travel camera dslr

The best travel camera for 2024: the finest choices for your adventures

The best travel cameras for your next big trip

• Best overall
• Best-looking
• Best action cam
• Best tough camera
• Best premium compact
• Best small full-frame
• Best hybrid vlogger

Best for moving subjects

• Best superzoom

How to choose

• How we test

1. The list in brief 2. Best for most people 3. Best value 4. Best-looking 5. Best action 6. Best tough 7. Best premium compact 8. Best small full-frame 9. Best hybrid travel vlogger 10. Best for moving subjects 11. Best superzoom bridge 12. How to choose 13. How we test

We’re often asked about the best travel camera, but the answer depends on what you plan to do with it. Adventurous travelers might want a rugged action camera; a city break will demand something that shoots sharp and steady handheld. That’s why we’ve tested a wide range of travel cameras. In our round-up below, you’ll find everything from premium compacts to mirrorless hybrids – all ranked by our expert team.

After countless hours of testing, we think the best travel camera for most people is the OM System OM-5. Thanks to a Micro Four Thirds sensor, it’s usefully portable. It’s also weatherproof and shoots better images than a smartphone, while offering the flexibility of interchangeable lenses. That said, we know it might not be the right choice for every traveller.

We recommend reading through our whole guide, to get a full picture of the best travel cameras you can buy right now. We’ve reviewed each model in the real world, to see how well it stacks up when shooting on the move. We assess factors such as handling, image stabilization and battery life, as well as image quality and autofocus performance. By listing the positives and negatives of each option, as well as who we think it’s best for, we’ve tried to make it as simple as possible to find your ideal travel camera.

Tim is TechRadar's Cameras editor, with over 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. Tim notes, "different photographers will expect different things from a travel camera, but all of the options recommended here share a few key traits. Each is relatively portable, handles well while traveling and is capable of producing impressive holiday photos."

The quick list

If you don’t have time to read our full list of the best travel cameras, use the summary for a quick overview of to the top options for your needs and budget. If you find one that takes your fancy, use the links to jump to our full write-up.

The best travel camera overall

Squeezing a host of features into a compact, weatherproof body that’s compatible with a range of lenses, the OM-5 is the ideal travel camera.

Read more below

The best value travel camera

With a large 1-inch sensor and useful 15x optical zoom, the Panasonic TZ200 puts smartphone-beating performance in your pocket.

The best-looking travel camera

Don’t be fooled by its lovely retro looks: the Nikon Z fc is every bit the modern travel camera, with a useful touchscreen and top image quality.

The best action camera for travel

With superlative stabilization and a useful 8:9 sensor for sharing videos to social, this is the best action camera for capturing intrepid travels.

The best tough travel camera

When travels get tough, you need a camera that can keep up – which is where the rugged TG-7 comes into its own, with a hardcore build and simple interface.

The best premium compact

With a large sensor, 23mm focal length and small form factor, the X100VI is a powerful tool for street photography on your travels.

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The best small full-frame camera

Combining a small form factor with a high-res 61MP sensor and fantastic autofocus, the Sony A7C R is the best full-frame camera for travel photography.

The best hybrid for travel vlogging

A capable sensor and automated settings, including a Vlogging mode, make the Fujifilm X-S20 an accessible tool for stills and video on the go.

The best for moving subjects

The compact A6700 uses AI-powered autofocus to reliably snap on to animals, insects, cars and more. The Fuji X-S20 is better for video, though.

The best superzoom camera

Even with a 1-inch sensor, the Sony RX10 IV delivers sharp stills and video, with the added versatility of a generous 24-600mm zoom range.

The best travel cameras in 2024

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Below you'll find full write-ups for each of the best travel cameras in our list. We've tested each one extensively, so you can be sure that our recommendations can be trusted.

1. OM System OM-5

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want a robust travel camera: Light enough to travel with but tough enough to deal with bad weather, the OM-5 is a ruggedly dependable camera.

✅ You shoot handheld a lot: The OM-5 has excellent image stabilization for stills, meaning you can cross a tripod off your packing list.

❌ You want the best image quality: Its Micro Four Thirds sensor is decent enough, but some rivals offer more pixels and better low light performance.

❌ You have large hands: Handling is surprisingly good for a small camera, but the grip is not very deep, especially for those with bigger hands.

The OM-5 is only a relatively minor update of the Olympus OM-D E-M5 Mark III , but its combination of talents make it an ideal travel camera in our book – particularly if you want the flexibility of interchangeable lenses. It shoehorns a lot of features into a compact, weatherproof body that's compatible with a wealth of equally small lenses. Most of its skills, including excellent in-body image stabilization and computational photography modes, are also designed with travelers and adventurers in mind.

Our tests found that the OM-5 delivers excellent video and stills quality for its size, helped by a stabilization system (good for 6.5-stops of compensation) that gives you a high hit-rate of keepers. We also enjoyed the high-quality feel of the camera's dials, as well as in-camera software tricks, like Live ND and in-camera focus stacking, which are ideal for macro shots or blurring skies for an ethereal effect. Less good are the fairly average EVF resolution, 4K /30p limit for video and relative limitations of its smaller sensor, but these are all acceptable trade-offs considering this camera's size and price.

Read our in-depth OM System OM-5 review

• ^ Back to the top

The best-value travel camera

2. Panasonic Lumix ZS200 / TZ200

✅ You want an all-in-one compact: You can’t beat the TZ200 for portability, but it’s also a feature-packed option with a useful zoom range and 1.0-inch sensor.

✅ You want a large zoom range: At 15x optical zoom, the TZ200 offers the versatility to shoot all sorts of subjects on your travels.

❌ You like an ergonomic grip: The Lumix TZ200 has plenty of manual controls on the metal body, but there’s not much of a grip to get your fingers around.

❌ You want a cheap camera: Its generous feature set makes the TZ200 excellent value, but its still pretty pricey for a premium compact.

With smartphones now raising the bar for point-and-shoot photography, compact cameras have to offer something special to justify their place in your travel bag. The ZS200 / TZ200 does that with its large 1-inch sensor and versatile 15x optical zoom. It might be towards the upper end of the compact camera market, but Panasonic 's travel zoom continues to offer great value.

Its large 1in sensor produces better natural image quality than most smartphones, despite the latter's advances in multi-frame processing. Our tests found colors to be nice and punchy, with the dynamic range allowing you to recover lost shadow detail with post-processing if needed. Even at 24mm, vignetting and distortion is nicely controlled. There's also a handy built-in electronic viewfinder, which makes it easier to compose images in bright light. It's still quite pricey, but this is still the best travel zoom compact camera available right now.

Read our in-depth Panasonic Lumix ZS200 / TZ200 review

3. Nikon Z fc

✅ You care about camera design: From the retro dials to the circular viewfinder, the Nikon Z fc channels classic style to fantastic effect.

✅ You like manual exposure control: Dedicated dials for ISO, shutter speed and exposure, complemented by a lens control ring, give excellent manual control.

❌ You need a wide choice of lenses: There are only a handful of Z-series kit lenses designed for the APS-C format, limiting your options for expansion.

❌ You want a rugged camera: Although it looks like the sturdy FM2, the Z fc isn’t weather-sealed, so it’s not one to take on rainy adventures.

Travel photography is all about capturing memories and Nikon’s Z fc fully embraces the concept of nostalgia: it’s a stunning homage to the 30-year-old Nikon FM2 – complete with retro styling, dimensions and dials. Despite the throwback design, it’s a very modern camera inside, sharing many of its specs with the capable Nikon Z50. While some photographers might wish for a full-frame sensor, the Z fc’s APS-C number does a stellar job of capturing stills and 4K video, aided by reliable tracking autofocus. Our tests found that its 20.9MP sensor had an excellent handle on noise, especially under ISO 800, while dynamic range was impressive.

Its vari-angle touchscreen is also a brilliant addition, making it easy to frame travel selfies – or folding away completely for a leather-back look that lets you pretend it's the Eighties. The Nikon Z fc isn’t as sturdy as the camera that inspired it (there’s no weatherproofing, for example), but it’s still a beautifully unique camera for casual use. And with dedicated dials for ISO, shutter speed and exposure, plus a customizable lens ring, it’s also an easy one to control on the go.

Read our in-depth Nikon Z fc review

4. GoPro Hero 12 Black

✅ You want a rugged travel camera: Waterproof down to 10m, the GoPro Hero 12 Black is a great choice for capturing action-packed travels.

✅ You plan to share on social: The 8:7 aspect ratio of its sensor gives you lots of flexibility to crop footage for social, including vertical videos.

❌ You plan to shoot in low light: Its 1/1.9in sensor shoots sharp footage, but it still struggles with noise handling in lower lighting conditions.

❌ You want a hybrid for stills: While the sensor can shoot 27MP stills, you’ll get a better photography experience from a standard alternative.

If you're looking for a high resolution action camera for your travels that's as comfortable shooting smooth videos as it is crisp photos, then the GoPro Hero 12 Black tops the bill. It was an underwhelming update of the Hero 11 Black, but that's not necessarily a bad thing because that camera was already highly capable. There's the same 1/1.9in sensor with versatile 8:9 aspect ratio – you can reframe footage for different social channels without sacrificing quality, and its max resolution of 5.3K/60p beats the DJI Osmo Action 4. You can capture dramatic TimeWarps at the full 5.3K resolution, shoot photo sequences as a rapid 30fps, and pull 24.7MP stills from 5.3K video.

Design-wise, there's no change to the Hero 11 Black, the two rugged models are physically identical and come with a large Enduro battery as standard, giving more time between recharges on the road. The same interface lets you tweak the user experience, with ‘Easy’ and ‘Pro’ modes to suit your skill level. Superior Horizon Lock and HyperSmooth 5.0 smarts do a remarkable job of stabilizing handheld video. Minor updates from the Hero 11 Black are mainly for pros, including flat Log color profiles, 10-bit video, and multi-channel audio capabilities. For most people however, there's little reason to upgrade or to pick the Hero 12 Black over its predecessor which could save you a little money. 

Read our in-depth hands-on GoPro Hero 12 Black review

5. OM System Tough TG-7

✅ You want a hardcore camera: With a case that’s waterproof, shockproof and freezeproof, the OM System Tough TG-7 is built to take a beating.

✅ You like a simple interface: Premium features include RAW shooting and 4K video, but the camera itself is easy to operate, even in tricky conditions.

❌ You want the best image quality: Results from the 1/2.3in sensor are fine, but the TG-7 tends to overexpose, and detail is lost at the telephoto end.

❌ You like using a viewfinder: The Tough TG-7 doesn’t have a viewfinder, and the 3-inch LCD screen has limited visibility in bright sunlight.

Tough cameras like the TG-6 are freeze-proof, shockproof and waterproof and can therefore be used in scenarios that you simply wouldn't consider with your phone or expensive camera, and for that reason the TG-7 is still one of the best travel cameras you can buy. Its industrial design feels reassuringly rugged, while large buttons make it convenient to operate beneath the waves or while wearing gloves, plus its 3-inch LCD display offers decent visibility in most conditions. 

We found image quality to be reasonable for a camera with a 1/2.3-inch sensor, with nice, rich colors – although there was a tendency to overexpose and blow out highlights. An equivalent zoom range of 25-100mm is fair, plus the inclusion of 4K video and raw shooting enhance flexibility. Its image quality might not match your phone for regular photos, but the TG-7 will allow you to be capturing extreme travel memories when you otherwise couldn't, plus there's a range of useful accessories such as a ring light for close up photography. 

Read our in-depth OM System Tough TG-7 review

6. Fujifilm X100VI

✅ You're exploring the city: With a fixed 23mm f/2 lens, Fujifilm's best autofocus, tilt screen and hybrid viewfinder, the X100V is a fantastic choice for street photography.

✅ You want a premium camera: From its retro design to its metal body, the X100V feels well-made and looks the business.

❌ You don’t want a fixed focal length: The 23mm lens is fantastic, but some users will find it limiting, especially if you value the ability to zoom.

❌ You’re on a tight budget: The X100VI is a popular but niche premium camera, and its increased price will put it out of budget for many.

We'd class the Fujifilm X100VI as a niche premium compact camera, but the range is more popular than ever. The sixth-generation model keeps all that users have grown to love about the X100 series: sharp fixed lens, large sensor, retro design, and unique hybrid viewfinder. But it also builds on the X100V with a higher-resolution 40MP sensor and in-body image stabilization. The result is a significantly more versatile camera, for example the digital teleconverter can crop into the full image for 50mm (at 20MP) and 70mm (at 10MP) focal length looks, while stablization lets you shoot slower shutter speeds in low light.  

Other key improvements over the X100V include more detailed 6K video and Fujifilm's best-ever autofocus that includes advanced subject detection for photo and video. You can rely on the X100VI as a discreet everyday camera to document the world around, especially your travels, and it comes with 20 film simulation color profiles inspired by actual Fujifilm 35mm film that you can customize with recipes to develop your own style. 

Read our in-depth Fujifilm X100VI review

7. Sony A7C R

✅ You want the sharpest stills: With a 61MP full-frame sensor, you won’t get sharper travel snaps from any other camera in this list.

✅ You want a small, powerful camera: Despite the full-frame sensor inside, the A7C R is very compact and fits neatly in the hand.

❌ You value good handling: The small design has drawbacks, including a compromised viewfinder and absent AF joystick.

❌ You plan to use big lenses: Its compact proportions mean the Sony A7C R is mismatched with larger telephoto lenses.

By combining a small, travel-friendly form factor with a 61MP full frame sensor and fantastic autofocus, Sony has created arguably the ultimate travel camera. Successor to the Sony A7C – already one of our favorite travel photography tools – and announced alongside the A7C II , the A7C R fits nicely in the hand, while a flip screen and new dials offer welcome control.

Equipped with Sony’s top-grade autofocus and AI-powered subject tracking, the A7C R can cleverly and reliably track a broad range of subjects. You won’t find a better full frame sensor, either: borrowed from the A7R V , it captures stunning, pin-sharp stills in all conditions. Cropping potential is vast, and video footage is decent too.

There are trade-offs, though. In testing, we found that the A7C R’s compact proportions come with handling compromises, especially compared to the traditional design of the A7R V. The viewfinder feels small and fiddly, and we wish Sony had included an AF joystick. It’s also not a camera to pair with large telephoto lenses. But the real kicker is the cost: it’s significantly more expensive than the A7C II. That premium means it’s only a camera to consider if you need absolutely the best possible image quality on your travels.

Read our in-depth Sony A7C R review

8. Fujifilm X-S20

✅ You value longevity: The X-S20 has double the battery life of the X-S10, making it a great choice for long days of travel photography.

✅ You shoot video, too: Capturing sharp 26MP stills and 6K/30p open gate video, the Fujifilm X-S20 is a true mirrorless hybrid.

❌ You need weather proofing: Build quality of the X-S20 is good, but you’re better off with the Sony A6700 if you need a weatherproof camera.

❌ You have a limited budget: Its additional features come at the cost of a steep price hike compared to the Fujifilm X-S10, which makes it a harder sell.

Channelling everything we liked about the X-S10 – including a compact, well-balanced body – the Fujifilm X-S20 cements its position as a fantastic mirrorless cameras for travel. It handles comfortably, with simplified dials making it accessible for beginners. In testing, we found new novice-friendly features – such as a dedicated Vlogging mode – also make the X-S20 a forgiving camera for touring first-timers.

The X-S20 is blessed with a proven shooting system, utilising the same 26.1MP sensor as the X-S10 and X-T4 to produce quality stills. It also eases the way for beginners with an automatic scene detection mode, which harnesses the power of Fuji’s latest X-Processor 5 to reliably choose the correct settings. From our first impressions, it works better than the automatic subject tracking, which was a little hit and miss.

With 6K/30p 4:2:2 10-bit internal video recording also on offer, plus in-body image stabilization that worked well in testing, the Fujifilm X-S20 is a solid option for content creators on the move. The lack of weather-sealing will discourage adventurous travellers, while the price tag means it isn’t one to leave in an unattended bag. But at just 26g heavier than its predecessor, the X-S20 is a very capable all-rounder for travel.

Read our in-depth Fujifilm X-S20 review

9. Sony A6700

✅ You want a capable travel hybrid: A sharp APS-C sensor, five-axis stabilization and AI autofocus make the A6700 a great all-rounder to take on the road.

✅ You like to get hands-on: A more ergonomic grip and lots of direct-access buttons make the A6700 a nice camera to handle and use.

❌ You shoot mostly video: The A6700 can record sharp video, but there’s a heavy 1.6x crop on 4K/120p slow-mo and Active SteadyShot stabilization isn’t the best.

❌ You like simple menus: The interface on the A6700 has quite a learning curve, and it can be tricky to navigate when shooting out and about.

It's a close-run thing between the Sony A6700 and the Fujifilm X-S20 above, but if you shoot a lot of moving subjects then the Sony should be your choice. Like the Fuji, it has a 26MP APS-C sensor and comes in a compact, travel-friendly form. And like the Fuji, it's a genuine hybrid, offering decent video options to go with its stills prowess. But there are some key differences.

First, the good: the A6700 has the same AI-powered chipset as the far more expensive Sony A7R V , and this helps it deliver incredible subject tracking; seriously, this camera will lock on to humans, animals, insects, cars, trains, aircraft and more, then follow them unerringly around the frame. However, its video chops aren't as impressive as those of the Fuji. 4K 120p slow-mo footage is subjected to a heavy 1.6x crop, while the five-axis stabilization doesn't work as well when filming as it does when shooting stills. The complex menu system also leaves something to be desired.

Still, it handles well, has a great battery and would make an excellent all-rounder for your next trip - so long as you're slightly more focused on images than video.

Read our in-depth Sony A6700 review

10. Sony Cyber-shot RX10 IV

✅ You like to zoom in: With a sharp, fast 24-600mm, the RX100 IV offers fantastic versatility to capture a range of subjects on your travels.

✅ You want an all-in-one option: The RX100 IV is a high-end bridge camera with a big zoom range, high-quality EVF and capable AF system.

❌ You want a small camera: While it ticks most of the boxes for travel photography, the RX100 IV is bigger and heavier than many rivals.

❌ You like a slick touchscreen: Its tilting touchscreen is a useful addition, but you can’t use it to navigate menus or swipe through images.

In terms of offering something for everybody, the RX10 IV ticks a lot of boxes. It's like having a bag full of lenses, but with the benefit of never having to change them. There's a very long zoom (going all the way from 24-600mm), while the maximum aperture is pretty wide throughout the lens. 

The RX10 IV's sensor might not be as a large as the ones you'll find on a mirrorless camera or DSLR, but Sony's 20.1MP one-inch chip proved itself to be very capable in our tests. Noise was well-controlled, and you'd have no problem making an A3 print from one of its files (particularly if you shoot at under ISO 800). 

You also get 24fps shooting, cracking 4K video quality and handling to rival a DSLR. The major downside? The high price – if your budget is tighter, don't forget about this camera's predecessor, the RX10 III .

Read our in-depth Sony Cyber-shot RX10 IV review

How to choose the best travel camera for you

Picking the right travel camera can be trickier than finding affordable flights. You’ll want a shooting tool that’s compact enough to conveniently carry on your travels, yet still capable of capturing sharp stills and stable video of your jet-setting adventures.

There are a few key things to keep in mind when choosing your ideal travel camera. Among the most important is size. While pocketable compacts offer convenience, the quality of your travel snaps will be boosted by the bigger sensors of larger mirrorless models.

If your adventures are likely to involve going off the beaten track, it’s worth considering a travel camera with rugged credentials. This could be one of the best action cameras , such as the GoPro Hero 11 Black – perfect if you plan to shoot quick, slick travel clips. Or it could be a sturdy compact such as the Olympic TG-6, which is one of the best waterproof cameras .

It’s also worth thinking about what subjects you might be shooting on your trip. A long zoom range will be handy on safari , while something light and fast is better for capturing street snaps on a city break. Travel compacts, such as the Panasonic Lumix ZS200 / TZ200, usually use a zoom lens to cover a range of shooting scenarios. Interchangeable lens cameras like the Fujifilm X-T30 II can similarly offer the flexibility of both worlds, but only if you’re happy to travel with extra barrels in your backpack.

Which type of camera is best for traveling?

Travel cameras come in a range of shapes and sizes. Which style is best for you will depend on how you like to travel, what you like to shoot and how much gear you’re willing to cart around.

Travel zoom compacts such as the Panasonic Lumix ZS200 / TZ200 are pocket friendly, yet offer a broad scope for capturing a range of subjects. Thanks to generous zoom ranges, they give you the opportunity to get close to the action, or to shoot wide. The trade-off for having all of this flexibility in a compact body is generally a smaller sensor, which is less useful for shooting in low light.

If you’d like neat proportions but don’t need the versatility of a zoom lens, premium compact cameras could be worth considering. Models such as the Fujifilm X100V sacrifice zoom range in favour of larger sensors that are better at gathering light – usually a one-inch or, in the case of the X100V, an APS-C chip.

Between compacts and mirrorless cameras is where you’ll find bridge cameras. Bulkier than a standard compact, they offer more comfortable handling and a large zoom range, but without the need to carry different lenses. New bridge cameras are increasingly rare, but the Sony Cyber-shot RX10 IV remains a great example.

If you don’t mind traveling with multiple lenses, many of the best mirrorless cameras have been specifically designed with travel in mind. In the case of models like the OM System OM-5 , that means a portable, weatherproof body, useful image stabilization for shooting on the move, plus a versatile Micro Four Thirds sensor that balances size and performance. And with lots of different lenses to choose from, you can pack different optics depending on the type of trip you’re taking – or opt for a reliable all-round option.

Is a DSLR or mirrorless camera better for travel photography?

When it comes to travel photography, most photographers look for a balance between portability and performance. If this is the combination you’re after, mirrorless cameras will almost aways have the edge over their DSLR rivals. Mirrorless models are generally smaller and lighter than DSLRs, making them easier to wield and travel with.

Despite their more compact proportions, many of the best mirrorless travel cameras can also match or outclass DSLR cameras when it comes to image quality, as well as autofocus abilities and video features. This makes them versatile tools for shooting on the move, especially if you choose a model with in-body image stabilization for sharp handheld results. If you pick a mirrorless camera with an established lens mount system, you’ll also find no shortage of glass to pack for your trip.

That said, there are reasons why you might still want to consider a DSLR camera for travel. Some photographers prefer the chunkier ergonomic grip for which the DSLR format is famous, especially if they plan on shooting for hours on end. The best DSLR cameras also offer superlative battery life, which can be useful if your travel plans include days away from electricity.

Budget might also be a factor, especially if you’re concerned about taking an expensive camera on your travels. Older DSLR cameras can offer great value, as can second-hand mirrorless models. It’s also worth looking at our round-up of the best cheap cameras , which includes some options that are a good fit for travel photography.

• Read our in-depth DSLR vs Mirrorless comparison

How we test travel cameras

Buying a camera these days is a big investment, and travel cameras are no different – so every camera in this guide has been tested extensively by us. For travel cameras in particular, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.

To start with, we look at the camera's design, handling and controls to get a sense of how suitable it is for life on the road, and any particular features that might be particularly useful for globe-trotters. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.

When it comes to performance, we use a formatted SD card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.

In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.

If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.

Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.

We then take everything we've learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.

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Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other. 

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New: 7 Best cameras for travel

Updated March 2024

Travel can expose you to once-in-a-lifetime sights and experiences, and a good camera can be the perfect way to preserve those memories. We've looked at a range of models that offer great image quality, good autofocus and excellent video, so that you can capture whatever you encounter on your travels. We've also tried to select relatively small cameras so they don't interfere with your trip.

Our selections include relatively compact cameras with fixed lenses, perfect for just documenting what you saw on your trip; they also include Micro Four Thirds and APS-C models that allow smaller camera/lens combinations, if you're looking to travel light. Full-frame cameras open up the potential for even better image quality but the lenses can get pretty big, so it's worth checking how big the total package is, before committing to a large-sensor model.

Our recommendations

Best pocketable travel camera: ricoh gr iii, the classic choice: fujifilm x100vi, truly compact mirrorless: om system om-5, all-round compact capability: sony a6700, the great travel kit: fujifilm x-s20 with 18-55mm f2.8-4.0 ois, the stylish travel companion: nikon zf, portable full-frame: sony a7cr.

24MP APS-C sensor | 28mm equiv. F2.8 lens | Wi-Fi + Bluetooth

What we like:

• Excellent image quality
• Good controls and ergonomics
• Truly pocketable

What we don't:

• Short battery life
• No built-in flash
• Sluggish AF in low light

The Ricoh GR III is the latest in a series of classic compact cameras with a large APS-C sensor and a 28mm equivalent lens. It's not the most flexible camera but it's one of the most pocketable and has built up a dedicated following of photographers who find it a joy to shoot with.

Our only concern, in terms of using the GR III for travel are that some users have found dust can get into the lens. So it's worth trying to find some sort of protective bag to keep it in.

There's also the GR IIIx , a variant with a longer, 40mm equivalent lens on it. This may be a little tight for documenting your travels, but it's historically a popular focal length.

Read our Ricoh GR III review

See the Ricoh GR III studio scene

40MP BSI CMOS APS-C X-Trans sensor | 35mm equiv F2 lens | Hybrid viewfinder

• Excellent build quality
• Subject-detection autofocus
• Now with in-body image stabilization
• Lens not especially fast to focus
• Hard to find in stock

Like the Fujifilm X100V before it, the Fujifilm X100VI is a classically styled fixed lens camera with a 35mm equivalent F2 lens. But being in active production following its 2024 launch, the X100VI is somewhat easier to buy than its constantly out-of-stock forebear.

Updated with in-body image stabilization rated at up to 6EV of correction and a 40MP BSI CMOS APS-C X-Trans sensor, the X100VI is a significant upgrade over its predecessor despite looking virtually identical. And those improvements in part explain the X100VI's $200 increase in list price to $1,600.

Like its older brother, the X100VI isn't the smallest or most inconspicuous camera, but its fixed focal length means you develop an 'eye' for the photos it'll take, essentially making it a better quality, more engaging alternative to snapping away with your phone.

The addition of subject-detection autofocus has given the X100VI the ability to recognize animals, birds, automobiles, motorcycles and bikes, airplanes, and trains though human (face/eye) detection is a separate mode. However, the lens the X100VI shares with the X100V is not the fastest to autofocus, prioritizing sharpness over speed.

The X100VI brings a level of polish you would expect from a sixth iteration of a camera. Fujifilm has done a great job keeping the X100-series up to date without messing with the formula that's made it so popular. No surprise, this is the best X100 yet.

Unfortunately, despite ramped-up production, demand for the X100VI seems to have outstripped supply with the camera already on backorder at virtually all dealers. With any luck, however, its release will depress the over-inflated sale price of previous generation X100V cameras, which are still quite capable if you can find them for prices befitting used gear.

Read our Fujifilm X100VI review

20MP Four Thirds CMOS sensor | 4K/30p video | In-body stabilization rated to 6.5EV (7.5 with some lenses)

• Attractive JPEG output
• Selection of clever photo features
• Excellent image stabilization
• IP53 rating supports claims of weather sealing
• AF tracking is disappointing
• Image quality is behind larger sensor cameras

The OM System OM-5 is a compact interchangeable lens camera with a 20MP Four Thirds sensor in a compact body with plenty of external control.

That relatively small sensor means it can remain fairly small, even with a lens attached, and the Micro Four Thirds lens system provides extensive options in that regard, from compact zooms to small prime lenses.

Read our OM System OM-5 review

See the OM System OM-5 studio scene

26MP BSI CMOS sensor | 4K/60p video capture | Fully articulating screen

• Front and rear command dials
• Excellent AF in stills and video
• 4K/120p capture (with crop)
• No AF joystick
• JPEG sharpening can be aggressive

The Sony a6700 is built around a 26MP APS-C-sized sensor. Its excellent autofocus performance means it excels at both stills and video capture. There's a good choice of relatively compact lenses available, too. We'd suggest avoiding the really small 16-50mm F3.5-5.6 though: it's not the lens to get the most out of this camera.

Fast, dependable autofocus with a selection of subject recognition modes means the a6700 will help maximize your chances of capturing the unexpected moments on a trip.

Read our full Sony a6700 review

See the Sony a6700 studio scene

26MP X-Trans APS-C sensor | Up to 6.2K/30P 10-bit video | In-body image stablization

• Excellent still and video quality
• Long battery life
• Comfortable, simple ergonomics
• AF tracking still lags behind peers
• Small electronic viewfinder
• Micro HDMI instead of full-size

Fujifilm's X-S20 is also worth considering. Like the a6700, it's built around a 26MP BSI CMOS sensor and is strong at both stills and video. Its autofocus isn't as simple and powerful as the Sony's, but its JPEG color modes produce really attractive results, and there's a wide choice of lenses including compact prime and the well-priced, supremely useful 18-55mm F2.8-4.0 OIS, which is a great travel option.

Read our Fujifilm X-S20 initial review

See the Fujifilm X-S20 studio scene

24MP full-frame BSI CMOS sensor | Full-width 4K/30 video, cropped 4K/60 | Stabilization rated to 8EV

• Distinctive design with direct controls
• Effective subject recognition
• Strong stills and video features
• Weight and minimal grip can become uncomfortable
• Slow MicroSD second slot
• Few custom buttons

The Nikon Zf is a classically styled full-frame camera built around a 24MP full-frame sensor that's used by many of its peers. The angular 80s-style body isn't the most comfortable to hold in your hand for extended periods, but the lack of stick-out grip makes it smaller than many of its rivals, making it a tempting travel companion.

At least in its all-black form, there's a chance of it being mistaken for a film camera, which may help avoid the wrong kind of attention, when you're out and about in an unfamiliar setting.

Read our initial review of the Nikon Zf

61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

• Big camera features in a small body
• Outstanding AF performance
• Auto Framing video mode
• Small, low-res viewfinder
• No joystick control
• No fully mechanical shutter

The Sony a7CR is a relatively compact full-frame camera with an image-stabilized 61MP CMOS sensor. You sacrifice the convenience of an AF joystick and get a pretty small and basic viewfinder to keep the camera's size down, but there's little else that delivers this much image quality in such a compact package.

You'll need to pick your lenses carefully to keep the camera portable but the a7CR's autofocus means it can respond rapidly to just about anything you encounter on your travels.

Read our Sony a7CR initial review

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

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Home » The best travel cameras for 2024

The best travel cameras for 2024

Andy Westlake rounds up our pick of the best travel cameras for trips long and short, vacations and all other adventures

Welcome to our guide to the best travel cameras and holiday cameras! Here, we are going to be running through our picks for the best small and light cameras to take away with you. A full camera setup tends to be too bulky and heavy to use on a photo trip or vacation, while a smartphone will generally be too restrictive in terms of what it can capture (and never mind the battery). A dedicated travel camera is the ideal solution.

At AP, our review team tests cameras of all types, and that includes travel cameras. DSLRs, mirrorless models and compact cameras have all passed across our testing bench, and we’ve chosen the best of the best for this guide. This doesn’t just mean the most expensive premium models – after all, travel is expensive enough without having to add a whacking great camera bill on top.

Of course, you do have to spend a bit of money to make sure you get something worth buying. So, we’ve put together a list to suit a range of budgets, including new models and older ones that have come down in price. However, every camera on here has one thing in common – it impressed our reviewing team enough to earn their recommendation.

We’ve got plenty of advice for taking better travel images here .

How to choose the best travel camera or holiday camera

So what features might be most desirable for a travel camera? Small size and light weight are a given, and we’ve assumed that most users will prefer using a zoom lens , quite probably with an extended range. This could be complemented by a couple of small primes , for shooting in low light or going out in the evening. It might also make sense to add an ultra-wideangle zoom for architecture, landscapes or interiors.

As such, where we’ve picked an interchangeable-lens camera , we’ve also provided a lens recommendation, generally one that you can buy bundled with the camera. The fixed-lens compact cameras we’ve picked generally have generous zoom ranges , with the exception of the Fujifilm X100V, which is loved by travelling street photographers for its super-sharp 35mm prime. This is one we’d recommend for city breaks rather than countryside hikes.

In general, the cameras we’ve chosen in this guide also include fully manual control , a built-in viewfinder and raw format image recording . In order to attain a certain level of image quality, they also use sensors of the 1-inch type or larger . The one exception is the Olympus Tough TG-6, which we have chosen as the best bet for a waterproof camera . Going to be spending most of your time snorkelling on the beach? That one is your best bet.

Read on for our choice of the best travel cameras and holiday cameras that are available right now, including both high-end pocket cameras and lightweight mirrorless models teamed up with versatile zoom lenses.

Where to find the best travel and vacation cameras:

• Best waterproof travel camera: Olympus Tough TG-6 – check best price
• Best fixed-lens compact for travel: Fujifilm X100V – check best price
• Best zoom compact for travel: Panasonic LX100 II – check best price
• Best point and shoot for travel: Panasonic Lumix TZ200 / ZS200 –  check best price
• Sony RX100 VII – check best price
• Best all-in-one travel camera: Sony RX10 IV – check for best price
• Best DSLR for travel: Nikon D5600 – check best price
• Best travel camera for enthusiasts: Fujifilm X-S10 – check best price
• Olympus OM-D E-M5 Mark III – check best price
• Nikon Z 5 – check best price

The best travel cameras and vacation cameras: our full list

Olympus tough tg-6 – $489 / £399.

Olympus Tough TG-6 (Red) Lego for scale. Photo Joshua Waller

At a glance

• 25-100mm f/2-4.9 lens
• 12MP 1/2.3in sensor
• ISO 100-12,800
• 20fps continuous shooting
• 3in, 1.04m-dot screen

The Olympus Tough TG-6 is different from the other cameras included in this round-up, as it employs a relatively small sensor, which means it won’t give anywhere near the same image quality. It also does without a viewfinder, relying solely on a fixed rear screen instead. But it makes our list simply because it’s the best rugged camera you can buy right now.

Key to its attraction is its sheer robustness. The TG-6 is waterproof to 15m, shockproof to a drop from 2.4m, freezeproof to -10°C, and crushproof . So you can use it without any worries on the beach or in the sea. It also boasts impressive close-up capability and an extensive range of underwater modes, plus an extensive range of lighting and lens accessories.

For outdoor adventurers, it also includes a suite of environmental sensors that allow you to keep track of your travels, including GPS with a compass, a thermometer and an accelerometer.

Read our full review of the Olympus Tough TG-6 .

What we like:

• Supremely rugged build
• Has optical zoom (many tough compacts don’t)
• Useful environmental features

What we don’t like:

• Small sensor
• No viewfinder

Jellyfish, taken with the Olympus Tough TG-6, photo Joshua Waller

Take a look at other waterproof and underwater camera options here: Top 12 Best Waterproof and Underwater Cameras  

Fujifilm X100V  – $1,399 / £1,339

The Fujifilm X100V is a premium compact camera beloved of street photographers.

At a glance:

• 35mm equivalent f/2 lens
• 26.1MP APS-C X-Trans CMOS 4 sensor
• ISO 80-51,200 (extended)
• 11fps continuous shooting
• Hybrid optical/electronic viewfinder
• 3.2in, 1.62m-dot tilting touchscreen

Among all the cameras covered in this article, the Fujifilm X100V is unique, as it’s the only one with a fixed, single-focal-length lens . Usually for travel we presume photographers will prefer a zoom, ideally with an extended range to cover a broad array of subjects. But the X100V is different.

With its APS-C sensor, fixed 35mm equivalent lens, and classic rangefinder-like styling, it embraces a different way of shooting. It’s all about working with a fixed angle of view, and ‘zooming with your feet’ to find your pictures. It’s not for everyone, but for some photographers, it’ll be perfect.

While the X100V looks very much like the previous four models in the X100 series, it brings some significant improvements. Its redesigned lens is sharper, especially at close focus distances, and it gains a tilting rear screen that’s great for discreet, unobtrusive shooting.

Thankfully these upgrades don’t come at the detriment of the camera’s other major attractions, which include analogue dials for shutter speed, ISO, aperture and exposure compensation, and Fujifilm’s unique hybrid viewfinder that gives a choice of optical or electronic viewing.

Despite its old-fashioned good looks, the X100V is packed full of up-to-date features . It’s capable of 11fps shooting, 4K video recording, and face- and eye-detection autofocus. It also benefits from Fujifilm’s superb colour rendition, with a full array of Film Simulation modes on board to provide a variety of different looks.

And for those who really can’t do without a few different lenses, optional wideangle and teleconverters are available, giving 28mm and 50mm equivalent views.

Read our full review of the Fujifilm X100V. 

• Sublime image quality
• Super-sharp lens
• Has nailed the street photography feel
• Expensive for a compact

Image: Michael Topham

Panasonic LX100 II – $849 / £859

The Panasonic Lumix LX100 II

• 24-75mm equivalent f/1.7-2.8 lens
• 17MP Four Thirds sensor
• ISO 100-25,600 (extended)
• 11fps shooting
• 2.76m-dot EVF
• 3in, 1.24m-dot touchscreen

If you love the idea of an X100-like camera, but can’t live without a zoom, then the Panasonic Lumix LX100 II might just be for you. It boasts a similar array of external controls for shutter speed, aperture and exposure compensation, and incorporates a corner-mounted 2.76m-dot electronic viewfinder. But it also includes a 24-75mm equivalent optically stabilised zoom lens with an unusually fast f/1.7-2.8 aperture. This is particularly impressive given that the camera employs a relatively large Four Thirds type sensor.

One unique feature of the LX100 II lies with the way that it uses its sensor. It employs a multi-aspect ratio design that, at the flick of a switch on the lens barrel, can toggle between 4:3, 3:2 and 16:9 settings , all with the same diagonal angle of view, and therefore progressively wider horizontal views. There’s also a 1:1 option for those who enjoy shooting square-format images.

While the LX100 II is very much designed for stills shooters, it also offers 4K video recording , although with a 1.25x crop. Panasonic’s various 4K Photo modes are on board too, in effect shooting 8MP JPEGs at 30fps. Wi-Fi and Bluetooth are built-in for connecting to your smartphone.

The real attraction of the LX100 II, though, lies in just how pleasing it is to shoot with, thanks to its robust metal build and engaging control layout. It also delivers fine image quality. For enthusiast photographers who’d like a zoom compact camera that offers lots of manual control and creative potential, there’s nothing else quite like it.

Read our full review of the Panasonic Lumix LX100 II .

• Clever multi-aspect sensor
• Robust metal body
• Fast f/1.7 lens for low light
• Somewhat restricted zoom range
• Quite bulky for a camera of this type

Panasonic Lumix TZ200 / ZS200 – $697 / £679

The Panasonic Lumix TZ200 is portable and agile, but boasts a hefty zoom range.

• 24-360mm equivalent f/3.3-6.4 lens
• 20.1MP 1in sensor
• ISO 80-25,600 (extended)
• 10fps continuous shooting
• 2.33m-dot viewfinder

Panasonic originally invented the long-lens, pocket-sized ‘travel zoom’ camera, and the TZ200 (or ZS200 in the US) is the ultimate expression of this concept. Like its predecessor the TZ100, it adds a 20MP 1-inch sensor into the mix, to provide considerably improved image quality compared to its cheaper siblings with smaller sensors, such as the TZ95.

But it improves on the TZ100 with a longer 24-360mm equivalent zoom (compared to 25-250mm) and a larger, higher-resolution electronic viewfinder, yet without noticeably increasing in size. For those who can’t afford the TZ200, the TZ100 remains an attractive proposition for £389.

In contrast to its sibling the LX100 II, the TZ200 is very much a point-and-shoot at heart. But it still offers lots of manual control, including a full set of exposure modes and raw format recording. It’s capable of shooting at 10 frames per second, or 7fps with live view between frames. A vast array of features is available for those who’d like to experiment further, including panoramic, multi-exposure, intervalometer and even stop-motion animation modes.

As usual, Panasonic has included 4K video recording, along with its unique 4K Photo mode that allows 8MP JPEGs to be captured at 30fps.

Crucially, the TZ200 gives attractive images, particularly in bright, sunny conditions. It’s also more usable than you might expect in low light, as while the lens’s aperture isn’t especially large, the optical image stabilisation is extremely effective. It’s a great choice for when you just want to carry a pocket point-and-shoot camera but not skimp on zoom range.

• Huge zoom in a tiny body
• Clever 4K Photo modes
• Effective optical stabilisation
• Pricier than TZ100
• Lens aperture tops out at f/3.3

Sony RX100 VII – $1,298 / £1,049

The RX100 VII benefits from a pop-up viewfinder.

• 24-200mm equivalent f/2.8-4.5 lens
• 20MP 1in sensor
• 2.36m-dot pop-up EVF
• 3in, 921k-dot tilting touchscreen

Sony’s RX100-series compact cameras are famed for the way they fit an awful lot of technology into a small, pocketable package. The latest model in the range exemplifies this, with a 24-200mm equivalent f/2.8-4.5 zoom, a 20MP 1-inch stacked CMOS sensor, a pop-up electronic viewfinder and a tilting rear screen, all in a body that’ll slip neatly into a jacket pocket.

What’s more, it’ll shoot at 20 frames per second and record 4K video. Compared to its predecessor, it gains an upgraded sensor that enables Sony’s AI-based tracking autofocus, along with a socket for an external microphone and a few interface improvements. Otherwise, the older RX100 VI offers most of the same features for a slightly more affordable £849.

With 357 phase-detection AF points covering 68% of the frame and Sony’s Real-time Eye AF and Real-time Tracking on board, the RX100 VII has the most sophisticated autofocus of any compact camera . Set it to continuous focus and tracking, and you can almost forget about having to move the AF area or change focus modes ever again. This is very welcome, as in many respects the camera’s ambitious feature set has rather outgrown its simple control layout.

One area where the RX100 VII excels lies with composing your images, thanks its large pop-up viewfinder and tilting rear screen. The lens is a strong performer too, especially when stopped down. Crucially, the camera delivers attractive images which are a noticeable improvement over older Sony models in terms of colour rendition.

• Class-leading autofocus
• Pocketable form factor
• Great viewfinder and screen
• Still very pricey
• RX100 VI will do most of the same stuff for less money

Sony RX10 IV – $1,698 / £1,499

Sony Cyber-shot RX10 IV. Photo credit: Andy Westlake.

• 24-600mm equivalent f/2.4-4 lens
• 24fps continuous shooting
• 2.35m-dot viewfinder
• 3in, 1.44m-dot tilting touchcreen

For photographers who’d like an all-in-one camera with a long zoom lens , but who are prepared to carry something the size of a DSLR, there’s nothing else quite like the Sony RX10 IV .

Its 24-600mm equivalent optically stabilised lens offers immense versatility and reach, yet still boasts a usefully fast f/2.4-4 aperture . Meanwhile its 20MP 1in stacked CMOS sensor provides a combination of fine image quality and breathtaking speed. The camera also incorporates Sony’s sophisticated autofocus systems, including eye AF for both humans and animals.

The RX10 IV handles well too, with a large, comfortable handgrip. Three rings arranged around the lens barrel control zoom, focus and aperture, and there’s a dedicated exposure compensation dial perfectly placed for operation by your thumb. Focus area selection is handled using either the touchscreen or the rear d-pad. The viewfinder is decently large and gives an accurate preview, while the screen tilts for low-angle shooting.

To fully understand the RX10 IV’s attraction, though, we need to consider how it compares to mirrorless or DSLR alternatives. Quite simply, none can match its zoom range without changing lenses . What’s more, few other cameras get close to its ability to shoot at 24 frames per second with continuous autofocus and a vast 110-frame raw buffer.

The silent electronic shutter provides speeds as fast as 1/32,000sec while minimising any risk of subject distortion. Bluetooth and Wi-Fi provide smartphone connectivity, and as the icing on the cake, it’ll record 4K video. It’s without doubt the best bridge camera that’s ever been made.

Read our original review of the Sony RX10 IV

• Incredible built-in zoom range
• Fast burst and big buffer
• Comfortable, well-engineered handling
• Very expensive for a fixed lens

Nikon D5600 + 18-140mm f/3.5-5.6 lens – $969 / £749

The 18-140mm lens transforms the D5600 into a travel photography powerhouse.

• 24.2MP APS-C sensor
• ISO 100-25,600
• 5fps continuous shooting
• Optical pentamirror viewfinder
• 3.2in, 1.4m-dot fully articulated touchscreen

Some photographers still prefer a traditional DSLR with an optical viewfinder, and Nikon’s D5600 provides a solid specification in a portable package. What’s more, it can be bought in a kit with a versatile 18-140mm kit zoom, offering a 27-210mm equivalent range, for just £749. As the icing on the cake, Nikon’s SnapBridge connectivity can transfer all your pictures automatically to your smartphone , making sharing your adventures a breeze.

In terms of key features, the Nikon D5600 boasts a reasonably solid specification. Its 24.2MP sensor goes up to ISO 25,600 and supports continuous shooting at 5fps. Autofocus employs a 39-point phase-detection system covering the central region of the frame, while metering is handled by a 2,016-pixel RGB sensor.

One area where the D5600 shows its age, though, is with regards to video recording, which is Full HD only, rather than 4K. Recent mirrorless models undoubtedly offer more, but on the other hand, they can’t match the D5600’s impressive 820-shot battery life.

In general the D5600 delivers attractive images, with warm, saturated colours and plenty of detail. It handles nicely too, with the responsive touchscreen making up for a relatively simple set of external controls. Those who’d like to add extra lenses are well served by Nikon’s sizeable F-mount range , including the affordable AF-P DX-Nikkor 10-20mm f/4.5-5.6G VR wideangle zoom and the AF-S DX-Nikkor 35mm f/1.8 G. The latter would nicely complement the zoom for low-light shooting. See our guide to the best Nikon F-mount lenses for more ideas.

Read our original review of the Nikon D5600

• Solid DSLR handling
• Good connectivity features
• Well-priced
• Price may go up as it gets harder to find
• Middling video spec

Fujifilm X-S10 + 16-80mm f/4 lens – $1698 / £1,399

Fujifilm X-S10 in hand, Photo: Andy Westlake

• 26.1MP APS-C X-Trans CMOS sensor
• 2.36m-dot viewfinder
• 3in, 1.04m-dot fully articulated touchscreen

For enthusiast photographers who’d like a small, lightweight camera that handles well and offers excellent image quality , the Fujifilm X-S10 is extremely appealing. Styled to look and work very much like a shrunken DSLR, it offers most of the features of the firm’s flagship X-T4 in a considerably smaller body.

It comes in kits with various lenses, with prices starting from just below £1,000 for the XC 15-45mm power zoom. We’ve picked the most versatile kit zoom option, the XF 16-80mm F4, which provides a 24-120mm equivalent range.

Based around Fujifilm’s unique 26MP X-Trans CMOS sensor, the X-S10 delivers the firm’s signature attractive JPEG colour rendition. It even has a dedicated dial to select between the various Film Simulation modes, which provide an interesting range of different looks. Other highlights include 5-axis in-body stabilisation that works with every lens, and a fully articulated screen for shooting at unusual angles. When it comes to video, 4K recording is available at up to 30 frames per second.

With its prominent handgrip, twin control dials and joystick for positioning the focus area, the X-S10 provides the kind of handling that should satisfy experienced photographers. Fujifilm also makes the best available range of lenses for the APS-C format, including a nice set of compact primes.

What’s more, the major third-party lens makers have also recently started to support the firm’s X mount, with some interesting optics now available from Samyang, Sigma, and Tamron . This makes the X-S10 a great choice for existing DSLR users looking for a smaller camera.

A newer model, the Fujifilm X-S20 has recently been released and our review team found that when choosing between both models it depends if you’re planning on doing video content, particularly travel vlogging , ‘If you already have the X-S10 and are primarily a stills photographer, then the X-S20 may be overkill for you, but for the budding or experienced videographer, vlogger, and live streamer, the X-S20 hits it out of the park, with a cracking set of video features that really takes it to the next level.’

Read our original review of the Fujifilm X-S10 and how it compares to the newer Fujifilm X-S20 .

• Eye-catching images straight out of camera
• Excellent X-mount lenses
• Effective stabilisation
• Still quite pricey

Olympus OM-D E-M5 Mark III + 14-150mm lens – $1,498 / £1,299

The Olympus OM-D E-M5 Mark III is one of the best Micro Four Thirds cameras you can buy.

• 20.4MP Four Thirds sensor
• ISO 64-25,600 (extended)
• 3in,1.04m-dot fully articulated touchscreen

Olympus cameras have traditionally offered high performance in a compact form factor, and the E-M5 series delivers on this principle particularly well. Like its predecessors, the Mark III is unique in being extremely small and lightweight, while still having a fully weather-sealed body and a good set of external controls. What’s more, you don’t have to spend a huge amount of money to get a matching sealed lens.

Buy it in a kit with the 14-150mm f/4-5.6 II, and you get an extremely useful 28-300mm equivalent lens that’s also dust- and splashproof. If you’re prepared to spend a bit extra, there’s even a 12-200mm superzoom that offers a massive 24-400mm equivalent range. Despite its small size, the E-M5 III doesn’t skimp on features.

Its 20MP sensor includes on-chip phase detection that provides 121 focus points spread across the entire image area. You get 10 frames per second shooting, a decently large viewfinder, and a fully articulated screen. As usual from Olympus, the camera also produces very attractive JPEG images , with well-judged exposure and white balance that complement the firm’s signature punchy colour reproduction.

Micro Four Thirds models inevitably give more visible image noise at high ISOs, but this can often be offset by the superb 5-axis in-body image stabilisation, as it allows you to shoot handheld at remarkably slow shutter speeds. There’s also a good range of affordable f/1.8 prime lenses available for low-light shooting that’ll take up next to no space in your bag. There is also a good choice of lenses .

Read our original review of the Olympus OM-D E-M5 Mark III

• Exceptional stabilisation
• Loads of lenses available
• Weatherproof body
• Unavoidably small sensor

Nikon Z 5 + 24-200mm f/4-6.3 lens – $2,193 / £2,029

The Nikon Z 5 is the only full-frame camera on our list.

• 24.3MP full-frame sensor
• ISO 160-51,200
• 4.5fps continuous shooting
• 3.69m-dot viewfinder
• 3.2in, 1.04m-dot tilting touchscreen

If you really can’t do without full frame, the latest mirrorless models are ideal for travel , as they’re smaller and lighter than their DSLR counterparts. It’s also possible to get all-in-one superzoom lenses for them that deliver very creditable results. We’ve chosen the Nikon Z 5 , as it’s available in a kit with the firm’s Z Nikkor 24-200mm f/4-6.3 VR for a decent discount over buying the two separately.

The lens has a slightly shorter zoom range than its Canon and Sony counterparts, but provides a welcome weight reduction in return, of about 200g. While the Z 5 counts as Nikon’s ‘entry-level’ full-frame mirrorless body, it doesn’t give up a huge amount compared to the more expensive Nikon Z 6 .

Its 24MP sensor resolves just as much detail in good light, and while it falls behind in terms of noise performance at the highest sensitivities, it’s still perfectly usable at ISO 12,800. However, its maximum shooting speed of 4.5fps looks rather pedestrian by today’s standards, meaning it’s not the best choice for fast action or wildlife. It’s also only able to record 4K video with a significant 1.7x crop.

In other respects, though, the Z 5 maintains most of what makes Nikon’s mirrorless cameras so attractive. The body may be small, but it has plenty of external controls, along with a lovely large viewfinder and a tilting touchscreen . Dual SD card slots offer the option of backing up your images for peace of mind, while in-body IS means you can often do without a tripod. A range of fine fast primes is also available for low-light shooting.

Read our original review of the Nikon Z 5 here

• Satisfying controls and handling
• Does well in low light
• Gorgeous full-frame images
• Pedestrian burst rate
• Vicious crop into 4K video

Take a look at our latest buying guides  for more great options.

Related content:

• The DSLR is dead, long live the compact
• Flying with camera kit: how to do it
• Do travel photography like a street photographer
• How to take great travel photos with a smartphone

Follow AP on Facebook , Twitter , Instagram , and YouTube .

Andy has been Amateur Photographer's Technical Editor since 2014, responsible for reviewing everything from cameras and lenses to accessories and software. Prior to that, he was DPReview's Technical Editor, and introduced lens reviews to that website in 2008. Along the way, he's shot extensively with cameras and lenses of almost every imaginable type, brand and format.

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The 12 Best Cameras for Travel Photography in 2024

A Post By: Matt Murray

This article was updated in February 2024 with contributions from Matt Murray and Jaymes Dempsey.

Need a top-notch travel camera so you can capture gorgeous photos of your next adventure? You’ve come to the right place.

Picking the best camera for travel photography can be hard work, considering the array of options on the market. Fortunately, I’ve spent decades traveling with dozens of cameras (film, instant, and digital), and below, I share my top 12 favorite models.

Note that I’ve offered a variety of choices, including models for beginners, professionals, and everyone in between – as well as cameras at every price point, from affordable point-and-shoot models all the way up to pro-level full-frame cameras. (In other words: No matter your requirements, we’ve got you covered!)

So if you’re ready to find the perfect camera, then let’s dive right in, starting with our top choice:

1. Sony a7C II

The original a7C was an excellent travel photography camera in its own right, thanks to the full-frame sensor and compact body – but the Sony a7C II , which debuted in the fall of 2023, is even better than its predecessor.

Sony’s latest full-frame offering is an all-around great camera, but travel photographers in particular will appreciate the extremely compact body combined with the impressive 33 MP full-frame sensor. Expect outstanding low-light capabilities for interior architecture and nighttime street shots as well as amazing autofocus performance when capturing travel portraits and action scenes. Plus, if you like to do a mix of photo and video shooting while exploring distant countries, you’ll love the beautiful 4K/60p video.

The in-body image stabilization ensures sharper handheld shots when working at slower shutter speeds, such as when shooting at restaurants and in churches (where tripod use is often restricted), and the camera also includes access to a tremendous line of travel photography lenses. My biggest gripe is the lower-resolution electronic viewfinder, which is on par with the old a7C as well as the Sony a7 III. But it’s still highly usable, and for serious travel shooters looking for top-notch image quality in a compact body, the a7C II is a stellar pick.

• Ultra-compact body
• Excellent 33 MP full-frame sensor
• Amazing low-light performance
• In-body image stabilization
• 2.36M-dot electronic viewfinder
• Somewhat pricey

2. Nikon Z fc

Looking for solid image quality in a portable, easy-to-use camera? Then check out the Nikon Z fc , which offers plenty of handy features, not to mention a retro-style, streamlined camera body.

The Z fc boasts a high-quality APS-C sensor , so you’ll have no problem capturing beautiful images of landscapes, cities, and any other subject you might encounter on your travels – yet the camera is relatively small and inconspicuous, so you won’t need to worry when photographing in busy areas or carrying the camera for long hours on buses, planes, or trains.

The film-type dials on the top of the camera promise a tactile shooting experience, and the articulating screen makes it easy to capture photos and videos of all kinds. Speaking of video, the Z fc does offer 4K recording, so if you also like to vlog or shoot cinema-type footage while traveling, you’ll be thoroughly impressed by the results.

And did I mention that you can grab the Z fc for under $1000? In other words, it’s a great option for travel photographers on a budget!

• Great image quality
• Reasonable price
• Beautiful design
• Retro style doesn’t suit all photographers
• Not as small as point-and-shoot options

3. Fujifilm X-T30 II

The X-T30 II is the latest model in Fujifilm’s midrange APS-C lineup, which successfully packs high-level features into smaller, lighter bodies. The X-T30 II boasts a capable 26-megapixel APS-C sensor (so you won’t struggle to capture printable images even in low-light scenarios), and it can shoot up to a whopping 30 frames per second (so you don’t need to worry about capturing those split-second moments on your travels). Like other Fujifilm cameras, the X-T30 II has face- and eye-detection autofocus, which is a big help for travel portraits and street shots . It also includes Fujifilm’s renowned film simulations .

When you buy into the Fujifilm system, you’ll gain access to dozens of great travel photography lenses ; in fact, the hard part is actually deciding which is right for you! My personal go-to lens for travel photography is the XF 18-55mm f/2.8-4 lens . While the X-T30 II doesn’t include in-body image stabilization, the technology is included in several of Fujifilm’s best travel lenses, so as long as you choose your lenses carefully, you won’t have problems handholding indoors or at night.

The X-T30 II offers a uniquely tactile shooting experience thanks to a shutter speed and exposure compensation dial, so if you’re a fan of film-camera ergonomics, this camera will make you feel especially at home. It offers surprisingly great value, too; at the time of writing, you’ll pay just $900 for the camera body (though you will need to buy a lens separately).

• Excellent lens lineup from the affordable XC lenses to enthusiast and professional XF lenses
• Stunning image quality with a range of JPEG film simulations
• Many amazing features
• Not as robust as Fujifilm’s higher-end models

4. Sony RX100 VII

Sony keeps improving the RX100 line, and the RX100 VII is its best model yet. It may have a smaller sensor than the Nikon Z fc featured above, but the RX100 VII is still a powerful performer. It boasts impressive autofocus, a flip-screen for vlogging and selfies, a mic socket, and a huge zoom range (equivalent to 24-200mm in full-frame terms).

The RX100 VII also borrows tech from Sony’s flagship models, which is why it can shoot up to 20 frames per second with no viewfinder blackout.

If you’re a watersports fan, there’s an added bonus: the RX100 has underwater housing available for surfing, diving, and snorkeling photos. At around $1300 USD, the RX100 VII is on the pricier side, but for serious travel photographers, it’s an excellent choice.

• Impressive autofocus
• Handy zoom range
• Up to 20 frames-per-second shooting
• Expensive for a compact camera
• Smaller 1-inch sensor

5. Olympus OM-D E-M10 Mark IV

Olympus may not be the world’s most popular camera brand, but that’s okay – especially if the company continues to develop outstanding models like the OM-D E-M10 Mark IV .

In many ways, the E-M10 Mark IV is an ideal travel photography camera. It offers amazing image quality – thanks to a 20 MP Four-Thirds sensor – yet it’s remarkably compact, so you can literally slip it in your pocket or handbag while traveling and only pull it out as needed. And the lenses are designed with portability in mind, too; a perfect choice for a lightweight setup is the 14-42mm EZ lens , though if you want more range, take a look at the 14-150mm .

Other features include a tilting 3-inch screen (so you can capture low-angle shots as desired), a 2.36M-dot electronic viewfinder (for a DSLR-like shooting experience), and in-body image stabilization (so you can work handheld even in low-light travel scenarios). Plus, the price is incredible; you can grab the E-M10 Mark IV for just $700, and if you want to add a capable kit lens, you’ll pay just $799. How’s that for a bargain travel camera?

• Compact and light
• Excellent image quality
• Good range of lenses
• Smaller sensor
• Lower-resolution EVF

6. Sony a7 IV

If you’re an advanced travel photographer in need of a do-everything camera, consider the Sony a7 IV , a full-frame, pro-level model that combines incredible autofocusing, beautiful image quality, and capable video into one reasonably priced package. 

The a7 IV isn’t designed specifically for travel, so while it’s not big , it’s not especially compact, either. But you can comfortably travel with it in a backpack or even around your neck, and for serious shooters, the bevy of top-notch features will make up for the extra bulk.

The a7 IV’s incredible sensor and in-body image stabilization allow you to capture sharp handheld photos indoors (e.g., at museums and churches) and at night. And thanks to the 3.68M-dot electronic viewfinder, you can expect a lifelike shooting experience (along with other cool perks like exposure simulation), while the fully articulating screen makes it easy to create unique low- and high-angle shots of popular landmarks. Finally, the 4K/60p recording capabilities make the camera a top option for hybrid shooters; you can vlog, shoot video, and capture beautiful images all on the same day.

• Astonishingly good image quality
• Great video features
• Fully articulating screen
• Beautiful EVF
• Pricey compared to other models on this list
• Larger than other options

7. Nikon D5600

This next model needs no introduction; Nikon SLRs were favored by many famous travel photographers in the 1980s and beyond. The D5600 is the latest camera in Nikon’s midrange APS-C series, and it’s a perfect choice for beginners and enthusiast photographers alike.

The D5600 boasts Nikon’s excellent ergonomics, and the camera feels reassuringly comfortable in your hand, although it’s not as compact as other models on this list. Image quality is superb and low-light shooting is very impressive. Plus, you get a fully articulating screen (for selfies, vlogging, and tough compositions) along with excellent battery life.

These days, you can purchase a new D5600 for a great price, and it’s even cheaper if you buy it used – so if you’re in need of a reasonably high-level camera with a bargain price tag, it’s definitely a model worth checking out.

• Good ergonomics and handling
• Good battery life
• No 4K video
• On the larger side

8. Ricoh GR III

Ricoh has been producing super-compact GR cameras since the film heydays of the late 1990s. Those classic point-and-shoot GR models were known for their sharp wide-angle lenses and minimalist controls, and the digital line of GR cameras is no different.

The Ricoh GR III is a perfect mix of portability, optical quality, and impressive features. You get a fixed 28mm full-frame equivalent f/2.8 lens capable of producing great images, and four-stop shake reduction that ensures sharp files even in challenging light.

The GR III is often compared to another camera in this list, the Fujifilm X100V, but I’d encourage you to grab the Ricoh if you prefer a smaller camera with a wider angle of view.

• Truly pocketable
• Four-stop shake reduction
• Fantastic wide-angle lens
• The straight-out-of-camera JPEGs are not as good as Fujifilm’s
• Battery life could be better

9. Sony a6700

It’s easy to see why Sony has grabbed a big share of the mirrorless camera market in recent years: The company produces an impressive range of cameras that appeal to professionals and enthusiasts alike.

The Sony a6700 may not have a full-frame sensor like some of its stablemates, but its compact body and impressive specs make it a strong candidate for the best enthusiast travel photography camera on the market. The a6700 features a 26-megapixel APS-C sensor, outstanding autofocusing for photography and video, and five-axis optical image stabilization. The 180-degree flip screen also makes the a6700 handy for vlogging and selfies.

And speaking of vlogging and video: While the a6700’s predecessor, the a6600, only offered 4K/30p, the a6700 now offers 4K/60p and can even capture 4K/120p video (albeit with a heavy crop) for those epic slow-motion travel clips!

I do think the layout and controls could be improved, but it’s one of the only drawbacks to an otherwise excellent product. Quick note: If you like the look of the a6700 but you’re on a tighter budget, also consider the a6400 . It may not be as impressive as the a6700, but it offers excellent value for money.

• Small and light
• Great lens lineup
• Good image quality
• Handling and ergonomics could be improved

10. Olympus Tough TG-6

Going on an extreme adventure? The Olympus Tough TG-6 could be the best travel camera for you. This compact point-and-shoot model can withstand a lot of punishment, thanks to its shockproof, dustproof, and crushproof body.

The TG-6 can also work in temperatures as low as 14 degrees Fahrenheit (-10 degrees Celsius), and it’s fogproof, even during sudden changes in temperature. As I found out on a recent trip to Indonesia – where I was frequently moving from an air-conditioned hotel room to the outside heat and humidity – a foggy camera can be a real inconvenience.

For snorkeling and diving fans, the Tough TG-6 will love being underwater almost as much as you. It’s waterproof up to 49 ft (15 m), and it boasts several nifty underwater modes, including a microscope mode that can focus on objects 0.39 in (1 cm) away.

• Super tough
• Only 12 megapixels
• More suited to adventurers than enthusiast photographers

11. Fujifilm X100V

I’m a huge fan of the Fujifilm X100 series cameras (I’ve owned three of the five models released over the last decade). In fact, many photographers loyal to other brands buy an X100-series camera as their “take-everywhere” body.

The X100V is small and light, yet it boasts an incredible 35mm f/2 fixed lens. Other useful features include its leaf shutter (good for photographing in quieter places like museums and churches ) as well as a built-in neutral density filter (perfect for beautiful long-exposure landscapes and wide-aperture shots in bright light). And of course, you get a range of stunning JPEG film simulations that are ready to go as soon as you turn on the camera.

While the entire X100 series is great, note that the latest model, the X100V, does have an important improvement over its predecessors: it’s weather-resistant. This makes it an excellent choice for photographers who shoot in sand, rain, snow, and more.

• Excellent lens
• Built-in ND filter
• Fujifilm JPEGs
• Weather-resistant
• No in-body image stabilization
• More expensive than its predecessors

12. Canon PowerShot G1 X Mark III

The Canon PowerShot G1 X Mark III is the third iteration of a popular point-and-shoot series from Canon. It’s sleek, it’s stylish, and it almost looks like a mini DSLR.

Many compact cameras have a tiny sensor – one inch or smaller – but the G1 X Mark III is an exception; it boasts an impressive APS-C sensor, which is one of the biggest sensors offered in such a portable camera. It also features a handy zoom range of 24-72mm and an optical stabilizer for shooting in low light, so you’ll be ready to handle any travel photo scenario you encounter.

The G1 X Mark III is easy to use and produces images with high clarity and outstanding colors. The only downside is the price tag: At around $1000 USD, it may be on the high end for some enthusiast photographers, but for intermediate shooters, it’s certainly worth the extra cash.

• Large APS-C sensor
• Compact size
• Articulating screen
• Premium price

What is the best camera for travel photography?

Choosing the perfect travel photography camera is a difficult task, one that depends on many factors. Before you hit that “Buy” button, try to determine what you value most, then evaluate the different cameras I’ve discussed based on those criteria.

So what is the best camera for travel photography? Only you can answer that question! Read my list carefully, think about what matters to you – and, if you’re still struggling, go to a camera shop, where you can talk to the staff and hold each camera in your hands.

Then, when you’re ready, grab a camera and hit the road!

Now over to you:

What travel photography camera do you plan to buy? Share your thoughts in the comments below!

Read more from our Cameras & Equipment category

Matt Murray is a travel, portrait and stock photographer from Brisbane, Australia. Matt publishes Fujifilm X-series body reviews, lens reviews and photo galleries on his website Matt Loves Fuji . Matt also hosts an analogue photography podcast Matt Loves Cameras featuring reviews of classic film and instant cameras.

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Notable Mentions

Recent updates, all reviews, the 6 best mirrorless cameras for travel - spring 2024 reviews.

As is often the case, the best camera for the job is usually the one you've already got on you, and that's especially true when you're traveling and likely don't have the space to pack a bulky camera kit. A smartphone will suffice for most people, especially since smartphone cameras are getting more impressive by the year. But if you want to take your travel photography to the next level, a mirrorless interchangeable lens camera will get you there. While the battery life on mirrorless cameras isn't as strong as their DSLR counterparts, they're tough to beat on portability, making them great travel cameras if you also want the flexibility to shoot with different lenses.

We've bought and tested over 100 cameras in our lab, and below, you'll find our recommendations for the best mirrorless cameras for travel. In this article, we limit ourselves to mirrorless cameras with interchangeable lenses. If you'd prefer a fixed-lens compact camera, check out our  best compact cameras for travel instead. You can also check out our top vlogging cameras if you're a travel vlogger. Or, if you want a mirrorless camera for use beyond just traveling, see our recommendations for the best mirrorless cameras  overall.

Best Mirrorless Camera For Travel

Among mirrorless options, the Fujifilm X-T5 stands out as one of the best for travel photography. It's aimed at enthusiast photographers, and it has old-school exposure dials that make it easy to adjust settings on the go. It also has a relatively portable, lightweight design and sturdy build, with weather-sealing for added peace of mind when shooting in poor weather conditions. Beyond its sleek exterior, it also comes equipped with one of the highest-resolution APS-C sensors on the market, with a whopping 40.2 megapixels, so it captures incredibly detailed images with plenty of leeway to crop and adjust your photos.

If that wasn't enough, it has an excellent battery life for a mirrorless model and features Fujifilm's most advanced autofocus yet, with intuitive AF tracking and subject detection for a wide range of subjects, including people, birds, and vehicles. Plus, the wide range of excellent, portable lenses available for Fuji's X mount is another bonus. Overall, the X-T5's combination of image quality, portability, and photography-first design make it our top pick for the intrepid travel photographer.

See our review

Best Full Frame Mirrorless Camera For Travel

If you're looking for the best possible image quality, the Sony α7C II is hard to beat for high-level, National Geographic-worthy travel photography. It's one of the most compact full-frame bodies on the market, and while full-frame lenses are still bigger than APS-C or Micro Four Thirds alternatives, the compact body helps make a more portable kit. Its compact size does mean fewer custom buttons and an uncomfortably small viewfinder; however, these are small sacrifices to make if you need portability but still want the greater dynamic range and noise handling that comes with a full-frame sensor.

Though the camera's 33-megapixel sensor is its real selling point, it also boasts a long battery life, excellent weather-sealed build quality, and one of the best autofocus systems on the market, not to mention a wide range of both native and third-party lens options. If you want to save some money, you can find the original Sony α7C for a steal, considering how similarly it performs for photography, though it has a slightly lower-resolution sensor and uses an older version of Sony's AF.

Best Upper Mid-Range Mirrorless Camera For Travel

Micro Four Thirds (MFT) models like the OM SYSTEM OM-5 are practically made for travel photography. Though there's a slight trade-off in low-light noise handling with an MFT sensor, the camera can still capture beautiful images, especially when paired with a good lens. Beyond that, it's packed with some neat computational features, like a digital ND filter and a high-resolution composite mode to capture stunningly detailed landscapes. Plus, the MFT system has a well-established lineup of lenses, including more compact options that'll make for a more portable overall kit.

On top of that, the OM-5 is weather-sealed and ruggedly built, giving you some peace of mind while traveling. Built-in image stabilization allows you to get clear shots at slower shutter speeds, and the camera has a decent autofocus system, though it falls short of the standard set by brands like Sony and Canon. Battery life is also underwhelming, but this model is still a sure bet if you're looking for a portable and feature-rich camera system at a reasonable price point. If you can find it for cheaper, the older Olympus OM-D E-M5 Mark III offers near-identical performance, though it uses an older sensor and lacks a few extra features found on the OM-5, like 'Live ND.'

Best Mid-Range Mirrorless Camera For Travel

As far as mid-range options go, the Fujifilm X-T30 II is an excellent choice with a highly portable body. Like the higher-end Fujifilm X-T5 above, it has a sleek retro-inspired design with the same exposure dial setup, giving you more hands-on control over camera settings on the fly. The camera's APS-C sensor also captures excellent image quality, with film simulation profiles that let you change up the look of your photos in-camera.

While competitors like the  Sony α6400  (or one of its α6x00 series siblings) might have better autofocus, the combination of physical controls and Fujifilm's excellent in-camera processing make this camera a blast to shoot with. Throw in a solid selection of fast prime lenses, and you've got a great camera for travel photography, particularly if you're interested in capturing people or street scenes. That said, unlike the OM SYSTEM OM-5  mentioned above, there's no IBIS here, and the camera is less versatile for videos and vlogs because of its tilt screen.

Best Budget Mirrorless Camera For Travel

If you're on a tighter budget, the small and mighty Olympus OM-D E-M10 Mark IV offers a ton of value for its price. Like its higher-end sibling above, it uses an MFT sensor, making for a more portable overall kit with a budget-friendly price tag. It's a great option for beginners, with simple controls and plenty of creative shooting modes that allow you to play with different photography styles.

Beyond that, this is one of the few cameras at this price point with in-body image stabilization, which can help reduce camera shake in videos or make it easier to get clear handheld shots at slower shutter speeds. That said, this model doesn't have the most reliable autofocus, so if that's important to you, the Canon EOS R50 is a good alternative with a larger APS-C sensor and a more effective AF system. Just be aware that there are fewer lens options for Canon's RF mount, and the lenses are generally bigger.

Best Mirrorless Vlogging Camera For Travel

If you're more inclined to shoot videos while traveling, consider a vlogging camera like the Sony ZV-E10. It's small and lightweight, so it's easy to toss into a bag and take on the go. While it doesn't have a viewfinder like the Olympus OM-D E-M10 Mark IV , its fully articulated screen is perfect for vlogging, allowing you to monitor yourself while shooting. It also has vlogging-friendly features like a detachable windscreen to reduce ambient noise, specialized focus modes, and a great battery life.

It's worth noting that the camera doesn't have built-in stabilization, and its e-stabilization feature can introduce a distracting wobble effect, so you're better off using an optically stabilized lens if you want to keep the camera shake to a minimum. Otherwise, the ZV-E10's relatively low price, convenient size, and great video quality make this the ideal mirrorless camera for travel vlogging.

• Fujifilm X-T4: The Fujifilm X-T4 is the predecessor to the Fujifilm X-T5, and though it's a tad heavier, it's a great choice if you want to save money, offering many of the same advantages. It uses an older processor, a lower-resolution sensor, and a less reliable autofocus system. See our review
• OM SYSTEM OM-1: The OM SYSTEM OM-1 is a fantastic Micro Four Thirds camera. It's more rugged and better built than the OM SYSTEM OM-5, but it's also pricier and likely overkill for most people. See our review

May 16, 2024: We replaced the Sony α7C with the Sony α7C II because it has better availability than its predecessor, but we still recommend the original α7C as a cheaper alternative.

Mar 20, 2024: We've reviewed the article to ensure the picks and text are up to date.

Jan 26, 2024: Replaced the Olympus OM-D E-M5 Mark III with the OM SYSTEM OM-5, as it's more widely available.

Oct 27, 2023: Added mention of the Sony α7C II to flesh out the market context for the Sony a7C.

Aug 31, 2023: Added the Fujifilm X-T5 as the 'Best Mirrorless Camera For Travel' and shifted the Olympus OM-D E-M5 Mark III down to the upper mid-range spot.

Our recommendations above are what we think are currently the best mirrorless cameras for travel for most people to buy, according to their needs. We factor in the price, feedback from our visitors, and availability (no cameras that are difficult to find or almost out of stock in the U.S.).

If you'd like to choose for yourself, here's the list of all our interchangeable-lens mirrorless camera reviews, ranked by their suitability for travel photography. Be careful not to get caught up in the details. There is no single perfect camera. Personal taste, preference, and shooting habits will matter more in your selection.

The 11 Best Travel Cameras

Whether you’re an amateur shutterbug or constantly honing your travel photography skills, these excellent options make finding the right camera for you a snap..

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The Fujifilm X-T4 is an excellent mirrorless camera for travelers.

Courtesy of Fujifilm

Unless you’re a professional photographer or an obsessed hobbyist who loves researching features and specifications, choosing the right travel camera can be an overwhelming process. There is no “one size fits all”; the way you snap pictures is as personal as the way you pack your suitcase .

If you’re a carry-on-only type of person and just whip out your camera to remember certain moments, you’ll want something small and intuitive, like a point-and-shoot camera. But if you travel in order to take pictures, you’ll want something that gives you more creative control over your shots, and the extra weight of a DSLR camera with interchangeable lenses will be worth it. In some cases, your iPhone or Google Pixel camera might be all you need.

If you’re not sure where to start, our guide to the best cameras for travel will help you find the perfect one for you, whether you’re planning for your next safari or simply want to capture the sunset on a weekend hike.

What to look for in a travel camera

To find the right camera for you, first consider the type of traveler you are and the type of photography you’re interested in. Once you understand your needs, you’ll be able to better assess what features you value and which you don’t. Here are a few to consider:

Are you an active traveler who needs a compact camera that won’t take up much space in a daypack or backpack? Or do you tend to travel with a checked bag that can accommodate a bigger camera? Larger cameras, like DSLRs or mirrorless cameras with lens kits might be bulkier, but they’re also harder to leave behind at a train station than a small, inconspicuous point and shoot.

Along with size, the weight of a camera is one of the most important considerations for travelers, and not just because airlines are increasingly strict about weight limits. A heavy DSLR means more bells and whistles to play with, but lugging one around on a day of sightseeing and spending hours holding it up while you shoot pictures can take a toll on your neck, shoulders, back, and arms.

Capabilities

Generally, cameras with sensors that can capture more pixels (MPs, or megapixels) produce images with better resolution (though there are other factors that can complicate the issue ). But if you’re mostly posting your pictures to Instagram, you don’t need to capture the large, high-quality pictures that top-of-the-line cameras produce. If you enjoy wildlife photography, you might want a camera that shoots fast (around 30 frames per second, or fps). And if you love street photography in marketplaces and other low-light areas, you’ll want a lens that works at low f-stop numbers, because you’ll want that wide aperature to let in as much light as possible when there isn’t much available. And if you crave a lot of creative control, it’ll probably be worth it to you to invest in a camera with manual settings, interchangeable lenses for multiple focal lengths (that is, ability to zoom in), and excellent resolution. Additionally consider whether you’re a photo-only type of person or if you want the option of shooting video.

The way the dials, buttons, screen, and viewfinder of a camera are laid out actually affects how much you enjoy using it. Some setups are just awkward. The best way to figure out if you like the way a camera is set up is to go into a store and test it out.

Battery life

A small consideration but an important one nonetheless, battery life can make or break your travel photography experience. It’s frustrating to bring a camera halfway around the world, only to have it die two hours into your day.

Accessories

Aside from optional accessories—padded bags, straps, and tripods —you may have to invest in (and tote around) other accessories to use the camera; these include additional lenses for your DSLR, backup storage options, and battery packs.

Photography can be an expensive hobby. But the most expensive camera isn’t always the best camera for you. Camera companies release updated versions of popular lines every few years, and the newest, most advanced models with cutting-edge technology will always be expensive; you can usually save a few hundred dollars but still get many of the same features and comparable quality if you opt for the previous model.

What are the different types of travel cameras?

While there many different styles and configurations of camera, the main types of travel cameras include point and shoots, bridge cameras, mirrorless, DSLRs, and action cameras.

Point and shoot

Unless you’re an enthusiastic hobbyist or a professional, a point-and-shoot camera is probably going to suit your purposes perfectly. They are generally small, produce good pictures, and are easy to use—you don’t need to have in-depth knowledge of f-stops, ISO, and file types. You simply point it at your object, click the shutter button, and voila! Picture captured. The trade-off is that you don’t have a lot of control over the final image—these cameras are made for auto mode and often lack advanced manual controls, they only allow you to zoom in so much, and you can’t switch out the lenses. And they generally don’t perform well in low-light situations, though most have a built-in flash.

You likely won’t hear about bridge cameras as often as you will the other cameras on this list. These types of cameras offer more manual control than point-and-shoot options as well as powerful zoom lenses. However, the lens is permanently attached to the body. They’re a good choice for photographers who don’t want to mess around with different lenses but do want to play with more controls than a point-and-shoot camera has.

Think of mirrorless cameras as the next step toward DSLRs. They produce higher quality photos than point and shoots, though not quite as high quality as DSLRs. However, weighing in around 1.5 pounds, they are compact cameras, much smaller and lighter than their more advanced cousins. (The name “mirrorless” comes from the way they capture images—DSLRs project the image through the viewfinder using a mirror, which flips away when you press the shutter button to expose the sensor that actually captures the image. Mirrorless cameras do away with the mirror, making the whole process digital and the camera itself much lighter.) They also feature the manual controls that allow you to adjust exposure, shutter speed, depth of field, and more, and you can swap out lenses. These are a good pick if you’re interested in the art of photography but don’t want to dive into the deep end yet. Many pros also use mirrorless cameras as backups.

Not only does DSLR (digital single lens reflex) deliver high-quality photos with great resolution, but it is also built to last. These cameras are all about versatility. They have the manual functions that allow you a huge amount of creative control over the resulting photo. They’re also made to be used with a number of different lenses. And many of the new models can produce incredible video as well. DSLRs even capture RAW files, which save more information and allow you more control when you’re editing images, as well as the compressed JPEG files. The trade-off, however, is that they’re heavier, bigger, and more expensive than other cameras. And you’ll probably find yourself needing to invest in more accessories, such as external flashes, bounce cards, remote shutter releases, and microphones, than you would for any other type of camera.

Action cameras

Some travelers may be less interested in the amount of artistic control they have over the pictures they take and instead are looking for a rugged camera that will survive a series of extreme adventures. These sorts of cameras should be durable, waterproof, dustproof, and able to withstand long drops. And many don’t even look like traditional cameras—think of GoPros, which bear no resemblance to any of the other cameras on this list; they are extremely hardy and meant to be mounted on helmets, surfboards, selfie sticks, and more, allowing the user a hands-free experience.

The best cameras for travel

• Sony RX100 VII ($1,298)
• Canon PowerShot G7X Mark II ($629)
• Panasonic Lumix DMC FZ1000 ($798)
• Olympus OM-D E-M10 Mark III ($549)
• Fujifilm X-T4 ($1,699)
• Sony a7R III ($2,298)
• Leica Q2 ($4,995)
• Canon EOS Rebel SL3 ($599)
• Nikon D850 ($2,997)
• GoPro Hero8 ($300)
• Olympus Tough TG-6 ($449)

The best point-and-shoot cameras for travel

The Sony RX100 VII is far more sophisticated than your standard point and shoot.

Courtesy of Sony

Sony RX100 VII

• Buy now: $1,298, bhphotovideo.com ; amazon.com
• Weight: 10.7 ounces
• Size: 4 inches by 2.3 inches by 1.7 inches

Sony’s RX100 line has long been at the top of the list of quality point and shoots, and the new, sleek VII model packs a professional punch for such a small body. It has a versatile 24–200 mm zoom range, a powerful one-inch, 20.1 megapixel sensor, and shoots sharp images at almost any setting. It also records RAW images and features Wi-Fi, which is great for transferring photos from the camera to a phone or computer to quickly post to social media. Its three-inch touch screen can rotate a full 180 degrees, which is great for solo travelers trying to take selfies. The RX100 VII also records 4k (a measure of resolution) video—the kind of quality that vloggers look for. The best part? The VII’s autofocus technology rivals that of Sony cameras with interchangeable lenses; it allows users to track moving subjects and it also detects faces and eyes for both humans and animals. The RX100 line also has a good range of underwater housings for divers.

The pocketable Canon PowerShot G7X Mark II will barely take up space in your carry-on..

Courtesy of Canon

Canon PowerShot G7X Mark II

• Buy now: $629, bhphotovideo.com ; amazon.com
• Weight: 10.4 ounces
• Size: 4.15 inches by 2.4 inches by 1.65 inches

The Canon PowerShot G7X Mark II is small enough to fit in a jacket pocket, but with its one-inch, 20.1 megapixel sensor captures clear photos even in low-light situations. Give it a try in those notoriously hard-to-capture twilight hours, during evening strolls and end-of-the-day cocktails. The control rings make satisfying clicky noises, and the zoom lens has a solid 24–100 mm focal length range. The three-inch LCD screen is tiltable, which helps with overhead or low-level photography, and like the Sony RX100 VII, Wi-Fi capabilities allow you to easily transfer images, which can save in both RAW and JPEG formats. The autofocus is responsive but can’t focus continuously (so you can’t track subjects while shooting in burst mode). It even shoots video at an admirable 1920 x 1080 resolution. The only drawback to the G7X’s slim body is that it lacks a viewfinder, though for some people, using a viewfinder with a camera this small is awkward anyway.

The best bridge camera for travel

The Panasonic Lumix DMC FZ1000 II looks like a DSLR, but you won’t have to worry about interchangeable lenses.

Courtesy of Panasonic

Panasonic Lumix DMC FZ1000 II

• Buy now: $798 (was $898), bhphotovideo.com ; amazon.com
• Weight: 28.5 ounces
• Size: 5.35 inches by 3.82 inches by 5.2 inches

If the zoom on a point and shoot just isn’t enough for you to capture the banks of the Bosphorus from a boat, the Panasonic Lumix DMC FZ1000 II’s 25–400 mm long-range zoom on its fixed lens might be exactly what you’re looking for. The one-inch, 20.1 megapixel sensor captures high-resolution photos in most situations, and an internal image stabilizer works on five axes to help keep your framing consistent even when zoomed all the way out. The camera also records 4k video and features Wi-Fi and Bluetooth connections and a three-inch articulating LCD screen that flips out 180 degrees to the side and tilts 270 degrees. Plus its ergonomic design fits comfortably into most hands and makes this camera feel more like an interchangeable lens camera than a point and shoot.

The best mirrorless cameras for travel

The Olympus OM-D E-M10 Mark III is smaller and lighter than most mirrorless cameras, making it perfect for travelers who pack light.

Courtesy of Olympus

Olympus OM-D E-M10 Mark III

• Buy now: $549 (body only), bhphotovideo.com
• Weight: 14.5 ounces (body only)
• Size: 4.8 inches by 3.3 inches by 1.9 inches (body only)

The Olympus OM-D E-M10 Mark III is a perfect entry-level mirrorless camera—it’s affordable, but still has the DSLR styling and sophisticated technology that makes it a step up from most entry-level mirrorless models. It holds its own with the fancy features that have become standard, such as five-axis stabilization, three-inch tilting touchscreen LCD, and 4k video recording. The solid 16.1-megapixel sensor and the processor produce sharp photos. An electronic shutter function makes for faster shutter speeds and can also be used in silent mode, making your clicking less conspicuous in museums or temple courtyards. The E-M10 Mark III is a micro four thirds camera—meaning it’s smaller than usual and lighter too—and stacks its large, easy-to-use dials on the top of the body without feeling cramped. It also has a built-in flash. The electronic viewfinder has a great 1.23 magnification, which is helpful when you’re using it for long periods of time.

The Fujifilm X-T4 captures beautiful pictures and video thanks to its 26.1MP sensor and advanced image stabilization.

Fujifilm X-T4

• Buy now: $1,699 (body only), bhphotovideo.com ; amazon.com
• Weight: 21.4 ounces (body only)
• Size: 5.3 inches by 3.7 inches by 2.5 inches (body only)

With the X-T4, released in February 2020, Fujifilm took the already exceptional X-T3 and made it better. The same 26.1MP X-Trans CMOS 4 sensor captures beautiful quality pictures, and the X-T4 also shoots 4k and HD video better than most cameras on the market. But the new model has a much better battery life, snapping around 500 shots on a charge as opposed to the X-T3’s 390. The X-T4 also features in-body image stabilization that uses magnetic force as well as the camera structure to absorb shock. It also boasts fast shutter speeds (30 fps in burst mode), Wi-Fi, and Bluetooth, and it is weather sealed, keeping dust and dirt particles kicked up by the wind—whether you’re in Tierra del Fuego or Chicago—out of the camera body. Like many Fujifilm cameras, the X-T4 has a retro look and mimics the setup of a classic 35 mm film SLR, with the aperture rings on the lenses.

If you’re hesitant to spring for the newest and priciest model, rest assured that X-T line has something for every level of photographer. The last model, the X-T3 ($1,499, bhphotovideo.com ; amazon.com ), lags behind in terms of battery life, but it has a lot of the same features and capabilities as the X-T4 and a lower price tag. The X-T30 ($899, bhphotovideo.com , amazon.com ) is another fan favorite, ditching the weatherproofing and a few buttons to knock off another $500 or so.

The Sony a7R III is known for its excellent electronic viewfinder and crisp resolution.

Sony a7R III

• Buy now: $2,298 (was $2,798) (body only), bhphotovideo.com
• Weight: 25.9 ounces (body only)
• Size: 5.12 inches by 3.15 inches by 3.62 inches (body only)

The aR7 III isn’t the newest kid on the block in Sony’s high-end mirrorless AR7 series, but the aR7 IV ($2,998, bhphotovideo.com , amazon.com ), its pride and joy, costs considerably more and is really aimed at professionals. Of course, if you want to spring for the aR7 IV’s whopping 61-megapixel sensor, which surpasses that of even some full-frame DSLRs, no one will be checking your credentials.

But the a7R III is still an incredibly powerful camera with a huge 42.4-megapixel sensor and noticeably fast shutter speeds and autofocus capabilities. It also shoots fast (30 fps) 4k video, has five-axis stabilization, and its long-lasting battery can run about 600 shoots. One feature that makes the aR7 III a joy to work with is the electronic viewfinder, which produces bright, clear views and refreshes at lightning speed, with none of the lag that others experience. The aR7 isn’t an outstanding performer at low lights, struggling a bit below one-fourth second shutter speeds, but the electronic viewfinder plus weather-sealing makes this a great pick for landscape photographers.

You’ll find yourself more immersed in your environment when shooting with the Leica Q2.

Courtesy of Leica

• Buy now: $4,995, bhphotovideo.com ; $5,895, amazon.com
• Weight: 23.2 ounces (body only)
• Size: 5 inches by 3.76 inches by 2.9 inches (body only)

Leicas are the Bugattis of cameras—ultra high end, super stylish, and exquisitely crafted. No, the Q2 isn’t the type of travel camera you’d toss in a backpack or casually sling over a shoulder, but if you dream of strolling through the Marais with a retro-cool Leica in hand, the Q2 is the one you want. The brand’s reputation for extremely high-quality images with unparalleled color fidelity is well earned, and the Q2 boasts an incredible 47.3 megapixel full-frame sensor. It is also weathersealed, which is always a plus for a traveler, can capture 4k video, and is priced on the lower end of the scale, relative to other Leica models.

What makes the Q2 a good pick for the curious traveler is its fixed 28 mm f1.70 lens and manual focus. Yes, really. While many photographers would argue that the fixed lens is a drawback, it actually forces you to get more involved with the things you shoot. You can’t stay on the fringes of the crowds at Boudhanath Stupa in Nepal, zooming in on interesting characters. You have to join the fray and get almost uncomfortably close to the subjects you want to capture (though, remember to be respectful and ask permission when doing so). Similarly, the manual focus—a feature that all Leicas have—keeps you more in the moment, forcing you to slow down and engage with the scene in front of you. The Q2 does make some concessions—it has macro focusing and 35 mm, 50 mm, and 75 mm crops so you can simulate different zoom lengths. And unlike other Leica cameras, the Q2 also has autofocus, and a quick one at that, which travelers will find useful in busy street scenes.

The best DSLR cameras for travel

The Canon EOS Rebel SL3 is a great pick for amateur travel photographers looking to get a little more serious about their hobby.

Canon EOS Rebel SL3

• Buy now: $599 (body only), bhphotovideo.com ; amazon.com
• Weight: 15.84 ounces (body only)
• Size: 4.8 inches by 3.7 inches by 2.8 inches (body only)

With the EOS Rebel SL3, Canon took one of its best ultra-compact entry-level DSLRs and made it better. Since 2017, the Canon EOS Rebel T7i, which is now discontinued, was considered one of the best DSLRs for beginners on the market, offering approachable features and imaging technology inherited from Canon’s previous cameras aimed at professionals; the SL3, released last year, is almost identical and shares just about all the important features: Both cameras offer a resolution of 24 megapixels and have the same sensor (the APS-C). Both are compatible with Canon’s comprehensive system of lenses—one of the largest lineups available—which gives new and seasoned photographers a lot of room to play.

The T7i is a little faster than the SL3, but the slightly slimmer and lighter SL3, our pick for a better travel camera, has a much longer battery life, clicking away through 1,070 photos as opposed to the T7i’s 600. And unlike its predecessor, the SL3 can shoot 4k video, which more and more travel photographers consider the standard. To top it all off, the SL3 is about 20 percent cheaper.

The Nikon D850 blurs the line between a professional camera and one meant for hobbyists.

Courtesy of Nikon

• Buy now: $2,997 (body only), bhphotovideo.com ; amazon.com
• Weight: 26.63 ounces (body only)
• Size: 5.7 inches by 4.9 inches by 3.1 inches (body only)

Nikon’s D850 was released in September of 2017, but the powerhouse DSLR is still a favorite for prosumers, or photographers who straddle the consumer and professional worlds. The D850’s 45.7-megapixel sensor produces crisp photos with beautiful resolution, and it is backside illuminated: The parts of the sensor that capture light are closer to the surface, resulting in sharper pixels at the edges of the image. It also tolerates more light in bright conditions and performs well in low-light conditions too. Nikon is known for its fast, accurate focusing, and the autofocusing on the D850 would thrill any sports photographer. Another great feature of the D850 is its viewfinder, which, with its 0.75x magnification, gives the user a wonderfully realistic view. It also shoots 4k video, and its 3.2-inch touch screen is larger than that of most other cameras.

True, the D850 is a hefty model at 26.63 ounces (about two pounds), but sometimes it’s OK to throw a little weight around, especially if you’re doing the kind of tripod-friendly wildlife or cityscape photography that this camera does so well.

The best action cameras for travel

Adventure travelers no longer need fancy frames to attach the GoPro Hero8 to their gear.

Courtesy of GoPro

GoPro Hero8

• Buy now: $300, gopro.com ; $349, bhphotovideo.com ; $299, amazon.com
• Weight: 4.1 ounces
• Size: 2.61 inches by 1.91 inches by 1.1 inches

The newest member of the GoPro family proves that you don’t have to be an adrenaline junkie to own a GoPro. One of the major upgrades that makes the slimmer Hero8 much more approachable is that it doesn’t require extra hardware to attach it to things like grips, dashboards, and helmets; previous models needed the help of a frame, but the Hero8’s attachments are built into its body. But that’s not to say the Hero8 is any less rugged than other GoPros—it’s still waterproof to 33 feet, and the new model has a Gorilla Glass lens that GoPro claims is twice as impact-resistant as previous lenses.

Rugged features aside, the Hero8 has photo-capturing capabilities that any travel photographer would appreciate: The super-smooth image stabilization obliterates the need for stabilizing accessories, eliminating most of the bounce from footsteps in slow motion. There’s also a touch screen with four adjustment buttons, four digital lenses with different aspect ratios, and the Hero8 can shoot vertically for those who post mostly to Instagram Stories or TikTok. The sensor captures 12 megapixel stills and 4k video. It even supports livestreaming to Facebook, though at a slightly lower 1080/240 resolution. The Night-Lapse function lets you to capture beautiful 4k timelapses of the night sky or a bioluminescent ocean.

The Olympus Tough TG-6 is an action camera made to take just about anything you throw at it.

Olympus Tough TG-6

• Buy now: $449, bhphotovideo.com ; $399, amazon.com
• Weight: 8.92 ounces
• Size: 4.45 inches by 2.6 inches by 1.26 inches

Snorkelers, river rafters, and anyone who refuses to let a little rain dampen a trip, this one’s for you. Technically, the Olympus Tough TG-6 is a point and shoot, but the pocketable waterproof camera was built for adventure—a sort of a middle ground between a traditional point and shoot and a GoPro. Not only is it waterproof up to 50 feet, but it’s also crushproof (up to 100 kilograms of force) and freezeproof (down to 14 degrees Fahrenheit). Yet the 12-megapixel sensor still delivers beautiful photographs in both RAW and JPEG formats, and the TG-6 can also shoot 4k video.

Like all waterproof cameras, the TG-6 keeps its lens safely inside the body, and its 25–100 mm zoom range doesn’t rival that of some of the other point and shoots on this list. However, its macro shooting capabilities are superior to others in the class. Botany enthusiasts will find this useful for snapping up-close shots of rain forest flora without worrying about wet conditions. It performs decently in low-light conditions, but not if you’re zoomed in. And you might want to pack an extra battery; this one won’t break any records.

>>Next: The Best Tripod for Travelers Is Super Compact and Not Dorky at All

11 Best Travel Cameras, According to Experts and Amateurs Alike

By Alex Erdekian

All products featured on Condé Nast Traveler are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

If you’re debating whether to spring for one of the best travel cameras before an upcoming trip, consider this: Yes, a smartphone is perfectly capable of serving the average traveler’s photography goals, but a dedicated camera is required for capturing high-quality memories. The wide angle lens of a smartphone camera can only take its images so far; in spite of technology’s advancements over the years, its zoom feature still degrades photo quality, making them too grainy—in our opinion—to be worth taking. When it comes to travel photography, many of us want to get close and fill the frame with exciting faraway shots like skylines and canyons. A good travel camera also allows the photographer to shoot exciting, fleeting scenes from their trips, like bicycles blurring through a charming street, low-light landscapes like a starry sky, or a city strip flashing with neon lights. Lastly, we’ll leave you with this: In an era when we’re glued to our phones every minute of the day, documenting a trip with a camera allows us to be present in the here and now, and actually connect with the place we’ve traveled so far to experience .

To guide your search for the perfect new device, we’ve tapped experts, editors, and frequent travelers to weigh in on their most-loved cameras. Below, 11 travel cameras to consider bringing on your next adventure.

Find the best travel cameras:

For taking your interest to the next level, for capturing video footage, for emulating the experts, for unserious fun with film.

Larry Guo, a Brooklyn-based reader who studied fine art photography as an undergraduate, loves Fujifilm’s ecosystem of cameras when it comes to taking travel photos. His particular camera of choice is the Fujifilm xT10, a mirrorless digital camera that is significantly more lightweight and portable than a DSLR. “You have all of the abilities of a raw digital camera, but it’s less bulky,” Guo says.

Guo’s recent travels have taken him and his partner Rob to Puerto Vallarta, Mexico, and throughout Japan . His partner, who has an affinity for landscape photography, uses the Fujifilm XT3, which is a more semi-professional model.

“[Rob] really likes the process of coming home and editing. He enjoys landscape photography, so he brought an extra lens. He took really beautiful shots in Puerto Vallarta of the mist. In Japan, he took beautiful photos all over the place. We had them printed at Griffin Editions in Gowanus [Brooklyn].”

Pallavi Kumar , Condé Nast Traveler’s senior visuals director, is loyal to Fujifilm as well. “Fuji’s image quality and colors are unmatched,” Kumar says. “Sony is supposedly advanced, but Fuji's image quality is something else.” She shoots with the Fujifilm x100V.

Guo added that he has heard terrific things about the point-and-shoot cameras by Ricoh. These high-end point-and-shoots make snapping high-caliber photos on the move easy and seamless, requiring little to no steps before hitting the shutter. “It’s a really well-made point-and-shoot,” he says. “There’s no interchanging lenses. And for most people, that's really what you need. Most people don’t want to travel with multiple lenses.”

Filmmaker and writer Leslye Davis—who is a co-director of the documentary Father Soldier Son and has worked as a visual journalist at the New York Times —has been taking a camcorder with her on her personal travels. “It keeps me off my cell phone and it makes it easier to keep track of footage but also to edit while you shoot, so it’s fun to watch the shots back-to-back,” she says. For photos, she’s been shooting with the Canon R6. “It’s light and has a silent shutter and the images are high-res.”

National Geographic underwater wildlife photographer Cristina Mittenmeier previously told Traveler that she shoots with a Sony a7R III . Given the subject matter she captures, she uses it for its extraordinarily high-resolution images and low-light capabilities.

In a previous version of this article, legend Steve McCurry recommended the Leica SL2 and White House photographer Pete Souza recommended the Fujifilm X‑Pro3.

McCurry is famous for his iconic photograph “Afghan Girl,” which was featured on the cover of National Geographic in June 1985. The SL2’s lenses, he said, were the best he’s used, and he praised the camera’s incredible durability. The camera has extremely crisp 5K and 4K recording capabilities, so for users who are traveling in rogue conditions—like windy deserts or beaches with massive waves—the camera’s weather sealing, which keeps out the elements, is key.

The Fujifilm X‑Pro3 is Souza’s favorite walking around camera. It's lightweight and quiet. Souza, who photographed Presidents Ronald Reagan and Barack Obama throughout their terms, recommends planning your travel shots with this camera for the “first two hours of light in the morning, the last two hours of light in the evening, or when the weather is really bad (think fog, rain, or snow).”

Growing in popularity lately has been Kodak’s new film cameras. Mercedes Bleth , Traveler’s g lobal associate director of social, has been loving the Kodak Ektar H35, a 35mm point-and-shoot film camera that shoots half-frame—which means you get twice as many photos for each roll of film. (A major plus considering film is so expensive.)

“I love taking this little film camera with me on trips,” Bleth says. “It is very compact, lightweight, and easy to use (point-and-shoot at its finest). I find that it's a more present way to capture memories while traveling—it allows you to stay in the moment because you don't spend as much time with your phone in hand, taking too many photos to get the perfect shot. Film is precious (even at half-frame), so what you get is what you get, which in my opinion, makes the memories that much more tangible, and fun to look back on once it's developed.”

I also own this camera in mint green and love how paper-light, affordable, and cute it is. For an even lower stakes experience shooting film, Traveler contributor Lydia Mansel loves her colorful Kodak M35 35mm film camera , a $25 option that is great for those into disposable cameras who want to upgrade to something reusable so they can stop shelling out and throwing away new ones after each trip.

Our Expert Guide to the BEST Travel Cameras in 2024

• Last Updated: December 13, 2023

We’ve spent years working as professional travel photographers, and are proud to have put together this definitive guide to the best travel cameras in 2024 for every budget, based on actual hands-on experience.

One of the best souvenirs you can bring home from your adventures abroad is photographs.

As the old saying goes, pictures are worth a thousand words, and nothing brings back the excitement and thrill of holiday memories quite like looking back at your photos.

These days almost everybody has a decent camera in their pocket, thanks to the wonders of modern smartphones. And while these are fine for the average person, if you really want great image quality, you’re going to have to invest in something better.

People say, “It’s not the camera that takes good photos, it’s the photographer”, and this is completely true. Yet there’s a reason professionals use expensive gear – they are better for the job.

Never fear though, that doesn’t mean you need to go out and spend $10k on a set-up! Definitely not.

In fact this article is going to save you time and money by diving straight into the best travel camera for every budget.

So why listen to us?

We’ve been working as professional travel photographers for almost a decade, and have been fortunate enough to put hundreds of cameras to the test during our career.

Based on our personal experience, we’ve been able to narrow down the absolute top choice in every category.

Whether you are a beginner, intermediate or professional, or even if you know nothing at all, we’ll help you make the right choice so you don’t waste your money getting something that just isn’t up to the job.

READ MORE: Check out our comprehensive guide on how to take better travel photos .

Let’s dive into our comprehensive guide for the best camera for travel photography.

Table of Contents

Our Recommendation

Bonus: recommended lenses for sony a6600, bonus: recommended lenses for sony a7iv, size and weight, resolution/megapixels, interchangeable lenses, manual settings, weatherproofing, stabilization, mirrorless vs dslr, what camera do most professional photographers use, what camera is best for travel videos, what is the best small camera for travel, what is the best travel camera in 2024.

Without further ado, let’s get into the article!

Disclaimer – NOMADasaurus is a participant in the Amazon Services LLC Associates Program and the Amazon EU Associates Programme, an affiliate advertising program designed to provide a means for sites to earn fees by advertising and linking to Amazon.com and affiliated sites.

GoPro HERO12 Black – The Best Action Camera

Action cameras have come a long way since we bought our first one back in 2010.

They used to be reserved just for people who were into extreme sports – skiing, skydiving, motocross, scuba diving, etc.

Now they have become one of the top travel cameras on the market thanks to their durability, compact size and high quality.

The good ones shoot in at least 4K video (this one though actually goes up to 5.3k), are completely waterproof and even connect to your phone so can take great photos from any angle.

They also shoot time-lapse photography, which is great if you’re catching an epic sunrise or particularly busy urban scene.

Even if you are not interested in jumping off of cliffs or mountain biking through a jungle, having an action compact camera is still a brilliant tool to have in your suitcase.

They are especially awesome if you’re looking for the best cameras for adventure travel.

The undisputed king of action sports cameras is GoPro, and we’ve been proudly using them for over 13 years.

These epic cameras have insane image quality and shoot some remarkable video. They’re also extremely durable, waterproof and fit in your pocket.

Adding to the GoPro series is a huge range of accessories that makes getting footage limited by only your imagination.

Check out our brand new GoPro HERO12 Black review to see if it’s right for you!

Different mounts allow you to put them just about anywhere, extension poles get unique angles (perfect for selfies), you can stick a GoPro on a tripod and there are even filters available.

We’ve had just about every GoPro camera since the original HERO was released, and we’re super excited to share that the newest one on the market is by far the best ever.

Their latest camera is the GoPro HERO12 Black , following hot off the heels of the successful HERO11 (click the link to read our review of it), and it’s risen the bar once again.

When the HERO7 came out they introduced a number of revolutionary features, such as HyperSmooth (in-built image stabilisation), TimeWarp (awesome hyper-lapse videos) and SuperPhoto (HDR photos on steroids).

The HERO9 added a front-facing LCD screen, which really stepped things up a notch, especially for vloggers.

The HERO10 brought in the new GP2 processor, which made everything work, well, just better.

The HERO11 went bonkers with a brand new larger sensor, 10-bit colour and all new aspect ratio.

And now with the HERO12 the company has gone and made everything more refined with a host of new features and upgraded battery life.

Boasting the fantastic GP2 processor, 1/1.9″ sensor and 8:7 aspect ratio, the latest GoPro HERO12 Black now has HDR video to go along with the expert camera settings.

The massive aspect ratio gives more room to crop, so you can shoot in one perspective and scale later for portrait social media content or landscape YouTube videos.

The camera shoots in 5.3k 60 frames per second, 4k at 120fps and 2.7k at a whopping 240fps (8x slow motion), which also allowing for 27 megapixel screen grabs when using 5.3k on the full 8:7 ratio.

The stabilization is even better with HyperSmooth 6.0 (in-built horizon levelling up to 360 degrees), TimeWarp 4.0 allows to switch between hyper-lapse, real-time and slow-mo recording in the same video with a tap of the screen, and the SuperPhoto has improved HDR abilities.

The screens are still very responsive and look excellent.

SuperPhoto for photographers, in particular, means you can point and shoot, and barely have to edit before uploading to social media. Although we still recommend shooting in RAW for the pros out there.

This article talks more about how to take better GoPro photos, written by a pro.

For the purists out there, the GoPro HERO12 shoots in RAW format for all photo modes.

There is still voice activation and the entire unit is waterproof to 10m, meaning there is no need for a dive housing if you’re not going below that depth.

Also the all-new Night Effects modes are really awesome. Who would have thought you could capture light trails and the Milky Way on such a tiny camera?

For the video gurus out there the HERO12 is a gimbal killer. What does that mean? It means HyperSmooth 6.0 is on another level.

The HERO7 stabilisation was amazing for vlogging and action sports, as was the HERO8 and 9, but after testing the new HERO12, the stabilisation is even better again. Don’t know how they do it, but they do! And it works at 4K at 120fps, TimeWarp and live streaming!

Want slow motion? How does 2.7k at 240FPS sound? Buttery smooth, that’s for sure.

Whereas in previous models they had White, Silver and Black models, the HERO12 only has a Black model.

Canon Powershot SX740HS – The Best Affordable Camera

If you want a dedicated camera that is cheap and still takes decent photos then you really are spoiled for choice.

We’ve personally owned a whole range of different brands in this range, from Canon to Fuji to Olympus to Sony, and with the way the best travel camera market is now if you’re not fussy about the brand you get, then you can’t really go wrong. But let us explain what you’ll need.

You’ll basically be looking for a small point and shoot, something that is foolproof and most importantly quite durable. Having a big zoom range is a big bonus so you can crop right in on different scenes.

The ability to use manual settings will come in handy if you ever want to play around and learn a bit more about how photography works.

And you want something affordable so that you won’t be overly worried if you lose it (just make sure you backup your photos).

The Canon Powershot SX720HS was a hugely successful compact camera, and Canon backed it up with the amazing SX730HS to become the best budget travel camera.

But like all good camera companies, Canon has stepped it up a notch again by bringing out the newest model in the range, the SX740HS .

This great little travel camera does it all, and for the price, it is the best travel zoom camera out there.

40x optical zoom, manual settings, shoots in 4K video, good color grading, and it is one of the better compact cameras out there.

It also has wifi so you can transfer photos straight to your phone or laptop without plugging it in, or control the camera from your phone. Perfect for the general traveler who just wants something to take decent photos with on their trip.

It also has a large articulated screen, so you can angle your shots perfectly, whether you’re shooting from the ground or above the head.

A few more updates over the SX730HS is an improved small sensor, meaning better low light capabilities, and faster burst shooting, cementing its position as the best budget camera for travelling.

READ MORE: Check out our latest guide on the best camera accessories !

Sony RX100 vii – The Best Compact Camera for Travel

This is the next level up. You still want the portability and benefits of having a point and shoot, but you want to take incredible photos too.

You’re interested in learning about the fundamentals of photography, and perhaps want to one day print your photos or maybe put them up online. Ultimately you’re after the best pocket camera for travel.

Here are the things you’ll need: Full manual control, a decent size sensor, zoom, high-quality video, flip screen (so you can shoot from different angles while still framing your shot), ability to shoot in RAW format, good ISO performance and a wide aperture.

This is the category that most people will be in. So if you’re asking yourself what is the best compact digital camera for traveling, read on…

READ MORE: Check out our comprehensive guide to the best landscape photography tips !

This is, in our opinion, the best point and shoot camera for travel on the market. It does everything you’ll ever need it to do and has incredible image quality in a premium compact size.

Sony have completely revolutionized the market with the RX100 range, and with each update it just gets better and better.

Without a doubt there’s no better option for the best compact camera for travel out there than the Sony RX100 vii right now.

The Mark 7 has a very long zoom range (8.6x optical, up from 3.6x optical, which is like having a 24-200mm lens), an amazing 20mp one-inch sensor to capture huge dynamic range, high quality 4K video and an articulating flip screen.

It’s an expensive camera, yes, but if you want the absolute best quality on the market in a small, compact unit that fits in your pocket, this is the best travel camera out right now.

BONUS TIP – If you want to create travel vlogs and have a decent camera for photography too, this is the model for you!

Canon G7X Mark iii – Best Camera for Vlogging

Vlogging is the newest craze, and it’s quite literally taking over as the new digital media of choice for many travelers and influencers.

If making videos is more your style instead of taking photos, then you’re going to want to look at a camera that has a range of specific features.

Most importantly is the ability to shoot in 4K (even if not many people have 4K monitors today, in a few years it will be common and you’re going to want to have footage to match the current standard).

Once you’ve got this another handy feature is an articulated LCD screen that can face you while you’re talking in the lens.

This allows you to frame your shot instead of cutting off half your head. Lastly you’ll want a microphone jack to catch better audio.

Get the camera, start filming and put some great videos up on YouTube ! Sounds easy, right? But what is the best travel camera for vlogging…

We’ve used more vlogging cameras than we can remember, from full-frame setups to GoPros and even putting to the test the brand new Sony ZV-1F .

But what have we settled on?

The Canon G7X Mark ii has always been considered the ultimate travel camera for vlogging, but it fell short in a few different categories.

That’s all changed now with the newest upgrade, the G7X Mark iii .

Shooting fantastic 4k video, this travel camera now has an in-built microphone jack for improved audio, a flip-up touchscreen for keeping your face in frame, and has a faster start-up time than previously.

The image quality is also much better now, and with manual control functions it really is a premium compact travel camera.

Sony A6600 – Best Mirrorless Camera for Travel

You’ve broken out of the realm of standard point and shoots, and you’re looking for a camera that has interchangeable lenses.

You’re getting into the idea of shooting wide, or perhaps portrait shots. Maybe you really would like to get a longer zoom.

Most of all, you really want to get serious about photography.

In your kit will be a range of lenses for a range of situations. You can look at getting filters to give beautiful effects on your shots. You might even want to start growing your photography portfolio .

A few years ago everyone would have recommended you to get an entry-level DSLR. This is no longer the case.

With the way mirrorless technology has gone DSLRs are losing traction and popularity. Now you can get something with the same image quality for half the size.

The Sony A6600 is an absolute powerhouse and puts up a good fight for being the ultimate travel camera.

For entry-level mirrorless cameras, Sony broke the mould by introducing the A6000 a few years ago. Since then every model has been lightyears ahead of the competition.

The latest A6600 is their newest offering, and for a compact camera, it is seriously next level.

It boasts one of the fastest autofocus capabilities of any camera on the market, an improved APS-C sensor capable of high-level video and great image quality, a touch-enabled articulating LCD screen and excellent electronic viewfinder.

The range of lenses available for this Sony mirrorless camera is huge, and manages to cover all bases for whether you want to shoot 4K video or take images that you can sell to magazines.

You can really get away with the standard lenses that come in most kits, but there are a couple of exceptions that you could splurge out for.

All Sony E mount lenses will fit onto the Sony A6XXX series (including the spectacular full-frame range, with a crop factor).

So if you are ever considering an upgrade to full frame and want to buy some new lenses for your APS-C sensor, you can fork out the money early and still use your lenses later on.

Best Wide Angle Lens

There’s really only one option in this range, and it’s the brilliant 10-18mm F4 . To this day one of the best photos we’ve seen taken of the Petronas Towers was taken with a Sony A6000 (older model) and this lens.

Best Portrait Lens

The Sony 50mm F1.8 is a great choice for a native portrait lens. It’s light, fast and cheap. 

The quality is decent without being amazing, but it definitely does a wonderful job for what you pay for.

Otherwise step up to the FE 55mm F1.8 (read about it below), although this will give you a 85mm perspective on the APS-C sensor.

Best Zoom Lens

Keeping with the affordable and light range that makes for great travel camera lenses, we recommend the Sony 55-210mm f/4.5-6.3 .

For the amateur and hobbyist photographer, this will do just about everything you need and is a solid lens to have in your kit.

Sony A7iv – Best Professional Camera for Travel Photography

If you’re like us and want to make capturing the absolute best images of your travels a priority, then you’ll be looking at a professional range of travel cameras.

Following on from the discussion on mirrorless vs DSLR above, you’ll get many professional photographers who choose to stick to cameras like the Canon 6D or 5D series, or the Nikon D750 or D810.

These are legendary cameras in the industry, and with the enormous range of lenses available for each one, there’s a reason the best in the business use them.

But, we’re talking about travel cameras. And for this, we recommended sticking to mirrorless. 

Full frame DSLRs are big and heavy, whereas their equivalent in mirrorless are a fraction of the size.

If you have decided you want to take the leap to a full frame sensor and want to be rocking the best mirrorless camera for travel, then you have only two choices.

READ MORE: But you need to carry everything, right? Here’s our new expert guide to the best camera backpacks on the market today!

Sony was the first major camera producer to create a full frame mirrorless camera, and while Canon has finally caught up, Sony has years of research and development on their side.

The Sony A7 series is almost flawless. Fantastic image quality, 4K video capabilities (on the A7R, A7S and the A7iv), articulating LCD screens, wifi, light, compact and a whole range of native lenses available for it makes them the absolute best cameras for traveling.

And with the Metabones adaptors you can even use your old Canon, Nikon, Sigma, Samyang or other type of lenses on it.

As of 2024, Sony’s top cameras are the A1, A7iv, A7Siii, A7Rv and the A9ii. Now while the A9ii, A7Rv and A1 are absolute beasts of cameras, the truth is you most likely don’t need all the features they have.

We currently own the A7iv and A7Rv, and for professional travel photography, they are the best on the market.

The image quality is superb and the dynamic range is insane. The low light capabilities are also amazing. Even at ISO 12800, there’s barely any noise that shows up on the shot compared to a compact camera.

We personally recommend the A7iv as the best travel camera out there , as it’s just damn near perfect, especially as a hybrid photo and video camera.

4K video with 60fps, a lightning-fast autofocus system, joystick control, touch screen, fast processor, upgraded full frame sensor and amazing battery life.

If you’re the kind of person that loves to blow up their images for print, or does a lot of cropping when you edit your shots, then that’s the only reason you’ll want to step up to the A7Rv, as it has a 62mp sensor.

But wait – isn’t the brand new Sony A7Rv the best in class right now? Yes, it is. However, while it is absolutely incredible and takes things up another notch, it’s quite expensive and the megapixel count is likely not something you need..

Instead we recommend that you save your money on the body, put what’s left over towards some lenses, and get the A7iv be your go to camera for travel photography.

If you’re going for the Sony A7 series, we’ve got some bad news for you. Full frame lenses are expensive.

But if you’re considering turning your photography hobby into a profession, then this is a small sacrifice to make for the quality of photos you’ll be taking.

Trust us, if you’re buying the best camera for travel photography on the market, you’ll want to also have the best lenses to go with it.

The great thing with the Sony Alpha series is that their lenses are all interchangeable, meaning if you start out with a Sony A6600 and eventually upgrade to a Sony A7iv, you can take your old lenses and put them on the new camera (but it will have a crop factor).

Best All-Round Lens

The new FE 24-105mm f4 lens from Sony is pretty much the best all round travel zoom lens for photography.

It’s damn sharp, and with a constant aperture of f4, it means you can get excellent bokeh and decent low-light performance at any focal length.

This lens practically lives on our A7iv, as it’s so versatile, great for video and the image quality is fantastic.

The Sony 16-35mm f2.8 GM lens is one of the best wide angle lenses on the market, and when you throw it on your travel camera, you’re almost guaranteed to get fantastic shots.

Pretty much every review on photography sites raves about it, and having owned it for over three years now, we completely agree.

It’s not cheap, but to have such a fast and wide native lens for the Sony setup is pretty epic! If you want a cheaper alternative, check out the 16-35mm f4 , which is also very good.

Best Prime Lens

If you are into portrait or street photography make sure you get the FE 55mm F1.8 prime lens.

It’s very fast, very light and very sharp. And with such a good value, it may be the best prime lens that Sony makes (excluding the high-end GM series).

Owning a telephoto lens isn’t just about taking photos of wildlife or zooming in on things that are far away from you. It adds a whole new creative element known as lens compression to your arsenal.

This is the optical illusion that happens when the further you zoom into something, the bigger the background appears.

You start to get this effect from around 100mm and on, so if you’re looking for the best zoom lens to put on your Sony A7iv, consider the 70-200 f2.8 GMii lens, or the 100-400mm GM lens .

We have both of these zoom lenses, and we love love love them!

DJI Mavic Air 2 – The Best Drone for Travel

Aerial photography has gained in popularity over the last two years, and it’s easy to see why. 

Not that long ago the only way to get photos from the sky was by taking a chartered flight or helicopter.

But today just about anyone can go out, buy a drone and start taking shots from very unique angles.

The appeal is obvious. Capturing epic photos and video of landscapes from a perspective that few have ever seen before.

From the moment we bought our first drone (a DJI Phantom 4) we fell in love with it.

Good drones up until now have always been quite prohibitive when it comes to travel due to their bulky size.

The DJI Phantom series helped make it more accessible for most people, but even then it was still a commitment to travel with one.

Today the best drone for travel has finally been determined.

The DJI Mavic series is what you should be looking for when considering a travel drone.

With foldable legs and compact size, they tick all the boxes for portability.

There are a few different models to consider, and it really depends on your needs.

If you’re a professional, we recommend the DJI Mavic 2 Pro , thanks to its 1-inch Hasselblad Sensor and 360-degree collision avoidance.

But just announced is the Mavic Air 2 , and with features like 48-megapixel photo mode, panorama capabilities and 4k video, it’s the best option for anybody trying to take travel photos from the air on their next trip.

Its small size and great value makes it perfect for travel, but one thing to consider is the fixed focal length, meaning you can’t zoom in to take photos.

Note – With whatever drone you buy we highly recommend buying extra batteries. You’ll be surprised how quickly you chew through these. Check out the bundle packages from DJI (called ‘Fly More’ on the Mavics).

GoPro Max – Best 360 Travel Camera

With virtual reality becoming more and more popular, it might be no surprise that one of the best travel cameras for 2024 is actually a 360-degree camera!

These incredible little devices come with multiple cameras on one piece, managing to capture an entire scene in one shot in both photos and high definition video.

When they first came out they were very poor quality, but now they’ve improved enough that we actually travel with one full-time now.

360 cameras became popular when the Chinese company Insta360 started to bring out their affordable options, but the image quality was always pretty poor.

Then GoPro stepped onto the scene with the Fusion, and it changed the industry forever.

With all the standard great features GoPro is known for, such as being waterproof, having awesome connectivity and packing it all into compact cameras, the Fusion took things to the next level.

It did require a bit of work to use though, and the stitching wasn’t great. Plus with two SD card slots required to save media, it was just that bit too cumbersome for most photographers.

Cue the Max!

The GoPro Max took the best parts of all their cameras and threw it together into one unit with this one.

The Max, with its dual lenses on either side of the body, now uses just one SD card, making storage and management so much easier, and it has a touch LCD screen that can be used on the go.

For people looking for travel cameras that can do it all, it doesn’t just shoot in 360-degree mode.

There is their ultra-wide single perspective, and for having a small sensor, the low light shots are surprisingly good.

If you’re a travel vlogger you’ll be amazed at the quality of this! The inbuilt microphones do a great job at picking up audio while cutting out background noise, and the battery life is great.

It shoots at 5.6k video quality and 30 frames per second. You can change the pitch, yaw, field of view and angles to get the view you desire.

Even more unique, it can create 360 time-lapses and hyper lapses with a simple click. No need to pull it up in a program like Adobe Premiere Pro to make your videos any more!

Best of all it connects seamlessly to your smartphone using the GoPro app, so you can do all your editing, sticking and keyframing on the go.

When it comes to a travel camera that tries to do it all, this one is hard to beat.

That concludes our list of the best cameras for traveling. Let us know if you have any other recommendations, or if you use any of these cameras while traveling the world!

How to Choose the Best Camera for Travel 

No matter what level you are, the first piece of kit you are going to need to buy is the camera.

This can range from a cheap point-and-shoot right up to a top-of-the-line DSLR that can cost as much as a small car.

A quick visit to a camera store can leave you feeling completely overwhelmed with all the choices.

Keep on scrolling to find detailed information about each of these, and why they really are the best cameras for travel.

READ MORE: See what made the cut as the best travel tripod on the market in our expert guide!

What Features to Look for in a Travel Camera

There’s a number of different features that you need to look for when searching for the best travel camera to buy, based on your needs.

The first thing to look out for is how big and heavy a camera is.

When you’re on the road traveling, weight and space is a huge issue to overcome. You don’t want to be lugging around a heavy backpack full of gear if you don’t have to.

If you’re not a pro or a big enthusiast, we recommend checking out a compact camera or mirrorless camera, as they are smaller and more portable, while also providing decent image quality.

One thing that camera companies and salespeople like to preach about is megapixels. But what exactly does that mean?

A pixel is a tiny dot of color that you see on your computer or phone display. A megapixel is 1 million (actually 1,048,576 to be technically correct)  of those dots. So ‘24 megapixels’ so about 24 million dots of color

You may hear that more megapixels equal better quality photos, but this isn’t entirely true.

The sensor has more to do with image quality than the resolution does, but it does play a small part.

In short don’t get caught up about more buying a camera with more megapixels, unless you’re planning on printing your images on billboards.

Instead just use this guide to the best travel cameras to find out exactly what is the best choice you can afford.

One thing to consider when looking at the best travel camera is whether or not you can change the lens.

The reason this is important is that it gives you more choices down the road if you decide you want to get into different styles of photography.

A compact travel camera is most likely a fixed lens, meaning that whatever zoom range it comes with you can’t change.

A camera that you can change the lens on will let you upgrade to wide-angle lenses, a zoom lens, better maximum aperture options for low light performance, etc.

In general, if you can afford a mirrorless camera or DSLR, it’s worth buying.

A camera that allows you to change the manual settings gives you complete control over things like aperture, ISO and shutter speed.

This opens up a whole new world of creativity, and in our opinion, you shouldn’t consider a camera that doesn’t have this feature.

Luckily every recommendation on this list allows you to control those settings, even the GoPro HERO camera below!

It’s 2024 – make sure you get a camera that can shoot 4K video!

This provides much higher resolution when shooting video, and even if you don’t have a 4K monitor at home, you can always take that clip and watch it in high definition 1080p, or even crop into your footage.

Just beware that 4K video chews up your battery life, so make sure you have some spare ones!

Unless you plan on always being in perfect weather when you travel, it’s a good idea to get a camera that is either waterproof, or has good weather sealing.

Unfortunately you often have to compromise on a waterproof camera or a quality travel camera (unless you buy a GoPro), so we don’t recommend buying a camera that is fully waterproof.

Instead just make sure it has decent sealing, or look at buying an underwater housing if you want to get into underwater photography.

How far you can zoom in on a subject is very important when trying to decide the best travel camera.

If you buy a fixed lens camera, make sure it has a long zoom range, like a Canon Powershot or the Sony RX100vii.

Or if you buy a mirrorless camera or DSLR, you don’t have to worry about this as you can always upgrade later.

No matter how steady you think you are, you will almost always have a small amount of camera shake when taking handheld photos.

If you’re shooting at fast shutter speeds, this isn’t a problem. But if you’re photographing in low light, you can end up with motion blur.

Look out for cameras that have inbuilt image stabilization to counter this.

A DSLR ( digital single lens reflex ) works by having a mirror inside the camera. When you are looking through the viewfinder the mirror is down, covering the sensor, and you are looking at a reflected scene.

When you push the shutter the mirror flips up mechanically, allowing the image to be exposed onto the sensor, and then onto your SD card. All these moving parts take up room, hence why DSLRs are larger in size.

With mirrorless cameras, there are no moving parts inside. The image comes through the lens and directly onto the sensor.

There is an electronic viewfinder,  meaning you are seeing a digital copy of what you’re pointing the camera at, rather than a live view.

So without a mirror constantly flipping, the camera can be made a lot smaller. That’s why mirrorless cameras can be half the size of a DSLR.

When mirrorless cameras first came out the quality wasn’t that great. Now they are just about on par with DSLRs, and the portability means that they are the best cameras for travel photography!

In case you’re not sure what we mean, this article goes into a bit more information, but in short, we recommend getting a mirrorless camera.

The 3 most popular cameras that pros use are the Canon 5Div, the Nikon D850 and the Sony A7Riv.

For general travel videos, the kind of stuff you would publish on YouTube, we recommend the Sony RX100vii. If you’re looking to create more cinematic videos, the A6600 is the best compact travel camera for videos.

If you need the best small camera for travel, you should buy the Canon SX740HS. Compact, high quality and affordable, this little beast is a fantastic travel camera.

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Alesha and Jarryd

Hi, We’re Alesha and Jarryd!

We’ve been traveling the world together since 2008, searching for the planet’s best destinations and adventures.

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Savvy Travel Advice

Travel Photography: Best DSLR Cameras for Travel

Last updated: January 1, 2024 - Written by Jessica Norah 60 Comments

DSLR cameras are a popular camera choice for travel photographers, as they offer great battery life, excellent image quality, a wide range of lens options, and full manual controls. They allow the photographer to take a lot of control over their travel photography and are available at a wide range of price points to suit most budgets.

We’ve put together a detailed and helpful guide to the best DSLR cameras for travel. As professional travel photographers, we’ll help you decide if a DSLR camera is a good choice for you, provide advice on how to choose the best DSLR camera, and share a list of the best DSLR cameras currently available across various price points.

We also give advice on how to make the most of a new DSLR camera, point out camera accessories that may be useful, and provide tips for protecting your camera while you are traveling.

Table of Contents:

Choosing a DSLR Camera for Travel Photography

Before sharing our list of the best DSLR cameras for travel photography, we wanted to give you some advice on what a DSLR camera actually is, so you can start to decide if this type of camera is right for you.

We’re going to cover how a DSLR camera differs from other types of cameras, and why you might want to consider this sort of camera for your travel photography needs.

What is a DSLR Camera?

The abbreviation DSLR stand for “Digital Single Lens Reflex”, which is a specific type of camera that has a mirror inside the camera body and uses a digital sensor. These camera have largely replaced the film Single Lens Reflex  (SLR) cameras that were the go-to for photographers for decades. The main difference is that SLR cameras use rolls of film and DSLR cameras have a digital sensor inside instead.

Other than the change from film to digital in the storage of the image, the basic technology of this type of camera has not changed a great deal.

First, let’s explain what an SLR, or single lens reflex camera, is. The main part of an SLR (or DSLR) camera that differs from other camera types, such as compact, mirrorless, or smartphone cameras, is the fact that there is a mirror inside the camera, which sits inside the camera body between the lens and the camera sensor. If you take the lens off a DSLR camera and look into the lens mount area, you’ll see this mirror.

This mirror catches the light coming in through the camera’s lens, and reflects it up to the camera’s optical viewfinder. This viewfinder is where you put your eye when you want to compose the image.

Pressing the camera shutter button will cause the mirror to flip up and allow the light to pass through the shutter curtain and onto the camera’s sensor. This is why the optical viewfinder goes dark when you press the shutter button.

The way that a DSLR works has a number of advantages from a photography point of view. First, when you look through the optical viewfinder, you see what the camera sees, as the light you are seeing is passing through the lens. This makes things like adjusting the focus more accurate.

An optical viewfinder is also very battery efficient, as you don’t have to power a screen in order to see what the camera is seeing, as you do with other types of cameras like mirrorless cameras or point and shoot cameras.

DSLR cameras also have a number of other notable features, some of which they share with other cameras. You can change the lenses, and most of them have larger sensors than say a point and shoot camera, full manual controls, and capable performance.

The technology is also very well established, meaning that there is a wide range of DSLR cameras to choose from across a wide range of price points, as well as an extensive lens selection.

Is a DSLR Camera the Right Type of Travel Camera for Me?

Up until around 2012 or 2013, a DSLR camera was the natural choice for photographers looking to improve their photography. They offered manual controls, interchangeable lenses, and the best image quality of any camera on the market.

In 2012, however, mirrorless cameras began to become a popular alternative to a DSLR. Mirrorless cameras offer similar features to DSLR cameras, but most are smaller and more lightweight making them more appealing to consumers. Space and weight are especially important for those using their camera for travel photography.

There are still many good reasons to buy a DSLR though, which we will go into now, by comparing DSLR cameras to other types of cameras on the market today.

DSLR vs. Smartphone Camera

A DSLR camera is very different from a smartphone. You’ll get far better image quality with a DSLR than a smartphone, as well as a larger sensor, the option to change lenses, longer battery life, full manual controls, and RAW file support.

Of course, there are some disadvantages. A DSLR will be much bigger and heavier than a cell phone and it’s definitely not something you can slip into a pocket, or even a purse in most cases.

A DSLR will also be harder to use and is likely more expensive. However modern smartphones are fairly expensive and some phones are now more expensive than some DSLRs. However, as you likely already have a smartphone, getting a DSLR  will be an additional cost.

It’s worth mentioning that the latest smartphones on the market do offer some manual options, as well as clever computational technology to get the best photos with minimal user input. A few even let you shoot in RAW. So some of the smartphones with better cameras have evolved to be on par with the better compact cameras, but none are as good as having a mirrorless or DSLR camera.

So if you want to really improve your photography and take control over the process, a DSLR is definitely a better choice than a smartphone.

DSLR vs Compact Camera

Compact cameras, also known as point-and-shoot cameras, sit in the space between smartphones and mirrorless cameras / DSLR’s. Compared to smartphones, they give you the advantage of a dedicated camera system with a larger sensor, as well as other features like a decent zoom and, in some cases, more manual controls.

Compact cameras are generally easier to use than DSLR cameras and require less learning to master. They are also much smaller, more lightweight, and can often fit into a pocket or purse with no problem.

However, compact cameras do have a number of drawbacks. Unless you pay a lot of money, they usually don’t have manual controls or RAW support. Image quality is also usually not comparable to a DSLR – smaller sensors and lenses means that they can only do so much. Image quality of a compact camera will usually be on par or slightly better than a smartphone.

With a compact camera you are also stuck with the lens it comes with and you can’t choose to upgrade further down the line. Still, compact cameras do work for a lot of people, and there’s a wide choice on the market. Take a look at our recommendations for the best compact cameras for travel if you think this might be better for you.

DSLR vs. Mirrorless Camera

As previously mentioned, mirrorless cameras are rapidly becoming the go-to camera for photographers who want the advantages of a DSLR but in a lighter package.

The main difference between a mirrorless camera and a DSLR is that a mirrorless camera has no reflex mirror, meaning that you won’t find a mirrorless camera with an optical viewfinder. If there is a viewfinder, it will be electronic. Instead you will be able to see a digital preview of the image on a rear liquid crystal display (LCD) screen and/or an electronic viewfinder.

This has advantages and disadvantages. In terms of advantages, what you see on the mirrorless camera screen will be exactly what the image you capture looks like, as you are looking directly at the image as it is being recorded by the sensor.

With a DSLR, you can only see the actual captured image after you have pressed the shutter button if you are using the optical viewfinder. Although you can also use the display screen on the back of the DSLR camera for the same effect.

This advantage comes with a tradeoff though as powering that screen uses up a lot of battery, and mirrorless cameras tend to have much worse battery life than an equivalent DSLR. This can be significant, a difference between 200 to 300 shots per battery for a mirrorless camera, compared to 600 to 900 for a DSLR.

DSLR cameras are also, in many cases, larger and heavier than their mirrorless counterparts. However, this doesn’t always tell the whole story, as you have to factor in the weight of the lenses and those spare batteries you will have to carry. So whilst generally mirrorless cameras will be lighter and smaller, this isn’t always the case, especially as a package.

DSLR cameras are also, in many cases, less expensive than mirrorless cameras. The price of new technology and that additional screen has meant that mirrorless camera prices have stayed fairly high, and as a general rule, a mirrorless camera will be more expensive or at least as expensive as a DSLR.

Finally, DSLR cameras have been around for a long time, and build upon previous SLR cameras. This means that there is an incredible selection of lenses available, including first-party lenses such as those made by Canon and Nikon, and third party lenses like those from Tamron or Sigma.

This huge choice, and the massive secondhand market, means lenses for DSLR systems are often far more affordable than mirrorless camera lenses. Still, a mirrorless camera will make an excellent choice for many, so do take a look at our mirrorless camera guide  for inspiration.

Advantages of DSLR Cameras

Here are the general advantages of a DSLR camera:

• Great image quality
• Interchangeable lenses
• Wide selection of lenses and other third-party camera accessories
• Full manual controls
• Excellent battery life
• Less expensive than many mirrorless cameras
• Look professional

Disadvantages of DSLR Cameras

Here are the main disadvantages of a DSLR camera:

• Larger and heavier than smartphones, compact cameras, and most mirrorless cameras
• Higher cost than a compact camera and many smartphones
• Steeper learning curve to use compared to a smartphone or compact camera
• More noticeable and conspicuous than smaller cameras

If after reading this you are leaning more towards a different type of camera, take a look at our guides to the best compact cameras for travel , the best action cameras for travel , the best mirrorless cameras for travel , the best bridge cameras for travel , as well as our general camera guide .

If you are looking to give a gift, you can check out our guide to gifts for photographers for ideas.

What to Look for when Buying a DSLR Camera for Travel

When you are shopping for a DSLR camera (or any type of camera), you are going to quickly encounter a lot of jargon which can be overwhelming.

To help you out, we’ve put together some of the key features you should be looking out for when comparing various DSLR camera models. Some of these might be must-haves for you and other features may not be as important.

Sensor Size

One of the most important parts of any camera, be it a smartphone or a DSLR, is the sensor. This is the component which is responsible for capturing the light, and turning it into a digital image file.

In the days of SLR cameras, the sensor was a physical piece of film which reacted chemically to the light hitting it. Modern cameras have replaced this piece of film with a digital sensor, and the size of this sensor is directly related to the performance of the camera.

As a general rule, the larger the sensor, the better the camera will perform. This is especially the case when using a camera for low-light or night photography as a small sensor often can’t capture enough light to produce pleasing images in these scenarios.

Another advantage of a larger sensor is that is allows for greater depth of field effects. Of course, these larger sensors have a trade-off as they need a larger camera body to accommodate them and larger lenses to capture the light. So generally larger sensors come with larger, heavier, and more expensive cameras.

In DSLR cameras for travel photography, there are two main sensor sizes you will encounter. These are APS-C and Full Frame sensors.

APS-C Sensors

APS-C sensors are the most common sensor size in DSLR consumer cameras. The sensor size is not absolute, but is generally around the size of 24mm × 16mm.

If you are buying an entry-level to mid-range DSLR camera, the chances are it will come with a sensor of this size. Nikon calls this sensor size a “DX” sensor. Canon DSLRs with an EF-S lens mount system also use the APS-C sensor size.

Full Frame Sensors

Full frame sensors are the largest sensors available in DSLRs, with the exception of the much more expensive and bulky medium format cameras that are beyond the scope of this article (but you can see a good example of this type of camera here ).

Full frame sensors are called this because the sensor matches the size of a piece of film as found in original film SLR cameras, which measured 36mm x 24mm. This results in a surface 2.5x as large as an APS-C sized sensor.

As you can imagine, this sort of sensor is capable of capturing a lot more light, making it a great choice for low-light photography, action photography, and event photography. However, a bigger sensor both costs a great deal more, and also requires a larger camera body in order to fit it in.

One popular piece of marketing material that is often used to sell cameras of all kinds is its megapixel rating.

Of course, a megapixel is a real thing. It refers to the number of pixels that the camera captures when taking a picture, and it relates directly to the size of the image. As an example, if an image is 5000 pixels wide and 4000 pixels high, then it will be 20 million pixels (5000 times 4000). The million is denoted as mega so this would be a 20 megapixel, or 20 MP image.

Megapixels are particularly important if you are planning on printing your work. Higher megapixel values let you print your photos at larger sizes, and will produce higher quality prints. As an example, for an 8 inch x 10 inch print, you would usually want at least a 7.2 megapixel image.

The reality of course is that most people don’t print very many photos and they are primarily used and viewed on social media, websites, email, and as screensavers, where they won’t ever be displayed at greater than around 2000px. Most websites and social media sites display images at 800px or less. In these cases, even a 4 megapixel image (2000px x 2000px) will do!

Although megapixels do matter to a certain point, unless you are planning on selling your photos, having them printed to a large scale format, or think you will be cropping a lot of your images significantly (this happens often in the case of wildlife photography and sports photography), then you don’t need to worry too much about the number of megapixels. Anything at 12 megapixels or above is going to be fine for the majority of the average traveler’s uses.

Image Stabilization

The majority of travel photography has us holding our cameras in our hands and shooting “handheld”. For most situations this is fine, however if there is insufficient light available, images can turn out blurry thanks to our inability to hold our hands entirely still.

One option of course is to invest in a tripod which is a great option for travel photography anyway. If you are interested in getting a tripod, see our guide to travel tripods for inspiration.

Of course, it’s not always practical to carry a tripod around, especially when traveling. So to help with this issue, camera manufacturers often implement something called “image stabilization” into their camera technology.

Image stabilization, as the name suggests, is a way to compensate for the small movements of your camera in your hands, when shooting at slower shutter speeds. The stabilization can’t work miracles, but it can help, often letting you hand hold your camera and achieve sharp results at shutter speeds as slow as 1/8th of a second.

Different manufacturers have different approaches and technologies for image stabilization, with some offering this in the body of the camera itself, often with the sensor itself stabilized inside the camera. Other camera manufacturers offer this functionality in their lenses, either instead of or as well as in the camera bodies.

At the time of writing the majority of DSLR cameras do not offer in-body image stabilization, instead the technology is available in many of the lenses. This reduces the price of the camera body, and then leaves you the choice as to whether or not you need the feature when you come to purchase the lens.

Size & Weight of DSLR Cameras

The main criticism of DSLR cameras is that they are bulkier and heavier than most other camera types, and to be honest, this is a fairly valid criticism for the most part.

Fitting a mirror that flips up inside the camera body just takes up more space, and the larger sensors inside a DSLR have to go somewhere. Essentially, there’s just no way to downsize a DSLR beyond a certain point.

This said, camera manufacturers have been working wonders with DSLR cameras, taking advantage of lighter weight materials and technological advances to squeeze more kit into less space. So a DSLR camera might not take up as much weight or space as you imagine—you just have to find the one that is right for you!

The weight of a DSLR camera body goes from the lowest at around 14 ounces (396 grams) to about 36 ounces (1,020 grams), with most falling somewhere in between that range. So there is a lot of variation in weight.

Of course one then needs to add the weight of the lens and accessories to that number as lenses, in particular, can add a lot of weight to your camera setup. So you also need to consider the lenses you plan to use with the camera body when trying to determine weight and bulk.

We list the weight for each of the recommended DSLR cameras as per Camera & Imaging Products Association (CIPA) standards. We include the approximate weight of the camera body with the camera battery and memory card.

Lens Compatibility & Availability

One of the best things about buying a DSLR camera is that there will be an incredible lens selection to choose from, both new and secondhand. There are many more lens choices available for DSLRs than for mirrorless cameras.

DSLR cameras have been around for a long time now (late 1970s), which has given manufacturers a lot of time to develop a wide range of lenses. For the biggest names in DSLR’s, Nikon and Canon, it’s no stretch to say that there are literally hundreds of lenses to choose from for each system.

The main thing to remember when buying a camera with interchangeable lenses is that it will have a specific lens mount, and you will be restricted to lenses that have that lens mount. For example, Canon DSLR cameras have two types of lens mount “EF-S” and “EF”. The majority of Canon’s consumer cameras are “EF-S” mount, which means they can accept both “EF-S” and “EF” lenses.

However, their full frame cameras, such as the Canon 6D Mark II or the 5D Mark IV, are “EF” mount lenses, which only accept “EF” lenses.

Before you buy your camera, it’s important to also consider the lens you want to buy with it, or might want in the future, to ensure the camera system you are investing in will support your photography needs going forward. To be honest, with the major players in the DSLR industry, this will not be a problem as there are so many lenses to choose from.

Whilst this can make picking a lens tricky, it also means that there’s really something to suit every budget and need. If you know what camera system you want and need help picking our lenses, you can see our guide to the best lenses for travel photography .

If you already own a DSLR camera and have existing lenses, staying with the same manufacturer is generally a good idea. As this will likely mean that you can keep using your existing lenses, which can save you a lot of money compared to switching to a whole new system.

Manual Controls

DSLR cameras are designed for photographers who want to have full control over their photography, so they all come with full manual controls and the ability to shoot in RAW photo format  so you can fully edit your photos. DSLRs give photographers as much control as possible and allow for almost any type of photography.

However, not all cameras are equal in terms of controls, with a variety of buttons, dials, and menu designs. We, for example, shoot with Canon DSLR cameras, which is a system we have gotten used to over many years. Even though we are professional photographers, we still find it hard to navigate the Nikon DSLR interface and set up a Nikon camera to do what we want since we are not used to it.

Certainly, every individual will vary, but it is worth considering the camera interface and controls as part of your purchasing decision. So if you are already familiar with a system of cameras (e.g., Nikon or Canon) and liked the camera interface, you’ll have less learning to do if you stick with the same manufacturer.

If you are new to cameras, this will probably matter very little in choosing a camera, as you will learn the system of the camera you purchase.

Video Features

One of the nice things about digital sensors is that as well as being used to take photographs, they can also be used to shoot videos. Most can create videos, but they vary in the quality and video features, such as whether it has 4K video support.

Whilst this guide is all about travel photography, if you are interested in video, make sure that the camera you are buying supports any video features you want.

In terms of features, image stabilization, as described above, is also something to be aware of when shooting video, as this feature can help smooth out micro jitters if you are shooting video hand held.

WiFi / GPS / Bluetooth

Modern cameras have to do a lot to stand out in a crowded market, and one way that manufacturers seek to differentiate their models from each other is by adding various features.

Recently for example, many new DSLR cameras come with features like WiFi and Bluetooth connectivity. This allows you to do things like remote control the camera from your smartphone, which can be great for getting shots remotely. You can also copy images to your smartphone or computer without needing a cable for sharing on social media.

Other features that a camera may come with include GPS, for location tagging (we find this to be a fantastic feature), electronic level indicators, and so on.

These sorts of features don’t affect image quality so how useful you find each of these features is of course up to your needs, but it’s always worth knowing about them.

Battery Life

DSLR cameras tend to have excellent battery life, but that isn’t to say that this is a universal feature, or that all DSLR cameras are created equal when it comes to battery life.

Generally, you’ll want a camera that offers a least 600 – 700 shots of battery life from a single charge.

Note that most photographers use the optical viewfinder when taking photos with a DSLR, but if you are using the rear display screen a lot, this will take up more battery to power the screen. It’s also worth noting that running features like GPS or WiFi can significantly impact battery life, so you will want to keep this in mind if you choose to use these features.

Image Burst Speed

A camera’s burst speed refers to the number of pictures it can take in sequence if you hold down the shutter button. This speed is most commonly given in either number of images per second, or frames per second (fps).

As technology has improved, the burst rates of cameras has increased, with many modern cameras able to shoot bursts of 10fps to 15fps. Note that this likely won’t be sustained over time as the camera will have an on-board memory buffer that will fill up. So it is good to also check the maximum number of images it can shoot at that burst speed.

Burst speed is particularly important for action photography, but it also serves as a good indicator of the camera’s overall processing ability and speed, so is a good number to know. The higher the burst rate, the better.

Weather Sealing / Dust Sealing

Finally, in your list of things to look out for when buying a DSLR camera, is whether or not it offers any kind of weather proofing or dust sealing.

While weather sealing does not make the camera waterproof, a weather-sealed camera will have a number of features that can help prevent water getting inside if you are out in the rain and make it more water-resistant. These usually include rubber seals around the ports and lens mounts. These same seals also help stop dust and other particles from getting into the camera.

Weather sealing is usually found on more premium cameras, and especially those designed for professional use. If it is a feature that is important to you, make sure you purchase both a weather-sealed camera body and weather-sealed lenses, as the whole system has to work together as a single unit to stop water or dust getting in.

The Best DSLR Camera for Travel Photography

Having given you an overview of DSLR cameras and a run down of some of the key specifications and features to look for, we’re now going to go through what we think are the best DSLR cameras for travel photography.

This list is ordered by price, from least expensive to most expensive, and contains, we think, some of the best DSLR cameras on the market today. For each camera, we’ll explain its key strengths, and why we’ve chosen to include it on the list.

We’ve started at around USD $450 for a DSLR camera in this list. We feel that this is the lowest you should pay for a new digital SLR with an included lens (or around USD $325 for the camera body only). If your budget is much less than this, we’d recommend waiting and saving up to invest in a DSLR..

If your budget is lower, then you might also consider either a second-hand camera or a certified refurbished model. You can see our guide to buying used cameras and photography gear for tips. Or you might consider using a quality smartphone camera or investing in a mid to higher end point and shoot camera . We would suggest these options would be preferable to investing in a DSLR camera that may not perform well.

Most cameras in this list come with the option to include a lens as part of a bundle, and this is often referred to as a kit lens. This can be a good deal, especially as a starting point, and for the entry level cameras in this list (priced up to around USD $700), we have included the kit lens as we feel this is the most sensible option.

Up until a few years ago most kit lenses were of poorer quality, but manufacturers have upped their game somewhat in this area, and the kit lens is often a great starter lens for those looking to get into more advanced digital photography without spending huge amounts up front.

If you are going to spend more than around USD $700 on a more professional grade camera, we suggest choosing and buying your specific lens separately. That way, you have more control over the specific lenses you purchase so you can get the type of lenses you need most. We suggest you check out our guide to the best camera lenses , which includes choices for the most popular DSLR systems.

If you are looking for an entry-level DSLR camera, we’d recommend checking out cameras 1 to 7, mid-range 7 to 12, and professional 11 to 14. 

Here is Laurence’s list of the best DSLR cameras for travel photography (ordered by price, lowest to highest):

1. Canon EOS Rebel T7 (EOS 2000D)

Like its main competitor Nikon, Canon has a fairly bewildering array of DSLR cameras across their whole range. The Rebel T7 (known as the EOS 2000D in Europe) is one of their entry-level models, and you get quite a bit of camera for not a lot of money with this model.

Featuring a 24MP sensor, WiFi connectivity, and an ISO range up to 6400, it gives you all the control you need at a budget price point. Burst speeds aren’t great at 3fps, but it’s hard to argue with the price. To be honest though, we would likely lean towards either a slightly more expensive Canon, or the Nikon below if you are manufacturer agnostic.

Weight: ~ 16.7 oz / 475 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

2. Nikon D3500

The low price in Nikon’s entry-level DSLR is certainly no indicator of quality, as the Nikon D3500 has features that only a few years previously would have made this a premium camera.

With a 24.2MP DX sensor, 5fps shooting, and an impressive 1200 shot battery life, the Nikon D3500 has some great specs. It also features bluetooth connectivity so you can connect your smartphone, and the 18-55mm kit lens has image stabilization (Nikon calls this VR). This camera is a great starter option.

It’s also remarkably small and lightweight for a DSLR camera, although it is missing some features such as a touchscreen, which is to be expected at this price point.

If you really want to save money, this camera’s predecessors (the D3300 and D3400 ) has nearly the same features, but can be picked up for as low as USD $300 if you shop around. The D3500 does have better battery life and is lighter than the older models though.

Weight: ~ 14.6 oz / 414 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

3. Canon EOS Rebel SL3 (EOS 250D)

Compared to the Canon Rebel T7, the Rebel SL3 (known as the EOS 250D in Europe) has a faster processor, higher resolution 24.2MP sensor, moveable touchscreen, and faster burst speed (5fps). It also has a better battery life (1,630 shots). Notably, it also includes support for 4K video.

If you can afford the jump in price from the Rebel T7, we can highly recommend the SL3 as one of the best entry-level Canon DSLR cameras on the market today. It’s also slightly lighter and more compact than the T6, and is one of the smallest DSLR cameras with a moveable touchscreen and 4K support on the market today.

Note, the SL3 replaced the EOS SL2 camera , our previous pick on this list, in April 2019. As a result, expect to see prices come down on the SL2, meaning you might be able to get a great deal. The SL2 has very similar specifications, and the same sensor, but it has a shorter battery life (around 650 shots), and no 4K support.

Weight: ~ 15.84 oz / 449 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

4. Pentax K-70

Our list of the best DSLR cameras for travel are dominated by Canon and Nikon cameras which is simply because they tend to have the best DSLR cameras, and have been leading the market for decades. However, they are not the only players in the game, and the Pentax K-70 is certainly a good contender.

It also has a vari-angle LCD screen (not a touchscreen), is fully weather sealed (a feature not usually found on entry level cameras!), features a 24.2MP APS-C sized sensor, and an ISO that ranges up to 102,400.

The Pentax K70 is an excellent contender, with some fantastic features at this price point. Just be aware that Pentax does not have the huge range of lenses available to Canon and Nikon systems.

Weight: ~ 24.2 oz / 688 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

5. Nikon D5600

Nikon has three main ranges of consumer digital SLR cameras – the D3xxx, the D5xxx, and the D7xxx. Prices and features steadily increase between each range, and a new model number is released every one or two years to keep the range in each series fresh.

The D5600 features a 24.2Mp sensor, a touch interface moveable screen, good autofocus performance, Wi-Fi, NFC and bluetooth connectivity, and a battery life with an 820 shot capacity. Certainly an excellent entry to mid-range DSLR to consider.

Weight: ~ 16.4 oz / 464 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

6. Canon Rebel T8i (EOS 850D)

At the current top end of Canon’s Rebel series, the T8i (EOS 850D in Europe) offers a number of features to make it worth your consideration.

All this said however, it’s not as much of an upgrade compared to Nikon’s D5600, which offers pretty much the same feature set at a lower price. The Canon does have a nicer screen and slightly faster autofocus, but the Nikon has slightly better low light performance.

Weight: ~ 18.17 oz / 515 g (camera body with battery & memory card) Price: Check price on Amazon here , and B&H here

7. Pentax KP

As mentioned earlier, Canon and Nikon are two massive players in the DSLR camera space who tend to dominate best-of lists, but Pentax has some great well-priced and competitive options, including the Pentax KP.

The Pentax KP is a solid choice for a DSLR, offering in-body image stabilization, a 24MP sensor, a tilting LCD screen (not a touchscreen), 7fps burst shooting, and a very high 819,200 maximum ISO. It’s also got a fully weather sealed body.

Battery life isn’t ideal at under 400 shots, and it’s relatively heavy, but it gets many positive remarks about its high build quality and excellent image quality, especially when shooting at higher ISOs.

If you aren’t committed to a Canon or Nikon purchase, and you are happy with the available lens choices, this is definitely a contender.

Weight: ~ 24.8 oz / 703 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

8. Canon EOS 90D

We’re now moving into enthusiast territory, with camera costs starting at around USD $1,000 without a lens. Most of these will have the option of including a lens in your initial purchase; however, for comparison sake all these “prosumer”, mid-level, and professional level cameras will be listed at cost without a lens.

The first camera in this segment is the Canon EOS 90D. This features a 32.5MP APS-C sized sensor, movable touchscreen, fast autofocus, a weather sealed body, and 10fps burst shooting capabilities. This is quite an upgrade over our previous pick and the camera it replaces, the EOS 80D.

The EOS 90D is a very capable camera, and is certainly a step up from the more consumer oriented offerings in Canon’s range, although you do start to pay more for this level of camera.

Weight: ~ 24.6 oz / 701 g  (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

9. Canon EOS 7D Mark II

The Canon 7D has long been the Canon wildlife and action camera of choice, offering a number of features that make it stand out for this style of photography. In particular, it has a large number of autofocus points, a dedicated autofocus point selection joystick, a fast 10fps burst shooting rate, and excellent subject tracking capabilities.

The LCD is not a touchscreen, but it does have built-in GPS and WiFi, and a battery life of 670 shots. The sensor is a 20MP APS-C size.

For wildlife and action photographers, this is a Canon camera to consider as this camera has many ideal features for quick focus and capturing moving subjects.

Weight: ~ 32 oz / 910 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

10. Nikon D7500

With a weather-sealed body, tilting touchscreen, 51 point Autofocus system, 8fps burst rate and support for 4K video, the Nikon D7500 is a serious contender at this price point.

The main competition to the Nikon D7500 around this price point is the aforementioned Canon 7D Mark 2. The Canon camera doesn’t offer a touchscreen or 4K video support and has a lower maximum ISO rating. However it has slightly faster burst imaging and a better autofocus system.

Both cameras are weather sealed, but the Nikon is significantly lighter, and offers better battery life, rated up to 950 shots from a single battery.

As you can see the Nikon D7500 and Canon 7d Mark II both have their pros and cons, so it will ultimately come down to personal preference as to which you prefer.

Weight: ~ 25.4 oz / 720 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

11. Canon EOS 6D Mark II

The Canon 6D range is Laurence’s personal favorite DSLR camera for travel photography. He is a long-term Canon user, and this camera has everything he needs from a travel camera.

This camera also has built-in GPS, which we find essential for keeping track of where all our photos were taken, as well as a weather-sealed body, tilting touchscreen, and a remarkably compact and lightweight design considering the large sensor. It’s also incredibly well priced for a full frame camera, and the battery is rated for up to 1200 shots.

It also offers a burst photography speed of 6.5fps, a significant upgrade from the original 6D. ISO support ranges up to 102,400, and the full frame sensor is 26.2MP in size.

This is the primary camera we use as travel photographers and we own two of the bodies so we can both use the same camera at the same time and swap lenses. You can see our full list of photography gear if you want to find out more about what cameras and accessories we are currently using.

Weight: ~ 27 oz / 765 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

12. Nikon D750

It’s time for Nikon’s entry-level full frame camera, which sits in competition to Canon’s 6D Mark II—the Nikon D750.

With a 24.3MP FX (Nikon’s name for full frame) sensor, this is an excellent camera. You get a tilting touchscreen, excellent low-light performance, 6.5fps burst performance, ISO up to 51,200, and built-in WiFi.

The camera is also weather sealed and offers a 1,230 shot battery life as well as a good autofocus system. Like the 6D Mark II, video is limited to 1080p.

It is slightly larger than the 6D Mark II and has no built-in GPS. However, both are excellent cameras, and the decision will likely come down to which camera system you feel most comfortable with.

Weight: ~ 29.63 oz / 840 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

13. Canon EOS 5D Mark IV

We’re now stepping up to the more flagship DSLR cameras available on the market today. Although there are “better” cameras out there, which are a bit more specialist, the two cameras at the top of our list from Nikon and Canon are widely regarded as the go-to workhorse cameras of photographers of all types.

First up, Canon’s contender is the EOS 5D Mark IV. As the name suggests, this is the fourth iteration of this camera model, which has been a stalwart camera in the professional photographer’s bag for a long time now.

The 5D Mark IV offers a 30.4 megapixel full frame sensor with 61 autofocus points, ISO support up to 102,400, 4K video support, a touchscreen, weather-sealing, fast autofocus, 7fps burst shooting speed, built in WiFi and GPS, and image quality that is ranked amongst some of the best available.

It’s a definite price jump from the 6D Mark II, which we think will work fine for most travel photographers, but if you need the extra features, this is an awesome bit of kit.

Weight: ~ 31.4 oz / 890 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

14. Nikon D850

With a massive 45.7MP sensor, 9fps burst shooting rate, a tilting high-resolution touchscreen, 153 autofocus points, weather sealing, and 4k video support, Nikon’s professional level camera has a lot going for it.

That sensor in particular has been roundly praised as being one of the best in the market, offering a wide dynamic range and excellent low-light performance.

There’s no on-board GPS, and it is slightly heavier and more expensive than the Canon 5D Mark IV. The D850 may have a slight edge over the Canon 5D, but it is a bit more expensive too. Both are excellent professional-level camera choices.

Weight: ~ 35.45 oz / 1005 g (camera body with battery & memory card) Price: Check price on Amazon here , B&H here , and Adorama here

**You can also see all the DSLR cameras we recommend above in a  single page on Amazon here  with current prices for a handy reference.**

Tips for Taking the Best Photos with a DSLR Camera

Hopefully by now you have a better idea of which DSLR camera is going to be best for you, your travels, and your budget. Of course, a camera isn’t everything when it comes to photography. Getting a great photo comes down mostly to the operator (that’s you!) of the camera rather than the camera itself.

With that in mind, we wanted to share some tips to help you get the most out of your DSLR camera.

Learn about composition

Photography is all about composition. What’s composition you ask? Composition is the art of placing your subjects in a way that is visually pleasing to people looking at your image. It is important not only in photography but in most forms of visual art and it is a skill that artists have been practicing for centuries.

A well composed photo is a photo where the subject is clear to your viewer, and is one that people will enjoy looking at. There are various techniques that you can use to compose great images, such as the rule of thirds, leading lines, use of color, symmetry, and more.

As you might imagine, composition is a lengthy topic, and one that deserves its own post. Which we have written! Check out our  guide to photography composition for some ideas on how to compose a great photo.

Learn how to use your DSLR camera properly

A common mistake that many people make when transitioning from a smartphone or point-and-shoot camera to a DSLR is believing that the camera will automatically take better photos.

This could not be further from the truth. Whereas a DSLR is capable of taking far superior photos to a smartphone or compact cameras, it is a much more complex piece of equipment and takes more time to learn how to use it properly. If you leave it in auto, you might find that the images you are getting are the same or even worse than those taken with your smartphone!

This is because a smartphone camera has a lot of software that exists to do photography for you. With a smartphone or compact camera set to auto, all you have to do is compose a great shot, and the software will figure out things like exposure, shutter speed, and ISO for you. This may not get you the best photo, but it generally gives you a good photo.

A DSLR, in most cases, is designed to give you more control over these aspects of photography. This means that you will have to learn how to use it to get the most out of it.

A good place to start is to read over your camera’s user’s guide, although don’t worry if you don’t understand everything or know what every button does. The main thing you’ll want to learn is how to control the exposure, or how bright / dark the image is, which you do by adjusting the camera’s shutter speed, aperture, and ISO.

You’ll also want to learn the different focus modes on your camera and how to control those, as well as other features like subject tracking, control of the flash, and more. We have a beginner’s guide for new DSLR camera users that can help walk you through the main functions, settings, and accessories for your new camera.

Nearly every camera will have various guides and videos online that you can search for, and reading these in collaboration with an online photography course will have you handling your camera like a pro in no time.

Learn how to edit your photos

One of the major advantages that a DSLR camera has over a smartphone or basic compact camera, is that you can shoot in RAW (see our guide to RAW in photography here ).

RAW is an uncompressed file format where all the data that the camera records when it captures an image is saved to the memory card. It’s sort of the equivalent to a film negative, and it contains a great deal of image information that other formats, like JPEG, lose. It is important to note that RAW files also take up more memory than JPEG or JPG files.

The downside to RAW is that you have to edit the photos to make them useable, as RAW files aren’t supported by web browsers. Instead, you need to open the RAW file in your editing software, apply the changes you want to make, and then save the file in a friendlier format like JPG.

Our go-to recommended editing software for RAW files is  Adobe PhotoShop Lightroom . This takes a bit of time to master, but will help you get the best results from your images. Adobe software also allows you to sort, label, and organize your images.

There are also free online photo editors that can handle RAW files, plus your camera should come with software that will let you edit the files your camera produces. Some phone apps like Snapseed (see our list of favorite travel apps ) can edit certain types of RAW files on the go as well. But eventually we recommend getting and learning to use a more powerful software like Adobe Lightroom.

You can see our guide to photo editing software and apps for a list and comparison of current options so you can decide which is best for you.

Consider getting some DSLR camera accessories

As with every device, there are some accessories that we think are worth investing in to help with your photography.

• Extra batteries. Whilst DSLR cameras are not as battery hungry as a mirrorless camera, there’s nothing worse than your battery going flat before you are done shooting for the day. Your camera probably comes with one battery, and we always recommend packing a spare.
• Memory cards. You’ll definitely need a memory card for your camera, although sometimes you can buy a camera as part of a bundle with a memory card included. We generally recommend having at least 2 with you as if one is full or if something goes wrong with one, you have a spare. We personally use and recommend  these memory cards, but you have a lot of options.
• A camera bag. You’ll definitely want some sort of protection for your camera and lenses, especially when traveling. We recommend investing in a dedicated camera bag as these have the necessary padding to keep your equipment safe. We also suggest you get one that is a little larger than your camera and main lens, so you store a few other things in such as your spare batteries, memory cards, lens cleaners, and things like that. Here are some camera bag options to consider.
• Lenses. If you buy your camera without a lens, you are definitely going to want a lens or two to get you started. There’s a massive choice of lenses out there, so we suggest you have a read through our lenses guide for tips on purchasing new lenses for your camera. If you have a question about a lens for a particular camera, feel free to ask it in the Comments section below.
• Weather protection. We often encounter less than ideal weather while traveling. In these cases, you’re going to want to make sure you have either  a waterproof case or bag to keep your gear dry in between uses, and a large Ziploc bag or dry bag can work in a pinch. You might even consider investing in a weatherproof sleeve  so you can keep shooting even if the weather is terrible.
• UV filter. We usually have a clear UV filter on our lenses to help protect the glass from bumps and scratches. This doesn’t affect image quality but is used to help protect the lens itself from damage. These should not be confused with neutral density filters , which change the amount of light hitting your sensor.
• Camera strap. Whilst most cameras will come with a strap, we find that an upgraded camera strap makes for a much better carrying experience, as the manufacturer straps often are not super comfortable or appealing. We use and love our Peak Design straps  which we use with both our mirrorless and DSLR cameras.
• Lens clothes / cleaners. We seem to be always wiping away a smudge or a bit of lint from our cameras and lenses, especially our cameras with interchangeable lenses. So we always have a couple of microfiber clothes and a blower/brush  tucked away in our camera bag. Just be very careful of what you use to clean optics with, especially if you need to use liquid cleaner.
• Tripod. If you are serious about your photography, you should consider investing in a tripod. This can help you shoot in low light conditions, capture  better photos of yourself , do more advanced techniques, and take better couple photos when traveling. Although a bulky tripod is not ideal for traveling, you can get a foldable mini-tripod like this one  that can fit into a larger purse or backpack. We have a travel tripod guide  to help you explore your options.

Take a photography workshop or course

Like any skill, photography takes time and practice to master. Photography can also be a fairly complicated skill to fully grasp, as there are multiple elements to consider, from learning how to compose a photo, to understanding how to properly use a camera, through to editing a RAW file.

With this in mind, we can definitely recommend that you look at the options you have for improving your skills. These can be as simple as doing a Google search for a specific issue through to more structured learning options like finding a photography book, taking a local photography workshop, or signing up for an online photography course.

With regards to the last, Laurence has actually created an  online travel photography course  to help everyone improve their photography, whatever their level. So far he has had over 1,000 budding photographers sign up to his course.

Laurence’s online photography course allows you to learn at your own pace while getting personalized feedback. It will teach you everything you need to know about taking better photos, from mastering your gear to editing your photos. It’s literally a one-stop shop with no upsells that has everything you could ever need to know about photography in one place. It starts with the basic concepts of photography and moves to more advanced content and photography techniques.

Whether you decide to take a course or not, one thing that is critically important is that you practice a lot. Practice makes perfect, and this is definitely true for photography. Identify as many opportunities as you can to use your camera and take it with you, and before you know it, your skill level will increase!

And that’s it for our advice on choosing the best DSLR camera for travel! We hope you found it useful. As always, we love to hear your feedback and questions, just let us know your thoughts in the comments below!

Interested in a new DSLR camera? PIN this guide on Pinterest to read later:

Do you have any of your own tips or advice on choosing or using a DSLR camera? Have a questions about DSLR cameras or travel photography? If so, just let us know in the comments below!

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Ritik Patidar Post author

October 19, 2023 at 1:14 am

nice post. Thank you for posting something like this, I am looking for a DSLR camera in India and this has been very helpful in my search.

Jessica & Laurence Norah Post author

October 19, 2023 at 8:42 am

You are very welcome and just let us know if you have any questions as you search for a DSLR camera for travel!

Best, Jessica

Brad Post author

September 27, 2023 at 5:49 am

Looking for some thoughts on a new DSLR camera. I love my DSLR (old Canon Rebel model) and taking photos with it while traveling! It has completely changed how I look at new places. But mine is getting pretty long in the tooth and looking for a newer model, and something to recommend to my better half for the holidays. What would you recommend in the $750 range? Prefer Canon (since already have lenses, but only 2) but willing to sell my lenses and consider learning a new brand if a better upgrade in quality. I mainly use it for travel and when we go camping or have family gatherings.

September 28, 2023 at 7:24 pm

So in terms of DSLR Canon cameras in that price range I would suggest looking at the Canon EOS Rebel T8i (also known as Canon EOS 850D). You should be able to get the camera body new around that price, and if you get a used one, you can get both a camera and a lens for that price.

I would also probably recommend considering a mirrorless camera as that is the direction that the industry is going and fewer and fewer DSLR cameras and lenses are being produced. The advantage is going to be much improved autofocus, the fact that what you see through the viewfinder is exactly what you get when you press the button, and an overall smaller and lighter camera (great for travel!). We switched our main camera from a DSLR to a mirrorless Canon a couple of years ago and although we still use our DLSRs, the mirrorless has become my primary camera.

If you do consider a mirrorless camera and stick to Canon, there’s also the benefit that you can use a Canon adaptor and continue to use your existing Canon lenses. It will also be fairly familiar to use as the Canon buttons and menus tend to remain fairly similar between models. At your price point for a mirrorless camera, we’d recommend the Canon EOS R50 , which should give you some great results, and the autofocus system in particular will be a big improvement over your current camera!

Hope that helps, and just let us know if you have further questions as you search for a new camera!

Best, Laurence & Jessica

Mike Durrans Post author

May 14, 2023 at 10:58 am

Hi Guys, The problem these days — Lightroom has gone to a monthly subscription and it is not worth the money for Amateurs, I now suggest to people starting to use Affinity Photo 2 much more value for money !

May 16, 2023 at 9:48 am

Yes, I do think that Adobe Photoshop Lightroom can be too pricey for amateur photographers as you note, especially those who don’t use it a lot or need all the more advanced features. Affinity is definitely one option that is much more budget friendly and doesn’t require a monthly or annual subscription. However, we tend to recommend others before that one, especially if you want something more similar to Lightroom without a monthly subscription, specifically Skylum’s Luminar NEO or On1 Photo RAW .

This article which compares photo editing software should be helpful in reviewing a lot of the options out there!

Hope that helps! Jessica

Anita Moore Post author

March 25, 2023 at 2:31 pm

Hi, ive been a nikon user for a while. Looking for a personal camera to travel. I was thinking of the nikon z50. What are your thoughts. My big wish is for a lighter camera. I use a nikon d7200 and for personal use i want somethinglighter.

March 26, 2023 at 8:28 am

So the Nikon Z50 camera is definitely going to be lighter than the D7200, in fact it’s almost half the weight being 11oz lighter. However, do bear in mind that a lot of the weight comes from the lenses, so that will be a consideration.

The advantage of staying with an existing system is that you should be able to use your existing lenses on the Z50 with the Nikon adaptor, and you will be familiar with the menu system as Nikon cameras are all fairly similar, even when switching from DSLR to mirrorless.

More generally, the Nikon Z50 is an excellent performer. It’s versatile, you will notice faster shooting speeds as well as improved autofocus performance with features like eye focus tracking compared to your D7200. So I think you will be happy with the choice.

Hope that helps! Laurence

Amy Post author

June 7, 2022 at 9:44 am

Hi! This is a fantastic article. Thanks for providing such helpful advice as I’m educating myself. I’m looking to buy a camera for my travels, as I love sharing photos in prints to friends, family, and basically anyone who asks for them. I would appreciate very much your recommendations! Would this be possible?

-I’m hoping to own a camera that will last for years so durability matters. But I’m not sure if this is realistic given the rapidly changing technology? -My budget is flexible. -Lightweight and compact -I’d like to use it for nighttime shooting as well -> so perhaps a bigger sensor?

June 7, 2022 at 4:16 pm

Glad you enjoyed our article on DSLR cameras for travel. Yes, we are happy to try to help you find a camera.

Cameras can last a long time if you take good care of it and get it serviced/cleaned as needed. The biggest thing I would think about is that you choose a brand and a camera that has a wide selection of lenses available. This will make sure that you have a wide variety of lenses and will be able to get lenses, whether new or used, for years to come. In terms of brands, Canon, Nikon, and Sony would be the three I would recommend.

If you are considering a DSLR, I would also probably consider a mirrorless camera. Mirrorless cameras are the type of camera that most brands are leaning more towards and are making more new lenses for. Another advantage is that they have the electronic viewfinder which means you see what you are getting when you shoot which can be easier to use if you haven’t had prior cameras.

So the bigger your sensor, generally the bigger and heavier the camera….so you will need to weigh the two factors. There is no perfect camera.

Based on your request for a camera that would produce good quality photos for printing and be good at nighttime shooting, where a larger sensor would be beneficial, I’d recommend:

– Sony A7C mirrorless – Canon EOS R6 – Canon EOS R7 (more compact than the R6 but has a smaller sensor)

If you want to stick with DSLR cameras, then the Canon EOS 6D Mark II is a great option with good low-light performance. This is our favorite DSLR for travel and we have used it for many years.

Hopefully that will help you get started with selecting a camera. If you have further questions, happy to help further.

If this is your first camera like this, it might be helpful to take a workshop or course to help you get the most of it. Things like nighttime photography can take some practice. Laurence runs an online travel photography class that might be helpful.

Kathy Post author

May 2, 2022 at 8:07 pm

Hello, I’ve spent tons of time looking for information on a good beginner travel camera and your site has been the most helpful by far. We’re going on a safari trip to Kenya and Tanzania in August which is what prompted this search. I’m leaning toward the Nikon 3500 or 5600, but also still considering the Canon Rebel SL3. I want something lightweight and easy to use and would like to have a lens that will “do it all” and not have to switch out lenses while traveling. What do you recommend? After this trip the camera will mostly be used for event and family pictures and some additional, but less adventurous travelling. Thanks so much for sharing so much good info in a way that a newbie can understand.

May 3, 2022 at 3:50 am

Very happy to hear that you are finding our DSLR cameras for travel and our other camera guides helpful in finding a new camera! We were just in Kenya and Tanzania a few months ago – you are going to have a wonderful time.

So both the Nikon cameras you mention would be a good choice. The Nikon D3500 is slightly lighter and less expensive. It also has longer battery life. The D5600 has a slighty better focus system and the addition of a tilting touch screen. They both have the same sensor, so image quality will be the same – so really the decision is whether a tilting touchscreen is worth it for you. Personally, I would opt for it, but it’s a personal decision and may depend on your budget.

The Canon SL3 is also a great camera, but there’s not a huge difference between it and the D5600 in terms of performance. So there are no real significant advantages one way or the other, so it comes down more to if you prefer Canon or Nikon. Really it would come down to if you prefer the feel of one over the other, as the images from both will be similar.

You can also pick up lenses for either camera type which would work as a “do-it-all lens”. For Nikon for example there is the Nikon 18-300mm f/3.5-6.3G VR II or the Tamron 18-400mm F/3.5-6.3 DI-II VC , both of which should cover all the focal lengths you need. Similar lenses are also available for the Canon. You would just want a zoom lens that can go up to at least 200mm for a safari.

You might also want to check out our guide to safari cameras specifically, which has lots more options and ideas to consider. But I think those that you have identified would work well for what you want.

Also once you have chosen a camera, we have a post on safari photography tips that may be useful before you head off to Africa.

Hope that helps, and just let us know if you have any further questions!

Best, Laurence

Regina Post author

April 12, 2022 at 1:22 am

Honestly, this is is my first time giving a comment to a blog and that’s because you really impressed me on how simple and clear you explained the details, especially for a complete beginner like me. I can feel how genuine and passionate you are in sharing your knowledge about photography. I will definitely read more of your articles. I can’t wait to learn more from you!

Thank you so much!

April 12, 2022 at 6:45 am

Thanks for taking the time to comment and glad you found our DSLR camera guide helpful. If you have any questions about DSLR cameras or photography, just let us know and happy to try to help and provide advice.

Sajida Ali Post author

November 23, 2021 at 6:59 am

Thanks for sharing the post. I came to know new things about DSLR camera. Keep posting. Please let me know for the upcoming Posts.

November 24, 2021 at 1:44 pm

Glad you found our article helpful, and just let us know if you have any questions about DSLR cameras! Laurence also runs an online travel photography course that might be useful to you.

Mark Post author

August 14, 2021 at 7:51 am

Great article!

Great list you have there! I have the Nikon D3500. Bought it a few years ago and it’s still doing good until now. I am considering to buy Canon EOS Rebel T7. They say it’s compatible with a wide variety of lenses.

Stay safe and healthy!

August 14, 2021 at 10:45 am

Glad our guide to DSLR cameras for travel has been helpful to you! The Canon EOS Rebel T7 is a popular and affordable DSLR camera and great for beginners and those new to DSLR cameras.

Just note that if you already have a Nikon D3500, the Canon EOS Rebel T7 is going to be similar in terms of performance, features, and price point. But obviously, if you move from Nikon to Canon, your Nikon lenses won’t work. So something to consider if you are thinking of changing camera brands. But the Canon EOS Rebel T7 could be a good bet if you are planning to move into the Canon system anyway and want something similar to what you have.

If you are looking for an upgraded camera (rather than something similar to what you have), you might also want to look more at the mid-range Canon DSLRs rather than entry-level ones. If you are looking for something specific within a certain price range, just let us know and happy to suggest some DSLR cameras for you.

Vinod Post author

January 14, 2021 at 10:02 am

Thank you sir for your information. Great post on DSLR cameras.

January 15, 2021 at 3:18 am

You are very welcome. Just let us know if you have any questions if you are in the process of researching and buying a new DSLR camera!

Ayaan Post author

October 15, 2020 at 4:05 am

Hi, Very helpful info! For a low light camera I would suggest the Sony A7S. It’s an awesome DSLR that is very relevant today and will be useable for a while. It has great IQ and is probably the best low light DSLR out there. Hope this helps!

October 15, 2020 at 4:17 am

Glad you found our DLSR camera guide useful and thanks for sharing which camera you are using!

Alex Johnson Post author

August 19, 2020 at 12:22 pm

hi mates. i would like to advice you one camera. it is very good option if you cannot afford to buy very expensive cameras.

August 20, 2020 at 11:56 am

Our advice on a specific DSLR camera would really depend on what your actual budget is, but the first few DSLR cameras on our list would probably be your best options if you are on a small budget.

If your budget doesn’t stretch to get you the type of camera you want brand new, you might consider looking at used and refurbished cameras. You can see our guide to buying used cameras here .

Let us know if you have further questions.

pankaj tyagi Post author

May 13, 2020 at 11:22 pm

I have been going through your blog for quite a while now and I seriously love the updates and advice you give. This post on the best DSLR cameras is excellent. I never would have mentioned but I just wanted to let you know. Leaving the comment on your blog post will let others see it and know the work you are doing.

May 15, 2020 at 6:32 am

Glad you enjoy our travel blog, and do feel free to reach out if you have any questions about choosing a DSLR camera for travel or any other travel-related questions!

Tom Y Post author

January 8, 2020 at 3:27 pm

Hi Jessica and Laurence: I really enjoyed your article and it has some great tips, tricks, and general info for someone like me, who is new to DSLR cameras – so thanks for all of the info. I know you have your chosen makes and models and ranked them in the article, and i am also sure that they would be the best options to purchase however I am on a serious budget and am buying a used camera through someone on Craigslist I am about to purchase a used Sony A380 DSLR and wondered if you had any opinion about this specific camera. I think I am getting an incredible deal as the camera comes with lenses, bag, and quite a few other accessories. The lenses I am getting are SONY DT 55-200mm SAM F/4-5.6 Tele Lens and a SONY 18-55MM F/3.5-5.6 DT SAM Lens. The whole package including the camera body, the lenses, a Lowepro bag, batteries, charger, strap, remote control and all cables is under $200 from a private seller and while I know this 14.2 megapixel camera is a little older it is in immaculate shape. Any opinions would be welcome and please be honest I can take it…and besides I have to go where my budget dictates at this point and this may be a stepping-stone camera, as once i get the feel for this over the point and shoot cameras that I have been using (they have also been Sonys and I have had great luck with them), i just may become a full-time convert. Thanks and looking forward to your reply, Tom Y

January 9, 2020 at 3:51 am

So the Sony A380 is definitely an older camera as it was released in 2009 so it would not be my first choice. However, for its time, it was a solid performer, with features like a tilting screen, good performance even at slightly higher ISOs and even in body image stabilization.

Given that you are also getting a full setup including lenses, I would say that as long you are willing to accept this is an older camera, it will definitely work as a day to day shooter and should be a great bit of kit to hone your photography skills on. It can be a great camera to start with as your first DSLR for such a great price.

I’d just make sure to test it out a little when you meet the buyer to make sure everything is in order and there are not scratches on the lenses or anything. We just wrote a post actually on where to buy and tips on buying used cameras that might be useful.

We also have a DSLR beginners’ guide that might be useful to you once you have your new camera.

Stephen Alex Post author

December 16, 2019 at 9:28 pm

Thanks for sharing the post. This post helped me to know new things about DSLR camera. Keep posting. Please let me know for the upcoming Posts.

December 19, 2019 at 6:15 am

Hi Stephen, Glad it was helpful and just let us know if you have any questions about digital SLR cameras! If you want to get our future posts, just be sure to sign up for them and/or you can sign up for our monthly newsletter where we often share links to our most recent posts. Best, Jessica

Stephen Post author

November 3, 2019 at 4:47 am

It a great review on the camera requirement,thank you i would like to ask ,how do you download sigma 150mm-600mm lens firmware to a canon 750d/Kiss8i camera and thank you

November 3, 2019 at 7:33 am

Hi Stephen,

To update the Sigma firmware for a Canon camera you need to use the Sigma Optimization Pro software. You can read about how to do this and download the software from here:

https://www.sigmaphoto.com/article/firmware-update-sigma-150-600-sports-canon/

If this is your first time doing updates with a Sigma lens, may also want to take a look at these detailed tutorial videos: https://www.sigma-global.com/en/download/lenses/tutorial/

You will need a computer to download the free software, the lens, the camera, and the Sigma USB dock. If you don’t have a Sigma USB dock, updates will work with some cameras if you connect the lens to the camera, and then connect the camera to your computer by USB. But this latter method doesn’t always work.

Steve Brodsky Post author

September 26, 2019 at 12:42 pm

I read with interest this list. There appears to be a bias towards landscape photography in the selections and if I was looking for an all-round performer, I would rank the 5D4 and the D750 ahead of the Pentax and D810.

The Pentax has some nice features like pixel shift but suffers by comparison in AF, frame rate speed (4.4 FPS) and its video features are inferior. The D810’s core strength is its DR at base ISO which particularly suits landscape photography. Both the 5D4 and D750 outperform the D810 at higher ISOs, both have considerably higher frame rates (the D810 tops out at 5.1 FPS whereas the D750 clocks 6.5 and the 5D4 7 FPS) and the 5D4’s video features are considerably more advanced (DPAF,4K, albeit cropped).

September 26, 2019 at 1:57 pm

Glad, you enjoyed our list and yes, our list is geared to travelers (certainly landscapes are one component of travel) and is focused more on mirrorless cameras for travel for photography. So some of your recs seemed to gear more to video, so definitely those looking for a camera for video or vlogging will want to look more closely at the video features. As you noted, some cameras have stronger video features than others.

Just let us know if you have any questions about a specific camera and we’re happy to help!

Nadhiya Post author

June 17, 2019 at 8:38 am

Dear Jessica. I love travelling and this wide-range article on the DSLR cameras that can be used during travel is amazing. Thank you for sharing all kinds and ranges of cameras, which will come in handy according to the type of travel one is attempting. This detailed article will thus be biblical for many travellers.

Laurence Post author

June 18, 2019 at 5:39 pm

Hi Nadhiya,

So glad you found it helpful 😉 Just let us know if you have any questions abount any of the travel cameras.

Andy Post author

May 15, 2019 at 11:13 am

I love this site. I don’t even know how I got here, I was searching for the best DSLRs to buy in 2019 and google brought me to this treasure island. There’s more I’ve learnt here today about photography than I’ve ever been since I became an enthusiast two years ago. Thank you!

May 16, 2019 at 4:27 am

Hi Andy, Glad you found our DSLR camera post helpful, and do let us know if you have any questions. We have lots of camera and travel photography related articles and you’ll find lots more photography advice and tips on Finding the Universe . Best, Jessica

Mahesh Post author

July 21, 2019 at 3:12 am

vary good information on camera category

Taibo Chitsungo Post author

May 15, 2019 at 7:43 am

Hello, I used to own a Canon 500D and wasn’t that happy with happy so I got rid of it. I am a real estate agent and my wife is a business woman as well selling vintage articles. We also love traveling and take our camera with us for outdoors and landscapes. I would to be advised in which camera to go for. Especially a full frame camera, I’ve learnt a lot through this article. Thanks

May 16, 2019 at 4:41 am

Thanks for your comment! If you could let us know what specifically you weren’t happy with about the Canon, and also what your budget might be, we will be able to provide more specific advice.

In general though, our advice would be to consider the Canon EOS RP (a full frame mirrorless option from Canon), or the Canon EOS 6D Mark 2 (a full frame DSLR).

There are a number of other options for full frame cameras, both mirrorless and full frame, but we would need that extra information to provide more specific advice ????

Sufal Post author

May 5, 2019 at 6:04 pm

I’m looking forward to buy a camera for still photography. Can you suggest me between Canon Eos m100 and nikon d3500? Or even something else in this price range! I heard sony’s default color is not good and for still photography nikon is best.

May 6, 2019 at 11:44 am

So this is quite a tough one to answer as both are good cameras. The Nikon 3500 will give you many more photos per battery change, but is a little bit heavier (not much, about 65g).

The Nikon has a wider choice of lenses, but has no touchscreen. The Canon has both a touchscreen which also tilts.

Personally I would go for the Canon EOS m100 as a mirrorless system is usually easier to get good photos from, especially if you are relatively new to it, as what you see on the screen is exactly your photo. But if battery life and lens choice is more important, then the Nikon is also a good option.

So it depends on which features are most important to you. Hopefully the above helps you decide.

Kelcey Post author

May 10, 2019 at 4:35 am

I am a huge fan of the canon M line and it is all I bring when I travel! Very compact, lenses very affordable (particularly in the used market), and just plain fun to use!

Tim Rogers Post author

April 28, 2019 at 12:28 pm

Good to see someone promoting DSLR’s when so many seem to be switching to Mirrorless. But I’m curious to know why you didn’t include the Nikon D500 which is head and shoulders above the Canon 7D Ii as a wildlife and sports camera?

April 28, 2019 at 1:23 pm

Yes, Jess and I both still typically shoot with DSLRs as our go-to cameras, but I think we are becoming a dying breed, particularly in travel photography as so many people have moved to mirrorless cameras.

Thanks for your comment and thoughts on the D500 ???? We tried to include a range of great cameras (there are of course way too many to include them all!), and focus more on all-round travel cameras.

The D500 is certainly a great camera, but it’s somewhat costly and we think for general travel use rather than focused wildlife / action photography, at that price point folks would be better off with a full frame model. Of course, the story is different if the focus is wildlife and action photography. But we appreciate the comment and certainly have nothing against the D500!

EJ Post author

April 23, 2019 at 12:25 pm

I’ve been looking at DSLR cameras for outdoor travel photography, and one I came across that sounds really interesting is the Canon EOS 77D. Not too bulky, but a great feature set for a good price. It’s not on your list, but do you have an opinion on this camera for outdoor photography? I’m mostly looking at good landscape photography with a nice wide angle lens.

April 23, 2019 at 3:51 pm

So the Canon EOS 77D is a solid camera too. The problem Canon have is that they seem to want to make a camera at every price point, so it makes including them all challenging. It also means that the real world performance doesn’t seem to be that different as many of the cameras share the same tech.

The 77D basically sits between the T7i (800D in Europe) and the 80D in terms of technology. However, it’s priced more like the T7i, making it a good deal, as it has a slightly better image processor on board. Other than that the tech is pretty much the same.

In summary, yes, we do think this camera is a good choice at this price point for outdoor travel photography ????

Jyoth Post author

March 25, 2019 at 11:32 pm

This was super informative but also left me a little confused. I visited a Canon store and after letting them know my requirement for travel photography, the assistant advised me on buying Canon EOS 750D, This one is however not on your list at all. I am glad I didn’t buy any yet. Will look through the Canon options on your list and make a decision. Thanks for this detailed article.

March 26, 2019 at 9:51 am

First, let us say, that the best DSLR camera for travel is going to vary across people and opinions, so I am sure plenty of other perfectly capable models.

So Canon has a habit of releasing many cameras with only incremental changes ???? The closest to the EOS 750D that you mention is the EOS 800D (also known as the Rebel T7i). The 800D is basically the a recent version of the 750D.

The 800D has better battery life, a newer image sensor, a better kit lens, faster autofocus and faster burst speed shooting. So the changes are fairly significant.

That said, the Canon 750D can be purchased at a more budget price point as it is now a bit older, and it is still certainly a very capable camera.

I hope this helps! Let us know if you have any more questions,

Jyothi Post author

March 28, 2019 at 11:06 pm

Hi Laurence,

Glad to hear from you. Ok, so between Canon EOS 800D and Nikon’s D5600 which one would you recommend? I am ok with either Canon or Nikon and have a budget of $ 1K but cant come to a decision on which one is best for travel photography. If you had to pick one within this budget (or maybe slightly more) which one would you suggest?

Thanks again. J

March 29, 2019 at 10:04 am

So this is definitely a tough call. I’ve shot with Canon since I was 13, so I am totally used to the Canon menu system, and find Nikon’s hard to use as a result. However, if it was the other way round, I’m sure I’d have the same problem with Canon cameras!

Both cameras are excellent. The Canon has slightly faster autofocus, but the Nikon has better low light performance. I would probably edge towards the Nikon on the basis of cost though – the Nikon can be had for about $100 less, and so you could buy it body only and then spend the extra savings on a nice lens.

If you haven’t tested out any cameras in your hand yet, I would also suggest finding a store and picking both cameras up to see how they feel in your hand, as this might also make a difference to you ????

Good luck! Laurence

April 1, 2019 at 11:03 am

Happy to report that I am now a proud owner of a Cannon DSLR 🙂 Thanks for your honest advice.

April 1, 2019 at 11:13 am

Congrats, enjoy your new Canon camera – hope it works out well for you!

Tara Post author

January 6, 2019 at 2:01 am

I found this so helpful in thinking about DSLR cameras! Thanks for the info xx

January 6, 2019 at 7:05 am

Hi Tara, Glad to hear that, and do let us know if you have any questions about choosing a camera! Best, Jessica

Kenneth Nova Post author

December 24, 2018 at 4:48 pm

Just received some Christmas money and looking to buy my first DSLR. I have only used a cell phone or point-and-shoot kind of camera before, so was not sure what to look for but your guide has been very helpful. I think I will go for either a Nikon or Canon since they have more legacy and lens options….I have no history with either. Is one better or easier to use than the other?

Thanks in advance for your help and great post! Ken

December 26, 2018 at 9:57 am

Hi Ken, Lucky you to have some money to purchase a camera for Christmas! Well, there are some small differences between Nikon and Canon cameras, but basically they are both great brands for DSLR cameras and both have been around for a long time. Both manufacturers make entry to professional models so easy to move up with both brands, if you wish to do so in the future.

I’d just pick one and then stick to that brand. That way if you upgrade your camera body, you can still use many of the lenses and accessories for your next camera. For a good entry-level camera, I’d recommend taking a look one of the Canon Rebels or the Nikon D5600 and base the decision on your budget and any important features that are must-haves for you.

Let us know if you have any questions.

Seana Turner Post author

December 21, 2018 at 10:34 am

I think my best advice is to hire you guys to come with me on all my vacations and take photos:) Wouldn’t it be great to have a personal photographer for every trip? I would love that…Merry Christmas to you both!

December 22, 2018 at 6:19 am

That is one alternative, haha! It would indeed be great to have a personal photographer. Merry Christmas to you and your family as well, and wishing you a wonderful 2019. Best, Jessica

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• Travel Products
• Tech Essentials

The 13 Best Compact Cameras of 2024

These are the top point-and-shoot options for epic travel photography.

In This Article

• Our Top Picks
• Tips for Buying

Frequently Asked Questions

• Why Trust T + L

Travel + Leisure / David Hattan

What’s the best way to relive your favorite travel experiences over and over again? By taking epic photos that you can upload to social media or transform into a coffee table photo book, of course. Investing in a proper camera with a high-quality sensor and a decent number of megapixels will yield better, more printable results than your phone camera. But that doesn’t mean you need to lug a full-size DSLR and several interchangeable lenses around with you. You can get amazing results with a compact, or point-and-shoot, camera. 

B&H Senior Technologist Mark Steinberg defines a compact camera as one that is “pocketable, with a minimum number of protrusions, that can be used one-handed.” They’re a great option for anyone who prioritizes easy portability or casual photographers who want good results without a steep learning curve. There are several different kinds of compact cameras, from the budget-friendly to the professional quality, and from digital to film and instant. We’ve researched them all to find the best options across several different categories.

Best Overall

Sony cyber-shot dsc-rx100 vii digital camera.

B&H Photo

It has a high-quality sensor, near-instant autofocus, and a lens that fulfills both wide-angle and telephoto functions.

It’s an expensive option for occasional use only.

Chosen by Mark Steinberg as the best overall compact camera, the Sony Cyber-shot DSC-RX100 VII is the seventh generation of a series that has been raising the bar for compacts since its inception. It’s simple to use for novice photographers, with enough manual settings to allow for experimentation and growth. The 1-inch Exmor RS BSI CMOS sensor is a major highlight, allowing for high sensitivity with a maximum resolution of 20.1 megapixels. With 8x optical zoom and 24–200mm equivalence, the ZEISS Vario-Sonnar T* lens gives you the freedom to switch between wide angle and telephoto photography for everything from landscapes to wildlife.

Whatever your subject, the 0.02-second hybrid autofocus ensures sharp images in both still and video mode. You can shoot single, continuous, burst, and self-timer images and set an upper or lower limit for your ISO up to a maximum of 12800 for impressive low-light results. If film is your passion, you’ll love the camera’s 20 frames-per-second, 4K video for its smooth movement and cinema-quality resolution. When it comes to viewing your footage, framing (and taking) your shot, or scrolling through the menu, use the 180-degree-flip LCD touchscreen. In high-glare conditions, you can also revert to the pop-up electronic viewfinder. 

The RX100 VII offers Bluetooth and Wi-Fi connectivity for instant uploads to social media. 

The Details: 20.1 megapixels | 1-inch Exmor RS BSI CMOS Sensor | 24–200mm lens | 3-inch LCD screen | 4K video | 4 x 2.3 x 1.7 inches | 10.7 ounces | Electronic viewfinder

Best Image Quality

Ricoh gr iiix digital camera.

This camera uses advanced lens and sensor technology to deliver undistorted, true-color images with a high level of sharpness across the entire frame.

If video is a priority, bear in mind that the GR IIIx shoots Full HD rather than 4K.

Suitable for all experience levels, the Ricoh GR IIIx Digital Camera was designed with the express purpose of providing superior image quality. The 26.1mm GR lens offers a 40mm angle of view in the 35mm format that’s meant to mirror your natural field of view. It also uses premium technology to eliminate distortion, render colors accurately, and create amazingly sharp images. This is complemented by the camera’s high-resolution CMOS image sensor, which captures HD detail suitable for large-scale prints with up to 24.2 megapixels. 

Other highlights include the camera’s impressive shake reduction technology and its fast, precise hybrid autofocus with eight focus modes to choose from including one that automatically detects the eyes and faces for perfect portraits. We love that you can shoot in macro, while an interval composite shooting mode allows you to capture star trail images (you’ll need to buy a tripod separately.) These are the unique images that set your travel shots apart. The camera offers Full HD video, a LCD touch screen with instantly adjustable brightness, and 2GB of built-in memory — a lifesaver when your memory card malfunctions at the crucial moment. 

The Details: 24.2 megapixels | 1-inch CMOS sensor | 26.1mm GR lens | 3-inch LCD screen | Full HD video | 4.3 x 2.4 x 1.4 inches | 9.2 ounces | No viewfinder

Best Full-frame Compact

Sony cyber-shot rx1r ii digital camera.

This camera packs the full-frame sensor of a professional DSLR into an unbelievably compact, travel-sized body.

You could buy a good DSLR body and lens for a similar price.

The Sony Cyber-shot DSC-RX1R II is meant for professional photographers with a price tag and learning curve to match. The 35mm full-frame back-illuminated CMOS sensor is the largest available, offering more light, more information, better quality, and a greater dynamic range than the APS-C frame found in standard compact cameras. With 42.5 megapixels and the ability to shoot in uncompressed 14-bit RAW, this camera will produce pro-quality, large-scale prints with an astonishing amount of detail.

The ZEISS Sonnar T* 35mm f/2 lens is fixed with no optical zoom, making it best for wide-angle and close-up subjects (and especially, street photography). The large aperture allows you to work in low light and use an unusually shallow depth of field. And, if you’re familiar with terms like moiré and aliasing, you’ll appreciate the inclusion of the world’s first optical variable low-pass filter for reducing these kinds of distortion. Other perks include super-fast hybrid autofocus, Full HD video with the ability to capture slow-motion HD video, an electronic viewfinder, and an adjustable 3-inch LCD screen. 

The Details: 42.4 megapixels | Full-frame BSI CMOS sensor | 35mm lens | 3-inch LCD screen | Full HD video | 4.5 x 2.6 x 2.8 inches | 1.1 pounds | Electronic viewfinder

Panasonic Lumix DC-ZS200D Digital Camera

You can bring subjects 15 times closer without sacrificing image quality, thanks to its optical zoom.

It’s slightly heavier and bulkier than some of the other compact cameras on this list.

If you want to be able to photograph animals, birds, or any other subject from a distance without forking out thousands of dollars for a DSLR with a telephoto lens, the Panasonic Lumix DC-ZS200D is an excellent option. The Leica DC Vario-Elmar 24–360mm lens offers a 15x optical zoom — which brings subjects 15 times closer without any of the pixelation associated with digital zoom. Optical Image Stabilizer technology means your photos won’t suffer from blurry camera shake either. 

The 1-inch MOS sensor with 20.1 megapixels results in bright, colorful images that lend themselves well to print. You can expand your photographic skills by playing around with traditional aperture and shutter priority modes, or use preset scene and filter modes for instantly different effects. We especially love the camera’s Post Focus feature, which varies the focal point while taking 30 photos per second so that you can go back afterwards and select the best one. In terms of video, shoot in 4K or use high-speed Full HD for instant 120 frames-per-second, slow-motion playback. 

The Details: 20.1 megapixels | 1-inch MOS sensor | 24–360mm lens | 3-inch OLED screen | 4K video | 4.4 x 2.6 x 1.8 inches | 12 ounces | Electronic viewfinder

Best Splurge

Leica q3 digital camera.

This is a professional camera that pays equal attention to still images and video, delivering best-in-class results for both.

It’s not the best choice for those who want telephoto functionality.

The Leica Q3 is an ultra-exclusive option limited to one purchase per customer. And don’t be fooled by its compact size — coming in at just under $6,000, it’s a premium product for serious professionals. It boasts a full-frame BSI CMOS sensor for unparalleled photo and video quality. With a maximum aperture size of f/1.7 and a maximum ISO of 100000, it performs unbelievably well in low light conditions. The Summilux 28mm fixed lens includes an integrated macro mode, making the camera ideal for close-up work as well as wide-angle street photography. 

There’s no optical zoom. However, Triple Resolution Technology with up to 60 megapixels means you can use the digital zoom without losing significant detail. You can also shoot in 36 or 18 megapixel mode to save space on your memory card. Video is equally versatile with multiple formats to choose from including 8K, 4K, ProRes, and Full HD. All of your work benefits from hybrid autofocus and subject tracking, while the Leica FOTOS app can be used for audiovisual content creation. Finally, you can frame shots using the 3-inch display or the OLED viewfinder.

The Details: Up to 60 megapixels | Full-frame BSI CMOS sensor | 28mm lens | 3-inch LCD screen | 8K video | 5.1 x 3.2 x 3.6 inches | 1.6 pounds | Electronic viewfinder

Best for Videos and Vlogging

Canon powershot g7 x mark iii camera.

Designed to shoot high-quality video in vertical or horizontal formats, this camera offers Wi-Fi and Bluetooth connectivity and can live-stream direct to YouTube.

To realize full vlogging potential, you may need to purchase a tripod and remote control separately.

Looking for the best camera for filming quality reels? The Canon PowerShot G7 X Mark III is designed especially for this purpose with 4K and Full HD video, the ability to shoot horizontally or vertically, Wi-Fi and Bluetooth connectivity to social media, and the ability to live stream straight to YouTube. Whether you’re shooting video or still photos, the fact that you can tilt the LCD touch screen by 180 degrees makes it ideal for framing quality selfies. 

The technology is impressive, too. We’re talking a 1-inch stacked CMOS sensor paired with a DIGIC 8 image processor for exceptionally fast autofocusing, with facial recognition that puts you in the center no matter how much you move around. The 24–100mm lens is suitable for a versatile mix of wide-angle and short telephoto shots, while the f/1.8-2.8 aperture performs well in low light conditions. Finally, the Optical Image Stabilizer reduces camera shake for clear, crisp results. Adding other gadgets is easy. The camera has a 3.5mm microphone terminal and can be purchased as part of a video creator kit that includes a tripod grip and remote control. 

The Details: 20.1 megapixels | 1-inch stacked CMOS sensor | 24–100mm lens | 3-inch LCD screen | 4K video | 4.1 x 2.4 x 1.6 inches | 10.7 ounces | No viewfinder

Fujifilm X100VI Camera

This camera combines state-of-the-art technology with a vintage aesthetic and a full range of film simulation modes.

The lens is fixed, so any zoom comes with the compromise of digital cropping.

First off, the Fujifilm X100VI just looks cool, with a gorgeous silver-and-black or all-black aesthetic reminiscent of a vintage film camera. Beneath the retro exterior lies a cutting-edge X-Trans CMOS 5 HR sensor with a revolutionary image-processing algorithm for efficient light reception and amazing image resolution at any ISO sensitivity. Thanks to the fixed 23mm f/2 lens, you’ll also get 35mm equivalency in terms of low-light performance and the ability to achieve a shallow depth of field — for a much lower cost than a full-frame compact camera.  

You can zoom digitally by 1.4x or 2x. The 425-point intelligent autofocus system is super fast, while built-in image stabilization reduces the appearance of camera shake by up to six f-stops. And when it comes to video, you can switch between 6.2K, 4K, and Full HD at will. Above all, we love that this camera includes 20 simulation modes inspired by iconic Fujifilm film types ranging from Eterna Bleach Bypass to Nostalgic Neg. You can even shoot using a Grain Effect that replicates the textured look of vintage film photography. 

The Details: 40.2 megapixels | X-Trans CMOS 5 HR sensor | 23mm lens | 3-inch LCD screen | 6.2K video | 5 x 3 x 2.1 inches | 1.1 pounds | Hybrid electronic and optical viewfinder

Kodak Ektar H35 Half Frame Film Camera

It’s an inexpensive and easy-to-use film camera for maximum fun.

There’s a limit to how much you can do with such a basic setup, so it may not be ideal as your primary travel camera.

Perhaps you feel nostalgic for the days of film, or perhaps you grew up in the digital era and want to experience photography as it used to be. Either way, the Kodak Ektar H35 Half Frame Film Camera is great for film novices, those wanting to stretch their abilities as a photographer, and those who just love the retro look of original film. It’s inexpensive in terms of initial layout and because the half-frame format gives you twice as many images per roll as you’d get from a full-frame camera. 

Weighing in at just three and a half ounces, this pocket-sized camera is made for on-the-go convenience. It features a 22mm f/9.5 lens — so with no zoom and no autofocus, it’s best for wide-angle shots and back-to-basics experimentation that’s as fun as it is challenging. You can frame shots using the optical viewfinder and deploy the built-in flash in low light or at night. The camera is compatible with black-and-white and color film and requires one AAA battery to work. Choose yours in Black, Brown, Sand, or Sage. 

The Details: 22mm lens | 4.3 x 2.4 x 1.5 inches | 3.5 ounces | Optical viewfinder

Best Instant

Fujifilm instax mini evo instant camera.

Not only can you print photos instantly, you can also save a digital version to your smartphone via the app.

You’ll need to recharge after approximately 100 photos.

Available with a retro black or brown leather effect, the Fujifilm Instax Mini Evo Instant Camera lets you create 2 x 3-inch prints of your images in approximately 16 seconds. It features an autofocusing 28mm f/2 lens and uses automatic shutter speed and ISO for fool-proof results. Expressing your creativity is easy, with 10 lens effects (including Light Leak, Double Exposure, and Soft Focus) and 10 film effects from Vivid to Sepia. You can use these interchangeably for a total of 100 different possibilities. 

Other features include a built-in flash, a self-timer, a selfie mirror, and a 3-inch LCD screen. What makes this instant camera different from the Polaroids of the past is the ability to use it in conjunction with the INSTAX app. This means being able to use your smartphone as a remote for releasing the camera shutter (handy for group shots and selfies) and being able to save a digital version of your instant prints complete with an INSTAX frame. From there, you can upload them to social media. You can even use Bluetooth to send pictures from your smartphone to the camera to print. 

The Details: 2560 x 1920 pixels | 1/5-inch CMOS sensor | 28mm lens | 3-inch LCD screen | 4.8 x 3.4 x 1.4 inches | 10.1 ounces | No viewfinder

Best Durable

Ricoh pentax wg-90 digital camera.

Drop it, crush it, take it out in a sandstorm or underwater and this camera should still emerge in one piece.

If you’re looking for an underwater camera for scuba diving, scroll on — we’ve found ones with better depth ratings.

When it comes to durability, B&H’s Mark Steinberg recommends the Ricoh Pentax WG-90 above all others. It lives up to its armored appearance with some pretty impressive technical specs. It’s waterproof up to 46 feet underwater for up to two hours of continuous operation, making it ideal for surface water sports or snorkeling. It’s also shockproof against falls from five feet, crushproof against 220-pound-force weights, and dustproof. Heading somewhere cold? Unlike many of the cameras on this list, this one will still operate in temperatures as low as 14 degrees Fahrenheit. 

Toughness aside, it’s also a great little camera from a photography perspective. The 16-megapixel BSI CMOS sensor offers high sensitivity and minimal noise, even when using the maximum ISO setting (6400.) A built-in ring light and flash help out in low-light situations, while the 28–140mm equivalent lens is suited to both wide-angle and short telephoto use with a 5x optical zoom. Choose from a range of shooting modes including Fish-Eye, Sports, and Handheld Night; or capture moving images with Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | Equivalent 28–140mm lens | 2.7-inch LCD screen | Full HD video | 4.8 x 2.4 x 1.2 inches | 6.1 ounces | No viewfinder

Best for Action Sports

Gopro hero12 black.

This camera stands out for its Emmy Award-winning video stabilization, 177-degree field of view, and action-ready, rugged build.

With a super wide-angle lens and no zoom functionality, this is a specialist camera for POV filming and photography only.

GoPro’s reputation precedes it in the action sports category, and the latest Hero12 camera really is a thing of wonder. Film High Dynamic Range (HDR) video in 5.3K, 4K, 2.7K, or Full HD. Revel in the 177-degree field of view that shows more of your daredevil POV than ever before. And know that whether you’re jumping out of an airplane or racing at high speed down a mountain, the camera’s HyperSmooth 6.0 video stabilization ensures the footage is super smooth. Turning a full 360 degrees? Horizon Lock keeps the horizon level throughout. 

You can film vertically for direct upload to social media and slow things down by up to eight times for an epic fast-action/slow-motion effect. Meanwhile, Bluetooth audio support allows you to connect headphones for sound recording and remote voice commands. The camera also takes 27-megapixel still photos. Or, you can grab 24.7 megapixel stills from your video. The GoPro 12 is waterproof to 33 feet, can run continuously for over two and a half hours on Full HD, and features a new Enduro battery especially for temperatures down to 14 degrees Fahrenheit. 

The Details: 27 megapixels | 1/1.9-inch CMOS sensor | 12–39mm equivalent lens | 2.3 and 1.4-inch LCD screens | 5.3K video | 2.8 x 2 x 1.3 inches | 5.4 ounces | No viewfinder

Best Waterproof

Sealife micro 3.0 digital underwater camera.

This camera dives as deep as you can and takes the stress out of O-ring maintenance with a permanently sealed body.

It’s very definitely geared towards underwater photography rather than as an all-rounder for topside travel shots.

Unlike the other waterproof cameras on this list, the SeaLife Micro 3.0 is designed with scuba divers in mind. It’s waterproof to 200 feet (exceeding recreational dive limits) and is permanently sealed making it suitable for even the most careless or inexperienced underwater photographer. Use the 100-degree wide-angle lens to get as close as possible to your subject for the best results. You can rely on the built-in underwater color correction to counteract the loss of red tones; or, for the more advanced, there’s a manual white balance option. 

We love the large, f/2.8 aperture for its ability to make the most of limited ambient light. But if you tend to dive deep, the camera is also compatible with single or double after-market strobe sets. The camera delivers high-quality, 16-megapixel images in single or burst shooting mode and can also film 4K or Full HD video. And if you get all the way out to the dive site and realize you’ve left your memory card at home? No problem, the 64GB internal memory’s got your back. Finally, Piano Key controls make for easy menu navigation, even with dive gloves on. 

The Details: 16 megapixels | 1/2.3-inch CMOS sensor | 20mm equivalent lens | 2.4-inch LCD screen | 4K video | 4.2 x 2.1 x 2.9 inches | 11.6 ounces | No viewfinder

Best Budget

Kodak pixpro az255 camera.

This is the ideal camera for beginners who want to learn, with automatic and manual settings at a very reasonable price point.

It requires two AA batteries.

If you’re just getting into photography and don’t want to make a major investment just yet, the Kodak Pixpro AZ255 offers plenty of functionality for roughly nine times less money than our overall winner. It uses a 16-megapixel CMOS sensor and is well suited to most kinds of photography with a wide-angle 24mm lens and a 25x optical zoom that brings you significantly closer to your subject without compromising image quality. You can also use the 4x digital zoom, although you should expect some pixelation. 

Optical Image Stabilization helps eliminate blur, a continuous shooting mode ensures you never miss that action shot, and a built-in flash allows for nighttime shooting. And although the autofocus isn’t nearly as advanced as the more expensive models on this list, you’ll still benefit from subject tracking and face detection. Our favorite feature? The ability to keep things simple with 22 preset scene modes or to experiment with aperture priority, shutter priority, and full manual settings. You’re not limited to still photos — this camera also shoots Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | 24–600mm equivalent lens | 3-inch LCD screen | Full HD video | 4.5 x 3.1 x 2.7 inches | 12.5 ounces | No viewfinder

Tips for Buying a Compact Camera

Understand the specs.

Before purchasing a compact camera, it’s important to understand some of the key specifications to look out for. 

Sensor size: Sensor size has the greatest impact on photo quality and clarity, especially in low-light conditions. The larger the sensor, the better your image quality will be with greater sensitivity and less noise (or graininess). B&H Senior Technologist Mark Steinberg says that BSI, or Back Side Illumination, sensors are superior for their ability to increase light-gathering efficiency. 

Megapixels: A megapixel equals one million pixels. Pixels are the tiny digital squares that make up your image and the more you have, the more detail you’ll capture. Most digital cameras offer sufficient megapixels for viewing on a screen. But the number of megapixels becomes important when zooming in on an image, cropping it, or printing it. Look for a higher number of megapixels if you plan on printing your photos, but bear in mind that more megapixels means larger files and less space on your memory card. 

Zoom: If you plan on photographing wildlife or anything else that requires a zoom, it’s important to understand the difference between optical and digital zoom. Optical zoom brings the subject closer before capturing the image, with a lens that extends outwards from the camera body. This preserves photo quality. Digital zoom simply crops and resizes a smaller section of the original image, resulting in a blurrier, grainier picture. 

LCD screen: The LCD screen is important because it allows you to view and compose your image before taking a picture. It also allows you to play your images back and scroll through the settings menu. Therefore, it’s important to choose a high-resolution LCD screen that displays colors accurately, even in bright light. It also needs to be big enough for you to see details clearly. Some point-and-shoots offer touchscreen capability for increased ease of use. 

Viewfinder: Many compact cameras lack a traditional viewfinder (the hole you look through to view and frame your image). But if you plan on shooting in bright conditions, investing in a camera with a viewfinder is helpful for when glare impacts your ability to see the LCD screen clearly. 

Video resolution: Video resolution refers to the number of horizontal and vertical pixels. The more you have, the more detailed your footage will be. Look for Full HD (1920 x 1090 pixels) as a minimum or 4K (3840 x 2160 pixels) for premium, cinema-quality video. 

Prioritize quality

It goes without saying that for the best results, you should spend as much as you can afford on the best quality camera possible. All of the specifications detailed above are worth considering, but if you focus on just one thing, Steinberg says that the most important factor in terms of image quality is the type and size of the sensor. If you plan on printing your vacation photos or using them to create a photo book or other memento, a reasonable number of megapixels (10 or more) is key. Finally, Steinberg points out that build quality and manufacturer support are also important. 

Choose a camera based on your skill level and goals

Having said that, there’s no point in spending a fortune on a high-end compact camera with advanced specifications if all you really want is a simple way of capturing fun vacation snaps for social media. Beginners should prioritize cameras that are intuitive and simple to use. If your goals are more ambitious, Steinberg recommends looking for manual settings that will allow you to fine tune shutter speed, aperture size, and ISO for the best results. 

It’s also worth considering where you’re traveling and your planned activities. If your camera will be exposed to dust, sand, humidity, or water, then looking for one that’s IP rated against dust and water ingress is crucial. When it comes to interpreting IP numbers, remember that the first number after the IP relates to dust while the second number relates to water. Only water ratings of seven or higher are fully waterproof. Scuba divers should be sure to check depth ratings.

In addition to considering all of the specifications listed above and how they relate to your requirements, Steinberg says it’s important to consider the ergonomics of the camera. Does it feel comfortable in your hands and next to your face? Are the controls and buttons easy for you to access and operate? Can you view the LCD screen clearly and does the menu navigation system make sense? You should also think about the ease of use. If you’re not sure, consider booking a free in-person or virtual appointment with a B&H expert to talk through different options.

Absolutely, and especially if you choose one with a decent number of megapixels. It’s generally accepted that in order for an image to be made into a high quality print, it needs to have 300 pixels per inch (300 PPI). The number of megapixels required to achieve this depends on how big you want your prints to be. For a standard 6 x 4 inch image, you’d need at least 2.2 megapixels. For a 5 x 7 inch image, you’d need at least 3.2 megapixels. It’s also worth remembering that good printing results are dependent on printer and paper quality too.

Before we tackle this question, it’s important to note that while compact cameras lack a mirror (and mirrorless cameras are more compact than DSLRs), mirrorless cameras are not the same as compact cameras for the purpose of this list. We’ve focused on point-and-shoot cameras for novice photographers and more advanced photographers who prioritize portability. Advantages of point-and-shoots over DSLRs include reduced size and weight, ease of use, and cost. 

Mirrorless cameras were introduced in 2004 and have since evolved to compete with DSLRs as the category of choice for intermediate and professional photographers. They have a larger sensor than a traditional point-and-shoot, offering superior image quality. They’re bulkier, cost a lot more, and come with interchangeable lenses. The key difference between mirrorless and DSLR cameras is that mirrorless cameras let light hit the sensor directly whereas DSLRs use a mirror to reflect light onto the sensor. 

This difference makes mirrorless cameras quicker and quieter — key advantages for fast-action and wildlife photography. High-end mirrorless cameras can also offer superior autofocus and better performance in low light conditions. DSLRs still hold the edge in terms of viewfinder accuracy, battery life, and a greater range of compatible lenses.

Why Trust Travel + Leisure

Jessica Macdonald has been writing about travel gear for more than a decade. She’s also a professional photographer who has sold images to many publications including Travel + Leisure. Although she typically shoots with her trusty Nikon DSLR, she has often used compact cameras especially for underwater photography. For this article, she conducted hours of online research and consulted the opinion of Mark Steinberg , a B&H Senior Technologist.

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The 30 Best Travel Cameras in 2023 – Compact, DSLR & Mirrorless Camera Guide

Amar Hussain

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Table of Contents

What are you going to use the camera for, key considerations when buying a camera for travel, camera terms and features explained, compact, mirrorless, or dslr cameras, the 11 best compact cameras for travel, the 11 best mirrorless cameras for travel, the 10 best dslr cameras for travel, final thoughts.

We may be compensated when you click on product links, such as credit cards, from one or more of our advertising partners. Terms apply to the offers below. See our  Advertising Policy for more about our partners, how we make money, and our rating methodology. Opinions and recommendations are ours alone.

With such a huge variety of camera brands, specs, features, and functions, it can be a bit of a minefield trying to work out what the best travel camera is for your needs.

Whether you want to up your Instagram game on your next vacation or are looking to get a bit more professional, this guide has you covered.

Before you rush out and blow your budget on a shiny new camera for your next trip, consider what you’re actually going to be using it for.

If you’re planning on taking pictures of yourself and the kids around the pool, a compact digital camera with Wi-Fi connectivity will take decent snaps that you can instantly share on your phone.

If, however, you’re traveling to far distant shores and are looking to capture unusual and awe-inspiring images or to ramp up your photography skills, you’d be better off investing in a mid-range mirrorless or DSLR camera that will offer the features and flexibility you’ll need on your travels.

What you need versus what you can afford will also be a significant factor in your final choice.

An expensive camera may provide you with incredible video and images, but if it eats into your travel budget , or becomes an expensive weight around your neck, it sort of defeats the object of having it in the first place.

Depending on how experienced you are as a photographer and how professional you want your finished product to look, your options are literally as deep as your pockets. Spend as much or as little as you want to on your camera, but make sure it’s exactly what you need before you spend a single cent.

Basic compact cameras can be purchased for well under $200 and are small, light, and easy to use. Entry-level DSLRs start from around $500 and usually come with a small-sized sensor and 8 to 12 MP, perfect for shooting more professional-looking images.

If you want to spend a bit more, mid-range compact cameras that come in between $200 to $600 are stylish and come complete with big LCD screens and fancy features.

DSLRs and mirrorless cameras tend to have a higher price tag, ranging up to $1,000 or more. They do, however, offer a heady blend of automatic functionality and creative manual controls for capturing truly epic images.

The best-priced camera for your next adventure is the one that you can afford and has a sensible price tag that doesn’t prohibit you from using it when you get there.

Size and Weight

It’s a common misconception that incredible images are only captured using larger cameras, when, in actuality, it’s smaller cameras with bigger or heavier lenses that make the grade.

If traveling light is one of your goals, the last thing you need is a heavy camera weighing you down.

A compact camera that you can fit in your pocket or day pack can give you a wide range of benefits over and above a full-sized camera setup. Discreet and easy to use, a compact camera can be whipped out to snap a quick photo with ease.

Big brands like Fuji, Olympus, Nikon, and Panasonic all have ranges of compact cameras that are designed to be the perfect size and weight to take anywhere with you.

If performance is more your goal, you might have to sacrifice size and weight, but the benefits are worth it for those who want a more professional output.

Before you can choose the perfect camera to take on your travels, you need to understand how different camera sensors work, and how they can affect both the quality of the pictures you take and the size of the camera.

Generally speaking, a camera with a larger sensor will take the very best pictures in low light conditions.

Large sensors capture more light and, therefore, better detail. Larger sensors are also better at creating depth of field (the blurry backgrounds), so if portraits or wildlife shots are your thing, take that into consideration. The downside is that the larger the sensor, the larger the camera.

Here are the typical sensor sizes you find in cameras:

• Full Frame – 36 x 24mm
• APS-H – 28.1 x 18.7mm
• APS-C – 23.6 x 15.8mm
• Four Thirds – 17.3 x 13mm
• One Inch – 9 x 12mm

To put it into perspective, smartphone cameras are usually around one-third of an inch. For a travel camera, one-inch or four-thirds sensors would be the minimum you should look at. If budget is a concern, there are plenty of modern compact cameras that offer sensors of 1 inch or more that can produce beautiful images even with their compact size.

Mirrorless and DSLR cameras have interchangeable lenses, allowing you to pick the perfect lens for different situations.

For travel photography, focus on 1 or 2 lenses that work well in a wide variety of situations, rather than carrying an entire set with you.

At the very least, you should have a “walkaround” lens. This is a lens that isn’t the very best for every situation but one that can handle most situations. An all-purpose lens, if you will.

A lot of mirrorless and DSLR cameras will come bundled with a walkaround lens. Typically, this is a 24-70mm or 28-80mm lens. A lens like this will be able to handle landscapes, buildings, portraits, activities, and sports.

Some of the very best, most cost-effective, and readily available walkaround lenses on the market include those made by:

If your budget allows, the second or third lens you should buy is a wide-angle lens or a telephoto lens.

Wide-angle lenses are typically great for landscape and architecture photography but can also be used for interiors, portraits, and food photography.

Telephoto lenses are usually 70-300mm lenses and, as the name suggests, used to shoot far-away subjects. They’re usually bigger and heavier than a walkaround lens, but they are imperative if you’re doing wildlife photography.

Before you fly, make sure you practice or even attend a photography class, with your new equipment. This will ensure that when you’re presented with that perfect travel moment you want to capture, you’ll know exactly what to do.

Just because you like traveling and taking pictures doesn’t mean you have to be a professional photographer to shoot like a pro. This quick guide to the camera terms and features will have you thinking and sounding like an expert in no time.

One of the most talked-about components of a camera is the aperture. This simply refers to the size of the opening in the lens which lets the light flow in. Bigger openings and wide angles will let in more light while a smaller opening will let in less. Think of the aperture like a window — a bigger opening equals more light.

Aperture is measured in f-stops, and confusingly, smaller numbers denote larger openings. For example, f/1.8 is a wide opening, while f/22 is a very narrow one.

The aperture is important because it helps to determine how light or dark the image is, and it also affects how much of the image remains in focus.

A megapixel is 1 million pixels. A pixel is a small square that fits together with other pixels like the pieces of a puzzle to create a complete image. How clear your finished image looks will be greatly determined by how many of these tiny squares are packed together in a small space.

Different cameras offer different resolutions which will affect the number of megapixels per inch. An 8-megapixel camera (8MP), for example, would have roughly 8 million tiny squares of information per inch. So more megapixels are the way to go, right?

While every year cameras are upgraded with more and more megapixels, the marketing machine convinces you that you need more of them.

Unless you’re printing your images on very large canvases, you don’t need that many megapixels. For example, if you wanted a clear image printed on 14 x 11-inch paper, you need a minimum of 7 megapixels.

Megapixels are an important aspect of your camera and the quality of image you can produce with it. But don’t focus entirely on this one metric.

Focal Length

Focal length is represented in millimeters (mm) and used is used to describe a lens. Focal length isn’t the physical length of your lens but the point of convergence of light and the distance between it and your sensor.

Simply put, the higher the focal length, the narrower the angle, but more zoom. Conversely, shorter focal lengths give you wider angles but less zoom.

To give you a rough idea, 50mm is close to what our own eyes see. 20mm is considered wide-angle, and 70mm and beyond is telephoto.

In camera terms, ISO refers to the sensitivity ratings for camera sensors.

In its simplest form, ISO is a camera setting that will brighten or darken your photos. As you increase the ISO, your photos will grow progressively brighter.

ISO is an excellent tool to help you capture images in poor light or dark environments. It also allows you to be more flexible about your aperture and shutter speed settings.

Single Lens Reflex

As the name would suggest, a Single Lens Reflex camera — or SLR as they are more commonly known — uses only 1 lens.

The term “reflex” refers to the mirror present inside the camera body which reflects the light the lens captures when you aim it at a subject and sends out the exact same image to the viewfinder or electronic image sensor.

Electronic View Finder (EVF)

The EVF is a small, electronic display that can usually be found at the top of the backside of the camera. The EVF might be built-in or might be removable.

The EVF lets you capture the scene you’re shooting in real time by projecting it onto the camera sensor. It can also show you the areas where the camera will focus and help you to shoot in low light by automatically increasing the brightness on the screen.

Image Stabili z ation (IS)

Image stabilization is the popular name for a number of techniques that are used to obtain sharp, blur-free images. These techniques may be part of the camera or the lens and can be either simple electronic adjustments or highly advanced electrical systems.

Image stabilization is most beneficial when you’re shooting in low light with a long exposure time and are unable to hold the camera steady while you take your photos.

RAW is a file format that captures all of the image data that’s recorded by the sensor when you take a photo. Unlike formats like JPEG, none of the information is compressed, meaning that you can produce much higher-quality images.

RAW images are also much easier to work with when it comes to editing, making them the preferred choice of professional photographers who need to make adjustments in post-production.

It’s not just expensive cameras that can offer you professional-grade image quality either, as these days plenty of compact cameras will also shoot RAW images.

Some pictures just look better than others. This could be because of the light, the camera, or even the skill of the photographer, but more often than not grainy, unclear images are caused by camera noise.

In the world of photography, the term “noise” simply refers to visual distortions in an image.

Noise looks like tiny colored pixels or speckles on your photo, and can sometimes be so obvious it actually looks like the grain you see in old photos or film photography.

Images taken in low-lighting situations are more prone to suffer from noise, but other factors, such as sensor size, higher ISO settings, and even long exposures, can cause noise, too.

Compact Cameras

Point and shoots are also commonly known as compact cameras or P&S cameras.

They work mostly automatically with easy-to-use functions such as focus-free lenses or autofocus and automatic systems for setting the exposure and flash.

Mirrorless Cameras

Mirrorless cameras, on the other hand, are digital cameras that work with the addition of different lenses but don’t use a mirror to reflect the image into the viewfinder.

Advanced sensor technology has enabled this to happen, meaning that mirrorless cameras can be as slim as any compact camera, but with the added bonus of additional features.

Mirrorless cameras are available from budget to high-end.

DSLR Cameras

A DSLR camera is a digital single-lens reflex camera that reflects the light coming from the lens up into an optical viewfinder, by way of either a prism (in higher-end DSLRs) or a series of mirrors.

When the shutter is pressed, the light coming from the lens takes a straight shot to the imaging sensor where a photograph is made.

Advantages and Disadvantages of Using a Compact Camera

If you’re considering going compact with your next travel camera, consider the following first:

• Compact and Easy To Carry — The clue is in the title with this one, as these cameras are compact by name and definitely compact by nature. Modern compact cameras are completely pocketable, with many of them being smaller than the average smartphone.
• Affordable and Easy To Find — Compact cameras can be purchased all over the world, everywhere from electrical stores and camera specialists to online retailers.
• Easy To Use and Navigate — With easy-to-use controls and intuitive menus, anyone can capture decent images with a point-and-shoot camera.
• Reduced Image Quality — Smaller sensors can lead to reduced quality in low-light situations, as well as a reduction in quality if you want to print large photographs.
• Less Flexibility — Because there’s no way of changing lenses or other accessories, you’re limited to the built-in capabilities of the camera.
• Slower Functionality — With compact cameras, focusing is generally slower and there can be a noticeable lag between pushing the button and the picture being taken.

Advantages and Disadvantages of Using a Mirrorless Camera

Mirrorless cameras are not always in favor of seriously professional photographers, but they are winning over a whole new audience who want high performance and flexible functionality at affordable prices. Consider the following before you buy:

• Image Stabilization and Autofocus — Of all the features you want in a camera, being able to guarantee steady, blur-free images is key to capturing razor-sharp images every time.
• Size and Weight — Many photographers consider the compact size of a mirrorless camera versus the heft of a DSLR to be the main reason they invest in one.
• Image Quality — You can pretty much guarantee that most mirrorless cameras will offer higher-quality images than most compact cameras can. They will even give DSLRs a run for their money.
• Battery Life — Sad but true, mirrorless cameras can be less than efficient when it comes to battery life, meaning you’ll need to carry spare batteries or chargers with you wherever you go. This is only an issue if you’re doing continuous shooting for an extended period of time.
• Higher Price Tags — Of course, you’ll probably expect to pay more for a camera that can do more things, but if you’re on a strict budget, you may fare better looking at a high-end compact camera, than an entry-level mirrorless camera.

Advantages and Disadvantages of Using a DSLR Camera

• Image Quality — A DSLR will offer you just about the best image quality your money can buy.
• Adaptability — DSLRs can be fitted with many high-quality lenses ranging from wide-angle to long focal lengths, as well as a wide range of flashes, filters, and other accessories.
• Long-term Investment — Unlike a compact or even some mirrorless cameras, a DSLR will hold its value for many years to come. You won’t need to upgrade a DSLR as often as you will a cheaper camera, as they’re highly sought after in photographic circles, and the lenses are compatible with other camera bodies.
• Size and Weight — DSLRs are heavy, and when you add a lens or 2 to your load, you’ll have a lot of gear to lug about with you.
• Complexity — The wide array of settings and features can be a little overwhelming at first. A good DSLR takes time to get to know properly.
• Price — DSLRs are usually far more expensive than compact cameras. While there are well-priced bargains to be had, the additional cost of lenses and other accessories will make your DSLR more of an investment than a spur-of-the-moment purchase.

There are literally thousands of different cameras available today, each one offering a wide variety of features and promising awesome images at the click of a button.

If you’re unsure which is the best kind of camera for your next adventure, check out the following to see how they compare.

Best Compact Cameras Under $600

The panasonic on a strict budget, panasonic lumix  zs60 camera.

Sensor: 1″ Lens: f/2.8-5.9 Megapixels: 20.1 Screen:  3″ Video: 4K

Using Panasonic’s Light Speed AF technology, combined with a 10x optical zoom range , this Lumix delivers snappy focusing and clear, razor-sharp images.

The advanced Hybrid OIS+ (Optical Image Stabilizer Plus) 5-axis anti-shake system, counteracts any risk of shaking and blurring. The electronic viewfinder and 1080k touchscreen certainly makes shooting much easier in bright conditions.

Other specification highlights include an expanded ISO of 25600, 4K video recording, and the ability to create incredible-looking time-lapse movies.

You can also shoot RAW files, meaning you can draw out as much detail from every image as possible, and post focus enables you to review a shot and readjust your image focus after you’ve taken the photo.

What We Like

• Super small and lightweight for travel

What We Don’t Like

• The auto-focus is a bit slow

Sony’s Budget Camera For Vlogging

• Sony ZV-1F Vlog Camera

Sensor: 1″ Lens: f/2 Megapixels: 21 Screen: 3″ Video: 4K

This super-compact camera is a good camera for anyone that likes to document their travels.

Weighing just 122 grams, the Sony ZV-1F is incredibly compact but houses some useful features that are ideal for travel vloggers. Its ultra-wide 20mm lens is perfect for capturing everyone and everything in a single shot, and the auto-focus tracking technology ensures the subject stays in focus. Face Priority mode will control the exposure on your face, and there’s a soft skin effect to give you a healthy glow.

An aperture of F/2 will make your subject pop against some beautiful blurry backgrounds, and you can control the bokeh (those defocused backgrounds) with the touch of a button.

Active Mode image stabilization enables you to shoot smooth photos and video in 4K resolution, and the flip LCD screen gives you a clear view for any selfies.

• Has interchangeable shooting modes for slow motion
• Not great for photography

Continuous Shooting of 6fps From Canon

Canon eos m200 compact mirrorless camera.

Sensor: APS-C Lens: f/3.5-6.3 Megapixels: 24.1 Screen: 3″ Video: 4K

Offering 24.1MP images and 4K video , this little beauty is an excellent, all-around travel camera that will help you to take good quality images with ease.

It’s impressively small and should be able to fit in your pocket — meaning you never miss a moment of the action.

The image stabilization reduces the appearance of camera shake by up to 3.5 stops, so you can wave goodbye to blurry images. And, with dual Pixel CMOS autofocus and eye detection AF, you can take sharp images with ease. Canon’s latest DIGIC 8 processor gives you the ability to shoot outstanding stills at up to 6fps. The good size screen tilts 180 degrees, making it useful for shooting from slightly awkward angles.

• LCD screen can flip over for selfies
• No viewfinder to help with shooting in bright conditions

Best Compact Cameras Under $1,000

The best waterproof compact, olympus tg-6 waterproof camera.

Sensor : 1″ Lens: f/2.0 Megapixels: 12 Screen: 3″

TG-6 from Olympus is a tough and rugged camera that’s perfect for those who love adventures.

It’s waterproof (50 ft/15 m), shockproof (7 ft/2.1 m), crushproof (220 lbf/100 kgf), freezeproof (14°F/-10°C) , and even dustproof — meaning you literally can take in anywhere.

It may be small, but it’s surprisingly well-equipped for a camera of its size. This camera comes complete with an F2.0, high-speed lens, 20 fps burst shooting in RAW, and anti-fog dual pane glass for spectacular images in every environment.

Its advanced dual quad-core TruePic VIII Processor will allow you to take images, no matter the light conditions.

• Has a long-lasting battery life
• No lens cover for protection

Small 4K Camera Busting With Features

Panasonic lumix zs200 4k digital camera.

Sensor : 1″ Lens: f/3.3-6.4 Megapixels: 20.1 Screen:  3″ LCD display Video: 4K

The Panasonic LUMIX Digital Camera DMC-ZS200 combines the superior optical performance of a 15x (24-360mm) LEICA DC VARIO-ELMARIT lens with stability and ease of use, all in a highly portable compact travel camera.

The lens itself is advanced and features a super-bright F3.3-6.4 aperture range, which can capture powerful images. The hybrid IOS technology enables stabilized images and impressive depth of field, even in low-light conditions.

Feeling creative? The Post Focus and Focus Stacking features allow you to change the focus at the touch of a button and even after you’ve taken the photo. Designed with travel in mind, the DMC-ZS200 comes complete with USB charging and Wi-Fi connectivity for you to share your snaps in an instant.

• The battery can be charged inside the camera
• Doesn’t produce the sharpest images

Sony’s Best Pocket Camera

Sony rx100 i ii  20.1 mp premium compact digital camera.

Sensor : 1″ Lens: f/1.8-2.8 Megapixels: 20.1 Screen:  3″ LCD display Video: 1080p

Great for candid photographers that like to spread their wings, the Sony RX100 I II  will allow you to capture stunning images with razor-sharp precision and professional quality focus.

The large 1-inch sensor, combined with the ultra-bright Zeiss f/1.8 lens , will ensure that you never miss a moment.

Useful features such as the easy-access, aperture-setting control ring, along with the Optical Steady Shot with Active Mode for complete stability, transform this compact camera into a very smart piece of gear to take with you on your travels. There’s also a wide range ISO sensitivity and RAW image capture settings too.

An entire menu of additional features is easily accessed using the 3-inch (1,229k dots) pop-up LCD Display, which can pop up and tilt to 180-degrees for varied-angle shooting.

• Able to shoot RAW, JPEG, or RAW and JPEG
• The LCD screen is not a touchscreen

SLR Style Control Over Aperture

Panasonic lumix lx10 4k camera.

Sensor: 4/3″ Lens: f/1.4-2.8 Megapixels: 20.1 Screen: 3″ 1040K dot LCD Video: 4K

The LUMIX LX10 offers all the perks of a brilliant point-and-shoot camera combined with manual control for those that want to craft their own image settings. Designed for photo and video in mind, the LX10 offers a full hybrid experience with 4K photo and film capabilities.

This compact camera can capture subtle details and beautiful images using the high sensitivity MOS Sensor with a multi-aspect ratio, and by maintaining a resolution of 20.1 megapixels.

The sophisticated LEICA lens system is the perfect complement to the camera’s compact body, and with F1.4-2.8 brightness, high speed, and crisp detail corner-to-corner. The lens-mounted aperture ring gives you SLR-style control over your exposure, along with shutter and ISO controls through the rear dials and settings.

The Lumix LX10 also comes with a 3-inch LCD touchscreen that tilts 180 degrees for those difficult angles or not-to-be-missed selfies.

• Has built-in focus stacking to control depth of field
• No in-built electronic viewfinder

The Fifth Generation of the Popular Sony RX100

Sony rx100va 20.1mp digital camera.

Sensor : 1″ Lens: f/1.8-2.8 Megapixels: 20.1 Screen: 3″ Video: 4K

The Sony RX100 packs a wealth of features into its small but sturdy frame and offers plenty for the modern photographer to play with while out on the road.

The zoom lens works well for landscapes, group shots, and even the occasional selfie, while the 4K video captures the kind of footage typically found in much more advanced pieces of camera equipment.

Capture the action as it happens with Sony’s phase/contrast-detection autofocus system with 315 focus points and quality action tracking . It will keep up with most moving images, and the high-speed continuous shooting mode is equally impressive.

The sensor makes for excellent image quality every time, and the ingenious flip-out back screen means you can even capture images from a low angle.

• Excellent autofocus
• The camera can overheat shooting continuously

A Worthy Upgrade to the Original G7X

Canon powershot g7 x iii digital camera.

Capture incredible images with this Canon camera that allows you to shoot continuously at up to 8 fps, and offers an aperture of f/1.8-2.8 to help you take high-precision pictures every time.

The high-resolution, 3-inch LCD monitor cleverly tilts up 180 degrees and down 45 degrees to help you take incredible self-portraits or to capture breathtaking high and low angles to add depth and interest to your photos.

The DIGIC 8 Image Processor has high-capability autofocus tracking , enhanced image stabilization, and superb image clarity, even when shooting with a high ISO.

Finally, the in-camera RAW conversion and built-in Wi-Fi even mean you can edit and share your masterpieces instantly.

• Can be used to film vertical video
• Camera can overheat with continuous filming

Best Compact Cameras Over $1,000

Traditional looks combined with modern technology, fujifilm x100v digital camera.

Sensor: CMOS APS-C Lens: f/2 Megapixels: 26.1 Screen: 2.8″ Video: 720p

The Fujifilm X100V offers impressive CMOS APS-C 26.1 MP capabilities and is the culmination of the very best technology used in previous models combined with cutting-edge additions to make shooting easier than ever.

The precise close focusing performance is an improvement on previous models, and unique to the X100V, the camera is compatible with an adapter ring for weatherproofing the lens.

Built with speed in mind, the X-Trans CMOS 4 sensor and X-Processor 4 allow for a wide dynamic range and exceptional images. This winning combination also means the auto-focus is super-responsive, even in low light.

One of the most impressive aspects of this compact camera is the hybrid viewfinder, allowing you a real-time view of your exposure when setting up your shot, and providing a snapshot of your camera settings. Of course, if you prefer to frame shots using a screen, then the tilting LDC screen is perfect for shooting from different angles.

The video quality is good, shooting 4K at 30fps, but if you’re looking to record in 10-bit, then you’ll need to use an external recorder via the HDMI port.

• Has an optional adapter to weatherproof the lens
• The fixed lens won’t suit everyone

A mirrorless camera offers you excellent, almost pro-standard images and super smooth video in pocket-sized packages.

You may not get all the bells and whistles you would find on a DSLR, but you’ll still be able to have plenty of fun.

Best Mirrorless Cameras Under $700

A high-value mirrorless camera from sony, sony alpha a6000 mirrorless digital camera 24.3mp slr camera.

Sensor: APS-C (23.5mm x 15.6mm) Megapixels: 24.3 Screen: 3″ tilting touchscreen Video: 1920 x 1080

The Sony Alpha a6000 is a veritable powerhouse of a compact camera, which will provide you with epic images wherever you are.

Fully loaded with the Bionz-X processor , which is also found in the Sony Alpha 7R, it offers incredible processing power giving it autofocus of just 0.06 seconds .

The burst mode is capable of shooting up to 11fps continuous for 21 frames of raw JPEG or 49 frames of fine JPEG. This camera also has 25 contrast-detection, AF points for high-precision pictures every time.

The automatic AF-S focus mode will also ensure that you never miss a moment, even if the action in front of you moves quickly. As an upgrade to the ever-popular Sony-NEX 6, this little camera certainly has big shoes to fill, and it effortlessly does that, and then some.

• Compact camera with the same size APS-C sensor as most DSLRs
• The included lens could be better

The Lean, Mean Selfie Machine

Panasonic lumix gx85  4k mirrorless camera accessories kit.

Sensor: Four Thirds Sensor Megapixels: 16 Screen: 3″ tilting touchscreen Video: 4K

This entry-level mirrorless camera is a great travel accessory for anyone who’s looking for more than their camera phone can offer.

The 16 megapixels, micro four thirds processor is highly capable and will offer you excellent resolution, razor-sharp focus, and epic images every time.

The interchangeable lenses will give you more flexibility than any camera phone could offer and the ability to record at Full HD or 4K. Your ability to upload instantly using the built-in Wi-Fi just adds to the fun.

The cool touchscreen can tilt up by 180 degrees making it perfect for selfies of vlogs. Panasonic’s Depth-by-Defocus, DFD, technology will predict how and where to focus, ensuring that blurry snapshots are a thing of the past.

As well as the camera, this bundle includes 2 lenses — 12-32mm and a 45-150mm.

• Has an interchangeable lens
• No manual mode for shooting video

The Favored Olympus E-M10 Just Got Better

• Olympus OM-D E-M10 Mark IV

Sensor: MOS sensor Megapixels: 20 Screen: 3″ tilting touchscreen Video: 4K

The Olympus E-M10 Mark IV comes complete with a 14-42mm EZ lens kit that has been specially designed for people who love photography and want to explore their ability to capture the perfect picture.

Compact and easy to use, the E-M10 is so small and lightweight that you can literally take it anywhere with you.

Designed with simplicity in mind, the fool proof in-body image stabilization will help you to shoot blur-free stills and super-smooth 4K video without the need for bulky tripods or any other additional equipment.

The flip-down screen is ideal for selfies or vlogging, and you can import and share images easily using the OI Share Smartphone app.

• Great camera body stabilization
• No input to use external microphones

Best Mirrorless Cameras Under $1,500

Touch screen goodness and compact design, panasonic lumix gx9 4k mirrorless ilc camera.

Sensor: Four Thirds sensor Megapixels: 20.3 Screen: 3″ tilting touchscreen Video: 4K

The Lumix G9 from Panasonic is a proficient mid-range mirrorless camera that features a 20 megapixel four thirds sensor with the power to provide epic images.

With in-body stabilization, a tiltable viewfinder, and a touchscreen, there’s literally no excuse for not capturing awesome snaps with this camera.

Never miss a moment with 9fps bursts with continuous autofocus and 4K video, complete with a clever range of photo modes. All of these features can create masterpieces that you’ll want to share instantly using the camera’s Bluetooth, location tagging, and seamless Wi-Fi connections.

49 focus points, Custom Multi AF mode, and Light Composition mode will help you to shoot first-class images, while the Tuned 3D Color Control detects hue, saturation, and brightness every time.

• Has a clear, crisp LCD screen
• Control buttons are easy to push by accident

Mid-Priced Mirrorless That Hits the Sweet Spot

Fujifilm x-t30 mirrorless digital camera.

Sensor: APS-C X-Trans CMOS 4 sensor Megapixels: 26.1 Screen: 3″ tilting touchscreen Video: 4K

The Fuji X-T30 is a clever little camera that closes the gap between a hobby camera and an entry-level professional one. It delivers functionality in spades and offers a ton of quality features at a reasonably affordable price.

The tilting LCD screen allows you to touch, focus and shoot, and the 2.16 million AF phase detection pixels provide accurate autofocusing.

The 4K video shoots at up to 30 fps and the HD video at up to an impressive 120 fps , and both are usable with the in-camera film simulation effects. The 30 fps continuous shooting with AF and in silent mode are professional touches that you don’t always find on cameras of this size.

Perfect for the traveler who wants more than just a basic point-and-shoot, the Fuji X-T30 is the real deal.

• Super slow-motion filming in 120 fps 1080p
• The app can be glitchy on Android to transfer images

Versatile with Excellent Build Quality

• Fujifilm X-T4 4K Mirrorless Camera

Sensor: APS-C Megapixels: 26.1 Screen: 3 touchscreen Video: 4K

This retro-looking camera may not be a full-frame camera, but it certainly performs like one. The X-T3 is refined, well-honed, and full of features that make it fun to use.

Offering fast, smooth autofocus and up to 11 fps (mechanical) or 30 fps (electronic) continuous shooting, you’re pretty much guaranteed to get the very best shot, every single time you shoot.

The powerful 4K creation tool allows you to direct moving pictures that you can send instantly, using the built-in Bluetooth or Wi-Fi capabilities.

The EVF is sharp and powerful, making it a pleasure to look through, while the features menu and buttons are easy to navigate and use.

The 26-megapixel X-Trans 4 sensor works well in all lighting conditions with an ISO of 160, and the phase-detect autofocus that spans a total of 425 selectable AF points, makes for clear, sharp images every time .

• Great autofocusing
• Battery life could be better

Best Mirrorless Cameras Over $1,500

Full frame sensor without the bulk, sony alpha a7iik mirrorless digital camera with 28-70mm lens.

Sensor: Full Frame Megapixels: 24.3 Screen: 3″ tilting touchscreen Video: 4K

This full-frame mirrorless camera uses the same 24-megapixel sensor and Bion X processor as its ever-popular predecessor, the original A7.

Improvements in this version include 5-axis sensor-based image stabilization and an improved AF performance system complete with 25 contrast-detect and 117 phase-detect points.

The 3-inch tilting LCD screen makes it super easy to capture awesome selfies or amazing forward-facing images, while the OLED viewfinder means you’ll never miss a shot.

The easy-to-use and incredibly familiar Sony function buttons are a welcome sight, and despite being a little larger than some other cameras in the same range, it’s still compact and incredibly portable.

The Wi-Fi connection with NFC capability and downloadable apps makes this little beauty great fun to play with and an incredibly capable camera wherever you’re planning to travel to.

Sony has since released the Sony Alpha a7III, and while it’s a better camera, the Sony Alpha a7II is currently $600 cheaper and provides great value for the price.

• Focus peaking
• Quite a heavy camera

One of the Best Mirrorless Cameras Money Can Buy

Sony a7r iii mirrorless camera.

Sensor: Full Frame Exmoor R CMOS Sensor Megapixels: 42.4 Screen: 3″ touchscreen Video: 4K

The Sony a7R Mark III is a full-frame mirrorless camera that uses a 42.4 megapixel stabilized BSI CMOS sensor . Offering a wide range of improvements over its predecessor, this newer model is one of the very best out there.

With impressive specifications in all aspects, serious semi-pros and enthusiasts will love the 42.4-megapixel sensor and 10fps continuous shooting.

The hybrid AF system that employs 399 phase-detection points covers approximately 68% of the frame. With 4K video recording, higher resolution EVF, and even a joystick for adjusting the focus point, it’s easy to see why the Sony A7R III is such an easy sell — even with its higher price tag.

• Has good low-light performance
• Doesn’t have a flip-out monitor

Best for Full Frame Fans with Deep Pockets

Nikon z7 ii fx-format mirrorless camera body.

Sensor: Full Frame BSI CMOS Sensor Megapixels: 45.7 Screen: 3.2″ tilting touchscreen Video: 4K

The Nikon Z7 II is a sophisticated, yet high-priced camera that offers a ton of options that you simply won’t find on lower-priced models.

With its innovative on-sensor 493 phase-detection system, you’re guaranteed extraordinary quality images.

Nikon certainly appears to have hit the ground running with this little number, as the in-camera image stabilization system (IBIS) will keep things blur-free, no matter how fast you or your subject are going.

Nikon users who are willing to part with the cash will also get the benefit of the new 5-axis, 5-stop VR system when shooting with NIKKOR Z lenses. 

Other fabulous features of the Z7 II include an ISO range of 64-25,600, 10fps continuous shooting, 4K UHD video recording, and a weather-sealed magnesium alloy body.

This could just be the ultimate choice for those prepared to spend money on their travel camera.

• Excellent in-body stabilization
• No dedicated buttons for white balance or function settings

Quality AF Performance and Capable Handling

Canon eos r mirrorless digital camera.

Sensor: Full Frame CMOS Megapixels: 30.3 Screen: 3.15″ fully articulating touchscreen Video: 4K

The sharp look and enhanced functionality of the Canon EOS R make for great image quality, easy handling, and high-quality video capabilities.

Perfect for the high-end enthusiast, this camera houses a full-frame 30.3-megapixel sensor that guarantees truly stunning images.

The new DIGIC 8 processing engine offers a healthy, native ISO range of 100-40,000 , which can be expanded upon. The electronic viewfinder (EVF) on the EOS R features an impressive 3.69-million dot resolution for perfect vision.

Razor-sharp shooting capabilities add to its charm, as does the intuitive touchscreen LCD that will easily guide the user through a wide range of features. The 4K video capability is equally as impressive, and if you fancy yourself as a bit of a pro director, you won’t be disappointed with the finished product.

• Compatible with EF/EF-S lenses with the optional mount adapter
• No camera body stabilization

The Perfect Blend of Video and Still Camera

Panasonic lumix gh5 4k mirrorless camera.

Sensor: Micro Four Thirds Megapixels: 20.3 Screen: 3.2″ vari-angle touchscreen Video: 4K

The Panasonic Lumix GH5s offers great video capability paired with the necessary features to capture awesome stills. As one of the best 4K cameras on the market for video, this little number is an excellent choice for semi-pro videographers and photographers.

The combination of the Venus Engine and Digitial Live MOS sensor promises more natural, true-to-life images with better noise control.

The electronic viewfinder offers a staggering 3,680,000-dot resolution and 0.76x magnification . For razor-sharp and shake-free perfection, the Axis Dual IS II anti-shake system works in tandem with Panasonic’s wide range of optically stabilized lenses to deliver up to 5 stops of correction. Within this particular bundle, you get the LEICA DG VARIO-ELMARIT 12-60mm F2.8-4.0 lens with Power IOS for extra stability.

The GH5 also offers an impressive 6K camera capability, allowing you to extract 18-megapixel still images from ultra-high video footage at 30fps at an unlimited burst rate.

• Has dual native ISO
• Doesn’t have the best low-light performance

If you have deep pockets, strong shoulders for carrying all that gear, and the dedication and skill to shoot like a pro, a DSLR could be just right for you.

Best DSLR Cameras Under $800

Your first budget dslr, nikon d3300 w / af-p dx 18-55mm digital slr.

Sensor: APS-C Megapixels: 24.2 Screen: 3.0″ fixed touchscreen Video: 1920 x 1080

Perfect for those looking to get into DSLR photography, the 24.2-megapixel APS-C sensor in the D3300 is about as good as you can get in this price range .

It offers an impressive 5fps continuous shooting speed as well as an optional wireless adapter to transfer your images to your smart device.

There’s no in-body stabilization, but many of the Nikon lenses that are compatible with the D3300 body, including the AF-P 18-55mm lens (included with the camera), come with Nikon’s VR (Vibration Reduction) system.

There’s also a lack of 4K video capability, but the full HD 1920 x 1080 video at up to 60/50fps is pretty impressive for the price. Affordable, effortlessly usable, and pretty impressive across the board, the D3300 is an excellent entry-level DSLR to take with you on your next adventure.

• Easy to use for beginners
• Doesn’t come with a hot shoe cover

The Light and Easy Canon DSLR

Canon eos rebel sl3 dslr camera with ef-s 18-55mm stm lens.

Sensor: CMOS APS-C Megapixels: 24.2 Screen: 3.0″ vari-angle touchscreen Video: 4K

Compact and clever, the EOS Rebel SL32 is a great little camera for taking traveling with you.

A step up from regular smartphone cameras and their digital counterparts, this entry-level DSLR will change your game completely.

Canon’s newly developed 24.1-megapixel APS-C Canon CMOS image sensor pairs perfectly with the unique DIGIC 8 image processor . This offers features like Dual Pixel CMOS AF for smooth and accurate autofocus and a high-resolution Touch Screen monitor that supports both Touch AF and Touch Shutter release functionality.

When you have captured epic images, you can share them in an instant with the built-in Bluetooth and Wi-Fi connectivity, while the EF-S 18-55mm STM Lens will effortlessly capture your subject with clarity and razor-sharp precision, every time.

• Has Wi-Fi and Bluetooth connections
• Continuous video-only films for 30 minutes

Good Value Option For Beginners

Canon eos rebel t7 digital slr camera.

Sensor: APS-C CMOS Megapixels: 24.1 Screen: 3″ touchscreen Video: HD 1080P

Offering versatile video and still image capabilities, the EOS Rebel T7 from Canon is a compact, sleek, and affordable DSLR that comes complete with a DIGIC 4+ image processor.

Rich quality images with reduced noise are easy to achieve using this camera, and the ability to shoot continuously at 3fps for photographing moving objects is an impressive feature, given the price.

The 9-point AF system incorporates a single center cross-type AF , as well as a contrast-detection focusing system, to ensure razor-sharp precision when shooting movies or working in live view.

When you’ve taken your shot, you can share your images instantly using the built-in Wi-Fi with NFC linked to your mobile device or smartphone. Good looking, easy to use, and easy on the bank balance, the EOS Rebel T7 is a good entry-level DSLR for broadening your skillset.

• Comes with an accessory kit, including filters, flash, and a tripod
• Doesn’t have a universal hot shoe

Best DSLR Cameras Under $1,500

Great ergonomics and a step up from the 70d, canon eos 80d dslr camera.

Sensor: APS-C CMOS Megapixels: 24.2 Screen: 3″ vari-angle touchscreen

The Canon EOS 80D DSLR is a versatile, feature-rich, and user-friendly camera that’s perfect for both professional photographers and those who would like to be. With an impressive 45-point all cross-type AF system, the ESO 80D provides high-speed, highly precise AF across all kinds of light.

The Intelligent Viewfinder, with approximately 100% coverage, provides a clear view and comprehensive image data while the built-in Wi-Fi with NFC allows you to share your images instantly.

The powerful 24.2-megapixel (APS-C) CMOS sensor and Dual Pixel CMOS AF for Live View shooting enhance the EOS 80D’s performance across the board and transform it into one of the finest cameras in its class.

Shoot full HD 60p movies, capture awesome stills, and work your way easily through the intuitive menu of features using the touchscreen .

The EOS 80D camera body is compatible with an ever-expanding collection of EF/EF-S lenses plus a host of EOS accessories.

• Has a good in-built microphone
• Doesn’t shoot 4K video

A Tempting Addition to the Nikon Range

Nikon d7500 dx-format digital slr.

Sensor: DX-Format CMOS Sensor Megapixels: 20.9 Screen: 3.2″ tilting touchscreen LCD Video: 4K

The Nikon D7500 allows you to lock on to fast-moving subjects with 51 available focus points, 15 cross-type sensors, and group-area AF for sharper , faster detection in low light.

The large 3.2-inch touchscreen will help you to shoot at high or low angles, and you can simply touch where you want to focus using Nikon’s innovative Live View feature.

If you’re planning on taking moving pictures, the Nikon D7500 will record rich and detailed 4K Ultra HD or Full HD videos when teamed with industry-leading NIKKOR lenses and a selection of pro-level video features, including time-lapse.

You can even share your masterpieces in the moment when you install Nikon’s SnapBridge app on a compatible phone or tablet and connect to the D7500 for instant sharing.

This enthusiast-level DSLR is one of the best in its class and offers flawless autofocus, 4K Ultra HD video, and professional-level creative tools wrapped up in a rugged package with intuitive, easy-to-use controls.

• Has 8 FPS continuous shooting
• No dual SD slot

A Well-Rounded Full-Frame DSLR

Canon eos 6d mark ii digital slr camera body.

Sensor: Full Frame CMOS Megapixels: 26.2 Screen: 3″ vary-angle touchscreen Video: 4K

Canon’s EOS 6D Mark II features a high-resolution 26.2 megapixel full-frame Canon CMOS image sensor that’s powerful enough to capture excellent images across the board.

The addition of Canon’s DIGIC 7 image processor and a 45-point All Cross-Type Viewfinder AF system means you’ll never miss your subject. The enhanced low light sensitivity to EV -3 at the center AF point allows you to be as creative as you want, whenever you want to shoot.

With a ton of additional features, including Dual Pixel CMOS AF and a 3.2-inch Vary-Angle Touchscreen LCD monitor, creating epic images and video is made easy.

When you’re happy with your work, share your videos and images instantly using the built-in Bluetooth, Wi-Fi, and NFC connectivity for easy operation.

• Has a vari-angle touchscreen
• Can be slow to focus

Best DSLR Cameras Over $1,500

Fast, robust, and well-rounded, nikon d850 fx-format digital slr.

Sensor: FX-format full-frame CMOS Megapixels: 46 Screen: 3.2″ tilting screen Video: 4K

This high-resolution, full-frame DSLR, boasts an impressive 46-megapixel, backside-illuminated CMOS sensor and is one of Nikon’s fastest-shooting DSLRs to date .

Loved by both professional photographers and high-end enthusiasts alike, the awesome power of the D850 is designed to impress. The efficiency of the sensor improves low-light performance, while the electronic front-curtain shutter (EFCS) and exposure delay, counteracts shutter shock.

The D850 is also the proud owner of one of the best AF systems on the market, with fine-tuning that allows you to benefit from your lens’ full capabilities.

When it comes to capturing moving images, at 1080 resolution, the camera can shoot at up to 60p, with a slow-mo mode that can capture at 120 frames per second before outputting at 30, 25, or 24p. The 4K capabilities are also pretty darn incredible.

• The rear touchscreen is crisp and bright
• Noise at quite a low ISO

High Performance at a Premium Price

Canon eos 5d mark iv full frame digital slr.

Sensor: Full-frame CMOS Megapixels: 30.4 Screen: 3.2″ touch panel LCD Video: 4K

Building on the powerful legacy of the 5D series, the EOS offers heaps of refinements across image quality, performance, and overall versatility.

The full-frame sensor means that high-quality images and epic 4K video are easy to capture. The focus accuracy has been improved and refined with the 61-point AF system and revolutionary Dual Pixel CMOS AF for smooth video and live-view shooting .

The DIGIC 6+ image processor provides continuous shooting at up to 7fps, and the built-in Wi-Fi means you can share your masterpiece with ease.

The easy-to-navigate touch panel will help you find features and access your photo library in seconds. Reliable, impressive, and perfect for all kinds of photography, the EOS is a capable camera with plenty of oomph!

• Good auto-focus shooting video
• Doesn’t have a tilting screen

The Big and Beautiful With Superior Performance

Canon eos-1dx mark iii.

Sensor: CMOS Megapixels: 20.1 Screen: 3.2″ touchscreen Video: 4K

If you have prior experience of shooting with a 1D series, chances are you’ll love this camera and will be able to work with it from the start.

If not, the seriously impressive range of features may take a little while for you to get used to. With an AF system that utilizes 61 AF points, a 350,000-pixel RGB+IR sensor for face recognition and subject tracking, and a dual-pixel autofocus system , this is one seriously impressive camera.

The 2 Digic 6+ processors help keep noise levels down by enabling the 1D X Mk II to apply complex noise-reduction algorithms. It can also shoot at up to 14 frames per second with full exposure metering and autofocus operation.

Capture literally anything, anywhere, with this high-end camera that comes with a price tag to match its utter brilliance.

• Great battery life
• Menus settings are not that intuitive

Wherever you’re heading, and whatever you’re planning to take pictures of when you get there, the right camera for you is out there.

For everyone from snap-happy beginners to hardened professionals, finding the right camera can bring your visions to life like never before.

From the light speed and razor-sharp images of the Panasonic Lumix to the intuitive features and the full-frame 30.3 megapixels of the Canon EOS, there really are a number of excellent quality, affordable cameras on the market.

If your budget is big and you’re happy to carry more with you, any of the DSLRs in the Nikon D Series could quite possibly allow you to capture your best photos ever.

Now that you’ve got yourself a savvy new camera, you’ll need a way to keep it safe… check out our review of the best camera bags for travel !

Interested in other top travel items you shouldn’t miss out on? Check out our additional product reviews:

• All Our Best Travel Product Reviews – In One Place
• What Are the Best GoPro Alternatives? [We Found Several Options]
• The Best Laptop Backpacks to Buy for Travel
• The Best Noise-Canceling Headphones To Buy for Travel

Frequently Asked Questions

What cameras do travel bloggers use.

Travel bloggers use a variety of cameras to capture their adventures for their blogs and social media platforms. Depending on your budget and whether you want to specialize in photography, videography, or adventure shots, here are some popular options:

• Canon EOS 6D Mark II
• Fujifilm X-T30
• Panasonic Lumix GH5
• Panasonic Lumix GX9
• Panasonic Lumix LX10
• Nikon D7500
• Sony Alpha a7IIK

What is the best travel camera?

There are literally thousands of different cameras available today, each one offering a wide variety of features and promising awesome images at the click of a button. These are some of our favorite cameras for traveling:

• Sony Alpha a6000 Mirrorless Digital Camera
• Sony RX100 III 20.1 MP Premium Compact Digital Camera

What to consider when buying a camera for travel?

Before you rush out and blow your budget on a shiny new camera for your next trip, consider what you’re actually going to be using it for. What you need versus what you can afford will also be a major factor in your final choice. You’ll want to think about the size and weight of the camera, sensor, and lens compatibility when doing your research.

What is a good small camera for travel?

The Olympus OM-D E-M10 Mark IV comes complete with a 14-42mm EZ lens kit that has been specially designed for people who love photography and want to explore their ability to capture the perfect picture. Compact and easy to use, the E-M10 is so small and lightweight that you can literally take it anywhere with you.

What are mirrorless cameras?

Mirrorless cameras are digital cameras that work with the addition of different lenses but don’t use a mirror to reflect the image into the viewfinder.

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About Amar Hussain

Amar is an avid traveler and tester of products. He has spent the last 13 years traveling all 7 continents and has put the products to the test on each of them. He has contributed to publications including Forbes, the Huffington Post, and more.

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7 Best DSLR Cameras in 2024

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A DSLR camera is still a great option if you’re a photography lover. DSLRs might not be as trendy as mirrorless cameras at the moment. But when it comes to photography, the DSLR is worth its weight in gold.

There are fantastic APS-C and full-frame DSLRs. And everyone from beginners to professionals will find the perfect DSLR camera in this article.

The Canon EOS Rebel SL3 is our favorite DSLR camera. That’s because it’s a brilliant entry-level camera that’s the perfect starting point for new photographers. It produces bright. vibrant images. And you can even use it for 4K video recording or live streaming. 

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What Is the Best DSLR Camera?

DSLR cameras remain popular with photographers of all levels. And that’s with good reason. They’re reliable machines. They have excellent photography features. And they consistently produce excellent results.

Some DSLRs even shoot excellent video. You’ll see many 4K DSLRs in this list. But you can also see our full list if you want to find the best DSLR for video .

The best DLSR cameras are a dream to use. They are heavier and bulkier than their mirrorless rivals. But many prefer the heft of a decent camera in their hands. 

They also lack some of the more advanced features of a mirrorless. But when it comes to traditional photography genres like landscape, portrait, or macro photography, a DSLR is perfect for the job. 

Here’s a quick rundown of all the best DSLR cameras. The list has shrunk in recent months as some models run out of stock. But all the DSLR cameras in this list are available brand new. Keep scrolling to see a detailed description of each DSLR camera. 

• Excellent value
• Compact body for a DSLR
• Insanely good battery life
• Fully articulating screen is helpful for capturing video
• Solid 4K video quality
• Weather-sealed body for outdoor shooting
• 20.9 MP DX-format CMOS sensor
• 4K UHD video recording at 30 fps
• 153-point AF system with 99 cross-type points
• 10 fps continuous shooting
• 32.5 MP CMOS sensor
• Up to 10 fps continuous shooting
• Dual Pixel CMOS AF for Live View & 4K video
• Vari-angle touchscreen LCD
• Built-in Wi-Fi and Bluetooth connectivity

• Fantastic image quality
• Impressive 45-point AF system
• Built well and nice to handle
• Handy built-in Wi-Fi and GPS

• Quality sensor produces detailed and vibrant images even at high ISOs
• Dual Pixel AF with eye detection
• User-friendly touch-to-focus screen
• 900-shot battery life
• Cinema-quality (DCI) 4K video

• Plenty of manual controls
• A wide ISO range for low light
• 5-axis Shake Reduction II worth 2.3 to 3.6 shutter stops
• Dynamic Pixel Shift resolution provides sharper images
• Astrotracer tracks stars at night
• Durable camera body with excellent weather sealing

• Fantastic overall image quality
• Excellent 3D continuous AF tracking
• Long, 1,840-shot battery life
• Durable, weather-sealed construction
• Sharp 4K/30p Ultra HD video

Best DSLR Cameras

Now we’ll look at each DSLR camera in more detail. We start by looking at the APS-C models. These are at the entry-level/intermediate end of the spectrum. Even inexperienced photographers can pick one up and start shooting straight away.

Further down the list, we switch to full frame DSLRs. These are suitable for intermediate users and professionals. They have higher image resolutions, giving you better image quality. They also have more advanced features and an overall higher performance. 

1. Canon EOS Rebel SL3

The Canon EOS Rebel SL3 takes the top spot because it’s the best DSLR camera for beginners. It’s accessible and easy to use, but also produces excellent results. You don’t need any experience to use it, and it’s sure to fuel your enthusiasm for photography. 

The ASP-C CMOS sensor has a 24.1 MP resolution, which is excellent for an entry-level camera. The images are bright with sharp details and true-to-life colors. 

A 100 – 25,600 ISO range is modest by modern standards. But the low-light performance is surprisingly good for a beginner camera. You only experience digital noise at the very top of the ISO range. 

A classic optical viewfinder gives you a clear view of your scene. You only get a 9-point AF system when using the viewfinder. This functions well, but you get a superior AF system when using Live View and the vari-angle touchscreen. This gives you subject eye-detection and tracking. 

4K video recording makes it a great DSLR camera for aspiring filmmakers. You are limited to a 25 fps frame rate in 4K, but there is a 60 fps option if you switch down to Full HD. The SL3 also doubles as a webcam, so you can use it for live streaming. 

The Canon EOS Rebel SL3 offer beginners a chance to grow and develop their photography skills. The results will encourage them and build enthusiasm. And it’s an affordable DSLR camera that comes with a kit lens.  

2. Nikon D7500

The Nikon D7500 is a versatile camera that delivers on all fronts. The photography specs are great, and it gives you excellent video options. So photographers and videographers will enjoy using this excellent DSLR camera

This camera is a great all-rounder. The resolution of 20.9 MP might seem low for this level, but the image quality is superb. It has an ISO range of 100-51,200 that is extendable up to ISO 1,640,000. This means the D7500 performs brilliantly in low-light conditions.

Light metering is one of the D7500’s strengths. Whether you’re using auto or semi-auto modes, the camera always find the perfect exposure. 

The 51-point autofocus and 8 fps burst mode make it great for capturing the action. But if that’s not quick enough, you can try the 4K video capture.

You can record 4K video at 30 fps. And you get faster frame rate options if you drop down to Full HD quality. You also get a 4K time-lapse video feature built in.

The LCD screen tilts to help you shoot at different angles. And the camera body is completely weather sealed for outdoor shooting.

Battery life is one of the best things about using a DSLR camera. While you’ll be lucky to get 300 shots from a mirrorless camera, the D7500 gives you up to 950 shots from a fully charged battery. 

The Nikon D7500 is a fantastic all-rounder. 

3. Canon EOS 90D

When it comes to APS-C DSLRs, the Canon EOS 90D has stolen the show. It has a powerful sensor that beats most other APS-C models. The autofocus is excellent. And the video specs make it one of the best DSLRs for filmmakers.

The sensor has a resolution of 32.5 MP. That’s impressive for a camera with an APS-C sensor. The images will knock your socks off. And you don’t lose any quality when shooting with the 10 fps burst mode.

Its only weakness is the limited ISO range. But the powerful sensor means you don’t experience much digital noise until you reach the higher end.

It’s not only photographers that love the Canon EOS 90D. Thanks to its 4K uncropped video, videographers and vloggers are raving about it too.

You can shoot 4K with a smooth 30 fps frame rate. And there’s a 120 fps frame rate when shooting in Full HD. That gives you high-quality slow-motion footage.

The 45-point focus system is great for moving subjects. It tracks them as they move. And you get face and eye detection features for better accuracy. It works well for photography and video shooting. 

For quality and functions, you can’t do better than the Canon EOS 90D . It has webcam functionality for live streamers on Twitch or YouTube. And it has built-in wireless connectivity. It’s the most powerful crop sensor DSLR on the market.

Check out our full high resolution camera rundown if you’re looking for more power. 

4. Canon EOS 6D Mark II

The Canon EOS 6D Mark II is for serious enthusiasts. It’s for the photographers that want to capture the best images they can. It isn’t the most versatile, but it plays to its strengths. It’s the perfect camera if you’re making the jump to full-frame photography.

It’s hard to beat the Canon EOS 6D Mark II on image quality. The 26.2 MP sensor packs a punch. And the expandable ISO range means it won’t let you down if the conditions change. The dynamic range is excellent. And you won’t see any noise until you reach the high end of the ISO range.

The burst of 6.5 fps is slow compared to some competitors. But the 45-point autofocus system is quick and reliable even at that speed. The video settings are limited. But you can still shoot excellent Full HD video. That’s more than enough for social media. 

The wide range of Canon EF lenses is another reason to opt for a Canon DSLR. It’s one of the biggest catalogs in all of photography, and they have lenses for every type of photography you can think of. 

It’s a rugged camera with impressive build quality. If you want a DSLR that gives you high-quality images, the Canon EOS 6D Mark II won’t let you down. It’s one of the very best DSLR cameras available. 

5. Canon EOS 5D Mark IV

The Canon EOS 5D Mark IV is a tough and reliable DSLR camera. It’s well-rounded and has an excellent range of specs and features. It’s very popular among professional photographers and regarded as one of the all-time best DSLR cameras. 

The full frame 30.4 MP CMOS sensor produces gorgeous images. Excellent low-light performance and a wide dynamic range give you stunning detail in tough conditions. And the ISO expands to give you a 50 max low setting for maximizing image quality. 

The autofocus system is fast and reliable when shooting stills and video. And despite the cropped footage, the Canon EOS 5D Mark IV produces high-quality video. The 4K resolution is fabulous. And you get a 60 fps frame rate in Full HD.

The burst speed is a bit slow at 7 fps, but they are full-resolution images from the powerful sensor. If 7 fps isn’t enough, you can shoot video and take still frames from the footage. They also have a resolution of 8.8 MP, but it does give you a burst of 30 fps.

You can also pull 8.8 MP images from 4K footage. The resolution is low, but that gives you a 30 fps burst rate for capturing the fastest action. 

Canon’s Dual Pixel CMOS autofocus system is the best in the business. It’s not quite as sophisticated as some on newer mirrorless models. But this AF system is still accurate and reliable, working well for photography and videography. 

The Dual Pixel RAW innovation allows you to shift the focus after you’ve taken the picture. You can correct errors or change the subject. It’s a fantastic feature for professionals when money is on the line.

The Canon EOS 5D Mark IV is a professional DSLR camera that produces excellent results with photos and videos. It’s a DSLR for photographers who love the art of taking pictures.

6. Pentax K-1 Mark II

The Pentax K1 Mark II is a robust and powerful full-frame camera. Pentax is often left out of the full-frame camera discussion. But the K1 Mark II demonstrates everything great about Pentax cameras. They don’t meet the standards for videographers. But for photography, you can’t do much better.

The 36.4 MP image resolution meets the brief of a professional camera . The quality is exceptional. It gives you bright and accurate colors. The details are sharp, and the dynamic range is outstanding. The built-in 5-axis image stabilization system will ensure a sharp focus in all your images. And it gives you more exposure control in low light.

The autofocus system is basic compared to some other models. It will struggle with super-fast subjects, but it can be relied on in most situations. The Pentax gives you more options with the burst function. You get 4 fps with the full-frame sensor. Or you can switch to crop mode for a 6 fps burst. 

The Pentax K1 Mark II is a DSLR for traditionalists. It loses points on features, but it’s tough and reliable. It’s weather-sealed and made for tough work in any conditions. If you want a back-to-basics camera that you can rely on, the K1 Mark II is one of the best DSLR cameras for professionals.

7. Nikon D850

The Nikon D850 is a robust and powerful full-frame camera. It was made to work and won’t let you down. That’s why it remains one of the most popular DSLR cameras with professional photographers.

The full-frame sensor has a mind-blowing resolution of 45.7 MP. For image quality, you won’t find anything better in the world of DSLRs. The quality is ideal for enlargement, print media, and gallery displays. 

The 4K video is also of excellent quality, making it an ideal camera for videographers too. You can shoot 4K with a smooth 30 fps frame rate. And you also get slow-motion options with Full HD resolution. 

The continuous shooting speed is quick, and the autofocus system functions even at full speed. And the battery life is great too. You can capture over 1000 shots on one charge, which is impressive for a camera of this standard.

A standout feature is the focus shooting mode. This mode allows you to change the focal area after taking the picture. And you can use it for focus stacking in post. 

The intervalometer also provides a lot of creative scope for time-lapse photography . You can program specific intervals and shooting rates for different effects. And the final results are breathtaking 8K time-lapse videos.

The Nikon D850 isn’t cheap. But you are paying for quality in every respect with this camera. It is the best Nikon DSLR camera for professionals.

Buyer’s Guide for DSLR Cameras

DSLR stands for Digital Single Lens Reflex. That might make it sound complicated, but it’s pretty simple.

The digital part is fairly obvious. It refers to the fact that it is a digital camera rather than a film camera . You’re using a memory card instead of a roll of film.

“Single lens” means that the camera only uses one lens to reflect light entering the camera onto the sensor. Older cameras would use several lenses and mirrors to reflect the light onto the film. This was less efficient, so single-lens cameras were a revelation at the time.

Reflex refers to the movement of the shutter and mirror. It only needs to make one mechanical movement to reflect the light onto the sensor. You change the speed of this motion by changing the shutter speed on the camera.

In the realm of modern digital cameras, you now have crop-frame and full-frame DSLRs. This refers to the size of the sensor. Most crop-frame DSLRs will use an APS-C sensor, which is smaller than full-frame sensors.

DSLR vs Mirrorless

Mirrorless cameras are grabbing the headlines in the photography world. And it’s not without reason.

Many mirrorless cameras are smaller than their DSLR counterparts. No space is needed for a mirror or prism, which allows for a smaller body. And the lack of a mirror makes an electronic viewfinder possible as the light can travel straight to the sensor.

The lack of a mechanical shutter also means there is a reduction in noise. Some photographers like the sound of the shutter. But a silent camera can be an advantage for sports and wildlife photographers .

Burst mode speed is another area of competition. No mechanical parts means that some mirrorless cameras have a much faster continuous shooting speed. This isn’t a general rule. But electronic shutters generally achieve a higher rate of continuous shooting.

But DSLRs have their benefits, too. Many photographers still prefer the mechanical nature of DSLRs. Some find that the optical viewfinder helps with concentration and composition. Others like their ergonomic body designs.

It’s also easier to keep the sensor clean in a DSLR because the shutter protects it. If you need to change lenses on a mirrorless camera, there is a higher risk of dust reaching the sensor.

In terms of image quality, it’s a fairly even race. Whether the camera has a mechanical shutter or not doesn’t affect the quality of the image. That tends to be determined by the sensor size .

Many manufacturers are now making new lenses specifically for mirrorless machines. But the quantity and variety don’t come close to that of DSLRs. There are hundreds of lenses available, especially for Nikon and Canon.

Are DSLRs dead?  Not yet. But the direction of travel is clear, and the forecast doesn’t look good. Manufacturers are putting more and more energy into mirrorless. And it’s only a matter of time before they take over completely. But the DSLR is not dead yet. They still have many loyal supporters. And that includes us at Expert Photography.

Best Lenses for DSLR Cameras

One of the best things about sticking with DSLR cameras is the lenses. Because DSLRs were the dominant camera type for so long, all the top camera brands have extensive catalogs of compatible lenses. 

Canon has its famous EF lenses for its DSLR cameras. Whether you have an APS-C or full frame DSLR, you have literally hundreds of lenses to choose from. They have prime and zoom lenses, and there are specialist lenses for any type of photography you can think of. 

See all the best Canon EF lenses by clicking this link. 

Similarly, Nikon’s F-mount lenses are just as revered. They too cater to every types of photography, with everything from wide-angle primes to telephoto zooms in their collection. 

Check out our favorite Nikon F lenses in this article. 

Pentax also makes fantastic lenses for their DSLR cameras. They don’t have the same number of lenses available, but there’s still a good selection. They have all the main photography genres covered. The overall quality of their lenses is also outstanding, so you’re guaranteed top-notch picture quality. 

See all the best Pentax lenses here. 

Conclusion: Best DSLR Cameras

DSLR cameras may not be in vogue right now, but don’t let that put you off. The battle between DSLR and mirrorless cameras is not over. Nikon, Canon, and Pentax are proving DSLRs still have a place in the world of photography. The best DSLR cameras offer everything you need. You can find everything from stripped-back to feature-packed machines.

The Canon EOS Rebel SL3 is the best DSLR right now. A brilliant entry-level DSLR that has everything you need to get started. It’s easy to use and produces stunning images. It’s proof that DSLR cameras are still worth investing in. 

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The best mirrorless camera in 2024: get the right camera at the right price!

These are the best mirrorless cameras right now, whether you're after a holiday snapper or a pro performer

The Quick List

Best overall, best professional, best affordable, best vlogging, best travel, best filmmaking, best beginner, best sports & wildlife.

• How we test

The Quick List ↩ 1. Best overall Canon EOS R7 2. Best professional Nikon Z9 3. Best affordable Olympus E-M10 IV 4. Best vlogging Sony ZV-E1 5. Best travel Fujifilm X-S20 6. Best filmmaking Panasonic S5 IIX 7. Best Canon Canon EOS R5 8. Best beginner Canon EOS R100 9. Best sports & wildlife Sony A9 III How we test FAQs

The "best" mirrorless camera can be different things to different people. Obviously it means one thing if I want to take holiday snaps, and another if I want to film a documentary. So the best tool for the job really depends on the job – which is why this guide is divided into different use cases. 

I own and use a lot of different cameras but, for my money, the best mirrorless camera overall is probably the Canon EOS R7 – an APS-C powerhouse with all the punch of a full-frame camera, combined with all the advantages of a cropped sensor. Again it has particular pros and cons depending on what you use it for, but it's the most adaptable camera on this list in the overlapping Venn diagram of price, performance and portability.

My advice is to work out what you actually need from your camera, and then click on the relevant link over to your left. Want something for vlogging? For wildlife? Something for beginners? These recommendations are pitched accordingly. 

I'm lucky enough to have played with every camera on this list, and the DCW team has reviewed and lab-tested each one according to its specialism, so you can be sure that you're being recommended the best mirrorless camera for you . 

As a proud owner of the Panasonic G1 , the first ever mirrorless camera (launched in 2008), I was an early adopter of the technology. I switched to the trailblazing Olympus cameras in the mid-2010s, and in 2018 I sold my Canon DSLR to join the EOS R system as well. I've been a mirrorless convert since day one, when the tech was still a little primitive, through to today where it's now the industry standard.

Don't get swayed by full-frame! The R7 packs combines speed, stabilization and resolution with all the benefits of a smaller sensor – like an amplified focal range, perfect for genres like wildlife. I would (and have!) taken this camera on any job. Read more below

Made for pros who demand the absolute best, this will please photographers and filmmakers alike with its all-around prowess, from 45.7MP stills to 8K video. For me, the size gives this the advantage over the otherwise near-identical Z8.   Read more below

The E-M10 series has always been great value, and the Mark IV adds power and sophistication with a 20MP sensor, improved stabilization, and a flip-down monitor that tilts 180° for selfies. I think it's ideal for newcomers to photography, too. Read more below

The Sony ZV-E1 is ideal for vlogging and content creation, with a full-frame sensor, in-body image stabilization, and Sony's S-Cinetone and S-Log3. The ZV product line is very confusing, but this is the one I would go for right now. Read more below

The X-S20 doesn't have the external exposure controls of the higher-level X cameras, but that arguably makes it better suited to run-and-gun vacation vlogging and shooting. I love all of Fujifilm's X cameras, but this is perfect to pack for a holiday. Read more below

Panasonic has always had one of the best reputations when it comes to video, and the Lumix S5 IIX steps this up with the debut of phase detect AF as well as pro-level in-camera recording. I'll reach for this camera if I need to film something! Read moe below

Load the next 3 products ↴

Other cameras have caught up in some departments, but the R5 is still an almost unbeatable Swiss Army Knife of a camera: 45MP stills, 8K video, best AF in the business, 8 stops of in-body image stabilization… Canon made a monster. And I bought one! Read more below

If you, or anyone you know, is just starting photography, this is the camera to get. Simple to use (it guides you through the menus!) yet packing plenty of power under the hood, I think the R100 is an exceptional camera for beginners. Read more below

I've never used a camera like the A9 III! With its full-frame 120fps burst shooting, global shutter sensor and 1/80,000 sec sync speed, this is the ultimate camera for fast-paced action and top-tier sports photography. Read more below

The best mirrorless cameras I recommend in 2024

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

I've extensively used every camera on this list, and I'm fortunate enough to have owned a few of them as well, so I'm confident in saying that these are the best mirrorless cameras in their particular category. I'm brand agnostic, so I'm simply choosing the cameras that I feel do the best job for a given purpose – having tried them out specifically for that purpose! 

1. Canon EOS R7

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want a camera that does everything:  The R7 is a true jack of all trades – in a good way! It's small, fast, high-resolution, has amazing autofocus and dual card slots. 

✅ You shoot wildlife:  Its 30fps burst mode is ideal for shooting fast action. Combined with its 1.6x APS-C crop factor, which makes your lenses effectively longer, this is a great camera for capturing subjects at a distance. 

❌ You want a full frame camera:  This is an APS-C camera, which has advantages, but if you want the power of a full frame sensor then look to something like the R5.

❌ You want the best lens selection:  Canon has an extensive line of RF (mirrorless) and EF (DSLR) lenses that can be used, but the third-party range is limited. 

The R7 is the mirrorless replacement for three of the most popular DSLRs that Canon ever made: the EOS 90D , EOS 7D and EOS 80D . However, more than just doing the same thing but without a mirror, Canon has turned these speed-focused wildlife specialists into an all-purpose performer that can handle anything you throw at it.

Of course, the Canon EOS R7 still retains its pedigree when it comes to wildlife, sports and action. Its blistering 30fps maximum shooting speed is on par with the flagship Canon EOS R3 , and the 1.6x crop factor means that the effective focal length of your lenses is extended. My creaky old EF 75-300mm lens becomes a whopping 120-480mm on this camera! It also boasts the same bleeding-edge autofocus system found in the flagship camera, which I called a cheat code for wildlife photography . 

On top of that, though, the R7 does everything you could ask of it. Unlike most APS-C cameras, it doesn't compromise on resolution thanks to its 32.5MP sensor. When I want to shoot video, I'm getting glorious 4K (which has been oversampled from 7K) with dedicated headphone and microphone jacks. There's twin card slots, so you don't have to worry about corrupted data, and the in-body image stabilization is good for up to 8 stops. If anyone scoffs at an APS-C camera being top of this list, they've clearly never used this camera. 

Read my full Canon EOS R7 review for more details.

• Back to the top ⤴

2. Nikon Z9

✅ You want pro performance:  With 45.7MP stills, 8K 60p video, up to 120fps bursts, top autofocus and stabilization, the Z9 is a professional tool in every department. 

✅ You need pro build quality:  It's fully weather sealed, with an integrated vertical grip and exposure controls, a huge battery, and balances much better with big pro glass.

❌ You want "true" 120fps:  While it shoots up to 120fps, it does so with reduced image size (11MP JPEGs rather than 45.7MP RAWs). The Sony A9 III takes "full fat" 120fps shots. 

❌ You want a small body:  The Z9 has a traditional "pro DSLR" form factor with the vertical grip, but the Z8 is the same camera in a conventional, compact mirrorless body.

Some say that Nikon was late to the party with its pro mirrorless camera. The moment I used it, though, I knew that Nikon hadn't been tardy: it had been canny. This is the most top-to-bottom capable mirrorless camera on the market right now. 

The 8K is as good as anything I've experienced from the Sony or Canon, particularly its market-first 8K 60p. I was skeptical when I saw that Nikon had ditched the mechanical shutter but, with a blinding 120fps continuous shooting and a max shutter speed of 1/32,000, the Z9 simply stands in a league of its own. (Yes, admittedly those 120 frames are only 11MB JPEGs, but it's still hugely impressive).

The autofocus is a few steps behind Canon's, and even Sony's, but the deep learning-powered system is still truly incredible whether you're shooting people, animals, planes, trains or automobiles. The stabilization is rock-solid, it's as rugged as they come… the only thing I don't like is Nikon's counter-intuitive mounting and ring directions! 

The Z9 comes in quite a bit cheaper than both the Sony A1 and the Canon EOS R3 flagships, and it has a lot of advanced features. However, if you want the same features for even less money (and an even smaller body), the Nikon Z8 has identical specs with a lower price tag.

Read my full Nikon Z9 review for more details

3. Olympus OM-D E-M10 Mark IV

✅ You want bang-for-buck features:  The E-M10 IV packs more features than most cameras, especially at its price! Stabilization, art filters, 4K, selfie screen, a great phone app – it's brilliant value.

✅ You want a compact system:  Micro Four Thirds cameras (and, most importantly, their lenses) are ultra-small. This is perfect for anyone wanting a small, lightweight system. 

❌ You want a large(r) sensor:  Micro Four Thirds sensors are physically smaller than both APS-C and full frame, so there are compromises in terms of crude ISO performance. 

❌ You need resolution:  The 20.3MP sensor has enough detail for a magazine spread, but if you want large prints then you're better off with a camera that has more pixels.

I liked the E-M10 so much that I bought my partner one for her birthday. If that's not putting my money where my mouth is, I don't know what is! In addition to being one of the prettiest cameras on this list, the E-M10 Mark IV is also the smallest – making it perfect for travel and street photography, and an ideal holiday camera. And just because it's the most affordable, doesn't mean it skimps on features. 

With a guided user interface, it's an exceptional camera for beginner and intermediate photographers eager to unlock new skills. It boasts super-sturdy in-body image stabilization, along with 4K video and a responsive touchscreen that flips down 180° – ideal for selfies and walkabout vlogging. 

The small Micro Four Thirds sensor is even more compact than APS-C, giving two big benefits: the lenses, not just the body, are much smaller, making this a genuine take-anywhere system. And the 2x crop factor means that your 300mm lens instantly becomes a 600mm – great if you want to shoot faraway subjects! There are trade-offs with a smaller sensor, but honestly they're nothing that good camera craft can't compensate for. This is a brilliant all-round performer at a brilliant price. 

Read our full Olympus OM-D E-M10 Mark IV review for more details

4. Sony ZV-E1

✅ You're a content creator:  This camera has been tailor made for video, vlogging and content creation, with features and physical layout that suits those needs. 

✅ You need great audio:  While you should use a separate microphone, sometimes you're stuck using the built-in mic – and the ZV-E1 has an extra-large, extra-good one!

❌ You want to shoot photos:  While it can shoot stills, the 12.1MP sensor is very low-resolution by today's standards. 

❌ You use large lenses:  This camera is so small that it is dwarfed by medium to large lenses, and it's particularly tricky to shoot with them handheld.

If you're confused by Sony's overwhelming ZV line of cameras, you're not alone – I am too! But I can safely say that, right now, the ZV-E1 is the best vlogging body you can buy. 

It's small, compact and lightweight, while packing in some incredible features like an image-stabilized full frame sensor, and subject recognition and auto tracking that comes straight out of the Sony A7R V . The camera is also incredibly simple and intuitive to use, so is perfect for anyone wanting professional looking footage without knowing a lot about cameras. 

Video footage is excellent, sharp, clear, and with good color direct from the camera. While the stills are of very high quality, they are obviously limited by the 12MP sensor – and pretty much a second thought for a vlogging camera, so this isn't the end of the world. While I still rank Canon's AF more highly for stills, Sony's latest autofocus tracking is a sight to behold when it comes to video, especially for human subjects. It is incredibly fast and accurate, with its AI powers meaning you don’t have to worry about focus and can think about other aspects of filming. 

Read our full Sony ZV-E1 review for more details.

5. Fujifilm X-S20

✅ You want great battery life:  The souped-up battery is good for 800 shots on paper, but with care you can squeeze off almost 1,000!  

✅ You're a video shooter:  This is a real video powerhouse. Not only does it capture 6K 30p, it also offers open-gate (full sensor) recording for ultimate flexibility!

❌ You need weather sealing:  If you're travelling to somewhere rainy, dusty or extremely hot or cold, this may not offer adequate durability. 

❌ You want "Fujifilm control dials":  While Fujifilm's cameras are known for their manual dials, the X-S20 abandons them in favor of more conventional controls. 

Some vacations require the take-anywhere convenience of a waterproof camera that can go to the beach, but when you need to take image quality on a world tour then it's hard to beat the X-S20's combination of size, speed, versatility and features. Not to mention its looks! Maybe I'm being vain, but if you're on vacation then the chances are that you're going to be appearing in some holiday snaps – so you'll be grateful to have a timeless, chic-looking camera around your neck. 

A fantastic hybrid camera, the X-S20 offers a seamless shooting experience from stills through to video, for users of all levels, with its intuitive and straightforward designed controls and compact and portable form factor making it convenient to carry everywhere. But portability doesn't come at the expense of power.

As well as stunning 26.1MP images, the X-S20 enables you to record high-quality 6K videos – in open gate, no less, meaning you get the full height and width of the sensor instead of the baked-in 16:9 that most cameras record in – with professional-level output and RAW codes. 

The seven stops of in-body image stabilization provide rock-solid shake compensation. And while Fujifilm 's autofocus still trails its rivals, for my money, it's very, very good – and unless you're planning to shoot sports, more than enough to cover your vacation!

Read our full Fujifilm X-S20 review for more details.

6. Panasonic Lumix S5 IIX

✅ You shoot video:  With open gate 6K 30p, ProRes RAW and B-RAW, 4:2:2 10-bit, LongGOP, SSD recording and more, this is a videographer's dream. 

✅ You rely on stabilization:  When you don't have a gimbal, the incredible in-body image stabilization (up to 6.5 stops) outperforms even higher-specced competition. 

❌ You shoot a lot of texture:  The camera omits a low-pass filter, which is great for fine detail – but can invite the moiré effect sometimes caused by patterns such as fabric. 

❌ You rely on a tally light:  A rare miss for the otherwise excellent video features is the lack of a tally light, to indicate when the camera is recording.

I've always found it hard to recommend Panasonic cameras due to their clunky contrast-detection AF systems, but that all changed with the S5 IIX! It sees the debut of the phase detect technology that Lumix cameras have long needed – and I'm so happy to be able to say that it rockets this camera to the front of the class for video. 

There's a lot of competition in this category, and while the regular Lumix S5 II may be the best overall value camera at this price point, the S5II X opens up some great use cases for solo filmmakers at a relatively small bump in price. What’s most impressive here is that the S5II X doesn’t compromise S5II features to add extra video functionality, in fact, it added some features straight out of the box, including better AF and Live View Composite mode that only came to the S5II via firmware update.

If you’re a creator or a filmmaker who needs a top-tier hybrid camera that’s compact and can produce content that slips into professional workflows, without compromising on image quality, the S5II X makes a compelling case for itself. Even if RAW video capabilities weren’t an immediate interest of mine, ALL-I compression, the ability to shoot directly to SSDs and streaming functionality would have been enough to tip the balance in its favor over its stablemate and the competition. 

Read our full Panasonic Lumix S5 IIX review for more details.

7. Canon EOS R5

✅ You want an all-purpose powerhouse:  From 45MP stills at up to 20fps to 400MP(!) photographs to 8K 30p video, this camera offers pure horsepower. 

✅ You want the best autofocus:  Other opinions are available but, having tested them all, I've found the AF system in this camera better than any other on the market.

❌ You want third-party AF lenses:  Only Canon makes RF autofocus lenses – currently, third parties are not able to produce them, so there are no cheaper alternatives.

❌ You shoot a lot of 8K:  There are limits that restrict how much 8K (or 4K HQ) you can shoot before the camera overheats. The Canon EOS R5C is a better option for video.

When someone who reviews cameras for a living buys a camera, you should probably pay attention. I was so blown away by the R5 after playing with the prototype that I dropped three-and-a-half grand on launch day – and I haven't regretted it for a second. I honestly think it's Canon's finest product ever. 

I said it in my comments about the EOS R7 above, and I'll say it again here: Canon's Dual Pixel CMOS Autofocus II system isn't just the best in the industry, it's nothing short of a cheat code . And when it comes to image stabilization on full frame cameras, I don't think it gets better than this – it's leagues ahead of Sony, and bested only by crop sensor systems that have much smaller sensors to stabilize.

The R5's 45MP sensor delivers jaw-dropping stills, and is also capable of 8K 30p video – and a great hack is that you can film something in 8K, then extract a 35MP still image that's absolutely pin-sharp. Ideal for hybrid shooters covering things like weddings who want two bites of the cherry. Oh, and did I mention it can also shoot 400MP photographs ?

The 8K does, of course, have some well-publicized limitations. And the overheating restrictions extend to 4K HQ, meaning that this isn't an ideal camera if video is your primary field. But I'll be straight with you – aside from review purposes where I torture tested it, I've never actually made this camera overheat in personal use. I can't give it a higher endorsement than the fact that I bought one with my own money – and four years on, I have zero plans to sell it. 

Read my full Canon EOS R5 review for more details.

8. Canon EOS R100

✅ You've never used a "proper" camera:  The guided menus offer explanations of what the modes do, to help you learn and understand.

✅ You want something compact:  The R100 is Canon's smallest interchangeable lens camera, so you can upgrade from a phone without having to carry heavy kit.

❌ You want touch control:  The R100 doesn't offer a touchscreen, so you need to use the buttons and dials to change settings and use menus.

❌ You want to shoot 4K:  With a 1.55x crop, and contrast-only autofocus, the 4K mode here is quite compromised (but FullHD video is great).

A cheap DSLR may be more affordable, but I've always said that a mirrorless camera is the best way for someone to learn photography – and thanks to the EOS R100, now we have a camera that ticks both boxes. This is an affordable camera and a great entry point into Canon's incredible EOS R ecosystem, boasting some truly incredible lenses and technology, meaning that your kit can grow with you as your skills develop.  

The R100 is fantastic for beginners because, like all mirrorless cameras, what you see in the viewfinder (or the back screen) is literally how your photos will look – unlike DSLRs, where you had to check the back of the camera after every shot to see if your exposure was right. The EOS R100 shows you exactly how adjusting things like aperture and shutter speed affects your image, doing a great job of teaching you the principles of photography.

The camera also has a guided user interface, helping you unlock skills and showing you how to achieve creative effects like blurred backgrounds and arrested motion. And none of it comes at the expense of quality, with a potent 24.1MP sensor that delivers results on par with far more advanced and expensive cameras. 

At this price you will, however, need to make do with a fixed screen without touch control, as well as 4K that is cropped and loses the brilliant AF system found in stills shooting. But as a beginner body, designed to help you develop your photographic skills, those things really aren't important here. I've taken shots with this camera that are so good, I use them in my professional portfolio! 

Read my full Canon EOS R100 review for more details 

9. Sony A9 III

✅ You need top speed:  With a staggering burst rate of 120fps (producing 24.6MP RAWs) this is the king of speed!

✅ You want to use flash at any speed:  Forget high speed sync – thanks to the global shutter, you can sync at any speed and completely overpower the sun for stills.

❌ You're fussy about ISO:  A compromise of global shutter sensors is lower sensitivity, so the ISO starts at 250 and images are slightly noisier.

❌ You're a video shooter:  Again, the global shutter sensor is built for speed over fidelity. Along with more limited ISo comes more limited dynamic range – not ideal for video.

I have never used a camera like the A9 III, because there is no camera like the A9 III. It's the first camera to feature a full-frame global shutter sensor, which is so lightning-fast that it completely eradicates rolling shutter, achieving a maximum shutter speed of 1/80,000 sec, and being able to sync with flash at any speed. Oh, and can shoot full-frame, full-resolution 24.6MP RAW images at 120fps (the Nikon Z8 and Z9 can shoot at 120fps, but only low-res 11MP JPEGs). 

In short, it's so fast that it doesn't just catch the decisive moment – it catches the decisive moments between the decisive moments, making it the ultimate tool for sports photography (and, indeed, wildlife) when the blink of an eyelid, the tension of a tendon, or the grit being kicked up on the ground can be the difference between a killer shot and a missed opportunity. 

Sony's always-reliable AF now employs a dedicated AI processing unit, with Real-time Recognition AF and predictive algorithms that possess "human pose estimation technology". This is generally brilliant but does, occasionally, wobble. The only other asterisk is a higher base ISO of 250, due to the sensitivity tradeoff with global shutter technology (and, thus, slightly less clean images). 

However, those are literally the only two strikes against this camera that I've encountered. I tested it on some of the fastest human subjects in the world – Olympic athletes, training for the Paris Games – and there's no other camera that would have been able to keep up with it.

Read my Sony A9 III review for more details 

How we test mirrorless cameras

I take every camera into the field and use it in real shooting situations, sometimes even on my professional shoots and commissions. More importantly, I test them in real shooting situations specific to the camera – so I'll test a wildlife camera's ability to photograph animals, rather than to shoot landscapes. 

This practical, hands-on evaluation complements the technical testing by taking into consideration factors like how a camera performs indoors, outdoors, when it's overheating, when I'm using natural or supplemental light, how long the battery lasts and how easy it is to use. Having used almost every camera released in the past six years, I can also put them into context – because a newer model isn't automatically better than one that's been out for a while.

My colleague Ben Andrews , our lab manager, complements this hands-on evaluation with dedicated lab tests on camera resolution, dynamic range, and noise under scientifically controlled conditions using two key testing tools: Imatest Master and DxO Analyzer:

1. Resolution (ISO-12233):  We use a resolution chart based on ISO-12233 from Applied Image inc to indicate the limit of the camera’s vertical resolution at the centre of the frame. The higher the value, the better the detail resolution.

2. Dynamic range (DxO Analyzer):  This is a measure of a camera’s ability to capture detail in the highlights and shadows. We use DxO’s transmissive chart, which enables us to test a dynamic range of 13.3 stops.

3. Noise (DxO Analyzer):  We use the dynamic range transmissive chart to analyze the signal-to-noise ratio for RAW and JPG files at every sensitivity setting using DxO Analyzer. A higher value means the signal is cleaner.

Is a mirrorless camera better than a DSLR?

In short, yes! Once upon a time, the price disparity between DSLRs and mirrorless cameras could be a real deal-breaker. Today, however, mirrorless technology is now "the norm", and thus much more affordable. Yes you can get a DSLR for less money, but unless you have a true need for one then it's false economy; DSLR development has all but ceased (Pentax is the only company still producing new models) while mirrorless is the new standard. 

In short, mirrorless cameras employ drastically improved autofocus technology, are smaller and lighter, can achieve superior optical quality thanks to more advanced lenses, show you exactly what your images will look like at the point of capture, possess advanced sensor shift technology for in-body image stabilization and pixel-shift resolution boosts, are better for video… take a look at our DSLR vs mirrorless cameras guide to see what all the differences are. 

What are the disadvantages of a mirrorless camera?

While there are far more advantages, there are a couple of aspects of mirrorless cameras that fall short of their DLSR predecessors – and the main one is battery life. 

Because mirrorless cameras constantly shoot in live view, they always need to power a monitor (either the LCD screen or the electronic viewfinder). The more advanced AF system, with more focus points and more complex algorithms, are also a constant drain, as is the image stabilization system that makes the sensor hover in a magnetic field. Since a DSLR doesn't even need to be switched on to look through the lens, it has far superior battery life. My solution, of course, is to carry an extra battery and a power bank.

Speaking of viewfinders, some purists lament the loss of the optical viewfinder. Despite the electronic finder shows you exactly what your final exposure will look like, many traditional photographers simply prefer the crisp old-school look of a glass pentaprism. I can't say that I ascribe to this perspective myself, nor do any photographers I know personally… but they are certainly out there!

Which mirrorless camera has the best image quality?

This is a highly subjective question, so your mileage may vary. However, Canon is generally regarded to have the best "color science" of all manufacturers, with the most lifelike and pleasing rendition of natural hues and particularly skin tones. (By contrast, Sony is often criticized for having undesirable colors that need correcting in post-processing.) 

In truth, every mirrorless camera from the major manufacturers has fantastic image quality these days. However, if you want the absolute tippy-top quality, I would point you towards the Hasselblad X2D – which I believe has the best color science in the business .

Does sensor size matter?

Yes, sensor size matters depending on how you shoot, what you're shooting, and why you're shooting it. Sometimes a smaller sensor is better, as it affords smaller cameras and lenses and the image stabilization is better. Other times, though, a larger sensor is better, in terms of things like resolution and low light performance. Here's a quick rundown, from smallest to largest:

Micro Four Thirds is the smallest sensor format, but the image quality is surprisingly close to that of bulkier APS-C cameras. These cameras are small, powerful, and affordable. Their crop factor increases depth of field along with the effective focal length of your lenses by 2x.

APS-C cameras provide a good balance between quality and price, with a sensor roughly twice the size of Micro Four Thirds cameras. The crop factor again increases depth of field and the effective length of your glass, but only by 1.5x (or 1.6x for Canon APS-C cameras).

Full frame mirrorless cameras have sensors the same size as 35mm film negatives, and about twice the size of APS-C. This gives them better quality, due to each pixel being larger (and able to gather more light, with less noise), and they can also possess much greater resolution. The trade-off is that they are also bigger and more expensive.

Medium format cameras have sensors even larger than those in full frame cameras, but carry a price tag to reflect that. They boast supreme image quality, but are much larger and slower – both in terms of their physical handling, as well as when it comes to things like continuous shooting speeds. 

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The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera Magazine ,  PhotoPlus: The Canon Magazine ,  N-Photo: The Nikon Magazine ,  Digital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show . He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.

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Ricoh GR III HDF review: A unique but slow compact camera

Instagram is full of photographers sharing tricks for obtaining softer, more cinematic photos, like using nylons, bubble wrap, or plastic baggies over the lens. But what if digital cameras could go from sharp to soft at the press of a button? Ricoh asked that question, then answered with the Ricoh GR III HDF .

... has a built-in filter that creates softer images and spreads out the highlights for a more cinematic, timeless look.

The HDF in the name stands for highlight diffusion filter. The compact camera has a built-in filter that creates softer images and spreads out the highlights for a more cinematic, timeless look. While the filter is built in, a button turns the effect on and off, effectively allowing photographers to go from sharp to soft and back again without any accessories.

Best compact cameras: Pint-sized cameras for video, photos, and vlogging

While the HDF feature is unique, the camera is otherwise largely unchanged from the original 2019 GR III. That means that the key tech inside, like the sensor, processor and lens, is now around five years old. Longtime fans of Ricoh's compact GR series may be left disappointed.

Ricoh GR III HDF

A unique portable camera for travel and street photography

The Ricoh GR III HDF is a compact camera capable of taking cinematic images, thanks to the APS-C sensor and a built-in diffusion filter. While the highlight diffusion filter adds a unique, artsy look, the rest of the hardware is identical to the original GR III. While the camera is a solid tool for travel and street photography, it lacks action capabilities with a slower burst speed and autofocus system.

• Large, 24 megapixel APS-C sensor
• Unique built-in highlight diffusion filter
• Compact design
• Bright f2.8 lens
• Slow 4 fps burst and autofocus
• No viewfinder and only one USB-C port
• 1080p video only

Price, specs and availability

Ricoh announced the GR III HDF in March 2024 alongside the GR IIIx HDF. Availability followed in April, with the camera listed for $1,069.95.

Brand Ricoh

Sensor Size APS-C

Video Resolution 1,920 x 1,080

Photo Resolution 24.24 Megapixel (6,000 x 4,000)

Battery 200 shots

Connection Bluetooth and Wi-Fi

Size 4.3 x 2.4 x 1.3 inches

Weight 9.7oz With Battery, Recording Media

Water Resistance None

Lens 18.3mm f2.8

Burst speed 4 fps

Autofocus Hybrid phase and contrast detection

Design, size, weight, and materials

The ricoh gr iii hdf is a true compact.

A lot of cameras claim to be pocketable, but with the Ricoh GR III HDF, that’s not marketing hype. The camera is shorter and narrower than my iPhone 15 Pro, though more than twice as thick. Measuring 4.3 inches on the longest side and about 1.3 inches thick, it weighs about nine ounces.

That pocketable size doesn't leave as much room for controls, but all the essentials are there.

That pocketable size doesn't leave as much room for controls, but all the essentials are there. With two control dials and an ISO shortcut at the back, photographers have quick access to all three points of the exposure triangle. The Fn button is reserved for the HDF or highlight diffusion filter, but like the other buttons, this can be customized to control something else.

The touchscreen is large for the size of the camera, though unfortunately, there’s no tilt feature. The compact design also omits the viewfinder. But, if the latter is a dealbreaker, Ricoh sells an add-on.

The Ricoh GR III HDF also isn't rich in ports either. The only port is a micro USB.

The new HDF feature can be added to nearly any camera using a screw-in filter. But, as a compact camera, the GR III lacks the lens screws to accommodate such accessories. You can get an adapter to use with the camera, but it then becomes much less portable. Sadly, the Ricoh GR III HDF lacks weather-sealing, so it's not the camera to take in the rain or to the beach. (The sample images taken in the rain were instead taken from inside a car).

How I take action shots with my phone, and 5 gadgets that help

Photo and video performance, the ricoh gr iii hdf isn't built for action.

The Ricoh GR III HDF is designed to be a compact, unobtrusive camera for street photography and travel -- and that shows in the camera's performance. The GR III HDF isn't the camera that you'll pick up if you want to shoot a little bit of everything.

The compact size, image quality and features like Snap Focus work well for street and landscape.

The compact size, image quality and features like Snap Focus work well for street and landscape. But, turn the GR III HDF on kids or pets, and you will likely end up frustrated, disappointed, or both. The burst speed maxes out at 4 fps, considerably lower than other cameras and even smartphones. The autofocus similarly had trouble keeping up with my dog.

While the camera isn't meant for action, it's not quite a one-trick pony.

While the camera isn't meant for action, it's not quite a one-trick pony. The lens can focus as close as about 2.3 inches away. That excellent macro mode adds some much-needed versatility. Similarly, it's not a camera that you'd pick up exclusively for video, as it lacks 4K and recording time is limited to 25 minutes. The lack of ports is also a downside for video, with no mic port. But, that HDF effect does work nicely on video.

DSLR vs mirrorless cameras: Which is worth buying new in 2024?

Image quality, the ricoh gr iii hdf proves sharper isn't always better.

Cameras and lenses have been trending towards the scientifically sharp, but the Ricoh GR III HDF proves that sharper isn't always better. The HDF in the name stands for highlight diffusion filter, an internal filter that can be turned on and off at the press of a button. The HDF softens highlights and light sources. Direct it towards car headlights, for example, and the lights will appear to have a larger spread than with the filter off.

While the effect is most noticeable directed towards light sources, HDF photos have a generally softer feel with less sharpness than the unfiltered images. Super sharp details aren't always a good thing. With the Ricoh GR III HDF, photographers have access to both sharp and soft photos.

Highlight diffusion isn't something that's only on this camera -- you can buy a mist filter or soft filter to add to nearly any mirrorless camera. What sets the Ricoh model apart is that you can get this effect in a tiny camera, without adding a bulky adapter or remembering to pack any filters.

While the Ricoh GR III HDF exchanges the prior model’s ND filter for highlight diffusion, none of the other hardware changes, so images without the HDF applied will look identical to that of the original GR III. The compact camera houses a 24-megapixel APS-C sensor. The resolution delivers a good mix of details and grain. At ISO 3200, noise is noticeable, but not overpowering.

The APS-C sensor mixed with the f2.8 lens is capable of delivering excellent bokeh and background blur, considering the camera's small size. The 35mm equivalent focal length of the lens is an excellent tool for wide shots in street and landscape photography, plus it has an impressively close macro mode. Directed at the light, the camera can also produce some neat flare.

Ricoh GR III initial review: Tugging on those high-end heartstrings

Verdict: should you buy the ricoh gr iii hdf, only if you don't need a camera that can shoot action.

Photographers who love the Ricoh GR III HDF understand what the compact camera is for -- and what it isn't for. The camera is an excellent tool for travel and street photography, thanks to its small size, excellent images, and built-in highlight diffusion filter. It's a great choice for those looking for a simple, compact camera that offers a cinematic feel to its images.

The Ricoh GR III HDF, however, should be avoided by anyone wanting a camera that can capture a landscape one minute and an action shot the next. The burst speed and autofocus are slower than comparable cameras. The camera also isn't much of an upgrade for photographers who own the original GR III -- it simply swaps out the built-in ND for the HDF.

Other key competitors to consider include the Sony RX100 VII, which has a smaller one-inch sensor but a 20 fps burst. The Fujifilm X100 VI has the larger APS-C sensor, but with 40 megapixels, 6.2K video and a 20 fps burst. Fujifilm's compact, however, is both larger and more expensive than the GR III HDF.

Fujifilm X100VI vs Ricoh GR III HDF vs GR IIIx: Battle of the compact camera kings

This article may contain affiliate links that Microsoft and/or the publisher may receive a commission from if you buy a product or service through those links.

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Best Camera Sling Bags

Camera sling bags are a great option for when you need the comfort of a backpack, and the conveniece of a messenger. See which sling bag is best in 2023.

Bag Guides | Camera Gear Guides | By Mark Condon | Last Updated: January 4, 2024

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The humble camera sling bag has seen a massive resurgence in popularity recently. Everyone from amateurs to professionals seem to be favouring these unique, one-shouldered carrying solutions.

Maybe it’s due to the fact that more and more photographers are down-sizing their gear with mirrorless camera systems that are more compact than ever before.

Or perhaps you’re looking for that perfect in-between of camera backpack portability with camera messenger bag accessibility.

Lightweight, weather proof, versatile and affordable. Still the best sling bag for photographers of the year.

Being able to go from carrying all your gear on your back (with both your hands free), to accessing it with just one quick ‘pull and swing’ of the bag around your body, is a really efficient way to move and shoot.

Whatever the reason, I thought it was high time to investigate the best camera sling bags on the market in 2024.

Check out my favourites below, and leave a comment if you agree with the choices.

Table of Contents

Best Camera Sling Bag in 2024

1. peak design everyday sling 10l | best sling camera bag.

Dimensions: 15.8 x 9.1 x 5.5″ (401 x 231 x 139 mm) Weight: 680.39 g (1.5 lb / 24 oz)

When I do engagement shoots, one of the biggest issues is finding a small sling bag that’s big enough to house a couple of lenses and some spare batteries, but not so big as to be cumbersome.

I also need something that will stay out of the way like a backpack, but have the accessibility of a messenger bag.

One of the camera sling bags that helped solve the problem is the Peak Design Everyday Sling 10L. I’ve now integrated this small camera bag into the wedding day, using it in conjunction with my rolling camera bag which houses the bulk of my gear.

The size of the Peak Design Everyday Sling 10L is quite deceptive, looking quite small in pictures but actually offering tardis-like carrying capacity.

You can squeeze in one pro-sized camera body and 1-3 lenses or any other miscellaneous equipment, and compression straps allow it to expand to hold extra gear in the front pocket as required.

Like all Peak Design’s bags , innovative Flexfold compartment dividers keep your gear organised on the inside, bending in the middle to secure smaller items or providing a ledge on which to stack two items on top of each other.

The Peak Design Everyday Sling 10L model can hold quite a bit of gear, despite its minimal size | Tommy Williams

Inside the main compartment, there’s a zippered pocket with 5 stretchy compartments to store spare batteries, memory cards or cables, as well as a padded sleeve for a tablet or 12″ Macbook Retina. It also has a spacious pocket on the front of the bag so that you can store other items for quick access.

The straps and buckles on the front of the Peak Design Everyday Sling 10L can be extended to secure a small tripod or monopod . It doesn’t have a way to secure it at either end, but if you can tighten the straps enough, it’s pretty secure (depending on the weight of the tripod of course).

One of the best features of this camera sling bag is the strap. It has a one-handed quick-pull adjustment buckle that you can use to lengthen the strap with one hand. It requires very little effort to quickly lengthen the strap, swing it around your body, and then stow or take out your camera.

The ends of the strap can be tucked away into side recessed pockets, and the Everyday Sling 10L can also be worn as a hip (fanny/bum) bag. I gave this a go but found it a little odd to have such a large bag attached to my waist. I imagine it is most useful though for when you ride a bike.

Design-wise, the Peak Design Everyday Sling 10L looks great and is highly functional to boot. I own the Ash version because of the leather brown accents which I love, but I secretly want the newly released black version too! The most popular colour to date seems to be the Charcoal version, with its red accents – see all the colours here .

The weatherproof 400D nylon canvas shell fabric used for the Everyday Sling is durable and feels great. Zippers are all weatherproof too.

Tightening the compression straps collapse the bag completely, so it’s easily packable into another bag – this is what I do when travelling on holiday, stuffing it into a larger suitcase to remove and use when I arrive at the destination.

Probably one of the biggest issues with the Everyday Sling 10L for most people is that it’s a little steep in terms of pricing compared to some of the other best camera sling bags in this review.

Personally, I feel that this is justified by its features and looks – there really is no other camera sling bag on the market like it.

All in all, the Everyday Sling 10L is one of the best camera sling bags of the year and I highly recommend it. Its only competitor at thsi point is the McKinnon Sling , which we’ll add to this guide soon.

(You can check out the Peak Design Everyday Sling 10L Review if you’d like to learn more about this great product. You may also want to check the Clever Supply sling for an alternative.)

2. Altura Photo Camera Sling Backpack

Dimensions: 17 x 8.1 x 6.4″ (431.8 x 205.74 x 162.6 mm) Weight: 589.67 g (1.3 lb / 20.8 oz)

Despite its rather confusing name, the Altura Sling Backpack is a camera sling bag through and through, in that it offers just one shoulder strap with which to carry your gear.

For those who are perhaps more active with their shoots, the Altura Sling Backpack also offers a quick-release chest strap to provide a more secure fastening to your body. This stops the bag from swinging around while cycling, hiking over mixed terrain, or running.

A nice touch is that you can tuck the chest strap away into a hidden pocket at the base of the bag when not in use.

The Altura Sling Backpack offers two main access points – one via a ‘side door’, which allows you to grab your camera or lens easily while the bag is still attached to your body (by sliding it around to your front).

The other access point is a cavernous front door, which can be customised with velcro dividers to fit a large DSLR camera and up to 3 lenses or other accessories. The internal dimensions are 10.2″ high, 8″ wide and 5″ deep – one of the biggest in its class.

Near the top of the Altura Sling Backpack, there’s also a small zippered pocket which is perfect for smaller accessories such as flash triggers, spare batteries or a set of keys.

There’s also a mesh (see-through) pocket on the inner side of the front door flap, which is handy for memory cards, cleaning cloths and the like. It’s good how this pocket has a ‘flap’ at the top (see video), which prevents items from sliding out when you fold the door flap back. Inside the top zippered pocket there’s another one of these mesh pockets too.

A great feature of the Altura Sling Backpack is the strap with clips on the front. At first glance it seems to be there to provide more security to the zippered front door, to prevent it from accidentally opening.

When fastened, however, it also means that the front flap can only open halfway (see video below), stopping all your gear from falling out when you try and retrieve an item while the bag is still on your back. It opens up just far enough to be able to easily remove or stow your camera, then you can unclip the straps and open the flap further to remove other items of gear.

On the side, the Altura Sling Backpack features an additional strap and elasticated ‘pocket’, allowing you to carry a small travel tripod or thin water bottle.

During the review, I preferred to keep it empty to aid with the overall balance of the bag while carrying, although you could use the waist strap to offset it slightly.

In terms of its design, the exterior is nice and simple with a mostly black design and grey centre strap. The purple highlighting of the inside adds a touch of jazz and helps you easily identify the presence of your gear in low light.

The Altura Sling Backpack is also nice and light and functions well as a camera sling bag even when fully loaded, as it stays fairly well-balanced in terms of its weight distribution. The padding on the back of the bag is a nice touch – something you surprisingly don’t see on all camera sling bags.

It has to be said that one of the biggest reasons for the enormous popularity of the Altura Sling Backpack is its affordable price. At under $30, you’re getting a fully-featured camera sling bag with multiple storage and carry options, innovative features, understated looks and high quality.

Small design features like the padding next to the quick-release clip to prevent rubbing on your hip, the top grab handle and the see-through mesh zippered pockets for at-a-glance gear confirmation all add up to a very well-thought-out bag at a price point to suit any wallet.

3. Lowepro Passport Sling III

Dimensions: 17.3 x 5.7 x 16.1″ (439.42 x 144.78 x 408.94 mm) Weight: 476.27 g (1.05 lb / 16.8 oz)

The Lowepro Passport Sling III is an enormously popular camera sling bag, that actually has legions of non-photographer fans too. Comfortable, stylish, lightweight, and innovative figure-hugging design make this the bag that I’ve decided to take travelling with me this year.

This sling bag has a surprisingly large amount of storage space which is usefully dispersed across the front, rear and inside. The front and back of the bag have a few ‘open’ pockets that can store small non-valuable items which you may need to access quickly – things like spare batteries, lens cloths, notepads and the like.

While most camera sling bags offer exterior pockets that are zippered or at least hook-and-looped, the Lowepro Passport Sling III has taken the somewhat braver route of leaving them open. I actually really like this, as the pockets serve more like the pockets on your jacket or jeans, being easy to slip your hands in and out to retrieve items quickly.

The more I used the Lowepro Passport Sling III, the more I used these exterior pockets to carry things I’d usually leave in my jeans pockets – lip cream, chewing gum, a train pass, tissues, etc. Having nothing in my jeans pockets was very freeing :-)

Inside the bag, it’s very spacious with lots of compartments for various gadgets. There are a few adjustable partitions there for your camera, as well as your lenses and other small pieces of equipment.

There’s also a padded partition for your tablet or small notebook computer – this being one of the updated features of the VIII model of the bag. I’m not quite sure why there’ve been 8 (VIII) iterations of this bag, but I’d like to think they’ve perfected it with this one!!

In the inside wall, there’s a partially concealed mesh compartment that you can use to store your phone, passport, and other documents, as well as a convenient little hook for your keys.

One great feature of the Lowepro Passport Sling III that makes it ideal for travel is a side zip that runs along the length of the underside of the bag – one quick zip and the inside expands considerably – check out the video review below where the owner easily stashes a bottle of wine, mini umbrella and a box of crisps away inside!

Whilst most camera sling bags I’ve come across incorporate a somewhat rigid design, the Lowepro Passport Sling III takes on a more form-fitting approach, with its kidney-shaped contouring.

This is one of the big reasons for its popularity, and the main reason why I’ve decided to take this bag on holiday with me instead of any of the others I now own.

Wearing the Lowepro Passport Sling III on the side of your body actually feels more like a messenger bag, but with the contoured edge allowing you to quickly slide it back around and up your back, transforming it into a camera sling bag.

Made out of water-resistant nylon, the bag feels strong while remaining very lightweight. Zippers are excellent quality and feature cord grab loops, making them easy to open and close even when you’re wearing gloves.

During this review, I found that the sheen of the fabric gives it the added benefit of being extra ‘slippy’, making the transition from side to back very smooth and quick, even when the bag is fully loaded.

If you wear leather jackets or even nylon quilted jackets, you may find that with some sling bags, the material used actually prevents it from being slid around your body easily, since it sticks slightly – thankfully this isn’t the case with the Lowepro Passport Sling III.

All in all, I’m a big fan of the Lowepro Passport Sling III. While having a semi-rigid camera sling bag like the Peak Design Everyday Sling series and several others is nice, I’m growing much more accustomed to the benefits of this collapsible design.

The padded interior dividers provide ample security for your gear, while at the same time, the bag is still able to ‘bend’ around your body when partially empty – I love this.

Overall, another highly recommended camera sling bag. Available in stealthy all-black (my choice), or a fashionable grey with orange accents – the only problem you’ll have is deciding on the colour ;-)

4. LowePro Slingshot Edge 250 AW

Dimensions: 13 x 19.3 x 11″ (330.2 x 490.22 x 279.4 mm) Weight: 798.32 g (1.05 lb / 28.16 oz)

Moving on to something a little more heavy-duty, the LowePro Slingshot Edge is slightly larger than the camera sling bags mentioned previously, almost to the point of it looking like a small backpack .

Instead of opening up to the front, the LowePro Slingshot Edge opens up at the back (where the strap is located). You can still easily shift the bag to the front and gain access to the main storage compartment, although it’s not quite as simple as the front-opening bags. Inside, there’s plenty of room for your DLSR camera and 2-3 lenses, depending on their size.

The front has a small quick-access pocket for miscellaneous accessories like batteries or memory cards and also features a handy key leash.

Included with the LowePro Slingshot Edge are two utility straps that feed through the two small holes on the front of the pack, for a way to attach a tripod, a monopod, an umbrella, a walking stick, etc.

On the side, there’s another hole to attach the utility strap and an elasticated ‘pocket’. By tucking a leg of your tripod into the pocket, you can secure the upper portion with the strap for a nice, secure alternative way to carry it. The elasticated pocket also doubles as a way to carry a small water bottle.

Inside the upper area, there’s a ‘suspended’ pocket space which you can use to store a tablet, or a small laptop, plus another space to store headphones, a small camera, or anything else you need frequent access to. There’s also a zippered mesh pocket for batteries, filters, and other smaller items.

A neat feature of the LowePro Slingshot Edge is hidden away in a small compartment on the back of the bag. Just unzip it and you have a weather-resistant covering for your bag which can save your gear from a sudden downpour – this is a common design feature in the LowePro AW range (AW= All Weather).

The rear padding is ample and well-designed, featuring narrow spacing in the padding presumably to help with grip on your back, and perhaps to provide some ventilation in warmer climates too.

As for the strap itself, the contoured, padded design provides a great fit – LowePro has obviously used all its experience when creating some amazing backpacks in the design of the strap.

If you’re cycling, running, or need some extra stability, there’s an additional strap that attaches from your hip to the front of the main strap, preventing the LowePro Slingshot Edge from swinging across your body.

Then there’s the grab handle on the top of the bag, which has a nice grippy rubberised handle covering the canvas material used inside it.

This bag can definitely withstand a lot of abuse – being a LowePro product, it’s extremely durable and well-made.

Aesthetically speaking it may not be to everyone’s taste, but it’s still an excellent bag for people who go hiking a lot for shoots , if you want to travel light but still have ample storage space to carry your camera gear safely.

5. Peak Design Everyday Sling 5L | Best Small Camera Sling Bag

Dimensions: 4.3 x 12.2 x 7.5″ (109.22 x 309.88 x 190.5 mm) Weight: 498.95 g (1.1 lb / 17.6 oz)

this might be the best camera sling bag for travel.

If you love the idea of the Everyday Sling 10L but you wished it was more compact, this 5L version is the answer to your prayers. It’s a more minimalist option if you’ve got a smaller camera gear collection, or need something dedicated to carrying your drone .

Despite its size, the Peak Design Everyday Sling 5L has a surprisingly large carrying capacity. First off, it has a small zippered compartment on the front which you can use to store a spare camera strap , phones, chargers and other smaller items.

Inside the main compartment, there’s another zipper compartment, which includes stretchy pockets that can expand to fit batteries, SD cards, and other small items. Organization options are always well-thought-out and plentiful on Peak Design bags.

As for the inside, the 5L version of the Everyday Sling can be set up similarly to the 10L, with a middle compartment for your camera, and two Flexfold dividers for lenses and other equipment. These can be folded inwards for more security if you’re only looking to carry a camera with a single, large lens.

The main pocket also has a separate compartment for an iPad Mini or similar-sized tablet, although it has to be said that when the bag is fully loaded, it’s a little hard to slide the tablet in and out.

I’m currently using mine to carry a Mavic Pro drone , controller and spare battery – the fit is so perfect it’s almost as if they based the dimensions of the bag on the Mavic when making it!

I’d go as far as to say that it’s the best sling bag for camera drone owners who don’t need to carry another non-compact camera body alongside the drone.

The Peak Design Everyday Sling 5L is also a great size for use when travelling, whether carrying a camera or not. I used mine while travelling in Europe recently to carry a water bottle, map, spare battery pack and point and shoot camera , and still had space to spare.

As for camera gear, you can fit a DSLR body with a lens attached, or a smaller mirrorless camera and a couple of lenses, depending on their size of course.

The rear strap has a slightly different placement from the 10L, as it’s on top of the bag rather than on the rear. This doesn’t really affect how the bag feels when carried at all, and I appreciate the addition of another grab handle even on a bag this small.

The 5L version doesn’t have the straps on the front for a tripod like its bigger brother, but it does have an attachment point on the side for other smaller items. Peak Design hope that you’ll use it to attach their innovative Capture Clip , but securing a small camera to the outside of this miniature bag seems a little odd to me!

A neat design touch on the Peak Design Everyday Sling 5L is that the main zipper tag can be opened up and closed around the attachment point to act as a theft-deterrent. It’s a little fiddly to be using every time, but it’s nice to know you have that option when walking in unfamiliar streets.

The strap has the same easy-adjust feature as the 10L but tightening is done via a small fabric loop instead of the buckle. It can also be altered slightly to allow it to be worn as a waist bag (fanny/bum bag) which helps if you’re on a bike.

Similar to the 10L version, the strap features a rotating fastener where it meets the bag, meaning that it can pivot around in all angles when in use. This all helps to ensure the bag stays close to your back, even when you’re moving fast – just be sure to really tighten up the strap to stop it from bouncing.

The fabric of the Peak Design Everyday Sling 5L is like the 10L – water-resistant enough to keep your gear safe during light showers, but you wouldn’t want to be out in a downpour too long.

It also shares the same awesome minimalist design as its big brother but with even simpler detailing. Unlike the 10L you only get two choices for the colour scheme – ash or black.

I’m a big fan of the all-black line of Peak Design products, with all the elements of the bag in the same shade of black – buckles, zippers, everything. The inside pale yellow colour with the various Peak Design signature accents on the mini pockets looks great too. Having a lighter colour interior also helps you find items in low light.

The Peak Design Everyday Sling 5L is so much more than just a compact version of the 10L. It’s incredibly versatile, has awesome storage space, and is perfect for everything from a small mirrorless camera system ( see examples ) to your everyday carry essentials.

The price is definitely in the ‘premium’ category, but for that, you’re getting a good-looking, well-designed camera sling bag that’s functional, durable and from a trusted brand.

6. AmazonBasics Camera Sling Bag | Budget DSLR Sling Bag

Dimensions: 10.3 x 7.9 x 6.1″ (261.62 x 200.66 x 154.94 mm) Weight: 648.64 g (1.43 lb / 22.88 oz)

It seems like Amazon has one of its own-brand ‘Basics’ products in every niche on its site, gobbling up the sales of smaller manufacturers, by creating a competing product to sell at a hugely reduced price.

It’s a common practice to reverse engineer all the features used on other competing products to create something that’s on par, if not better, and that’s what Amazon seems to have done with the AmazonBasics Camera Sling Bag.

At the heart of the design is a contoured, padded strap which is nice and thick to evenly distribute the weight across your shoulder and down your front. The inclusion of a padded waist belt is a nice touch and means that the bag can be worn while hiking, walking fast or cycling.

Undoing the waist belt to swing the AmazonBasics Camera Sling Bag around to your front is quick and easy with the quick-release clip which can be unfastened simply with one hand.

The front strap seems to have been influenced by the design of the Altura Sling Backpack to name but one, in that keeping it fastened helps to prevent the main flap from opening too far when the bag is around the front of your body.

This also means that the bag’s internals are separated into two different ‘stages’, with the first stage opening to allow access to your camera, and the second stage (with the strap undone), opening fully to reveal your lenses.

There’s also a handy see-thru zippered pocket for memory cards built into the main flap.

On the inside, padded dividers can be configured using velcro fastenings to adjust for bigger camera bodies and lenses. I was able to fit a Nikon D850 body with an 85mm f/1.4 lens attached and still have room for a 35mm f/1.8 next to it.

Opening the AmazonBasics Camera Sling Bag via the top pocket gives you access to another fairly roomy compartment, easily big enough to fit another prime lens, video mic, flashes or similar size gadgets. On the side is an elasticated mesh pocket, useful for spare batteries, cables etc.

The bag’s external tripod-securing system offers a hands-free way to keep a compact tripod or monopod firmly attached.

I’m not a big fan of attaching too much bulk to the outside of a camera sling bag – all that weight quickly adds up, and it’s not ideal to be supported on only one shoulder. This said it’s good to have the option if you have something small and lightweight like the Gorillapod.

There are also side and front zippered pockets which you can use to store smaller, non-valuable items.

As with all the AmazonBasics range, the appearance is… well, basic! Thankfully they chose a non-offensive all-black colour scheme for their products, but many of them including the AmazonBasics Camera Sling Bag feature a rather garish orange interior.

I’m not a huge fan of the shade of orange but can appreciate that some may love it, and I have to admit that it’s a good way to discern your gear from the insides of the bag when working in low light.

Perhaps the biggest benefit of the AmazonBasics Camera Sling Bag and the number one reason for its huge popularity is its price. At under $30 (see the latest price by clicking the button below), it’s a great competitor to the Altura mentioned above – most of the decision boils down to which one is better looking to you.

It’s good to know there are affordable camera sling bags on offer in 2024, and I have to say that this offering from Amazon is a great option.

7. Lowepro Slingshot 202

Dimensions: 10 x 9.8 x 17.7″ (254 x 248.92 x 449.58 mm) Weight: 861.83 g (1.9 lb / 30.4 oz)

You’ll notice that LowePro is mentioned a lot in this round-up of the best camera sling bags of the year. The LowePro Slingshot 202 is a good example of why – lots of small design elements add up to create a useful, functional and durable product.

Using padded velcro dividers, you’re able to create 5 compartments for a camera body with a lens attached, some smaller lenses ( such as primes or pancake lenses ), filters, flashes, and other equipment.

The main compartment has a microfiber cloth attached and tucked away, which can be pulled out to act as a handy lens cloth, or as an extra layer of protection for the rear LCD screen of your camera – a nice touch I haven’t seen on any other camera sling bag.

The LowePro Slingshot 202 uses a similar front strap system as some of the other sling bags mentioned here, whereby you open the front main flap in two separate stages – the first to access your camera with the lens attached, and the second to access other items of gear.

On the inside of the flap are two memory card pockets, and there are other small elasticated and zippered pockets in another compartment at the top of the bag.

One neat feature is an elasticated strip of material on the ‘shelf’ of the upper pocket, which serves as a way to secure smaller items such as portable drives from bouncing around during transit.

The pockets on the front of the LowePro Slingshot 202 are designed in a way that when you have the bag in ‘sling’ mode (i.e. at the front of your body), smaller items can’t slip out. This is a simple design element but shows that thought has gone into designing a bag that functions especially well as a sling.

At the side of the bag, there’s a hidden ‘pouch’ that can be expanded to hold the foot of a tripod or monopod, with the straps above it securing the rest of the bulk. Most camera sling bags that offer this carry option have the pouch constantly on display – not a negative per se, but having it tucked away on the LowePro Slingshot 202 helps to maintain a more svelte silhouette.

As with the other Slingshot bags, there is a neatly hidden all-weather cover tucked away at the bottom, which can be expanded and stretched over the LowePro Slingshot 202 in sudden downpours.

Being a LowePro product, the actual carrying system of the Slingshot is excellent – the strap is padded both in the main portion of the strap that comes into contact with your shoulder and the front of your body, as well as near the quick-release buckle, which would otherwise rub into your side.

There’s no additional waist strap like some of the other camera sling bags in this review, but the LowePro Slingshot 202 still felt well-balanced on my back, even when fully loaded.

All around the front of the bag are SlipLock attachment loops (basically elasticated pieces of fabric), that allow the attachment of other LowePro Street & Field accessories, whether slid underneath or clipped on with some kind of additional carabiner. I found myself using the front one to clip on a ballpoint pen.

The aesthetics of the LowePro Slingshot 202 aren’t for everyone, and I have to say I’m not a massive fan of its slightly-nerdy appearance… I am rather picky though and know several photographer friends that are happy owners of the Slingshot, and actually like the way it looks – clearly a subjective thing.

Looks aside, this is one camera sling bag that’s built to last a lifetime, with useful design features not seen on other bags, and an all-weather cover that will ensure you’ll be able to travel with it everywhere.

You should also check out the LowePro Slingshot SL 250 AW III – another great camera sling.

8. Pacsafe Camsafe V18 | Secure Sling Bag for Camera Gear

Dimensions: 11 x 21.3 x 5.9″ (279.4 x 541.02 x 149.86 mm) Weight: 948.01 g (2.09 lb / 33.44 oz)

If you’ve ever shot at a very busy street, you’ll know the uneasy feeling when you’re walking around with really expensive camera equipment on your back.

The Pacsafe Camsafe V18 is a unique product from a company that specialises in making it hard time for pickpockets and thieves to have their way with your prized possessions! (See another popular Pacsafe bag here .)

At the core of the bag is the lightweight, concealed eXomesh Slashguard stainless steel wire mesh, which is actually embedded into fabric, helping to protect against slash-and-run theft.

If you’ve ever heard horror stories of motorbike gangs who carry knives with which to slash the straps of unsuspecting women’s handbags, you’ll know how useful it’d be to have a bag with this kind of built-in protection.

It’s not just the lightweight body of the Pacsafe Camsafe V18 that’s been reinforced either – the strap itself has been reinforced with similar wire, to prevent a knife from slashing through it.

On the front pocket, small clips allow you to fasten the zipper pulls to the bag itself, preventing someone from quickly opening the pocket while the bag is on your back.

Another innovative feature is the RFIDsafe Blocking Material, which has been built into one of the internal pockets to help protect IDs and credit cards from hacker scanning.

This may seem a little overkill on a camera sling bag, but Pacsafe is clearly thinking that the end-user will be using the Pacsafe Camsafe V18 for far more than just the odd photo shoot.

The way the bag has been styled lends itself more to a fully-fledged travel sling bag, especially with the addition of the button-fastenable upper grab handle.

The front pocket houses a zippered, mesh compartment, a wallet-sized slide-in pocket and three pen sleeves. There’s also a clip for attaching your keys.

The main pocket features a modular, removable camera compartment that holds your DLSR and extra gear, while the rest of the roomy zippered compartment gives you space for other items.

As with the other camera sling bags in this review, the internal modular components can be removed completely, for you to carry more oversized items and clothing. The reason I like the design of the Pacsafe Camsafe V18 in particular, however, is the way that it can collapse around itself when devoid of the modular components (as opposed to remaining rigid).

Another neat touch is the rear luggage handle sleeve, which allows you to attach the Pacsafe Camsafe V18 to a rolling camera bag or suitcase – this is a design feature sometimes seen on backpacks or messenger bags, but rarely on a camera sling bag.

This touch and the numerous anti-theft devices built into the Pacsafe Camsafe V18 indicate that it’s been designed more for travel than perhaps any of the other bags in this review.

If you’re a worried traveller or simply want to take better care of your expensive camera gear while walking outside, this is definitely the investment you need to make.

Available in all-black or olive with yellow accents, Pacsafe has created a truly unique product that will pay for itself many times over in personal security.

9. Qipi Sling Bag

Dimensions: 16.7 x 9.8 x 4.3″ (424.18 x 248.92 x 109.22 mm) Weight: 771.11 g (1.7 lb / 27.2 oz)

This is one odd-looking camera sling bag! I didn’t quite understand its enormous popularity, so I ordered one to see what all the fuss was about…

The main compartment on the Qipi Sling Bag is pretty spacious and opens up all the way to the other side allowing you to easily pack your gear in before you set out. It has space for a camera body with a small lens attached, and 3 customizable compartments for your flash, alternate lens, and other equipment.

On the inside of the main flap, a large velcro mesh pocket is useful for storing all manner of smaller items – I prefer to stow lighter items such as notes, lens cloths or cables here since anything heavier causes the flap to fall open rather abruptly when opening the bag whilst it’s on your shoulder.

Up at the top, there’s one small slide-in pocket and another velcro mesh pocket for storing things like memory cards and spare batteries. Behind it, there’s a much larger pocket, which you can use to store an external drive or portable backup battery.

On the front of the Qipi Sling Bag, there’s another pocket, featuring smaller compartments sized appropriately for batteries, pens and the like.

It also has a designated travel tripod holder pocket on the side of the bag with straps and buckles that you can adjust accordingly.

There’s also a smaller stabilizing strap to help keeps the Qipi Sling Bag secure, so it doesn’t swing around when you’re walking.

My two favourite features of this rather unusual-looking camera crossbody bag are concealed away – one in a pocket on the side of the bag, concealing a rainproof cover, and the other on the actual front strap, in the form of a slide-in phone pocket.

Having a small pocket on the front strap is actually incredibly useful, and I’m surprised more camera sling bag manufacturers haven’t implemented one. It’s nice to have a place to stow your phone for quick access , without having to slide the bag around to your front to dig into one of the pockets.

The purple interior of the Qipi Sling Bag won’t be to everyone’s tastes, but it’s hard to argue with such a well-thought-out sling bag, at such an attractive price – click the button below to see if it’s still on sale for under 30 bucks!

Camera Sling Bag Buyer’s Guide

A few of my favourite camera sling bags | Peak Design Everyday Sling 5L, Think Tank Turnstyle 20, Peak Design Every Sling 10L

Camera sling bags are meant to be the perfect alternative to bulky camera backpacks and side-heavy messenger bags.

Due to their smaller dimensions and the fact that the weight is largely placed on one side of the body, we’re forced to carry less gear, which encourages us to make our gear selection more efficient.

All the above camera sling bags met or exceeded the following criteria:

1. Lightweight construction

2. Comfortable shoulder strap and back panel

3. Shift easily from chest to back and vice versa

4. Good organization for camera gear and other small items

5. Allow freedom to move

6. Good value for money

If it’s not already obvious, using a camera sling over one of the many other styles of bag available on the market has a few key advantages.

Being able to go from carrying to usage in one quick ‘swing’ of the camera sling bag around the body is incredibly useful, and having it to use as a kind of ‘ledge’ for your gear (whien in front of your body) allows for even easier (and safer) lens changes.

While some photographers will use their camera sling bag as their sole carrying device, most will use it either in conjunction with a larger camera roller bag (for example) or as a reduced-gear pack for shorter shoots.

Personally, I have a selection of small bags which I tend to rotate depending on where I’m travelling, or what I’m shooting, and commonly I use a camera sling bag to carry one camera body with a lens attached, plus another lens and a spare battery.

I also keep a Think Tank Turnstyle 20 (reviewed here ) in the car with backup gear, and use a Peak Design Everyday Sling 5L (reviewed here ) for my Mavic Pro Platinum drone + controller, and sometimes for my Sony a7III and 35mm lens too.

Since examining so many other great slings for this review, I’ve actually purchased a couple more to add to this rotation!

Due to their low price and high functionality, you’ll no doubt find many different uses for camera sling bags too. Let’s take a closer look at some of the best.

Frequently Asked Questions

What is the best sling bag?

For carrying camera gear, our favourite sling bag is the Peak Design Everyday Sling 10L. It keeps your gear organized and is deceptively spacious for its size. It’s also really fast and easy to adjust using the quick-pull adjustment buckle.

What is the difference between sling bag and crossbody bag?

The terms crossbody bag and sling bag are more or less used interchangeably. “Crossbody” refers to the fact that the strap of the bag runs diagonally across the torso (shoulder to hip). Because this type of bag “slings” across the body in a way that makes it easy to spin around and access, it’s also referred to as a sling bag.

What are sling bags for?

Sling camera bags are for carrying your camera gear in a way that makes accessing it easy and fast. With a sling bag you can quickly shift the bag from the back of your body to the front, without having to remove it as you would a backpack.

What should you carry in a sling bag?

Your key pieces of kit should go in a sling camera bag. Just bear in mind that it may not have the same capacity or ability to store as many smaller accessories as a large size backpack. This can be a good thing – it keeps you selective about what you choose to take on your photography adventures!

Best Camera Sling Bags | Final Words

As you can see, there’s a whole host of great options if you’re a fan of the sling bag style of carrying camera gear .

I’m always surprised at the number of photographers I meet with bulging messenger-style camera bags, who’ve never tried out a sling bag.

I’d advise against stuffing a camera sling bag with all your gear, as no matter how well-designed the bag is, using only one shoulder to carry all that weight can get rather uncomfortable quickly. It also can wreak havoc over the long term with your body.

However, lightly filling your sling bag with one or two lenses and your camera can be an immensely freeing experience and forces you to really think about your gear choices. I’m a fan of just one camera+one lens, and using the extra space of my sling bag to hold other lightweight travel items instead.

Having both your hands free like you’re carrying a backpack, but also having super-fast access to your gear, as if you’re using a messenger bag, makes the camera sling bag a great best-of-both-worlds carrying option.

Due to the affordable nature of camera sling bags, it’s within most budgets to own one along with your other main camera bag. Or you can be like me and own a few :-)

Mark Condon is a British wedding photographer and editor of Shotkit. When he’s not taking photos or reviewing the latest camera gear and software, Mark can be found cycling around the northern rivers.

16 Comments

Hi Mark, great article! But you missed the brand new Think Tank presspass sling, which is also a great option :)

Ooh thanks for the tip, Giuliano – will take a closer look when we come to update the article.

Need to add in the Wandrd Rogue Sling. IMO, FAR better than the Peak Design. I’ve owned 2 peak design slings and the Wandrd smokes them both. Might add in the Peter McKinnon sling as well.

Thank you for the helpful recommendations. I think the Peak Design Everyday Sling 6L may be the ideal sling bang for my day trips (limited in scope during pandemic lockdown).

One quibble. In the overview of the Peak Design Everyday Sling 10L, you wrote that it has room for a “pro-sized camera body. I think you were trying to convey that one can fit a large camera body and lens in the bag. There is expensive gear and inexpensive gear.

Steven Soderbergh shoots movies with iPhones. Is the iPhone now “pro-gear”? If as an amateur, I choose to buy the most expensive gear, does that make a professional?

Thanks for the comment, Khürt. By ‘pro-sized’, I mean anything up to flagship bodies.

Great article!

I’m a new photographer and I always bring my camera with me. I just recently bought Altura Camera Sling Backpack and I love how spacious it is. You can also customize the interior depending on your gears!

Stay safe and healthy!

Thanks Mark! You too :-)

Unfortunately the PacSafe Camsafe does not seem to be available anymore, I was looking for another sling style bag. I have the Lowepro sling, and I absolutely love it!! I didn’t take it on the plane with me since I had a carry-on that gave me a little more protection and could fit other fussy things. However, the sling is extremely collapsible and fits well into a suitcase. I have traveled to a large city in another province and also to France for a week, and that Lowepro was amazingly handy. I could fit little additional things into the bag, the telephoto lens and a wide angle, I could put my ipad along the side and still fit an umbrella, and travel mug easily into the bag. I never carried a purse the entire time, just the bag. And when I got warm, I could drape my jacket over the bag to keep my hands free. I could also switch shoulders if one shoulder got too tired and still easily access the interior of the bag, which was incredibly handy. As a short woman who also happens to be a lefty, this bag is perfect. It isn’t too bulky; I wasn’t knocking over merchandise every time I turned around and the black goes with everything.

I agree, Theresa – although not a woman myself (!), I think the Lowepro sling is excellent.

Hi I have a Think Tank messenger bag now getting old and want to carry a 5D mark 4 with 24-105 lens plus my infra red 20d with Tamron 18-200 What would you suggest? Looking forward to your advice With many thanks Best regards Frank

Hey Frank, a couple of these sling bags would fit your gear, but it’d be a bit tight, and one side of your body may get tired due to the lob-sided nature of a sling. How about opting for a backpack for your cameras instead?

Finding the balance between compactness and enough space is a challenge especially when you can’t go and see/try them all. I have a A7R3 body +Sony35/2.8 (small) + Sony 55/1.8 + Batis 85/1.8. Do you think it’d all fit in the Lowepro Passport ? I have a nice messenger bag that fits the body and 2 of the 3 lenses.

Yep, definitely will Frank – I know since I carry a similar set up in mine :-) a7II + same 35mm as you, 28mm f/2+ Sony 85mm f/1.8.

I have the PD Sling 5l for casual everyday in the city but I’m planning to buy the Thinktank Turnstyle 20l for a more heavy duty use (maybe a small trip with the family etc)…. What is your thoughts of the bag Mark from the moment that on the introduction you say that you own it.

Also, the PD Sling with l bracket on the camera make it a bit bulky and difficult to fit into.

Hey Harris, yes I do own it, but have relegated it store my backup gear in my car. It’s a great sling -lightweight, simple and affordable. It’s just… rather boring! There’s one main compartment, one front zippered one… and that’s pretty much it. It’s also rather dull to look at. Totally subjective of course, but those are my reasons for not wanting to use it more often. I still recommend it, though! Go for it ;-)

I love the Peak Design Every Day Sling 10L. It’s one of my favorite sling bags.

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