phil lesh and friends tour 2023 setlist

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March 19, 2023 phil lesh and friends , the capitol theatre , port chester , ny , usa.

Set 1: Tennessee Jed , Bertha, Turn On Your Love Light , Me & My Uncle , Bird Song, Ramble On Rose, Box of Rain

Set 2: Terrapin Station, Jack O'Roses, Touch of Grey, West L.A. Fadeaway, Shakedown Street, Mississippi Half-Step Uptown Toodeloo , Estimated Prophet, Sugaree

Encore: Brown-Eyed Women

Show Notes: The whole show featured Rick on guitar and vocals.

March 18, 2023 Phil Lesh and Friends , The Capitol Theatre , Port Chester , NY , USA

Set 1: Deal , Jack Straw, Peggy-O , Cassidy, Loose Lucy, They Love Each Other, One More Saturday Night

Set 2: Eyes of the World > The Eleven > Uncle John's Band, Sugar Magnolia, Dark Star > Lucy in the Sky with Diamonds > Dark Star > China Cat Sunflower > Terrapin Station

Encore: Ripple

March 17, 2023 Phil Lesh and Friends , The Capitol Theatre , Port Chester , NY , USA

Set 1: Casey Jones, Althea, Friend of the Devil, Here Comes Sunshine, Easy Wind, U.S. Blues , Truckin'

Set 2: Passenger > New Speedway Boogie , Dear Prudence, Cold Rain And Snow > He's Gone > The Music Never Stopped > Viola Lee Blues, Going Down The Road Feeling Bad

Encore: Whiskey in the Jar

March 15, 2023 Phil Lesh and Friends , The Capitol Theatre , Port Chester , NY , USA

Set 1: Help on the Way > Slipknot!, Cumberland Blues, Dire Wolf, Scarlet Begonias > Fire on the Mountain, Franklin's Tower

Set 2: Not Fade Away, Playing in the Band, St. Stephen > The Other One > Long Time Gone > The Wheel > Let It Grow

Encore: I Know You Rider

February 5, 2023 Phil Lesh and Friends , The Mission Ballroom , Denver , CO , USA

Set 1: Shakedown Street [1] , Sugaree, High Time, Deep Elem Blues, Dire Wolf, The Wheel, Laughing

Set 2: St. Stephen, Eight Miles High, St. Stephen, Scarlet Begonias, Eyes of the World, Stella Blue, Let It Grow, Terrapin Station

Encore: Music Is Love

Coach's Notes :     [1] With Stash tease from Crosby.

February 4, 2023 Phil Lesh and Friends , The Mission Ballroom , Denver , CO , USA

Set 1: Dark Star -> Ripple, Ship Of Fools , Jack Straw, Pride of Cucamonga, China Cat Sunflower -> New Speedway Boogie , Long Time Gone

Set 2: Viola Lee Blues > I Know You Rider, Unbroken Chain, Wharf Rat, Help on the Way, Slipknot!, Mississippi Half-Step Uptown Toodeloo , Franklin's Tower

Encore: Happy Birthday , Box of Rain

Newly Added Sunday Daydream Vol. 4 Features Phil Lesh & Friends and The Sam Grisman Project

Article contributed by denise lamott pr | published on tuesday, june 4, 2024.

Terrapin Crossroads presents two days of music, community, and spirit with Sunday Daydream Volumes 3 and 4, featuring Phil Lesh & Friends and more on the gorgeous Marin County bay shoreline at McNears Beach in San Rafael on Sunday, July 21 and August 18. Inspired by the many incredible outdoor shows at the old Terrapin Crossroads in San Rafael, Sunday Daydream is an all-day festival centered around music, family, and fun.

Sunday Daydream Vol. 3 features a headlining set by Phil Lesh & Friends (Phil Lesh, Stanley Jordan, Dan "Lebo" Lebowitz, Grahame Lesh, Mikaela Davis, John Molo, and Jason Crosby). This all-star lineup—and all the rest of the musical performances at Sunday Daydream Vol. 3—will pay homage to the 50th Anniversary of the Grateful Dead's amazing performance at the Hollywood Bowl in 1974. An expanded lineup will be announced soon.

“With this festival series, we’re sharing the legacy of these wonderful musicians and tours and re-creating the community spirit of Terrapin Crossroads,” said Phil Lesh. “I love the opportunity to celebrate this music, bring it to new and diverse audiences, and keep the spirit alive.”

Newly Added! Sunday Daydream Vol. 4 features a headlining set by Phil Lesh & Friends (Taylor Goldsmith, Stu Allen, Holly Bowling, Griffin Goldsmith, Natalie Cressman, and Grahame Lesh). The Sam Grisman Project will join the Vol. 4 lineup, paying tribute to the musical legacy of Jerry Garcia and David Grisman.

“The music that my father, David Grisman, and his close friend, Jerry Garcia, made in the early 90s in the house that I grew up in is not only some of the most timeless acoustic music ever recorded, but it also triggers my oldest and fondest musical memories," said Sam Grisman.

Tickets are $99 for General Admission, $29 for Kids (2-12), and $149 for VIP (includes early admission to the festival, a VIP viewing area with an exclusive bar, a VIP laminate, and a limited edition poster), available now at terrapincrossroads.net. For more information on the event, parking, lineup, etc., visit terrapincrossroads.net. For questions, please contact [email protected] .

WHAT : Sunday Daydream Volume 3 Phil Lesh & Friends Celebrate the 50th Anniversary of 'Grateful Dead 7/21/74, Live at the Hollywood Bowl.' WHEN : Sunday, July 21, 2024; 11 a.m. – 6 p.m. PDT WHERE : McNears Beach, 201 Cantera Way, San Rafael, CA 94901 WHO : Phil Lesh & Friends: Phil Lesh, Stanley Jordan, Dan "Lebo” Lebowitz, Grahame Lesh, Mikaela Davis, John Molo, and Jason Crosby TICKETS & INFO : Tickets are $99 for General Admission, $29 for Kids (2-12), and $149 for VIP (includes early admission to the festival, a VIP viewing area with an exclusive bar, a VIP laminate, and a limited edition poster), available now on terrapincrossroads.net. For more information on the event, parking, lineup, etc., visit terrapincrossroads.net. For questions, please contact [email protected] .

NEWLY ADDED!

WHAT : Sunday Daydream Volume 4 WHEN : Sunday, August 18, 2024; 11 a.m. – 6 p.m. PDT WHERE : McNears Beach, 201 Cantera Way, San Rafael, CA 94901 WHO : Phil Lesh & Friends: Phil Lesh, Taylor Goldsmith, Stu Allen, Holly Bowling, Griffin Goldsmith, Natalie Cressman, and Grahame Lesh Sam Grisman Project TICKETS & INFO : Tickets are $99 for General Admission, $29 for Kids (2-12), and $149 for VIP (includes early admission to the festival, a VIP viewing area with an exclusive bar, a VIP laminate, and a limited edition poster), available now at terrapincrossroads.net. For important information on the event, parking, lineup, etc., visit terrapincrossroads.net. For questions, please contact [email protected] .

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Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator.

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How Bruce Springsteen's 'Born In The U.S.A.' Changed Rock History — And The Boss' Own Trajectory

On the 40th anniversary of Bruce Springsteen's seminal album detailing working class life Reagan era America, reflect on the many ways 'Born In The U.S.A.' impacted pop and rock music.

Bruce Springsteen himself might not be particularly enthusiastic about his seventh studio effort, Born In The U.S.A. ("a group of songs about which I've always had some ambivalence " ). But for the record buyers of 1984 – and indeed much of the decade thereafter – it was a towering achievement in combining classic and contemporary American rock.   

Born In The U.S.A. was co-produced with Jon Landau , Chuck Plotkin , and E Street Band member Steven Van Zandt , and represented a complete divergence from his previous release, the acoustic affair Nebraska . Audiences didn't seem to mind the change in tone: The 12-track LP spent seven weeks atop the Billboard 200 and sold more than 17 million copies in America alone.  

It also equaled the record set by Michael Jackson 's Thriller by spawning seven consecutive U.S. Top 10 hits, including the oft-misunderstood title track, "I'm On Fire," and his highest-charting, "Dancing in the Dark." (The latter netted The Boss his first GRAMMY Award, for Best Rock Vocal Performance, Male.) Born 's themes of working-class life in the Ronald Reagan era struck a chord with homegrown audiences, albeit occasionally for unintended reasons , and picked up a coveted Album Of The Year nod at the 1985 GRAMMYs.  

But there's more to Born In The U.S.A. 's story than blockbuster sales and critical acclaim. It also changed the course of rock music in several ways, whether reigniting America's love of the genre, proving that synths and guitars could work together in perfect harmony, or simply popularizing a new way to hear it. Ahead of its 40th anniversary, here's a look at why the record fully deserves its status as an all-time great.    

It Revolutionized The Sound Of Heartland Rock

Already hailed as a progenitor of the blue-collar, rootsy sound known as heartland rock, Springsteen once again proved to be something of a revolutionary when he added synths into the mix. Born In The U.S.A. continually puts pianist Roy Bittan 's skills to great use — whether he's echoing the whistle that haunts the narrator of "Downbound Train," giving "I'm On Fire" its ethereal sheen, or imbuing "Dancing In The Dark" with a glowing warmth.    

Born In The U.S.A. helped codify synths as a key component of the decade's rock sound. Within a few years, most of The Boss' peers had enjoyed synth-based success: Don Henley with Building the Perfect Beast , Tom Petty with Southern Accents , as well as Robbie Robertson 's self-titled debut. Even The Boss' hero, Bob Dylan , went electric again on Empire Burlesque . And you can hear its modern-day influence in the likes of the Killers , Kurt Vile, and, most notably, proud Springsteen acolytes The War on Drugs .    

It Bid Farewell To Rock's Most Iconic Backing Band   

With their uncanny ability to capture and expand upon his musical vision, The E Street Band have been as integral to Springsteen's success as The Boss himself. The likes of bassist Garry Tallent , saxophonist Clarence Clemons , and drummer Max Weinberg were responsible for the Wall of Sound that enveloped 1975 breakthrough Born to Run , while 1980's The River was a concerted attempt to replicate their prowess on the stage in the studio.    

But while they provided occasional backing on 1987 follow-up Tunnel of Love , Born In The U.S.A. was the last time Springsteen fully utilized their talents until 2002's return-to-form The Rising . It also proved to be a proper farewell to Van Zandt, who left the set-up halfway through recording to pursue a solo career. The constant whoops and cheers, however, suggests that all parties were determined to end things on a celebratory note.    

It Turned Springsteen Into An MTV Icon   

Springsteen had only previously released one music video, and he didn't even make an appearance, with 1982's "Atlantic City" consisting solely of austere images of the titular location. But keen to show off the muscular physique he'd developed during the following two years, The Boss made five videos for Born In The U.S.A. , and bagged some impressive names to help him land that all-important MTV play.   

Scarface director Brian De Palma helmed its most famous, the "Dancing in the Dark" promo in which Springsteen plucked a then-unknown Courteney Cox from the crowd. Indie favorite John Sayles pulled triple duty, directing the performance-based video for the title track and developing the narrative treatments for "I'm On Fire" (Springsteen plays car mechanic tempted by affair with married customer) and "Glory Days" (Springsteen bonds with son via baseball). Boasting footage from the Born In The U.S.A. tour, "My Hometown" rounded off the whole audio-visual campaign which was twice recognized at the VMAs.

It Kickstarted A CD Revolution

Although compact discs had been around for several years, Born In The U.S.A. was — fittingly, considering its title and blue collar themes — the first to be manufactured in America . Within just a few years, the homegrown CD market had skyrocketed from virtually zero to more than $930 million . And with at least 17 million copies sold domestically overall, it seems reasonable to suggest that Springsteen's seventh LP was responsible for a significant percentage.    

No doubt that its iconic front cover — shot by celebrated photographer Annie Leibovitz — helped the album stand in record stores. Shot from behind with Springsteen clad in denim, posing in front of the Stars and Stripes, Born In The U.S.A. provided audiences with one of the decade's most recognizable images. Explaining the creative decision to ignore his Hollywood action hero looks, The Boss told Rolling Stone , "The picture of my ass looked better than the picture of my face."   

It Spawned A Game-Changing Tour    

If you need any proof of how stratospheric Born In The U.S.A. sent Springsteen's career, just look at its accompanying tour. With 156 dates across North America, Asia, Europe, and Australia, the tour raked in approximately $90 million . (It remained the decade's highest-grossing rock tour until Pink Floyd 's A Momentary Lapse of Reason concluded four years later.)   

Springsteen's success also appeared to convince David Bowie and Tina Turner that solo artists could handle a stadium crowd as well as any band.    

The Born In The U.S.A. trek was monumental for several other reasons: it was the first to feature new E Street Band member Nils Lofgren and Springsteen's future wife Patti Scialfa . It established his long-running love affair with the now-demolished Giants Stadium , a New Jersey venue returned to 23 times. The tour formed more than half of Springsteen's Live: 1975-85 album that topped the Billboard 200 for four weeks in 1986. Until Garth Brooks ' Double Live 12 years later, Live: 1975-85 the highest-selling live album ever.   

It Celebrated Male Friendship    

Springsteen has never been afraid to be vulnerable when it comes to an area most rock musicians seem afraid to address: the importance of male friendship. "Ghosts," for example, is a heartfelt dedication to all the bandmates he'd lost over the years, while "This Hard Land" is a tale of brotherhood inspired by his love of western maestro John Ford. But it was on Born In The U.S.A. where The Boss first showed that songs about entirely platonic love can be as emotively powerful as the more romantic side.    

Indeed, the ambiguous gender on "Bobby Jean" has led many to believe the concert staple is a testament to his relationship with Van Zandt. And "No Surrender" appears to revel in the camaraderie they shared back in their younger days. Foo Fighters ("The Glass"), the Walkmen ("Heaven"), and Death Cab for Cutie ("Wheat Like Waves") have all since followed Springsteen's lead by opening up about their all-male bonds.    

It Ushered In A Wave of Presidential Appropriation    

It's not something that Springsteen will be shouting from the rooftops about. But Born In The U.S.A. — specifically its famously misunderstood title track — essentially ushered in the trend of presidential candidates co-opting chart hits regardless of the artist's political leanings. Indeed, long before the likes of George W. Bush vs. Sting , Sarah Palin vs. Gretchen Peters , and Donald Trump vs. Neil Young and John Fogerty ( among many others ), The Boss took umbrage with Ronald Reagan's plans to use "Born In The USA" for his 1984 reelection campaign.   

Despite Springsteen's flat-out refusal, he was still celebrated by Reagan in a stump speech, declaring that America's future "rests in the message of hope in the songs of a man so many young Americans admire: New Jersey's own Bruce Springsteen." And both Pat Buchanan and Bob Dole, also seemingly mistaking its rally cry against the treatment of Vietnam War veterans for a patriotic anthem, cheekily used the track before its writer got wind and shut them down.    

It Revived America's Love Of American Rock    

While Eagles ' Hotel California , Fleetwood Mac 's Rumors , and Boston 's self-titled debut had all racked up colossal sales in the '70s, Springsteen's commercial opus was the first guitar-oriented U.S. release to achieve similar numbers in the '80s. By the end of the decade, Guns N' Roses ' Appetite for Destruction and Journey 's Greatest Hits were also approaching the 20 million mark , while Bryan Adams ' Reckless , Van Halen 's 5150, and Bon Jovi 's Slippery When Wet were just a few of the domestic rock efforts that immediately followed in its chart-topping footsteps.   

And while the use of synths brought Springsteen's sound into the '80s, The Boss didn't forget about his earthier roots. Born In The U.S.A. is also steeped in the classic sounds of American rock, from the honky tonk leanings of "Darlington County" and rockabilly of " Workin ' On The Highway" to the front porch folk of "My Hometown." Its lyrical content might not always have been patriotic, but its accompanying music was as American as apple pie.    

Songbook: How Bruce Springsteen's Portraits Of America Became Sounds Of Hope During Confusing Times  

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2023 In Review: 10 Trends That Defined Rock Music

Rock acts young and old helped the genre stay alive in 2023. Take a look at 10 of the genre's most prominent trends, from early aughts revivals to long-awaited reunions.

The rock scene may no longer be the dominant force it once was — blink-182 's One More Time... is the only Billboard 200 chart-topper this year to predominantly fall under this category. But 2023 has still been an interesting and eventful period for those who like their guitar music turned up to eleven.

Over the past 12 months, we've had the two biggest groups of the Swinging Sixties returning to the fray in style, a new European invasion, and a wave of blockbuster albums that may well go down as modern classics. And then there's the revivals which will no doubt spark nostalgia in any kids of the 2000s, a resurgence in all-star line-ups, and a residency that could possibly change how we experience live music.

As we gear up for the holiday season, here's a look at 10 trends that defined rock music in 2023.

European Rock Traveled To America

From Lacuna Coil and Gojira to Volbeat and Rammstein , the Billboard charts aren't exactly strangers to European rock. But 2023 was the year when the continent appeared to band together for a mini invasion. Italian quartet Måneskin continued their remarkable journey from Eurovision Song Contest winners to bona fide rock gods with a Best New Artist nod at the 2023 GRAMMYs, a top 20 placing on the Billboard 200 albums chart for third album Rush! , and a Best Rock Video win at the MTV VMAs.

Masked metalers Ghost scored a fourth consecutive Top 10 entry on the Billboard 200 with covers EP Phantomime, also landing a Best Metal Performance GRAMMY nomination for its cover of Iron Maiden 's "Phantom of the Opera," (alongside Disturbed 's "Bad Man," Metallica 's "72 Seasons," Slipknot 's "Hive Mind," and Spiritbox's "Jaded"). While fellow Swedes Avatar bagged their first Mainstream Rock No. 1 with "The Dirt I'm Buried In," a highly melodic meditation on mortality which combines funky post-punk with freewheeling guitar solos that sound like they've escaped from 1980s Sunset Strip.

Age Proved To Be Nothing But A Number

The theory that rock and roll is a young man's game was blown apart in 2023. Fronted by 80-year-old Mick Jagger , The Rolling Stones reached No.3 on the Billboard 200 thanks to arguably their finest album in 40 years, Hackney Diamonds , with lead single "Angry" also picking up a Best Rock Song GRAMMY nod alongside Olivia Rodrigo 's "aallad of a homeschooled girl," Queens of the Stone Age 's "Emotion Sickness," Boygenius' "Not Strong Enough," and Foo Fighters ' "Rescued." (The latter two will also battle it out with Arctic Monkeys ' "Sculpture of Anything Goes," Black Pumas ' "More than a Love Song," and Metallica's "Lux Aeterna" for Best Rock Performance.)

The eternally shirtless Iggy Pop , a relative spring chicken at 76, delivered a late-career classic, too, with the star-studded Every Loser . And Bruce Springsteen , KISS , and Paul McCartney all proved they weren't ready for the slippers and cocoa life yet by embarking on lengthy world tours.

Death Was No Barrier To Hits

Jimmy Buffett sadly headed for that tropical paradise in the sky this year. But having already recorded 32nd studio effort, Equal Strain on All Parts , the margarita obsessive was able to posthumously score his first new entry on the Billboard Rock Chart since 1982's "It's Midnight And I'm Not Famous Yet."

But he isn't the only artist to have recently achieved success from beyond the grave. Linkin Park reached the U.S. Top 40 with "Lost," a track recorded for 2003 sophomore Meteora , but which only saw the light of day six years after frontman Chester Bennington 's passing.

Perhaps most unexpectedly of all, The Beatles topped the U.K. charts for the first time since 1969 thanks to " Now and Then ," a psychedelic tear-jerker in which surviving members McCartney and Ringo Starr brought previously unheard recordings from George Harrison and John Lennon back to life.

The Giants Stayed Giant

Foo Fighters also overcame the death of a core member on what many rock fans would consider this year's most eagerly awaited album. Drummer Taylor Hawkins , who passed away in early 2022, doesn't feature on the poignant but vibrant But Here We Are . Yet the two-time GRAMMY nominated LP still proved to be a fitting tribute as well as an encouraging sign that Dave Grohl and co. can extend their legacy:lead single "Rescued" became their 12th number one on Billboard's Main Rock Chart .

The Best Rock Album category for the 2024 GRAMMYs proves that veterans were alive and mighty in 2023. Along with the Foos' latest LP, the nominees include another Grohl-affiliated band,, Queens of the Stone Age's first album in six years, In Times New Roman... , Paramore 's This Is Why , Metallica's 72 Seasons and Greta Van Fleet 's Starcatcher .. (Metallica's 72 Seasons also struck gold with its singles, three of which landed at No. 1 on Billboard's Mainstream Rock chart, where lead single "Lux Æterna" spent 11 consecutive weeks on top.)

Of course, we also have to give a shout-out to U2 . Not for March's Songs of Surrender album (for which they re-recorded 40 of their biggest and best tracks), but for the immersive, eye-popping Las Vegas residency at The Sphere which potentially reinvented the future of live music.

The Rock Supergroup Continued To Thrive

2023 spawned several new rock supergroups including Mantra of the Cosmos (Shaun Ryder, Zak Starkey and Andy Bell), Lol Tolhurst x Budgie x Jacknife Lee , and Better Lovers (various members of The Dillinger Escape Plan and Every Time I Die). But it was an already established all-star line-up that took the GRAMMY nominations by storm.

Consisting of Phoebe Bridgers , Lucy Dacus, and Julien Baker , boygenius bagged a remarkable seven nods at the 2024 ceremony. Throw in a well-received headline set at Coachella, U.S. Top 50 follow-up EP, and even a "Saturday Night Live" showing alongside Timothée Chalamet, and the trio couldn't have asked for a better way to continue what they started together in 2018.

The Early 2000s Enjoyed A Revival

The cyclical nature of the music industry meant that the era of choppy bangs and super-skinny jeans was always going to come back into fashion. And following throwbacks from the likes of Olivia Rodrigo and Willow , the original punk-pop brigade returned this year to prove they could still mosh with the best of them.

Possibly the defining nasal voice of his generation, Tom DeLonge headed back into the studio with blink-182 for the first time in 12 years, with the resulting One More Time... topping the Billboard 200 . Linkin Park (" Lost "), Papa Roach (" Cut the Line "), and a reunited Staind (" Lowest in Me ") all scored No. 1s on the Mainstream Rock Airplay Chart, while Sum 41 , Bowling For Soup , and Good Charlotte were just a few of the high school favorites who helped cement When We Were Young as the millennial's dream festival.

The Emo Scene Went Back To Its Roots

After channeling the new wave and synth-pop of the 1980s on predecessor After Laughter , Paramore returned from a six-year absence with a record which harked back to their mid-2000s beginnings. But it wasn't their own feisty brand of punk-pop that Best Rock Album GRAMMY nominee This Is Why resembled. Instead, its nervy indie rock took its cues, as frontwoman Hayley Williams freely admits , from touring buddies Bloc Party.

Paramore weren't the only emo favorites to rediscover their roots. Fall Out Boy reunited with Under the Cork Tree producer Neal Avron and old label Fueled By Ramen on the dynamic So Much (for) Stardust . And while Taking Back Sunday further veered away from their signature sound, the Long Islanders still embraced the past by naming seventh LP 152 after the North Carolina highway stretch they used to frequent as teens.

Country Artists Tapped Into Rock Sensibilities

We're used to seeing rock musicians going a little bit country: see everyone from Steven Tyler and Bon Jovi to Darius Rucker and Aaron Lewis. But the opposite direction is usually rarer. In 2023, however, it seemed as though every Nashville favorite was suddenly picking up the air guitar.

Zach Bryan repositioned himself as Gen-Z's answer to Bruce Springsteen with the heartland rock of his eponymous Billboard 200 chart-topper (which is up for Best Country Album at the 2024 GRAMMYs alongside Kelsea Ballerini 's Rolling Up the Welcome Mat , Brothers Osborne 's self-titled LP, Tyler Childers ' Rustin' in the Rain , and Lainey Wilson 's Bell Bottom Country ). Meanwhile, Hitmaker HARDY — who first cut his teeth penning hits for Florida Georgia Line and Blake Shelton — leaned into the sounds of hard rock and nu-metal on his second studio LP, The Mockingbird & the Crow .

But few committed more to the crossover than the one of country's greatest living legends. Dolly Parton roped in a whole host of hellraisers and headbangers including Richie Sambora , Joan Jett & The Blackhearts , and Rob Halford , for the 30-track Rockstar — her first rock-oriented project of her glittering 49-album career.

Post-Grunge Reunions Were Abundant

Fans of the mopey '90s scene known as post-grunge had all their dreams come true this year thanks to several unexpected reunions. Turn-of-the-century chart-toppers Staind and Matchbox Twenty both returned with new albums after more than a decade away. Creed , meanwhile, announced they'd be headlining next year's Summer of '99 cruise after a similar amount of time out of the spotlight.

The insatiable appetite for all things nostalgia, of course, means that any band — no matter how fleeting their fame — can stage a lucrative comeback. Take Dogstar, for example, the unfashionable outfit boasting Hollywood nice guy Keanu Reeves. Twenty-three years after appearing to call it a day, the Los Angeles trio surprised everyone by hitting the Bottlerock Napa Valley Festival before dropping a belated third LP, Somewhere Between the Power Lines and Palm Trees and embarking on a headlining national tour.

The New Generation Gave The Old Their Dues

Say what you want about today's musical generation, but they know to pay respect where it's due., Olivia Rodrigo, for example, doffed her cap to '90s alt-rock favorites The Breeders by inviting them to open on her 2024 world tour.

New working-class hero Sam Fender invited fellow Newcastle native Brian Johnson to perform two AC/DC classics at his hometown stadium show . While ever-changing Japanese kawaii metalers Babymetal debuted their latest incarnation on "Metali," a collaboration with one of their musical idols, Rage Against the Machine 's Tom Morello .

Whether new artists are teaming up with the old or veterans are continuing to receive their flowers, 2023 proved that rock is alive and well.

2023 In Review: 5 Trends That Defined Hip-Hop

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The Gaslight Anthem's Comeback Album 'History Books' Makes A Case For Meeting Your Heroes

On 'History Books' — the Gaslight Anthem's first album in nine years — the New Jersey punks sound hungry again. Brian Fallon explains how friendship with Bruce Springsteen, dinner with Jon Bon Jovi and mental health inspired the band's latest.

Seventeen years ago, Brian Fallon and the rest of the Gaslight Anthem — guitarist Alex Rosamilia, bassist Alex Levine, and drummer Benny Horowitz — were just trying to hold onto the dream. 

New Jersey’s communal culture of DIY punk brought them years of friendship and freedom from square jobs, but entering their late 20s, Fallon and co. had played in countless bands that flamed out or left them unfulfilled. Formed in 2006, the Gaslight Anthem was their final shot. "That’s why we called our first record Sink or Swim ," Fallon tells GRAMMY.com. 

They swam. That 2007 debut signaled a sea change: In the early 2000s, punk bands were not repping Bruce Springsteen . They were absolutely not namechecking Tom Petty . Here was a punk band from the same streets as the Misfits, Bouncing Souls, and My Chemical Romance, writing great songs draped in the Americana of their parents’ generation. By the time the Boss himself joined Gaslight onstage at Glastonbury Festival 2009, their sophomore album The ‘59 Sound had made them one of the world’s most acclaimed new rock bands. 

The Gaslight Anthem mined its tried and true sound for two more albums,but half a decade of non-stop touring and creative pressure was starting to take its toll. 2014’s Get Hurt , a moodier record inspired by Fallon’s recent divorce, received mixed reviews. A year later, the band was on ice. They reformed in 2018 to perform 10-year anniversary shows for The ‘59 Sound but disappeared soon after. Fallon released singer/songwriter-oriented solo albums into the 2020s and kept in touch with his old bandmates, but it wasn’t the same. 

On Oct. 27, the Gaslight Anthem releases History Books , its first album in nine years. It’s an earthy, battle-tested rock record from a veteran band that sounds hungry again, their first self-released album after an amicable split with Island Records. The title track features a duet with Bruce Springsteen, the pair’s first studio collaboration after years of friendship. 

GRAMMY.com caught up with Fallon to discuss  what years of (humble) rock stardom brought him: a hard-earned appreciation for Gaslight Anthem’s past and a new understanding of the demons rattling in his brain.

This interview has been edited for brevity and clarity.

What made you want to get the band back together?  

I don’t think it was anything other than being inspired to write. I wouldn’t say that being inside for two years didn’t have a hand in that. At some point, you’re sitting there thinking to yourself, I had this band and we played big shows. It’s fun. A lot of people like it. It sounds like a good idea… I gotta do this. I have something else to say .

When the band was inactive, how much did the four of you stay in touch?

We don’t call each other every day, but we stayed current on the things going on in everybody’s life.

The whole thing is more about being friends. We’ve been through things no one else has seen. We’ve slept on floors in another country in a youth center with bugs crawling on you when you’re sleeping. And the only people that understand that are those other three. 

It’s been almost a decade since Gaslight Anthem released its last album, Get Hurt. Now that there’s some space to look back on it, why do you think the band went its separate ways after that album?  

We all felt that strain. In 2015, you couldn’t really say, as a musician, "Hey, I need to not be on tour because I’m going crazy. I need to sort my mental health out." People would just be like, "We’re going onto the next band. Bye. Your career is over." 

So when we pulled the plug, everyone was like, "Why are you doing this?" Well, so we don’t die. So we don’t hate ourselves, that’s why. We knew it wasn’t the band. We knew it wasn’t each other. I think we just needed to stop the landslide.

Do you think this had to do with being in the major label ecosystem? You came up releasing albums on punk rock labels, so I’m interested how you think it all compares.

I would love to sit here and tell you that the pressure is only in the major label world and that it’s the evil major label corporate overlords who do this to bands, but it is absolutely not. It comes from the smallest indie label of some dude in his basement, all the way up. My experience on majors was maybe even a little more sensitive. If you’re running a small label and you have excitement built up, you’re like, "Whoa! This is working on a big level!" You’re so excited that you’re like, "You gotta do this! You gotta do that!"

I’m not saying any of the labels we were on were like, "You gotta do this!," but there was definitely, "Well, if you don’t play this radio show, they’re not gonna play your record." 

Now, people are a little more in tune to what’s going on, but [10 to 15 years ago] for sure, it was like, this is your only opportunity ever! Well, no, it’s not the only opportunity ever. There’s other opportunities. 

Did it feel like people knew what to do with you at Island Records?

We had a real big champion at the time in the president, David Massey. He was the person who signed us. Bon Jovi and U2 had been on Island for a while and contemporary to us, was the Killers. Every time the Killers did something good, it gave us a little more freedom because they were the other rock band on the label. We liked [the Killers] and they liked us. They covered one of our songs ["American Slang"] at one of their shows in New York [in 2017]. It was like having a big brother on the label, paving a path. 

When we got back together, we weren't really on Island, but they could have made us make a record [for Island]. We don’t own anything. I don’t own [the masters for] Sink or Swim . I don’t own ‘59 Sound . Nothing. So we wanted to own it, now. We wanted to do our own label, with [independent distribution company] Thirty Tigers, where it’s much more of, "You’re the label, you make the decisions." 

How did "History Books" with Bruce come together?

I’m not one to shoot my shot, so to speak. Which has not been great for my career, I guess. But if somebody wants to do something for you, let them do it, you know? I never asked Bruce for anything. 

We were talking and I was saying, "Yeah, we’re putting the band back together and working on some songs." He just said, "Why don’t you write a duet for us?" I was like, "What? Alright!" You have to understand that, for me, sitting here and saying, "Why don’t you whip up a duet for me and Bruce Springsteen?" – that to me is like saying, "Why don’t I write a book for Ernest Hemingway? Why don’t I write Jimi Hendrix a guitar solo?" 

So I went away and I would say to myself, Alright, the next one is for Bruce. I’ll write the next song for Bruce. I just kept writing the songs to get them out, without the pressure. And at the end of it all, I just said, "Which song would Bruce sound good singing on?" Everybody just said "History Books." Cool! And then we sent it to him. 

What did he say when you sent him the song?  

He said, "Cool, I’ll get it done." He was in Dublin on tour and he just did it. 

After knowing him all these years, why do you think now was the time he proposed writing a song together?

With the band back and writing new material, it was just the right time. I don’t think there was a time before this where it would have been good for us to have done. 

Now, we’ve gone down a path enough to where we can embrace Bruce, New Jersey, our influences. We’re able to comfortably have that be our home.

When you’re around Bruce, do you get nervous?  

Imagine you’re seven years old, you’re reading your comic books, and then all of a sudden Batman jumps out of the comic book in your room and goes, "Hey, you wanna go fight crime tonight?" It’s insane to be in the presence of a person that’s that famous, and that influential to you. It’s not a thing a normal person can comprehend. And I can not comprehend this. 

Reading the lyrics to this album, I thought you were referencing your mental health a lot. Can you share what's been going on during the several years of your life?

It feels like everybody in America’s got things on their mind, especially the last couple years. I got to a point where the days felt like they were harder than they should have been. It’s like pushing a rock up a hill when you’re doing that every day, and you get tired. You’re dealing with stuff in your mind that you can’t quite… there’s not an event that causes you to feel a certain way. There’s no cause, so you can’t predict it. And that becomes extremely frustrating.

You turn to other things, or you get help and say, I don’t think I can do this on my own. I need someone else alongside me. " That’s the point I got to. I got a therapist. There’s not a special rockstar line that people call, or if there is, I don’t have that number. I just went to the doctor and said, "I don’t feel right." 

Did these feelings get  buried during Gaslight Anthem’s more active years, only to come out during the pandemic when things got quieter?

I think it was coming anyway. Whether there was time to deal with it or not. The band slowing down before the pandemic was part of that, needing some time and space. That was why the band stopped, because it was like a steamroller. It’s like you have another mental illness, which is the anxiety of the pressure of feeling like you have to be excited. And that’s where the tidal wave starts… You feel guilty ‘cause you’re like, "I should be grateful. I’m in a band." And you are grateful, but you’re also struggling, and it’s freaking hard! 

[Mental health] comes up a lot in the song "Positive Charge"… I wrote it about that struggle. But this isn’t the mental health record. I’ve been writing long enough where I can steer the boat so it’s not a diary entry anymore. 

Back in 2021, you played a fundraiser in New Jersey alongside Jon Bon Jovi and Johnny Rzeznik from the Goo Goo Dolls. What was that like?  

We were doing a benefit for the reelection of the Governor of New Jersey [Democrat Phil Murphy]. Jon Bon Jovi reached out to my manager and wanted me to play. Whoopi Goldberg was hosting. Insane stuff. 

Jon Bon Jovi wanted to meet for dinner beforehand. At the same time, I was really thinking about the band. On the way in the car, I said to my wife, "I think I wanna get the band back together." I had not spoken of this prior, so this blew her mind. 

We sit down at the table, and it’s Jon Bon Jovi and John Rzeznik. I didn’t expect them to be familiar with my band, because they’re giant songwriters. They were just genuinely interested in what we had done, talking about the songs they liked. When we left, my wife was like, "That’s a sign. If there’s a sign, that’s a sign."

I’ve met famous people who are completely off the planet. They’re just not interested in having a normal conversation. They just revel in the absurdity of their fame. I could relate to [Bon Jovi and Rzeznik] because the one common denominator is we all came from nothing. And now we’re in bands that achieved some amount of success. 

On New Album 'Jonny,' The Drums' Jonny Pierce Is Finished "Setting Myself Up To Lose"

Photo: Tasos Katopodis/Getty Images for MTV Entertainment 

10 Artists Who Are Outspoken About Mental Health: Billie Eilish, Selena Gomez, Shawn Mendes & More

From Ed Sheeran to Janet Jackson, take a look at some of the major music stars who have shared their struggles with mental health — and helped fans feel supported and seen in the process.

Sharing mental health issues with close family or specialized medical professionals can be challenging enough. Add in the pressures of fame and being in the public eye, and any struggles are exponentially more difficult to cope with.

In recent years, though, mental health has become a much more widely discussed topic in celebrity culture. Several artists have used their music and their platform to open up about their own struggles with depression, anxiety and the like, from Bruce Springsteen to Selena Gomez .

In honor of Mental Health Awareness Month this May, GRAMMY.com highlights the inspirational impact of music superstars who speak out about what they're going through, and how they manage their challenges. These 10 performers are making change through their courage and candor.

Ed Sheeran takes fans behind the curtain of his personal life and struggles with mental health in Ed Sheeran: The Sum of It All . The four-episode docuseries, which is now streaming on Disney+, details the pain of losing his best friend Jamal Edwards and his wife Cherry Seaborn receiving a cancer diagnosis while she was pregnant with their daughter Jupiter.

"What I think is really great about the documentary is the themes that it explores, everyone goes through," Sheeran said at the New York City premiere on May 2, according to the Hollywood Reporter . "Everyone goes through grief. Everyone goes through ups and downs of their mental health."

Sheeran dives deeper into his struggles — and is more vulnerable than ever before — on his latest album Subtract , which arrived on May 5. "Running from the light/ Engulfed in darkness/ Sharing my eyes/ Wondering why I'm stuck on the borderline," he sings on album cut "Borderline," which touches on battling suicide thoughts.

Lewis Capaldi

Like Sheeran, Scottish singer Lewis Capaldi also gave fans an incredibly upfront look at his mental health challenges in a documentary, How I'm Feeling Now . The new Netflix release details his experience with anxiety and Tourette's syndrome, taking viewers to physical therapy with Capaldi and discussing how his medication both helps and hurts the quality of his life.

Capaldi's second album, Broken By Desire To Be Heavenly Sent (due May 19) will further explore his anxieties and vulnerability. While he has admitted it wasn't easy to be so raw in his music and on screen, Capaldi wants to make a difference in other people's lives. "If people notice things that are concurrent with what's going on in their life, then it's all been worth it," he told Variety .

Billie Eilish

While Billie Eilish 's music has been raw and real from the start, her music has become increasingly more vulnerable throughout the years. Whether in her music or in interviews, the star has opened up about dealing with body dysmorphia, depression and thoughts of self-harm — hoping to inspire fans to speak up when they are hurting, and to know that it gets better.

"It doesn't make you weak to ask for help," she asserts in a 2019 video for Ad Council's Seize The Awkward campaign, which features stars discussing mental health.

"Kids use my songs as a hug," she told Rolling Stone earlier that year. "Songs about being depressed or suicidal or completely just against-yourself — some adults think that's bad, but I feel that seeing that someone else feels just as horrible as you do is a comfort. It's a good feeling."

Selena Gomez

As one of the most-followed stars on social media, Selena Gomez has often used her formidable presence to discuss her mental health and connect with others. In 2022, the singer launched a startup called Wondermind, which is focused on "mental fitness" and helping users maintain strong mental health.

Just a few months later, Gomez further chronicled her own mental health journey in an Apple TV+ documentary, Selena Gomez: My Mind and Me , which shows extremes she's suffered with her depression and bipolar disorder. She has said she was initially hesitant to share the film, but ultimately reflected on how many others could be helped if she did.

"Because I have the platform I have, it's kind of like I'm sacrificing myself a little bit for a greater purpose," she explained in a 2022 cover story with Rolling Stone . "I don't want that to sound dramatic, but I almost wasn't going to put this out. God's honest truth, a few weeks ago, I wasn't sure I could do it."

Shawn Mendes

In 2019, Shawn Mendes first publicly addressed his struggles with anxiety in the dynamic — and GRAMMY-nominated — hit "In My Blood." Three years later, the singer postponed his 2022 tour in order to focus on his mental health, opening up an important conversation to his legion of fans.

"The process was very difficult," he said in a February interview with Wall Street Journal . "A lot of doing therapy, a lot of trying to understand how I was feeling and what was making me feel that way. And then doing the work to help myself and heal. And also leaning on people in my life to help a little bit. 

"It's been a lot of work, but I think the last year and a half has been the most eye-opening and growing and beautiful and just healing process of my life," he continued. "And it just really made me see how culture is really starting to get to a place where mental health is really becoming a priority."

Bruce Springsteen

Even an artist as successful and celebrated as Bruce Springsteen has faced depression. In his 2016 autobiography Born to Run , the 20-time GRAMMY winner cites a difficult relationship with his father and a history of mental illness in the family, sharing that he has sought treatment throughout his life.

"I was crushed between 60 and 62, good for a year, and out again from 63 to 64," he wrote in the book. In that time, he released his 2012 album, Wrecking Ball , which featured a raw track called "This Depression." "Baby, I've been down, but never this down I've been lost, but never this lost," he sings on the opening verse.

As his wife, Patti Scialfa, told Vanity Fair in 2016, "He approached the book the way he would approach writing a song…A lot of his work comes from him trying to overcome that part of himself."

Janet Jackson

The physical and emotional abuse suffered by the famous Jackson family is well-documented in books, documentaries and TV dramatizations. But it's only been in recent years that Janet Jackson has talked about her own depression, which she has referred to as "intense." Her son Aissa has helped her heal from mental health challenges that have followed her all of her life.

"In my 40s, like millions of women in the world, I still heard voices inside my head berating me, voices questioning my value," she wrote in a 2020 ESSENCE cover story. "Happiness was elusive. A reunion with old friends might make me happy. A call from a colleague might make me happy. But because sometimes I saw my failed relationships as my fault, I easily fell into despair."

After seeing global success with her debut single, "Ex's & Oh's," Elle King experienced the woes of sudden fame as well as a crumbling marriage. Her second album, 2018's Shake the Spirit , documented her struggles with self-doubt, medicinal drinking and PTSD.

"There's two ways out," she told PEOPLE in 2018, describing her marriage as "destructive," physically abusive and leading her to addiction. "You can take the bad way out or you can get help. I got help because I knew that I have felt good in my life and I knew I could get there again."

Brendon Urie

Certain public situations can trigger crippling anxiety attacks for Brendon Urie , who has been open about mental health concerns throughout his career. He can perform in front of thousands of fans, but he's revealed that being in the grocery store or stuck in an elevator for too long with other people are among some of his most uncomfortable scenarios in his life.

"You would never tell on the surface, but inside it's so painful I can't even describe," the former Panic! At The Disco frontman — who disbanded the group earlier this year to focus on his family — said in a 2016 interview with Kerrang .

Rapper Big Sean and his mother released a series of educational videos during Mental Health Awareness Month in 2021 — two years after the Detroit-born star started talking about his own long-held depression and anxiety publicly.

"I was just keeping it real because I was tired of not keeping it real," he said in an interview with ESSENCE in 2021. "I was tired of pretending I was a machine and everything was cool and being politically correct or whatever. I just was like, I'm a just say how I feel."

Like many of his peers, he hopes that his honesty will help others. "Whatever they can apply to their life and better themselves and maybe it just even starts a whole journey in a different direction as far as upgrading and taking care of themselves and bossing up themselves," he added. "Whatever they're trying to do, I hope it helps them get to that place."

How Durand Jones' Debut Album 'Wait Til I Get Over' Helped Him Explore His Roots & Find Self-Acceptance

Photo: Steve Granitz/WireImage

GRAMMY Rewind: Bruce Springsteen Finally Gets To Celebrate Winning Best Male Rock Vocal Performance In 1995

Ten years after Bruce Springsteen first won a GRAMMY for Best Male Rock Performance, The Boss did it again in 1995 with "Streets of Philadelphia" — but this time, he was actually able to accept his golden gramophone on stage.

Over the span of fifteen years, Bruce Springsteen received four nominations and two wins for Best Male Rock Vocal Performance. He missed the ceremony for his first win in 1985 for "Dancing in the Dark," but he made up for it in 1995, thanks to "Streets of Philadelphia."

In this episode of GRAMMY Rewind , revisit Springsteen's second win for Best Male Rock Vocal Performance, 10 years after his first victory.

"Not sure this is a rock vocal, but you stick around long enough, and they give these things to you, I guess," Springsteen quipped.

"Gee, I actually won this a few years ago. They gave it out in the afternoon, and I missed it," Springsteen continued with a smile. "They sent it to my mom, and she presented it to me over the kitchen table."

That wasn't the only trophy Springsteen accepted that night, either: "Streets of Philadelphia" nearly made a clean sweep at the 1995 GRAMMYs, winning four of the five categories it was nominated in. The song also won golden gramophones for Best Rock Song, Best Song Written For Visual Media and the coveted Song Of The Year.

Press play on the video above to watch Bruce Springsteen's complete acceptance speech for Best Male Rock Vocal Performance at the 37th GRAMMY Awards, and check back to GRAMMY.com for more episodes of GRAMMY Rewind.

Bruce Springsteen Essentials: 15 Tracks That Show Why The Boss Is A Poetic Rock Icon

• 1 How Bruce Springsteen's 'Born In The U.S.A.' Changed Rock History — And The Boss' Own Trajectory
• 2 2023 In Review: 10 Trends That Defined Rock Music
• 3 The Gaslight Anthem's Comeback Album 'History Books' Makes A Case For Meeting Your Heroes
• 4 10 Artists Who Are Outspoken About Mental Health: Billie Eilish, Selena Gomez, Shawn Mendes & More
• 5 GRAMMY Rewind: Bruce Springsteen Finally Gets To Celebrate Winning Best Male Rock Vocal Performance In 1995

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• Lesh, Phil & Friends
• March 17, 2023 Setlist

Phil Lesh & Friends Setlist at Capitol Theatre, Port Chester, NY, USA

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• Casey Jones ( Grateful Dead  cover) Play Video
• Althea ( Grateful Dead  cover) Play Video
• Friend of the Devil ( Grateful Dead  cover) Play Video
• Here Comes Sunshine ( Grateful Dead  cover) Play Video
• Easy Wind ( Grateful Dead  cover) Play Video
• U.S. Blues ( Grateful Dead  cover) Play Video
• Truckin' ( Grateful Dead  cover) Play Video
• Passenger ( Grateful Dead  cover) ( > ) Play Video
• New Speedway Boogie ( Grateful Dead  cover) Play Video
• Dear Prudence ( The Beatles  cover) Play Video
• Cold Rain and Snow ( [traditional]  cover) ( > ) Play Video
• He's Gone ( Grateful Dead  cover) ( > ) Play Video
• The Music Never Stopped ( Grateful Dead  cover) ( > ) Play Video
• Viola Lee Blues ( Cannon’s Jug Stompers  cover) Play Video
• Going Down the Road Feeling Bad ( [traditional]  cover) Play Video
• Whiskey in the Jar ( [traditional]  cover) ( Preceded by Phil's Donor Rap and Band Intros ) Play Video

Note: Phil Lesh & Friends ft. Rick Mitarotonda, John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John Molo

Edits and Comments

28 activities (last edit by event_monkey , 30 Sep 2023, 11:32 Etc/UTC )

Songs on Albums

• Althea by Grateful Dead
• Casey Jones by Grateful Dead
• Cold Rain and Snow by [traditional]
• Dear Prudence by The Beatles
• Easy Wind by Grateful Dead
• Friend of the Devil by Grateful Dead
• Going Down the Road Feeling Bad by [traditional]
• He's Gone by Grateful Dead
• Here Comes Sunshine by Grateful Dead
• New Speedway Boogie by Grateful Dead
• Passenger by Grateful Dead
• The Music Never Stopped by Grateful Dead
• Truckin' by Grateful Dead
• U.S. Blues by Grateful Dead
• Viola Lee Blues by Cannon’s Jug Stompers
• Whiskey in the Jar by [traditional]

Phil Lesh & Friends

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Setlist History: The First Bonnaroo in 2002

Phil lesh & friends gig timeline.

• Mar 12 2023 The Salt Shed Chicago, IL, USA Start time: 8:25 PM 8:25 PM
• Mar 15 2023 Capitol Theatre Port Chester, NY, USA Start time: 8:25 PM 8:25 PM
• Mar 17 2023 Capitol Theatre This Setlist Port Chester, NY, USA Start time: 8:25 PM 8:25 PM
• Mar 18 2023 Capitol Theatre Port Chester, NY, USA Start time: 8:30 PM 8:30 PM
• Mar 19 2023 Capitol Theatre Port Chester, NY, USA Start time: 7:10 PM 7:10 PM

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[url=https://www.setlist.fm/setlist/phil-lesh-and-friends/2023/capitol-theatre-port-chester-ny-63bbb26f.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=63bbb26f[/img][/url] [url=https://www.setlist.fm/edit?setlist=63bbb26f&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/phil-lesh-and-friends-bd6ad1a.html]More Phil Lesh & Friends setlists[/url]

Tour Update

Marquee memories: quarters of change.

• Quarters of Change
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