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The Wandering Earth II

Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to st... Read all Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death. Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.

• Hongwei Wang
• Yang Zhixue
• Yanmanzi Zhu
• 234 User reviews
• 57 Critic reviews
• 56 Metascore
• 28 wins & 21 nominations

• Liu Peiqiang

• Zhou Zhezhi

• Herbert Copley
• Andrey Gerasnov

• Space Elevator Female Attacker
• Space Elevator Male Attacker A
• Space Elevator Male Attacker B
• Korean Pilot

• Wang Zhijian

• Tu Hengyu's Wife
• Thai Astronaut
• All cast & crew
• Production, box office & more at IMDbPro

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• Trivia The film is a prequel to the 2019 film The Wandering Earth, which is based on the short story of the same name by Liu Cixin, who serves as the film's producer.
• Goofs The concept behind a space elevator would be the many massive payloads can be hauled into orbital space with very little energy use as compared to the present use of large rocket boosters. It would also not be necessary to subject human occupants to 9 Gs of acceleration to get to space.
• Connections Follows The Wandering Earth (2019)

User reviews 234

• Orson-on-the-moon
• Jan 31, 2023
• How long is The Wandering Earth II? Powered by Alexa
• January 22, 2023 (China)
• Douban page
• Shanghainese
• Lưu Lạc Địa Cầu 2
• WanDa Studios, Qingdao, China
• China Film Co., Ltd.
• G!Film Studio
• Beijing Dengfeng International Culture Communications Company
• See more company credits at IMDbPro
• CN¥900,000,000 (estimated)

Technical specs

• Runtime 2 hours 53 minutes
• Dolby Atmos
• IMAX 6-Track

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The Wandering Earth II takes a sci-fi blockbuster in a stranger, darker direction

The prequel to one of China’s biggest-ever box-office hits is kinda just… 3 hours of suffering

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Share All sharing options for: The Wandering Earth II takes a sci-fi blockbuster in a stranger, darker direction

To successfully imitate the kind of mega-budget worldwide blockbuster most closely associated with Hollywood productions, filmmaker Frant Gwo literally went global. 2019’s The Wandering Earth , a sci-fi disaster adventure that became one of China’s biggest-ever box-office hits, takes place in a future world where Earth has been implanted with thrust rockets and piloted out of orbit to avoid a solar disaster. Astronauts must steer the spaceship-planet to a new home, while the surface freezes and its diminished inhabitants huddle underground.

The film’s enormous scope helped the movie become a Chinese smash, though it fell short of a worldwide phenomenon. (In the U.S., it had a limited theatrical run, then premiered on Netflix a few months later.) Wandering Earth ’s extensive, sometimes convoluted world-building, drawn from a short story by The Three-Body Problem author Cixin Liu , left plenty of room for a follow-up. But Gwo must have grown attached to the less icy version of his home planet, because The Wandering Earth II , receiving a somewhat wider U.S. release alongside its Chinese debut, is something even less likely than a disaster-movie sequel: a disaster-movie prequel.

Set across multiple decades leading up to Earth’s launch out of orbit (enabled by thousands of fusion-powered engines around the globe), the prequel starts off with plenty of its predecessor’s grab-bag maximalism. There’s a seemingly mad scientist extolling the virtues of a “digital you that can live forever” — an AI-based plan pitched as an alternate way to survive the coming apocalypse. (It’s unclear, but it sounds like the idea was to upload everyone to a Matrix-esque digital world, and leave the actual one to fry.) Pro-digital terrorist groups attack a massive space elevator, explosions and low-gravity fisticuffs erupt, and we learn that 91% of Americans oppose moving Earth out of orbit because they don’t think a problem 100 years away is worth solving. (“The world isn’t on the side of the reality,” one official laments.)

The sprawling results initially feel like a mashup of Don’t Look Up and Independence Day: Resurgence , but as the film enters its second hour, then its third, it brings in even more familiar bits and pieces of other movies. (It runs 173 minutes, including credits and multiple postscripts.) There is so much movie in The Wandering Earth II , and so many disasters, countdowns, and chyrons to go around. The movie may set a record for the sheer number of subtitled locations, timelines, characters, and occasionally even hardware. The first movie’s astronaut, Liu Peiqiang (Wu Jing) gets a backstory. So does one of the computer systems. The writing team steals bits of Interstellar one moment, and engages in parallel thinking with Moonfall the next. (“The moon disintegrates in 179 hours.”)

But perhaps the goofiest thing about Wandering Earth II is how resolutely un-goofy much of it is. There are moments of absurdity, but the film is often surprisingly grim, in a way that feels admirably ambitious but questionably useful. Much of the movie has a downbeat moon-gray palette, even in scenes that don’t take place on the moon. The saddest storyline it weaves across the decades is about Tu Hengyu (Andy Lau), a scientist grieving the loss of his wife and daughter, convinced he can fine-tune the digital echo of his young child into a fuller AI consciousness. (Here, there are thematic parallels with Yeon Sang-ho’s JUNG_E , a fleeter and more manageable science fiction movie premiering on Netflix right as Wandering Earth II lumbers into theaters.)

The dead-family storyline isn’t the only obligatory pause for pathos, either. Another character must deal with his wife’s imminent death, since cancer cases have spiked during the rise of dangerous solar activity. At the same time, he’s trying to secure one of the limited tickets to an underground city.

In many ways, Gwo carries this heaviness with more grace than the supposed masters of the modern form. Unlike Roland Emmerich (whose work the Wandering Earth series generally resembles) or Michael Bay (whose Armageddon feels like part of this movie’s DNA), Gwo isn’t afraid of quiet moments amid the bombast. He doesn’t nervously pack his movies with goony comic relief or shameless ploys for applause. Some of his imagery has an eerie, almost mournful beauty — even more so than the previous movie, which found some poetic imagery among the chintzier-looking special effects.

Yet none of this keeps exhaustion from setting in over the course of nearly three hours. Exactly how many countdowns to possible apocalypse can a movie bear, especially when the planet is demonstrably intact at the beginning of the next movie? The audience knows Earth survives, which turns Wandering Earth II into a torture device for its new characters: The planet will keep going, but these poor suckers can still get put through the wringer.

That obviously isn’t Gwo’s intention, and it is remarkable that his three-hour Wandering Earth prequel is simultaneously stranger and more emotionally grounded than the earlier film. Yet even at this length, even with eye-popping moments and believable characters, some crucial humanity feels missing. Classic disaster movies offer something similar to the feel of a horror movie: the terror of annihilation and the catharsis of survival, but spread over a larger canvas. Maybe that model just doesn’t work anymore. Skillfully made as it is, Wandering Earth II feels more like immersion therapy for the modern onslaught of apocalyptic news from around the world. Like franchises, global disasters no longer really end.

The Wandering Earth II opens in theaters on Sunday, Jan. 22, the first day of the lunar new year. Check the movie’s website for locations.

The Wandering Earth II

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The much-anticipated prequel to the 2019 sci-fi blockbuster THE WANDERING EARTH -  the #5 highest-grossing non-English film of all time - lands in North American theaters just in time for Chinese New Year. Shortly after learning that the sun is rapidly burning out and will obliterate Earth, humans build enormous engines to propel the planet to a new solar system far out of reach of the sun’s fiery flares. However, the journey into the universe is complex, and humankind’s last shot at survival will depend on a group of young people brave enough to step up and execute a dangerous, life-or-death operation to save the Earth.  

Wu Jing Li Xuejian Ning Li Andy Lau  Zhu Yanmanzi Wang Zhi Sha Yi Zhang Yi

• Zhu Yanmanzi
• Action & Adventure

The Wandering Earth II

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Liu Peiqiang

Wang Zhijian

• Average 6.3

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The Wandering Earth

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The Wandering Earth 's story won't win many points for originality, but this sci-fi epic earns its thrills with exciting set pieces and dazzling special effects.

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Movie rating: 5.9 / 10 ( 36370 )

Directed by: Gong Geer - Cixin Liu - Junce Ye - Yan Dongxu

Writer credits: Gong Geer - Junce Ye

Cast: Guangjie Li - Chuxiao Qu - Man-Tat Ng - Zhi Wang - Jin Mai Jaho

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'The Wandering Earth' review: Planetary disaster goes global

Although the film is based on a story by Liu Cixin, it draws on a barely digested stew of planetary-cataclysm movies, with the eco-catastrophe and invasion films of Roland Emmerich serving as the most obvious spiritual guides.

“The Wandering Earth,” directed by Frant Gwo, arrived with stratospheric anticipation. Described as China’s first space blockbuster, it is already a hit in its home country and, on a more limited scale, in the United States, where it opened earlier this month. It certainly proves that the Chinese film industry can hold its own at the multiplex: It is just as awash in murky computer imagery, stupefying exposition and manipulative sentimentality as the average Hollywood tentpole.

Although the film is based on a story by Liu Cixin, it draws on a barely digested stew of planetary-cataclysm movies, with the eco-catastrophe and invasion films of Roland Emmerich serving as the most obvious spiritual guides. (Even a Chinese New Year setting correlates to the July 4 timing of Emmerich’s “Independence Day.”)

In this case, the disaster — the first one, anyway — is that the sun is going to engulf the planet, so the multilingual United Earth Government has concocted a plan to send Earth out of the solar system using 10,000 propulsive engines, with Jupiter’s gravity providing the final oomph. But a slightly incorrect trajectory could cause a collision and end civilization, a crisis that is well underway. (Humans live in underground cities, having survived by lottery, and Earth’s surface is frozen.)

Those affected include all of humanity, but in particular a brash young man (Qu Chuxiao) raised by his grandfather (Ng Man-tat) after his father (Wu Jing) left to help navigate from an international space station controlled by a heartless HAL-esque computer. As the calamities — earthquakes, rescues, communication failures and a last-minute celestial chemistry experiment — compound, the only shock of the new is that it’s the same as the old.

“The Wandering Earth”

Not rated. In Mandarin, English, Russian, French, Japanese and Korean, with English subtitles.

Running time: 2 hours 5 minutes.

This article originally appeared in The New York Times .

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Film / The Wandering Earth

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The Wandering Earth (Chinese: 流浪地球, Pinyin: Liúlàng Dìqiú) is a 2019 live-action science fiction film directed by Frant Gwo (Guo Fan), based on the novella by Liu Cixin, and starring Wu Jing . It is currently in the top ten highest-grossing non-English films.

In the near future, the sun is exhausting its fuel, and will soon turn into a red giant, destroying the entire Solar System in three hundred years. Under threat of planetary annihilation, humanity bands together to construct 12,000 enormous "Earth Engines" on Earth's surface to propel it out of the Solar System to a new home. However, upon approaching Jupiter to make use of gravity assist, thousands of engines get knocked offline all across the globe, threatening to plunge the entire Earth into Jupiter.

It was released on Chinese New Year's Day (February 5th, 2019) and later picked up by Netflix on April 30th.

• Action Girl : Zhou Qian kicks just as much ass as the rest of her rescue team. Other female rescue workers appear to provide assistance at the Sulawesi Earth Engine.

• A.I. Is a Crapshoot : MOSS becomes the primary antagonist on the space station, fighting Liu Peiqiang at every step. MOSS : It is unreasonable to expect humans to stay reasonable.

• Apocalypse Anarchy : When the destruction of the world seems imminent, the people in the underground cities start rioting and stealing everything they can.
• As Foreshadowed before the end, an anti- UGE insurgency was being brewed by whoever doubt the Sun's imminent death.
• Apocalyptic Logistics : No emphasis is put on the logistics of maintaining underground cities, how populations are supported, or how space is distributed.
• Arc Number : For anyone outside China, Rescue team's sequence CN171-11 is an reference to a real-life rescue team flying a Mi-171 helicopter who gave their lives rescueing people from the Grand Earthquake of Wenchuan in 2008, 11 years prior to the film's debut.
• Artificial Outdoors Display : One of the first scenes after the prologue has a bunch of students (Duoduo among them) getting a school lecture on the Chinese New Year that gets disrupted when Liu Qi activates an EMP, making all if the lights and the wall display of a Chinese city downtown blink uncontrollably.
• Of course, the idea that the entire Earth can be equipped with giant thrusters to push it out of orbit.
• Even within that sudden death, the Sun expanding wouldn't be the problem. Stellar expansion is preceded by a significant increase in temperature. If the Sun was three hundred years away from engulfing the Earth, it would have already heated up enough to render the planet uninhabitable.
• The "gravitational spike" that Jupiter causes. No, planets cannot randomly increase in gravity.
• Igniting Jupiter's atmosphere which would cause a shockwave strong enough to push Earth out of its gravitational pull.
• Earth. Instead of bringing just a sufficient amount of resources to establish a new home around a new sun, humanity decides to bring the entire planet .
• The International Station has multiple stored human embryos, as well as stores of seeds and a database with hefty amounts of mankind's knowledge, all to be sent towards Alpha Centauri as part of the backup "Helios Project".
• The Beforetimes : Han Zi'ang reminisces of the time before the Wandering Earth Project, when nobody worried about the sun and everyone was more interested in something called "money".
• Big Bad : MOSS is the closest thing to a big bad that this movie has. Besides that, there is no real big bad.
• The Big Guy : Wang Lei and the other members of the CN171-11 rescue team .
• Binary Suns : Assuming Earth makes it to its destination, the humans will have to deal with this, since Alpha Centauri is not one star, but two. note  It's actually technically a ternary star system with three stars, since Proxima Centauri orbits the other two, but it's at a much greater distance.
• Bubble Shield : Early in the movie, when threatened by Brother Yi, Liu Qi uses an inflatable sphere to slow him down. He is shown to have several of these on his suit. While the gang is in Shanghai, it is revealed that this sphere is a protective inflatable bubble-type piece of equipment, which saves his life when it allows him to land safely (if a bit roughed up) and protects him from debris after a great fall near the end of the movie.
• Calling Parents by Their Name : Due to his contempt towards his father, Liu Qi always calls Liu Peiqiang by name. It's not until Liu Peiqiang sacrifices himself at the climax of the movie that Liu Qi finally calls him "Dad".
• Calling the Old Man Out : Liu Qi does this to Liu Peiqiang for leaving his family behind and allowing Qi's mother/Peiqiang's wife to die.
• The Cavalry : The rescue workers that arrive at the Sulawesi Earth Engine to help push a firing pin into place.
• Centrifugal Gravity : The Navigational Platform International Space Station spins, which allows the crew to walk normally. At one point, the control room of the station stops spinning, and everything starts floating away.
• Chekhov's Gift : Makarov puts a bottle of vodka in Liu Peiqiang's space suit to celebrate the latter's retirement. Peiqiang later uses the vodka to disable MOSS.
• Chekhov's Skill : At age four, Liu Qi learns from Liu Peiqiang that Jupiter is composed 90% of hydrogen. He then remembers this information and realizes that it means that the hydrogen could be used to cause an explosion strong enough to propel Earth out of Jupiter's gravitational pull.
• Chekhov's Volcano : Sort of. The Earth Engines are essentially giant artificial volcanoes taller than even Mount Everest. One of the oversized vectoring engines becomes essential in saving Earth from Jupiter's gravitational pull.
• Choosing Neutrality : There's actually a third officer who shares his quarters with Liu and Makarov. When Liu breaks out of his hibernation chamber to stop MOSS, the A.I. awakens both Makarov and the third officer so that they can coerce Liu back into hibernation. While Makarov goes against MOSS's orders and chooses to directly help Liu stop MOSS, the third officer instead opts to quietly go back to sleep, neither helping MOSS nor Liu.
• Colony Ship : Earth is turned into one of these to reach a new star system.
• Computer Equals Monitor : In a way. MOSS is the space station's A.I., but primarily communicates through various box-shaped "heads" throughout the station that each bear a single eye. When Liu Peiqiang reaches the command module, MOSS has a "head" in there berating him for breaking protocol. He immediately "decapitates" it with a thrown air canister, which manages to shut it up. Naturally, it only takes a few moments for MOSS to lower a replacement "head" in the exact same position its old one was in.
• Humankind takes a grave risk to save the hope of rebuilding the Earth's biosphere from total annihilation.
• Creative Closing Credits : An Earth the size of a grain of sand flies through floating parts of a printing press, which assemble together and print words onto immense pages, which get rolled up and bound into Liu Cixin's original The Wandering Earth novella. Pages of the book also reform into an Earth Engine, the Navigation Platform International Space Station, and Jupiter.
• Death World : The wandering Earth has become a frozen wasteland that will snap-freeze anybody without a protective suit, and this is without taking into account the chaos Jupiter's gravity makes during the events of the film.
• Depopulation Bomb : Stopping Earth's rotation causes catastrophic tsunamis all over the world that wipe out half Earth's population.
• Died Standing Up : One small team of four is seen frozen in a walking position, having succumbed to the sheer cold while transporting a lighter core. Justified in that they are completely encased in ice, so that they continue to be held up.
• Disaster Movie : A lot of disaster happens for sure.
• Distant Finale : Not super distant, but the last scene of the film takes place 3 years after the encounter with Jupiter.
• Distant Prologue : The beginning of the movie takes place 17 years before most of the events of the film, before the Earth Engines were activated and back when Earth was in its regular place in orbit.
• Driven to Madness : When the heroes find Li Yiyi in a crashed airplane, he is homicidal and nearly kills Han Duoduo. Fortunately, the others are able to calm him down.
• Eternal Engine : The Earth Engines. Each one is stated to be eleven kilometers tall, and the torque engines around the equator are even bigger. One Earth engine over Paris is shown to make the Eiffel Tower look like a blade of grass. There are ten thousand standard thrust engines and two thousand more torque engines.
• Extremely Short Timespan : Aside from the Distant Prologue at the beginning of the movie and the Distant Finale at the end of the movie, the events of the film take place more-or-less over a mere 36-40 hour period.
• Fight to Survive : Comes with being a disaster movie of sorts.
• Funny Foreigner : Tim, a Chinese-Australian fool, and Makarov, a Russian cosmonaut. Both are played for comic relief.
• Generation Ship : Earth, as a Planet Spaceship . The Wandering Earth Project is said to take 2,500 years to complete, and will involve 100 generations of humans.
• Glacial Apocalypse : The Earth entering a new ice age is the natural consequence of transforming it into a Planet Spaceship and send it flying away from the Sun (to escape it becoming a red giant several billion years too early). The cold, which is capable of instantly killing a person if they are not protected, is one of the greatest threats in the journey to save the planet when it threatens to crash with Jupiter.
• Gondor Calls for Aid : Han Duoduo does this near the end of the movie.
• Gratuitous English : Tim shouts one or two lines in English when frightened. Liu Qi also snaps at someone in English.
• Greater-Scope Villain : In a way, the United Earth Government is this, as MOSS is acting on the decision made by the council members of the government to continue with Project Helios instead of saving Earth; however, their intentions are fairly reasonable and understandable. Eventually, however, the Government has a Heel–Face Turn and chooses hope, allowing Liu Peiqiang to destroy the Navigation Platform International Space Station to save Earth.
• The Heart : Han Duoduo.
• Heartwarming Orphan : Han Duoduo, who was orphaned in a tsunami as a baby and found and adopted by Han Zi'ang. She later heartwarms enough rescue workers to convince them to help push the firing pin of the Sulawesi Earth Engine.
• Heel–Face Turn : The United Earth Government eventually agrees to allow Liu Peiqiang to terminate Project Helios to save the Earth.
• An unspecified worker chose to fall down a ravine in their truck rather than possibly allow the cargo to fall down with them. The cargo is an incredibly important Lighter Core - essentially, the firing mechanism for an Earth Engine.
• He Lianke dies while tweaking the hardware to hack the Sulawesi Earth Engine.
• Liu Peiqiang plunges himself and the Navigational Platform International Space Station into the exhaust beam of one of the Earth Engines to ignite Jupiter's atmosphere.
• Hollywood Science : Has this in spades. Reviewers like Bob Chipman have mentioned that the plot is as scientifically sound as that of Armageddon (1998) (which is famously used by NASA as a litmus test of how much Hollywood screws up).
• Human Popsicle : The Navigational Platform International Space Station contains hundreds of thousands of human embryos on board in case something goes wrong with the Wandering Earth Project. Also happens in a lethal way a few times to some of the people due to the cold surface environment.
• Impaled with Extreme Prejudice : Zhou Qian gets impaled through the shoulder all the way through by a steel rod when a ceiling collapses. She survives.
• In Space, Everyone Can See Your Face : Liu Peiqiang and Makarov's faces are clearly visible in the helmets of their space suits.
• Ironic Echo : At the beginning of the film, Liu Peiqiang tells his son, Liu Qi, that he will turn into a star by flying up to the Navigational Platform International Space Station. He says it again at the climax when he sends the same station into the Sulawesi Earth Engine's modified exhaust beams, causing an explosion visible from Earth's surface that resembles a star.
• I Will Only Slow You Down : Wang Lei convinces Liu Qi and Tim to escape with Han Duoduo, as he's trapped under rubble and can't escape. When they do, he cracks a smile before he dies.
• Crosses over into Dark Is Evil and Red and Black and Evil All Over because MOSS's node/head/whatever in the control room of the space station, which is directly hooked up to its databank (basically its true "body"), is instead black with a red eye.
• Lovable Coward : Tim is the only member of the group who is constantly freaking out over the danger.
• The Medic : Zhou Qian has a pouch with a Red Cross icon and several vial-like cylinders on her belt (possibly adrenaline shots), and she is shown performing CPR on Huang Ming. Li Yiyi even gives her the nickname "Band-aid".
• Missing Mom : Liu Peiqiang's wife died before the events of the film, a fact that their son, Liu Qi, holds over his head due to the fact that Peiqiang chose to pull the plug to guarantee Liu Qi and Han Zi'ang residency in the underground cities.
• Monumental Damage Resistance : Shanghai's Oriental Pearl Tower is shown to be intact, albeit frozen. So is the (fictional) building for the Shanghai Olympics 2044.
• Mundane Utility : Li Yiyi wrote a program called the 12 Chimes of Spring as a show for Chinese New Year's, which would modify an Earth Engine to fire out sequential red bursts of plasma through individual nozzles rather than constant blue streams of plasma through all seven nozzles.
• The Nicknamer : While discussing the plan to hijack an Earth Engine, Li Yiyi exclusively refers to everyone by odd nicknames such as "Band-Aid" for Zhou Qian and "Chinese Man" for Tim.
• No Hugging, No Kissing : There is no romance between any of the characters in this film at all.
• No One Gets Left Behind : Invoked, but ultimately averted. Han Zi'ang gets left behind while transporting the Lighter Core through Shanghai, and dies when the building they are in collapses. This leaves Liu Qi enraged.
• Non-Action Big Bad : MOSS can't do much to the protagonists besides try to lock Liu Peiqiang in the hibernation chamber and activate a thruster to blast Makarov. Most of its antagonism is in the form of restricting access to various things on the Navigation Platform International Space Station.
• Non-Indicative Name : Earth isn't actually wandering (i.e. moving around aimlessly), since the planet has a target destination (the Alpha Centauri system).
• Not Afraid to Die : Liu Peiqiang is absolutely fearless as he steers the Navigational Platform International Space Station into the Earth Engine's exhaust stream.
• One World Order : In the face of planetary destruction, all the nations of Earth band together to form the United Earth Government, which initiates the Wandering Earth Project to save the world.
• Only One Name : Tim and Makarov, the two western characters, are only ever referred to by one name.
• Outrun the Fireball : Some of the protagonists hop in a transport to try to outrun the shockwave from the explosion on Jupiter's surface. The shockwave destroys half the transport before they can take shelter under an Earth Engine, but they all manage to survive.
• Pac Man Fever : Brother Yi near the beginning of the movie is shown playing Contra on a Famicom. This is particularly odd since assuming it's an original Famicom, the console is up to 92 years old , since the movie takes place in 2075.
• Percussive Therapy : Han Zi'ang's death enrages Liu Qi to the point of trying to attack Wang Lei.
• Plucky Comic Relief : Makarov has a "drunk Russian" shtick, while Tim spends the majority of his screentime being clueless and goofy.
• Precision F-Strike : In the English dub, Liu Qi gives one to Wang Lei after Han Zi'ang gets killed in a collapsing building. Liu Qi: Why the fuck didn't you save my grandfather!?
• Planet Spaceship : Earth. The 12,000 Earth Engines on the surface of the planet allow it to cruise through space.
• Powered Armor : Not exactly armor, but rescue teams such as CN171-11 use exoskeletons that grant the user more strength.
• Rape as Comedy : It's a punchline when Tim reveals that he's in jail because of a rape accusation.
• Red and Black and Evil All Over : MOSS's main drive is a black box with a red eye, in comparison to the gunmetal grey of its other terminals.
• Red Eyes, Take Warning : MOSS, which has a design clearly inspired by HAL 9000 . Surprise, surprise, it turns out to be the Big Bad of the film.
• Rogue Planet : Humanity turning Earth into one of these is an important part of the plot.
• Saharan Shipwreck : There is an enormous ship frozen in the middle of Shanghai. Justified in that it is explicitly stated that due to the Earth Engines' influence, the planet's rotation stopped, causing tsunamis all across the globe, which is how the ship could have gotten there.
• Scenery Gorn : Has a few such scenes, such as the shot of the frozen Shanghai.
• The engines are also powered by ordinary rocks burned using "heavy fusion" technology. From John Elliot from the same article as above, it would also take 95% of the Earth's mass to power the entire 4.3 light year trip to the Alpha Centauri system.
• The entire ploy to ignite Jupiter to cause an explosion strong enough to push Earth away is simply ludicrous for the people on the surface of the planet. Assuming such a powerful explosion can even happen, an explosion powerful enough to push Earth away to allow it to overcome Jupiter's gravity while it's 30 minutes from breaching its roche limit would crush all the Earth Engines on the side of the planet that the shockwave hits, killing everyone who is currently on that side of Earth, sending shockwaves through the entire crust and probably caving in every underground city on the face of the globe, and leaving the world with one hell of a dent. Of course, none of that happens and Earth simply continues on its merry way.
• Single-Biome Planet : Earth becomes an ice world after leaving its place in the Solar System and begins to get more and more distant from the Sun.
• Sleeper Starship : The Navigational Platform International Space Station comes with hibernation chambers for the crew.
• The Smart Guy : Li Yiyi and He Lianke.
• Space Station : The Navigational Platform International Space Station, which cruises 100,000 km ahead of Earth to help guide it.
• Stuff Blowing Up : A few things. We have exploding electrical equipment, erupting volcanoes, and later, the entire Navigation Platform International Space Station and Jupiter .
• Super Wrist-Gadget : Liu Qi's wrist multitool, which includes devices like an EMP and a blowtorch.
• Surprisingly Realistic Outcome : Though Liu Qi, Han Duoduo, and Li Yiyi become a team by the epilogue of the movie, the surviving rescue workers and Tim simply returned to civilian life.
• Tempting Fate : While driving a stolen transport, Liu Qi assures Han Duoduo that "no one can catch [him]". Seconds later, he runs into a police vehicle, and in the very next scene, he's in prison .
• Time-Passage Beard : Liu Peiqiang is clean-shaven in the prologue, but seventeen years later during the bulk of the film, he has a full beard.
• Tidally Locked Planet : Sort of. Since the Earth has stopped rotating and it is being propelled away from the Sun, only the northern hemisphere is exposed to sunlight, while the southern hemisphere, facing away from the sun, is in permanent night. Since the Earth Engines that push Earth are facing towards the sun, this means that most of the Earth Engines are on the lit side of Earth, with only the torque engines approaching the dark side.
• Title Drop : The plan to move Earth to a new star system is itself called "The Wandering Earth Project".
• Translator Microbes : Despite speaking different languages, characters in the film can often understand each other, such as the Chinese Liu Peiqiang and the Russian Makarov. Might have something to do with the earpieces each Navigational Platform International Space Station crew member is wearing. At one point in the movie, one rescue worker on Earth is explicitly shown activating a translation device when receiving a spoken message. In the English dub, however, everyone simply speaks English with various accents.
• 20 Minutes into the Future : The technology (besides the Earth Engines) does not seem much more advanced than modern times. The movie takes place in 2075, as shown by a blink-and-you'll-miss-it display monitor. This means that the Earth Engines were activated in 2058 at the earliest, since the prologue that takes place 17 years before shows the Earth in its usual position, before the engines were activated. In fact, Han Zi'ang states that no Earth Engine had failed in 30 years, which means that at least one was completed in 2045, and were being constructed earlier still.
• Two Girls to a Team : Han Duoduo and Zhou Qian are the only females among the main cast.
• Underground City : There is one under each of the 10,000 Earth Engines.
• Weaponized Exhaust : The third act of the movie focuses on amplifying the output of one of the Earth Engines to blast Jupiter in order to cause an explosion to push Earth out of the danger zone.
• Weird World, Weird Food : People underground eat flavored earthworms.
• White-and-Grey Morality : Though MOSS is the closest thing to a Big Bad in the film, it is simply acting on orders given by the United Earth Government, the members of which are only choosing to abandon Earth to ensure human survival - a difficult decision for sure. They eventually decide to save Earth instead.
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Chinese commentators hail propaganda win for blockbuster ‘The Wandering Earth II’

The U.S.$163 million Lunar New Year blockbuster movie Wandering Earth II is seen by many in China as the bleeding edge of nationalistic futurism, aligned with ruling Chinese Communist Party leader Xi Jinping's vision of a Sinocentric world led by his personal brand of political ideology, and more than able to take on U.S.-led notions of individualistic heroism and freedom.

Executive producer Fu Ruoqing said the show, which boasts a plethora of jaw-dropping special effects in its vision of a China-led planet trying to avoid being swallowed by a dying sun, offers a story in which the world is saved by Chinese scientists.

"[In the film,] Chinese scientists showed that we have the capability of and there is possibility of 'wandering' with the Earth [to escape destruction]," Fu said in a recent interview with state broadcaster CCTV.

"In fact, it is concerned with the concept of 'a community with a shared future for mankind'," Fu said, quoting one of Xi's political buzzwords verbatim.

Fu said the movie was "a milestone in China's history of film," boasting slick science fiction as well as showcasing China's "values."

CCTV said the movie "is set to lift Chinese cinema to new heights, and shares a strong message for the need for greater global cooperation during troubled times."

In that respect, the movie appears to be an appropriate successor to The Wandering Earth (2019) , which was based on a novella by sci-fi master Liu Cixin about Chinese taikonauts trying to save the Earth from an unstable sun – a theme that echoes the plot of Liu's "Three-Body Problem" trilogy.

Set in a far-distant future, where the dying sun threatens to extinguish all life on Earth, the film shows an attempt to relocate the planet to orbit a safer star. 

Overseas reception

While its sequel Wandering Earth II – which wasn't penned by Liu – enjoyed box-office takings of more than 500 million yuan (U.S.$73.7 million) on the first day of its release in China over the Lunar New Year holiday, it has been slightly less well-received by overseas critics, garnering a low score of 30% in a review from The New York Times , prompting ire on Chinese social media.

"What they are afraid of, and what they try to slander, is exactly what we must insist on," wrote Weibo user Gongli_22 from Guangdong, in a reaction to the New York Times review, which was trending as a hashtag on the social media platform this week. "Propagandists can no longer sit idly by."

Movie commentator Lang Yanzhi said the movie has been subject to "constant attacks and slander," especially in the Western media and by "pro-Western forces."

"Clearly, The Wandering Earth II is more than just a movie: it's rather a symbol of great influence," Lang wrote on Jan. 23.

User @Looking_at_the_scenery_from_the_clouds said "they're rattled," with a laughing emoji.

"Earth II is all about Chinese self-confidence, and the export of Chinese values, which is fantastic," the user wrote.

@Wuhan_Jinxiao agreed, writing on Jan. 31 that the movie is being criticized because "it is strong."

"It uses hard power to prop up a grand narrative that China will lead the whole of humanity in the future, which arouses strong panic among anti-China forces," the user said. 

Meanwhile, user @chaitaibenzun likened the New York Times review to the dumping of Japanese propaganda materials out of planes in China during World War II.

"China's blood is up ... but they only want stuff that is in line with the West," the user wrote, while @Film_and_television_variety_show_king wrote on Jan. 28: "If the enemy is fearful, then we're doing something right. A successful cultural export."

Many users said they were blown away by the special effects, particularly the scenes involving a space elevator, while others complained about its length.

@Han_Dongyan said the review was evidence enough that the movie had done its job in wielding influence overseas, while @Observer_Network merely commented "Sour grapes!" amid dozens of similar comments.

"It really blew me away in the theater," a Shanghai film and TV worker who gave only the surname Liu told Radio Free Asia. "I think the online reviews were right – especially about the space elevator at the beginning. That was so cool."

"I think overall the investment was money well spent because the sets were really cool," he said, adding that the plotting was likely the movie's weakest point.

‘A huge stumbling block’

Former Hollywood Producer Chris Fenton, author of a book about the movie industry in China, said production values have improved in leaps and bounds in the Chinese film industry, but blamed the weak plot-line on the government's insistence that it illustrate the Communist Party's "core values."

"In the West, the system works for the people; but in China, the people work for the system," Fenton said. "Until recently, collectivism and a group mentality have been the dominant philosophy."

"The idea of ​​true individualism, freedom of creative expression, has been very limited, [while] the process of storytelling is heavily censored and policed, which is a huge stumbling block to translating original ideas on the international stage," he said.

Germany-based writer Liao Yiwu was less circumspect.

"I regarded 'The Wandering Earth' as a propaganda project of the Communist Party, using writers like Liu Cixin to package nationalism and authoritarianism within the sci-fi genre," Liao told Radio Free Asia. He said the problems have persisted with the movie's sequel, which he likened to "a promotional film."

Online commentators have pointed out that one of the characters appears to have been modeled on late premier Zhou Enlai, while a Chinese Communist Party emblem is still being worn by a Chinese representative millions of years into Earth's future, and the initials CCP appear on another character's shirt.

"This is a nationalist commercial blockbuster packaged with ideas of so-called world unity and common human life," wrote Twitter user "Mr Li."

Another blogger said the entire movie was dominated by "straight male" characters, with the few female characters reduced to instrumental roles, while foreigners are either "in the way" or "stupid."

Weibo influencer Pingyuan_Gongzi_Zhao_Sheng wrote that "The Wandering Earth 2" is less concerned with freedom, human rights or "listening to your inner voice" than about "mutual assistance, responsibility and unity."

"People who have been brainwashed by American universal values ​​for a long time will definitely not like it," the user wrote, in a comment that was retweeted more than 6,000 times.

Translated by Luisetta Mudie .

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The Wandering Earth Streaming: Watch & Stream Online via Netflix

The Wandering Earth is a Chinese sci-fi movie adapted from Liu Cixin’s short story of the same title. It was released on February 5, 2019, and directed by Frant Gwo. In the film’s story, when the sun starts to fade, a brave group of astronauts goes on a journey to find a new planet where everyone can live.

Here’s how you can watch and stream The Wandering Earth via streaming services such as Netflix.

Is The Wandering Earth available to watch via streaming?

Yes, The Wandering Earth is available to watch via streaming on Netflix.

The movie is set in the distant future. A group of astronauts and rescue workers are trying to move Earth away from the Sun, which is getting bigger. They’re also trying to stop Earth from crashing into Jupiter.

The film stars Wu Jing as Liu Peiqiang, Qu Chuxiao as Liu Qi, Li Guangjie as Captain Wang Lei, and Ng Man-tat as Han Zi’ang.

Watch The Wandering Earth streaming via Netflix

The Wandering Earth is available to watch on Netflix.

Other than this, film users can stream various TV series and movies on the platform, such as 1922, Prey, Two, The Watcher, Peaky Blinders, and The Haunting of Hill House.

You can watch via Netflix by following these steps:

• Visit netflix.com/signup
• $6.99 per month (standard with Ads)
• $15.49 per month (Standard)
• $22.99 per month (Premium)
• Enter your email address and password to create an account
• Enter your chosen payment method

The cheapest Netflix Standard with Ads Plan provides all but a few of its movies and TV shows. However, it will show ads before or during most of its content. You can watch in Full HD and on two supported devices at a time.

Its Standard Plan provides the same but is completely ad-free while also allowing users to download content on two supported devices with an additional option to add one extra member who doesn’t live in the same household.

The Premium Plan provides the same as above, though for four supported devices at a time, with content displaying in Ultra HD. Users get to download content on up to six supported devices at a time and have the option to add up to two extra members who don’t live in the same household. Netflix spatial audio is also supported.

The Wandering Earth synopsis is as follows:

“When the Sun begins to expand in such a way that it will inevitably engulf and destroy the Earth in a hundred years, united mankind finds a way to avoid extinction by propelling the planet out of the Solar System using gigantic engines, moving it to a new home located four light years away, an epic journey that will last thousands of years.”

NOTE: The streaming services listed above are subject to change. The information provided was correct at the time of writing.

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