black crowes 1995 tour

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• Tampa Stadium - April 7, 1995 Black Crowes opened
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So we were staying at this huge campground but it got busted somehow and we had to move. This guy taught us how to sneak into Busch Gardens through the wheel chair entrance. It is all about confidence. I was really high for this show and I am ashamed to admit that my friends were trying to rip off scalpers by trying to drive off with their tickets when they held them in our car window. Anyway, I was onboard for this whole tour and somehow I got upfront for this show. I remember the Visions and the unbroken and the Black Crowes.

Tell me what you remember. My friend and I didn't plan to do more than have a fun time selling "Crazy Wild Man Jeffs' (yes, we're both Jeffs) Tex-Mex veggie burritos, but it ended up happening (with a free rolling rock with each burrito). Did everyone else have a tough time finding a place for her head that night after the campground was closed?!?!

We ended up staying in this crackhead hotel after the farm got busted. The Farm was really cool. Figures...

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The last show i went to, atmosphere, is all i remember..., the old sombrero. i miss it., visions of johanna was, my last show too..., my final show, another last, last show :(, considering the era...this was a solid show, unbroken chain, so incredible.. my friends, this was my first and only, i took 3 friends to this, my 3rd ever & final show, dancing on the chairs, 100 years before, 100 years after, my last show, little did i know..., 1st and only show. although, my first and only show, i remember bob took over, the only unbroken to use the, final farewell, 40th and final show, under the stars ... and full moon, didn't anybody see the clouds.

One of the 3 shows I got to see...Lakeland in 80, Orlando in 94, and this one. I thought Jerry looked and sounded better than he did in 94, thought he was on the mend for real - wish I would have been right. Unbroken Chain was super, we were way up in the cheap seats, people were dancing all around us, but the highlight was drums and space, during which the clouds above the stadium, I think the vibrations must've affected them because they formed a circle like a big amphitheater way, way up all around the stadium and clear sky in the middle. I had no drugs except secondhand smoke, but it was really remarkable and mind blowing anyway. On the way out we passed someone's upside down VW van - how could they have managed that, I still wonder?

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The Black Crowes (formed in 1989) is an American blues and Southern rock band that draws huge comparisons with the Rolling Stones and the Faces, hailing from Marietta, Georgia, U.S.

Originally formed under the moniker Mr. Crowe’s Garden in 1984, the earliest incarnation took influence from local act R.E.M, 1960’s psychedelia, and classic rock. Though the band had undergone many changes over its history, brother Chris and Rich Robinson have remained at the core on The Black Crowes sound. In 1989 following a successful demo the band signed with Def American, who issued The Black Crowes' debut album “Shake Your Money Maker” in 1990. The multi-platinum selling release was recorded with the band’s first lineup of vocalist Chris Robinson, guitarist Rich Robinson, bassist Johnny Colt, guitarist Jeff Cease, and drummer Steve Gorman. Though the album proved relatively popular as a whole, it was their Top 30 cover of the Otis Redding song “Hard to Handle”, followed by the singles “She Talks to Angels”, “Jealous Again” that really catapulted the band to mainstream consciousness. In support of the release the Black Crowes opened for ZZ Top and took part on the Monsters of Rock tour in the Soviet Union alongside Mötley Crüe and Queensrÿche.

The band’s sophomore album “The Southern Harmony and Musical Companion” arrived in 1992 marking the departure of guitarist Jeff Cease and the arrival of Marc Ford. The album topped the Billboard 200 upon release, aided by the singles “Remedy”, “Sting Me”, “Thorn in my Pride”, and “Hotel Illness”. To fill out The Black Crowes' sound they invited the keyboardist Eddie Harsch to join their ranks, and whom made his debut on the album “Amorica” in 1994. The album earned strong reviews from a number of reputable sources including Rolling Stone magazine and was supported by a national tour, including an opening slot for the Grateful Dead in 1995.

In 1996 The Black Crowes released the full-length “Three Snakes and One Charm”, which the band supported with a summer run on the 1997 Further Festival with Ratdog and Bruce Hornsby. Following the release guitarist Marc Ford was sacked from the group, bassist Johnny Colt left of his own accord, and the Crowes lineup dissolved itself. After a small hiatus, a reformed Black Crowes appeared in 1999 consisting of the Robinson brothers, bassist Sven Pipien, and guitarist Audley Freed. The new lineup released the studio album “By Your Side” in January 1999, the same year the band were joined by Led Zeppelin guitarist Jimmy Page for a pair of shows in New York and Los Angeles.

The full-length “Lions” followed in 2001 issued by Richard Branson's V2 label. Charting at No. 20 on the Bilboard 200, The Black Crowes toured alongside Oasis and Spacehog before embarking on their own headlining tour. With tensions running high within the group, the Black Crowes took a hiatus in January 2002, which saw Rich Robinson release a solo album entitled “Paper” in 2004. The group returned however in 2005 to play a show at San Francisco’s Fillmore, which found its way onto the live release “Freak ’N’ Roll… Into the Fog” in 2006. The compilation of previously unreleased albums entitled “The Lost Crowes” was issued in 2006, after which guitarist Luther Dickinson join the band’s ranks. The new guitarist directed the group in a more southern rock style, which was apparent on the 2008 album “Warpaint”. In 2009 The Black Crowes released their eighth studio album “Before the Frost/Until the Freeze”, followed by 2010’s “Croweology”, and the 2013 live album “Wiser for the Time”.

Live reviews

There are few bands left today that still exude an air of pure rock and roll, and nobody captures that essence better than The Black Crowes. Over the last three decades I have witnessed the Robinson brothers and company strut their stuff on stage, and every time am left with a satisfied feeling that I just witnessed a real, honest to goodness ROCK and ROLL concert at its highest form (and also with some undoubtedly sore feet from all the dancing!)

Lead singer Chris Robinson is one of the best rock and roll frontmen of all time. His wiry frame provides authenticity when emulating Mick Jagger's patented dance moves, but there is no shortage of originality in Robinson's performance. The Crowes vary their setlist every night, and be prepared to see plenty of improvisation both musically and lyrically. This makes it difficult to sing along a lot of times, but ensures a unique concert experience every single time. With incense burning and scarves dangling, the stage is set for a rock and roll love fest. The soulful backup singers provide the backdrop and the Hammond organ ever present stage-left brings a fullness to the atmosphere both literally and figuratively.

The Black Crowes have a big catalog to draw from, and you will surely hear some of their "hits" like "Hard To Handle" or "Remedy" during one of their shows, but you will also be treated to a couple extended jams, and often a choice cover song; the Rolling Stones' "Torn and Frayed" and The Band's "The Night They Drove Old Dixie Down" are go-to's for the band. The more danceable moments are complimented excellently by the more tender, quieter moments you will find at their shows. With the lights dimmed and lighters flickering the sultry sounds of harmonica and slide guitar will melt your body into a state of rock and roll bliss; an incredible rock and roll contact high. At these moments I find myself closing my eyes and letting the music move me...What a trip!

These days The Crowes tend to play smaller venues then they did at the height of their popularity in the early 1990's, but maintain a fiercely loyal fan base and are known to frequent some really excellent rock and roll institutions. For example, in New England they almost always make stops at the Hampton Beach Casino Ballroom, the House of Blues in Boston, or the State Theatre in Portland, Maine. These venues add intimacy and ambiance to an already transcendent rock and roll experience. I recall a particularly raucous reunion performance in May 2005 at the Hampton Beach Casino Ballroom where the entire hardwood dance floor was bouncing up and down from everyone moving and grooving.

The Black Crowes are the living embodiment of rock and roll. To see them live is to become one with that rock and roll spirit and forget all the mundaneness of the "outside" world. It is clear when you see them that they are the torchbearer of the essence of rock and roll, handed directly to them from The Rolling Stones, The Beatles, The Allman Brothers, and The Band. As nostalgic as that may seem, there is nothing stale about their performance, and young and old alike will be dancing along. Do yourself a big favor and go see The Black Crowes in concert if you have never, and if you have before, go see them again. Let's help keep that rock and roll torch burning strong, and all be warmed by it's awesome glow. Don't forget your lighter!

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What. a. gig!

Intimate (brilliant) venue: Omeara

Chris and Rich Robinson the brothers from the black crowes.

One guitar (well, about seven different acoustic guitars) and a harmonica.

It really was a privilege to be there.

Who knows how many shows they will do together in the future, but playing “the big songs” some beautiful ballads and the odd cover - worth seeing while you can

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Things to do | regional concert previews of the black crowes, brother bird, the decemberists, more [seven in seven].

Here are seven of the best on the docket for the week of May 3:

The Black Crowes — Friday at Wind Creek Event Center, Saturday at Ovation Hall and Tuesday at The Met

The Black Crowes have returned with an absolutely fantastic new record, “Happiness Bastards,” their first LP in a decade and a half and perhaps one of the best of the year. It’s full of rock, soul and funk, all the things that made the band so appealing in the first place and cemented the fact that brothers Chris and Rich Robinson, the sole original members in the current lineup, are the heart of the group. Regionally, the Crowes will be bringing the new material, along with hits like “Remedy,” “Jealous Again” and “She Talks to Angels” to three locations: Bethlehem on Friday, Atlantic City on Saturday then downtown Philly on Tuesday. If you want to see a rip-roaring, proper rock ’n’ roll show, there’s no excuse to miss this one.

Say Anything — Saturday at The Fillmore

Beloved rock band Say Anything is on tour celebrating the 20th anniversary of their landmark record, “… Is a Real Boy,” one of the most acclaimed albums of the 2000s. The LP quickly became essential to every teenage, tweenage and twentysomething of the era, and a foundational record for the re-emergent pop punk and emo music scene. The celebration of “… Is a Real Boy” comes on the heels of a resurgent 2023 for Say Anything, who after a three-year hiatus reunited, returned to the stage, released a series of singles and later this month will see a new record in “ …Is Committed.”

Brother Bird — Saturday at Underground Arts

Brother Bird is music that lives in tight, intimate spaces, based on real experience, and full of the embarrassments and small indignities that come with being human, as filtered through the eyes and pen of Caroline Glaser. The Nashville-based singer-songwriter who goes by the moniker Brother Bird released “Another Year” this March, presenting her most soul-stirring collection yet. The album draws from the melodic vibes of the Cranberries, the shoegaze influence of Mazzy Star and the guitar tones of Big Thief. The songwriting floats through challenging times, struggling with the big questions that face humanity and how we navigate our most intimate relationships, making for what’s sure to be an exposed and honest live show.

Social Distortion + Bad Religion — Sunday at The Fillmore

Following last year’s postponement of their tour so frontman Mike Ness could be treated for tonsil cancer, Social Distortion return with what is no doubt one of the greatest punk rock co-headlining outings of the year — if not all time — linking up with fellow SoCal legends Bad Religion. Both acts have a storied history and are arguably still at the top of their game, a rarity in music, let alone punk rock. When it comes to frontmen, Ness has proven his mettle and resiliency by returning from cancer so quickly, while Bad Religion’s Greg Graffin remains one of the most cerebral of the lot, acquiring his doctorate in zoology and lecturing at various colleges when he’s not on the road.

CSS — Monday at The Foundry

When the members of Brazilian rock outfit CSS — the abbreviated form of Cansei de Ser Sexy — slowly started drifting away from the project in 2014, it wasn’t due to a lack of passion. Rather, they decided to pursue other avenues because the band had become a job, quite an ironic twist considering its members started the group to get out of the monotony of day jobs. Part of the band’s decision to do this tour, celebrating their 20th anniversary, now as opposed to at any other moment came from promoters gauging interest for a new tour from the group. They found this interest touching.

The Decemberists — Wednesday, May 8, at The Fillmore

For 20 years, The Decemberists have been one of the most original, daring and thrilling American rock bands with their distinctive brand of hyperliterate folk-rock. Back in February, the Portland, Ore., indie rockers returned with the song “Burial Ground,” their first new music in six years. This June will see the release of “As It Ever Was, So It Will Be Again,” which is not only the longest Decemberists album to date — and their first intentional, proper double-LP, split into four thematic sides, no less — but also their most empathetic and accessible, with its 13 songs like beacons of recognition for our current times and hopes accented by despondency.

Hot Water Music + Quicksand — Thursday, May 9, at Underground Arts and May 12 at Lovedraft’s

Punk rock veterans Hot Water Music come to the region for two shows to celebrate their 30th anniversary, next Thursday in Philly and May 12 in Mechanicsburg. And while the world might have changed drastically in the past three decades, the reason why the band makes music has remained exactly the same as it ever was, keeping it just as powerful, vital and full of meaning. Support for the group comes in the form of post-hardcore icons Quicksand, who last year celebrated a 30th anniversary of their own for the debut LP “Slip,” which remains one of the most influential of the genre.

• The Black Crowes – “Wanting and Waiting”

• Say Anything – “Alive with the Glory of Love”

• Brother Bird – “Always”

• Social Distortion – “Don’t Drag Me Down”

• Bad Religion – “American Jesus”

• CSS – “Hits Me Like a Rock”

• The Decemberists – “Burial Ground”

• Hot Water Music – “Drag My Body”

• Quicksand – “Omission”

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