the cure tour los angeles

Tuesday was gray, but for Cure fans, it was all love at the Hollywood Bowl

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Robert Smith stood onstage Tuesday evening and let the final notes of the Cure’s “A Night Like This” — in which the 64-year-old goth-rock icon promises, “I want to change” — ring out over the capacity crowd at the Hollywood Bowl.

“The last time we played that,” Smith told the audience, “I thought to myself: Do I really want to change?”

It’s hard to see why he would: Nearly half a century after the release of the British band’s debut single, the Cure is enjoying a moment right now, the kind coveted by pop stars one-third Smith’s age. Tuesday’s gig under cloudy skies was the first of three sold-out dates at the Bowl on a tour for which the Cure sought to keep ticket prices relatively low; Smith’s willingness to publicly criticize Ticketmaster — he even got the company to refund fans for a portion of its much-hated handling fees — has given him something of a folk-hero vibe on social media even as he gets accustomed to being a member of the Rock & Roll Hall of Fame, which inducted the Cure in 2019.

The tour is building anticipation for a long-promised studio album, the Cure’s first in 15 years; here the band played a handful of impressive new songs, including one Smith said it had never performed before. With its generous blend of hits and deep cuts spread over nearly three hours, though, the Cure’s current live show also feels like expertly designed fan service — this summer’s black-mascara counterpart to Taylor Swift’s splashy and bedazzled Eras tour .

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After Saturday’s festival was cut short due to a threatening storm, Siouxsie and Iggy Pop returned on Sunday to perform for multiple generations of SoCal goths.

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The Cure isn’t the only celebrated survivor from its generation of U.K. post-punk and new wave acts. Depeche Mode is on the road in very fine form behind its strongest LP in years, and just this past weekend Siouxsie (who once counted Smith as a member of her Banshees) made a celebrated return to the American stage at Pasadena’s Cruel World festival. In November, Kate Bush will follow the Cure and Depeche Mode into the Rock Hall thanks in part to last year’s discovery of her old song “Running Up That Hill” by young viewers of Netflix’s “Stranger Things.”

Why exactly this stuff seems to be in the air comes down to some extent to fortuitous exposure like that and like HBO’s recent use of Depeche Mode’s “Never Let Me Down Again” in “The Last of Us.” But there’s also something about this luxuriously gloomy music — the way in which it honors the exuberance of misery — that means it’s always drawing new fans. Of course the idea of goth would continue to reverberate in an era when teenagers just have to pick up their phones to find a reason to be depressed.

Headlining the Bowl almost seven years to the day since the Cure’s previous visit — and wearing a black T-shirt advertising the defunct Hollywood Star Lanes bowling alley — Smith found as much feeling as he ever has in oldies like “Pictures of You” and “Lovesong” as he floated his lovelorn yelp over dreamy overlapping guitar lines. (Though Smith is the band’s sole remaining original member, the Cure’s live lineup — with guitarists Perry Bamonte and Reeves Gabrels, bassist Simon Gallup, keyboardist Roger O’Donnell and drummer Jason Cooper — is long on musicians he’s played with for decades.)

“Charlotte Sometimes” and “Push” were surging rockers riding muscular rhythm-section grooves; “Shake Dog Shake” showed off Smith’s childhood fascination with Jimi Hendrix. At times you could think of the Cure as a sort of emo-psych jam band, stretching out the likes of “From the Edge of the Deep Green Sea” to find untapped reserves of luscious melancholy.

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The Cure’s new songs were both the stormiest and the most sentimental of the night, with florid keyboard licks against synthesized strings that called to mind Aerosmith’s late-’90s power-ballad phase; indeed, the seeds of the grandly emotional “Another Happy Birthday,” which Smith said the Cure was playing for the first time Tuesday, are thought by the group’s most devoted to date back to 1997.

As the clock ticked toward the Bowl’s 11 p.m curfew, Smith and his mates wham-bammed through their biggest hits — “Friday I’m in Love,” delirious with agony; “In Between Days,” shuffling and funky; “Just Like Heaven,” a mad, passionate tumble — before closing with “Boys Don’t Cry,” where the pride Smith still takes in a sense of vulnerability could bring a tear to your eye.

When it was over, the frontman stuck around onstage for a few minutes, soaking up the crowd’s adoration — a renewable resource, it turns out, but not one he sees fit to squander.

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The Twilight Sad

Tue / may 23, 2023 - 7:00pm.

LIVE NATION | HEWITT SILVA

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The Cure Delivers Moody, Hit-Heavy Set at First of Three Hollywood Bowl Shows: Concert Review

By Ellise Shafer

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The first words sang by Robert Smith at the Cure ‘s Hollywood Bowl show in L.A. on Tuesday night — “This is the end/ Of every song that we sing” — set a reflective tone for the rest of the famed goth rock band’s performance as attendees were taken through its 45-year history.

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“Charlotte Sometimes,” “Push,” “Shake Dog Shake” and “From the Edge of the Deep Green Sea” marked the end of the show’s first act, and the transition to the first encore was quick (the set is structured with two lengthy “encores”). Halfway through the first encore marked Smith’s longest address of the crowd — before launching into “A Thousand Hours,” Smith waxed poetic about growing older, adding to the show’s pensive theme. “It’s really hard to keep hold of your younger self,” he said. “When you’ve written about it, it’s like a diary kind of, when you write songs and you sort of think, ‘Fuck me, was I that sad when I was that young?’ I had no idea. This is one of those songs.”

As the final notes of the anthemic “Boys Don’t Cry” echoed and the band departed, Smith lingered on stage for a couple more minutes, holding his hand to his heart as if it was about to jump out of his chest. He, too, didn’t want it to end.

See the full setlist below.

• “Alone”
• “Pictures of You”
• “A Night Like This”
• “Lovesong”
• “And Nothing Is Forever”
• “The Last Day of Summer”
• “A Fragile Thing”
• “Burn”
• “Another (Happy) Birthday”
• “Charlotte Sometimes”
• “Push”
• “Primary”
• “Shake Dog Shake”
• “From the Edge of the Deep Green Sea”
• “Endsong”
• “I Can Never Say Goodbye”
• “It Can Never Be the Same”
• “A Thousand Hours”
• “At Night”
• “A Forest”
• “Lullaby”
• “Six Different Ways”
• “The Walk”
• “Friday I’m in Love”
• “Doing the Unstuck”
• “Close to Me”
• “In Between Days”
• “Just Like Heaven”
• “Boys Don’t Cry”

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The Cure Announce 2023 North American Tour

By Evan Minsker and Jazz Monroe

The Cure have announced a 2023 tour of North America. Find their Shows of a Lost World dates below. The schedule comes with three dates apiece at Los Angeles’ Hollywood Bowl and New York’s Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad .

In recent years, Robert Smith has been teasing a Cure album, giving regular progress reports. In 2019, after being inducted into the Rock & Roll Hall of Fame ( by Trent Reznor ), Smith said , “If I’m optimistic it will be finished before the start of this summer.” The album still hasn’t materialized.

The band’s last studio album was 2008’s 4:13 Dream . In recent years, Smith has collaborated with Gorillaz and remixed Chvrches , Deftones , and, just this week, Noel Gallagher’s High Flying Birds . Last year, the band reissued 1992’s Wish . See where the Cure landed on Pitchfork’s list of “ The 250 Best Songs of the 1990s .”

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler’s Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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The Cure Announces 2023 North American Tour

The Cure  has announced tour dates that will bring them to the U.S. for the first time since 2019.

The Lost World Tour will kick off on May 10 in New Orleans and continue through summer, coming to a close on July 1 in Miami. Along the way, the band will appear in major cities like Dallas, Seattle, Denver, Chicago and Toronto, plus perform two three-night runs in Los Angeles and New York City.

You can see a complete list of dates below.

Tickets will be available via Ticketmaster's verified fan sale program  beginning on March 15. In a statement, the Cure noted that "apart from a few Hollywood Bowl charity seats, there will be no 'platinum' or 'dynamically priced' tickets on this tour."

The alternative legends have been off the road since wrapping up a fall European tour last year. The run was their first since the pandemic and featured the debut of material from the band's long-delayed new album.

According to frontman Robert Smith, the Cure has recorded at least 20 songs for two prospective albums. In April 2022, he told  NME  that the first one is tentatively titled  Songs of a Lost World . It marks the band's first studio album since 2008.

Guitarist Reeves Gabrels previously told UCR that the Cure had amassed a wealth of recordings during the pandemic that could fill up to three albums. "We were overproductive," Gabrels said. "Which is great, except it means you really can't judge the songs until you get them close to finished. You kinda have to bring all that material up to the point where you can hear what they are."

Smith had hinted in a  2021 interview that the upcoming songs could be the end of new music by the band. “The new Cure stuff is very emotional,” he revealed to  The Sunday Times . “It’s 10 years of life distilled into a couple of hours of intense stuff. I can’t think we’ll ever do anything else.”

The Cure 2023 North American Tour May 10 - New Orleans, LA @ Smoothie King Center May 12 - Houston, TX @ Toyota Center May 13 - Dallas, TX @ Dos Equis Pavilion May 14 - Austin, TX @ Moody Center May 16 - Albuquerque, NM @ Isleta Amphitheater May 18 - Phoenix, AZ @ Desert Diamond Arena May 20 - San Diego, CA @ NICU Amphitheater May 23 - Los Angeles, CA @ Hollywood Bowl May 24 - Los Angeles, CA @ Hollywood Bowl May 25 - Los Angeles, CA @ Hollywood Bowl June 1 - Seattle, WA @ Climate Pledge Arena June 2 - Vancouver, BC @ Rogers Arena June 4 - Salt Lake City, UT @ Vivint Smart Home Arena June 6 - Denver, CO @ Fiddler's Green Amphitheater June 8 - Minneapolis St. Paul, MN @ Xcel Energy Center June 10 - Chicago, IL @ United Center June 11 - Cleveland, OH @ Blossom Music Center June 13 - Detroit, MI @ Pine Knob Music Theatre June 14 - Toronto, ON @ Budweiser Stage June 16 - Montreal, QC @ Bell Centre June 18 - Boston, MA @ Xfinity Center June 20 - New York, NY @ Madison Square Garden June 21 - New York, NY @ Madison Square Garden June 22 - New York, NY @ Madison Square Garden June 24 - Philadelphia, PA @ Wells Fargo Center June 25 - Columbia, MD @ Merriweather Post Pavilion June 27 - Atlanta, GA @ State Farm Arena June 29 - Tampa, FL @ Amalie Arena July 1 - Miami, FL @ Miami-Dade Arena

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The Cure Announce 2023 North American Tour Dates

The outing marks the goth rock icons' first extensive U.S. dates since 2019.

By Gil Kaufman

Gil Kaufman

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The Cure announced their first run of North American dates in more than four years on Thursday (March 9). The Robert Smith-led band’s Shows of a Lost World Tour is slated to kick off on May 10 at the Smoothie Center in New Orleans and take the goth rock icons through Houston, Dallas, Phoenix, San Diego, San Francisco, Seattle, Vancouver, Chicago, Detroit, Toronto, Montreal and Atlanta before wrapping up at Miami-Dade Arena in Miami, FL on July 1.

The Cure’s ‘Wish’ Set for 30th-Anniversary Set Featuring 24 Unreleased Tracks

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Tickets for all 30 dates will go on sale via Ticketmaster’s Verified Fan program beginning March 15; pre-registration is required and registration will close on March 13 at 10 a.m. PT. In the wake of ticket sale snafus affecting Taylor Swift and Bad Bunny onsales, in a message to fans, the Cure wrote, “we have priced tickets to benefit fans and our efforts to block scalpers and limited inflated resale prices are being supported by our ticketing partners.”

At press time there was no information about new music from the band, though Smith has been promising a follow-up to 2008’s 4:13 Dream for several years .

Check out the dates for The Cure’s Shows of a Lost World 2023 North American Tour below.

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The Cure announce 2023 North American tour

The 30-date tour includes three consecutive nights at both LA's Hollywood Bowl and Madison Square Garden in New York

The Cure have announced a 2023 tour across North America – find all the details below and purchase tickets here .

• READ MORE: The Cure live in London: an unusual, but thrilling festive party

The band will kick off the 30-date tour at Smoothie King Center in New Orleans on May 10, with stops in Austin, Phoenix, San Diego, Seattle, Vancouver, Chicago, Boston, Philadelphia, Tampa and many more, before closing out at the Miami-Dade Arena in Florida on July 1.

The run also includes three consecutive dates at both LA’s Hollywood Bowl (May 23, 24, 25) and New York’s Madison Square Garden (June 20, 21, 22) with support across all dates from The Twilight Sad .

THE CURE RETURN TO NORTH AMERICA IN MAY FOR A 30 DATE TOUR #ShowsOfALostWorld23 – REGISTER FOR TICKETS NOW AT https://t.co/PkDGUv9w7c pic.twitter.com/SU2wNqRG0f — The Cure (@thecure) March 9, 2023

“The Cure return to North America in May for a 30 date tour #ShowsOfALostWorld23,” the band wrote on social media, the hashtag being the name of their much anticipated first new album since 2008’s ‘ 4:13 Dream ’.

Verified fan registration is open now until Monday, March 13 at 10am EST and can be accessed here . Verified fan sale will then go live on Wednesday, March 15 at 10am CDT until Thursday, March 16, 10am CDT from here .

Find the full list of tour dates below.

Recommended

The Cure North American tour 2023:

MAY 10 – New Orleans, Louisiana, Smoothie King Center 12 – Houston, Texas, Toyota Center 13 – Dallas, Texas, Dos Equis Pavilion 14 – Austin, Texas, Moody Center 16 – Albuquerque, New Mexico, Isleta Amphitheater 18 – Phoenix, Arizona, Desert Diamond Arena 20 – San Diego, California, NICU Amphitheatre 23 – Los Angeles, California, Hollywood Bowl 24 – Los Angeles, California, Hollywood Bowl 25 – Los Angeles, California, Hollywood Bowl 27 – San Francisco, California, Shoreline Amphitheatre

JUNE 01 – Seattle, Washington, Climate Pledge Arena 02 – Vancouver, British Columbia, Rogers Arena 04 – Salt Lake City, Utah, Vivint Smart Home Arena 06 – Denver, Colorado, Fiddler’s Green Amphitheatre 08 – Minneapolis St. Paul, Minnesota, Xcel Energy Center 10 – Chicago, Illinois, United Center 11 – Cleveland, Ohio, Blossom Music Center 13 – Detroit, Michigan, Pine Knob Music Theatre 14 – Toronto, Ontario, Budweiser Stage 16 – Montreal, Québec, Bell Centre 18 – Boston, Massachusetts, Xfinity Center 20 – New York, New York, Madison Square Garden 21 – New York, New York, Madison Square Garden 22 – New York, New York, Madison Square Garden 24 – Philadelphia, Pennsylvania, Wells Fargo Center 25 – Columbia, Maryland, Merriweather Post Pavilion 27 – Atlanta, Georgia, State Farm Arena 29 – Tampa, Florida – Amalie Arena

JULY 01 – Miami, Florida, Miami-Dade Arena

In an email to fans, Robert Smith vowed to keep ticket prices reasonable, writing: “THE CURE HAVE AGREED ALL TICKET PRICES, AND APART FROM A FEW HOLLYWOOD BOWL CHARITY SEATS, THERE WILL BE NO ‘PLATINUM’ OR ‘DYNAMICALLY PRICED’ TICKETS ON THIS TOUR.”

Their website also says that tickets have been priced by the band to “benefit fans and our efforts to block scalpers and limit inflated resale prices”, supported by ticketing partners.

The Cure have not toured the US since 2016, but performed at Pasadena Daydream Festival and Austin City Limits in 2019.

Smith has repeatedly teased The Cure’s new record to NME  as a  dark, “merciless, relentless ” piece, inspired by  a period of great loss and in a similar spirit to their 1989 gothic art-rock album ‘Disintegration’.

Reviewing The Cure in London this December , NME described the show as “an unusual, but thrilling festive party”.

Elsewhere, Noel Gallagher released Robert Smith‘s remix of  High Flying Birds ‘ track ‘Pretty Boy’ this week, with The Cure frontman sharing that he was “surprised and delighted” when when the former Oasis singer-songwriter asked him to “remix this gorgeous song”.

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The Cure Announce First North American Tour Since 2016 + Are Trying to Block Scalpers From Buying Tickets

It's official — goth rock/new wave legends The Cure will embark on a North American tour this year, their first continental run since 2016.

Dubbed the "Shows of a Lost World" tour, the 30-date jaunt will kick off on May 10 in New Orleans, trekking through several major markets in the U.S. and Canada with things wrapping up on June 1 in Miami.

Opening each night are The Twilight Sad, a post-punk/indie rock group from Scotland who have been on the road with The Cure on previous tours. It also happens to be the 20th anniversary since their formation, so perhaps a special set is in order as they also continue to promote their most recent album, 2019's  It Won/t Be Like This All the Time .

The Cure, meanwhile, are expected to release a new album this year, which will be their first studio effort since 2008's  4:13 Dream . Last year, fans were even treated to a couple of new songs live , which are presumably on the forthcoming  Songs of a Lost World album, the title which frontman Robert Smith confirmed earlier in 2022. He also forecasted a fall 2022 release, so fans have really been on edge waiting for this new record.

READ MORE: The Cure Debut Two New Songs at 2022 Tour Kickoff, Their First New Music Since 2008

See the complete list of dates below.

Per The Cure's website, tickets will be available on March 15 via Ticketmaster Verified Fan Sale, which requires registration to access . "We have priced tickets to benefit fans and our efforts to block scalpers and limited inflated resale prices are being supported by our ticketing partners," the band also confirmed.

The Cure 2023 North American Tour Dates With The Twilight Sad

May 10 — New Orleans, La. @ Smoothie King Center May 12 — Houston, Texas @ Toyota Center May 13 — Dallas, Texas @ Dos Equis Pavilion May 14 — Austin, Texas @ Moody Center May 16 — Albuquerque, N.M. @ Isleta Amphitheater May 18 — Phoenix, Ariz. @ Desert Diamond Arena May 20 — San Diego, Calif. @ NICU Amphitheatre May 23 — Los Angeles, Calif. @ Hollywood Bowl May 24 — Los Angeles, Calif. @ Hollywood Bowl May 25 — Los Angeles, Calif. @ Hollywood Bowl May 27 — San Francisco, Calif. @ Shoreline Amphitheatre June 01 — Seattle, Wash. @ Climate Pledge Arena June 02 — Vancouver, British Columbia @ Rogers Arena June 04 — Salt Lake City, Utah @ Vivint Smart Home Arena June 06 — Denver, Colo. @ Fiddler’s Green Amphitheatre June 08 — Minneapolis/St. Paul, Minn. @ Xcel Energy Center June 10 — Chicago, Ill. @ United Center June 11 — Cleveland, Ohio @ Blossom Music Center June 13 — Detroit, Mich. @ Pine Knob Music Theatre June 14 — Toronto, Ontario @ Budweiser Stage June 16 — Montreal, Quebec @ Bell Centre June 18 — Boston, Mass. @ Xfinity Center June 20 — New York, N.Y. @ Madison Square Garden June 21 — New York, N.Y. @ Madison Square Garden June 22 — New York, N.Y. @ Madison Square Garden June 24 — Philadelphia, Pa. @ Wells Fargo Center June 25 — Columbia, Md. @ Merriweather Post Pavilion June 27 — Atlanta, Ga. @ State Farm Arena June 29 — Tampa, Fla. @ Amalie Arena June 01 — Miami, Fla. @ Miami-Dade Arena

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THE CURE announce 2023 North American tour

The Cure have finally announced a long-awaited North American leg of their A Lost World tour — which includes three nights at L.A.'s Hollywood Bowl and three nights at NYC's Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad. Check out the full itinerary below.

Additionally, the headliners announced: "The Cure have agreed all ticket prices, and apart from a few Hollywood Bowl charity seats, there will be no 'platinum' or 'dynamically priced' tickets on this tour."

Tickets go on sale via Ticketmaster Verified Fan on March 15th at 10 a.m. local time.

The Cure 2023 North American tour dates: 05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler's Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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Music + concerts, music + concerts | the cure will headline three nights at the hollywood bowl, the rock band's first north american tour in seven years kicks off in may..

English rock band The Cure announced its first North American tour in seven years on Thursday, March 9.

Following European dates in 2022, the Shows of a Lost World Tour will kick off in New Orleans on May 10 and comes to NICU Amphitheatre in San Diego on May 20 and the Hollywood Bowl in Los Angeles on May 23-25.

Tickets will be sold using the Ticketmaster Verified Fan program starting Wednesday, March 15. Fans can register now to get a code and that closes at 10 a.m. Monday, March 13 at Ticketmaster.com . A code will be needed to purchase tickets. The Cure have set the prices for the show apart from a few Hollywood Bowl charity seats. There will be no platinum or dynamically priced tickets sold on this tour.

The Cure last did a three-night stint at Hollywood Bowl in 2016, where it performed three encores during its first of three gigs . In total, they played 32 songs in two hours and 45 minutes that evening. Back in 2019, the band was inducted into the Rock and Roll Hall of Fame and brought its single-day Pasadena Daydream Festival with the Pixies, Deftones, Mogwai, Throwing Muses and more to Brookside at the Rose Bowl in August of that year. The band was set to release a new album, “Songs of a Lost World,” in 2022, however that effort has been delayed.

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The Cure announces 30-date “Shows of a Lost World” North American tour

The Cure this morning announced its first North American tour in seven years, with plans to bring its “Shows of a Lost World” trek to the U.S. and Canada for 30 dates beginning in May, with three nights apiece in New York City and Los Angeles.

The tour opens May 10 in New Orleans and runs through July 1 in Miami, with dates in between in Dallas, Seattle, Denver, Chicago, Cleveland, Montreal, Atlanta and more, plus three-night stands at the Hollywood Bowl and Madison Square Garden. The Twilight Sad, once again, will open all shows.

See full dates below.

Tickets will be available through a Ticketmaster Verified Fan Sale beginning Wednesday, March 15, and it will require pre-registration to access. Fans will be able to register for a maximum of five different shows, and registration closes at 10 a.m. Pacific Monday, March 13. Head over here for details and to register.

In an email to fans, bandleader Robert Smith — in his trademark all-caps — makes this promise:

THE CURE HAVE AGREED ALL TICKET PRICES, AND APART FROM A FEW HOLLYWOOD BOWL CHARITY SEATS, THERE WILL BE NO ‘PLATINUM’ OR ‘DYNAMICALLY PRICED’ TICKETS ON THIS TOUR

The Cure’s touring lineup had been stable for more than a decade, with Smith joined by his longest-serving bandmate, bassist Simon Gallup, as well as drummer Jason Cooper, keyboardist Roger O’Donnell and guitarist Reeves Gabrels. Smith surprised fans last fall by bringing back guitarist/keyboardist Perry Bamonte, who played in the band from 1990 to 2005.

Smith has been teasing the completion and release of The Cure’s 14th studio album Songs of a Lost World — the group’s first since 2008’s 4.13 Dream — for more than a year, at one point suggesting it would be released before the band embarked on a lengthy European tour last fall .

That didn’t happen, although the group performed a number of new songs live, including “Alone,” “Endsong,” “And Nothing is Forever,” “I Can Never Say Goodbye” and “A Fragile Thing.”

The Cure’s European tour last year marked the group’s first live shows since before the pandemic, when The Cure followed up its Pasadena Daydream festival in Southern California in September 2019 with appearances at the Austin City Limits Festival in Texas and a one-off stadium concert in Mexico City.

The band has not toured the U.S. since 2016.

Here are The Cure’s new dates:

The Cure 2023 tour dates

May 10: New Orleans, LA — Smoothie King Center May 12: Houston, TX — Toyota Center May 13: Dallas, TX — Dos Equis Pavilion May 14: Austin, TX — Moody Center May 16: Albuquerque, NM — Isleta Amphitheater May 18: Phoenix, AZ — Desert Diamond Arena May 20: San Diego, CA — NICU Amphitheatre May 23: Los Angeles, CA — Hollywood Bowl May 24: Los Angeles, CA — Hollywood Bowl May 25: Los Angeles, CA — Hollywood Bowl May 27: San Francisco, CA — Shoreline Amphitheatre June 1: Seattle, WA — Climate Pledge Arena June 2: Vancouver, BC — Rogers Arena June 4: Salt Lake City, UT — Vivint Smart Home Arena June 6: Denver, CO — Fiddler’s Green Amphitheatre June 8: Minneapolis St. Paul, MN — Xcel Energy Center June 10: Chicago, IL — United Center June 11: Cleveland, OH — Blossom Music Center June 13: Detroit, MI — Pine Knob Music Theatre June 14: Toronto, ON — Budweiser Stage June 16: Montreal, QC — Bell Centre June 18: Boston, MA — Xfinity Center June 20: New York, NY — Madison Square Garden June 21: New York, NY — Madison Square Garden June 22: New York, NY — Madison Square Garden June 24: Philadelphia, PA — Wells Fargo Center June 25: Columbia, MD — Merriweather Post Pavilion June 27: Atlanta, GA — State Farm Arena June 29: Tampa, FL — Amalie Arena July 1: Miami, FL — Miami-Dade Arena

PREVIOUSLY ON SLICING UP EYEBALLS

• The Cure’s deluxe reissue of “Wish” to include 21 unreleased demos, “Lost Wishes” EP
• The Cure’s new album “Songs of a Lost World” could be out by September
• Robert Smith says “MY DESIRE TO RELEASE A NEW ALBUM IS OVERWHELMING!”
• The Cure unveils 44-date European tour in 2022, but don’t expect U.S. dates before 2023
• The Cure turns Pasadena Daydream into ‘the best day of the summer’ with scorching set
• The Cure to release 6-disc ‘40 Live: Curaetion-25 + Anniversary’ audio/video box set
• The absolute best of The Cure: All 225 songs ranked by Slicing Up Eyeballs’ readers

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• May 24, 2023 Setlist

The Cure Setlist at Hollywood Bowl, Los Angeles, CA, USA

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Tour: Shows of a Lost World Tour statistics Add setlist

• Alone Play Video
• Pictures of You Play Video
• Lovesong Play Video
• And Nothing Is Forever Play Video
• If Only Tonight We Could Sleep Play Video
• A Fragile Thing Play Video
• Cold Play Video
• Burn Play Video
• Another Happy Birthday Play Video
• A Night Like This Play Video
• Push Play Video
• Play for Today Play Video
• A Forest ( With Iron Maiden’s Death of the Celts bass tease in the outro ) Play Video
• From the Edge of the Deep Green Sea Play Video
• Endsong Play Video
• I Can Never Say Goodbye Play Video
• It Can Never Be the Same Play Video
• Plainsong Play Video
• At Night Play Video
• Disintegration Play Video
• Lullaby Play Video
• Six Different Ways Play Video
• The Walk Play Video
• Let's Go to Bed Play Video
• Friday I'm in Love Play Video
• Close to Me Play Video
• In Between Days Play Video
• Just Like Heaven Play Video
• Boys Don't Cry Play Video

Edits and Comments

34 activities (last edit by mlp1007 , 28 May 2023, 04:51 Etc/UTC )

Songs on Albums

• A Fragile Thing
• And Nothing Is Forever
• Another Happy Birthday
• I Can Never Say Goodbye
• Disintegration
• Pictures of You
• A Night Like This
• Close to Me
• In Between Days
• Six Different Ways
• Play for Today
• Let's Go to Bed
• If Only Tonight We Could Sleep
• Just Like Heaven
• Friday I'm in Love
• From the Edge of the Deep Green Sea
• Boys Don't Cry
• It Can Never Be the Same

Complete Album stats

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Hollywood bowl.

• The Twilight Sad Start time: 7:00 PM 7:00 PM
• The Cure This Setlist Start time: 8:15 PM 8:15 PM

The Cure Gig Timeline

• May 21 2023 North Island Credit Union Amphitheatre Chula Vista, CA, USA Start time: 8:15 PM 8:15 PM
• May 23 2023 Hollywood Bowl Los Angeles, CA, USA Start time: 8:15 PM 8:15 PM
• May 24 2023 Hollywood Bowl This Setlist Los Angeles, CA, USA Start time: 8:15 PM 8:15 PM
• May 25 2023 Hollywood Bowl Los Angeles, CA, USA Start time: 8:15 PM 8:15 PM
• May 27 2023 Shoreline Amphitheatre Mountain View, CA, USA Start time: 8:15 PM 8:15 PM

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The Cure  

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The Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.

When a band gets to be as truly worshipped as The Cure, it can be an interesting and slightly bizarre thing to look at their early days. A little bit like seeing your favourite actor wondering whether they’re going to go with white or brown bread in a local Tesco. Or an important politician spotted zoning out on public transport, it brings them back down to earth and reminds you that they’re not all-conquering, all-powerful cosmically divine extra-dimension visitors who know the secrets of the universe, but a guy from the Sussex suburbs who formed a band to play at a school concert.

They probably looked ridiculous at their first shows, and not in the awesome way. They probably wrote some godawful songs. Some punters probably watched an early incarnation of The Cure and thought, for good reason, that they were a bunch of no-hopers. Every band has those days and if they haven’t one should be very, very suspicious of them. What makes The Cure so special is that they absolutely had those days, but knowing about them doesn’t take the sheen off them at all. They’re still a vitally important band, influential to thousands of bands the world over and that’s enough to make them legends, before the image and before the imitators.

And it all began with a school concert. In April 1973, five students from Notre Dame Middle School in Crawley formed Obelisk, the first tentative musical project of one Mr Robert Smith, who was the bands pianist. Future Cure cohorts Mick Dempsey and Lol Tolhurst backed him up on guitar and percussion, respectively, but it wasn’t until 1976 that the trio began to take making music more seriously. The band was reshuffled to feature Smith on the guitar, Dempsey on bass and Tolhurst left the now renamed Malice, but it was only to last a year until their lead guitarist left as well.

The remaining members got Tolhurst back as their drummer and renamed themselves again.This time, they would be called Easy Cure. By September 1977, Smith took over lead vocals after several unsuccessful auditions and by the start of 1978, they had dropped the Easy from their name and had recorded their first demo tape. This tape found its way to Polydor Records scout Chris Parry, who was so taken with the band that he signed them to his own label Fiction in September of that very year. In a move that nobody would get away with now, their track “Killing An Arab” was released soon after as their very first single.

It was a move that gained as much acclaim as controversy, to the extent that a re-release of the single had to be packaged with a sticker on the cover denying its supposedly racist connotations. Thankfully, the bands energetic post-punk got more attention, and their hype was considerably heightened with a session on John Peel’s legendary Radio One show. By the following year, their debut album “Three Imaginary Boys”, was released, and as part of its promotion, the band embarked on their first major support tour opening for Siouxsie And The Banshees.

This was to be a major step forward for the band, as Smith was coaxed into playing guitar for The Banshees after their original axe-man left shortly before the tour. The experience of being a Banshee profoundly changed Smith’s attitude towards the music that his band played, and when before he was most influenced by The Buzzcocks and Elvis Costello, afterwards he wanted to match the power that he felt while playing Siouxsie’s music. The result was 1980’s “Seventeen Seconds” and arguably, that was when they became The Cure that we know today.

Since then, they’ve been most known for essentially creating Goth music with the aforementioned record, its follow up “Faith”, and 1982’s bleak masterpiece “Pornography”. However, after those records they released some of the most romantic, beautiful and downright succesful pop of the 1980’s and early 90’s, with albums like “Kiss Me, Kiss Me, Kiss Me”, “Wish” and “The Top” showing just what Smith could do with a lovelorn lyric and a truly gorgeous melody. It’s their mastery of these two extremes that really show why The Cure are as loved as they are. They exemplify the human condition, and reflect when one is ecstatic and when one is at their lowest with equal skill and sensitivity.

There’s no-one else like them, and it’ll be a while before we see their likes again. See this band as soon as possible.

Live reviews

Reviewing a show of one of your favorite Bands who have the distinction of being in your Top 5 (if not #1) live experiences of all time can be a bit daunting.

It can go a number of ways.

1. Another Great show as hoped.

2. Sub par and a let down.

3. The Band just "mails it in" (which is the worst).

The Cure, who have been around since 1976 (Easy Cure) and haven't toured the States anyway with a new album since 2008 are currently embarking on a substantial North American tour and with no new album I was really only expecting a "Greatest Hits" type show honestly? And given their Longevity and slew of "Hits" from the heyday of MTV I guess I couldn't blame them and I would have been satisfied more than likely?

Ah, but that was not the case in Boston (6-16-16) at Agganis Arena!

The Cure came out full throttle with a high energy level for what would turn out to be a marathon show of 3 hours which included.

Not 1. Not 2. Not even 3. But 4. Yes. 4 Encore Sets!!!

Were the standards there? Of course how can they not be.

"Inbetween Days", "Just Like Heaven", "Lovesong" "Let's Go To Bed", "Boys Don't Cry" etc etc etc

And all played with a kicked up, but not hurried, sense of urgency and excitement!

Mixed in though were surprising live Gems like:

"Burn" (1st The Crow soundtrack), "M", "Kyoto Song" and the surprising "Snakepit"!!

"Fascination Street" which has one the most perfect Bass lines ever IMO was a whirlwind of insanity as Simon Gallup just pushed the Band forward.

And the songs just kept coming one after the other while the crowd basked in Robert Smith's wonderfully childlike sense of wonder and emotion in his lyrics and vocals and understated guitar work.

Most Cure fans (me included) knew every single song played which is typical of The Cure fanbase.

But when they launched into the new "It Can Never Be the Same" with it's rumbling Bass line and heart felt lyrics to Robert Smith's Mother(?) I was amazed at how well it slid into this already fantastic set and really really really hope it gets a proper release soon, if it hasn't already and I have somehow missed it?

Robert Smith is an enigma of a front man. He demands your attention but. I don't believe, has never come to grips with his fans adulations and is still obviously shy individual. And I really don't think it's an act?

Simon Gallup is without doubt the energy of this Band still! He stalks the stage and never stops moving. All the while laying down a very unique Bass foundation that compliments Roberts Jangly sparse guitar style perfectly.

Simon does not get the recognition he deserves as a force on the Bass (along with John Taylor of Duran Duran) and if you play Bass you really should take a close listen to his work with The Cure.

Jason Cooper I think has finally come out from the shadow that was Boris Williams and seems comfortable in pushing his style now more in the drumming Dept. which I believe is another reason for the energy level of the Band live.

Roger O'Donnell is sublime on the keyboards and brings that soaring majestic sound needed for anything done from DISINTEGRATION while jumping right over to the nursery rhyme key tinkling of The Cure's early 80's Synth Pop era easily.

Reeves Gabrels who is the current 2nd guitarist in the ever rotating slot is a masterful musician in his own right (David Bowie folks) and honestly I was surprised at how long He has stayed with the Band? But He steps out very tastefully when required and ads his unique flair to the sound. I will admit to missing Porl Thompson who I just think was/ is the elusive component to the Band. But if you have to have Mr. Gabrels who am I to complain?.

Honestly this review could have been round up with one word: "EPIC"

But that, would be "mailing it in".

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I first saw the Cure in 1982 in this very same venue, the effectionatelg named by U.S. Muso's as the Hammy Odeon.

Tonight some 30 years later I'm back. I feel at home especially as I'm stranding and I'm where I should be.... Down the Front

Our evening starts with And Also The Trees a reformed eighties outfit who previously supported the Cure on their 1984 tour.

The thing about Robert smith is that he is a prolific song writer and the bands back catalogue is immense which results in us experiencing a three hour plus spectacular.

And what a treat. Hits rained down and more randomly than normal. Tracks from The Top album seemed dominate. Just like Heaven, Charlotte sometimes, Hundred Years, The End and of course the gems Primary, play for today and the classic A Forest.

Of course I'd liked more from Seventeen Seconds and Faith but that would have been greedy. There were plenty of folk here tonight who weren't born when these albums were released

With so much to play we were presented with four encores and finally at 11.15 it all ended with Boys Don't Cry.

It meant so much for me to have returned to this awesome venue to see my favourite band.... The place and the band that started me on my gig going journey

Cheers Robert.... Fantastic

The Cure are a special band and should be heard in a special environment, that is why I saw them at Red Rocks in Colorado. It was a cool night and the sun was sitting low in the sky. That famous colorful Colorado sky fell down across the stage.

The fans were are pretty relaxed and were mostly 25 plus in age. Everyone seemed to be poised for a night of great music. You could hear conversations coming from every direction, everyone hoping their favorite songs will be played.

Just as it was getting dark the band took the stage. Everyone stood and applauded Robert Smith as he paced across the stage and made his way to the microphone stand. As the band members struck a few random chords then the band jumped into “Just Like Heaven”. The frenzy only grew as the bad started without pause to play “Friday I’m In Love”. Everyone was having so much fun. The music sounded better then I have ever heard it before.

Robert Smith played an amazing set list of all the hits over the years. The band played all the old songs like “Boys Don’t Cry” and “Pictures of you” with a fresh take and with a new energy. This band has been around a while and still worth seeing live!

The Cure are legends and any band that will give you a 2 1/2 hour show deserves your respect. That being said this "greatest hits" + a few back-catalogue approach is what you'd expect from the Rolling Stones not from what is still an underground act. That in and by itself wouldn't even be that bad but aside from a few songs 39, A Night Like This, 100 Years sounded bland, uninspired and as though they were just going through the motions... Great light show, technical perfection but no soul! I've seen them twice in the 90's and came out of those shows thrilled, energized and inspired. Those were magical shows where the band managed to transform reality and all (the band included, to judge by their faces) came out of it exhausted and amazed, carried off as by some shamanistic ritual to dark and dangerous lands where we learned to overcome our fears and face the world around us with new hope. This wasn't one of those shows. This was Robert Smith giving his audience 30 of his best songs and not once making a spiritual connection with either the music or the crowd...

Obviously being way too young to remember The Cure the first time around (sort of, ish, ahem, etc), this was the first time seeing this bunch of post-punk proto-goths and inevitably they didn't disappoint.

Despite most of the band heading pretty swiftly towards free-bus-pass age, the gig show kicked along at a pace, with young Mr. Smith barely pausing for breath as they band kicked on through a back catalogue spanning 30+ years.

Having spent the past few weeks attempting to brush up on my Cure knowledge (via Spotify) I can gladly add this band to an ever-growing list of "if you thought the studio version was good...", as tracks like Lullaby, Lovecats and Friday all sounded immense performed live.

Main issue of the night was technical; the lack of big screens at Wembley Arena means if you're right at the back, the band are mere specks on the stage up front. The lighting design was beautifully done though, and went some way to compensate for the lack of being able to see Robert Smith gurning earnestly into the microphone.

Two review, first for The Cure. It was a wonderful show! They were willing to perform hits along with other unknown songs and sounded great at doing it. They had a half and half crowd, some diehard fans and some who thought they were bigger fans than they actually were. With it being May in Pac NW the temperature dropped quickly freezing alot of people enough to say they had seen enough. This wasnt The band's fault for lack of inspired fans. They were everything I expected from a goth rock band from the late 70s and 80s. About the venue: I love the venue as well! We have been living in Portland for 5 years but have never made a point to catch a show in the Washington Amphitheater. Wow! We felt like we were home in the south. Nice concert under the stars and the price was a great as well, considering the crappy prices shows in Portland go for. We will be going back to Sunlight Supply in August.

Buon concerto del gruppo, rovinato dalla pessima acustica del Mediolanum Forum.

L'esecuzione è stata quasi impeccabile, l'interazione col pubblico buona (Robert Smith ha persino azzardato un "Grazie mille", unica ed acclamatissima frase che il pubblico ha capito), alcune canzoni elegantemente riarrangiate.

La qualità sonora, inizialmente pessima (purtroppo tale è rimasta per tutta l'esibizione dei Twilight Sad che aprivano il concerto), è migliorata durante l'esibizione grazie al lavoro ingrato dei fonici e al fatto che gradualmente le chitarre elettriche distorte sono state sostituite con le acustiche o con suoni più docili.

Penso che sia l'ultimo concerto che andrò a vedere al Mediolanum Forum, che è vergognosamente inadatto ad ospitare concerti rock dal punto di vista acustico (peccato, perché dal punto di vista logistico non è male). Ridateci l'arena!

What a concert!

We managed to get front row side view, only a few meters from the stage.

I'd seen them in 1985 in Madrid, 2008 in Melbourne and now in Milan. Awesome songs, still as good as always. A massive repertoire to choose from, but they performed most of their hits, plus a new one, It Can Never Be The Same. Robert as grand as always, he really enjoyed the show.

Simon at his best, he inspired me when I was 17 to play bass guitar, his usual moving around the stage with his bass at knee level!

I missed Porl, though, he has always been the colourful note at the right end of the stage!

Roger as sculptural as always in front of the keyboards and Jason performing at his best.

A magnificent show, what can I say.

I hope to see them again in a couple of years!

The Cure - Barcelona, Palau Sant Jordi. November 26th 2016

My 5th Cure concert, and probably the best I've seen. No doubt it was far better than the last one, also in Barcelona in 2008 (without Roger O'Donnell on keys)

The band is great with Reeves Gabrels and Roger. Jason Cooper sounds better than ever on drums and Simon's bass is terrific.

Missed some gems such as Plainsong, Jupiter Crash, Want, Letter to Elise, but setlist was OK, 32 songs, focusing on The Head on the Door (1985) + Disintegration (89) + Kiss Me (87).

1 great unreleased song: It Can Never Be The Same on 1st encore.

Robert's voice was fine, powerful and clean. Athmosphere was good, proactive and the pop songs encouraged fans to sing along.

Looking fw to a new tour and maybe new album?

3 (three) hours of pure pleasure. 31 songs.

They sang as if they were recording the original albuns. Perfect!

Great quality and performance.

Great respect for the fans, as I never saw.

Best was not possible, im glad I went to this concert. Thank you CURE!

In Between Days

Pictures of You

The Hungry Ghost

A Night Like This

Shake Dog Shake

The Caterpillar

From the Edge of the Deep Green Sea

One Hundred Years

Step Into the Light

Play for Today

Fascination Street

Friday I'm in Love

Just Like Heaven

Boys Don't Cry

Hot Hot Hot!!!

Let's Go to Bed

Close to Me

Why Can't I Be You?

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Photos (125)

Posters (224)

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Thursday, May 30, 2024 | 6–8 pm

Chocolate Talk & Tasting | The Chocolate Cure

Join us at NHM as we dive into the world of chocolate. Meet chocolatiers featured in the digital series, Chocolate: From Beans to Bliss , as they share stories about their journey to chocolate and their connections to family, health, and resilience. Best of all, enjoy a chocolate tasting from each featured speaker’s shop as part of the evening experience.

Chocolate has often been seen as a source of comfort and recovery for many and for others a symbol of resilience. On May 30, we explore the personal chocolate journey of Albert Daniel of Albert’s Petite Sweets and SueEllen Mancini, owner of Sad Girl Creamery. Moderated by Milena Acosta, Associate Director of Community Engagement at NHM and content producer for the Being Los Angeles initiative and ChocoLAte: From Beans to Bliss project.

Each guest will receive a chocolate tasting from Sad Girl Creamery and Albert’s Petite Sweets with admission. Select first-floor exhibitions will be on view before and after the conversation. Space is limited. 

SCHEDULE 6 pm: Doors open 6:30 pm:  Discussion begins 7:30 pm: Discussion end, reception 8 pm: Program concludes  

SueEllen Mancini, Owner, Sad Girl Creamery Sad Girl Creamery was started by SueEllen Mancini back in January of 2021. She now runs the business together with her mother. Sad Girl’s ice cream flavors focus on recreating classic Latin desserts into creamy frozen deliciousness using Latin ingredients. Sue uses her own personal nostalgic memories of desserts and flavors she grew up enjoying into her creations. She also draws inspiration from other Latin cultures to create a menu that is representative of everyone in the community. The name Sad Girl comes from her using her social media platforms to share mental health awareness by telling her own experiences and sharing her journey of managing her bipolar disorder. One of Sad Girl’s missions, on top of delicious ice cream, is trying to embrace the importance of mental health within Latin communities. 

Albert Daniel, Owner and Creator of Albert’s Petite Sweets  Albert’s culinary journey began 10 years ago when he taught himself to make cake pops to share with family and friends. He discovered a passion for creating unique treats with the power to delight. Per Albert, “It’s not just a treat, it’s an experience!” It wasn’t easy; there were times when he lost it all. At one point, Albert almost became homeless, and many people said he wouldn’t make it. Against all odds, he fought to turn his dreams into a reality. Today, Albert has expanded his line of desserts, evolving into what he’s always wanted: a chocolatier and confectioner. Being self-taught, he successfully competed on Hulu’s Baker’s Dozen and won first place. Two years after the show, Albert opened his first commercial chocolate shop and kitchen at Partake Collective in Downtown Long Beach, California, living out his life’s calling.

Milena Acosta, Associate Director of Community Engagement Milena Acosta is a marine biologist and science communicator with over 20 years of experience working in out-of-school learning institutions.  In her current role as Associate Director of Community Engagement, she fosters relationships with community-based organizations and implements a comprehensive engagement strategy for creating community partnerships and programs in Los Angeles County. She oversees several collaborative programs and works with staff and community stakeholders to ensure inclusive and authentic partnerships are aligned with the Museum’s mission and neighborhood aspirations.  Milena oversees the content for the Being Los Angeles initiative and produces the ChocoLAte: From Beans to Bliss project. 

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