star trek where spock dies

The Ending Of Star Trek II: The Wrath Of Khan Explained

"Star Trek II: The Wrath of Khan" is one of the most iconic movies in the indispensable "Star Trek" franchise. It has a wonderful cast, stellar performances, and an excellent action-packed story. If that wasn't enough, it also delivers a truly unforgettable ending by providing a heartfelt goodbye between the two main characters of the original "Star Trek" series. The classic ending, in which Spock sacrifices his life to give the U.S.S. Enterprise a chance at survival, is remembered as one of the saddest and most memorable moments in science fiction.

Regardless of its quality, however, "Star Trek II: The Wrath of Khan" isn't free of apparent inconsistencies and confusing ideas. For example, Kirk's nemesis — the genetically enhanced Khan Noonien Singh — is supposed to have a superior intellect, yet he's repeatedly outsmarted by Kirk. The man in command of the Enterprise is also presented as a righteous leader, and yet he is famous for cheating in one of the Federation Academy's most important assessments. The story also includes complex themes related to revenge and the impact scientific research can have on people. Below we provide an analysis of this iconic movie. Here's the ending of "Star Trek II: The Wrath of Khan" explained.

The plot of 'Star Trek II: The Wrath of Khan'

The first movie in the franchise, "Star Trek: The Motion Picture,"  doesn't deliver the level of action some fans may have expected. Its sequel, "Star Trek II: The Wrath of Khan,” initially threatens to have a similarly slow pace. At its onset, the U.S.S. Enterprise and its aging crew, with Spock as captain, are relegated to training new cadets through simulations and training missions. James T. Kirk, on the other hand, has been granted the rank of admiral but occupies his time as a retiree who occasionally supervises cadets' assessments and inspects ships.

After joining his old crew for their training mission, however, the U.S.S. Enterprise receives an unclear message from an old friend. Carol Marcus is a scientist developing Genesis, a technology capable of instantly changing the chemistry of a dead planet to provide it with its own biosphere. Marcus demands that Kirk explain why he has ordered to take over Genesis, which awakens her fear of the technology being used as a weapon. Unknown to the crew of the Enterprise, though, their old enemy Khan Noonien Singh, a genetically engineered super-soldier, has taken over the ship Reliant and is setting a trap to finally get revenge on Kirk.

What happens at the end of 'Star Trek II: The Wrath of Khan'

As with most major "Star Trek" stories, the crew of the Enterprise faces a seemingly unbeatable opponent and has to rely on their wits to defeat him. After their ship is badly damaged during an ambush, Kirk launches a counterattack on Khan's ship, then enters the depths of the planet where the Genesis was tested and asks the Enterprise to leave if they don't hear back from him. However, they soon discover that Khan is listening to their communications and intends to use his knowledge of their plans against them.

Nevertheless, Khan is defeated by Kirk's experience. First, Kirk reveals that he was aware of Khan's surveillance and that the Enterprise hasn't left. He then lures Khan's ship, which is in a better condition than the Enterprise, to follow them into a nebula where a storm taking place within will block most sensors and shields, leveling the playing field. The Enterprise launches a sneak attack on the Reliant, leaving the agonized Khan to activate the Genesis, believing that Kirk and his crew won't be able to leave the zone of impact on time. In what is considered one of the most memorable moments in "Star Trek,"  Spock leaves the bridge and heads to the engine room where he enters the core of the ship and repairs it, allowing the crew of the Enterprise to escape the explosion, but receiving a deathly dose of radiation in exchange.

Khan represents Kirk's dreaded Kobayashi Maru scenario

In the first scene of the movie, we see a new cadet commanding a bridge in a simulation. She is given the option to rescue the fleet of a damaged ship by entering a Klingon neutral zone or leaving them to die. She chooses the first option and gets attacked in response. The mission is designed to test how cadets react to a scenario where no victory is possible. Only Kirk manages to overcome the challenge during his training days by reprogramming the simulator. As he puts it later, he doesn't like to lose. Sadly, this also means the experienced admiral has never faced true loss ... until now.

During his confrontations with Khan, Kirk manages to not only survive but defeat the vengeful super-soldier. This doesn't mean he leaves completely unscathed. His ship is badly damaged, he loses several crew members, watches helplessly as Khan transports the Genesis to his ship, and realizes he might not be able to escape the explosion of the device when Khan activates it before dying. Kirk only escapes thanks to Spock's sacrifice. After a heartfelt goodbye and funeral, Kirk realizes that even though he has faced death several times, he's never had to experience the loss of someone this close to him. Thus, he finally confronts the no-win scenario from the Kobayashi Maru.

The possibilities of Genesis and Kirk's newly discovered son

James T. Kirk has lived most of his life traveling across the universe. And yet, this movie finds him living the life of a retired officer. He spends his days in a beautiful house, being visited by old friends, and only stepping into a ship to perform inspections. Kirk's life seems like a suitable reward for his achievements, but as McCoy reminds him, he should get back on a ship before he truly becomes an old man and can no longer do so.

When the Enterprise receives a call from the space station working on Genesis, the decision is made to investigate. However, since Kirk is the senior officer, he is granted command over the bridge. Once again, he is in control of the Enterprise, exploring the unknown, but his trip is filled with surprises and traps.

On the planet orbited by the space station, Kirk meets an old friend who shows him the power of Genesis. In an underground facility, the device is able to fill an enormous cave with life in only a few minutes. With a sight that reflects paradise and the revelation that David, Dr. Marcus' son, is Kirk's, the admiral starts to feel differently. With the amazing power of Genesis and the possibility of having a father-son relationship, Kirk starts feeling young for the first time in years.

Khan's superior intellect is no match for his ego

Once Chekov and Terrell explore Ceti Alpha VI, they expect to discover a planet with no life. But as soon as Chekov realizes they have accidentally landed on the planet where Khan Noonien Singh and his team were abandoned, he reacts with horror and tries to escape the doomed planet. The former Enterprise crew member's reaction is justified; Khan is a super-soldier, genetically engineered on Earth with superior physical and intellectual capabilities in order to make him the perfect conqueror. But he also has a fatal flaw — an enormous ego.

Khan is clever and persistent, but completely controlled by his emotions. He uses Chekov, the Reliant, and Genesis solely to draw out Kirk. When he launches his ambush, he assumes he has completely defeated his old enemy, which gives Kirk the chance to use his knowledge of Federation ships to launch a counterattack. When Kirk taunts him and departs from the nebula, Khan follows despite being warned that this is a clear trap. In the end, Khan's natural confidence brings about his demise at the hands of an admiral who has developed a keen sense of strategy thanks to his decades of struggles. As the crew states, Khan is smart but inexperienced.

The death of Spock was supposed to be permanent

The original cast of "Star Trek" appeared in a handful of films, starting with 1979's "Star Trek: The Motion Picture" and concluding with 1991's "Star Trek VI: The Undiscovered Country." During this period, Spock was a regular member of the cast, except for his absence between the end of "Star Trek: The Wrath of Khan" and the end of "Star Trek III: The Search for Spock." Under these circumstances, it would appear that the death of Spock was nothing but a marketing trick intended to draw more fans to theaters, but members of the cast draw a very different picture.

William Shatner, for example, explained to Nerdist that back in the day, each movie was filmed as if it was the last one — props and sets were typically destroyed under the assumption that they wouldn't be needed again. This makes it clear that the intention to kill Spock was, at the time, a final decision that wasn't changed until the possibility of a third movie became real. Nicholas Meyer, the director, corroborated this in an interview with Yahoo  by explaining that, despite the different scripts written for the sequel, they all had one thing in common: Spock dies. This was a requirement demanded by Leonard Nimoy. After "Star Trek II" became a success, the studio came back to Nimoy with a sufficiently appealing offer, and he agreed to return. But as far as anyone knew at the time, Spock was dead as a doornail. 

Khan's intention to get revenge on Kirk became true

From his first confrontation with Kirk, it's evident that Khan's worst flaw is his lack of control over his emotions. His overconfidence after ambushing Kirk earns Kirk a counterattack; Khan's presumption that he has tricked Kirk by using a mind control technique on Chekov and Terrell leads him to think that the Enterprise has abandoned Kirk when it hasn't; and his pursuit of the ship into the nebula leads him to be killed by a devastating surprise attack. And yet, the promise Khan makes to Kirk when Kirk looks stranded — that he will continue to hurt him — ultimately becomes true.

The Enterprise has, of course, suffered several casualties by that point. But none of them were people personally close to Kirk. After the admiral forces Khan into a battle in the nebula, Khan's crew is killed, his ship is mostly disabled, and he is fatally wounded. Is at this point where Kirk makes the same mistake Khan constantly fell for — he acts with excessive confidence. With his last breath, Khan activates the Genesis, which generates an explosion capable of destroying the Enterprise. The Enterprise manages to escape, but the situation hurts Kirk quite a lot by forcing Spock to sacrifice himself to fix the ship's engine.

The director's approach and the actors' performance made the death scene

The ending of "Star Trek: The Wrath of Khan" is one of the most iconic and bittersweet in the franchise. Fans are constantly quoting the last words spoken by Spock and Kirk, and the moment is even reimagined for the second movie of J.J. Abram's "Star Trek" reboot series. This isn't surprising considering how emotionally moving the scene is, especially if we take into account that the actors had been working together as Kirk and Spock for many years. In fact, as the director explains, the crew was in tears when they witnessed the last goodbye between the two legendary characters.

With such a legendary ending, the film became a source of discussion and analysis that's continued for years. Speaking to Yahoo, Meyer mentioned that his technique to get Shatner to perform was to make him repeat his scenes so many times that he would stop trying to act and provide more honest takes. Meyer also refers to the level of preparation both Shatner and Nimoy brought to the scene, and how they immersed themselves in the roles, providing a performance that reflects the time they had spent together.

Shatner believes the death of Spock helped get Nimoy the director's chair

As popular as the original "Star Trek" series was and remains, this didn't save it from being canceled after only three seasons. While most fans and cast members may have felt a deep sense of disappointment, one main cast member probably felt a little bit of relief. It's well-known that the success of "Star Trek" made Leonard Nimoy fear being typecast as an alien character in science fiction shows. He got roles in popular series like "Mission: Impossible" while also working on plays. But every other job was overshadowed by his performance as Spock.

Nimoy got tired of people identifying him with Spock. He even went as far as writing a book titled "I Am Not Spock." Despite this, he accepted the role one more time when the franchise made the jump into feature films. After "Star Trek: The Motion Picture" though, he decided to abandon the role, only agreeing to participate in the sequel on the condition that Spock dies in the film. William Shatner, however, has an interesting theory about this requirement. In a chat with USA Today, he argued that, after the popularity of the sequel, Nimoy used Spock's death for leverage in a bid to get the director chair. In the end, he appears to have succeeded, as he directed both "Star Trek III: The Search for Spock," and "Star Trek IV: The Voyage Home," productions that allowed him to start a career as a director.

'Wrath of Khan' set the conditions for the next Star Trek movie

The main theme of "Star Trek: The Wrath of Khan" revolves around how revenge can be a self-destructive journey. However, the script doesn't completely forget that this is a science fiction franchise and introduces a thought-provoking concept — scientists have developed a device that can trigger a chemical chain reaction capable of creating a biosphere around a deserted planet. The details of this accomplishment are not discussed, but the power is made evident when the device explodes and leaves a surrounding planet with overgrown vegetation.

Interestingly, the crew of the Enterprise chooses this location as the place to leave Spock's body. The reason may be that it's the location closest to his most heroic act, but it also conveniently opens the door for Spock's revival due to the planet's miraculous capacity to create life. However, the biggest evidence of the intention to revive Spock is probably the fact that, right before entering the core of the ship, he performs a mind meld on McCoy, suggesting that he might have stored his memories with the doctor. That becomes an important part of the sequel when Spock's body returns and retrieves his memories from McCoy.

Gene Roddenberry had a different idea for the ending

Many stories and scripts were created for the sequel to "Star Trek: The Motion Picture." Each of these stories was different from the others, so when Nicholas Meyer was brought to the project, he decided to pick every element he liked from each version and try to put together a good story. Each version differed significantly. In one iteration, Spock dies very early in the movie; in others he dies in the end, and in Gene Roddenberry's version, the crew would have traveled back in time.

Many science fiction stories play with time travel, and "Star Trek" would eventually have a movie that revolves around such a concept in "Star Trek IV: The Voyage Home." However, there were specific aspects of the story that made Roddenberry's proposal  highly unpopular  with just about everyone who read it. To be more specific, at one point in the movie, the crew goes back in time and find themselves planning the assassination of J.F.K. in order to restore their timeline. Needless to say, the studio executives weren't very happy with the idea and ended up scrapping it.

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'Wrath of Khan' director reveals how he killed Spock in the 1982 blockbuster

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It's been forty years since Spock put the needs of the many ahead of the needs of the few — or the one — in the final moments of Star Trek II: The Wrath of Khan. With the U.S.S. Enterprise 's warp drive inoperable thanks to a devastating attack launched by Khan Noonien Singh (Richardo Montalban), Starfleet's most popular Vulcan officer descends into the starship's engine room and absorbs a lethal dose of radiation, surviving just long enough to save the day and say goodbye to his closest companion, James T. Kirk. And no matter how many times you've seen Wrath of Khan in the four decades since the movie's June 4, 1982 release, Spock's passing never fails to trigger tears, whether you're human, Klingon... or Gorn .

The tears were certainly flowing on the Wrath of Khan set when William Shatner and Leonard Nimoy — who had been part of each other's lives since the 1966 premiere of the original Star Trek TV series — played what was intended to be their final scene together. In his 2010 memoir, The View From the Bridge , Wrath of Khan director, Nicholas Meyer, described members of the crew weeping as Spock told Kirk: "I have been, and always shall be, your friend."

The only person who wasn't crying was Meyer himself. Speaking with Yahoo Entertainment ahead of the film's 40th anniversary, the filmmaker says that his job demanded dry eyes and a clear head. "I had to be the audience surrogate and make sure there was nothing in the frame and nothing in the performances that would bounce anybody out of the emotional intensity of what was going on," Meyer explains. "If I started crying, I was going to lose that objectivity! If you are the puppeteer, you cannot be out front sobbing at the performance. You must remain backstage and make sure that the strings do not become tangled."

Not that Shatner and Nimoy needed any puppeteering. For much of the shoot, Meyer says that he worked to break some of the "bad habits" he saw popping up in Shatner's non- Trek work, including the cop drama, T.J. Hooker , which premiered on ABC two months prior to Wrath of Khan 's theatrical opening. "I stumbled into a solution of working with him, which was to keep asking him to do scenes again and again," Meyer remembers. "He would seem to get bored, and when he got bored, he dropped all of the 'acting' and just sort of became. He would just be, and that's when his performance got great."

But when it came to Spock's death scene, Meyer says that both Shatner and Nimoy knew exactly what the pivotal scene demanded of them and showed up to set ready to... engage   with the drama of the moment. "They were totally there," he remembers. "You know, they had started out as rivals in the early days of the show, but then they sort of realized that they needed each other. So even though they were very different people, they had a genuine friendship."

The weight of the Shatner and Nimoy's shared history adds to the gravity of Spock's death, pushing it to an emotional catharsis that was nearly two decades in the making at that point. And while that history predated Meyer — who confesses to not being much of a Star Trek fan prior to making The Wrath of Khan — it was felt by the crew members who had been part of the Enterprise 's long-term mission.

"I looked at my cinematographer, Gayne Rescher, and he was weeping," the director says. "Other people were weeping. I thought, 'What the hell is going on here?' That's how much I didn't understand about this show."

At the same time, it was that lack of personal connection to Star Trek that landed Meyer The Wrath of Khan gig in the first place. Although 1979's Star Trek: The Motion Picture successfully turned the long-dormant TV series into a feature film franchise, Paramount wanted to avoid the behind the scenes struggles — including budget overruns and creative disputes — that plagued the production.

With Star Trek creator, Gene Roddenberry, exiled from direct involvement in the second film, producer Harve Bennett was brought in to steer the Enterprise going forward. After commissioning several screenplays that all crash landed in one way or another, Bennett brought in Meyer to craft a story that would, essentially, save Star Trek .

"When I got involved there were five drafts of a second Star Trek movie, and none of them were related," remembers Meyer, who wrote bestsellers like the Sherlock Holmes adventure, The Seven-Per-Cent Solution , before moving behind the camera . "What I wound up doing after consulting with Harve and his producing partner, Robert Sallin, was to make a laundry list of the things we liked in those five scripts. Then I wrote a brand new script fiddling with those different pieces like a Rubik's Cube in order to get a coherent story."

According to Meyer, Spock's death was a key part of each of those five scripts — a pre-condition that Nimoy demanded if he was going to return to a role he was increasingly tired of playing. But the specifics of the Vulcan's passing weren't settled right away. "One of the scripts had a simulator sequence of a fake disaster that appeared on page 45," Meyer recalls. "I moved it to the first scene in the movie, and Spock wasn't in it. Harve and I were discussing the script one morning and I said, 'We should put him in the first scene and kill him off then.' To my astonishment, Harve said, 'That is genius!'"

Rather than go with a shocking early death a la Psycho , though, Meyer decided to take a cue from a thematic idea that shares a name with another Alfred Hitchcock picture . "Spock's death ultimately isn't an act of sacrifice — it's lifeboat ethics," he explains about how he hit upon the sequence of events that sends Spock into the Enterprise 's radiation-filled engine room in the film's climax. "If a lifeboat becomes overloaded with people then somebody is going to have to go overboard if the sea is anything but calm. Like Spock says, 'The needs of the many outweigh the needs of the few or the one.' So he decides, 'I'll save the many.'"

Although Nimoy went into Wrath of Khan ready and willing to be the Star Trek cast member that plunged overboard, his resolve wavered as the date of his "execution" approached. Meyer says that the actor, who died in 2015, was "testy and tense" as he prepared to film Spock's death, nagged by "second thoughts" about whether he had made the right decision to exit the franchise that had defined his life and career.

The keepers of the Star Trek franchise felt the same way: After Meyer filmed Shatner and Nimoy's final scene, last minute adjustments were incorporated into the film to pave a way for Spock's return. Those adjustments started with a new scene where Spock uses a mind meld to transfer his katra — the Vulcan word for "living spirit" — to his friend and regular foil, Doctor McCoy (DeForest Kelley).

Also added to the final cut was an epilogue set on Genesis , a previously desolate planet instantly terraformed by the life-giving Genesis Device . As Spock's coffin touches down amidst Genesis's lush forests, we hear Nimoy's voice speaking Shatner's classic Trek lines about "exploring strange new worlds" and boldly going "where no man has gone before."

In his memoir, Meyer describes being infuriated by the attempts to preemptively undo the emotional farewell he had orchestrated for Spock. Discussing those behind the scenes disagreements again now, he confirms that he flat-out refused to shoot the epilogue, which was instead directed by Sallin. "At the time, I protested. I said, 'This is so wrong and so unfair to the people who have invested themselves in this story.' I thought that after we'd wrung the tears out of them, we were just going to say, 'Forget fit, folks! It didn't really happen.'"

Sure enough, Spock's death was swiftly undone in Star Trek III: The Search of Spock , which was released two years after The Wrath of Khan became one of 1982's biggest blockbusters. And Meyer says that he turned down the opportunity to helm that installment, specifically because he wasn't interested in having to bring the character back to life. Nimoy ended up directing his own resurrection, and continued to play Spock   in various Trek movies and shows in the ensuing years, making his final onscreen appearance in 2016's Star Trek Beyond .

In the four decades since Khan 's release, Meyer's own stance on Spock's return has softened. "In retrospect, I think I was wrong to make such a fuss," he admits. "Once he was resurrected, I just kind of accepted it as fact." Eleven years after killing Spock, Meyer directed Nimoy again in 1991's Star Trek VI: The Undiscovered Country , the final feature film starring the original Enterprise crew. "Leonard was always very pleased that I knew how to write for Spock, which for me was like writing Sherlock Holmes. And, in fact, in Star Trek VI , Spock implies that they're related!"

While he couldn't have realized it at the time, Meyer's commitment to killing Spock established a narrative template that major Hollywood franchises have followed ever since. It's not an exaggeration to say that almost every blockbuster sequel made in the past four decades models itself either after The Empire Strikes Back , where evil (temporarily) triumphs over good,   or The Wrath of Khan , where a major character dies in the third act only to be resurrected later on — think the Alien   or Pirates of the Caribbean   series. (And some sequels, like Avengers: Infinity War , find a way to reference both at the same time.)

Even Star Trek itself has gone back to the Khan well: The second installment in J.J. Abrams's rebooted Kelvin Timeline film series, Star Trek: Into Darkness , incorporated multiple elements from Meyer's film, which featured Benedict Cumberbatch as Khan. In the third act, Chris Pine's Kirk — rather than Zachary Quinto's Spock — dies from radiation poisoning, but is swiftly brought back to life by Genesis Project-like restorative properties in Khan's blood. (For the record, Meyer says he wasn't consulted on the Into Darkness storyline, and calls its use of Khan "absurd.")

"I don't believe in formulas," Meyer says when asked how he feels about the larger impact of Wrath of Khan on blockbuster storytelling, as well as his subsequent work, including the forever-timely 1983 TV movie, The Day After . "If I could boil this process down to anything formulaic, I'm not sure it would work and I certainly would lose interest in it. I don't think, 'Who should live, and who should die?' Or, 'There should be this or there should be that.' I never think of the 'should be's.'

"I also don't concern myself with the fans," Meyer continues. "Fans don't know what they want until they get it. Art may be a collaborative process, but it isn't made by committee. That's how I see my job: My assumption always is that if I like it, other people will like it. That's the best I can do."

Star Trek II: The Wrath of Khan is currently streaming on Paramount+. It will return to theaters on Sept. 4th, 5th and 8th as part of Fathom Events and TCM's Big Screen Classics series .

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Why Spock Died in Star Trek II: The Wrath of Khan

Leonard Nimoy's Spock was beloved to Star Trek fans, but behind-the-scenes factors played into Spock's death in Star Trek II: The Wrath of Khan.

Looking back at Star Trek history, the death of Spock seems superfluous. The infamous scene occurred at the end of Star Trek II: The Wrath of Khan and Leonard Nimoy went on to play Spock in six more films and The Next Generation . But none of those other appearances would have happened if Spock hadn't died in The Wrath of Khan .

Star Trek producers so feared the backlash from Spock's demise that they included a tease at the last minute suggesting the beloved Vulcan was only "mostly dead," according to documentaries produced and articles written since the film's debut. Yet when it was conceived, Spock's death was a major moment in the movie that everyone assumed would be the final film in the series. But as The Wrath of Khan continued into production, everyone began to realize Star Trek was a legitimate franchise -- and it was about to be stuck continuing without its most popular character.

RELATED: Sorry Spock, Jolene Blalock's T'Pol Is Star Trek's Most Interesting Vulcan

Spock Died in Every Version of the Star Trek II Script

Before returning for Star Trek: The Motion Picture , Nimoy had a business disagreement with Gene Roddenberry and Paramount, according to The Center Seat: 55 Years of Star Trek . He saw his likeness on action figures, lunch boxes and other merchandise, but received no remuneration for it. The filming of the first movie was a disaster, and so Nimoy wanted no more to do with Spock or Star Trek . Jack B. Sowards wrote his first draft for Wrath of Khan with Spock in the story -- and killed him at the end of the first act. Producer Harve Bennett went to Nimoy to convince him to return. The actor couldn't resist giving Spock a grand death on-screen, especially since the emotionless Vulcan was to go out saving the Enterprise from destruction.

Saavik, played by Kirstie Alley, was meant to be Spock's replacement. Early drafts even suggested that Spock and Saavik were intimate , before the much younger Alley was cast. Yet Nimoy had doubts as filming neared completion, as the actor recounted in the making-of documentary on the DVD release of Star Trek III: The Search for Spock. Nimoy enjoyed making Wrath of Khan (via Film4 UK ). Unlike the first film, Star Trek II captured the chemistry of the cast that many viewers felt was left behind in The Motion Picture . The movie had a clear villain and genuine conflict. He began to wonder if he'd not made a mistake in agreeing to the death of the character -- and then Bennett approached him with a question.

According to the DVD special features, Bennett asked if Nimoy had any ideas about "something" he could do that might imply Spock wasn't really gone -- unaware the actor was already thinking about it. Nimoy suggested mind-melding with an unconscious Dr. McCoy and improvised the line, "Remember." Wrath of Khan still ended on Spock's funeral, and Kirk's statement about the humanity of his friend's soul. When producers did a test screening, the audience sat in depressed silence. Bennett then insisted director Nicholas Meyer put a scene at the end of the film showing Spock's casket resting on the planet below. The visual effects team at Industrial Light & Magic had to scramble to include the final shot of the improvised casket on the surface of the Genesis planet, setting the stage for Spock's return.

RELATED: Star Trek: Leonard Nimoy Created Spock's Vulcan Neck Pinch

Starfleet career

Starfleet academy.

During his time at Starfleet Academy, Spock had Onafuwa for Fundamentals of Quantum Stochastics and several other advanced courses. He was commissioned as a Starfleet officer in 2250 with the serial number S 179-276 SP and held an A7 computer expert classification. Later in life, he wrote a memoir about the challenges he faced at Starfleet Academy, titled The Many and the One . ( PIC : " The Star Gazer "; ST : " Q&A "; TOS : " The Enterprise Incident ", " Court Martial ", " The Ultimate Computer ")

Early postings and assignments

One of Spock's early assignments was to the USS Kongo . ( SNW : " Memento Mori ")

Serving under Christopher Pike

Arrival on the enterprise.

Spock and Lieutenant Una Chin-Riley in a turbolift shortly after his arrival.

In 2253 , Spock was assigned to the USS Enterprise under the command of Captain Christopher Pike . When Ensign Spock was first transported aboard the Enterprise , he bonded with the ship's first officer , Lieutenant Una Chin-Riley (who preferred to be known simply as "Number One"). When they became trapped in the turbolift while on their way to the bridge, Spock asked Una many questions and the two opened up to each other. ( ST : " Q&A "; SNW : " Among the Lotus Eaters " display graphic )

By 2254 , he was promoted to lieutenant . ( TOS : " The Cage ")

Rescuing Pike from the Talosians

Spock in 2254

Later that year, Lt. Spock was wounded in the leg when Pike's landing party was attacked on Rigel VII .

As the ship proceeded to the Vega colony for medical care, a radio wave distress call forced Pike to divert the ship to Talos IV . Still limping, Spock joined a landing party that transported to the barren surface of the planet where Talosians captured Pike.

He was the first of the ship's crew to realize the Talosians had powerful illusory abilities. Spock's final report, along with Pike's, recommended a ban on visitation to the planet. Starfleet's General Order 7 supported that judgment. ( TOS : " The Cage ", " The Menagerie, Part I ", " The Menagerie, Part II ")

Searching for the Red Angel

Spock in 2257

Following the end of the Federation-Klingon War in 2257 , Spock took an unspecified leave of absence from Starfleet. He had accumulated a number of months during the five-year mission which, according to Pike, took a toll on the whole crew as well as Spock. Upon reviewing Spock 's personal log entries on the Enterprise , Michael Burnham learned that Spock had been having visions ever since he was a boy, and that he had had premonitions of the mysterious red bursts that the USS Discovery was likewise investigating, which Spock believed were related to his childhood visions of "the Red Angel." ( DIS : " Brother ")

Spock followed his visions to an unknown planet where he encountered the Red Angel. Through a mind meld , he discovered that it was a Human but one clad in a suit far beyond 23rd century technology. Through the meld, he received a vision of the destruction of Earth , Vulcan , Andor , and Tellar , and began experiencing time non-linearly. ( DIS : " If Memory Serves ") He decided to have himself committed to the psychiatric unit on Starbase 5 . In doing so, he requested that Starfleet not inform his family about the matter, including his father and foster sister. While there, he was observed to display acutely emotional dissociation and extreme empathy deficits. When he was told the red bursts had occurred as he had predicted, Spock broke out of the facility, disabling three of his doctors with Vulcan nerve pinches and fleeing on a shuttlecraft . ( DIS : " New Eden ", " Point of Light ", " If Memory Serves ")

Starfleet subsequently claimed that Spock had murdered his doctors and made finding him a priority. The USS Discovery and Section 31 became involved in the search. Aware he was being pursued, Spock abandoned his shuttlecraft in the Mutara sector and secretly returned to Vulcan. There, his mother hid him in a sacred crypt where katra stones shielded him from telepathic searches. Spock had become delusional and incoherent, unable to bear the experience of viewing time non-linearly, and repeated the First Doctrines of Logic and a sequence of numbers over and over. Burnham convinced Amanda to take her to Spock, but Sarek followed Burnham and convinced her that the best way to help Spock was to hand him over to Section 31. Burnham took Spock to the Section 31 ship NCIA-93 where Captain Leland promised he would help repair Spock's mind. However, Philippa Georgiou warned Burnham that Leland intended to extract Spock's memories using a process that would destroy his mind. At Georgiou's suggestion, Burnham overpowered her and took Spock from the Section 31 ship in a shuttlecraft. ( DIS : " Saints of Imperfection ", " Light and Shadows ")

Burnham realized that, since Spock's mind had regressed to childhood, the sequence of numbers he had been repeating was reversed due to his L'tak Terai . In the opposite order, the numbers represented the coordinates for Talos IV . Burnham thus set a course for that planet. There, the Talosians and Vina agreed to help heal Spock and subsequently projected illusions to the pursuing NCIA-93 to allow Burnham and Spock to escape to the USS Discovery which was commanded by his old friend Captain Christopher Pike while the USS Enterprise was down for repairs. ( DIS : " Light and Shadows ", " If Memory Serves ")

Stopping Control

Spock subsequently joined the Discovery 's ongoing mission to investigate the red bursts , discovering that Control had framed Spock for murder ( DIS : " Project Daedalus ") and helping to trap the Red Angel on Essof IV . To everyone's surprise, the Red Angel was revealed to actually be Gabrielle Burnham , Michael Burnham 's mother who was long believed to be dead. While attempting to prevent Control from wiping out all life in the galaxy after gaining full sentience, Gabrielle had discovered that Spock was the only one capable of truly perceiving her and her purpose. However, an effort to beam Gabrielle into their time permanently failed and resulted in the Red Angel suit and Gabrielle getting pulled back into the 32nd century , unable to return due to Gabrielle's time crystal being destroyed. ( DIS : " The Red Angel ", " Perpetual Infinity ")

When the decision was made to send Discovery into the future in order to prevent Control from ever getting its hands on the Sphere data, Spock decided to accompany his sister on the one-way trip. During the Battle near Xahea , Spock helped to guide Burnham's use of the second Red Angel suit from a shuttlecraft, but his engines were damaged and he couldn't return to the ship with her. With Discovery too badly damaged to risk lowering its shields to beam him onboard, Spock was forced to remain behind in 2257 . Burnham promised to send the seventh red burst to signal her brother that they had successfully made it and offered him some final words of advice. Spock told Burnham that he loved her, a sentiment that she returned, before Spock had the USS Enterprise beam him out. From the Enterprise bridge, Spock witnessed Burnham successfully lead Discovery through the wormhole to the future. ( DIS : " Such Sweet Sorrow ", " Such Sweet Sorrow, Part 2 ")

Return to Starfleet

Spock in 2258

After the battle against Control , Spock returned to his position as science officer aboard the Enterprise in 2258 . He was sworn to secrecy, along with the rest of the crew of Pike's starship, to never again speak the name of his adoptive sister or the ship she served on aloud in public again. Four months after the Discovery 's departure, the seventh red burst appeared near Terralysium , confirming to Spock that his sister had made it to the future. ( DIS : " Such Sweet Sorrow, Part 2 ")

In 2259 , T'Pring, his betrothed, proposed marriage to him, which he accepted. ( SNW : " Strange New Worlds ")

Later that year, the pirate Captain Angel , lover of Spock's half-brother Sybok, came aboard, manipulating Spock at an attempt to free Sybok from the Ankeshtan K'til Retreat he was currently confined to. Angel ultimately took control of the Enterprise and tried to blackmail T'Pring into releasing Sybok, using Spock as leverage. Spock and Christine Chapel foiled her plans by pretending to be in love with each other and temporarily ending his betrothal to T'Pring. They renewed their bonding afterwards. ( SNW : " The Serene Squall ")

When an alien consciousness from the Jonisian Nebula brought the fairy tale The Kingdom of Elysian to life on the Enterprise , Spock was used for the character of the Wizard Pollux . He didn't remember the events after the ship was returned to normal. ( SNW : " The Elysian Kingdom ")

Spock was part of a mission to the USS Peregrine , which had made a crash landing on Valeo Beta V . Inside the ship, confronted with young Gorn who had just hatched and hunted the landing party, Spock allowed himself to give into his unchecked emotions and rage to provoke and draw out the Gorn. Afterwards, he had still trouble controling his anger as well as his pain and that his mind was weak, but was assured by Christine Chapel that it was not a weakness, but him being human. ( SNW : " All Those Who Wander ")

Meeting Leila Kalomi

On Earth briefly in 2261 , Spock met Leila Kalomi . Although she declared a love for Spock, his emotional control prevented him from reciprocating until 2267 when he was infected by the spores on Omicron Ceti III . Under the spores' influence, he became peaceful and happy but Captain James T. Kirk infuriated him, which killed the spores and returned him to normal. ( TOS : " This Side of Paradise ")

Spock's service under Pike (eleven years, four months, and five days) inspired considerable respect and loyalty from the young officer. In 2267, Spock risked his life and career for the sake of his former captain. ( TOS : " The Cage ", " The Menagerie, Part I ", " The Menagerie, Part II ")

Serving under James T. Kirk

Lieutenant Commander Spock in 2265

After Pike's promotion to fleet captain , Kirk assumed command of the Enterprise in 2265 , with Spock as his first officer. An early mission proved disastrous when Lieutenant Commander Gary Mitchell , a close friend of the new captain, developed enhanced psionic abilities when the Enterprise encountered an energy barrier at the edge of the Milky Way Galaxy .

Spock and Kirk in 2265

Spock examined the tapes of an earlier ship, the SS Valiant , that had encountered the same barrier and was destroyed. As Mitchell's powers increased, Spock believed he had become extremely dangerous and feared that he would destroy the Enterprise . He therefore advised Kirk to either strand Mitchell on the uninhabited and desolate Delta Vega to isolate him from galactic civilization or kill Mitchell before it was too late. Kirk hesitated but initially attempted the former, but the scope of Spock's concerns were eventually borne out and Kirk was forced to kill Mitchell. ( TOS : " Where No Man Has Gone Before ")

The Enterprise repelled the first Romulan incursion of Federation space in over a century on stardate 1709.2. Spock and the bridge crew became the first Starfleet officers to make visual contact with Romulans who finally revealed their Vulcan-like appearance to Starfleet. Lieutenant Stiles briefly suspected Spock of being a Romulan agent until Spock saved his life in the course of battle. ( TOS : " Balance of Terror ")

Spock kidnapped Fleet Captain Pike and hijacked the Enterprise . Pike had been crippled and was confined to a wheelchair, unable to speak, as a result of an accident. Spock wanted to return him to Talos IV ; he wished to return Pike to the Talosians there so he could enjoy the rest of his life in an illusory reality and would not have to continue enduring his disability. After a lengthy inquiry into the matter, and in light of the Talosian-provided images, Kirk allowed Pike to beam down. Commodore Jose I. Mendez also dropped all charges against Spock. ( TOS : " The Menagerie, Part I ", " The Menagerie, Part II ")

While commanding an away mission aboard the Galileo on stardate 2821.5, the shuttlecraft crashed on the surface of Taurus II . Giant hostile creatures killed two crewmembers while the shuttle was stranded there. Spock, aided by Lieutenant Commander Montgomery Scott , eventually launched the shuttle. Knowing that it could not break free of the planet's gravity, Spock ignited the shuttlecraft's remaining fuel to use it as a flare. His gamble paid off; it alerted the Enterprise which turned around and rescued the team. ( TOS : " The Galileo Seven ")

Spock in command of the Enterprise after the Metrons abduct Kirk

After being thrown back in time to Earth of 1969 and interacting with that planet's US Air Force , Spock was able to recreate a time warp with a slingshot maneuver around the sun. ( TOS : " Tomorrow is Yesterday ")

Spock being questioned at Kirk's trial in 2267

When Kirk was court-martialed for causing the death of Lieutenant Commander Benjamin Finney , Spock proved that Finney had altered the Enterprise 's computer tapes to frame Kirk, by beating the computer at chess four times in a row, something which would ordinarily be impossible. ( TOS : " Court Martial ")

Spock confronts Landru with Kirk

Spock, along with Kirk, helped disable Landru , a computer that controlled the lives of a civilization on Beta III and allowed no free thought or creative thinking. ( TOS : " The Return of the Archons ")

Spock helped Kirk to retake the Enterprise after Khan Noonien Singh , a 20th century Augment dictator whom the Enterprise 's crew had found in stasis , commandeered the starship. He flooded the ship with gas, disabling Khan and his followers. ( TOS : " Space Seed ")

On stardate 3192.1, Spock and Kirk were taken prisoners on Eminiar VII which had been at war for over five hundred years with Vendikar . Computers fought the war virtually so that the destruction of actual warfare did not devastate the two worlds, thus preserving both civilizations. Whenever the computer registered a hit, the affected citizens reported to a disintegration chamber where they were vaporized. When the Enterprise entered orbit around Eminiar VII, it became a legitimate target for Vendikar. The war computer soon declared that a tricobalt satellite explosion had destroyed the Enterprise ; as a result, Eminiar officials expected the crew to report to the disintegration stations. They abducted Kirk and Spock to ensure compliance, but the two escaped captivity and destroyed the computers on Eminiar VII. With the threat of a real war looming over the inhabitants of both planets, Spock and Kirk negotiated a peace between Eminiar VII and Vendikar. ( TOS : " A Taste of Armageddon ")

On the mining planet Janus VI , an unknown creature was killing miners there. After locating the creature, Spock mind melded with it. He discovered that the creature was called a Horta and determined that its killing of the miners was an attempt to protect its young. The miners had been unintentionally killing the Horta's offspring by destroying silicon nodules which were really the creature's eggs. Spock negotiated a pact between the Horta and the miners: The miners would leave the eggs alone and the Horta, in turn, would help the miners locate valuable minerals. ( TOS : " The Devil in the Dark ")

Spock is forced to use a destructive measure in order to protect the Federation

Spock and Kirk later became trapped on Organia during a Klingon occupation of that planet. The Klingons wanted to use Organia as a base in their war against the Federation. The Organian council refused the Federation's help, and after the Klingons invaded and took control of Organia, Kirk and Spock had civilian identities imposed on them, with Spock being given the identity of a merchant . They then became involved in sabotage. After the Klingons captured them, the Organians set Spock and Kirk free. Just as war began to break out, the Organians revealed themselves to be powerful energy beings. They neutralized both sides weaponry and stopped the war. ( TOS : " Errand of Mercy ")

On stardate 3134.0, Spock and Kirk traveled back in time using the Guardian of Forever to retrieve Dr. Leonard McCoy who had entered the time portal and somehow changed history. Spock discovered McCoy saved the life of Edith Keeler who, in the altered timeline, led a pacifist movement that delayed the United States of America 's entry into World War II , thus allowing Adolf Hitler to win the war. Spock persuaded Kirk that allowing Keeler to die in an auto accident was only way to restore the timeline. ( TOS : " The City on the Edge of Forever ")

A neural parasite attacking Spock

Near the end of the year, a Denevan neural parasite that destroyed the colony on Deneva also attacked Spock. He submitted to an experiment that destroyed the creature inside him but also left him blind. However, the blindness was only temporary due to an inner set of eyelids that all Vulcans possessed. ( TOS : " Operation -- Annihilate! ")

Commander Spock in 2267

In late 2267 , the Enterprise encountered a probe called Nomad that had destroyed multiple star systems and their inhabitants. Spock mind-melded with the probe and discovered it was an old Earth probe originally tasked with seeking out new life. Somehow damaged in space, it had merged with an alien probe on a mission to sterilize "imperfect" biological organisms from soil. These two missions had merged into sterilizing or improving anything that was not "perfect." Using its own logic against it, Kirk destroyed the probe. ( TOS : " The Changeling ")

On stardate 3219.8, an alien cloud creature took control of a shuttlecraft carrying Spock, Kirk, and Federation diplomat Nancy Hedford , landing it on a deserted planet. There, they found Zefram Cochrane , the inventor of Earth's warp drive who was believed to have died decades ago. The cloud creature, which Cochrane called the " Companion ", had discovered him and kept him alive and young. The creature had brought the three Starfleet officers to be companions for Cochrane. When Spock tried to repair the shuttlecraft, the Companion stopped him. The situation was resolved when the Companion joined with Hedford, who was terminally ill, and cured her. Hedford/The Companion remained on the planet with Cochrane. ( TOS : " Metamorphosis ")

At some point around Spock's fourth year on the Enterprise , he was offered an assignment with Medusan Ambassador Kollos which he turned down, as he claimed that he " was unable to accept, " as his " life is here, " aboard the Enterprise . The assignment, instead, went to Miranda Jones . ( TOS : " Is There in Truth No Beauty? ")

In 2268 , Spock and other crewmembers of the Enterprise encountered Harry Mudd stranded on a planet of androids . The androids wanted the Enterprise to escape the planet and serve Humans so that they would not have to explore space. Kirk, Spock, and the rest of the crew eventually managed to overload the androids' central control by acting in a illogical manner, causing the chief android, Norman , to have a breakdown. ( TOS : " I, Mudd ")

While traveling to a peace conference on Babel , Spock was reunited with his parents. There was still much friction between Spock and his father. When Sarek was accused of the murder of another delegate , it was revealed that he was ill with a cardiac defect which made it unlikely that he could have committed the crime. McCoy was then tasked with performing surgery on Sarek while in a space battle with an enemy ship. It was then discovered that Orions were responsible for the murder, and Spock made himself available for a blood transfusion for his father's surgery because they shared the same rare blood type , T-negative . Recovering in sickbay , Sarek and Spock made peace with each other, even playfully teasing Amanda. ( TOS : " Journey to Babel ")

On stardate 4523.3, Spock helped foil a Klingon plot to poison quadrotriticale earmarked for Sherman's Planet while at the same time trying to clear the Enterprise of a fast-breeding alien species called tribbles . ( TOS : " The Trouble with Tribbles "; DS9 : " Trials and Tribble-ations ")

Spock later visited Sigma Iotia II whose inhabitants had modeled their society on the gangster era of Earth's 1930s . An earlier starship had left behind a book about gangsters from Earth's 20th century that the imitative Iotians had used as a blueprint for their society. Spock played the part of one of the bosses of the main syndicate, "The Federation," and helped Kirk unite the two warring bosses into a form of government . ( TOS : " A Piece of the Action ")

Spock sensing the terrible deaths of an entire Vulcan crew

Spock, along with the Enterprise , encountered a space amoeba that destroyed entire star systems . The USS Intrepid , which was sent to investigate the phenomenon, was destroyed, and Spock felt the Vulcans on the ship dying. In order to gain information on the creature, Spock piloted a shuttle into the amoeba and found that it was about to reproduce by fission. He subsequently destroyed the creature with an antimatter bomb. ( TOS : " The Immunity Syndrome ")

Spock's body was later taken over by Henoch , one of three survivors of an ancient civilization that had destroyed itself. The three had become energy beings to survive and wished to build androids to house their minds. Henoch, the rival of fellow survivor Sargon , refused to relinquish Spock's body and attempted to kill Sargon. He himself was killed with the help of Spock's consciousness and Sargon's wife Thalassa . ( TOS : " Return to Tomorrow ")

Ekosian Nazis capture Spock

Spock came in contact with various other worlds in the early part of 2268. He was captured by Ekosians who had based their society on that of Nazi Germany and tortured him for information about the Enterprise . John Gill , a Federation historian , had visited Ekos and attempted to use the efficiency of Nazi Germany to bring stability to the planet. Toward the end of the encounter, it was found out that Gill was drugged by his deputy Melakon. Through the use of the mind meld, Spock helped bring Gill to almost full wakefulness. ( TOS : " Patterns of Force ")

Spock battled Kelvans who tried to take over the Enterprise in order to return to their homeworld in the Andromeda Galaxy . He helped Kirk stop Ronald Tracey , a Federation captain interfering in Omega IV 's societies by arming the Kohms against the Yangs . He battled the government of a planet where a Rome -like civilization had never fallen and gladiatorial games still took place in the planet's modern era. ( TOS : " By Any Other Name ", " The Omega Glory ", " Bread and Circuses ")

Spock's mindless body equipped with a neural stimulator after the Eymorgs stole his brain

Later the same year, Spock's brain was stolen by the Eymorgs to help power the Great Teacher that controlled their society and provided for all their needs. McCoy was able to reconnect Spock's brain to his body with the same technology used to remove it. ( TOS : " Spock's Brain ")

Spock, along with Kirk, stole a cloaking device from the Romulans. As part of the plan to retrieve the device, he pretended to kill Kirk in self-defense and romanced the craft's commander in order to gain her trust. He initially intended only to carry out his mission but experienced actual feelings for the beautiful and brilliant commander. After Kirk returned to the Romulans' craft disguised as a Romulan and stole the device, Spock stalled the Romulans long enough for the device to be installed in the Enterprise . The ship escaped with the cloaking device and the Romulan commander on board, who made a pact with Spock to keep their mutual feelings for the other a secret. ( TOS : " The Enterprise Incident ")

Spock later saved Kirk and a tribe of transplanted Native Americans when he helped save their planet Amerind from an asteroid by activating a deflector beam. ( TOS : " The Paradise Syndrome ") He allowed Kollos to take over his body so that he could guide the Enterprise back into the galaxy after a mad Larry Marvick had driven it into an uncharted region. The Medeusans were a highly intelligent species but their bodies were grotesque in form – so much so that gazing upon a Medeusan would cause instant insanity in humanoids. However, it was said that telepathically viewing a Medeusan's mind, as Spock did, was quite a beautiful experience. ( TOS : " Is There in Truth No Beauty? ")

Spock helped save an landing party from the Melkotians who had, as punishment for trespassing, forced them to relive the infamous gunfight at the OK Corral in a recreation of Tombstone , Arizona . ( TOS : " Spectre of the Gun ") He also helped redirect Yonada from colliding with Daran V . ( TOS : " For the World is Hollow and I Have Touched the Sky ")

Spock took command of the Enterprise when a spatial interphase trapped Kirk between universes. Despite a Tholian attack from Commander Loskene , Spock and the Enterprise crew managed to retrieve Kirk and escaped from the Tholians' energy web. ( TOS : " The Tholian Web ")

A race of psychokinetics later captured Spock, Kirk, and McCoy. The aliens forced them to take part in dangerous games and unwanted love affairs. ( TOS : " Plato's Stepchildren ")

After hyper-accelerated aliens took over the Enterprise and hyper-accelerated Kirk to take as a hostage, Spock managed to receive a warning from Kirk and became hyper-accelerated himself but carried an antidote with him. He and Kirk stopped the aliens and retook the ship. ( TOS : " Wink of an Eye ")

Spock was part of a landing party that aliens were using to test the worthiness of an empathic race. A supernova was going to destroy their planetary system, and the aliens wanted to see if their race should be saved. After the aliens tortured Kirk, Spock, and McCoy, the empath Gem healed them. Impressed by this, the aliens saved her planet. ( TOS : " The Empath ")

Spock attempting to differentiate between two almost identical Kirks in 2269

In early 2269 , Spock and Kirk took a new medicine that could cure mental illness to a Federation mental facility. However, under the leadership of former Starfleet captain Garth of Izar , inmates had taken over the facility. Garth captured Spock and Kirk, putting their lives in danger. Spock escaped and found Kirk but Garth, who had developed shapeshifting powers, had assumed Kirk's identity. Spock determined the real Kirk from the impostor and subdued Garth, thus giving him medication that helped his mental illness. ( TOS : " Whom Gods Destroy ")

In the same year, Spock was part of a landing party that found a Human named Flint . He found masterpiece paintings and original classical music. Flint admitted that he had been Johannes Brahms and Leonardo da Vinci on Earth , and that he was an immortal being. ( TOS : " Requiem for Methuselah ")

Spock with Droxine

Spock helped Kirk negotiate a peace treaty between two societies on Ardana . He also became attracted to Droxine , the daughter of Plasus , the ruler of Ardana; he referred to her as a work of art and even discussed pon farr with her. However, nothing ever came out of the relationship. ( TOS : " The Cloud Minders ")

The Excalbians forced Spock and Kirk into a battle between good and evil to study Human concepts. The aliens created images of people who possessed "good" qualities, such as Abraham Lincoln and Surak , against "bad" people such as Colonel Phillip Green and Kahless . ( TOS : " The Savage Curtain ")

Spock, Kirk, and McCoy entered a time portal, and were stuck in different past eras of Sarpeidon which was about to be destroyed by an exploding sun. Spock and McCoy traveled into the planet's ice age where they met Zarabeth , who had been sent there as punishment. Even though McCoy was dying from the cold, Spock wished to remain with the woman with whom he had fallen in love since, in this time period, he had emotions. Eventually, he discovered the portal door and saved McCoy. ( TOS : " All Our Yesterdays ")

After Janice Lester transferred her consciousness into Kirk's body and his consciousness into her body, she attempted to kill Kirk and assume his captaincy. However, Spock managed to expose her and helped to re-transfer Kirk's consciousness into his body. ( TOS : " Turnabout Intruder ")

Spock (left) along with McCoy, rapidly aged on planet

Spock with Klingons from the IKS Klothos

Spock joined a landing party that beamed down to inspect the second planet of the Taurean system . There, he became affected by the glandular secretion of the female members of Theela's species who inhabited there, who were known for controlling the male mind. This drained Spock of his "life force," causing him to age at a rate of ten years per day. Spock escaped the females of the planet and contacted the Enterprise . An all-female security detachment led by Lieutenant Nyota Uhura eventually recovered him and the landing party. By using their molecular pattern stored in the transporter system, Spock and the others were returned to their previous ages. ( TAS : " The Lorelei Signal ")

Spock Two performing a mind meld on Spock

On a mission to Phylos , Spock was captured by Stavos Keniclius who planned to clone him and make an army of Spock clones to enforce an era of peace throughout the galaxy. His first clone, Spock Two , possessed all of the original's memories, abilities, and sense of logic. However, the cloning process left the original Spock near death. Since Spock Two possessed his progenitor's sense of logic, he mind melded with him and restored his mind, most likely transferring his katra back into the original Spock. The original Spock proposed that Spock Two remain on Phylos to help Keniclius rebuild the Phylosian society. ( TAS : " The Infinite Vulcan ")

Purging emotions

After completing the Enterprise 's five-year mission of exploration, Spock chose to return to his home planet. As a result of his occasional displays of emotion during his Enterprise missions, he decided to undergo the kolinahr ritual to purge himself of the last vestiges of emotion. ( Star Trek: The Motion Picture )

V'ger crisis

Two and half years after leaving Starfleet, Spock felt the arrival of a vast consciousness. He aborted his kolinahr training and resumed his Starfleet career both for personal reasons and to help Rear Admiral Kirk during the V'ger incident. Spock's return to Starfleet amazed former colleagues and others but his reputation remained excellent, with Commander Will Decker stating that he was "well-aware of Mr. Spock's qualifications" when Spock offered to again serve as science officer. Within three hours, he helped Scott repair the Enterprise 's malfunctioning warp drive . ( Star Trek: The Motion Picture )

Commander Spock in the 2270s

" Jim, this simple feeling is beyond V'ger 's comprehension. "

Spock's attitude towards his colleagues was far different from when he had served with them during the five-year mission. Wishing to rid himself of any personal attachments to Starfleet, he no longer considered any of the crew to be his friends and barely acknowledged them upon his return except where his duties demanded it. Feeling that the consciousness would answer for his quest, he broke into an airlock and stole a thruster suit . He exited the ship and proceeded to the next chamber of the mechanism, witnessing a planet populated by living machines. There, he attempted a mind meld and he realized V'ger 's quest. Knocked unconscious by the enormous power of V'ger during the meld, Spock was recovered in open space by Kirk. Later, he was in sickbay being treated for neurological trauma. He informed Kirk that V'ger was a life-form of its own, seeking answers to its questions; specifically " Is this all that I am? Is there nothing more? " Grasping Kirk's hand while lying on a biobed , Spock told Kirk that the simple feeling of touching another was something beyond V'ger 's comprehension.

Spock later accompanied Kirk, Decker, and McCoy to the heart of V'ger , guided by the Ilia probe . The group discovered V'ger was actually the 20th century NASA probe Voyager 6 . Spock deduced that the old probe was found by the living machine inhabitants of a planet located on the other side of the galaxy and they built the mammoth vessel so it could fulfill Voyager 's simple programming, " learn all that is learnable ." Spock told Kirk that V'ger had to evolve, as its knowledge had reached the limits of the known universe.

Spock informed McCoy and the others that other dimensions and higher levels of being could not be proven logically and V'ger was therefore incapable of believing in them, needing the Human quality to leap beyond logic. Decker chose to merge with V'ger , and Kirk, McCoy, and Spock escaped shortly thereafter when it and Decker evolved into another dimension. Afterwards, Spock chose to remain on the Enterprise rather than return to his homeworld .

Spock's direct encounter with V'ger showed him that purging his emotions and operating on pure logic would not answer his questions but would simply create new ones. ( Star Trek: The Motion Picture )

Death and resurrection

Sometime after the V'ger incident, Spock was promoted to captain and assigned to Starfleet Academy where he trained cadets on the Enterprise which had been retired from active service.

The death of Spock in 2285

In early 2285 , Spock, while on a training mission, ceded command of the Enterprise to Kirk during a mission that involved keeping the Genesis Device from Khan Noonien Singh . When Kirk and the Enterprise defeated Khan, he armed the device. Spock repaired the Enterprise 's warp drive in a severely irradiated portion of engineering in order to save the crew. He saved the ship but sacrificed his own life in the process. Following his funeral service, Kirk gave Spock a "burial by sea" by firing Spock's body into space inside a torpedo casing. ( Star Trek II: The Wrath of Khan )

Spock, resurrected on Mount Seleya

Spock's coffin landed on the surface of the Genesis Planet . The radiation emanating from the planet regenerated his cells. Spock was thus reborn as a child but quickly aged to adulthood. However, his mind was a complete blank. Kirk and the rest of the Enterprise 's senior staff disobeyed Starfleet orders so that they could retrieve Spock's body. On Vulcan, Spock's living body, now at the age of his death, was reunited with his katra which Spock himself had placed in McCoy prior to his death via mind meld. ( Star Trek III: The Search for Spock )

After his katra and body were re-integrated, Spock trained for three months with the help of his mother to bring his knowledge and intellect back to where it had been before he died. Answering many complicated questions at rapid fire during his memory test , he had difficulty answering the question " How do you feel? ", something he felt was irrelevant, though his mother disagreed. Returning back to Earth aboard the HMS Bounty with his Enterprise crewmates to offer testimony in their defense to the Federation Council , Spock and the crew discovered that the planet was under siege by a mysterious alien probe which was causing critical damage to Earth's oceans and subsequently Earth's ecosystem. Analyzing the transmission the probe was producing, Spock concluded that the probe was transmitting the songs sung by whales , specifically humpback whales . Spock informed Kirk that the humpback whales had been extinct since the 21st century and suggested the crew travel back through time to acquire humpback whales. Spock's calculations from memory for the slingshot effect around Sol proved instrumental in the Bounty 's successful journey back to the year 1986 .

Spock, with Kirk in San Francisco in 1986

Upon the landing of the cloaked Bird-of-Prey in Golden Gate Park , Spock teamed up with Kirk and together they set off in search of humpback whales. The pair discovered George and Gracie at the Cetacean Institute in Sausalito . Spock jumped into the whales' tank and mind melded with Gracie, discovering she was pregnant . After traveling back to 2286 with the whales and cetacean biologist Gillian Taylor , Spock and the rest of the crew saved Earth once again by releasing George and Gracie into the San Francisco Bay from the sunken Bounty . The whales successfully communicated with the probe and it left Earth's solar system . After the dismissal of all charges to the crew of the Enterprise , save for Kirk, Spock spoke to his father and asked him to relay a message to his mother: That he felt fine. Spock went on to serve as a Starfleet officer for several more years aboard the new USS Enterprise -A . ( Star Trek IV: The Voyage Home )

The Enterprise -A

Prior to the launch of the new Enterprise , Spock was recruited to test the new brig as he was the most "intelligent and resourceful person the designers could find." However, despite his ingenuity, he failed to escape. ( Star Trek V: The Final Frontier )

Spock joined Kirk and McCoy for shore leave at Yosemite National Park and observed Kirk climbing El Capitan with his levitation boots . He saved Kirk's life when he slipped and fell off of the mountain, grabbing his ankle just seconds before he was killed by the impact. Later, Spock told Kirk and McCoy that before leaving the Enterprise -A, he had studied all the details involving "camping out" and roasted a marshmallow over a fire . Spock's shore leave was interrupted when Commander Uhura brought the shuttlecraft Galileo to the trio's campsite to bring them to the Enterprise as the transporters were malfunctioning.

Spock says goodbye to his half-brother Sybok

Upon the Enterprise 's mission to Nimbus III to resolve a hostage situation, Kirk retained Spock as his first officer. During the Enterprise strike team's rescue mission to Paradise City on Nimbus III, Spock discovered his long-lost half-brother Sybok had been the leader of the Galactic Army of Light , the group responsible for capturing the three diplomats. Sybok hijacked the Enterprise and ordered that it be brought through the Great Barrier . During the subsequent voyage in the shuttle Copernicus to the mythical Sha Ka Ree , Spock tried to console his brother when they could not initially find " God " on the surface.

Shortly thereafter, the landing party encountered the supernatural being when it presented itself to them. Learning of the malevolent nature of the being calling itself "God", Sybok sacrificed his life to save Spock and his friends. Spock and McCoy were beamed up to the Enterprise through the repaired transporter, leaving Kirk alone. The transporter was severely damaged when Klaa's Bird-of-Prey fired on the Enterprise . Spock saved Kirk's life from the entity by commandeering the Bird-of-Prey with the help of General Korrd and firing on it with the Klingon ship's weapons. Later, in the Enterprise -A's observation lounge, Spock reflected on the loss of his brother. Kirk told him that he had lost a brother once, but he was fortunate in that he got him back. Returning to Earth, Spock resumed his shore leave in Yosemite with Kirk and McCoy, this time playing " Row, Row, Row Your Boat " on his Vulcan lute . ( Star Trek V: The Final Frontier )

In 2293 , Spock was chosen to be the Federation's special envoy to the "Gorkon Initiative" as it was he who opened secret talks with Chancellor Gorkon following the Praxis disaster. Spock later committed Kirk to the negotiations with the Klingon Empire. During Kirk and McCoy's subsequent trial and imprisonment for the assassination of Gorkon, Spock took command of the Enterprise and the murder investigation. He led the rescue mission of Kirk and McCoy from Rura Penthe and helped stop an assassination attempt on the Federation President. Though this mission was successful, Spock blamed himself for endangering Kirk and the consequences that followed, a guilt that lasted seventy-five years. ( Star Trek VI: The Undiscovered Country ; TNG : " Unification II ")

Diplomatic career

Captain Spock (2293)

In 2293, on the suggestion of his father, Spock opened a dialog with Gorkon in the hopes of initiating peace talks. He recommended an alliance between the Klingon Empire and the Federation at the Khitomer Conference , and Gorkon agreed to negotiate. His recommendation produced a major dispute because the Federation viewed Klingons as outlaws who built their empire through violence and brutality. Despite seemingly insurmountable odds, an alliance was nevertheless forged, bringing peace and stability to the Alpha Quadrant that had not existed for two hundred years. Tuvok , who initially opposed the alliance, later noted that " Spock's suggestion, so controversial at first, proved to be the cornerstone of peace ." ( Star Trek VI: The Undiscovered Country ; VOY : " Alliances ")

Also during the Khitomer Conference, Spock opened up negotiations with Ambassador Pardek of Romulus in an attempt to unify Vulcan and the Romulan Star Empire . ( TNG : " Unification I ", " Unification II ")

Ambassador Spock in 2368

Spock and Sarek publicly disagreed over issues involving the Cardassians , leading to a rift in their relationship. ( TNG : " Unification I ")

In his later years, Spock went into semi-retirement, choosing to act as a Federation ambassador, much as his father had done. ( TNG : " Unification I ")

Reunification attempts

In 2368 , Spock undertook a secret personal mission to Romulus , unauthorized by the Federation Council or Starfleet. As he knew it would be risky, he preferred not to involve others and wrapped up his affairs. He acted to facilitate Romulan-Vulcan reunification , avoiding contact with the rest of the Federation as he was reluctant to risk anyone's life but his own on such a mission after the near-fatal consequences to Kirk and McCoy in their involvement in the Khitomer conference. Captain Jean-Luc Picard met Spock on Romulus and informed him of his father's death. Before Picard's departure, the two mind-melded, allowing Spock to realize the depth of his father's feelings for him. ( TNG : " Unification I ", " Unification II ")

In 3189 , a recording of Spock made on stardate 45825 while on Romulus was retrieved from the personal files of Admiral Picard and viewed by Michael Burnham and Cleveland Booker . ( DIS : " Unification III ")

"Cowboy diplomacy"

In 2369 , Spock was involved in an incident of " cowboy diplomacy " in which Deanna Troi was temporarily kidnapped to help with the defection of three Romulans, including Vice-Proconsul M'ret , to the Federation. He also had a message sent back to the Federation indirectly through the defector DeSeve . ( TNG : " Face Of The Enemy ")

When an unknown person was beamed on board the USS Enterprise -D in 2370 , Ben told a few junior officers that he heard that this was Ambassador Spock. ( TNG : " Lower Decks ")

In 2380 , Ensign Beckett Mariner asked Ensign Brad Boimler if he knew who Spock was, to which Boimler answered, "I think I know who Spock is." ( LD : " Second Contact ")

The Red Matter incident

Spock arrives too late to prevent Romulus' destruction

In 2387 , Romulus faced destruction when its sun threatened to go into a massive supernova . After a synth attack on Mars destroyed the Federation fleet being assembled to evacuate Romulus, Spock formed a plan which involved injecting red matter into the star, thus creating an artificial black hole which would consume the star instead. Piloting the Jellyfish , an advanced spacecraft equipped with red matter, Spock proceeded to the star to carry out his mission. Before he could, the star went supernova and destroyed Romulus. With other worlds threatened with destruction, Spock continued his mission and successfully created a black hole which consumed the supernova. Before he could escape, however, the Romulan mining vessel Narada , commanded by Nero , intercepted him. Nero blamed Spock for Romulus' destruction and was bent on revenge. The black hole eventually pulled in the Narada and the Jellyfish . ( Star Trek , PIC : " Remembrance ")

Though brought up to embrace a Vulcan way of life that he would eventually commit to as a young man, Spock's encounter with V'ger had a profound impact on his personal philosophy. From that point forward, Spock began to further embrace his human half and more readily explore the influences and impacts of human emotion, though he continued to temper his outward expressiveness. ( Star Trek: The Motion Picture , Star Trek IV: The Voyage Home , Star Trek )

Spock's self-sacrifice to save the Enterprise from Khan formed the basis of Starfleet's The Needs of the Many holographic training drill , while the rescue of his resurrected self from the Genesis Planet was the basis for the Escape from Spacedock drill. Both simulations were in use by 2381 . ( LD : " I, Excretus ")

Kirk's old bar on Starbase 25 still had Kirk and Spock's names scratched into the counter top as of 2381. ( LD : " An Embarrassment Of Dooplers ")

Spock was known as " Sprok " to Enderprizians , and was " well-known for his words so wise ", including the phrase " most illogical. " ( PRO : " All the World's a Stage ")

By 2399 , Spock would become known as "The Great Spock". ( PIC : " The End is the Beginning ")

His work towards reunification eventually led Romulans to settling on Vulcan and beginning to merge their society with the Vulcans, eventually renaming the planet to Ni'Var centuries after Spock's disappearance. However, they eventually left the Federation after the Burn . After reaching Federation Headquarters in 3189 , a year after her arrival from 2257 , Michael Burnham learned of her brother's achievements and viewed a recording of Spock talking to Jean-Luc Picard . Despite Ni'Var's separation from the Federation, Burnham's status as Spock's sister opened the chance for her to negotiate for the SB-19 data. ( DIS : " Unification III ")

Spock's legacy further extended into the alternate reality. It was he who located New Vulcan, a new homeworld for the Vulcans following the loss of their old one. ( Star Trek ) Following his death, alternate reality Spock originally planned to resign his Starfleet commission and continue the work the ambassador began on New Vulcan. However, after seeing a photograph of the prime reality Enterprise crew that was among old Spock's personal effects, alternate Spock changed his mind, having come to the conclusion that for now, his destiny lay with his crewmates. ( Star Trek Beyond )

Involvement in the alternate reality

Spock witnesses the destruction of Vulcan

Spock emerged from the black hole in the year 2258 of the alternate reality . Since Nero had emerged twenty-five years earlier , Spock was immediately intercepted by the Narada upon his arrival. Both Spock and the Jellyfish were captured by Nero who had been waiting for him. Spock's life was spared by Nero, although Nero marooned him on Delta Vega where he could witness the destruction of Vulcan from the planet's surface. After Nero used some of the red matter from the Jellyfish to create a black hole in Vulcan's planetary core , Spock watched helplessly from Delta Vega as his homeworld was destroyed.

Spock realizes whose life he just saved

Shortly thereafter, Spock rescued a Starfleet officer from a hengrauggi , only to discover that the young officer was James T. Kirk himself, that reality's Spock having marooned him on the planet for mutiny . The elder Spock was surprised that Kirk was not captain of the Enterprise . When Spock heard from Kirk that Captain Christopher Pike had been captured, Spock knew that Nero was responsible, describing the Romulan as "particularly troubled." Through a mind meld, Spock explained to Kirk his presence in this time period and the reasons behind Nero's actions.

He then walked with Kirk to the Starfleet Delta Vega outpost , where they met Montgomery Scott . Using Scott's equation for transwarp beaming (which Scott had not actually figured out yet), Spock was able to transport Kirk back to the Enterprise along with Scott. When asked why he would not come with them, Spock stated that his other self must not know of his existence, implying that it could cause some kind of temporal paradox. Knowing his younger self would never take the course of action that could stop Nero but that Kirk would, Spock instructed Kirk to use Regulation 619 to force his younger self to give up command to him by proving he was emotionally compromised. He informed Kirk he knew his younger counterpart was emotionally compromised due to the destruction of his homeworld. Kirk followed his advice and, by emotionally manipulating the alternate Spock, managed to take command of the Enterprise .

Spock meets himself

After the Enterprise defeated the Narada and Nero, the elder Spock returned to Earth. There, he met his less-than-surprised younger self (while Kirk had kept his word, his word was no match for even the intellect of the younger Spock, as he had figured out who Kirk's mysterious benefactor must be) and convinced him to remain in Starfleet. He also explained the reason he had not returned to the Enterprise with Kirk to explain things was that he had not wished to deprive Kirk and Spock of the chance of working together and developing the friendship they were destined to have. He then wished his younger self good luck and walked away.

" Thrusters on full… "

Afterwards, Spock witnessed the official promotion of Kirk to captain of the USS Enterprise , repeating what he knew the crew would say before launch, apparently commiserating on his own experiences as a member of the crew of the Enterprise . He left with an intention to establish a Vulcan colony . His attempts to convince his younger self succeeded and the younger of the two Spocks returned to the Enterprise to act as Kirk's first officer. ( Star Trek )

Spock warns his younger self just who the Enterprise is up against

A year later, Spock was living on New Vulcan, having made a solemn vow not to further interfere with history by keeping information about his experiences confidential. However, when the younger Spock contacted him for information regarding Khan Noonien Singh , the old Spock felt obligated to break his vow. He responded that Khan was the most dangerous adversary the Enterprise had faced, and that it had required a great sacrifice to stop him.

Ironically, the younger Kirk later made the same sacrifice Spock himself had made when facing Khan in the prime reality to save the crew of the Enterprise , though he was revived. ( Star Trek II: The Wrath of Khan ; Star Trek Into Darkness )

Final death

Ambassador Spock: 2230.06-2263.02

Spock passed away of natural causes on New Vulcan on January 2, 2263 .

Spock and his comrades, 2287

After his death, a small cache of personal items Spock had managed to retrieve from the Jellyfish was turned over to the younger Spock, including a photograph of the prime reality's bridge crew of the Enterprise -A from around 2287 , illustrating to the younger Spock that his destiny was to serve alongside Kirk, McCoy, and the others for decades to come. After struggling at first with whether or not to leave Starfleet in light of the elder Spock's death, this inheritance caused the younger Spock to change his mind and remain with his friends instead. ( Star Trek Beyond )

Alternate timelines and realities

Alternate neutral zone incursion.

Commander Spock in an alternate 2266

In an alternate timeline where Captain Christopher Pike avoided his crippling fate, Spock was his first officer on the USS Enterprise in 2266 during the Neutral Zone Incursion . Having been brought from 2259 by his future self to see the consequences of his actions, Pike enlisted Spock's help to make sense of his presence in the future and what he was meant to do there. During the following confrontation with the Romulans, Spock worked on repairing the weapons systems on the Enterprise and was severely injured, leaving him in a state similar to the Pike of the correct timeline. Spock's prognosis was grim and even if he survived, he was unlikely to ever be the same again. As a result, Spock could not take part in causing reunification between the Vulcans and Romulans and Pike came to believe that he had exchanged his own fate for Spock's. ( SNW : " A Quality of Mercy ")

After showing his 2259 self the future, the Christopher Pike of the alternate timeline revealed that he had learned from the Boreth monks that in every timeline where Pike changed his own fate, Spock died as a result. Because of this, in all of those futures, Spock couldn't go on to do the great things that he was meant to do which would change the fate of the galaxy. ( SNW : " A Quality of Mercy ")

Alternate 2259

Captain Spock in an alternate 2259

In an alternate timeline where Vulcan was at war with the Romulan Star Empire, where by 2259, Spock held the rank of captain and commanded the Sh'Rel .

During an engagement with the Romulans, the Sh'Rel was damaged and he requested United Earth Fleet Captain James T. Kirk of the UEF Enterprise for assistance. Kirk however refused as United Earth had their own problems with the Romulans and could not afford to fight a war on two fronts. ( SNW : " Tomorrow and Tomorrow and Tomorrow ")

Anything but canon scenarios

First contact day party.

Spock providing entertainment for the First Contact Day party

According to an anything but canon account, Spock provides entertainment for a First Contact Day party . The duty originally was assigned by the captain of the USS Enterprise to Lieutenant Hemmer , the chief engineer , however he turned it over to Spock, since Spock actually was both Human and Vulcan ; and therefore a better choice considering the holiday was intended to be a celebration based upon the first meeting between those two species .

Spock begins with a blooper reel that he had compiled featuring clips of many of the biggest bloopers in Starfleet. Most of the bloopers that had occurred aboard the Enterprise , including a gruesome transporter malfunction , that Chapel, Number One, Nyota Uhura and many others that were present found to be more disturbing than humorous, and finally Uhura tells him that he needed to tone it down a little. She explained that it doesn't have to involve such big bloopers, because those aren't funny at all, especially when death resulted from it. She told him that bloopers should be smaller than that, like when someone accidentally runs into a door that doesn't open in time, or when someone mispronounces his name as " Spork ."

Spock believed that he finally got the idea of what she was trying to say, even though it seemed pretty clear that he still didn't fully understand the concept of humor in the same way that they did. He decided to play one last video in the hopes of making them laugh . It involved an ensign with space diarrhea who, while running, slipped on a freshly mopped floor, which caused him to slam his genitals into the mop , before pooping his pants right then and there. Uhura told him that was the perfect blooper. Spock was finally pleased with his success, and grabbed a mop and chased Hemmer with it, to demonstrate to the crew a "live blooper." ( VST : " Holiday Party ")

Klingons destroy the Enterprise

Spock, minutes before his death

In another anything but canon account, Spock was present on the bridge while the ship was under the command of another captain , while ship was under attack by several Klingon battle cruisers .

During the scenario, Spock reported to the captain that their weapons were disabled and their shields were down. The captain then informed Spock that he knew of a way out. After hearing this, Spock further updated the captain, informing him that their warp and impulse engines were also offline. The captain then turned to Spock, and uttered a figure of speech that compounded the situation by offending a number of the bridge crew. As the misunderstandings continued, Spock interrupted to suggest that the captain avoid the use of figures of speech until they were free of the impending doom. The captain continued to trip over his own tongue, as Spock updated the captain that the hull was breached , and the next shot woulf finish the ship off. As the captain continued on his tangent, the Enterprise exploded killing Spock and the rest of the crew. ( VST : " Skin a Cat ")

Jam session on the bridge

Spock on the viewscreen along with McCoy, Scott, and Kirk

During another anything but canon account, a Post Mainframe Acid-Cardassian Ten Forwardcore jam session broke out on the bridge, during which, scenes appeared on the viewscreen that used sound effects for the song, such as the hum of the transporter when Spock, Kirk, Scott, and McCoy transported wearing life support belts .

Other clips on the viewscreen corresponded with the song lyrics and showed Spock putting his hands around two Klingon's shoulders , as if they were his " buddies ". That was followed by a clip of Spock during the time Nurse Chapel feigned "accidentally" sat down on his lap after she used Harry Mudd 's love crystals on him. A final clip of Spock and Kirk helping one another from slipping in an icy corridor, looped to appear as if they were dancing . ( VST : " Walk, Don't Run ")

Although half Human, Spock's physiology retained most of its Vulcan characteristics such as the green blood, the placement of his liver, ( TOS : " The Apple ", " A Private Little War ") his strength, ( TOS : " The Naked Time ", " This Side of Paradise ", " Operation -- Annihilate! ") telepathic abilities, ( TOS : " Dagger of the Mind ", " A Taste of Armageddon ", " By Any Other Name ") and his greater lifespan ( TOS : " The Deadly Years "; TAS : " The Lorelei Signal "; TNG : " Unification II "; Star Trek ) when compared to the average Human. However, it should also be noted that the life he lived was still about forty years shorter than the average Vulcan, who generally lived to be around two hundred years old. His father Sarek, for example, was 203 at his death. ( Star Trek Beyond ; ENT : " Broken Bow "; TNG : " Sarek "; TNG : " Unification II ")

His Human characteristics were obvious when Sarek was in need of a blood transfusion and concern over donating his hybridized blood would be a danger to Sarek's full Vulcan physiology. ( TOS : " Journey to Babel ") The other instance where his Human side was evident happened during the final stages of his Kolinahr ritual acceptance. While on Vulcan performing the ritual, the V'ger probe approached proximity and its own emotional instability affected Spock's Human emotional side which he worked so hard to repress. ( Star Trek: The Motion Picture ) Spock's Human side was also present when spores affected him on Omicron Ceti III . ( TOS : " This Side of Paradise ")

Like most Vulcans, he experienced pon farr neurochemical imbalance at least every seven years until the symptoms were remedied through ritual mating or kal-if-fee (dueling). If not dealt with, a Vulcan could die within eight days of the first symptoms. Spock experienced pon farr at least twice, once performing the kal-if-fee with Kirk's assistance, once mating with Saavik while physiologically a youth as a result of his regeneration by the Genesis Device . Both successfully relieved his symptoms of pon farr 's neurochemical issues. ( TOS : " Amok Time "; Star Trek III: The Search for Spock )

As of Vulcan rituals concerning death, Spock was able to transfer his katra into someone that was close to him – such as a family member – who could then transfer the katra into a large repository on Vulcan. In his case, he picked Dr. McCoy as a host for his katra when he decided to expose himself to fatal warp core radiation in order to restore warp power to the Enterprise . His corpse regenerated when his torpedo casing casket was shot towards the Genesis planet and was subjected to the Genesis cycles that rapidly evolved all life on the planet. ( Star Trek II: The Wrath of Khan ; Star Trek III: The Search for Spock )

After Spock received a mind meld from Captain Picard, he seemed to have accepted his Human side. He admitted to being emotionally compromised and showed some emotions when he dealt with Nero destroying Vulcan in the alternate timeline and dealing with his younger self . ( TNG : " Unification II "; Star Trek )

Spock playing three-dimensional chess

On his Human side, Spock once implied he had an ancestral relationship to British author Sir Arthur Conan Doyle . ( Star Trek VI: The Undiscovered Country )

Personal interests

Spock carried a lifelong interest in art, literature, poetry, music (especially the Vulcan lute and the piano), and three-dimensional chess . ( TOS : " Requiem for Methuselah ", " Where No Man Has Gone Before ", " Charlie X ", " The Cloud Minders ", " Court Martial "; TAS : " The Jihad ", " The Magicks of Megas-Tu ") He disliked Italian food, possibly because like most Vulcans, he was a vegetarian . ( TOS : " All Our Yesterdays "; TAS : " The Slaver Weapon "; Star Trek IV: The Voyage Home )

Relationships

Friendships, james t. kirk.

Lt. Kirk and Lt. Spock meeting for the first time in 2259

Spock first met Kirk aboard the Enterprise in 2259 , when it was under command of Fleet Captain Christopher Pike . ( SNW : " Lost in Translation ")

In 2265 , after the death of Gary Mitchell , Spock's detached and logical analysis was relied on by Kirk as a supplement to his own intuitive and impulsive nature. Their official relationship deepened into a friendship of mutual respect and love that was, without a doubt, the most important relationship of both Spock and Kirk's life. As Edith Keeler observed of Spock's place in the world, " You? At his side. As if you've always been there and always will. " ( TOS : " The City on the Edge of Forever ")

Spock with Kirk and McCoy

Kirk once described his Vulcan friend as "the noblest half of myself" and declared that Spock's immortal soul "is my responsibility, as surely as if it were my very own." Kirk even told Spock's father that he would never realize how important Spock was to him, and declared that, despite losing the Enterprise and his son, had he not tried to rescue his friend, " the cost would have been my soul. " ( Star Trek III: The Search for Spock )

The polywater intoxication that affected the Enterprise crew in 2266 led to a difficult encounter between Spock and Kirk. When Spock was urgently required by his commanding officer, an anguished and reflective Spock was found by Kirk, Spock regretting his inability to express love even for his mother. Trying to bring the first officer around to the moment, Kirk slapped him. Spock's reaction was flat and revelatory, " Jim, when I feel friendship for you, I'm ashamed. " Struck again, Spock responded in kind, sending Kirk backwards over a table. ( TOS : " The Naked Time ")

Spock was sympathetic to Kirk's plight after the transporter divided the captain's personality into opposite aspects. He referred to his own halves, "submerged… constantly at war with each other." Spock believed that Kirk could survive such a contest intact, and urged him to embrace the part of himself that, seemingly ugly, was crucial to his personality and captaincy. ( TOS : " The Enemy Within ")

Spock comes into conflict with Kirk over destroying a Gorn starship

After Kirk discovered emotional rage was the key to nullifying the effect of the pod plants ' spores , his first step in retrieving his crew was to taunt Spock into anger. Anticipating the result of a Vulcan's strength pitted against him, Kirk wielded a pipe for protection. After calling him an "elf with a hyperactive thyroid" and saying he belonged "in the circus, right next to the dog-faced boy," Spock indeed lost control, nearly killing Kirk before regaining control of himself. ( TOS : " This Side of Paradise ")

Kirk holding Spock after his encounter with a Denevan neural parasite

In 2267 , Spock began his pon farr mating cycle, and behaved bizarrely aboard the Enterprise . Kirk called Spock "the best first officer in the Fleet" and "an enormous asset to me" as he pled with Spock to explain his actions. When told that taking Spock to Vulcan was against Starfleet orders, Kirk fired back, " I owe him my life a dozen times over! Isn't that worth a career? " Joining him on Vulcan for his marriage ceremony, Kirk was drawn into T'Pring's scheme to marry another, and forced to fight Spock to the death. McCoy, knowing Kirk was endangered, faked Kirk's death, and the marriage was not consummated. Spock, despondent that he had murdered his captain, was thrilled at the sight of Kirk alive, exclaiming, " JIM! " which McCoy delighted in needling Spock about, once he gained his composure. ( TOS : " Amok Time ")

Kirk's understanding of Spock had an enormous impact on the parallel mirror universe , visited after a transporter accident in 2267 . As Kirk's party prepared to return to their proper universe, Kirk implored the mirror Spock to re-examine his role in the fascistic Terran Empire , insisting, " One man can make a difference. " Mirror Spock's consideration of those words led to his rise to dominance and reform of the Empire, with drastic consequences. ( TOS : " Mirror, Mirror "; DS9 : " Crossover ")

When Kirk was trapped in spatial interphase during a rescue operation in Tholian space, Spock ordered the Enterprise to maintain its position in an effort to retrieve him, in spite of the danger the Tholians presented and the disruptive nature of the local space. After Kirk's assumed death, Spock and McCoy viewed the "last orders" Kirk had prepared. He urged Spock to use all the Vulcan disciplines at his disposal, tempered with intuitive insight. Kirk believed Spock had the latter qualities, but should they elude him, he was urged to seek out McCoy. ( TOS : " The Tholian Web ")

Spock making Kirk " forget " about Rayna Kapec

Kirk once commented to Captain Garth that he and Spock were "brothers". Spock merely responded, " Captain Kirk speaks somewhat figuratively, and with undue emotion, but what he says is logical and I do, in fact, agree with it. " ( TOS : " Whom Gods Destroy ")

When Dr. Janice Lester , a former lover of Kirk's, took over Kirk's body, Spock performed a mind meld on Kirk while he was trapped in Lester's body. Spock believed Kirk was Lester before anyone else, and when Lester as Kirk ordered his execution, he continued to stand by his friend. ( TOS : " Turnabout Intruder ")

Spock with Kirk aboard the Enterprise again in the 2270s

At the end of the Enterprise 's five-year mission, a period marked by his frequent loss of emotional control, Spock chose to leave Starfleet and his friends, to pursue the kolinahr discipline of logic on Vulcan. His return to the Enterprise during the V'ger threat was a cold event, without acknowledgment of his past friendships. In V'ger 's aftermath, Spock finally achieved equilibrium, able to express his friendship for Kirk without the influence of aliens or illness, and notably lacking any threat of physical violence. In 2285 , Spock was calmly able to tell Kirk, " You're my superior officer. You are also my friend. I have been and always shall be yours. " ( Star Trek: The Motion Picture ; Star Trek II: The Wrath of Khan )

Kirk and Spock, together on Kirk's birthday

Spock's sacrifice of his own life, to save the Enterprise from Khan's detonation of the Genesis Device , deeply affected Kirk. At his funeral, Kirk could only bring himself to say of Spock, " Of all the souls I have encountered in my travels, his was the most… Human. " ( Star Trek II: The Wrath of Khan )

The revelation that Spock's katra , his living spirit, survived in the tormented mind of McCoy, led Kirk to risk his career, and in turn, his crew's. He first asked Fleet Admiral Morrow for permission to retrieve Spock's body from the Genesis Planet , to bring it, and McCoy, to Vulcan. Kirk insisted that any chance to save Spock's soul was his responsibility, " as surely as if it were my very own. " His request declined, he told his crew, " the word is No. I am therefore going anyway. "

With the help of Uhura, Scott, Sulu, and Chekov, Kirk rescued McCoy from confinement and commandeered the Enterprise from Spacedock One . The renegade mission saw the death of Kirk's ship as well as his son. Finding Spock's body re-animated by Genesis, Kirk brought him and McCoy, to Vulcan for the fal-tor-pan (re-fusion) ritual. The first person Spock recognized was Kirk: " Jim. Your name, is Jim. " ( Star Trek III: The Search for Spock )

During their homecoming from Vulcan, and eventually their trip to 1986 , Kirk tried to remind the resurrected Spock, suffering from memory loss, of their friendship and past adventures together. After Kirk and the crew's trial, Spock told his father, his "associates" were his friends. ( Star Trek IV: The Voyage Home )

Spock in an attempt to save Kirk's life at Yosemite National Park

In 2287 , Spock accompanied Kirk and McCoy on a camping trip together at Yosemite National Park , which abruptly ended when Spock's half-brother, Sybok, diverted the Enterprise to Nimbus III . After their adventure on Sha Ka Ree and Sybok's death, Kirk referred to Spock once again as his "brother", and told him and McCoy that they were his real family. ( Star Trek V: The Final Frontier )

When Spock later entered the alternate reality , he told the James T. Kirk of that reality of their deep friendship, despite the fact that the alternate Spock had marooned Kirk on Delta Vega . Before returning Kirk, along with Scott's counterpart , to the USS Enterprise (revealing to this Scott an advancement in transporter technology over a century before his prime counterpart perfected it), Spock – who in this reality had designed the Kobayashi Maru simulation and openly begrudged Kirk outsmarting it – was reminded that this could be viewed as "cheating", to which he replied that an "old friend" – namely, Kirk – had taught him how to cheat.

Later, when Spock Prime spoke to his own alternate reality counterpart about that universe's Kirk, he explained that he had resorted to a level of subterfuge in order to inform both men of the necessity of their friendship, both to themselves and to others. Spock Prime explained, " I could not deprive you of the revelation of all that you could accomplish together, of a friendship that will define you both in ways you cannot yet realize. " ( Star Trek )

Leonard McCoy

The relationship between Spock and Dr. Leonard McCoy seemed a little strained at times on McCoy's part because of his taunts about Spock's green blood and lack of emotion . However, there was an obvious respect and friendship among James T. Kirk , Spock, and McCoy. McCoy, in fact, was one of the two friends Spock requested to join him in his marriage ceremony. ( TOS : " Amok Time ")

While he would rarely do so without provocation, Spock was also quite capable of turning the tables on the doctor. During Kirk's court-martial, after an astonished McCoy discovered him in the briefing room playing chess against the ship's computer, Spock casually allowed him to assume the worst (to the point of thanking him after the furious doctor had said he was " The most cold-blooded man I've ever known "), waiting until he reached the door to reveal that he had been victorious in four consecutive games – since the computer, whose account of the incident was the main evidence against Kirk, was programmed to be unbeatable, this proved that it had been tampered with (something only Kirk, Spock, and the "dead" Commander Finney were authorized to do), and cast doubt on the credibility of its account, keeping the trial going long enough to discover that Finney was, in fact, alive.

Later that year, after the Enterprise crew had defeated the androids on planet Mudd (beings almost Vulcan-like in their lack of emotion and their "logical, pragmatic" thinking), McCoy told Spock that he must be quite unhappy to see that "poor, illogical" Humans were able to fairly defeat them, Spock responded that this was quite satisfactory, as nobody needed him and his logical ways as much as a ship full of Humans. ( TOS : " Court Martial ", " I, Mudd ")

Christopher Pike

Spock and Pike developed a mutual respect and fondness for one another during their service aboard the Enterprise ; Pike at one point expressed how important Spock was to him, a feeling Spock reciprocated. ( SNW : " A Quality of Mercy ") Spock's loyalty to Pike went even so far as to risk court martial in 2267 to kidnap his disabled former captain and bring him to Talos IV to live a life of illusion and happiness. ( TOS : " The Menagerie, Part I ", " The Menagerie, Part II ")

Sybok, Spock's elder half-brother, encountered Spock on Nimbus III in 2287 , shortly before Sybok hijacked the Enterprise -A for his quest to find Sha Ka Ree in the Great Barrier . Spock had remained silent on the subject of his brother for decades, not even telling Kirk until Sybok had already taken control of the Enterprise . At first, Spock was extremely distant from him, but following Sybok's death, he realized what he had lost. ( Star Trek V: The Final Frontier )

Michael Burnham

Michael Burnham was Spock's adoptive sister after her parents' presumed deaths. When she first met him, a very young Spock shut his bedroom door on her after greeting her with a holographic drawing of a dragon screaming. Over time, Spock and Michael grew closer and Spock grew to idolize his older adoptive sister. However, feeling that she placed her adoptive family in danger from logical extremists who targeted her due to being Human, Michael decided to run away. Spock tried to persuade her otherwise, telling her that he "loved her" and would run away with her. To push Spock away, Michael insulted him by calling him a "half-breed" who was "incapable of love." While well meaning, her insults deeply hurt Spock who shunned his Human half in response and grew to no longer trust people. Over the years, Michael tried to make amends, but Spock showed no interest in reconnecting.

After they both grew up and entered Starfleet, they rarely talked to each other. Eventually Spock and Michael were forced to come to terms with each other after the Federation-Klingon War. Michael searched for a missing Spock after meeting his commanding officer, Captain Christopher Pike of the USS Enterprise . Eventually finding her brother, she was dismayed to find Spock suffering from a mental breakdown due to an encounter with a time traveler. She was able to help restore Spock's mind with the help of the Talosians, but this did not resolve the animosity between the siblings as they clashed several times with Spock blaming her for causing the Federation-Klingon war and calling her out on her habit of assuming responsibility for all the wrongs in the universe. Eventually, the two came to terms with their respective short-comings and eventually grow closer as they worked together to solve the mystery of the Red Angel.

When Burnham needed take Discovery to the future in order to avoid Control having access to the Sphere information stored in the ship's memory, Spock volunteered to help her. Unfortunately, while helping Burnham prepare, Spock's shuttle was badly damaged. Both distraught that they could not be together in the future, they shared a bittersweet farewell and Spock was transported away after one last "live long and prosper." ( DIS : " Such Sweet Sorrow, Part 2 ")

In the months following Discovery 's disappearance, Spock was unnerved that they had not received a signal to indicate that Discovery had arrived safely in the future. When the signal arrived, Spock found peace. ( DIS : " Such Sweet Sorrow, Part 2 ")

Burnham and Book watch a holo-recording of Spock

In 3189 , Michael Burnham watched a recording of Spock. She told her boyfriend Cleveland Booker that since she had arrived in the 32nd century , she hadn't bothered researching history to find out the type of man that Spock eventually became. But she was proud of who he had became, and she was happy he had found a way to reunify the Vulcans and Romulans. ( DIS : " Unification III ")

Spock with T'Pring in 2267

At age seven, Spock was bonded to T'Pring in a family-arranged Vulcan ceremony described in Human terms as " less than a marriage, but more than a betrothal. " ( TOS : " Amok Time ")

T'Pring formally proposed marriage to Spock in 2259 , but the two had not been married by 2267. ( SNW : " Strange New Worlds ")

When Spock experienced his pon farr of 2267 , he succumbed to the madness of the plak tow mating instinct. The Enterprise diverted to Vulcan in time to consummate the marriage. Accompanied by Kirk and McCoy, Spock arrived at his family's ancient koon-ut-kal-if-fee site for the wedding ceremony officiated by the matriarch T'Pau . Unexpectedly – but within the bounds of Vulcan tradition – T'Pring demanded the challenge of kal-if-fee , forcing Spock to earn the right to marry his bride through victory in personal combat. Rather than her prospective consort Stonn , T'Pring chose Kirk as her champion.

Unwilling to appear weak or disrespectful in front of the legendary T'Pau, Kirk agreed to fight his first officer . Between rounds using the lirpa and ahn-woon weapons, T'Pau belatedly revealed the combat was "to the death," and it became clear that Kirk had little chance against Spock in the throes of his blood fever. McCoy intervened, deceptively dosing Kirk with a drug that simulated his death.

Spock's plak tow subsided after his apparent victory. Appalled at the turn of events, Spock calmly questioned T'Pring's decisions. T'Pring admitted her distaste for Spock's growing fame among Vulcans, and her mutual attraction to Stonn. By her logic, choosing Kirk meant neither victor would claim her in the end, and she would have her life with Stonn. Spock acknowledged her way of thinking, referring to it as "flawless". T'Pring, for her part, was honored, but Spock advised Stonn that he would find that " having… is not so pleasing a thing after all… as wanting ."

After returning to the Enterprise , McCoy revealed Kirk's clandestine survival. A rare show of extreme emotion came from Spock when he exclaimed " JIM! " with a beaming smile. ( TOS : " Amok Time ")

Christine Chapel

Spock and Christine Chapel met when she was assigned to the Enterprise in 2259 along with Doctor Joseph M'Benga . ( SNW : " Strange New Worlds ")

Spock kissed Christine in a ruse to prevent T'Pring from handing over Sybok to the pirate angel

When the pirate Angel took over the Enterprise , Angel took Spock and Christine Chapel hostage in an effort to get T'Pring to hand over a prisoner that was Angel's lover. To prevent the prisoner transfer, Spock and Christine Chapel engineered a ruse where Spock and Christine had developed romantic feelings for one another and kissed in front of Angel and T'Pring. ( SNW : " The Serene Squall ")

During Chief engineer 's Hemmer 's funeral , Chapel consoled Spock as he was feeling emotions such as rage and pain. Spock didn't want her to follow him but did so anyway and Chapel ended up hugging him. ( SNW : " All Those Who Wander ")

Spock and Chapel entered into a relationship for some time after his engagement with T'Pring ended due to him not confiding in her that he was transformed into a full human and stripped of his Vulcan genes. The relationship reached its conclusion when Chapel was accepted into Roger Korby 's fellowship . ( SNW : " Charades ", " Subspace Rhapsody ")

Spock with Christine Chapel, being emotionally influenced by the Psi 2000 intoxication

When the Psi 2000 intoxication infected the crew of the Enterprise in 2266 , Chapel admitted her love for Spock, who was thereupon emotionally shocked. Her love for him was an ongoing issue, but never interfered with her professional duties. ( TOS : " The Naked Time ")

Chapel once housed Spock's consciousness to keep him from being destroyed by Henoch . They were later forced by powerful telepaths to kiss each other, but neither enjoyed the forced situation. ( TOS : " Return to Tomorrow ", " Plato's Stepchildren ")

While under the spell of Harry Mudd 's love potion , Spock became infatuated with Chapel, and was willing to fight for her love. However, the potion eventually wore off and then Chapel, as a side effect of the drug, seemed to hate Spock for a brief time. Spock commented to Mudd that a few brief moments of love being paid for with several hours of hatred is scarcely a bargain. ( TAS : " Mudd's Passion ")

Leila Kalomi

On stardate 3417, Spock was infected by Omicron spores while on Omicron Ceti III by Leila Kalomi , who was serving as the Omicron colony 's botanist. The spores broke down Spock's emotional control, and he confessed his love for Kalomi. Their time together was short-lived, however, as Kirk deduced a method of destroying the spores with intense emotion and induced anger in Spock.

Once free from the spores, Spock freed Kalomi and the rest of the planet from their influence. He later reflected that his time with Kalomi was the first time in his life at which he had felt happy. ( TOS : " This Side of Paradise ")

When visiting the planet Sarpeidon Spock got trapped in in the planet’ ice age in the past with Dr. McCoy. When there Spock began to act like the Vulcans of that time period and started to act emotional. There he fell madly in love with her. Eventually McCoy realized what was happening and they were eventually able to escape back to their time period without Zarabeth . ( TOS : " All Our Yesterdays ")

A hologram of Spock was created by the Romulans in 2368 for Sela to use to give a false address to the Federation . It was known by the title " Spock One ". ( TNG : " Unification II ")

During Dal 's setup of the Kobayashi Maru scenario aboard the USS Protostar in 2383 , he requested that the computer select the best officers on his behalf, which included a holographic version of Spock, from the TOS era , as a member of his command crew. ( PRO : " Kobayashi ")

Spock's head on a holographic amalgamation of four other Starfleet officers

The head that resembled Tucker was attempting to freeze the playback of a holographic program that featured Neelix watching a holonovel that was one of many "silly stories " he saw on his PADD . The program seemingly froze, but then Tucker noticed he wasn't actually Tucker, but a strange monstrous combination of the aforementioned Starfleet officers .

• 2230 : Born in ShiKahr on Vulcan
• 2247 – 2250 : Cadet at Starfleet Academy
• Between 2250 and 2253: Assigned to the USS Kongo
• 2253: Assigned to the USS Enterprise under Captain Christopher Pike
• Takes a leave of absence from Starfleet following the Federation-Klingon War
• Assists the USS Discovery in solving the mystery of the Red Angel
• 2258 : Returns to service aboard the Enterprise .
• 2259 : Becomes engaged to T'Pring
• 2268 : Is offered an assignment with Medusan Ambassador Kollos .
• 2270: Resigns from Starfleet and returns to Vulcan to undergo the Kolinahr ritual
• 2270s : Returns to Starfleet to help with the V'ger crisis
• Between the 2270s and 2285: Appointed captain of the USS Enterprise
• Dies on the USS Enterprise
• Transfers his Katra to Leonard McCoy
• Is resurrected on the Genesis planet
• Transfers to the USS Enterprise -A
• 2287 – 2293 : First officer/science officer of the USS Enterprise -A
• Resigns from starfleet
• Becomes a Federation ambassador
• Begins attempts to reunify the Romulan and Vulcan people
• 2387 : Attempts to stop a star from destroying Romulus and ends up pulled into a black hole and transferred to an alternate reality.
• 2258 ( alternate reality ): leads the surviving members of the Vulcan people to start a new colony on New Vulcan
• 2263 (alternate reality): Dies on New Vulcan. The age must be around 161 if the time travel in 2387 through the black hole was in very short time and it led him to the same month in 2258.

Memorable quotes

" Is there a valuable question in your arsenal? " " Yes. Do you actually think the beard is working? "

" History will not provide an answer to your query, doctor. Instead you should be asking me, 'How is it I can remember tomorrow?'"

" This will go easier if you answer me. Or it could go harder. " " I beg to differ. Say goodbye, Spock. " (Spock raises his hand in the Vulcan salute) " Goodbye, Spock. "

" Greetings, captain. " " Spock. Are you all right? " " Much better for seeing you in person, sir. Even if we are riding into danger. " (Spock smiles) " Is that a smile I see on your face?" " I believe it is. Yes. " " Well, Welcome to Discovery . "

" I don't suppose the Red Angel offered you any advice on how to handle a situation like this. " " No. But my limited experience as a fugitive suggests only one course of action. " " And what is that? " " We run. "

" I happen to have a Human thing called an adrenaline gland. " " That does sound most inconvenient, however. Have you considered having it removed? " " Very funny. " " Try to cross brains with Spock, he'll cut you to pieces every time. "

" I am endeavoring, ma'am, to construct a mnemonic circuit using stone knives and bearskins. "

" I have never understood the female capacity to avoid a direct answer to any question. " ( TOS : " This Side of Paradise ")

" A curious creature. Its trilling seems to have a tranquilizing effect on the Human nervous system. Fortunately, of course, I am… immune… to… its… effect… "

(To Alice 27) " I love you. " (To Alice 210) " However, I hate you. " " But I am identical in every way with Alice 27! " " Exactly. That is exactly why I hate you; because you are identical. " [The androids violently malfunction.] " Fascinating. "

" Logic is a little, tweeting bird, chirping in a meadow. Logic is a wreath of pretty flowers that smell bad. " ( TOS : " I, Mudd ")

" Nowhere am I so desperately needed as among a shipload of illogical Humans. " ( TOS : " I, Mudd ")

" On my planet, 'to rest' is to rest, to cease using energy. To me, it is quite illogical to run up and down on green grass, using energy instead of saving it. " ( TOS : " Shore Leave ")

"Enterprise to signaler on planet's surface. Identify self. " (Reads answer) " 'Hip, hip, hurrah…' and I believe it's pronounced 'Tally ho'. " ( TOS : " The Squire of Gothos ")

" 'Fascinating' is a word I use for the unexpected. In this case, I should think 'interesting' would suffice. "

" I have been, and always shall be, your friend. "

" Jim. Your name is Jim."

" If I were Human, I believe… my response would be 'Go to Hell.' If I were Human. "

" Billions of lives lost, because of me, Jim because… I failed. "

" Thrusters on full. "

" Space: the final frontier. These are the voyages of the starship Enterprise . Her ongoing mission: to explore strange new worlds, to seek out new lifeforms and new civilizations; to boldly go where no one has gone before. "

Catchphrases

" Fascinating. " ( Star Trek: The Original Series )

" Live long and prosper. " ( Star Trek: The Original Series )

" Interesting. "

" The needs of the many outweigh the needs of the few. "

Kirk and Spock

" Have I ever mentioned you play a very irritating game of chess, Mr. Spock? " " Irritating? Ah, yes: one of your Earth emotions. "

" Your illogical approach to chess does have its advantages on occasion, captain. " " I prefer to call it 'inspired'. " " As you wish. "

" You'd make a splendid computer, Mr. Spock. " " That is very kind of you, captain! "

" So, we're stranded here, in the middle of a Klingon occupation army. " " So it would seem. Not a very pleasant prospect. " " You have a gift for understatement, Mister Spock. It's not a very pleasant prospect at all. "

" You didn't really think I was going to beat his head in, did you? " " I thought you might. " " You're right. "

" Well, Mr. Spock, if we can't disguise you, we'll find some way of explaining you. " " That should prove interesting. "

" My friend is obviously Chinese. I see you've noticed the ears. They're actually easy to explain. " [Long pause.] " Perhaps the unfortunate accident I had as a child. " " The 'unfortunate' accident he had as a child. He caught his head in a mechanical… rice picker. "

" Don't grieve, admiral. It's logical. The needs of the many… outweigh… " " The needs of the few. " " Or the one. I never took the Kobayashi Maru test, until now. What do you think of my solution? "

" You know, coming back in time, changing history… that's cheating. " " A trick I learned from an old friend . "

Awards and achievements

Spock in dress uniform 2267

• Twice decorated with the Starfleet Award of Valor ( TOS : " Court Martial ")
• Vulcanian Scientific Legion of Honor ( TOS : " Court Martial ")
• The Vulcan IDIC ( TOS : " Is There in Truth No Beauty? ")
• An A-7 computer expert classification ( TOS : " The Ultimate Computer ")
• Innovator of time travel methodologies: the warp drive cold start and the "slingshot" maneuver ( TOS : " The Naked Time ", " Tomorrow is Yesterday ")
• Twice recommended for commendations by Captain Kirk. ( TOS : " Space Seed ", " The Immunity Syndrome ")

Spock's personnel file

Appearances

• " The Cage "
• " Where No Man Has Gone Before "
• " The Corbomite Maneuver "
• " Mudd's Women "
• " The Enemy Within "
• " The Man Trap "
• " The Naked Time "
• " Charlie X "
• " Balance of Terror "
• " What Are Little Girls Made Of? "
• " Dagger of the Mind "
• " The Conscience of the King "
• " The Galileo Seven "
• " Court Martial "
• " The Menagerie, Part I "
• " The Menagerie, Part II "
• " Shore Leave "
• " The Squire of Gothos "
• " The Alternative Factor "
• " Tomorrow is Yesterday "
• " The Return of the Archons "
• " A Taste of Armageddon "
• " Space Seed "
• " This Side of Paradise "
• " The Devil in the Dark "
• " Errand of Mercy "
• " The City on the Edge of Forever "
• " Operation -- Annihilate! "
• " Catspaw "
• " Metamorphosis "
• " Friday's Child "
• " Who Mourns for Adonais? "
• " Amok Time "
• " The Doomsday Machine "
• " Wolf in the Fold "
• " The Changeling "
• " The Apple "
• " Mirror, Mirror "
• " The Deadly Years "
• " I, Mudd "
• " The Trouble with Tribbles "
• " Bread and Circuses "
• " Journey to Babel "
• " A Private Little War "
• " The Gamesters of Triskelion "
• " Obsession "
• " The Immunity Syndrome "
• " A Piece of the Action "
• " By Any Other Name "
• " Return to Tomorrow "
• " Patterns of Force "
• " The Ultimate Computer "
• " The Omega Glory "
• " Assignment: Earth "
• " Spectre of the Gun "
• " Elaan of Troyius "
• " The Paradise Syndrome "
• " The Enterprise Incident "
• " And the Children Shall Lead "
• " Spock's Brain "
• " Is There in Truth No Beauty? "
• " The Empath "
• " The Tholian Web "
• " For the World is Hollow and I Have Touched the Sky "
• " Day of the Dove "
• " Plato's Stepchildren "
• " Wink of an Eye "
• " That Which Survives "
• " Let That Be Your Last Battlefield "
• " Whom Gods Destroy "
• " The Mark of Gideon "
• " The Lights of Zetar "
• " The Cloud Minders "
• " The Way to Eden "
• " Requiem for Methuselah "
• " The Savage Curtain "
• " All Our Yesterdays "
• " Turnabout Intruder "
• " Beyond the Farthest Star "
• " Yesteryear "
• " One of Our Planets Is Missing "
• " The Lorelei Signal "
• " More Tribbles, More Troubles "
• " The Survivor "
• " The Infinite Vulcan "
• " The Magicks of Megas-Tu "
• " Once Upon a Planet "
• " Mudd's Passion "
• " The Terratin Incident "
• " The Time Trap "
• " The Ambergris Element "
• " The Slaver Weapon "
• " The Eye of the Beholder "
• " The Jihad "
• " The Pirates of Orion "
• " The Practical Joker "
• " Albatross "
• " How Sharper Than a Serpent's Tooth "
• " The Counter-Clock Incident "
• Star Trek: The Motion Picture
• Star Trek II: The Wrath of Khan
• Star Trek III: The Search for Spock
• Star Trek IV: The Voyage Home
• Star Trek V: The Final Frontier
• Star Trek VI: The Undiscovered Country
• Star Trek Into Darkness
• Star Trek Beyond (picture only)
• " Unification I "
• " Unification II "
• DS9 : " Trials and Tribble-ations " (archive footage)
• " Brother "
• " New Eden " (archive voice footage)
• " Light and Shadows "
• " If Memory Serves "
• " Project Daedalus "
• " The Red Angel "
• " Perpetual Infinity "
• " Through the Valley of Shadows "
• " Such Sweet Sorrow "
• " Such Sweet Sorrow, Part 2 "
• " Unification III " (archive footage)
• " Stormy Weather " (picture only)
• " Q&A "
• " Ask Not "
• " No Small Parts " (picture only)
• " An Embarrassment Of Dooplers " (picture only)
• PRO : " Kobayashi " (hologram; archive audio)
• " Strange New Worlds "
• " Children of the Comet "
• " Ghosts of Illyria "
• " Memento Mori "
• " Spock Amok "
• " Lift Us Where Suffering Cannot Reach "
• " The Serene Squall "
• " The Elysian Kingdom "
• " All Those Who Wander "
• " A Quality of Mercy "
• " The Broken Circle "
• " Ad Astra per Aspera "
• " Tomorrow and Tomorrow and Tomorrow "
• " Among the Lotus Eaters "
• " Charades "
• " Lost in Translation "
• " Those Old Scientists "
• " Under the Cloak of War "
• " Subspace Rhapsody "
• " Hegemony "
• " Skin a Cat "
• " Holiday Party "
• " Holograms All the Way Down " (background hologram)
• " Walk, Don't Run " (archive footage)

Background information

Spock was played by Leonard Nimoy in the vast majority of the character's television and cinematic appearances. The Genesis -regenerated versions of Spock at nine, thirteen, seventeen, and twenty-five years of age in Star Trek III: The Search for Spock were portrayed by Carl Steven , Vadia Potenza , Stephen Manley , and Joe W. Davis , respectively. Spock's screams in that film were provided by Frank Welker .

The young Spock from TAS : " Yesteryear " was voiced by Billy Simpson . Carey Scott recorded some dialogue for a younger Spock in Star Trek V: The Final Frontier , but his scenes were cut . Spock is also portrayed by an unknown infant in that film. And while Nimoy portrayed the elder Spock in the film Star Trek , his younger alternate reality adult self was played by Zachary Quinto (who reprised the role in Star Trek Into Darkness and Star Trek Beyond ), as well as briefly by Jacob Kogan , who portrayed Spock as a young boy. Nimoy reprised the role of Spock for a cameo in Star Trek Into Darkness . Liam Hughes portrayed a young Spock in the Discovery episode " Brother " while Ethan Peck voiced the adult version of the character in the same episode. Peck also played the character in subsequent episodes of Star Trek: Discovery , Star Trek: Short Treks , and Star Trek: Strange New Worlds .

A deleted scene from Star Trek featured a newborn Spock, portrayed by Jenna Vaughn . As Spock's birth would have occurred before the universe split, technically, she would have been the only performer to portray both Spock Prime and his alternate reality counterpart, as well as the only actress ever to play Spock.

Jane Wyatt , who played Spock's mother Amanda Grayson , was once asked by fans at a convention what Spock's first name was. She replied, perhaps jokingly, " Harold " [13] However, the question itself was flawed, since the episode " Journey to Babel " makes it clear that "Spock" is Spock's personal name.

On the other hand, Spock's family name has never been established in canon . In the episode " This Side of Paradise ", Leila Kalomi says to Spock, " You never told me if you had another name, " to which he replies, " You couldn't pronounce it. " D.C. Fontana – who was considered the "Vulcan expert" of the TOS behind-the-scenes staff and who created such details as the fact that Spock's father was an ambassador and his mother a school teacher – revealed, in an issue of the fanzine Spockanalia , that she had intended his family name to be "Xtmprsqzntwlfd", but since this is unpronounceable, there wasn't really any way to get this said in dialogue during an episode.

The Pocket TOS book Ishmael gives Spock's full name as "S'chn T'gai Spock".

Since the release of the film Star Trek , the original reality version of Spock is now often referred to on websites and other media as "Spock Prime", to differentiate from the alternate reality version of the character.

From concept to series

From the start of thinking Spock up, Gene Roddenberry knew he wanted the character to be partly alien, and that he wanted Leonard Nimoy to play the role. Roddenberry later explained, " I made [Spock] a half-caste, because I remember thinking a half-breed Indian would be a lot more interesting than a full-blooded Indian or white, because he's going to be tugged in many different directions. " ( Star Trek - Where No One Has Gone Before , p. 15)

Gene Roddenberry also wanted Spock's appearance to be very similar to typical portrayals of Satan the Devil. " I did purposely give him a slight look of the 'devil' because I thought that might be particularly provocative to women, particularly when his nature contrasted so greatly to this, " Roddenberry stated. [14]

The following character biography appeared in Roddenberry's original, 1964 series pitch Star Trek is... (and was reprinted in The Making of Star Trek ) [ page number? • edit ] :

In the revised first draft script of " The Cage " (dated 6 October 1964 ), Spock was described thus; " The only exception to the familiar types represented by the crew, Mister Spock is of partly alien extraction, his reddish skin, heavy-lidded eyes and slightly-pointed ears give him an almost satanic look. But in complete contrast is his unusual gentle manner and tone. He speaks with the almost British accent of one who has learned the language in textbooks. " The episode's revised final draft script (dated 20 November 1964 ) excluded mention of the "reddish skin" but otherwise remained the same. Later in the script, one of Spock's statements was directed to be delivered in an "excited" manner.

Gene Roddenberry thought up the unemotional aspect of Spock. Roddenberry explained, " As I created him, I said to myself, 'If I could just get rid of the emotions that plague me and work things out logically… ah , the things I could do! " ( Cinefantastique , Vol. 27, No. 11/12, p. 47) Casting Director Joseph D'Agosta added, " On the Spock character, the only guidelines I had were that he had to be thin, and a good actor with no emotion. He was a cold, calculating, logical person. Humor was not even considered at that time. " ( The Star Trek Interview Book , p. 213)

Actor Martin Landau (Commander John Koenig of Space: 1999 ) was an early casting consideration for the character of Spock in TOS. This was before the role went to Leonard Nimoy.

In spite of studio request to get rid of "the guy with the ears," Gene Roddenberry insisted on keeping the character through both pilot episodes of the series. ( Leonard Nimoy: Star Trek Memories ; Mind Meld: Secrets Behind the Voyage of a Lifetime )

According to Leonard Nimoy, he felt the need to play the character as more emotional when Jeffrey Hunter was playing the internalized Christopher Pike, as opposed to William Shatner 's portrayal of Captain Kirk. ( Mind Meld: Secrets Behind the Voyage of a Lifetime ; et al.) Also, there was room for Spock's emotional detachment when the similarly emotionless character of Number One was discarded along with Pike, after " The Cage ". ( Star Trek - Where No One Has Gone Before , p. 15)

NBC 's early- 1966 publicity booklet gave this bio for Spock (reprinted in Inside Star Trek: The Real Story ):

The unemotional quality of Spock's persona was extremely appealing to Leonard Nimoy. " What immediately intrigued me was that here was a character who had an internal conflict, " Nimoy observed. " This half-Human, half-Vulcan being, struggling to maintain a Vulcan attitude, a Vulcan philosophical posture and Vulcan logic, opposing what was fighting him internally, which was Human emotion. There was a dynamic there to work with from an acting point of view. " ( Star Trek - Where No One Has Gone Before , p. 15)

Gene Roddenberry recognized Spock as a team effort. " I'll take credit for formulating Spock and guiding the character, " he said, " then give as much credit to Leonard Nimoy for making it work, and also credit to the writers who kept it going in many story situations. " [15] On the other hand, Roddenberry proclaimed, in a letter to Isaac Asimov , " It's easy to give good situations and good lines to Spock. " Roddenberry also thought it was easier to write Spock than it was to write McCoy. [16] Nonetheless, the depiction of Spock was still to be further developed as the show began. Recalling the character's genesis, TNG Producer Robert Lewin noted, " Spock was not the hero that he became during the early part of the first series. " ( The Fifty-Year Mission: The Next 25 Years , p. 71)

The series writers' guide (third revision, dated 17 April 1967 ) gave the following description of Spock ( Star Trek: The Original Series 365 ):

Season 2 salary issue

In the spring of 1967 , before production began on Star Trek 's second season , Leonard Nimoy and his agent got into an argument with the producers regarding the actor's salary (Nimoy felt it unfair that series star William Shatner was paid US$5,000 per episode, while he was only paid US$1,250). The agent wanted US$3000 per episode for his client, and would settle with US$2,500. However, a misunderstanding resulted in the agent believing that Mission: Impossible stars had at least US$11,000 salaries, so he suddenly demanded US$9,000 for Nimoy. The studio, of course, refused. Nimoy threatened to leave the series if the dispute was not solved.

In response to Nimoy's threats, Desilu executive Herb Solow asked Casting Director Joseph D'Agosta to compile a list of possible "Vulcan replacements", in case negotiations went unresolved. Three lists were made of actors who were deemed suitable for the role of Spock:

"A" List: Mark Lenard , William Smithers , Liam Sullivan , Lloyd Bochner , Joe Maross , Donald Harron , Edward Mulhare , James Mitchell , Michael Rennie , Peter Mark Richman , Charles Robinson , Chris Robinson , Stewart Moss , David Canary , John Anderson , David Carradine

"B" List: Anthony James , Perry Lopez , George Bachman , Alan Bergmann , Lee Kinsolving , Blaisdel Makee , Bill Fletcher , Henry Darrow , Anthony George , Curt Lowens , Jacques Denbeaux , Maxwell Reed

"C" List: Lawrence Montaigne , Ron Hayes , Patrick Horgan , Paul Mantee , Bruce Watson , Robert Yuro , Richard Evans , Joseph Ruskin , Ted Markland , Lee Bergere , John Rayner

In reality, these lists were only a psychological ploy to put pressure on Leonard Nimoy and his agent. The only two actors considered as possible replacements were Mark Lenard and Lawrence Montaigne (ironically, both of them appeared as Vulcans in the second season, Lenard playing Spock's father, Sarek).

Eventually, Desilu (at the insistence of NBC ) and Nimoy settled with US$2,500 per episode, plus US$100 for additional expenses, a better billing, a better merchandising deal, and more script input. However, when Montaigne was cast as Stonn in " Amok Time ", his contract had an option of recalling him to be cast as Spock, "just in case." ( Inside Star Trek: The Real Story , pp. 317-324)

Animated depictions

For approximately half an hour while Star Trek: The Animated Series was in early development, a boyhood version of Spock was considered for inclusion as a regular character in the upcoming series, along with other child equivalents of the series' main characters. ( The Art of Star Trek , pp. 42 & 43)

While initially developing TAS : " Yesteryear ", D.C. Fontana realized she wanted to feature Spock in the story, since he had always been her favorite main character and was the focus of her favorite episodes from the ones she had written for Star Trek: The Original Series , such as " This Side of Paradise " and " Journey to Babel ". ( Star Trek - Where No One Has Gone Before , p. 56) She was excited by the prospect of showing "part of what made Spock Spock," delving into his backstory in "Yesteryear". ( Captains' Logs: The Unauthorized Complete Trek Voyages , p. 97)

Reappearances

The notion of Spock suffering racial prejudice, alluded to in TAS : " Yesteryear " and the film Star Trek , was shared by the unmade prequel Star Trek: The First Adventure , in which Spock first met Kirk when he was defended by him from bullies at Starfleet Academy.

Gene Roddenberry once distributed a memo to the TNG writing staff which declared that, due to financial considerations, it would probably be impossible for Leonard Nimoy to ever guest star on that series as Spock (though Roddenberry also suggested Sarek appearing in a guest star role as an alternative). ( The Making of Yesterday's Enterprise , p. 22)

In an interview with TrekMovie.com 's Anthony Pascale in July 2007 , Leonard Nimoy explained that he felt Spock had been superfluous in the script of Star Trek Generations and that that was why he had chosen not to appear in the film. Nimoy initially proclaimed, " There was no Spock role in that script, " then elaborated, " There were five or six lines attributed to Spock […] but it had nothing to do with Spock. They were not Spock-like in any way. I said to Rick Berman , 'You could distribute these lines to any one of the other characters and it wouldn't make any difference.' And that is exactly what he did. There was no Spock function in the script. " [17]

In a memo he wrote Manny Coto (on 20 August 2004 ), Michael Sussman suggested that both an elderly Spock and a young version of the character be featured in a story covering an episode or two from the fourth season of Star Trek: Enterprise , if Leonard Nimoy was interested in appearing. As Sussman proposed, the older depiction of Spock would have been portrayed, in a framing story, by Nimoy, while the young Spock would have been played by another actor (a technique inspired by the portrayal of Indiana Jones in a two-parter from The Young Indiana Jones Chronicles called "Mystery of the Blues", which features not only a young version of Jones, but also a middle-aged Jones, played by Harrison Ford ). In the same memo, Sussman envisioned Spock in the 24th century, as a "distinguished and retired Ambassador," being visited by a young Vulcan/Human hybrid who sought advice for balancing the two halves of his own personality. The elderly Spock then began recounting an adventure that took place in the early 23rd century, in which he, as a Starfleet cadet, assisted a middle-aged T'Pol , learning, in the process, "some lesson which helped him choose his own path in life." Sussman went on to suggest that a lot of new details about Spock could be divulged in the story, possibly including that, in his young adulthood, he had been torn between life as a diplomat (like his father) and a Starfleet career. The memo continued by proposing that Spock's mission include the now-aged other senior officers from Enterprise NX-01 , and be "a secret and possibly illegal TBD mission." However, this Spock story ultimately wasn't developed. [18]

Roberto Orci , a co-writer of the film Star Trek , wrote the Spock character as being essential to that film's narrative without considering a back-up story, had Leonard Nimoy turned down appearing in the film. He recalled Nimoy raised an eyebrow at the idea of the destruction of Vulcan . [19] Commented J.J. Abrams , " Leonard was a dream to work with. He was always incredibly encouraging and excited about what he was seeing. He had a couple of thoughts, but he loved everything related to his role […] He was happy to see Spock look so damn good! " ( Star Trek: Costumes: Five Decades of Fashion from the Final Frontier , p. 240) Abrams also stated, " It's a big deal for him to come back and play this part again. I don't think it's something he expected to do. Directing him as Spock for the first time was as surreal a moment as I've had. It was preposterous, but wonderful. " ( Empire , issue 234, p. 126)

After the making of the film Star Trek , Leonard Nimoy retired (again) from acting and publicly stated that he did not intend to return to the role of Spock again, as he felt that to do so would be unfair to Zachary Quinto. Nimoy even went as far as to say, " I definitely will not be in Star Trek 2," and, " I think I can be definitive about the fact that I will not be in it. " ( SFX , issue #200, p. 68) However, it was eventually confirmed that he would indeed be returning to the role of Spock for the sequel, Star Trek Into Darkness . [20] [21] Regarding how J.J. Abrams invited him to make a cameo appearance in the film, Nimoy recalled, " He just said, 'Would you come in for a couple of days and do me a favor.' " Whereas Nimoy had declined to cameo in Star Trek Generations because he felt Spock's part in that movie had been too general, Nimoy was persuaded that Spock had such a specific role in Star Trek Into Darkness that he was willing to accept the part. Addressing why he had claimed not to be in the film, Nimoy, who was very pleased that the truth of his involvement was kept secret, initially said, " I was asked time and time again if I was in the movie, and I managed to avoid answering without lying. " He laughed, but was then reminded that he had flat-out denied being in the film and replied, " Maybe I was confused. Of course, speaking, if you'll pardon me, logically, I wouldn't know if I was in the movie until I saw the movie. " [22] His cameo marked Nimoy's final appearance as Spock and his final role overall prior to his death in February 2015 .

In 2017, Star Trek: Discovery producer Akiva Goldsman said that Spock would not be seen on Discovery . [23] However, two years later, Spock did appear in Discovery's second season , played by Ethan Peck.

Other language voice actors

An excerpt from the German version of Star Trek VI: The Undiscovered Country ; Weicker, voicing Spock, saying, " Wenn ich ein Mensch wäre, wäre meine Antwort mit großer Wahrscheinlichkeit: Fahr zur Hölle!… Wenn ich ein Mensch wäre. " English: If I were Human, I believe my response would be 'Go to Hell!'… If I were Human.

Herbert Weicker was a German stage and voice actor who is widely associated with Spock, since he voiced this character in all German translations of episodes and films with the exception of the first run of Star Trek: The Animated Series .

Similarly, Czech television and film dubs have almost uniformly featured the late Jiří Plachý in the role of Spock, specifically, in the dubs of the TV appearances in Star Trek: The Original Series , Star Trek: The Next Generation and Star Trek: Deep Space Nine , as well as in the six TOS era films and the first two Kelvin Timeline films. Zdeněk Junák dubbed the younger alternate reality Spock of the Kelvin Timeline films, while Lukáš Hlavica voiced Spock in the Czech dub of Star Trek: The Animated Series .

Slovak film and television dubs of Spock have included Štefan Kožka for the six installments of the TOS era film series, Ivan Letko for Spock's appearances on Star Trek: The Next Generation , as well as Marián Slovák as an older prime timeline Spock and Filip Tůma as a younger alternate reality Spock in the first Kelvin Timeline film.

Spock became one of the most enduring symbols of Star Trek . Accounting for the character's popularity, Gene Roddenberry stated, " I think that everyone was so smitten with Mr. Spock because he stood for loyalty and reliability. " ( Cinefantastique , Vol. 27, No. 11/12, p. 47)

The popularity of Spock was one factor that motivated Leonard Nimoy into demanding a salary increase for the second season of TOS. " By this time, Leonard's popularity had convinced him of what he already knew: He had the most important role, " Herb Solow observed. In a memo Gene Roddenberry sent Gene L. Coon (on 1 April 1967 ), Roddenberry mentioned Spock having generated "considerable mail volume and public adulation" during the first season. ( Inside Star Trek: The Real Story , pp. 317 & 319) NBC likewise regarded Spock and Nimoy as the most popular part of the original Star Trek series, and believed that losing them would be very unflattering. The popularity of the character was thus influential in Leonard Nimoy's continuation in the part. ( Inside Star Trek: The Real Story , p. 324)

Roberto Orci has cited Spock as his favorite character. [24]

Casting Leonard Nimoy as an elderly version of Spock in the film Star Trek gave irate fans pause, caused them to stand down, and even won them over. ( Empire , issue 234, p. 126) However, William Shatner has been disapproving of how Spock is portrayed in that movie and its sequel, Star Trek Into Darkness , commenting, " I thought the two Spock appearances were gratuitous. J.J. [Abrams] wanted to pay homage to Spock I guess, but he didn't offer anything to the plot […] I told Leonard, 'You know that you're old when you go back in time and you're still old.' " (" Empire Presents 50 Years of Star Trek " supplement, p. 15)

Spock is referred to as a lieutenant commander in " Court Martial ", though the final draft and revised final draft of that episode's script instead referred to him as a full commander . The Star Trek Chronology listed Spock as having been promoted from lieutenant commander to full commander following "Court Martial". However, in a captain's log entry made by Kirk in " The Menagerie, Part I ", Spock is still identified as a lieutenant commander, as he is again in " Tomorrow is Yesterday ". Spock was first referred to as a commander in " Amok Time ". Throughout all his appearances on The Original Series , Spock wore the rank stripes of a full commander.

Near the end of the Star Trek: Discovery episode " Such Sweet Sorrow, Part 2 ", Spock dons his Starfleet uniform for the first time in that show, wearing lieutenant junior grade stripes. However, in the earlier episode " Project Daedalus ", Spock identifying himself as a lieutenant . "Lieutenant" is the proper way to address lieutenant junior grades as well as full lieutenants, however, Spock was stating his own rank while being questioned by Admiral Cornwell and thus would have used his full rank. In Star Trek: Strange New Worlds , Spock was still identified as a lieutenant and wore the correct insignia.

Spock was the inspiration for the Decepticon scientist, Shockwave, from the "Transformers" franchise. Comic book writer Bob Budiansky, who gave Shockwave his name and personality, described the character as "my attempt to take Spock from Star Trek and make him into a Decepticon." [25]

A portion of this article was paraphrased into first person and used as the content of Spock's memoir The Many and the One in PIC : " The Star Gazer ". [26]

Barbara Hambly 's novel Ishmael gives Spock's unpronounceable full name as "S'chn T'gai Spock," with "S'chn T'gai" apparently being the family name as opposed to the personal name. The ebook Seasons of Light and Darkness also uses this name.

According to Diane Duane 's novel Spock's World , Spock was a descendant of Surak .

The novelization of Star Trek IV: The Voyage Home states that during the exile of the Enterprise command crew on Vulcan, Spock and McCoy underwent a series of mind melds facilitated by T'Lar to ensure that any lingering parts of the other's personalities were transferred back to the right person. In the days following Kirk and the Enterprise command crew saving Earth from the destructive effects of the whale probe, McCoy went to see Spock, who was temporarily staying at the Vulcan embassy on Earth and expressed worry that any punishment handed down by the Federation might not let him participate in future mind melds if needed. Spock assured McCoy that the fal-tor-pan was complete, and no further mind melds were needed. Spock told McCoy the two would always retain a smart part of each other in their minds.

Spock briefly reactivated his Starfleet commission , with the rank of admiral , during the Dominion War , according to Spectre , a novel on whose writing William Shatner collaborated with Judith and Garfield Reeves-Stevens .

In the novel Crossover , Spock and several unificationists were captured by the Romulan Empire. He was ultimately rescued by Montgomery Scott, Commander Riker , Data , and Geordi La Forge aboard the USS Yorktown that Scott stole from a Starfleet museum using the shuttle he was given by Picard to control the Yorktown 's computer. After believing Scott dead for 75 years, Spock was momentarily startled to see him behind the transporter controls, but quickly regained his control. Scott promised to explain how he reached the 24th century later to Spock.

In the novel The Fire and the Rose , Spock began to lose his emotional control after hearing of the death of Captain Kirk , and eventually returns to Gol to take Kolinahr training again. Spock ultimately succeeded and became truly emotionless, a situation that neither Sarek nor Amanda agreed he should have tried to do. Amanda in particular, felt Spock had rejected his Humanity and therefore in some measure, her by extension. Spock's lack of emotion also ultimately alienated McCoy when he came to ask Spock to stand with him at his wedding to Tonia Barrows and Spock refused. Ultimately, after Amanda's death in a shuttle accident and Spock seeing Sarek grieve for Amanda (which surprised Spock as he mistakenly believed Sarek to have also been a student of Kolinahr ) , and when Spock realized that he can't grieve for Amanda and that he didn't even miss her, he sought McCoy out on Earth to help him engage in an ancient Vulcan ritual to reverse the Kolinahr , allowing Spock to feel emotions again. This accomplished, Spock rebuilt his relationship with McCoy, was able to grieve for his mother and Captain Kirk, and once again found the balance and peace between his Vulcan and Human halves, allowing him to have emotional control again without rejecting his emotions.

In the novel Provenance of Shadows , Spock, having been contacted by McCoy's wife Tonia Barrows , and told that McCoy was taking a turn for the worse, went to see McCoy because he had regretted that he didn't get to see either Kirk or his mother once more before their deaths, and he was not going to make that mistake this time. Spock did spend the day with McCoy and planned to return the next day, but as he left McCoy's house, Spock was left with the impression he would never see McCoy alive again. Spock's feelings are proved correct as McCoy does die peacefully in his chair on the porch that same evening before Spock can return, with Tonia by his side, reflecting on his life and the good work he's done and his family and friends.

In the novel Vulcan's Forge , Spock commanded the science ship Intrepid II in 2294 , a year after Kirk was lost in the Nexus . Within the story, Uhura was Spock's first officer and McCoy his chief medical officer .

Other novels set after Star Trek VI established that Picard was at the wedding of Spock and Saavik met Sarek.

In the novel Yesterday's Son , Spock found out that he had a son with Zarabeth , whom she had named Zar.

In the game Star Trek: Armada , Ambassador Spock was sent aboard a Galaxy -class starship to mediate a treaty between the Klingon and Romulan empires on Romulus. The Borg intercepted this ship and assimilated him. The USS Enterprise -E traveled two days back in time to make sure he reached the peace conference. The plan succeeded, resulting in Romulan and Klingon ships being dispatched to assist the Federation in defending Earth.

Spock in Star Trek: Countdown

In the comic series Star Trek: Countdown , leading up to Star Trek , Spock was aided in his attempts to help convince the Vulcans to provide the Romulans with the red matter necessary to stop the impending supernova explosion by Jean-Luc Picard , who was now Federation Ambassador to Vulcan, as well as by a restored Data , who was now captain of the Enterprise -E. Also, the comic established that Geordi La Forge had designed the Jellyfish , which Spock used to drop the red matter into the supernova. Just after the Jellyfish and the Narada were pulled through the black hole and into the alternate reality, the black hole finished collapsing and the Enterprise arrived in the area finding no indication anywhere that Spock managed to escape. Presuming Spock to be dead, Picard said that he hoped his friend's soul did indeed live long and prosper.

In the novelization of Star Trek , after Kirk told Spock that Dr. McCoy , Sulu , Chekov , and Uhura – all but one of the group of officers who had once been willing to throw away their careers to save him – were all serving on the USS Enterprise (taking McCoy's presence for granted when following the confirmation of the other three), Spock suggested to Kirk that their meeting, and the way the crew was already coming together, was the work of the timeline attempting to "fix" itself. As for the one person not yet aboard the ship, he had been well aware that Scotty was stationed at the outpost, which he had visited on occasion for supplies – though it wasn't clear whether they had actually met – but he had a made a point of keeping his distance. This self-imposed isolation was the only reason that he happened to be at the right place with a torch as the hengrauggi wrapped its tongue around Kirk's leg, which struck him as yet more evidence to support his theory – Kirk's arrival made it clear that the three had converged there for a reason, since he could give Scott the basics of his own invention, and therefore return Kirk to the Enterprise , with a way to take his rightful place in command (seeing that the young officer was obviously unaware of Regulation 619, he admitted to having forgotten how insignificant such things had been to the Kirk he knew so well), and hopefully be able to minimize the damage to the timeline.

In the comic series Star Trek: Spock: Reflections , the events leading up to Countdown were detailed. He traveled to Veridian III after Picard sent him a message following the events of Star Trek Generations explaining what really happened to Kirk regarding his "death" on the USS Enterprise -B to retrieve his body where he brought him back home to Earth to be reburied at the Kirk family farm in Iowa . Spock explained to Picard how Kirk did the same for him, at a terrible cost and that he needed to be equal to Kirk's sacrifice. Picard then tells Spock that he would be welcomed to return to Starfleet duty, in any capacity, but Spock planned to return to Romulus to continue his work. Picard asks whether arrangements can be made to make Spock's presence there official, but Spock declined, saying he has always led "a life of solitude and duty". As Spock remembers how he once worked with remarkable friends and comrades, he tells Picard to treasure those times in his own life, since they will someday end. They exchange the Vulcan salute and Picard walks away, but turned back to see Spock still standing quietly by his friend's grave.

Leonard Nimoy and Zachary Quinto also lent their voices to Star Trek Online ; Nimoy reprised his role as Spock and narrated key events to players, while Quinto voices a Mark VI Emergency Medical Holographic program who helps the player though the tutorial level.

The 2013 virtual collectible card battle game Star Trek: Rivals was using Nimoy's picture for card #103 "Ambassador Spock".

The Star Trek: Ongoing story arc Legacy of Spock focuses on his place in the alternate reality 's new Vulcan settlement . Though initially blamed in part for the ultimate destruction of Vulcan, he is ultimately revered for his dedication to his people and receives a monument that is still standing 3,000 years later. Unlike the other monuments, which are massive, his is life-size, reportedly because he felt to make it any larger would not be "logical".

The Doctor offering Spock a jelly baby

In the third issue of the Doctor Who crossover comic Assimilation² , Kirk, Spock, McCoy, and Scott investigate a Federation archaeological team on the planet Aprilia III on stardate 3368.5, which had lost contact with Starfleet. Upon landing in the shuttlecraft Galileo , they are greeted by project manager Jefferson Whitmore, who assures them that all is well and gives them a tour of the facility, but Kirk finds the staff suspiciously calm, which Spock agrees with as by Human standards, the research team seemed remarkably placid and unemotional. The team later return to the facility after dark where they meet the Fourth Doctor , assuming he's a member of the research team and he helps them break the electronic lock with his sonic screwdriver and then offers Spock a jelly baby . Together, they infiltrated the facility. There, they find the researchers standing catatonically, with small cybernetic devices in their ears. It is discovered they were under the control of the Doctor's enemies, the Cybermen . A battle ensues and Spock and Scotty use their phasers on two Cybermen, while Kirk and the Doctor handle the Cyber-Controller . The Doctor then uses gold dust to clog up the Controller's respiration, allowing Spock to fire his phaser and destroying it. After the Cybermen are defeated and the Doctor slips quietly away, Spock assures Kirk there are no signs of anymore Cybermen on the planet, but Kirk arranges for a permanent garrison of Starfleet Security personnel to protect the researchers just in case.

In Star Trek Cats , Spock is depicted as an Oriental Shorthair cat .

In the Star Trek: Picard novel The Last Best Hope , Spock left Romulus in the early 2380s , believing there was nothing more he could achieve in the face of the predicted Supernova, but not without taking as many survivors as his small ship can carry with him. He was later contacted by now-Admiral Jean-Luc Picard when his journey brought him to an unplanned rendezvous with the USS Verity .

Spock appears in the video game Star Trek: Resurgence , where he comes aboard the USS Resolute to assist in stopping a crisis between the Hotari and the Alydians.

External links

• Spock at StarTrek.com
• Spock at Wikipedia
• Spock at Memory Beta , the wiki for licensed Star Trek works
• Spock at the Star Trek Online Wiki

• Entertainment
• Nation & World

Leonard Nimoy dies at 83; fascinating life of fame as Spock

Leonard Nimoy was a poet, photographer, movie director and above all Spock, a voice of pure reason in a time of social turmoil.

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LOS ANGELES — When Leonard Nimoy was approached about acting in a new TV series called “Star Trek,” he was, like any good Vulcan contemplating a risky mission in a chaotic universe, dispassionate.

“I really didn’t give it a lot of thought,” he later recalled. “The chance of this becoming anything meaningful was slim.”

By the time “Star Trek” finished its three-year run in 1969, Mr. Nimoy was a cultural touchstone, a living representative of the scientific method, a voice of pure reason in a time of social turmoil, the unflappable and impeccably logical Mr. Spock.

Free Leonard Nimoy display at EMP

What: This weekend, the EMP Museum at Seattle Center will display the tunic worn by Leonard Nimoy as Mr. Spock on “Star Trek.” It will be in EMP’s South Lobby, free and open to the public. After this weekend, the display will be moved inside the museum.

Where: 325 Fifth Ave. N.

Information: https://www.EMPmuseum.org, 206-770-2700.

He was, as the Los Angeles Times described him in 2009, “the most iconic alien since Superman,” a quantum leap for a character actor who had appeared in plenty of shows but never worked a single job longer than two weeks.

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Mr. Nimoy, who became so identified with his TV and film role that he titled his two memoirs, somewhat illogically, “I Am Not Spock” (1975) and “I Am Spock” (1995), died Friday at home in the Bel-Air neighborhood of Los Angeles. He was 83.

The cause was end-stage chronic obstructive pulmonary disease, said his son, Adam.

Mr. Nimoy revealed last year that he had the disease, a condition he attributed to the smoking he gave up 30 years earlier.

While he was best-known for his portrayal of the green-tinted Spock, Mr. Nimoy more recently made his mark with art photography, focusing on plus-sized nude women in a volume called “The Full Body Project” and on nude women juxtaposed with Old Testament tales and quotes from Jewish thinkers in “Shekhina.”

He also directed films, wrote poetry and acted on the stage.

As Spock, he was the pointy-eared, half-Vulcan, 23rd-century science officer whose vaulted eyebrows seemed to express perpetual surprise at the utterly illogical ways of the humans who served with him on the starship Enterprise.

Spock could barely wrap his mind around feelings. He was the son of a human mother and a father from Vulcan, a planet whose inhabitants had chosen pure reason as the only way they could survive. When he thwarted deep-space evildoers, it was with logic simple enough for a Vulcan but dizzying for everyone else, including his commanding officer, Capt. James T. Kirk, played by William Shatner.

While worlds apart from the racial strife and war protests of the 1960s, “Star Trek” explored such issues by setting up parallel situations in space, “The final frontier.”

“Spock was a character whose time had come,” Mr. Nimoy later wrote. “He represented a practical, reasoning voice in a period of dissension and chaos.”

He also turned Mr. Nimoy into an unlikely sex symbol.

When he spoke at Ohio’s Bowling Green State University in the 1970s, a woman asked: “Are you aware that you are the source of erotic dream material for thousands and thousands of ladies around the world?”

“May all your dreams come true,” he responded.

Trekkies everywhere greeted each other with Mr. Nimoy’s “Vulcan salute,” a gesture he adapted from one he had seen at an Orthodox synagogue when he was a boy.

“I was awe-struck,” Mr. Nimoy recalled in a 2004 Los Angeles Times interview.

At the altar, five or six men chanted prayers with their arms raised. They held their hands with fingers parted between the ring and middle fingers and thumbs stuck out — a representation, Mr. Nimoy said, of the Hebrew letter “shin,” the start of “Shaddai,” a term for God.

LSD guru Timothy Leary once flashed Mr. Nimoy the Vulcan salute. So did cabdrivers who sped by on the street, and interviewers who momentarily suspended their journalistic detachment. At a 2007 fundraiser in Los Angeles, presidential candidate Barack Obama spied Nimoy across a room, smiled and held up his hand in the familiar gesture.

Four years later, President Obama told ABC’s Barbara Walters that his critics wrongly believed he was “Spock-like,” or too analytical.

For much of his career, Mr. Nimoy had to deal with the same sort of perception problem.

While his 1975 autobiography was “I Am Not Spock,” he later called the title a mistake because it was so easily misconstrued. In the book, he said he couldn’t think of a TV character he would sooner have played.

At the same time, he was disquieted by mountains of fan mail addressed not to Leonard Nimoy, but to “Mr. Spock, Hollywood, Calif.”

The melding of actor and character was sometimes uncomfortable.

On a tour of California Institute of Technology, Mr. Nimoy was asked his thoughts about complex projects by students who must have believed he had a Spock-like insight.

“I would nod very quietly, and very sagely I would say, ‘You’re on the right track,’ ” he told The New York Times in 2009.

Mr. Nimoy appeared in the original “Star Trek” TV series, which ran on NBC from 1966 to 1969. He received three successive Emmy nominations.

He also was Spock in feature films through 1991, retiring from “Star Trek” pictures until 2009, when he became Spock Prime, a Mr. Spock who inhabited an alternate universe in J.J. Abrams’ “Star Trek.” He did a cameo performance as the same character in “Star Trek Into Darkness” (2013).

Rumors of Spock’s impending on-screen demise in 1982’s “Star Trek II” prompted death threats to director Nicholas Meyer.

“I received a helpful letter that ran: ‘If Spock dies, you die,’ ” Meyer wrote in “The View from the Bridge: Memories of Star Trek and a Life in Hollywood.”

The scene was filmed anyway — so affectingly, according to Meyer, that the crew wept openly “as the dying Spock held up his splayed hand and enjoined Kirk to ‘live long and prosper.’ ”

Thanks to an ancient Vulcan ceremony and some tortuous plot twists, Spock was resurrected in “Star Trek III.” Mr. Nimoy directed that film and “Star Trek IV.” He went on to direct the 1987 comedy “Three Men and a Baby” and the 1988 drama “The Good Mother.”

In numerous public appearances, he pointed out the irony of his success.

“My folks came to the U.S. as immigrants,” he said in a 2012 speech at Boston University. “They were aliens, and then became citizens. I was born in Boston a citizen, and then I went to Hollywood and became an alien.”

Born on March 26, 1931, Leonard Simon Nimoy first acted in a community settlement house for immigrants. At 17, he was cast in a Boston production of the Clifford Odets play “Awake and Sing!”

To his parents’ chagrin, it confirmed his passion for acting. The play was about a Jewish family much like Mr. Nimoy’s and it probed his kind of teenage confusion.

“I was electrified,” he recalled. “The author gave me a voice when I was struggling to find my own.”

Mr. Nimoy’s Ukrainian-born father Max, who ran a barbershop in a Boston tenement neighborhood, tried to warn his son about the dangers ahead.

“Learn to play the accordion,” he urged. “You can always make a living with an accordion.”

Instead, Mr. Nimoy briefly studied drama at Boston College, sold vacuum cleaners, and, at 18, left for acting school in California. He dropped out after six months.

His earliest film roles include Narab, a Martian in the 1952 film “Zombies of the Stratosphere.” The same year, he scored his first title role, in the boxing movie “Kid Monk Baroni.”

After a stint in the Army, Mr. Nimoy was back in Los Angeles by the mid-1950s, studying acting and picking up work on shows such as “Dragnet,” “Bonanza,” “Dr. Kildare” and “The Man from U.N.C.L.E.”

In 1965, he drew the attention of Gene Roddenberry, the producer behind the upcoming “Star Trek” series.

In an early scene, Spock and company were huddled over a computer screen and he uttered the one-word line: “Fascinating.”

Then he tried it again.

“The director gave me a brilliant note which said: ‘Be different,’ ” Mr. Nimoy recalled in an interview for the Archive of American Television. “Be the scientist. Be detached. See it as something that’s a curiosity rather than a threat.”

“I said, ‘Fascinating.’ Well, a big chunk of the character was born right there.”

Despite its fans’ enthusiasm, the show ended its run in 1969, a victim of low ratings and tepid support from NBC.

By then, Mr. Nimoy was famous. Even his much-derided 1967 record album, “Leonard Nimoy Presents Mr. Spock’s Music from Outer Space” sold more than 130,000 copies.

Poems, photographs

He put in an unsatisfying two years on “Mission: Impossible” and then pursued a range of interests befitting the Renaissance man he had become.

He earned a master’s degree in education from Antioch University. He turned out seven books of poetry and created a comic-book series with science-fiction writer Isaac Asimov. He directed six films and, from 1978 to 1980, toured in a one-man show, “Vincent,” about Vincent Van Gogh.

From 1977 to 1982, he hosted “In Search Of … ,” a documentary TV series about paranormal phenomena. In 1978, he played a pompous self-help guru in the film “Invasion of the Body Snatchers.”

He poured himself into projects reflecting his Jewish heritage. In 1982, he appeared as Israeli Prime Minister Golda Meir’s former husband in the TV movie “A Woman Called Golda”; nine years later, he played a Holocaust survivor who waged a courtroom battle against Holocaust deniers in the TV movie “Never Forget.”

His photography book, “Shekhina,” pictured nude and sensually draped women, with a cover shot of a woman wearing “tefillin,” Jewish ritual objects traditionally worn by men. It raised some hackles in the Jewish community, but Mr. Nimoy said it was his vision of feminine Jewish spirituality.

“I’m not introducing sexuality into Judaism,” he said. “It’s been there for centuries.”

In 2009, the Santa Monica Museum of Art exhibited images Mr. Nimoy made in Northampton, Mass., of strangers willing to be photographed as their “secret selves.”

The show, called “Who Do You Think You Are?” featured a rabbi with a leather vest over his bare torso and a conservatively dressed female psychologist toting a chain saw.

Asked about his own secrets, Mr. Nimoy demurred.

“I have to laugh,” he said. “I have no secrets left. I revealed it all a long time ago.”

He was married to Sandi Zober from 1954 to 1987, when they divorced.

In addition to his children from that marriage, son Adam and daughter Julie, his survivors include Susan Bay, his wife since 1989; his stepson Aaron Bay Schuck; six grandchildren; a great-grandson; and his brother Melvin.

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Leonard Nimoy, Spock of ‘Star Trek,’ Dies at 83

The man who was spock, leonard nimoy, best known for playing the character spock in the star trek television shows and films, died at 83..

Is there a more famous TV gesture than the Vulcan Salute? You know the one. Leonard Nimoy, who popularised the gesture in his role as Mr. Spock on the 60s TV series Star Trek, both lived long and prospered, before dying at the age of 83. In an age where the word is overused, the half-man, half-alien was truly an iconic character. Pointy ears. Upturned eyebrows. Bowl haircut. Maddingly logical. Frustratingly dispassionate. The show was cancelled after three seasons - shocking for how famous it has become - and Nimoy went on to star in the show Mission: Impossible and hosted “In Search Of...” a series that investigated mysteries and paranormal phenomena. He also had a memorable role as a psychiatrist in the 1978 remake of Invasion of the Body Snatchers. The following year, he and his fellow Star Trek crew would go on to star in the first of six feature films based on the series, 2 of which Nimoy directed. Anyone who’s ever been defined by a single accomplishment can understand why Nimoy was at points ambivalent about his legacy. This was a man who wrote two autobiographies, and cheekily titled them “I Am Not Spock” and “I am Spock.” But Nimoy truly embraced the role, turning in many cameos that traded on his character. He appeared in both the Star Trek reboot and its sequel and happily attended fan convention after fan convention. To paraphrase one of the franchise’s most famous (and, come on, moving) scenes, Leonard Nimoy was, and always will be, Mr. Spock.

By Virginia Heffernan

• Feb. 27, 2015

Leonard Nimoy, the sonorous, gaunt-faced actor who won a worshipful global following as Mr. Spock, the resolutely logical human-alien first officer of the Starship Enterprise in the television and movie juggernaut “Star Trek,” died on Friday morning at his home in the Bel Air section of Los Angeles. He was 83.

His wife, Susan Bay Nimoy, confirmed his death, saying the cause was end-stage chronic obstructive pulmonary disease.

Mr. Nimoy announced last year that he had the disease, attributing it to years of smoking, a habit he had given up three decades earlier. He had been hospitalized earlier in the week.

His artistic pursuits — poetry, photography and music in addition to acting — ranged far beyond the United Federation of Planets, but it was as Mr. Spock that Mr. Nimoy became a folk hero, bringing to life one of the most indelible characters of the last half century: a cerebral, unflappable, pointy-eared Vulcan with a signature salute and blessing: “Live long and prosper” (from the Vulcan “Dif-tor heh smusma”).

Mr. Nimoy, who was teaching Method acting at his own studio when he was cast in the original “Star Trek” television series in the mid-1960s, relished playing outsiders, and he developed what he later admitted was a mystical identification with Spock, the lone alien on the starship’s bridge.

Yet he also acknowledged ambivalence about being tethered to the character, expressing it most plainly in the titles of two autobiographies: “I Am Not Spock,” published in 1975, and “I Am Spock,” published in 1995.

In the first, he wrote, “In Spock, I finally found the best of both worlds: to be widely accepted in public approval and yet be able to continue to play the insulated alien through the Vulcan character.”

“Star Trek,” which had its premiere on NBC on Sept. 8, 1966, made Mr. Nimoy a star. Gene Roddenberry, the creator of the franchise, called him “the conscience of ‘Star Trek’ ” — an often earnest, sometimes campy show that employed the distant future (as well as some special effects that appear primitive by today’s standards) to take on social issues of the 1960s.

His stardom would endure. Though the series was canceled after three seasons because of low ratings, a cultlike following — the conference-holding, costume-wearing Trekkies, or Trekkers (the designation Mr. Nimoy preferred) — coalesced soon after “Star Trek” went into syndication.

The fans’ devotion only deepened when “Star Trek” was spun off into an animated show, various new series and an uneven parade of movies starring much of the original television cast, including — besides Mr. Nimoy — William Shatner (as Captain Kirk), DeForest Kelley (Dr. McCoy), George Takei (the helmsman, Sulu), James Doohan (the chief engineer, Scott), Nichelle Nichols (the chief communications officer, Uhura) and Walter Koenig (the navigator, Chekov).

When the director J. J. Abrams revived the “Star Trek” film franchise in 2009, with an all-new cast including Zachary Quinto as Spock, he included a cameo part for Mr. Nimoy, as an older version of the same character. Mr. Nimoy also appeared in the 2013 follow-up, “Star Trek Into Darkness.”

Nimoy Explains Origin of Vulcan Greeting

As part of the yiddish book center wexler oral history project, leonard nimoy explains the origin of the vulcan hand signal used by spock, his character in the “star trek” series..

His zeal to entertain and enlighten reached beyond “Star Trek” and crossed genres. He had a starring role in the dramatic television series “Mission: Impossible” and frequently performed onstage, notably as Tevye in “Fiddler on the Roof.” His poetry was voluminous, and he published books of his photography.

He also directed movies, including two from the “Star Trek” franchise, and television shows. And he made records, singing pop songs as well as original songs about “Star Trek,” and gave spoken-word performances — to the delight of his fans and the bewilderment of critics.

But all that was subsidiary to Mr. Spock, the most complex member of the Enterprise crew, who was both one of the gang and a creature apart, engaged at times in a lonely struggle with his warring racial halves.

In one of his most memorable “Star Trek” performances, Mr. Nimoy tried to follow in the tradition of two actors he admired, Charles Laughton and Boris Karloff, who each played a monstrous character — Quasimodo and the Frankenstein monster — who is transformed by love.

In Episode 24, which was first shown on March 2, 1967, Mr. Spock is indeed transformed. Under the influence of aphrodisiacal spores he discovers on the planet Omicron Ceti III, he lets free his human side and announces his love for Leila Kalomi (Jill Ireland), a woman he had once known on Earth. In this episode, Mr. Nimoy brought to Spock’s metamorphosis not only warmth, compassion and playfulness, but also a rarefied concept of alienation.

“I am what I am, Leila,” Mr. Spock declares after the spores’ effect has worn off and his emotions are again in check. “And if there are self-made purgatories, then we all have to live in them. Mine can be no worse than someone else’s.”

Born in Boston on March 26, 1931, Leonard Simon Nimoy was the second son of Max and Dora Nimoy, Ukrainian immigrants and Orthodox Jews. His father worked as a barber.

From the age of 8, Leonard acted in local productions, winning parts at a community college, where he performed through his high school years. In 1949, after taking a summer course at Boston College, he traveled to Hollywood, though it wasn’t until 1951 that he landed small parts in two movies, “Queen for a Day” and “Rhubarb.”

He continued to be cast in little-known movies, although he did presciently play an alien invader in a cult serial called “Zombies of the Stratosphere,” and in 1961 he had a minor role on an episode of “The Twilight Zone.” His first starring movie role came in 1952 with “Kid Monk Baroni,” in which he played a disfigured Italian street-gang leader who becomes a boxer.

Mr. Nimoy served in the Army for two years, rising to sergeant and spending 18 months at Fort McPherson in Georgia, where he presided over shows for the Army’s Special Services branch. He also directed and starred as Stanley in the Atlanta Theater Guild’s production of “A Streetcar Named Desire” before receiving his final discharge in November 1955.

He then returned to California, where he worked as a soda jerk, movie usher and cabdriver while studying acting at the Pasadena Playhouse. He achieved wide visibility in the late 1950s and early 1960s on television shows like “Wagon Train,” “Rawhide” and “Perry Mason.” Then came “Star Trek.”

Mr. Nimoy returned to college in his 40s and earned a master’s degree in Spanish from Antioch University Austin, an affiliate of Antioch College in Ohio, in 1978. Antioch University later awarded Mr. Nimoy an honorary doctorate.

Leonard Nimoy won a worshipful global following as Mr. Spock in the television and movie juggernaut “Star Trek.” Mr. Nimoy, who was teaching Method acting at his own studio when he was cast in the original “Star Trek” TV series in the mid-‘60s, relished playing outsider characters, and he developed what he later admitted was a mystical identification with Mr. Spock.

“Star Trek,” which had its premiere on NBC on Sept. 8, 1966, made Mr. Nimoy a star. Gene Roddenberry, the creator of the franchise, called him “the conscience of ‘Star Trek.’”

In addition to starring roles in television programs, movies and onstage, Mr. Nimoy made records on which he sang pop songs as well as original songs about “Star Trek” and gave spoken-word performances — to the delight of his fans and the bewilderment of critics. In 1968 he performed on “The Dick Clark Show” in Los Angeles.

Mr. Nimoy and his first wife, Sandra Zober, arrived for the Emmy Awards in Santa Monica, Calif., in 1969. He was nominated for four Emmys during his career, although he never won. His marriage to Ms. Zober ended in divorce. 

Mr. Nimoy expressed ambivalence about his being forever tethered to the unflappable, cerebral, pointy-eared Vulcan. His double consciousness was reflected in the titles of two autobiographies: “I Am Not Spock,” published in 1977, and “I Am Spock,” published in 1995.

In “I Am Not Spock,” Mr. Nimoy wrote, “In Spock, I finally found the best of both worlds: to be widely accepted in public approval and yet be able to continue to play the insulated alien through the Vulcan character.”

From left, Mr. Nimoy with the director Robert Wise, the producer Gene Roddenberry and the actors DeForest Kelley and William Shatner on the set of the movie “Star Trek” in 1978. Mr. Nimoy later directed two Star Trek movies, “Star Trek III: The Search for Spock” (1984) and “Star Trek IV: The Voyage Home” (1986), which he helped write. 

Mr. Nimoy appeared in numerous made-for-TV movies. He received an Emmy nomination for the 1982 movie “A Woman Called Golda,” in which he portrayed the husband of Golda Meir, the prime minister of Israel, who was  played by Ingrid Bergman.

Mr. Nimoy appeared in an episode of “T.J. Hooker” with his “Star Trek” co-star, William Shatner, in 1983. He later appeared with Mr. Shatner in two commercials for Priceline.com.

Mr. Nimoy directed two of the “Star Trek” movies, “Star Trek III: The Search for Spock” (1984) and “Star Trek IV: The Voyage Home” (1986), pictured, which he helped write.

When the director J.J. Abrams revived the “Star Trek” film franchise in 2009, with an all-new cast, he included a small part for Mr. Nimoy, as an older version of Spock. Mr. Nimoy and his wife, Susan Bay, arrived for the film’s premiere in Los Angeles.

Mr. Nimoy wrote poetry voluminously and was also an accomplished  photographer. “Secret Selves,” a series of photographs in which he encouraged people to reveal their hidden natures any way they chose, was exhibited at the Massachusetts Museum of Contemporary Art in 2010.

Mr. Nimoy gave the Vulcan salute after he was awarded an honorary doctor of Humane Letters degree during Boston University’s commencement ceremony in 2012.

“To this day, I sense Vulcan speech patterns, Vulcan social attitudes and even Vulcan patterns of logic and emotional suppression in my behavior,” Mr. Nimoy wrote years after the original “Star Trek” series ended.

But that wasn’t such a bad thing, he discovered. “Given the choice,” he wrote, “if I had to be someone else, I would be Spock.”

Mr. Nimoy directed the movies “Star Trek III: The Search for Spock” (1984) and “Star Trek IV: The Voyage Home” (1986), which he helped write. In 1991, the same year that he resurrected Mr. Spock on two episodes of “Star Trek: The Next Generation,” Mr. Nimoy was also the executive producer and a writer of the movie “Star Trek VI: The Undiscovered Country.”

He then directed the hugely successful comedy “Three Men and a Baby” (1987), a far cry from his science-fiction work, and appeared in made-for-television movies. He received an Emmy nomination for the 1982 movie “A Woman Called Golda,” in which he portrayed the husband of Golda Meir, the prime minister of Israel, who was played by Ingrid Bergman. It was the fourth Emmy nomination of his career — the other three were for his “Star Trek” work — although he never won.

Mr. Nimoy’s marriage to the actress Sandi Zober ended in divorce. Besides his wife, he is survived by his children, Adam and Julie Nimoy; a stepson, Aaron Bay Schuck; six grandchildren and one great-grandchild; and an older brother, Melvin.

Though his speaking voice was among his chief assets as an actor, the critical consensus was that his music was mortifying. Mr. Nimoy, however, was undaunted, and his fans seemed to enjoy the camp of his covers of songs like “ If I Had a Hammer .” (His first album was called “Leonard Nimoy Presents Mr. Spock’s Music From Outer Space.”)

From 1977 to 1982, Mr. Nimoy hosted the syndicated series “In Search Of ...,” which explored mysteries like the Loch Ness monster and U.F.O.s. He also narrated “Ancient Mysteries” on the History Channel and appeared in commercials, including two with Mr. Shatner for Priceline.com. He provided the voice for animated characters in “Transformers: The Movie,” in 1986, and “The Pagemaster,” in 1994.

In 2001 he voiced the king of Atlantis in the Disney animated movie “Atlantis: The Lost Empire,” and in 2005 he furnished voice-overs for the computer game Civilization IV. More recently, he had a recurring role on the science-fiction series “Fringe” and was heard, as the voice of Spock, in an episode of the hit sitcom “The Big Bang Theory.”

Mr. Nimoy was an active supporter of the arts as well. The Thalia, a venerable movie theater on the Upper West Side of Manhattan, now a multi-use hall that is part of Symphony Space, was renamed the Leonard Nimoy Thalia in 2002.

He also found his voice as a writer. Besides his autobiographies, he published “A Lifetime of Love: Poems on the Passages of Life” in 2002. Typical of Mr. Nimoy’s simple free verse are these lines: “In my heart/Is the seed of the tree/Which will be me.”

In later years, he rediscovered his Jewish heritage, and in 1991 he produced and starred in “Never Forget,” a television movie based on the story of a Holocaust survivor who sued a neo-Nazi organization of Holocaust deniers.

In 2002, having illustrated his books of poetry with his photographs, Mr. Nimoy published “Shekhina,” a book devoted to photography with a Jewish theme, that of the feminine aspect of God. His black-and-white photographs of nude and seminude women struck some Orthodox Jewish leaders as heretical, but Mr. Nimoy asserted that his work was consistent with the teachings of the kabbalah.

His religious upbringing also influenced the characterization of Spock. The character’s split-fingered salute , he often explained, had been his idea: He based it on the kohanic blessing , a manual approximation of the Hebrew letter shin, which is the first letter in Shaddai, one of the Hebrew names for God.

“To this day, I sense Vulcan speech patterns, Vulcan social attitudes and even Vulcan patterns of logic and emotional suppression in my behavior,” Mr. Nimoy wrote years after the original series ended.

But that wasn’t such a bad thing, he discovered. “Given the choice,” he wrote, “if I had to be someone else, I would be Spock.”

An earlier version of this obituary, using information from Antioch College, misstated the name of an institution that awarded Mr. Nimoy an honorary doctorate. It was Antioch University, not Antioch College.

An obituary on Saturday about the actor Leonard Nimoy misstated the year his first autobiography, “I Am Not Spock,” was published. It was 1975, not 1977.

How we handle corrections

Daniel E. Slotnik and Peter Keepnews contributed reporting.

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‘star trek: strange new worlds’ star ethan peck discusses initial “nearly unbearable” weight of playing spock and profound fan appreciation.

His journey to become the iconic sci-fi character first brought to life by the legendary Leonard Nimoy has been intense, but thoroughly enjoyable and fulfilling, he tells THR.

By Ryan Parker

Ryan Parker

Former Senior Reporter

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[Warning: This story contains spoilers for the Star Trek: Strange New Worlds episode “Ghosts of Illyria.”] 

For Ethan Peck, each episode of Star Trek: Strange New Worlds is a journey into a character whom he has come to know well — and yet remains a mystery. The actor, who debuted as Spock on Star Trek: Discovery , finds great beauty in that notion.

His journey to becoming the iconic sci-fi character first brought to life by the legendary Leonard Nimoy has been intense, but thoroughly enjoyable and fulfilling, he tells The Hollywood Reporter .

And while it was his guest work on Discovery that led throngs of fans to demand he, along with Anson Mount and Rebecca Romijn , be given a spinoff, it is the format and writing of Strange New Worlds that has allowed Peck to truly embody and understand the half-Vulcan, half-human character.

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The new series on Paramount+ is only three episodes in, and yet, no time was wasted in exploring Spock’s internal trials and tribulations, including his love life struggles with T’Pring (Gia Sandhu), who was bonded to Spock as a child. Peck is reveling in the exploration of his character’s dueling identities, crediting the writers for Spock’s nuance and complexities.

The Original Series nostalgia comes through so well. How does it feel to make this series compared to your time on Discovery ? 

It’s obvious we are in an episodic format, so each episode is its own adventure, its own world, its own conflict to be overcome by the bridge crew of the Enterprise. The challenges are new every single time, and that’s exciting for me as an actor because I don’t know what’s coming up. Oftentimes, at the beginning of the season of a serialized show, you kind of get an idea of what your character will be going through. And in this case, it’s kind of a surprise where Spock is going. That’s really thrilling.

You, Anson and Rebecca struck such a chord with fans in these characters, they demanded via petitions there be a spinoff. Has the level of that love, respect and trust set in yet? 

It’s still crazy to wrap my head around that. Fans are such a big part of why we’re here now, and I’m so grateful to the fans. It’s also been really inspiring for us because we’ve just poured our hearts and souls into this series, and I think it shows. You can feel it. But yes, I’m still kind of grasping the reality of my situation — that I’m playing this character and on this show. It fills me with wonder and honor.

I so appreciate that, right off the bat, the series deals with Spock’s exploration of his inner turmoil and conflict — trying to find his true self, as opposed to who he thinks others want him to be. You’re really pulling double duty at times in that battle.

Absolutely. I’ve been really fortunate with the level of nuance they’ve given to me in the writing. It’s also been very scary. This is such a precious character, not just to the fans, but to me. And like I said, one of the gifts of the episodic format is that every episode’s a new adventure, not knowing what Spock is going to be doing. So I feel like I’m constantly kind of searching for the character and understanding the inner details, which again is a gift.

Spock wants to be accepted by Vulcan, by his people whom he’s grown up with, but he has never been accepted because he’s half human. This is a struggle that exists on our planet, and I may not be the best representative of that, but we have amazing writers who do experience that today. I know that they contribute quite heavily to Spock’s life in that way. His human side is undeniable. He must explore it. And I think eventually his understanding of his humanness is what makes him who he will become later in the Original Series . His emotional side draws in valuable information that he can use in his problem-solving. He’s a beautiful person to be portraying and to be discovered.

I am also enjoying the exploration of his love life with T’Pring, which was only briefly touched on in the Original Series . Can you talk about that additional, mostly unexplored layer of Spock? 

It’s really complicated, and we really handle it with a lot of thought and caution because we don’t want to put anything down that doesn’t ring true for these characters and for these cultures. It’s so interesting playing against Gia because she is expressive in an even more quiet way, in my opinion, than Spock can be. And when I’m working with her on-camera, I feel he needs to be more Vulcan to be accepted because I want her to like me. I want to be accepted by her. So that’s always kind of on the back burner of Spock’s mind, that he just doesn’t belong there, he belongs with Starfleet. So it’s interesting to explore those moments with her.

There is a wild away mission for Capt. Pike and Spock in “Ghosts of Illyria.” Safe to assume away missions are more fun to shoot, especially when it is just you and Anson getting to play in the sandbox? 

Away missions can be more fun. Oftentimes, though, they’re logistically more complicated, so we might have to wake up even earlier to travel someplace to film. This particular episode we actually filmed in Ontario Place in Toronto. So in that way, they can be a little more complicated. There are more unknowns, but it’s always really fun to be in a new environment with these characters because our team just does such an amazing job with set design and decoration, and it really brings life to my work. But this specific episode is such a classic Spock and captain episode.

And Anson and I get along great. We share a lot of science fiction books with each other, both being big sci-fi fans. So, we’re often both reading on-set. I think we both approach our work with the same amount of intensity and consistency, and that’s just really special. Everyone on our show works hard, and I think Anson really sets the bar for the level of work that exists in our show, and that is something I’ve admired.

How did you build that bond between you two? Did you spend extra time paling around when the cameras weren’t rolling? 

When I was doing Discovery , I saw Pike as an uncle figure to Spock or an older brother. On Discovery , Spock became close with his adopted sister Michael Burnham ( Sonequa Martin-Green ), but I think Pike was the human role model for him. And so with that in mind, we went into our off time between Discovery and Strange New Worlds and did as many conventions together as we could. We just had a blast and got to know each other better, discovered that we just have great chemistry on- and off-camera. And of course, working together now on Strange New Worlds , you become family. You see each other in your highs and your lows, and you learn to accept each person for who they are in every moment. And that’s a rare opportunity because we must be united and be coordinated with one another and work together. So that’s really special.

You and Celia Rose Gooding as Nyota Uhura are doing an extraordinary job with your incarnations of these beloved classic characters. I assume there was extra pressure initially. Do you still feel it now? 

That’s a question that I can answer in so many different ways as time goes on because it changes. In the beginning, yes, the weight was nearly unbearable, and I wondered if I would be kind of broken by, “I’m not sure that I quite feel worthy.” I’m still growing into Spock in many ways. And you know, now the pressure isn’t quite as great as it was during Discovery .

I’m trying to have an experience as Spock. I’m not thinking of what the final product will be or how it will look. But I definitely did a bunch of research, and I’m constantly checking in with the voice of Spock in my head. Leonard Nimoy made such an impression on me and that’s with me always. I’m constantly checking in with that.

Celia and I maybe have added pressure because of the characters we’re playing, but at the same time, I think Star Trek is such a beautiful burden for all of us and a heavy one, too. It represents something so special to so many people. It’s hopeful and aspirational and inspiring and curious and accepting. And I think it’s always anecdotal to all of the important things that are happening in the world.

Interview edited for length and clarity. 

Star Trek: Strange New Worlds is streaming now on Paramount+.

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Leonard Nimoy, Famous As Mr. Spock On 'Star Trek,' Dies

February 27, 2015 / 12:42 PM EST / CBS Miami

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LOS ANGELES (AP) — Leonard Nimoy, the actor known and loved by generations of "Star Trek" fans as the pointy-eared, purely logical science officer Mr. Spock, has died.

Nimoy's son, Adam Nimoy, said the actor died Friday of end-stage chronic obstructive pulmonary disease at his Los Angeles home. He was 83.

Although Leonard Nimoy followed his 1966-69 "Star Trek" run with a notable career as both an actor and director, in the public's mind he would always be Spock. His half-human, half-Vulcan character was the calm counterpoint to William Shatner's often-emotional Captain Kirk on one of television and film's most revered cult series.

Nimoy's ambivalence to the role was reflected in the titles of his two autobiographies, "I Am Not Spock" (1975) and "I Am Spock" (1995).

After "Star Trek" ended, the actor immediately joined the hit adventure series "Mission Impossible" as Paris, the mission team's master of disguises. From 1976 to 1982 he hosted the syndicated TV series "In Search of ... " which attempted to probe such mysteries as the legend of the Loch Ness Monster and the disappearance of aviator Amelia Earhart.

He played Israeli leader Golda Meir's husband opposite Ingrid Bergman in the TV drama "A Woman Called Golda" and Vincent van Gogh in "Vincent," a one-man stage show on the life of the troubled painter. He continued to work well into his 70s, playing gazillionaire genius William Bell in the Fox series "Fringe."

He also directed several films, including the hit comedy "Three Men and a Baby" and appeared in such plays as "A Streetcar Named Desire," ''Cat on a Hot Tim Roof," ''Fiddler on the Roof," ''The King and I," ''My Fair Lady" and "Equus." He also published books of poems, children's stories and his own photographs.

But he could never really escape the role that took him overnight from bit-part actor status to TV star, and in a 1995 interview he sought to analyze the popularity of Spock, the green-blooded space traveler who aspired to live a life based on pure logic.

People identified with Spock because they "recognize in themselves this wish that they could be logical and avoid the pain of anger and confrontation," Nimoy concluded.

"How many times have we come away from an argument wishing we had said and done something different?" he asked.

In the years immediately after "Star Trek" left television, Nimoy tried to shun the role, but he eventually came to embrace it, lampooning himself on such TV shows as "Futurama," ''Duckman" and "The Simpsons" and in commercials.

He became Spock after "Star Trek" creator Gene Roddenberry was impressed by his work in guest appearances on the TV shows "The Lieutenant" and "Dr. Kildare."

The space adventure set in the 23rd century had an unimpressive debut on NBC on Sept. 8, 1966, and it struggled during its three seasons to find an audience other than teenage boys. It seemed headed for oblivion after it was canceled in 1969, but its dedicated legion of fans, who called themselves Trekkies, kept its memory alive with conventions and fan clubs and constant demands that the cast be reassembled for a movie or another TV show.

Trekkies were particularly fond of Spock, often greeting one another with the Vulcan salute and the Vulcan motto, "Live Long and Prosper," both of which Nimoy was credited with bringing to the character. He pointed out, however, that the hand gesture was actually derived from one used by rabbis during Hebraic benedictions.

When the cast finally was reassembled for "Star Trek — The Motion Picture," in 1979, the film was a huge hit and five sequels followed. Nimoy appeared in all of them and directed two. He also guest starred as an older version of himself in some of the episodes of the show's spinoff TV series, "Star Trek: The Next Generation."

"Of course the role changed my career— or rather, gave me one," he once said. "It made me wealthy by most standards and opened up vast opportunities. It also affected me personally, socially, psychologically, emotionally. ... What started out as a welcome job to a hungry actor has become a constant and ongoing influence in my thinking and lifestyle."

In 2009, he was back in a new big-screen version of "Star Trek," this time playing an older Spock who meets his younger self, played by Zachary Quinto. Critic Roger Ebert called the older Spock "the most human character in the film."

Among those seeing the film was President Barack Obama, whose even manner was often likened to Spock's.

"Everybody was saying I was Spock, so I figured I should check it out," Obama said at the time.

Upon the movie's debut, Nimoy told The Associated Press that in his late 70s he was probably closer than ever to being as comfortable with himself as the logical Spock always appeared to be.

"I know where I'm going, and I know where I've been," he said. He reprised the role in the 2013 sequel "Star Trek Into Darkness."

Born in Boston to Jewish immigrants from Russia, Nimoy was raised in an Italian section of the city where, although he counted many Italian-Americans as his friends, he said he also felt the sting of anti-Semitism growing up.

At age 17 he was cast in a local production of Clifford Odets' "Awake and Sing" as the son in a Jewish family.

"This role, the young man surrounded by a hostile and repressive environment, so touched a responsive chord that I decided to make a career of acting," he said later.

He won a drama scholarship to Boston College but eventually dropped out, moved to California and took acting lessons at the Pasadena Playhouse.

Soon he had lost his "Boston dead-end" accent, hired an agent and began getting small roles in TV series and movies. He played a baseball player in "Rhubarb" and an Indian in "Old Overland Trail."

After service in the Army, he returned to Hollywood, working as taxi driver, vacuum cleaner salesman, movie theater usher and other jobs while looking for acting roles.

In 1954 he married Sandra Zober, a fellow student at the Pasadena Playhouse, and they had two children, Julie and Adam. The couple divorced, and in 1988 he married Susan Bay, a film production executive.

(© Copyright 2015 The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed.)

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Leonard Nimoy, actor who played Mr Spock on Star Trek, dies aged 83

Nimoy, who played the legendary character in the original Star Trek television series, died of pulmonary disease after being hospitalised earlier this week

• To a Star Trek fan like me, Leonard Nimoy meant everything

Leonard Nimoy: a life in clips

Leonard Nimoy, who enchanted generations of audiences with his depiction of Star Trek’s human-alien philosopher and first officer Mr Spock, has died at his home in Los Angeles. He was 83.

The actor died on Friday morning of end-stage chronic obstructive pulmonary disease in Bel-Air, his wife, Susan Bay Nimoy, told the New York Times. He had been hospitalised at UCLA medical center with breathing difficulties days earlier.

Nimoy’s last tweet, sent on Monday, suggested he knew the end was near: “A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP.”

A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP — Leonard Nimoy (@TheRealNimoy) February 23, 2015

“Live long and prosper” was the Vulcan salutation which he made famous as Spock, and which he and fans carried into real life. Tributes to the actor, director, photographer, writer, poet, musician and teacher agreed he had indeed done so.

“I loved him like a brother,” William Shatner, who starred alongside him as Captain Kirk, wrote on Facebook. “We will all miss his humor, his talent, and his capacity to love.”

George Takei, who played Sulu, said the world had lost a great man. “And I lost a great friend. We return you now to the stars, Leonard. You taught us to ‘Live Long And Prosper,’ and you indeed did, friend. I shall miss you in so many, many ways.”

Even the US president took a moment on Friday to appreciate Nimoy’s most famous character. “Long before being nerdy was cool, there was Leonard Nimoy,” Barack Obama said . “I loved Spock,”

Nimoy announced last year that he was battling chronic obstructive pulmonary disease and attributed it to smoking, even though he gave up the habit long ago. With typical humour he tweeted last week: “I quit smoking 30 yrs ago. Not soon enough. I have COPD. Grandpa says, quit now!! LLAP.”

He enjoyed an enduring and eclectic career in the arts and in film behind the camera but it was as the pointy-eared, relentlessly logical sidekick to William Shatner’s Captain Kirk that Nimoy will be best remembered.

Gene Roddenberry, the creator of Star Trek , called Spock its “conscience”, a quizzical, alien and yet also humane moral sense which pervaded the original NBC series as well as subsequent big-screen outings, most recently in the rebooted films directed by JJ Abrams.

The actor, born in Boston to Ukrainian immigrants and Orthodox Jews, embraced the figure of the lone alien on the bridge of the Starship Enterprise, exploring the universe with more emotional, fully human characters.

His first autobiography, I Am Not Spock, published in 1977, said that as the Vulcan he found the best of both worlds, gaining public approval while still being able to play an other-worldly character. He published another biography, I Am Spock, in 1995.

“To this day, I sense Vulcan speech patterns, Vulcan social attitudes and even Vulcan patterns of logic and emotional suppression in my behavior,” Nimoy noted. It was not a complaint. “Given the choice, if I had to be someone else, I would be Spock.”

Tributes flooded Twitter.

“RIP Leonard Nimoy. So many of us at NASA were inspired by Star Trek. Boldly go...” said the US space agency @Nasa.

“He created a role that nobody else could play. Multitalented writer, actor, director. A terrific & sweet man,” tweeted the talkshow host Larry King.

Zachary Quinto, who plays the younger Spock in the rebooted films, said: “My heart is broken. i love you profoundly my dear friend. and i will miss you everyday. may flights…”

The music producer @kaskade tweeted: “Rest easy Leonard Nimoy. First guy to make being so weird so cool.”

The son of a barber, Nimoy’s origins were hardly exotic. He started acting in primary school and continued through community college and during a stint in the army, where he served as a sergeant and participated in shows at Fort McPherson in Georgia.

Discharged in 1955, he moved to California and worked as taxi driver, cinema usher and drama teacher before achieving notice on TV shows like Rawhide and Perry Mason before landing the role of Spock in the original NBC series, which debuted in 1966.

Nimoy was also an unlikely sex symbol. According to the Los Angeles Times , when he spoke at Ohio’s Bowling Green State University in the 1970s, a young woman asked: “Are you aware that you are the source of erotic dream material for thousands and thousands of ladies around the world?”

“May all your dreams come true,” he responded.

Spock made a rare foray into sensuality in episode 24 of the original series when aphrodisiacal spores on the planet Omicron Ceti III loosened his human side and a longing for Leila Kalomi, played by Jill Ireland.

The Vulcan salute, which Trekkers used at fan conventions and film screenings, Nimoy adapted from a gesture he remembered from attending an Orthodox synagogue in childhood.

Men chanted prayers at an altar with their arms raised and fingers parted between the ring and middle fingers and thumbs stuck out – a representation of the Hebrew letter shin, the start of Shaddai, a term for God, Nimoy said.

He embraced roles reflecting his Jewish heritage. In 1982 he appeared as the former husband of the Israeli prime minister Golda Meir in the TV movie A Woman Called Golda”. He also played a Holocaust survivor in the courtroom TV film Never Forget.

His photography book, Shekhina, pictured nude women, including a cover shot of a woman wearing Jewish ritual objects traditionally worn by men. Nimoy shrugged off complaints and said his his work was consistent with the teaching of the kabbalah. “I’m not introducing sexuality into Judaism. It’s been there for centuries.”

Only the most dedicated Trekkies embraced his forays into music, such as kitsch covers covers of songs like “If I Had a Hammer.” He titled his first album Leonard Nimoy Presents Mr. Spock’s Music From Outer Space.

Nimoy is survived by his older brother, Melvin, his ex-wife, Sandi Zober, their two children, Adam and Julie, six grandchildren and one great-grandchild.

NBC cancelled Star Trek after three seasons, citing low ratings, but its sci-fi adventures, optimistic world view and campy humour won a growing army of devotees who turned Spock and Kirk, plus Dr McCoy, Sulu, Uhura and Chekov, into pop culture legends.

Nimoy branched into directing, including two of the Star Trek features, and the 1987 hit comedy Three Men and a Baby.

His sonorous voice narrated the History channel’s Ancient Mysteries and provided the voice for numerous animated characters. In addition to his autobiographies he also published books of poetry and photography.

Flowers were due to be placed at his star on Hollywood Boulevard.

• Leonard Nimoy
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More on this story

Leonard Nimoy – a life in pictures

'Live long and prosper:' Star Trek fans say goodbye to Leonard Nimoy

How Leonard Nimoy grew to love Spock as much as we did

To a Star Trek fan like me, Leonard Nimoy meant everything

Leonard Nimoy: one of the best Simpsons cameos ever

Leonard Nimoy's other achievement: Three Men and a Baby

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Leonard Nimoy dead: Star Trek Spock actor dies after suffering lung disease

The actor, 83, is famous for playing the role of mr spock, article bookmarked.

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Star Trek legend Leonard Nimoy has died, aged 83.

The actor, famous for playing the role of logical science officer Mr Spock in the long-running sci-fi series, passed away at his Bel Air home on Friday.

His wife Susan confirmed the news.

Nimoy was taken to UCLA Medical Center in Los Angeles on Thursday 19 February.

He has entered hospital a number of times over the last few months.

In a tweet from Nimoy's account, his grandson Dani paid tribute to the well-loved actor, which signed off using Spock's phrase "Live Long and Prosper".

"He was an extraordinary man, husband, grandfather, brother, actor, author-the list goes on- and friend. Thank you for the warm condolences."

Dani added that the family will be selling special commemorative shirts online, with proceeds going to the COPD Foundation.

Last year, he revealed he was suffering from chronic lung disease, despite stopping smoking more than 30 years ago.

I quit smoking 30 yrs ago. Not soon enough. I have COPD. Grandpa says, quit now!! LLAP Leonard Nimoy (@TheRealNimoy) January 30, 2014

Symptoms of Chronic Obstructive Pulmonary Disease include coughing, chest infections and breathlessness.

Leonard Nimoy: Career in pictures

Nimoy was recently pictured looking frail and using an oxygen cylinder as he was wheeled through JFK airport.

Though he stopped attending Star Trek conventions in 2011, he made a cameo as Spock in the 2013 film Star Trek Into Darkness , and a number of guest appearances in the science fiction series Fringe , which ran until 2012.

Born in Boston to Jewish immigrants from Russia, Nimoy was raised in the city's Italian quarter, where he said he felt the sting of anti-Semitism growing up.

At age 17 he was cast in a local production of Clifford Odets' Awake and Sing as the son in a Jewish family, and went on to win a drama scholarship at Boston College.

However he later decided to drop out and moved to California and where he took acting lessons at the Pasadena Playhouse. The budding actor quickly lost his Boston accent, enlisted the help of an agent and began playing small roles in TV series and movies.

In 1954 he married Sandra Zober, a fellow student at the Pasadena Playhouse, and they had two children, Julie and Adam. The couple divorced, and in 1988 he married Susan Bay, a film production executive.

After service in the Army, he returned to Hollywood, where he worked as a taxi driver, vacuum cleaner salesman, movie theater usher and other jobs while looking for acting roles.

The actor found his big break as Spock in TV series Star Trek , which ran from 1966 to 1969. After the cult series ended in 1969, he immediately joined the adventure show Mission Impossible as the master of disguise, Paris.

From 1976 to 1982 he hosted the syndicated TV series In Search of... which attempted to probe such mysteries as the legend of the Loch Ness Monster and the disappearance of aviator Amelia Earhart.

Other roles included Israeli leader Golda Meir's husband opposite Ingrid Bergman in the TV drama A Woman Called Golda .

Nimoy also turned his talents to director, including the hit comedy Three Men and a Baby , as well as treading the boards in plays such as A Streetcar Named Desire , Cat on a Hot Tim Roof , Fiddler on the Roof , The King and I , My Fair Lady , Equus and Vincent van Gogh in one-man stage show Vincent .

More recently, he played the moneyed genius William Bell in the Fox series Fringe .

As a writer he penned poems, children's stories, and also enjoyed photography.

But while the actor enjoyed a rich career, fan’s would always remember his first as Spock.

Trekkies often greet one another with the Vulcan salute and the Vulcan motto, “Live Long and Prosper” - both of which Nimoy was credited with bringing to the character.

He pointed out, however, that the hand gesture was actually derived from one used by rabbis during Hebraic benedictions.

In 2009, he returned to play an older version of his iconic character in the film Star Trek , who meets his younger self, played by Zachary Quinto. Critic Roger Ebert called the older Spock “the most human character in the film.”

When the movie was released, Nimoy told The Associated Press that in his late 70s he was probably closer than ever to being as comfortable with himself as the logical Spock always appeared to be.

"I know where I'm going, and I know where I've been," he said.

A touching message the actor sent on Twitter last Sunday has now become his last public words.

Additional reporting by AP

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Weird Star Trek Novels That Are Enjoyable To Read

I n February 1970, Bantam Books published the first original Star Trek novel. James Blish's Spock Must Die! received mixed reviews from critics, but it laid the foundation for many hundreds of further novels . Perhaps the golden era of Star Trek prose was under Pocket Books, who produced an ambitious continuation of TNG and DS9 long before Star Trek: Picard .

Some of the tie-in novels are good, some are bad, and some are just plain strange. From vanity projects to starship-sized plot holes, Star Trek's authors went where no one had gone before (and sometimes where they shouldn't have gone). Though they may be on the stranger side, here are a few books that fans of the franchise will doubtless enjoy.

The Enterprise War - John Jackson Miller

John Jackson Miller's 2019 novel answers a pertinent question: where was the Enterprise during Star Trek: Discovery 's Federation–Klingon War? Miller shows Pike's Enterprise caught in a different war between the Boundless and the Rengru, aliens who hope to use the starship to tip the scales in their favor.

RELATED: Most Charismatic Star Trek: The Next Generation Characters, Ranked

The Enterprise War has an exciting plot, but stumbles slightly when it comes to reconciling the Pike era with the rest of contemporary Trek. Spock's references to Michael Burnham seem out of place alongside obscure characters from Star Trek 's failed pilot, while the Enterprise 's saucer separation recalls TNG rather than TOS or Discovery . Miller's novel walks a fine line between anachronisms and tropes. The result is a weird blend of eras, but one that readers are sure to enjoy.

The Good That Men Do - Andy Mangels & Michael A. Martin

Few fans were impressed when Star Trek: Enterprise ended by killing off one of its crew. In terms of both scriptwriting and direction, the noble sacrifice of engineer Trip Tucker is an anticlimax. This shortcoming inspired authors Andy Mangels and Michael A. Martin to consider an alternative: what if Tucker's death was a hoax?

RELATED: Star Trek: The Relationship Between Vulcans & Romulans, Explained

The Good That Men Do (2007) claims that Tucker never died; instead, he left the Enterprise to work for Section 31 . This coverup allowed him to investigate a new threat posed by the Romulans. The book holds a strange place in Star Trek canon: it is as much an apology as it is a novel, although the Romulans' machinations make for an entertaining read.

Disavowed - David Mack

While the Star Trek Relaunch series provided fans with some franchise highpoints, it had started to stumble by the time of David Mack's Disavowed (2014). Six years earlier, Mack had torn up the status quo with his Destiny trilogy, focusing on a massive Borg invasion . The trilogy is excellent—but its fallout left subsequent novels unsure of where to take the series.

Mack's story, centered on Julian Bashir, reinvents the Star Trek novel as a tense espionage thriller as the Starfleet doctor and Section 31 operative travels to the Mirror Universe to halt a scheme by the evil Breen. Mack's prose is propulsive, but Disavowed represents the Star Trek world at a crossroads. The book's weirdness lays not in its writing, but in its attempt to reinvigorate the series with a focus on espionage rather than exploration.

Broken Bow - Diane Carey

Star Trek 's writing has been the subject of parodies aplenty, from shows like The Orville to movies like Galaxy Quest . In 2020, the franchise itself got in on the fun, with cartoon series Lower Decks spoofing on Star Trek 's tropes. Yet Lower Decks was not the first time that Star Trek' s own writers took a swipe at the franchise. The 2001 novelization of "Broken Bow" derided the Star Trek: Enterprise episode it was meant to retell.

RELATED: Star Trek: Enterprise Actor Slams How Her Character Was Written

Author Diane Carey wrote extensively for Star Trek 's novels (the hero of her 2000 novel Challenger was written to resemble Enterprise 's Scott Bakula, though the book predated his casting). Yet when it came to novelizing Bakula's first real adventure, Carey was so unimpressed with the script that she used the characters' internal monologues to criticize the story's plot. The author was allegedly blacklisted for her mischief, but she turned an otherwise by-the-numbers novelization into a sneaky practical joke.

A Singular Destiny - Keith R.A. DeCandido

Readers might expect a sequel to TNG and DS9 to feature a hero like Captain Picard, or a fan favorite like Kira Nerys. Yet although Keith R.A. DeCandido's 2009 novel does feature DS9 's Ezri Dax, its star is diplomat Sonek Pran, a wholly original character. This stylistic deviation allows A Singular Destiny to interrogate the state of the Relaunch universe . The Borg may be gone, but a new threat is rising in the form of the Typhon Pact, an alliance of several hostile states including the Breen and the Gorn.

Despite the scope of its universe, Star Trek can become bogged down by revisiting the same characters and tropes. DeCandido's novel bucks this trend, making this immersive political thriller an essential chapter in the Relaunch saga.

Fearful Symmetry - Olivia Woods

Viewers of DS9 may recall the episode "Second Skin," in which Bajoran Kira Nerys was disguised as a Cardassian. Fearful Symmetry claims that the woman that Kira impersonated, Iliana Ghemor, was also altered to look like Kira, but fell into the clutches of Gul Dukat , who imprisoned and abused her. Driven mad, the impostor plots her revenge in Olivia Woods' 2008 novel.

While it's odd that Dukat never mentioned his prisoner, the novel's true weirdness is its two-in-one physical format. Fearful Symmetry is made up of two narratives: the front cover depicts Kira, while the rear is an alternate cover showing Ghemor. Starting the book in one direction shows Kira's investigation into her duplicate, while starting in the opposite direction provides the troubled life of Ghemor. This parallel structuring allows the novel's form to mirror its content, a clever gimmick.

Killing Time - Della Van Hise

The possibility of a deeper, potentially romantic bond between Kirk and Spock has intrigued fans for decades (the term "slash fiction" is attributed to stories about the pair), but Star Trek 's writers were unwilling to offer any confirmation. Father of the franchise Gene Roddenberry was particularly opposed to the idea. He was displeased, to say the least, when author Della Van Hise snuck suggestive material into her 1985 novel.

RELATED: Captain Kirk's Redemption Of Spock In The Mirror Universe

First editions of Killing Time (which involves the Romulans altering history to try and defeat the Federation) were recalled and destroyed, although some were purchased by fans. A revised edition removed the offending content. Rumors circulated that an even more explicit version existed, although Van Hise denied these claims. If nothing else, Killing Time demonstrates the importance of checking a book before it's sent to the printers.

The Return - Garfield Reeves-Steven & William Shatner

Actor Leonard Nimoy was so impressed by Star Trek II: The Wrath of Khan , in which his character died, that he asked for Spock to return from the dead . William Shatner, on the other hand, was so unimpressed by Kirk's death in Star Trek: Generations that he decided to take matters into his own hands, co-writing a series of novels in which a resurrected Kirk continues the fight against evil.

The resulting Shatnerverse (comprising ten novels by Shatner and Judith and Garfield Reeves-Steven) is generally considered non-canon even by novel fans, with some regarding it as an ego trip for Shatner. Kirk's transition into a quasi-Messianic figure certainly has all the hallmarks of a vanity project, as does his role in the total defeat of the Borg in 1996's The Return . The Shatnerverse novels may not fit into any version of canon aside from their own, but they represent an interesting diversion for those who like their books heavy on fan-service and light on common sense.

MORE: Best Starfleet Ships Of The 23rd Century

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Published Apr 22, 2024

The 10 Plagues of Star Trek: The Original Series

As Passover brought 10 plagues to test Pharaoh, so too did The Original Series test the crew of the Enterprise!

StarTrek.com

Considering Gene Roddenberry stated that there would be no religion in the future when he conceived of Star Trek , a lot of Judaism sure did manage to creep it's way in!

From Leonard Nimoy and William Shatner bonding on the set of The Original Series over their shared Jewish background, and Nimoy being inspired by his Orthodox upbringing when creating Vulcan culture , to later series with Jewish actors and parallels such as Worf's diasporic experience, and Marina Sirtis drawing on inspiration from an Israeli friend as she created Deanna Troi. It makes sense, then, to spend some time during Passover reflecting on the many aspects of Jewish influence seen on Star Trek .

So, of course, I’ve decided to give you the 10 Plagues of Passover as episodes from The Original Series . Let’s get into it.

1. Rivers of Blood, " Amok Time "

"Amok Time"

When Aaron turned the Nile into a river of blood, it shook the Pharaoh to his core, much like how the blood fever of Pon Farr shook up Spock's usual calm and logic. Hormonal imbalances are no joke, and this quickly descended from throwing soup and nearly ended with Captain Kirk's death on Vulcan!

Much as I hate to parallel the Pharaoh, the villain of the Passover story, with Spock, a hero and a pacifist, they are both powerful men brought low (and emotional) by blood.

2. Frogs, " And the Children Shall Lead "

"All the Children Shall Lead"

There is a debate in Judaism over whether the second plague was a swarm of frogs, or one giant frog that covered the land of Egypt. But if we go with the more traditional interpretation of a swarm, then the Star Trek equivalent swarm would be the children from "And The Children Shall Lead" who take over the Enterprise .

Not only are they a hive mind (very swarm-like behavior) controlled by an evil embodiment called Gorgon, but they also bring the majority of the bridge crew under their sway. Whichever frog interpretation you go with, Kirk was as deeply unhappy with this plague-parallel as the Egyptians were with their own froggy problem — and he was pretty hostile to the kids too!

3. Lice, " Operation — Annihilate! "

"Operation — Annihilate!"

Whilst it may not be as scary or strange as the other plagues, the plague of lice always makes me wince and want to scratch my scalp in sympathy.

The episode "Operation — Annihilate!" also makes me wince, as a meeting with behavior-altering parasites is not how I imagine Kirk wanted his family reunion to go. But while lice do alter behavior, making people far more irritable, I wonder if they could cause the collapse of civilizations as this Star Trek parasite did before the crew of the Enterprise stopped it?

4. Flies or Deadly Animals, "Wink of an Eye"

"Wink of an Eye"

Here we find ourselves with another heavily debated plague. Some scholars believe it was the buzzing of flies that punished the Egyptians, while others believe it was a hoard of deadly animals destroying everything in their path. Luckily, "Wink of an Eye" covers both!

It begins when a landing party on Scalos and Kirk hears a mysterious buzzing noise like a swarm of insects before one of their party goes missing. Kirk continues to hear this insect buzzing on the Enterprise . However, it turns out to be a group of people living at hyper-accelerated speed, causing mischief all over the ship as they try to put the Enterprise into a deep freeze. Moreover, when they try to hyper-accelerate the humans, they end up causing them to age and decay rapidly. Deadly creatures destroying everything in their path indeed!

5. Pestilence, " The Trouble with Tribbles "

"The Trouble with Tribbles"

The fifth plague was a pestilence that killed all the Egyptians livestock, and what better episode to compare this with than "The Trouble with Tribbles."

The tribbles not only eat all of the grain supplies, they also end up dying en masse because the grain has been poisoned by saboteurs. This makes them not only the pestilence, but also the dead livestock in the Passover parallels! It's said the Egyptians grieved when they looked upon the dead animals they worshipped like gods, and whilst I doubt the tribbles were worshipped, I'm sure the Klingon vessel they were eventually beamed onto did indeed grieve having this fluffy plague.

6. Boils, " Miri "

"Miri"

When painful boils appear on the people of Egypt, it was meant to have caused horror and agony. Well, the episode "Miri" caused so much horror, it was banned by the BBC in the 1970s and 1980s!

In this episode, the landing party, except for Spock, begin developing purple lesions on their bodies and are told by the children of the planet they will die horribly in a week. Even Spock can't return to the Enterprise , because they don’t know whether or not he'll infect the rest of the crew. The boils end up being painful physically and emotionally, as the crew seek to save themselves and the children who have trapped them.

7. Hail, " Mirror, Mirror "

"Mirror, Mirror"

The seventh plague was a hail-storm of unprecedented strength that damaged every living thing in its path — much like the wrath of the Mirrorverse that Kirk and company discover in the episode "Mirror, Mirror"!

When negotiating with the Halkan's for dilithium, the council says there is no guarantee the Federation will always be peaceful. A violent and unpredictable ion-storm proves they may have a point when it causes the transporter malfunction that takes our Enterprise crew to a parallel universe of unprecedented violence!

8. Locusts, " The Conscience of the King "

"The Conscience of the King"

On Moses' eighth attempt to sway the Pharaoh, a devastating plague of locusts is summoned. The bugs devour everything green that has escaped the hail and previous plagues. This brings to mind one of Kirk's most famous pieces of backstory — the Tarsus IV massacre.

In "The Conscience of the King," we discover that as a teenager, Kirk lived in the Tarsus IV colony when a food crisis allowed Governor Kodos to take control and order the deaths of half the population. While it might not have been locusts that destroyed the grain on Tarsus IV, this event certainly caused untold devastation.

9. Darkness, " The Tholian Web "

"The Tholian Web"

Space, the final frontier. In the context of Star Trek , it's hard to think of darkness as a plague when it is the mission and adventure of our voyagers to explore it. But darkness in the Passover story was terrifying, as for several days all of Egypt was enveloped in a thick and impenetrable veil of darkness which extinguished all lights kindled. Remind you of "The Tholian Web"?

On a rescue mission for their sister ship, the U.S.S. Defiant , the Enterprise enters a sector of unknown space and finds the Defiant adrift, its crew dead, and slowly phasing out of existence, before vanishing entirely and taking Kirk with it. This episode focuses on the more terrifying aspects of space and the unknown, and how the hardest thing to do can be just having to wait for the darkness to pass.

10. Death of the First Born, Star Trek III: The Search for Spock

Star Trek III: The Search for Spock

First-born children don't have the best track record for surviving in Star Trek ; we've already covered Sam Kirk's death in "Operation — Annihilate!" and Kodos' daughter Lenore Karidian meets a grim fate in "The Conscience of the King."

Moving on to the movies, we see Spock's older brother, Sybok, die in Star Trek V: The Final Frontier . But for this plague I had to go with Captain Kirk's own son David Marcus, who is killed by Klingons in The Search for Spock . As the Pharoah's own infant son's death broke his resolve to finally allow the Israelites to be free, David's death so soon after they met causes Kirk to become embittered and colors his own attitude towards Klingons as a species.

Yes, the plagues make up a significant part of the Passover story, the main theme of the holiday is triumph over adversity and freedom —a fundamental tenet of Star Trek . For all of the dangers and threats the Enterprise crew face, from physical to emotional, they always overcome them together. And much like the Israelites finally leaving Egypt to wander the desert in search of the Holy Land, it tells us that perseverance is key and the journey and exploration it entails can be as important as the final destination.

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This article was originally published on March 29, 2021.

Emily Zinkin (she/her) is a writer based in London, UK, who also runs Moishe House Clapham. She once cosplayed as Captain Kirk but realised she was the mirror version when she met another one. You can find her on Twitter at @EmilyZinkin

Screen Rant

Strange new worlds actors reveal cut star trek musical finale moment & why spock dances.

Star Trek: Strange New Worlds' Ethan Peck, Celia Rose Gooding, and Christina Chong drop some BTS about the musical episode's grand finale number.

• Star Trek: Strange New Worlds' musical episode concludes with a grand finale showcasing the power of unity and camaraderie among the crew.
• Lt. Spock's logical decision to dance in the musical finale helps boost subspace rift's 'improbability levels,' aiding the crew in saving the galaxy.
• A bonding moment between Uhura and La'an highlights the ensemble's support for each other, showcasing a sense of solidarity and friendship, but it was cut from the episode.

Star Trek: Strange New Worlds ' Celia Rose Gooding and Christina Chong reveal a cut moment from the finale of the first-ever Star Trek musical, and Ethan Peck explains why Lt. Spock decided to dance in the closing musical number, "We Are One." Strange New Worlds season 2's acclaimed musical episode, "Subspace Rhapsody," was written by Dana Horgan and Bill Wolkoff and directed by Dermot Downs. All of the songs were composed by Kay Hanley and Tom Polce from Letters to Cleo. The musical required the entire cast of Star Trek: Strange New Worlds to sing and dance, and everyone embraced the musical with gusto.

In Star Trek: Strange New Worlds' musical episode, a subspace rift created a reality defined by the rules of musicals that threatened to engulf the entire galaxy. Meanwhile, aboard the USS Enterprise, Captain Christopher Pike (Anson Mount) and his crew unwittingly express their deepest feelings and emotions through songs. Ensign Nyota Uhura (Celia Rose Gooding) deduced that to close the subspace rift, the crew of the Enterprise needed to perform a grand finale, and every single person aboard the starship joined in for the big finish musical number, "We Are One."

Star Trek Strange New Worlds Musical Episode Ending Explained

Star trek: strange new worlds' musical cut a moment from the grand finale, celia rose gooding explains a missing moment from the musical episode..

In an interview with TV Insider, Celia Rose Gooding and Christina Chong reveal that there was a bonding moment between Ensign Nyota Uhura and Lt. La'an Noonien-Singh that was cut from the final version of Star Trek: Strange New Worlds ' musical episode 's finale number, "We Are One." Read their quotes below:

Celia Rose Gooding: La’an and Uhura had a little handshake moment that we made up on the spot. Christina Chong: We did! Celia Rose Gooding: We did, but that didn’t make it. But in my mind, there was something so beautiful about that after we finished the song. Our instinct was first to just celebrate one another, and then get back to work. I think that is such a nod to our routine as an ensemble to just check on each other and really boost each other up because we’re doing something that some characters are not super comfortable with and that isn’t their instinct to burst out into song. And so that final moment of camaraderie - of course, it had to be shrunk down for the nature of TV - but in my perfect world, there’s an edit of five minutes of everyone just giving each other compliments.

"We Are One" was a catharsis for the crew of the Starship Enterprise. For La'an, the Strange New Worlds musical's finale reaffirmed her decision to be more open with her feelings, even after her confession that she is attracted to Lt. James T. Kirk (Paul Wesley) didn't go as she had hoped. Meanwhile, Uhura realized that her role in keeping the crew of the Enterprise connected was a gift, and it empowered her to save the ship. Both La'an and Uhura shed their old inhibitions and took steps forward to becoming happier people .

Watch the full TV Insider interview with Star Trek: Strange New Worlds' cast below:

Why Spock Dances In Star Trek: Strange New Worlds' Musical Finale

Ethan peck knew spock would only dance when it was logical to dance..

Ethan Peck also explained Lt. Spock's decision to dance in Star Trek: Strange New Worlds ' grand finale, "We Are One." Peck, who understands Spock like Leonard Nimoy did , needed a logical justification for Spock to dance , and he found out. Read Peck's quote below:

Ethan Peck: There was a moment there in that finale where life really imitated art. I mean, that happens so frequently, but never so closely together as in that moment. Spock doesn’t get to participate because, obviously, he doesn’t want to be dancing. I spoke with Dermot, the director, about it. How would Spock dance? Well, I guess he has to to get that meter maxed out so we can break out of the musical reality. And he would do it for that, and so he joins in for the very end of it. So I felt like kind of an outsider. I join in at the very end of that whole sequence. And then Chapel and Spock are sort of on rough terms, and I remember its ending. We had this joyous moment, and then we have kind of a broody look to each other. So my experience was a little bit different from some of the other cast members.

Lt. Spock dancing in Star Trek: Strange New Worlds' musical finale did boost the subspace rift's 'improbability levels ', and helped put the Starship Enterprise crew over the top. Unlike Uhura and La'an's moment, the final cut of Star Trek: Strange New Worlds ' musical included the awkward moment between Spock and Nurse Christine Chapel (Jess Bush) after the couple ended their relationship through song. What happens next between Spock, Chapel, and the crew of the USS Enterprise in Star Trek: Strange New Worlds season 3 remains to be seen, although it won't include another musical episode. (At least not in Star Trek: Strange New Worlds season 3.)

Source: TV Insider

Star Trek: Strange New Worlds is available to stream on Paramount+