. Long after their hit single-making days, and a couple of albums into Arnel Pineda's tenure, Journey finally found their rock-music mojo again on this track, emerging with a sense of furious third-act abandon.

No. 43. "To Play Some Music" from 'Journey' (1975)

The most accessible song on Journey's self-titled debut, "To Play Some Music" provides a down-to-earth vocal vehicle for Rolie on an album dominated by epic, often spacey instrumentals.

No. 42. "Patiently" from 'Infinity' (1978)

Schon memorably gave Perry a ride home after sitting in with Azteca in San Francisco, but had no idea his passenger was a singer. Five years later, Perry finally got the chance to make an impression. He stopped by Schon's hotel the day after a Journey show in Denver, and they wrote this song. "It was really about the determination of me wanting to get next to those players," Perry said in the Time3 liner notes.

No. 41. "I Would Find You" from 'Next' (1977)

Schon takes a rare vocal turn with Journey, and it's his most successful.

No. 40. "Kohoutek" from 'Journey' (1975)

Named after a comet then approaching Earth's orbit, "Kohoutek" bridges the sounds that Rolie and Schon made earlier as part of Santana with those to come from their new band. Makes sense: This track dates back to Journey's earliest rehearsals.

No. 39. "You're on Your Own" from 'Look Into the Future' (1976)

Their slow-fast approach gives "You're on Your Own" a noticeably modern feel; Rolie's heartfelt singing centers it all.

No. 38. "The Eyes of a Woman" from 'Raised on Radio' (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds a palpable tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers sound.

No. 37. "Here We Are" from 'Next' (1977)

Perhaps Journey's heaviest-ever pop song. Rolie had a knack for Beatlesque touches (see their earlier cover of George Harrison 's "It's All Too Much"), even if it was buried in a cacophony of sound from Schon and Dunbar (see their earlier cover, etc. etc.).

No. 36. "Suzanne" from 'Raised on Radio' (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush. "It was a fantasy encounter with a film star, who also had a vocal artist career," Perry said in a 2011 fan Q&A. "Just a secret person that's in the song to live forever in that song. Real or not, she's real in the track."

No. 35. "Somethin' to Hide" from 'Infinity' (1978)

Journey's first attempt at a power ballad was devastatingly effective, though it arrived years before "Open Arms." Perry's final cry is just astonishing.

No. 34. "Edge of the Blade" from 'Frontiers' (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 33. "If He Should Break Your Heart" from 'Trial by Fire' (1996)

One of the best-ever meldings of Solo Steve (verses) and Journey Steve (the rest).

No. 32. "Be Good to Yourself" from 'Raised on Radio' (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert prevailed. "[Perry] phoned me at my house, and just went nuts about 'Be Good to Yourself' having been the first choice of a single," Herbert told Melodic Rock in 2008. "And I said, 'It's a great song, it's a great production, it's great sound – it's Journey.' That was the problem: It sounds too much like Journey. Well, too many of the other songs sound too much like a glorified Steve Perry solo record."

No. 31. "Of a Lifetime" from 'Journey' (1975)

Journey's recorded output begins here, with a seven-minute jazz fusion-influenced, at times Pink Floyd -ish excursion that boldly stepped away from Rolie and Schon's previous work in Santana. "Talking about Santana screws up the whole concept of everyone in this band," Rolie lamented in Don't Stop Believin' . "A lot of people would come to see us and expect conga drums. The last thing I was to see for the rest of my life is conga drums!"

No. 30. "I'll Be Alright Without You" from 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 29. "Only Solutions" from 'Tron' (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 28. "People and Places" from 'Departure' (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 27. "Opened the Door" from 'Infinity' (1978)

The last song on the first album to feature Perry, "Open the Door" begins like every gorgeous, ear-wormy love song they ever hit with a few years later — but after Perry's initial three minutes, Rolie joins in a huge vocal bridge ( "Yeah, you opened ..." ), and from there Schon and company are loosened from those binding conventions. Drummer Aynsley Dunbar, on his final recording date with Journey, sets a thunderous cadence, and Schon powers the song — and this career-turning album — to its quickly elevating conclusion.

No. 26. "Faithfully" from 'Frontiers' (1983)

Cain has said this No. 14 power-ballad smash, written in tribute to a happily married musician's life on the road, came from nowhere – literally. "He told me he got the melody out of a dream," Schon later mused in the Time3 liner notes. "I wish something like that would happen to me." Cain wrote it in his own key, and that allowed Perry to explore a different vocal timbre. They finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 25. "When You're Alone (It Ain't Easy)" from 'Evolution' (1979)

Perry chirps and coos his way through this winking tease of a song – that is, until about a third of the way through, when Schon provides a moment of release.

No. 24. "Forever in Blue" from 'Trial by Fire' (1996)

As with "Girl Can't Help It," found later on our list of Journey Songs Ranked Worst to Best, "Forever in Blue" represents that rare moment when the latter-day edition puts it all together again.

No. 23. "Wheel in the Sky" from 'Infinity' (1978)

He never got much credit, but Robert Fleischman played an important role in Journey. "Wheel in the Sky," the band's initial Billboard chart entry, was originally a poem written by Ross Valory's wife – until Fleischman rounded it into song form. Schon added a guitar melody, and they handed it to Steve Perry after Fleischman's ouster. The rest is, as they say, history.

No. 22. "Walks Like a Lady" from 'Departure' (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, reportedly one of his favorites.

No. 21. "Too Late" from 'Evolution' (1979)

A delicate, beautifully conveyed song of encouragement, "Too Late" was aimed at a friend of Perry's who had fallen into drug abuse.

No. 20. "Girl Can't Help It" from 'Raised on Radio' (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was the exception. This was classic Journey, spit-shined up for a new era.

No. 19. "After the Fall" from 'Frontiers' (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 18. "Good Morning Girl" / "Stay Awhile" from 'Departure' (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 17. "Who's Crying Now" from 'Escape' (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Jonathan Cain's new presence changed Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in the Time3 notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 16. "Do You Recall" from 'Evolution' (1979) Maybe the perfect blending of Journey's tough early sound and Perry's sun-flected sense of reminiscence. Roy Thomas Baker's familiar stacked vocals propel the bridge to untold heights.

No. 15. "Someday Soon" from 'Departure' (1980)

The final major vocal collaboration featuring Perry and the soon-to-depart Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared on Journey's next-to-last album with Rolie. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured .

No. 14. "Open Arms" from 'Escape' (1981)

If you dislike power ballads, blame Jonathan Cain. He brought this seminal example of the genre to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms," either. But Perry intervened, and they turned it into a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 13. "Lovin', Touchin', Squeezin'" from 'Evolution' (1979)

A song with a real-life storyline, "Lovin', Touchin', Squeezin'" came to life in another Journey jam session, then went on to become their very first Top 20 hit. Rolie's Nicky Hopkins-esque honky tonk piano rides atop a stuttering, 12/8 rhythm, building inexorably toward a cloud-bursting nah-nah-nah conclusion. Steve Smith has compared that blues shuffle to "Nothing Can Change This Love" by key Perry influence Sam Cooke. The heartbroken Perry, who's described the writing of this song as "love justice," again played the bass on the initial sessions. The results opened the pop-chart floodgates.

No. 12. "Still They Ride" from 'Escape' (1981)

A touchingly emotional trip back to Perry's San Joaquin Valley youth, "Still They Ride" showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 11. "The Party's Over (Hopelessly in Love)" from 'Captured' (1981)

"After I left," Rolie later mused , "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner.

No. 10. "Stone in Love" from 'Escape' (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest.

No. 9. "Daydream" from 'Evolution' (1979)

An episodic triumph, "Daydream" is defined by dreamy, Jon Anderson -esque verses, rangy guitar riffs and forward-thinking keyboard asides – very much in keeping with the prog-rock pretensions of the '70s, though that sound had already become decidedly passe.

No. 8. "Separate Ways (Worlds Apart)" from 'Frontiers' (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words.

No. 7. "Just the Same Way" from 'Evolution' (1979)

Built off a Rolie piano riff, "Just the Same Way" once again leveraged Journey's layered harmony vocals, already a trademark of producer Roy Thomas Baker from his previous work with Queen . Baker achieved this effect by having Perry and Rolie double and triple their parts, an incredibly time-consuming new approach that almost derailed "Anytime." (Rolie and Schon still considered themselves jam guys at this point.) But that's what ultimately gave this song – and Journey themselves – such a striking propulsion.

No. 6. "Send Her My Love" from 'Frontiers' (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Live" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith said in 2011 , "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 5. "Only the Young" from 'Vision Quest' (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . "Only the Young," which opened every concert on Journey's subsequent tour, will be forever associated with his brave fight.

No. 4. "Lights" from 'Infinity' (1978)

Perry had an early version of this song in his back pocket when he joined Journey, and it's a good thing. Rolie has said that the rest of the band wasn't sold on Perry until they harmonized on "Lights" while backstage at the Swing Auditorium in San Bernardino. "It dawned on me right then," Rolie later admitted in the Time3 notes, "that this could really be great."

No. 3. "Any Way You Want It" from 'Departure' (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. "I loved his ability and phrasing," Perry revealed in Open Arms: The Steve Perry Anthology . "This guy is one of the more under-recognized geniuses of that era." Perry and Rolie brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit.

No. 2. "Don't Stop Believin'" from 'Escape' (1981)

It difficult to believe, considering how rightfully ubiquitous this anthem has become, but "Don't Stop Believin'" originally only barely cracked the Top 10. What's up with that, 1981?

No. 1. "Feeling That Way" / "Anytime" from 'Infinity' (1978)

These paired songs took a convoluted path to the top of this list, as everyone worked and reworked both halves into a legacy-defining moment for Journey and their new singer. "Feeling That Way" began as a Rolie track called "Velvet Curtain" then evolved into "Let Me Stay," which was considered for Next . When Perry arrived, he added a gliding new chorus, and they were halfway there. Meanwhile, the Fleischman co-written "Anytime" – released as a separate, No. 83-charting single but forever linked on the album and rock radio – was going nowhere. At one point, Journey almost dropped it altogether. Then Schon decided to tap the music of his childhood by adding a Beatlesque lyric, " Anytime that you want me ." The then-new mixture of Perry and Rolie's voices did the rest. "As soon as the vocals were put in, the song came alive," Rolie remembered in 2014 , laughing. "I'm glad we didn't can it!" The results meld every great thing about the band's earthy first era with the pop-facing second era to come. In that way, it's the perfect Journey moment.

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Top 10 Journey Songs

From the ashes of Santana and Frumious Bandersnatch born this beast of a band in San Francisco in 1973. Full of artistic ups and downs, Journey’s strongest times were between 78′ and 87′ when Steve Perry was the lead vocalist.

For some of us, they are the band that wrote “that song from 80’s movies(Song #3),” and for some of us, they’re the summit of our teenage years. Let’s take a look at the top 10 songs of this amazing band!

Table of Contents

1. In My Lonely Feeling / Conversations

Released in one of their earliest albums ‘Journey’, the band influenced by the psychedelic feels of their previous bands, decided to take on a memorable riff that has you bobbing your head for days. 

Here’s a link to the performance at Winterland:

2. Nickel & Dime 

Journey got you covered with this 1977 instrumental, this track is filled with energy and real rock n’ roll. A classic hit from their third album that cannot be skipped! 

Here’s a link to the instrumental: 

3. Look Into The Future

We all like to reminiscence every now and then, or ‘reflect’ for those that don’t want to admit it. With all their emotions literally felt through the song, this song is probably the best option for a get together. 

Here’s a link to the winner of the list: 

4. It’s All Too Much

It’s summer, burgers are nearly done and in the meanwhile you’re nibbling on chips whilst you’re trying to dance in a socially acceptable manner. You just can’t help but shake it with this song! 

Here’s a link to the track: 

Released in their third album, this song meets the criteria of ‘I want a song that’s perfect start to my drive’. 

Here’s a link to your new Sing-A-Long track: 

6. Sweet & Simple

I mean, the song is sweet and simple… 

Here’s a link to something that will have you in your feels: 

7. Natural Thing

Soulful & genuine, the vocals alone will have you in a trance for the whole 3 mins. 

Here’s a link to that long needed shower song: 

Compared to the likes of Hendrix, this rockin’ piece will help you move on and let go of whatever it is that made you want to listen to this in the first place. 

Here’s a link: 

9. Any Way You Want It 

This opening track of Departure is an immense, energy-filled, good vibes track. It is usually used as the last song on any Journey show. Finishing in a  high tune like that is an experience that sticks in a good way. If you haven’t heard this song in 2010 during the heavily saturated world of Glee advertisements everywhere on your screen, then you’re quite lucky. 

Here’s a link to probably one of the second most famous Journey songs:

10. Keep on Runnin’ 

You’re missing out on that Journey tribute that’s going on in town? Don’t fret, this performance will have you feeling like you’re back in 1981! 

Here’s a link to the song: 

11. Lovin’, Touchin’, Squeezin’ 

From the romantic mind of Perry, this extremely personal song about a relationship (which is believed to be inspired by true events) was the band’s first song to break into the Billboard top twenty, and It peaked at number 16.

12. Only The Young 

As you can guess from the title, this song is about the infinite promise and freedom of youth. Unfortunately, there’s a sad story about this song; this song was played to a 16-year-old fan with cystic fibrosis as part of a request from Make a Wish Foundation. Unfortunately, the fan died a day later, leaving the band with a broken heart.

13. Wheel In the Sky 

Started slowly by peaking at number 57 in the US – this song has gone on to become one of the strong Journey classics.

14. Lights 

One of the first Journey songs featuring Steve Parry, this one also started as a minor hit (#68 on charts) but became one of the signature songs.

15. Who’s Crying 

This soulful piece is Dressed in a beautiful piano riff. It is one of the most successful songs of the band. Peking at #4 in the US and becoming the highest UK charting Journey single at the time.

16. Open Arms 

This track is also one of the most successful songs of the band, earning them their highest position on the Billboard 100 (#2). Song was introduced to a wider and more contemporary audience by becoming a staple of many pop artists’ covers, including Mariah Carey.

17. Faithfully 

One of the most powerful Journey songs. Written by Jonathan Cain on the road and was completed very quickly (which the religious Cain puts down to divine intervention). 

18. Separate Ways 

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. As some of us know as ” that song from the 80s’ movies.”

19. Don’t Stop Believin’ 

The most iconic song of this band. This amazing song taken from 1981’s Escape is one of the most anthem-like catchy rock songs of all time. 

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• Songs About Death

50+ Songs About Life’s Journey & Lessons Along the Way

Updated 04/23/2024

Published 07/7/2020

Amy Wolkenhauer, BA in English/Creative Writing

Contributing writer

Cake values integrity and transparency. We follow a strict editorial process to provide you with the best content possible. We also may earn commission from purchases made through affiliate links. As an Amazon Associate, we earn from qualifying purchases. Learn more in our affiliate disclosure .

If you’re looking to create a celebration of life ceremony for a truly remarkable person, then consider any one of the songs below. We’ve divided them into six sections to make the search a little easier.

Each of the artists has something poignant to offer, whether that’s about learning from mistakes or revisiting one’s past. Or, how one’s journey is more intensely related to our thoughts than the roads we travel. So, check out some really great songs below and hopefully you’ll find a few that work well when honoring your loved one.

Jump ahead to these sections:

Best songs about life’s journey, best songs about life’s changes, best songs about life and death, modern pop songs about life, r&b and hip-hop songs about life, country songs about life, songs about life's struggles, songs about life's lessons, songs about living life fully, songs about life for a funeral or memorial service.

Below are a few artists singing about the reflections and revelations made after taking journeys of the mind. Through their experiences, you’ll glean how these experiences lead to either affirmations or resolutions.

1. “One” by U2

While the meaning of the song is ambiguous, it’s nonetheless about relationships, whether they are political, social, or familial. The singer reveals that what is vital in life revolves around us all supporting one another and living life to the fullest .

2. “(Sittin’ on) The Dock of the Bay” by Otis Redding

Posthumously released in 1967, Redding’s song was the first of its kind to top the charts at number one. For six weeks after vocal cord surgery, he was forced to sit outside his temporary home—a boathouse in Sausalito—recovering and reflecting on the life that brought him there.

3. “Harvest Moon” by Neil Young 

The full moon has been significant for Young’s decision-making, meaning that he would often decide to join projects guided by its presence. His long career now includes numerous environmental advocacy roles.

4. “Yesterday” by The Beatles

One man’s journey comes to a standstill in “Yesterday” as the subject of the song chooses to live in the past rather than move on after a breakup. He needs time to mourn a significant loss.

5. “Husavik” by Molly Sandén and Will Ferrel

This Icelandic-English song is about a partner who realizes that her journey no longer includes following her love interest—it’s at home. No longer will she give up her heart to follow the dreams of another, but she needs him to see that it’s his home, too.

Experiences and dreams mandate one’s path in life. No matter what happens, hope is the underlying vehicle for change.

6. “Náttúra” by Björk

 “Náttúra” has two meanings. The first is about environmental preservation, while the second is about convincing others to adopt the same mindset. This change in behavior is what Icelandic artist Björk hopes to achieve through protesting pollution while promoting Icelandic heritage.

7. “Redemption Song” by Bob Marley & The Wailers

Bob Marley dedicated his life to the Rastafari movement, relief for the socially deprived, and living a life that was true to himself and his beliefs. For these reasons, Marley is an icon in the African diaspora fighting for rights and truth. That makes this one of the top albums to listen to before you die .

8. “Season of Wither” by Aerosmith

You’ll come to this song at different times in your life, and with a different take on its meaning each time. But, because it’s almost so foreboding by nature, you won’t be able to help but choose the worst parts of your life on which to reflect.

9. “Sweet Sixteen” by Billy Idol

When love turns to obsession, there’s no other song that competes. Idol’s interpretation of one man’s lifelong plight to retrieve a lost love highlights how passion turns into addiction. That compulsion is now the famous Coral Castle located in Miami-Dade County, Florida. 

10. “A Change is Gonna Come” by Sam Cooke

Civil rights, the search for equality, and desegregation are fluid thoughts within this song. Although Cooke may not have been alive to see the changes, his song resonates with communities on the paths toward better tomorrows. It’s truly an inspirational song .

Both in fictional and non-fictional references, songs about life and death take hold. Below you’ll discover ones that match truth and circumstance against the backdrop of stories told with creative license.

11. “Who Wants to Live Forever” by Queen

Queen was commissioned to write and perform this beautiful song for the original Highlander film starring Christopher Lambert. In it, Lambert’s character must say goodbye to his true love, knowing he’ll outlive any lover now or in the future.

12. “Buffalo Soldier” by Bob Marley & The Wailers

The Buffalo Soldiers were African Americans fighting against Native Americans during the Indian Wars from 1866 to the 1890s. Marley’s song reveals the protest and subjugation of people being forced to kill and create a subjugated people.   

13. “Lithium” by Nirvana

Lithium is a drug used by doctors to help prevent the risk of suicide. The song is about a man who finds god amid suicidal thoughts. Tragically, Nirvana’s lead singer committed suicide not many years later.

14. “November Rain” by Guns-n-Roses

The prolific “November Rain” may be about contemplation or shadows. Nonetheless, as the song and interpretations go, the rain can only last so long. 

15. “Ebony Eyes” by The Everly Brothers

In the fictional song, “Ebony Eyes,” the story unfolds with a marriage prevented by a plane crash, flight 1203. While the song was banned from the UK radio for being too upsetting, it reached 8 th in the pop charts here in the US.

Because life is categorized by individual experiences, songs that can resonate with your personal experiences will be diverse. Considering that, each of the artists below has a unique way of conveying life with meaning.

16. “Yellow” by Coldplay

Commitment and sacrifice are inherent in the lyrics. That devotion has less to do with love and more to do with humanity as a whole.

17. “Good Times” by All Time Low

Creative exploration of one’s life isn’t without the “bare-knuckle” recognition of a recent past. It’s also an appreciation of how one’s past helps them find the nerve to move forward into a life unknown.

18. “I Lived” by OneRepublic

Gut-tethered, honest lyrics pay homage to a fan with cystic fibrosis. The words conjure an ambition to live past one’s limitations and create a life worth living.

19. “Float On” by Modest Mouse

The song reflects on the idea that no matter how much pain or strife comes at you, there’s an absolute truth to living. No matter how heavy the events seem right now, things will eventually get better.

20. “Running with the Wolves” by Courtney Jenaé and Adrian Grahn

This super short tune on the “Eurovision” soundtrack has a distinct theme of wolves and pack running. The underlying theme rests on finding a space where you belong among people that accept you for who you are.

The few songs below are about resolution and strength. Sometimes in the journey of the mind that brings you there.

21. “Good as Hell” by Lizzo

This “self-loving anthem” by Lizzo is about finding your true self above the pain. Although relationships end, there are no reasons to get down on the fabulous person that you are.

22. “7 Years” by Lukas Graham

This piano-led song leads the listener down a path of remembrance. In it, you’ll discover that achieving great things requires that you bring your whole self along the way. 

23. “Just Fine” by Mary J. Blige

Blige sings that no matter what is happening in life, or how wild it seems, as long as you’re positive and doing everything you want to do, everything will be just fine.

24. “Soldier of Love” by Sade

A trumpet and snare drum engage the listener from the onset. Then the lyrics invite you into a world where the singer is an expert on love. She knows her journey is to remain steadfast in the goal of achieving all things related to life with respect.

25. “Not Afraid” by Eminem

If you’re looking for a king of life anthem, take a listen to Eminem’s “Not Afraid.” You’ll come to realize that it’s less about life’s little transgressions and more about being bigger than them.

The country songs below speak to the reflective journey. Everything you experience makes you who you are today.

26. “Life Changes” by Thomas Rhett

Rhett makes a case for being open to the circumstances as they come. That thinking has led him to find a wife, have three daughters, and enjoy a budding career. All of this has been the result of being open to love as it became available.

27. “The House That Built Me” by Miranda Lambert

Lambert’s song recognizes that returning home can help you remember who you are and also help with the healing process on this short road of life.

28. “Letter to Me” by Brad Paisley

Paisley's song reflects on the idea of writing a letter to your younger self. He also understands that fatherhood can give you a second chance to make things right.

29. “Fifteen” by Taylor Swift

First loves are going to happen with or without a happy ending. Swift's song doesn't just come from that angle, though. She also begins with the idea that you can't take everything so seriously in life.

30. “Springsteen” by Eric Church

Some people merely exist in our lives fleetingly or because their presence was triggered by a circumstance. That said, they still have value, because without them, you wouldn’t be the person you are today. 

This selection of songs about life's struggles includes success, home life, relationships, and becoming who you're meant to be.

31. "On Top of the World" by Imagine Dragons

"On Top of the World" is a personal, reflective song for the Imagine Dragons members due to the many years it took to find success. Some of the members even struggled through difficulties like divorce and depression, which only add to the depth of the song. 

32. "Fighter" by Christina Aguilera

Aguilera wrote "Fighter" in response to a chaotic childhood as a means for catharsis. Rather than dwell on the journey, she instead found transcendence out of the pain, making her stronger.

33. "Go the Distance" by Roger Bart

"Go the Distance" was written for the Walt Disney animation Hercules. Sung by Roger Bart, it's the overview of the hero's journey to restore his godhood.

34. "Titanium" by Sia, David Guetta

Words, "bullets," a haunted love, sticks, and stones are no match for Sia as she reminds the unnamed person that he can't and won't get to her no matter what he tries.

Sia is known for her electro and indie-pop style, with this song being no exception.

35. "(I Keep on) Rising Up" by Mike Doughty

Attraction to the wrong person is undoubtedly a struggle for many. In this song, Mike Doughty reminds his ex he’ll keep getting back up no matter what she throws at him to keep him down.

36. "Reason to Believe" by Karen Dalton

This 1966 acoustic song from Karen Dalton is about the doubt one partner can cause in the other. The constant gaslighting and lying do something to them, but it's never healthy or good.

This one has the rawest, most bluesy vibe of the songs listed here.

We’ve chosen songs about life’s lessons, calling to relationships, climbing toward success, and overcoming adversity.

37. "Survivor" Destiny's Child 

Beyoncé, from the iconic Destiny's Child, wrote "Survivor" in response to the critics giving terrible press to the group after it went through multiple members in under a year. 

She embraces the criticism as a tool to create what would be the group's defining moment.

38. "I Am Moana (Song of the Ancestors)" by Auli'I Cravalho and Rachel House

Written for the eponymous movie, “Moana,” the song heralds the ancestry of a young girl on a mission. 

She discovers that her internal strength stems from generations of great people who are her ancestors.

39. "Firework" by Katy Perry

Katy Perry based the inspiration for “Firework” on a Jack Kerouac book and her husband at the time, but it’s become a kind of epitaph for how she’d like to go out. 

Overall, it’s an anthem for living, for being far from anything commonplace. Instead, it’s about being so amazing that people are in awe of you.

40. "What Doesn’t Kill you (Stronger)" by Kelly Clarkson

“Stronger” is about empowerment and overcoming adversity in relationships and life. Clarkson mentioned she wanted the music to be inspirational instead of telling a sad story.

41. "The Climb" by Miley Cyrus

In "The Climb," you may find resonance if you feel like life has been a series of mountain climbing moments, and you’ve constantly had to overcome struggles just to keep moving.

Notably, the lyrics remind the listener that there will always be another even after they reach one mountaintop.

42. "Perfect Strangers" by Jonas Blue ft. JP Cooper

Here’s an exciting song from British performers Jonas Blue and JP Cooper about not overthinking love. It’s about going with the flow, being open to the possibilities, and enjoying a shared space with someone while you have it.

Check out the section below for songs about embracing and living life fully.

43. "Hall of Fame" by The Script, Will.i.am

In short, the theme of “Hall of Fame” is to follow your heart and leave the drama of fame behind. That includes money. 

More than that, it’s about being present in your life — no matter what occupation, dream, or desire. 

44. "Closer to Fine" by The Indigo Girls

“Closer to Fine” has some great advice about being okay in life’s disarray. One can walk in the unknown, live in constant seeking, and not find the definitive answer in any one specific location. 

Sometimes the journey of finding and looking for answers is sufficient for life and living. At least you know you’re trying to get there — wherever “there” is.

45. "Wake Up" by Arcade Fire

“Wake Up,” like most songs from Arcade Fire, is full of typical abstract ideas, metaphors, and more significant meanings.

Ultimately, the song travels from innocence to acknowledging mortality. 

46. "We Are Young" by Fun.

Everyone has a moment in time they relive over and over again with their friends. “Do you remember that one time…”

It happens when you’re young, carefree (or too carefree), but you live in that moment like it’s the most vital moment — until the next one comes along.

47. "The Nights" by Avicii

Avicii wrote “The Nights” in honor of his dad, who said, "One day you'll leave this world behind. So, live a life you will remember." He encouraged his son to travel, experience life, and find adventures away from home and far-off places.

In retrospect, the advice was bittersweet, given the singer died before his time.

Note the gentleness of the lyrics in each of the songs below where, except for one piece, the music is mellow.

48. "Float On" by Modest Mouse

In contrast to this band's more somber music, Modest Mouse’s “Float On” is a song about reassurance.

Bad things happen, as they always do, but things will always get better. It’s not always easy to find this perspective, but it’s generally a reasonable condition of bad events to eventually find oneself on the other side.

49. "Blackbird" by The Beatles

Paul McCartney wrote “Blackbird” in response to the race riots of the 60s in the US. His ambition was to give people hope in a dark time of fighting for civil rights. 

Still, the singing works for a funeral because it’s about leaving, flying away into the night, and arising into a specific moment or space in time. The music is uncomplicated, too. It’s simply McCartney’s voice accompanied by an acoustic guitar. 

50. "Good Old Days" by Macklemore, Kesha

You’ve probably heard some people say how even the tough days are the days you look back on. 

They’re the ones that are incredibly difficult to get through while they’re happening, but time and memory heal the wounds, leaving you with something better than the pain.

51. "Do You Realize" by The Flaming Lips

The truth is that everyone will die, and that’s what the songwriter wants you to know. But more than that, he wants to live. 

To live for today, tell people you love them, and just be present in everything you do — know the time you have on Earth is finite, but you can do nothing except be grateful for the time you have.

52. "Sing a Song for You" by Tim Buckley

Tim Buckley’s song is devotional at its core. Layered atop is a longing for someone, but, more so, it’s about being so utterly enamored with a love that encompasses everything you are. 

They’re your breath, your life, and your reason for living.  

Celebrating Remarkable Journeys

It’s not easy to find fitting songs to celebrate someone because of all the complex histories and journeys they’ve lived throughout life. But hopefully, you’ve found several here that you.

Categories:

• Funeral & Memorial Songs
• Songs About Grief

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Songs that describe a journey

• 4Runner - Rostam
• A Horse With No Name - America
• A Whiter Shade Of Pale - Procol Harum
• Africa - Toto
• Alaska - Maggie Rogers
• All Night Long - Peter Murphy
• All the Way Home - Tamar Braxton
• Ambitions - Joe McElderry
• Andorra - Colin Blunstone
• Another New World - Josh Ritter
• Any Heart In A Storm - Tide Lines
• Arkansas - Chris Stapleton
• Around The World - Red Hot Chili Peppers
• Around The World In A Day - Prince
• Awaken - Natalie Grant
• Back of the Van - Ladyhawke
• Be - Neil Diamond
• Bending Hectic - The Smile
• Bless The Broken Road - Rascal Flatts
• Blood Red Roses - Rod Stewart
• Blue Smoke - Dolly Parton
• Blue Tacoma - Russell Dickerson
• Broken Stones - Paul Weller
• Brooklyn - Maisie Peters
• Cairo, IL - Natalie Hemby
• Caledonia - Dougie McLean
• California - Melissa Etheridge
• California (There Is No End To Love) - U2
• Car Wheels On a Gravel Road - Lucinda Williams
• Carolina In My Mind - James Taylor
• Carry On Wayward Son - Kansas
• Closer To Fine - Indigo Girls
• Come Sail Away - Styx
• Crash on the Highway - Hurray for the Riff Raff
• Cruisin' - Smokey Robinson
• Darkness Into Light - Matisyahu
• Departure - R.E.M.
• Driftwood - Cody Simpson
• Drive - The Shires
• Driving Home for Christmas - Chris Rea
• Driving Rain - Slash
• Drop Top - Keith Urban
• Ebb Away - ...And You Will Know Us by the Trail of Dead
• Echoes in Rain - Enya
• El Paso - Marty Robbins
• Every Mile Mattered - Nichole Nordeman
• Everyday Is A Winding Road - Sheryl Crow
• Everything We Need - A Day to Remember
• Falling Dove - Crowded House
• Far Alaska - Jethro Tull
• Fields of Fire - Big Country
• Final Step - Jason Crosby
• Firth Of Fifth - Genesis
• Free Ride - Edgar Winter
• Glasgow to London - Edwyn Collins
• Global Warming - Gojira
• Go The Distance - Michael Bolton
• Going Mobile - The Who
• Going Up The Country - Canned Heat
• Goodnight Oslo - Robyn Hitchcock and the Venus Three
• Gotta Love the Ride - Mr. Big
• Graceland - Paul Simon
• Grapevine - Weyes Blood
• Greyhounds - De La Soul
• Harleys in Hawaii - Katy Perry
• Heading South On The Great North Road - Sting
• Heaven on Earth - Melissa Etheridge
• Heaven Wait - White Lies
• Hitch Hike - Marvin Gaye
• Hollywood Romance - Lynsey de Paul
• Home Before Dark - Neil Diamond
• How Far I'll Go - Alessia Cara
• I Know The End - Phoebe Bridgers
• I'm a Rider (Finally Home) - Blue Sky Riders
• I'm Gonna Be (500 Miles) - The Proclaimers
• Journey Of 1000 Years - Kiss
• Justified And Ancient - The KLF
• Key West & Colorado - Chase Rice
• La Bicicleta - Shakira
• Last Ride - Beach House
• Last Rider - Seth Lakeman
• Learning To Fly - Pink Floyd
• Life on the Moon - David Cook
• Locomotive - Rancid
• Longboat Pass - Tennis
• Looking Into You - Jackson Browne
• Magdalena - Brandon Flowers
• Magic Carpet Ride - Steppenwolf
• Magical Mystery Tour - The Beatles
• Many Rivers To Cross - Jimmy Cliff
• Marrakesh Express - Crosby, Stills & Nash
• Misfit Love - Queens of the Stone Age
• Mistral Wind - Heart
• Money Road - Rosanne Cash
• Mother Road - Grace Potter
• Motorway - Little Boots
• Mountain Trip To Japan, 1959 - Trachtenburg Family Slideshow Players
• My Way to You - Jamey Johnson
• Namaste - Beastie Boys
• Never Once - Matt Redman
• New Horizons - Brian May
• Night Drive - Garbage
• Nightmare - Avenged Sevenfold
• Nights I Can't Remember, Friends I'll Never Forget - Toby Keith
• No Hook - Jay-Z
• Nothing Left to Lose - Mat Kearney
• Ohio - Andrew McMahon in the Wilderness
• On Deronda Road - Elbow
• On The Road - Keane
• On The Road To Find Out - Cat Stevens
• One Black Sheep - Mat Kearney
• Oo-De-Lally - Roger Miller
• Paris, Texas - Lana Del Rey
• Perth - Beirut
• Photographs (You Are Taking Now) - Damon Albarn
• Pioneer - The Band Perry
• Playing with Fire - Brandon Flowers
• Point Of Know Return - Kansas
• Promised Land - Chuck Berry
• Puff The Magic Dragon - Peter, Paul and Mary
• Ramble On - Led Zeppelin
• Rattlesnake - St. Vincent
• Reminisce Part One - Dexys Midnight Runners
• Riding To New York - Passenger
• Roadtrip - Dream & PmBata
• Rocket Man - Elton John
• S.A.T.O. - Ozzy Osbourne
• Safe And Sound - Justice
• Saint Claude - Christine and the Queens
• Say Hey (I Love You) - Michael Franti & Spearhead
• Secret Journey - The Police
• Seven Ways Of Going - Patti Smith
• Shockwave Supernova - Joe Satriani
• Sinner In A Sin - Bo Bice
• Sit and Wonder - The Verve
• Sky Musings - Wolf Alice
• Song of the Lonely Mountain - Neil Finn
• Soul Companion - Mary Chapin Carpenter
• Southern Cross - Crosby, Stills & Nash
• Space Oddity - David Bowie
• Speed Drive - Charli XCX
• Spill The Wine - War
• Stairway To Heaven - Led Zeppelin
• Street Lights - Kanye West
• Subway - Yeah Yeah Yeahs
• Sugar Mountain - Neil Young
• Sunday Drive - Brett Eldredge
• Sunroof - Nicky Youre
• Take It Easy - Eagles
• Take Me I'm Yours - Squeeze
• Temple of the King - Rainbow
• Tempus Fugit - Yes
• Tennessee - Arrested Development
• The Big Rock Candy Mountain - Harry McClintock
• The Blanket of Night - Elbow
• The Citizen - Billy Sherwood
• The Delayed 3:15 - Elbow
• The Journey Continues - Mark Brown featuring Sarah Cracknell
• The Keeper - Chris Cornell
• The Long Way Around - The Chicks
• The Passenger - Iggy Pop
• The Pilgrim - Iron Maiden
• The Ride Of The Valkyries - Richard Wagner
• The Sacred Harp - Paul Simon
• The Seeker - The Who
• The Wanderer - U2
• The Way - Macy Gray
• There's Gold In Them Hills - The Black Crowes
• This Is It - Scotty McCreery
• To The Key Of Evergreen - The Devil Wears Prada
• To Try For the Sun - Donovan
• Town & Country - Loudon Wainwright III
• Town Called Ugley - Ward Thomas
• Trans-Europe Express - Kraftwerk
• Travelin' Man - Lynyrd Skynyrd
• Traveller's Chant - Rizzle Kicks
• Trip To The Fair - Renaissance
• Tryin' To Get To Heaven - Bob Dylan
• Vahevala - Loggins and Messina
• Wagon Wheel - Old Crow Medicine Show
• Walk - Nadine Shah
• Waste A Moment - Kings of Leon
• What a World - Common
• What It Feels Like - FFH
• Wheel Of The World - Carrie Underwood
• Wheels on Fire - Truly
• When Am I Gonna Lose You - Local Natives
• White Is Red - Death From Above 1979
• Working Man's Cafe - Ray Davies

More Songfacts:

Eleanor Rigby The Beatles

Paul McCartney based the "Eleanor Rigby" story on old ladies he met at his housing estate. He saw how sometimes when they died, nobody really noticed.

Shine On You Crazy Diamond Pink Floyd

Pink Floyd's "Shine On You Crazy Diamond" is about their founding member Syd Barrett, who became an acid casualty. Notice the S-Y-D in the title.

At This Moment Billy Vera & the Beaters

"At This Moment" was first released by Billy Vera & the Beaters in 1981, and hit #79. After it was used in two episodes of Family Ties in 1985-1986, it went to #1.

Kiss From A Rose Seal

In "Kiss From A Rose," seal sings "kiss from a rose on a gray," not "grave," but he won't explain the lyric, feeling listeners should adapt the song to their own experience.

Southern Man Neil Young

Neil Young later apologized for "Southern Man," calling it "accusatory and condescending" in its portrayal of the American South.

God Bless America Kate Smith

Irving Berlin said "God Bless America" was "not a patriotic song, but rather an expression of gratitude."

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Artist: Journey

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Journey songs list in order

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100 Most Featured Movie Songs

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Journey Songs

Has 21 songs in the following movies and tv shows..

Anyway You Want It

WHERE YOU'VE HEARD IT

Six Feet Under • s5e7 • The Silence 2001

Kristen tells Claire about her history with Ted.

Wheel in the Sky

Supernatural • s2e3 • Bloodlust 2005

The Sopranos • s2e10 • Bust Out 1999

Carmela engages in flirtation with the house painter, Victor Musto, and they share a kiss in the bathroom.

Future Man • s2e3 • A Wolf in the Torque House 2017

Montage of Wolf and Pump making a wheel.

Only Solutions

The second song played during the ending credits.

Playing as Lora and Alan enter Flynn's arcade (and playing again five minutes later as they discuss breaking into Encom.)

Talladega Nights: The Ballad of Ricky Bobby 2006

Ricky falls in love with Susan after her motivational speech

Family Guy • s13e9 • This Little Piggy 1999

The Goldbergs • s2e22 • Dance Party USA 2013

Don't Stop Believin'

Anchorman 2: The Legend Continues 2013

Smallfoot 2018

Song from the first Smallfoot trailer.

Moneyball 2011

Song during opening day. April 1, 2002.

Monster 2003

Lee and Selby are skating at the roller rink and kiss for the first time.

Bedtime Stories 2008

In a bedtime story set in medieval times, Mr. Nottingham declares that Skeeter has the opportunity to run the castle, and everyone rejoices.

The Losers 2010

Jensen (Evans) enters the building pretending to be a bike messenger singing on his ipod. It continues after he knocks out the security guard and tries to run out of the office.

The Wedding Singer 1998

The orchestra plays at Robbie's wedding before he is stood up by Linda

Glee • s1e1 • Pilot 2009

Finn sees Darren hosing down the football field.

Scrubs • s3e2 • My Journey 2001

Sean & Elliot, and J.D. & Turk, finally get together.

MacGyver • s3e9 • Specimen 234 + PAPR + Outbreak 2016

Billy sings along to the car stereo as he and Riley drive through Arizona, then he reveals he had lunch with her father.

The Sopranos • s6e21 • Made in America 1999

Final scene. This song plays on the dukebox

Dispatches from Elsewhere • s1e7 • Cave of Kelpius 2020

Clara appears on stage and sings this song before being interrupted by Peter.

Family Guy • s4e4 • Don't Make Me Over 1999

Saturday Night Live • s43e23 • Tina Fey and Nicki Minaj 1975

Ash vs Evil Dead • s2e9 • Home Again 2015

Glee • s1e22 • Journey 2009

 Will scans the radio in his car and ends on this.

The Heat 2013

They start to get drunk and Ashburn talks about her marriage and being a foster kid.

9-1-1 • s5e2 • Desperate Times 2018

Chimney complains to Bobby about the food options they've been given since the black out which Bobby takes the time to explain why there a need for it during the all-shifts manned station.

Lovin', Touchin', Squeezin'

Freaks and Geeks • s1e8 • Girlfriends and Boyfriends 1999

Sam is walking home. He sees Bill and Cindy at Bill's house.

Lovin' Touchin' Squeezin'

Finn and Darren sing while hosing down the yard.

1990's Theme

Playing in the background at Flynn's as a customer plays the Light Cycle game.

Remember Me

Armageddon 1998

Any Way You Want It

Going the Distance 2010

Song at the James Polk reunion. The guys try to get with older ladies.

Madagascar 3: Europe's Most Wanted 2012

High-speed chase around the streets of Monaco

Caddyshack 1980

Plays from the radio in Al's golf bag.

Resident Evil: Welcome to Raccoon City 2021

A police officer is being attacked.

Chuck • s1e1 •  Pilot 2007

Morgan calls during the bomb disarming.

The Big Bang Theory • s2e15 • The Maternal Capacitance 2007

Chuck • s4e19 • Chuck Versus The Muuurder 2007

Brody gets Chuck's message congratulating him.

The Simpsons • s10e10 • Viva Ned Flanders 1989

Better Call Saul • s6e9 • Fun and Games 2015

House M.D. • s8e19 • The C-Word 2004

Wilson watches the video on his laptop.

Stone In Love (GH 2 Version)

Supernatural • s9e7 • Bad Boys 2005

Flashback to Dean asking Robin to the school dance.

Wheel in the Sky (Re-Recorded)

Tony and AJ spend time together on the boat.

Daddy's Home 2 2017

I Now Pronounce You Chuck and Larry 2007

At the gathering, Chuck and Larry slow dance.

Heavy Metal 1981

Date Movie 2006

The O.C. • s2e8 • The Power Of Love 2003

The song plays in the background as Kirsten walks in on Ryan & Lindsay making out in the pool house.

Cobra Kai • s3e10 • December 19 2018

The Goldbergs • s9e13 • A Peck Of Familial Love 2013

Who's Crying Now

Monsters vs Aliens 2009

Playing on the radio of "gym-nasty"s convertible.

After The Fall

Risky Business 1983

Only the Young

The Low Life 1995

John walks away from Andrew's funeral. Plays into the end credits.

King Richard 2021

Richard leads his family into Florida. They arrive at Rick Macci Tennis Academy.

Separate Ways (Worlds Apart) [Bryce Miller/Alloy Tracks Remix]

Stranger Things • s4e8 • Chapter Eight: Papa 2016

Steve driving with the gang

When You Love a Woman

Daria • s1e4 • Café Disaffecto 1997

Separate Ways (Worlds Apart)

Yes Man 2008

Beginning of the movie. Carl's (Jim Carrey) ringtone on his phone. (1:21) Carl races down the streets on his motorbike as he looks for Allison.

The Mitchells vs. The Machines 2021

Tron: Legacy 2010

First song when Sam turns on all the video game machines at the Flynn's game arcade.

GLOW • s1e1 • Pilot 2017

Song during the dream fight sequence.

The Simpsons • s16e2 • All's Fair in Oven War 1989

The O.C. • s1e21 • The Goodbye Girl 2003

Song plays on the car stereo as Ryan and Seth try to get to the airport before Anna's plane leaves.

Beavis and Butt-head • s3e16 • Buff 'N' Stuff 1993

The Party's Over

Grown Ups 2010

Marcus (David Spade) is drinking around the fire while trying to get everyone to do shots with him.

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© 2023 WhatSong Soundtracks. All rights reserved

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23 Best Songs About Space, Stars the Universe & Planets

This list contains the best songs about space, stars, the universe and planets!

Ever wonder what it’s like to go to the great beyond? The universe is vast and mysterious. The great unknown is perfect for songwriters to use their imagination and create wonderful songs about stars and space. But don’t take our word for it. See for yourself.

1. “Fly Me to the Moon” by Frank Sinatra

Who could forget this classic? Frank Sinatra’s silky smooth voice makes every heart flutter as he sings a song about stars and playing in space as he falls in love. How romantic is it to be flying in space when that familiar giddy feeling hits you?

The song was also associated with Apollo’s moon missions and was created in 1964 by Bart Howard, who took 20 years to write it. The song was originally titled “In Other Words” and sung by Kaye Ballard.

Next: The best songs about the moon of all time (our favorites)

2. “Rocket Man” by Elton John

This song is not so optimistic as the last one. Elton John sings of heartbreak instead of a lovestruck ballad. The song tells of a man dumped by his lover. Now his loneliness is like the vast vacuum of space. That’s a good metaphor to use to describe such empty feelings.

You can also take the song’s lyrics literally since Elton John performed and wrote the song 3 years after the first moon landing in 1969. Even so, some people still think it references substance use with one line talking about being “high as a kite”. Despite that, this album became one of Elton’s most popular.

Next: Best songs that use metaphors and figurative language

3. “Space Truckin'” by Deep Purple

If you’ve never been out on the road before, you might want to after listening to this long. If you replace everything good about road trips and make it about space, you get an imaginative song about space travel that relates to everyone with the heart of a roadie.

This song was inspired by the theme of the old Batman TV series starring Adam West. The song’s studio version was recorded in a hotel in Switzerland in 1971 and ran for about 4 minutes. The live version would run for about 20. Now that’s a concert!

4. “The Final Countdown” by Europe

Who hasn’t heard of this popular 80s hit ? The lyrics talk about a group of people leaving a crumbling earth behind and heading out on a rocket ship. The narrator wonders what will await them on their journey to Venus. Despite it meaning to be only for an opening for their concerts, This song scored high on many top charts and is still used for a multitude of events, much like a national anthem.

The song was written in 1981 by Joey Tempest, who was inspired by another space song on the list, Space Oddity. The concept of the song is that of a space shuttle launch. The final countdown references, of course, to the final moments before liftoff.

Next: Best songs about victory, celebration and winning

5. “Space Oddity” by David Bowie

Space Oddity is an entire story about an astronaut heading into space and encountering a problem that keeps him from returning to earth. The song is slow and lets you grasp the reality of what’s happening to him.

The song’s title is a play on words from the 1968 movie 2001: A Space Odyssey. Space Odyssey- Space Oddity, get it? Most people mistake this song being written for the 1969 moon landing instead of a movie. Two sequels to this song were made, “Major Tom (I’m Coming Home)” and “Mrs. Major Tom.” You can easily guess what those songs are about by the title.

6. “Spaceman” by The Killers

We’ve all heard crazy stories of people being abducted by aliens and experimented on. Maybe one of the band members actually did have an experience like this and turned it into a song? Who knows? The story is about a man being ripped from his bed and abducted by aliens who try to tell him that everything he sees is in his head. It’d be kind of hard to forget such a traumatic experience.

This song became a radio hit and was used as the trailer song for the animated movie Planet 51 . Brandon Flowers, the frontman for the band, said he was trying to create a song that mixed “Space Oddity” and “Rocket Man.” I guess songs about space like to take inspiration from each other.

Next: Best songs about death for grieving to

7. “Bad Moon Rising” by Creedence Clearwater Revival

Most people think of the moon as a beautiful guiding light in our lives, but not this band. In fact, it’s the exact opposite. Bad Moon Rising is an apocalyptic warning about the end of times spoken about in the Bible. Thanks, Clearwater.

Further inspiration from this song came from a scene in The Devil and Daniel Webster. You wouldn’t think this was a disturbing song based on the tune, which is happy and upbeat. John Fogerty purposely wrote the song this way but wouldn’t say why he did it.

Next: Top peace songs ever made

8. “Total Eclipse Of The Heart” by Bonnie Tyler

“Total Eclipse of the Heart” was written exclusively for Bonnie Tyler, who approached Steinman to be her producer. The song uses an eclipse as a metaphor for lost love. The song was a huge hit for Tyler.

Steinman originally wrote the song to be a love ballad between vampires for a musical. However, the song eventually found its way back to a vampire musical in Austria’s 1997 production of Tanz der Vampire, translated as Dance of the Vampires.

Next: Best love songs for him (boyfriend love songs)

9. “Space” by Murder by Death

There’s nothing more to it than literal space. Like many other songs about space, this one focuses heavily on the fast and terrible emptiness of it all.

10. “Andromeda” by Paul Weller

The Andromeda galaxy is one of the largest in the universe as far as we know. The lyrics use the galaxy as a metaphor for leaving a dying planet, as stated by Paul. He used David Bowie and British electronica musical group to create an out-of-this-world sound.

11. “There’s A Star For Everyone” by Aretha Franklin

Stars are often used as a symbol of inspiration and guiding light. This song perfectly taps into that idea. The lyrics talk about a heartbreaking moment. The narrator asks for the guidance of a star, stating that everyone who’s lost has a star.

The song was recorded in 1981 and had three composers, Allee Willis, Don Yowell, and David Lasley.

Next: Best songs about coming or leaving home

12. “Mr. Spaceman” by The Byrds

Not to be confused with “Spaceman,” “Mr. Spaceman” is actually a nice guy. In fact, the song’s narrator continuously asks if he can come along with the mysterious aliens entering his house at night. The aliens are even nice enough to leave him a nice note written in toothpaste on his window that they’ll see him again the next visit.

This song is sometimes referred to as the earliest form of country rock. Even though the song itself is a part of the progressive psychedelic rock movement, the band also took some inspiration from country music.

13. “Super Rocket Rumble” by Man or Astro-Man?

The title sounds more like a wrestling match than a song title. The song itself is short and came out in 1996 from the album Delux Men in Space. The song features a few seconds of an old radio-style broadcast before getting into the actual song. There are no lyrics. Instead, the music takes you on a wild space ride.

14. “The Space Race” by Destroyer

The space race was not just a battle between USSR and the USA for space dominance. It is also an early song by the Destroyers. Unlike the seriousness of the actual space race, the song version is campy and its seemingly nonsensical lyrics. The song was composed by Dan Bejer in 2010.

15. “Ballrooms of Mars” by T.Rex

How lovely would it be to dance on the exotic planet of mars? According to the lyrics of this 50s style rock song, the narrator describes his lover as an out-of-this-world gal and they dance in the ballrooms of mars.

Despite sounding a lot older, the song was written in 1972. Lead singer Marc Bolan often uses fantasy in his songs, and this one is no exception. He describes his lover and mars in such vivid detail that you may want to go to mars yourself to dance in the ballrooms.

Next: Top unrequited love songs of all time

16. “Have You Seen the Stars Tonight?” by Jefferson Starship

Well, have you? The song is short, but it doesn’t need to be anything complex to get the point across. The narrator asks his friend if they could keep him company looking at the stars.

17. “Rocket Love” by Stevie Wonder

“Rocket Love” is about a great relationship that didn’t end well. We hear at the beginning of the song that the narrator has longed for the woman since birth. Now, who wouldn’t want a love like that? Apparently, not the women he fell in love with.

Stevie Wonder does an excellent job painting a picture of his former lover and her warmness until she dumped him back to earth. The song was released in September 1980 and recorded at Wonderland Studios.

Next: Best songs about cheating in relationships

18. “Alien” by Britney Spears

This song is one of the more modern ones on the list. “Alien” is about being a metaphorical alien. The lyrics express situations in which we feel out of place. More specifically, loneliness even when friends and family surround us. You can’t really miss it since the phrase “Not alone” is repeated multiple times.

Spears said that this was her favorite song on the album. It was written in 2013. The warped effects used for the vocals really give an out-of-this-world type of feel and were the product of William Orbit who is best known for working with Madonna.

19. “I Turned Into a Martian” by The Misfits

Thankfully the title isn’t literal, or maybe it is. The Misfits are known not to have any deep lyrics to their songs, so instead, this one might actually be about a man spontaneously turning into a martian and now wants to rule the world. If there’s any hint of a deeper meaning, it might have to do with substances and how the abuse can mess with your mind and turn you inhuman.

The song was released in 1982 and written by leading Glenn Danzig. It’s also been covered over 25 times all the way up to the year 2017.

20. “Space is the Place” by Sun Ra

This song is an opening title of a film by the same name. The film is set in, you guessed it, space. The song starts as creepy and otherworldly. The rap Sun Ra does is poetic and expresses the desire for black people to set up their own vibe away from all the devastation happening when the movie was created.

21. “Space Jam” by Quad City DJs

Stand up if you’re a 90s kid! This song made its debut as the main theme for the hit Warner Brothers movie of the same name. It’s now a fondly remembered cult classic.

Space Jam is a story about a group of aliens wanting to capture the characters of the Looney Tunes and use them for entertainment. The Tunes don’t like that idea and challenge them to a basketball game only to find out the aliens are actually excellent at the game. The Looney Tunes ask NBA star Michale Jordan for his help to win the game and earn their freedom. Such a wacky setup gave us a pumped-up hit song.

22. “Life on the Moon” by David Cook

Most people imagine life on the moon as romantic. Most of the time, it’s in a positive context, but not this one. David Cook wrote it following his audition on American Idol. The song symbolizes how much his life has changed since then, and it’s not optimistic.

23. “Heightened Sensitivity” by Anakim

We end our list with the song that most exemplifies the vast emptiness that is space. Every bit of the sound is meant to convey something otherworldly. The song lasts for almost 8 minutes with no lyrics. It truly sets you in the vast expanse of space.

Best songs everyone knows

The best songs about flying of all time

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Liam’s lifelong love for music makes his role at Music Grotto such a rewarding one. He loves researching, writing and editing music content for Music Grotto.

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What is Taylor Swift's 'Florida!!!' song about? Here's what Swift said about the Sunshine State

According to Taylor Swift, “Florida!!!” is “one hell of a drug.”

Swift released her highly anticipated album "The Tortured Poets Department" at midnight on Friday, April 19, with some extra special nods to the Sunshine State.

"Welcome to New York," from Taylor's "1989" album might have a run for its money with her new Florida-centric song. The former may be the anthem blasting in the mind of every 20-something girl that moves to New York City, but "Florida!!!" has the makings of a new unofficial Sunshine State anthem.

And fans are theorizing that the song could be about Swift and Joe Alwyn's breakup, which happened while she was touring in Florida on the first leg of her record-breaking "Eras Tour" in 2023.

What do we know about 'The Tortured Poets Department?'

As USA Today's Taylor Swift reporter Bryan West says, the track titles are brutal .

Swift announced the album at the Grammys, when she won her 13th career Grammy for pop album of the year. Post Malone and Florence and The Machine are both featured on the album.

Fans speculated the album is mostly about Swift’s six-year relationship with English actor Joe Alwyn and their breakup. Both stars kept the relationship out of the public eye, but this album gives fans more leverage to guess at what happened between the two.

But there's also songs that are seemingly aimed at other figures in Swift's life, good and bad. From giddy love songs to boyfriend Travis Kelce, to relatable anthems about awful "situationships" aimed at Matty Healy . Even a few songs that seem to throw shade at her long-time adversary Kim Kardashian.

Here's the entire tracklist:

• "Fortnight (feat. Post Malone)"
• "The Tortured Poets Department"
• "My Boy Only Breaks His Favorite Toys"
• "So Long, London"
• "But Daddy I Love Him"
• "Fresh Out the Slammer"
• "Florida!!!" (feat. Florence + The Machine)
• "Guilty as Sin?"
• "Who's Afraid of Little Old Me?"
• "I Can Fix Him (No Really I Can)"
• "I Can Do It With a Broken Heart"
• "The Smallest Man Who Ever Lived"
• "The Alchemy"
• "Clara Bow"

Here are the 15 bonus tracks:

• "The Black Dog"
• "imgonnagetyouback"
• "The Albatross"
• "Chloe or Sam or Sophia or Marcus"
• "How Did It End?"
• "So High School"
• "I Hate It Here"
• "thanK you aIMee"
• "I Look in People’s Windows"
• "The Prophecy"
• "Cassandra"
• "The Bolter"
• "The Manuscript"

Who is 'Florence and the Machine' featuring on 'Florida!!!' track?

Florence Welch is the powerhouse lead vocalist for the English indie rock band "Florence + the Machine." Welch is known for several hits over the past decade, such as 2009's "Dog Days are Over," 2011's "Shake it Out" and 2015's "Sweet Nothings" collaboration with Calvin Harris.

"Florida!!!" is the first time Swift and Welch have collaborated on a song together.

What is Taylor Swift's 'Florida!!!' about?

“Florida!!!” is a pretty grungy, dark song about trying to separate yourself from a bad or painful situation and going to Florida to forget about it. You be the judge of if it’s reflective of the Sunshine State or not.

Swift told iHeart Radio that after getting inspiration from crime shows, she thought of where she'd go if she needed to reinvent herself.

"I think I was coming up with this idea of 'what happens when your life doesn't fit' or 'the choices you've made catch up with you' and you're surrounded by these harsh consequences and judgement," Swift said. "And circumstances did not lead you to where you thought you'd be."

The opening line is “You can beat the heat, if you beat the charges, too. They said I was a cheat, I guess it must be true.”

Building up to the chorus, Swift sings a line that no-doubt has Florida’s tourism industry cooking up ideas:

“Little did you know your home’s really only a town you’re just a guest in. So you work your life away just to pay for a timeshare down in Destin .”

If all of your Swiftie friends are googling "Destin, Florida" and "Timeshares in Destin," now you know why.

In the chorus, Swift and Florence Welch, who is featured on the song, both sing "Florida! Is one hell of a drug. Florida! Can I use you up?"

One of the most instantly iconic lines from the song comes after the chorus, when Taylor sings "I need to forget, so take me to Florida."

Which other song did Taylor Swift mention Florida in?

"Florida!!!" isn't the only song where the state got a shoutout. In the first song on the album, titled "Fortnight," both Swift and Post Malone sing:

"'Nother fortnight lost in America. Move to Florida, buy the car you want . But it won't start up 'til you touch, touch, touch me. Thought of calling ya, but you won't pick up"

Where can I buy 'The Tortured Poets Department?'

You can purchase it  on her website . There are several versions of the album available, including a CD, cassette, vinyl and digital album. 

These retailers will sell the album:

• Francesca's
• Barnes and Noble
•   Local record stores  (Record Store Day is tomorrow!)

Screen Rant

Anyone but you soundtrack guide: every song & when they play.

There are 20 songs spanning multiple genres on the soundtrack for Anyone But You, the hit rom-com based on Shakespeare's Much Ado About Nothing.

Warning! This article contains SPOILERS for Anyone But You.

• Anyone But You, now on Netflix, is the highest-grossing Shakespeare adaptation with songs like "The Spins" by Mac Miller.
• Sydney Sweeney and Glen Powell star in this enemies-to-lovers rom-com with a soundtrack that keeps the story lively.
• The "Anyone But You" soundtrack includes a variety of songs that complement the key moments of Ben and Bea's love story.

The 2023 hit rom-com Anyone But You just recently started streaming on Netflix, allowing viewers to watch and rewatch the film, which includes a great 20-song soundtrack. Anyone But You is an adaptation of Much Ado About Nothing , the famous Shakespeare comedy that helped create the enemies-to-lovers trope. With over $219 million grossed worldwide according to Box Office Mojo , Anyone But You became the highest-grossing Shakespeare film adaptation of all time.

Sydney Sweeney and Glen Powell lead the Anyone But You cast as Bea and Ben respectively. After a great date ended in a big misunderstanding, Bea and Ben were forced to remain in each other’s lives when Bea’s sister, Halle, and Ben’s best friend, Claudia, started dating. When Ben and Halle become part of Halle and Claudia’s wedding party, they decide to fake date to make sure they don’t ruin the trip. The Anyone But You soundtrack features a variety of songs that help keep the entertaining story moving.

When Every Song On The Anyone But You Soundtrack Plays In The Movie

The anyone but you soundtrack features 20 songs.

“Didn't I” by Darondo - The 2005 R&B track “Didn’t I” by Darondo plays in Anyone But You’s opening scene, which introduces the main love interests to each other at a coffee shop. Bea ran inside to find a bathroom before her job interview but was denied service because she wasn’t a paying customer. Fortunately, Ben, who was at the front of the long line, pretended to be her husband, forcing the barista to allow Bea to use the restroom and starting their love story in Anyone But You .

“The Spins” by Mac Miller & Empire of the Sun - After a series of misunderstandings following a night together, Bea and Ben’s chances for getting together seem ruined. When Bea overhears a conversation between Ben and his friend Pete, she leaves his apartment hurt and confused. The upbeat “The Spins” by Mac Miller and Empire of the Sun transitions Anyone But You from this scene to a time jump in which they meet again through Claudia and Halle.

“Photo ID (with Dominic Fike)” by Remi Wolf & Dominic Fike - “Photo ID” is the first of two Dominic Fike songs on the Anyone But You soundtrack. The song plays as Ben and Bea incidentally board the same flight to Australia for Bea and Halle’s wedding.

“Unwritten” by Natasha Bedingfield - “Unwritten” plays an important role in Anyone But You . The Natasha Bedingfield hit first plays in the film when Bea goes to steal Ben’s cookie on the flight and overhears the song playing from his headphones, learning that it’s his “ serenity song .” Later in the movie, when they are rescued from Sydney Harbour by a helicopter, she sings it to him to calm him down. “Unwritten” also plays in Anyone But You's end credits , which features the cast singing and dancing along to it at various points of filming.

“Sick” by Dominic Fike - When they arrive in Australia, another Dominick Fike song plays. “Sick” is a song about two people making each other sick while also being in love. It’s the perfect track for Bea and Ben’s enemies-to-lovers story in Anyone But You .

“Right Direction” by Margo & Mac - To celebrate Halle and Claudia’s upcoming nuptials in Anyone But You and the first night of the wedding party being all together in Australia, Pete sets off fireworks as “Right Direction” by Margo & Mac plays in the background. A series of party games goes wrong in Anyone But You when Bea and Ben are put on the same team and can’t stop arguing.

“The Vacationer” by Hungry Kids of Hungary - After a shot of another Shakespeare reference in Anyone But You written in the sand, “The Vacationer” by Hungry Kids of Hungary plays over a montage of everyone taking advantage of the beautiful Australian setting.

“Bang Bang” by Hippo Campus - In an attempt to make Bea and Ben get along and possibly fall in love, Claudia and Pete’s mother, Carol, has them swim to her husband’s sailboat to get his “forgotten” sunglasses. Unfortunately, the task reveals that Ben isn’t a great swimmer. As “Bang Bang” by Hippo Campus plays, Bea carries him through the water to help them reach the boat.

“Steppin’ On Me” by Fitz and The Tantrums - The indie pop song “Steppin’ On Me” plays just after Bea proposes she and Ben fake date to get everyone off their back and make Ben’s ex, Margaret, jealous. Initially, their overacting doesn’t fool the other characters in Anyone But You , but as they grow to like each other, their feelings become obvious to everyone around them.

“Sympathy” by Declan McKenna - Ben and Bea’s first outing as a “couple” in Anyone But You is set to “Sympathy” by Declan McKenna. A hiking trip with Pete, Claudia, and Halle went horribly wrong when a giant spider crawled into Ben’s shorts. Unfortunately, the making of the scene went wrong as well, with Sweeney being bitten by the spider during Anyone But You’s filming .

“Changing” by Bay Ledges - While most of the Anyone But You characters are trying to get Bea and Ben together, her parents want her to get back with her ex-fiancé Jonathan. To do this, they invite him to Australia without telling her. As “Changing” by Bay Ledges plays in the background, Bea and Jonathan play a giant chess match.

“Dummy” by Portugal. The Man - Claudia and Halle’s rehearsal dinner took place on a ship, with the wedding party traveling to the dock in style, riding in Land Rovers. “Dummy” by Portugal. The Man plays during the journey in Anyone But You , where Bea’s stunning blue dress revealed Ben’s attraction to her.

“Got Me Started” by Troye Sivan - Once on the ship, the Anyone But You characters danced to the Troye Sivan bop “Got Me Started.” Bea and Ben showed off both their moves and their chemistry on the dance floor.

“All I Really Wanna Do” by Devon Gilfillian - After their dancing fails to catch the eyes of the other characters in Anyone But You , Bea and Ben came up with another plan to convince everyone they’re together. They recreated the famous “ I’m flying ” scene from Titanic as everyone looked on, their plan working perfectly. The love song “All I Really Wanna Do” by Devon Gilfillian provided great background music until Bea fell into Sydney Harbour.

“Anyone But You” by Still Woozy - The Anyone But You soundtrack’s title track was made by Still Woozy specifically for the film. It plays at a turning point in Bea and Ben’s love story in Anyone But You as they hook up for the first time following the ship incident.

Anyone But You's Shower Scene Fixes A Modern Movie Problem That's Annoyed Me For Years

“Loving You” by Wet Leg - Before Bea woke up, Ben snuck out of her room following another misunderstanding. “Loving You” by Wet Leg plays over a montage of the morning after, which also happened to be the morning of Halle and Claudia’s wedding.

“Connecting Dots” by Kate Bollinger - The lyrics of “Connecting Dots” by Kate Bollinger include “ How come love so sweet can turn so mean? ” representing what Bea and Ben were likely thinking about each other after their night together. The ballad plays as they agree to fake getting along one more time for Claudia and Halle’s wedding. The lyrics “ The more I know you, the more I hate you ” play on the idea of there being a thin line between love and hate.

“Canon In D (Pachelbel's Canon)” by Johann Pachelbel - The classic canon from German Baroque composer Johann Pachelbel is played by a group of violinists with Anyone But You’s resident surfer bro, Beau, surprisingly on the cello. They play the canon as Claudia, Halle, and the wedding party walk back down the aisle following the ceremony.

“Lancaster Nights” by Charlie Burg - Fortunately, the story took a happier turn, albeit briefly, with Claudia and Halle’s wedding reception. The upbeat “Lancaster Nights” by Charlie Burg helped flip the vibe in Anyone But You as everyone gathered to celebrate the happy couple.

“Bottle Rocket” by Jimi Somewhere - After Bea caught Margaret kissing Ben, she left the wedding reception in tears. Though Ben thought he wanted Margaret back, he realized he was in love with Bea and needed to perform a big romantic gesture to prove it. “Bottle Rocket” by Jimi Somewhere repeats the lines, “ You make me want to rip my head off and you make me want to scream … It wasn't much, but it meant everything to me .” Once again, the Anyone But You soundtrack found a song that perfectly encapsulated their relationship and feelings for one another.

Anyone But You Ending Explained: Do Ben & Bea End Up Together?

Where to listen to the anyone but you soundtrack, the anyone but you soundtrack isn't officially streaming.

There is no official version of the Anyone But You soundtrack with all 20 songs available for streaming on major music platforms. The Anyone But You soundtrack available for streaming only includes the songs on the score done by Este Haim and Christopher Stracey. There are unofficial playlists online, but they do not feature every song and include some songs not in the film. With this list, Anyone But You viewers can make their own soundtrack playlist on their preferred listening platform.

Where To Watch Anyone But You

Anyone But You

Anyone But You is a romantic comedy by director Will Gluck starring Sydney Sweeny and Glen Powell. Sweeny and Powell star as Bea and Ben, two strangers with an incredible first date that goes sour following one incident at the tail end. Thinking the worst is behind them, the two are roped into a destination wedding in Sydney, Australia, where they'll have to pretend to be a couple despite absolutely hating each other.

'The asylum where they raised me': Monica Lewinsky joins in on viral Taylor Swift meme

Monica Lewinsky joined in on a viral meme based on a new song from Taylor Swift, poking fun at a painful chapter from her past.

Swift sings the lyric "you wouldn't last an hour in the asylum where they raised me," in her song "Who's Afraid of Little of Little Old Me?" on her latest album released last week. While Swift's lyric appears to be a reference to growing up in the music industry, fans have shared the lyric to joke about tough moments, ranging from buying concert tickets to recalling awkward moments on TV shows.

Lewinsky on Wednesday shared the lyric alongside a photo of the White House on X, formerly Twitter, in an apparent reference to her affair with former President Bill Clinton and ensuing uproar in the 1990s.

The House in 1998 voted to impeach Clinton on charges of perjury and obstruction of justice related to an intimate relationship he had with Lewinsky, then a White House intern. Two months later, the Senate fell short of the two-thirds vote needed to remove him from office. 

But Wednesday didn't mark the first time Lewinsky has joked about her past and on social media. For example, she responded to a prompt asking "what's your weakest claim to fame?" with a simple "no comment."

Prep for the polls: See who is running for president and compare where they stand on key issues in our Voter Guide

Lewinsky has become an anti-cyberbullying activist and has called herself the “patient zero” of online shaming. Earlier this year, she also joined a campaign with the clothing brand Reformation to bring attention to voter registration and participation.

Contributing: Susan Page and Naledi Ushe, USA TODAY

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Why is the X-Men theme song so catchy? ‘It just rips,’ say X-Men ’97 composers

‘That’s the only way I can describe it,’ says Andy Grush

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Taylor Stewart and Andy Grush have been scoring movies together as the Newton Brothers for 15 years. They’ve worked with contemporary greats like Hans Zimmer and Danny Elfman , they composed the scores for Five Nights at Freddy’s and The Fall of the House of Usher , and they just spent who knows how long marinating in the music of X-Men: The Animated Series in order to craft the music for its sequel, X-Men ’97 .

So what, in their professional opinion, makes the original, indelible X-Men: The Animated Series theme so memorable?

“The lick is just super catchy,” Grush told Polygon via video. “It repeats multiple times. Even when it modulates it’s playing the same thing — we’re moving up and then moving back down. And then I love the triplets section that it goes to. It’s brilliant. It changes everything up, feels very dramatic and dynamic, and then you get right back into [the lick]. And it just, like...” He paused, considering. “It just rips . [...] That’s the only way I can describe it. It just rips.

“Taylor and I feel really lucky to have been able to work with that material.”

That material was the work of composer Ron Wasserman, who also scored such 1990s standbys as the opening theme to Mighty Morphin Power Rangers , and Stewart and Grush both hold it in fan reverence. Nevertheless, the first question they had to answer was whether to simply replicate Wasserman’s driving, synth-forward theme, or to reinvent it for a new show and a new decade.

Stewart said they prepped seven or eight different takes on the Animated Series theme for review. Some were fully orchestral, some synth-heavy, “some were way more modern, a couple sad and more minimal.” From there the process was all about balance.

Nostalgia, or an update? “We wanted to keep it based in the original that we all love, because that’s what we remember as kids. That’s what we all get excited about,” Stewart said. Original analog synth machines, or modern digital ones? Grush said he relished a chance to use a plug-in version of a Yamaha DX7 in the show’s “Summers” theme, a ubiquitous instrument of ’80s pop music that he’d never been able to afford as a kid.

And how much sound was too much sound?

That question was at the heart of their most notable digression from Wasserman’s original theme song: minimizing the counterpoint in the song’s final section. You can hear it by comparing the two tracks below — the underpinning of synth strings and a final bell note is much more muted in the new theme.

Far be it for Polygon to nitpick the choices of a couple of experienced composers, but as a former mallet percussionist and player of the tubular bells , this writer had to ask.

To Stewart and Grush, the difference was in the weight and power of modern instruments, synths, and digital sound. “We got to a place where the track was all there, but it was too big. There was too much happening,” Grush explained. “And so then it was like, Well, let’s take some of the new modern synths out and leave the counterpoint in . And it was like, Well, now it doesn’t have some of the weight that that has . So then we put those back in, and then we muted some of the counterpoint — not all of it, we kept in some of the counterpoint at the end. But we lost it in the triplet section, and we lost most of the tubular bells too, because it was just real estate. The short answer is real estate.”

But even after finding that balance in X-Men ’97 season 1 (a second season is already in production), Stewart and Grush find themselves with just as many questions as when they started.

“We want to take Ron [Wasserman] to dinner. We want to ask him so many things,” Grush said. “From our understanding from the World Wide Web, which could be totally wrong, it was that they didn’t give him a ton of resources in season 1 and he still pulled off this incredible score. [...] We’re hoping to be able to take Ron to dinner, if he’ll have us at some point, because we have so many questions.”

New episodes of X-Men ’97 drop every Wednesday on Disney Plus.

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