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The Eras Tour gallery

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Full gallery of images from The Eras Tour . All image credits go to their rightful owners.

• 1 Set galleries
• 2 Rehearsal
• 3 Special guests
• 4 Backstage
• 5 Promotional

Set galleries [ ]

Click to see the galleries for each set on The Eras Tour

• Folklore & Evermore
• The Tortured Poets Department

Rehearsal [ ]

Special guests [ ]

• Marcus Mumford
• Aaron Dessner
• Phoebe Bridgers - "Nothing New"
• Jack Antonoff
• Maren Morris
• Gracie Abrams
• Joey King, Presley Cash, Taylor Lautner
• HAIM - "no body, no crime"
• Sabrina Carpenter

{{#tag:tabber|"The Great War"=

|-| "mad woman"=

|-| "Would've, Could've, Should've"=

|-| "seven"=

|-| "right where you left me"=

• Night three

• Variation 1
• Variation 2
• Variation 3

Backstage [ ]

Promotional [ ]

• Manage Account

Taylor Swift’s The Eras Tour: Photos From Opening Night

Taylor Swift's The Eras Tour has arrived. See photos from opening night of the tour.

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Taylor Swift ‘s The Eras Tour is finally here, and with the kickoff comes a whole set of photos from her first tour in five years.

The “Mastermind” opened her tour Friday night (March 17) at State Farm Stadium in Glendale, Ariz., at the first of two concerts at the venue. “Tonight, we’re going to be going on an adventure, one era at a time!” Swift announced a few songs into the show.

Photos from the show feature moments from Swift’s staggering 44-song setlist. She treated fans to music from every one of her eras so far, from her self-titled debut through Midnights , and brought to life beautifully staged visuals to go along with songs from each of her 10 full-length studio albums. Swift described herself as “really overwhelmed, and trying to keep it together all night,” but pulled off a spectacular three-hour-and-15-minute concert — backed by her crew of talented touring musicians and dancers — in front of thousands of fans, seemingly with ease.

The first set of photos from The Eras Tour capture the trek’s memorable beginning and the star’s connection with her ever-supportive Swifties. Swift is seen giving it her all as she performs songs from Taylor Swift , Fearless , Speak Now , Red , 1989 , Reputation , Lover , Folklore , Evermore and Midnights — debuting many tracks from her latest releases live on tour for the first time, in sparkling bodysuits and gowns that don’t disappoint.

Take a look at some of the highlights of Swift’s show, which included stunning sets and an impressive number of quick costume changes, in these Eras Tour photos.

Taylor Swift performs onstage for the opening night of “Taylor Swift | The Eras Tour” at State Farm Stadium on March 17, 2023 in Swift City, ERAzona (Glendale, Arizona).

Taylor Swift

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A Look Inside Taylor Swift's Magical Eras Tour

The Eras Tour is unique in that most artists don’t have a span of 10 albums that range from country to pop to indie, with each one's era defined so specifically and differently aesthetically . The set list is fixed except for two surprise songs that she performs after her 1989 set. She plays through each era (album) one by one in the following order: Lover, Fearless, Evermore, Reputation, Speak Now, Red, Folklore, 1989, and Midnights . She doesn't include a fixed song from her debut album, Taylor Swift , but she has included songs from it such as “Tim McGraw” during the surprise songs set.

At 33, Swift has made the Eras tour her victory lap, no matter where her career goes next. Playing at a cool three hours and 15 minutes , the concert boasts a 44-song set, including two surprise songs and no breaks for Swift. It’s easy to see why getting a ticket to one of her shows is a hot commodity. Here, a look at some of the most magical moments photographed on her tour so far.

Meet me at midnight.

Swift sparkled during her Midnights set in Tampa, Florida and so did the album on the charts. Released in October 2022, it was her most successful first week sales ever at a staggering 1.578 million albums sold .

Country girl at heart.

Although her style has veered towards pop in recent years, you can’t take a guitar away from a country girl. Each night of her show, seen here in Tampa, Florida, Swift performs a surprise song on the guitar and another on the piano.

Aaron Dessner of the band The National was a driving force in the birth of Swift’s Folklore and Evermore eras. In the height of COVID-19 after being forced to cancel her Lover Fest Tour , she went back to basics with just a guitar and got lost in the woods to make an album that went on to win Album of the Year at the Grammys in 2021. The two performed together in Tampa, Florida.

In her reputation era.

Swift took us to church in Tampa, Florida with her song “Don’t Blame Me” from her album Reputation . It wasn’t a mainstream single but is a fan favorite.

We're enchanted to meet you.

Throughout the night seen in Tampa, Florida, Swift performed classics that molded her career. Watching her in a sparkling dress alone on the stage singing “Enchanted” during the Speak Now segment is simply magical.

When the world was in lockdown, Swift got lost in new territory and didn’t want to be found. With simple guitar strings and her light demeanor, she created some of the best songs in her catalog on Evermore . Swift performed favorites from the album in Tampa, Florida.

An ode to grandma.

Fans were surprised and thrilled that she performed “Marjorie” off of her album Evermore . Seen in Tampa, Florida, Swift wrote the deeply personal song about her grandma Marjorie, who was an opera singer. Swift found an old record of Marjorie singing and if you listen closely at the end of the track, you can hear them singing together.

Swift opened the three-hour set with her Lover era seen in Tampa, Florida. Swift is performing four new albums live for the first time during this tour: Lover , Folklore , Evermore , and Midnights . This also doesn’t even include the songs “from the vault” on her re-recorded albums from Fearless and Red .

The opening song.

Seen in Arlington, Texas, fans loved that Swift opened her show with a non-single, “Miss Americana & the Heartbreak Prince”.

She's the man.

Suited up as she performed “The Man” in Arlington, Texas, Swift wore an array of custom Christian Louboutin boots and shoes made just for the tour.

We remember it, all too well.

If you’re a Swiftie, you know for years that there were rumors swirling of a full 10-minute version existing of her fan-favorite song “All Too Well”. On her re-recording of album Red , the extended track is included. It went number one on the Billboard Top 100 , and she performed the full version on Saturday Night Live . Seen in Arlington, Texas, the song remains a fan favorite.

In Arlington, Texas, Swift is seen wearing a cloak and up to some magic as she performs songs from her album Folklore . The album was her third Grammy win in the Album of the Year category; she is the first woman to win three times.

Sold out arenas.

It took just minutes for Swift to sell out over 2 million seats in arenas all over the country. Fans have made and brought friendship bracelets with song lyrics on them to trade with other fans during the show. The spotlight shines on her in Arlington, Texas.

Like, ever!

Swift is seen in Arlington, Texas bringing back her iconic look from the "22" music video as she kicked off the set from her Red era. At her Arlington concert, she gave her top hat to Selena Gomez’s little sister , Gracie, in the crowd.

We're bejeweled.

The song “Bejeweled” became an instant TikTok dance trend that was started by a fan simply making up a routine in a video . During Swift's performance of the song seen in Arlington, Texas, she references the social media dance.

She’s on her vigilante sh*t.

Swift is seen in Las Vegas, Nevada doing a sultry performance to her song “Vigilante Sh*t” during her set from the Midnights era.

Surprise song on the piano.

Swift surprises fans during each show with a different song that’s not on the setlist, seen on the piano in Las Vegas, Nevada. Sometimes she brings out a guest, such as Aaron Dessner .

Sparkling all night.

Seen in Las Vegas, Nevada, Swift sparkles during her 1989 set in a matching Roberto Cavalli top and skirt.

Back into the woods.

Swift is seen in Las Vegas, Nevada performing a set from Evermore . It is the first time she is playing songs from the album live.

The Lover house.

Seen in Glendale, Arizona, Taylor opened the show with the iconic Lover house . Each room represents a different era from her career.

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See photos from opening night of Taylor Swift's Eras Tour

Taylor swift's new era.

Taylor Swift 's long-awaited Eras Tour is officially here, and it's better than any fan could have dreamed. The Grammy-winning singer-songwriter paid tribute to each phase of her 17-year career in a spectacular three-hour concert at the State Farm Arena in Glendale — sorry, Swift City — in Arizona on Friday night. Those lucky enough to have snagged a coveted seat to the show were treated to a medley of her greatest hits, from her debut single, "Tim McGraw," from her eponymous 2006 album, to her latest dreamy ditty "Lavender Haze," from her 10th album, Midnights .

"I'm gonna take a wild guess and say that if you're here tonight, there's a pretty good chance that you went through a considerable amount of effort to be with us tonight, is that true?" Swift asked the crowd. "Well, first of all, let me say, on behalf of me and every single performer that you see on this stage — all the band, all the crew, every single person who has been putting together this tour for years — thank you from the bottom of our hearts for wanting to be with us on night one."

Scroll on to see photos from Swift's opening night of her Eras Tour.

Dressin' for revenge

In burning red, make the whole place shimmer, this night is sparkling, ...ready for it, wishing on a wishing star, shake it off, related articles.

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Taylor Swift's The Eras Tour

By Morgan Klosterman

12:36 PM PDT, May 11, 2024

Taylor Swift kicked off The Eras Tour on March 17, 2023 at State Farm Arena in Glendale, Arizona, and now she's gone international. Check out all of her looks!

Purple Puffy Clouds

Taylor Swift has a scenic performance with purple clouds serving as her backdrop during night two of Taylor Swift: The Eras Tour at La Defense on May 10, 2024 in Paris, France.

White Flowy Dress

Swift sings in a flowy white dress onstage during Taylor Swift: The Eras Tour at La Defense on May 10, 2024 in Paris, France.

Red Bottom Gold Boots

The singer performs onstage during night three of Taylor Swift: The Eras Tour at La Defense on May 11, 2024 in Paris, France. 

Purple Ruffled Dress

Long Flowy Red Dress

Gold Flapper Dress

Glittery Sliver Blazer and Boots

Long Glittery Red Dress

Light Pink Grown

Multi-Color Bodysuit With Silver Boots

Black-and-Red One-Leg Bodysuit

White T-Shirt and Black Shorts

Tinsel Jacket and Shiny Black One-Piece

Glittery Red Top and Bottom

Purple Gown

• Taylor Swift

‘Taylor Swift: The Eras Tour’ Premiere Red Carpet Photos: Maren Morris and More

By J. Kim Murphy

J. Kim Murphy

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The premiere of “Taylor Swift: The Eras Tour” took over The Grove in Los Angeles on Wednesday evening, shutting down storefronts in the open-air shopping mall and transforming the AMC Theaters multiplex into an event space for a star-studded evening.

Though traditional studios initially attempted to court Swift to distribution rights for “The Eras Tour,” the singer elected to instead take an alternate approach by partnering with AMC Theaters as a distributor. The cinema chain is releasing the concert film across Cinemark and Regal chains as well, along with independent venues. The move prompted some studios to scramble their release calendars, to give fall releases space from the blockbuster in the making.

“The Eras Tour” is set to hit theaters this weekend. Global ticket sales already exceed $100 million, setting the release up to swiftly become the highest-grossing concert film of all-time.

Beyoncé Knowles-Carter and Taylor Swift a

Beyoncé Knowles-Carter and Taylor Swift at the premiere of “Taylor Swift: The Eras Tour.”

Beyoncé Knowles-Carter and Taylor Swift

Beyoncé Knowles-Carter and Taylor Swift at the premiere of “Taylor Swift: The Eras Tour” in Los Angeles at The Grove. 

Taylor Swift

Taylor Swift arrives for the “Taylor Swift: The Eras Tour” concert movie world premiere at AMC The Grove in Los Angeles, California.

Taylor Swift poses with fans outside her premiere for her “Eras” concert movie. 

“Taylor Swift: The Eras Tour” Concert Movie World Premiere

LOS ANGELES, CALIFORNIA – OCTOBER 11: Taylor Swift attends the “Taylor Swift: The Eras Tour” Concert Movie World Premiere at AMC The Grove 14 on October 11, 2023 in Los Angeles, California. (Photo by Matt Winkelmeyer/Getty Images)

Taylor Swift with the dancers and band from her “Taylor Swift: The Eras Tour” concert movie. 

Taylor Swift with her bandmates, dancers, crew and co-stars from the “Taylor Swift: The Eras Tour” concert movie. 

Taylor Swift and Sam Wrench

Taylor Swift and documentary director Sam Wrench at The Grove in Los Angeles for the premiere. 

Taylor Swift attends the “Taylor Swift: The Eras Tour” Concert Movie World Premiere at AMC The Grove.

Close up of Taylor Swift at the premiere of her documentary “Taylor Swift: The Eras Tour.” 

Maren Morris

Maren Morris attends “Taylor Swift: The Eras Tour” concert movie in Billini black heels at The Grove in Los Angeles.

Mariska Hargitay

Taylor Swift’s famous inspiration behind the naming of her cat Olivia, (after her ‘Law And Order: SVU’ character Olivia Benson). 

Simu Liu and Allison Hsu

Simu Liu and Allison Hsu smile at the “Taylor Swift: The Eras Tour” Concert Movie World Premiere.

Jennifer Meyer

Jennifer Meyer poses on the red carpet at Taylor Swift’s big premiere. 

Molly Sims wears a Taylor Swift shirt to the “Era” concert movie premiere. 

Becca Tilley and Hayley Kiyoko

Becca Tilley and Hayley Kiyoko hold hands on the red carpet for the premiere of “Taylor Swift: The Eras Tour.” 

Rick Caruso

Owner of The Grove (where the premiere is being hosted) and former Mayoral candidate of Los Angeles Rick Caruso at the Taylor Swift premiere. 

Owenn poses for pics at the “Taylor Swift: The Eras Tour” premiere. 

Katie Conway

Katie Conway on the red carpet before the premiere of ‘Taylor Swift: The Eras Tour.’

Shelby Young

 Young attends “Taylor Swift: The Eras Tour” Concert Movie World Premiere at AMC The Grove.

TETRIS wears rainbow fringe on the “Eras” Concert Movie tour. 

Fortune Feimster

Fortune Feimster smiles on the Taylor Swift red carpet. 

Flavor Flav

Flavor Flav stops for pics.

Jenna Davis and Violet McGraw

Jenna Davis and Violet McGraw attend “Taylor Swift: The Eras Tour” Concert Movie World Premiere.

‘Eras’ Posters Outside the Grove

Posters for the “Taylor Swift: The Eras Tour” concert movie. 

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Taylor Swift: The Eras Tour

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Wonderland.

The eras tour.

Photographer Kevin Sikorski captures the magic and power of Taylor Swift’s record-breaking tour.

Taylor Swift Eras Tour in Seattle on July 22, 2023. Photo by Kevin Sikorski for Wonderland Magazine.

It is difficult to capture the essence of the Eras Tour, Taylor Swift’s sixth and arguably most powerful headlining tour yet. Emerging on stage in a plethora of pinks, blues, and purples, Swift instantly captivates her audience and sets the scene for the three hours about to unfold — three hours charting her journey from country music to pop stardom to world domination. But the tens of thousands of fans have no idea what they’re truly in for.

To see Taylor Swift’s Eras Tour is to take a trip down memory lane. It is stepping back into your own stories and hers, reliving your first crush and deepest heartbreak as she sings about the complexities of the teenage years, the twenty-something experience, and the never-ending journey of finding your place in the world. As she sings in stadiums almost fifteen years after her first headlining tour, she celebrates her twisting, turning, record-breaking career and every struggle and success that got her to today. In a society where so many people try to distance themselves from their past, Swift honours every step of the way — and those who stuck by her side through it all.

At its core, the Eras Tour is a reclamation of Taylor’s past. As she moves through her ten albums, from Fearless (Taylor’s Version) to Speak Now (Taylor’s Version) all the way to Midnights , performing newly re-recorded songs and establishing ownership over her work, she takes back the power of her own narrative. After over a decade of fabricated media stories and strangers claiming to know her truth, she lets the world in on her own terms. Call it karma, perseverance, or trust, but through remaining true to herself and her craft, Swift has managed to prove every doubt wrong, squash every lie, and contradict every ounce of criticism that has come her way.

Standing on her own stage, hearing thousands and thousands of fans inside each stadium (and outside in the parking lots) sing her own words back to her, she shines as bright as ever. Showing off her arm muscles in Lover ’s “The Man”, shaking her head and mouthing “not a chance” after singing “do the girls back home touch you like I do?” in reputation ’s “Delicate”, driving the crowd wild with a note change in folklore ’s “the 1”, and handing a young fan her hat during Red (Taylor’s Version) ’s “22”, she is personable and honest and undoubtedly herself. Exemplifying confidence and grace, she shows the world the kind of artist and woman she has been all along: Intelligent, compassionate, hilarious, gracious, vulnerable, confident, hardworking, and talented to no end.

While the tour has been praised for revitalising the U.S. economy, turning sceptics into supporters, and breaking records of consecutive shows at stadiums, Taylor’s number one priority — for this tour and every tour she’s embarked on before — has never wavered: to celebrate the relationship she has with her fans, to foster a community surrounding her music, to tell her stories, and to provide a safe, cathartic escape from the rest of the world. With fandom inside jokes, deep cut surprise songs, and Easter eggs, the Eras Tour is truly for the fans: for the Millennials who have grown up with her since her debut album, for the young children who won’t remember a day when she didn’t own all her own music, and to everyone in between.

Whatever is going on in your life, when Taylor Swift emerges from beneath the stage, singing “Miss Americana & the Heartbreak Prince”, it all fades away. For three hours, all that matters is the community around you, the songs that raised you, and the artist who has taught you to fight for what is yours, to never stop dreaming, and to always remain true to yourself.

Scroll for more sparkling images from the talented Kevin Sikorski, taken during the opening songs at the Seattle show on 22nd July …

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‘Taylor Swift: The Eras Tour’ Movie Red Carpet Photos: Beyonce, Maren Morris, Hayley Kiyoko, Adam Sandler, More Attend World Premiere

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The Grove in Los Angeles hosted the world premiere of Taylor Swift: The Eras Tour on Wednesday, October 11. Invited fans gathered at the AMC The Grove 14 after the entire mall was shut down for the event. AMC devoted all 14 of the venue’s theaters to exclusively host the premiere of Swift’s concert film, directed by Sam Wrench.

RELATED:  ‘Taylor Swift: The Eras Tour’ Review: A Joyful Celebration That Encourages Audiences To Revel In The Spectacle

Swift wore a tanzanite strapless floral embroidered Oscar de la Renta gown to the gala event and walked the red carpet posing for photos with fans who turned out to the event. Other guests included Beyonce, Maren Morris, Hayley Kiyoko, Adam Sandler, Simu Liu, Mariska Hargitay, Fortune Feimster, Victoria Garrick Browne & Flavor Flav.

RELATED: ‘Taylor Swift: The Eras Tour’ Movie: Tickets, Release Dates, Premiere & Where To Watch

The “Eras Tour” is Swift’s ongoing sixth concert tour, characterized as a musical journey through all of her diverse “eras.” Paying tribute to her various albums, the tour represents her most extensive undertaking to date, spanning 146 performances across five continents. Notably, it is her second all-stadium tour, following the successful 2018 Reputation Stadium Tour.

Scroll through the photo gallery to see everyone who attended.

RELATED:  Taylor Swift: Which Eras Tour Songs Didn’t Make Concert Film & Which Surprise Songs Got In

RELATED: Taylor Swift Calls Fans “Main Characters” In ‘Eras Tour’ Concert Film; Joins Dancing Crowds In The Seats To Watch World Premiere At LA’s Grove; Beyoncé Makes A Show

“Taylor Swift: The Eras Tour” Concert Movie World Premiere

Taylor Swift attends the “Taylor Swift: The Eras Tour” Concert Movie World Premiere at AMC The Grove 14 on October 11, 2023 in Los Angeles, California

Taylor Swift

Taylor Swift with the films director Sam Wrench

Beyoncé and Taylor Swift

Taylor Swift posing with fans

 Fans gather outside the “Taylor Swift: The Eras Tour” concert movie world premiere at AMC The Grove in Los Angeles

Taylor Swift 

Taylor Swift (C) alongside dancers and band arrive for the “Taylor Swift: The Eras Tour” concert movie world premiere

Maren Morris

Hayley Kiyoko

Mariska Hargitay

Mariska Hargitay and Amaya Hermann

Fortune Feimster

Victoria Garrick Browne

Flavor Flav

US-ENTERTAINMENT-MUSIC-FILM-TAYLOR SWIFT

Jennifer Meyer

CEO of AMC Theaters Adam Aron

A sign welcome the “Taylor Swift: The Eras Tour” concert movie world premiere outside The Grove at Farmers Market shopping complex

Fans are seen outside the world premiere of “Taylor Swift: The Eras Tour” concert movie at The Grove on October 11, 2023 in Los Angeles, California

Fans are seen outside the world premiere of “Taylor Swift: The Eras Tour” concert movie

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PHOTOS: Taylor Swift Eras Tour performs 1st of 2 sold-out Cincinnati concerts

Taylor Swift Debuts Several New Outfits During Her 3rd Paris Eras Tour Show: See the Looks!

From sparkly skater skirts to electrifying gowns, the pop star is once again proving she never goes out of style

Taylor Swift is shaking up her Eras Tour wardrobe!

Not only did the singer update her tour's setlist ( folding in an entirely new chapter for The Tortured Poets Department ) before kicking off its European leg, but she also made some alterations to her wardrobe — which she debuted at her latest Paris show on Saturday, May 11.

First, during the 1989 portion of her career-spanning set, the singer-songwriter, 34, rocked her recently debuted sparkly two-piece set from Roberto Cavalli — which is reminiscent of the ones she wore during the 1989 World Tour — only this time in pink and green.

Related: See All Taylor Swift's New Eras Tour Outfits in Europe — Including Her Custom 'Fortnight' Dress

To strut and (fittingly!) sing, “we never go out of style,” onstage at La Défense Arena, Swift sported a strappy bra top in a rich, glittery shade of green.

On the bottom, she wore a high-waisted skater skirt — which perfectly encapsulated the Tumblr-core style that was everywhere during the album’s original 2014 release — in a stunning ombré that faded from magenta to blush.

And, staying true to her previous colorways of the Roberto Cavalli set, she completed the look with mismatched Christian Louboutin boots, this time in complementary shades of pink and green.

For her epic transition in the TTPD track “I Can Do It with a Broken Heart” — in which she swaps a custom, lyric-covered Vivienne Westwood dress for another sparkly two-piece set — Swift debuted a new silver look, as seen in fan-captured photos .

Rather than dark black, the singer’s bra top and high-waisted hot pants were a glittery shade of gray — a slight shift, but still true to her latest album’s monochrome palette.

Related: Taylor Swift Sports New '22' T-Shirt During 2nd Eras Tour Show in Paris

During perhaps the most-anticipated part of the Eras Tour setlist, when the performer reveals and performs the “surprise songs” of the evening, Swift debuted an electrifying gown, a photo taken by a concert-goer shows.

While performing the tracks — Fearless ' "Hey Stephen" and Midnights ’ "Maroon” — she wore the same boho halter dress she donned for her first Paris show, only this time in a stunning shade of orange.

Especially with her acoustic guitar in hand, the gown screams Taylor Swift — her 2006 self-titled debut album — and particularly the orange dress she donned to sing in a pile of flowers for the “Our Song” music video .

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Swift’s latest outfit tweaks are just some of the new looks she has debuted since launching her European Eras tour leg at La Défense Arena on May 9.

Also among the new ensembles are a fiery new Versace bodysuit — a far cry from her previous pink and blue bodysuits — and a custom Alberta Ferretti gown for her now-combined Folklore and Evermore chapter.

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Taylor Swift's Eras Tour Outfits, from Her Versace Bodysuit to Her Roberto Cavalli Dress

Taylor Swift is channeling looks from her past 10 albums on her Eras Tour. Take a look at her best outfits, including custom pieces from Versace, Roberto Cavalli and more

Taylor Swift is proving she never goes out of "style" with her recent tour.

On March 17, the singer returned to the stage as she kicked off her highly anticipated Eras Tour . From show-stopping performances to creative transitions , the 3-hour and 13-minute set is a true spectacle but one of the best parts is Swift's stunning costumes.

As Swift takes fans through her extensive music catalog with her 44-song setlist , she perfectly pays tribute to her past 10 albums with custom outfits.

While some pieces are inspired by her different eras (the dazzling Versace bodysuit during the opener encapsulates her Lover aesthetic), other looks are direct references to past tours, including her Roberto Cavalli two-piece for her 1989 set and Nicole + Felicia gown for Speak Now .

Take a look at Swift's Eras Tour outfits ahead.

Taylor Swift's Atelier Versace bodysuit for her Lover set

As Swift opened the show with "Miss Americana & the Heartbreak Prince" from Lover , she wore a custom Atelier Versace bodysuit adorned in pink and blue jewels, reflecting the dreamy pink and blue skies featured on the album's artwork. She paired the look with silver Christian Louboutin knee-high boots and a bedazzled microphone. During her Las Vegas show on March 24, Swift added a flower necklace by Versace to the ensemble.

During her second night of the tour, Swift surprised fans by wearing a completely different sparkling bodysuit. This look, also by Atelier Versace, was covered in blue and gold jewels, with a matching chain necklace and Christian Louboutin knee-high boots.

Taylor Swift's Versace bodysuit for her Lover set

Kevin Mazur/TAS23/Getty

During her New Jersey show, Swift wore a new bodysuit by Versace, which included fringe tassels and beading. She paired the look with ombré boots and a Versace butterfly necklace, which was a co-design collaboration with Versace ambassador Dua Lipa.

Taylor Swift's Versace blazer for her Lover set

Before singing her hit song " The Man ," Swift completely transformed her look by adding a Versace blazer that complemented her Christian Louboutin knee-high boots.

Taylor Swift's black blazer for her Lover set

In addition to wearing a different Atelier Versace bodysuit during the second night of her tour, Swift also switched up during her performance of "The Man" by wearing a black pinstripe blazer with sequins.

Taylor Swift's Roberto Cavalli dress for her Fearless set

Swift donned her best dress by Roberto Cavalli as she performed a few songs from her album Fearless . The gold fringe dress was reminiscent of a similar look the designer created for her Speak Now Tour in 2011. She paired the look with Christian Louboutin boots and a bedazzled guitar .

For the second night of the tour, Swift donned a different Roberto Cavalli dress, which was slightly longer and featured gold and silver sequins in an ombré pattern.

Taylor Swift's Etro dress for her Evermore set

Swift went for a whimsical look as she performed various songs from her album Evermore in a yellow Etro dress that featured a corset top and beading detail down the front. For her bewitching performance of "Willow" she added a matching Etro cape.

During her New Jersey concert, Swift wore a new dress for her Evermore set, which was created by Marco de Vincenzo for Etro. This dress played into the woodsy nature of the Evermore album with a darker burgundy color and ruffles throughout.

Taylor Swift's Roberto Cavalli catsuit for her Reputation set

Swift slithered into a Roberto Cavalli catsuit as she performed her Reputation set on stage. The outfit, which featured an intricate pattern resembling snakes intertwined down the one long leg of the ensemble, was reminiscent of the many bodysuits Swift wore during her Reputation Stadium Tour as it was covered in black sequins resembling scales.

Taylor Swift's Nicole + Felicia gown for her Speak Now set

Despite only performing one song during her Speak Now set, Swift nonetheless left fans wonderstruck as she donned a Nicole + Felicia gown for her performance of "Enchanted." The gold gown certainly felt like a homage to Swift's Valentino ballgown from her Speak Now Tour.

Taylor Swift's Zuhair Murad gown for her Speak Now set

During night two, Swift looked like a real-life princess as she wore a Zuhair Murad ballgown , this time in a pink hue that popped against the stage's violet lighting.

Taylor Swift's Elie Saab ballgown for her Speak Now set

During the first night of her Tampa concert, Swift wore a new dress for her Speak Now set, dressing up in an Elie Saab Haute Couture silk tulle ballgown embroidered with gardenia-colored organza petals.

In New Jersey, wore another Elie Saab ballgown in a pale pink. The dress also featured lots of tulle and detailing on the front.

John Shearer/TAS23/Getty for TAS Rights Management

During her Speak Now release weekend, Swift debuted another dress for her Speak Now set, wearing a custom Nicole + Felicia gown. The dress featured multiple layers, with varying colors of purple as a tribute to her third album.

Taylor Swift's Nicole + Felicia gown during her Speak Now set

Kevin Winter/TAS23/Getty

Just before announcing 1989 (Taylor's Version) on Aug. 9, Swift donned a blue dress by Nicole + Felicia during her Speak Now set. She continued to wear different blue outfits throughout the concert.

Taylor Swift's Ashish shirt for her Red set

At the beginning of her Red set, Swift recreated her iconic look from her "22" music video, in which she wears a shirt that reads "Not a lot going on at the moment" with a fedora and shorts. For the concert, she made one critical change, dropping the "not" from the T-shirt slogan. The shirt was custom by Ashish paired with Christian Louboutin loafers and a Gladys Tamez hat.

Swift recreated her "22" music video outfit again for night two, thought this time the shirt featured a lyric from the song: "Who's Taylor Swift anyway? Ew."

While performing in Arlington, Texas, Swift wore another version of her "22" shirt, this time with the text "We are never getting back together. Like ever."

Taylor Swift's Ashish romper for her Red set

As Swift moved on to other songs on her Red album, including "I Knew You Were Trouble," she took off her "22" inspired shirt and hat to reveal a sequin Ashish romper in red and black.

Taylor Swift's Ashish coat for her Red set

Swift threw on an Ashish coat over her romper as she performed her 10-minute version of "All Too Well" on stage with a coordinating red guitar.

Taylor Swift's Alberta Ferretti dress for her Folklore set

Swift was back in boho for songs from Folklore , in a flowing lilac Alberta Ferretti gown similar to the dress she wore during her 2021 Grammys performance . She even brought back the Folklore house for the performance.

During night two, Swift wore another Alberta Ferretti dress, this time in an off-white hue covered in crystal embroidery. The gown's flowing, cape-like sleeves were made for twirling.

For her March 24 show in Las Vegas, Swift debuted a third Alberta Ferretti dress as she performed her Folklore set. This dress combined various features from her previous two dresses, with a soft pink hue, cape-like sleeves and sequin details throughout.

During night one in Tampa, Swift wore yet another Alberta Ferretti dress for her Folklore set. This look was in bright green featuring a plunging neckline, mesh detailing and leaves embroideries.

Taylor Swift's Alberta Ferretti dress during her Folklore set

Swift wore a new Alberta Ferretti gown for her Folklore set on Aug. 9, just before announcing 1989 (Taylor's Version) .

Taylor Swift's Roberto Cavalli top and skirt for her 1989 set

Swift recreated one of her memorable 1989 World Tour outfits as she wore a matching Roberto Cavalli top and skirt. The pink set was perfectly paired with dazzling Christian Louboutin boots.

On night two, the star stepped out in a similar beaded matching set by the brand, but this time in a vivid green shade that continued onto her Christian Louboutin boots.

As she performed her 1989 songs, Swift opted for an orange Roberto Cavalli two-piece set with matching Christian Louboutin boots.

Taylor Swift's blue top and skirt for her 1989 set

As she performed her 1989 songs, Swift wore a new variation of her top and skirt set, this time in a striking blue color.

Taylor Swift's Jessica Jones dress for her acoustic set

As Swift performed a few acoustic songs during night one, including "Tim McGraw" from her debut album, she donned a Jessica Jones dress that featured cap sleeves and pleats. The designer has created many of Swift's most iconic looks, including numerous outfits from her Reputation stadium tour and her gold bodysuit at the 2019 American Music Awards when she accepted artist of the decade .

Taylor Swift's green dress for her acoustic set

Swift opted for a similar dress, this time in green, as she performed alongside Marcus Mumford for her acoustic set in Las Vegas, Nevada on March 25.

Taylor Swift's yellow dress for her acoustic set

Scott Eisen/TAS23/Getty

As Swift started wearing her orange Roberto Cavalli two-piece set with matching Christian Louboutin boots for her 1989 set, she began wearing a yellow dress on top of her outfit as she performed her acoustic set.

Taylor Swift's blue dress for her acoustic set

During the last leg of her U.S. tour, Swift donned a blue dress for the special announcement of 1989 (Taylor's Version) , which she debuted the album cover art for on stage. She followed up by playing the hit "New Romantics" from the album.

Taylor Swift's Oscar de la Renta t-shirt and jacket for her Midnights set

For the beginning of her Midnights set, Swift wore a similar look to the one seen in her "Lavender Haze" music video as she paired an Oscar de la Renta crystal t-shirt with an Oscar de la Renta faux fur coat.

Taylor Swift's Oscar de la Renta bodysuit for her Midnights set

As she performed "Midnight Rain," Swift did a quick costume change on stage as she took off her Oscar de la Renta t-shirt to reveal an Oscar de la Renta bodysuit. The outfit, which was in the perfect shade of (what else?) midnight blue, was bejeweled with various beading throughout giving it the appearance of a midnight sky. She paired the look with matching Christian Louboutin boots.

Taylor Swift's Zuhair Murad bodysuit for her Midnights set

For her March 24 show in Las Vegas, Swift switched up her Midnights outfit with a custom look by Zuhair Murad. The midnight blue bodysuit was covered in blue crystals and beaded fringes and even had a matching garter.

During her Los Angeles shows, Swift debuted a new bodysuit by Zuhair Murad for her Midnights set, which was fittingly in midnight blue bodysuit and "adorned with shimmering crystal embellishments, cascading intricate beaded fringes, and accompanied by a coordinating garter," per Zuhair Murad's Instagram .

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The Eras Tour Stage: See the Intricate World-Building of Every Set in Taylor Swift’s Most Ambitious Shows Ever

By Katherine McLaughlin

Since kicking off in March of 2023, the Eras Tour stage has provided an immersive backdrop to Taylor Swift’s most ambitious shows to date. Indeed, there was a joke circling the internet following the opening weekend of the now nonpareil: look at any random collection of photos taken throughout the night—some even snapped mere minutes apart—and you’d never know they all came from the same show. What starts in a hazy pink, cotton candy dreamscape ends in a sultry, sparkling twilight—with plenty of undulating stops in the middle, from ethereal fairytale woods to the energetic skyscrapers of the concrete jungle.

“[The stage] changes for almost every song, which is crazy to think about considering most artists have the same stage for their entire set list,” Maya Minocha, a fan who has attended multiple shows, tells  AD. Broken down by “era,” the concert takes fans on a three-plus-hour journey through nearly every album in the singer’s 18-year career. “The sets absolutely made this possible,” Ginnie Low, a fan who attended the tour and runs the TikTok account The Thrifty Swiftie , says. “I didn’t move from my tiny little seat area the whole concert, but was transported to 10 different worlds.” Ariel Miranda , another concert-goer agrees. “It was such an immersive experience,” she says.

Now, over a year into the global phenomenon, the singer is still keeping fans on their toes with an ever changing assortment of costumes, track lists, and even a brand new set to commemorate her latest release, The Tortured Poets Department . With a distinct focus on world building,  AD takes a look at the incredible set design that helps bring her music to life throughout the triumphant concert.

The Lover Era

Swift during the opening number of the Eras Tour

Swift opens the show with tracks off of her seventh studio album,  Lover. “It was as if she picked up right from where she left off,” Miranda says, referring to Swift’s COVID-19-induced cancellation of her sixth headline tour, Lover Fest, in 2020. Having characterized the album with yellow, pink, and blue pastels, Swift—outfitted in a shimmering leotard—belts songs like “Miss Americana and the Heartbreak Prince” and “Cruel Summer” while dancers wielding billowing tapestries perform beneath a rosy glow. Screens show two pink triumphal arcs, which were historically built to honor a person or commemorate an important event—a fitting gesture to begin the one-of-a-kind spectacle.

Taylor Swift performs in front of the Lover House during the Eras Tour.

A familiar dollhouse-like home appears behind Swift later in the set, which many fans recognize from her “Lover” music video. “The screen begins flashing images that eventually piece together to become the Lover House, which was a huge Easter egg,” Miranda adds. In the video, Swift and costar Christian Owens move through various colored rooms  within a house in a snow globe. When the music video first dropped, fans theorized that each room represented one of her existing albums, and with the release of three new albums, many believe the home is now complete .

During “The Man,” Swift uses scaffolding and office props to emulate a corporate environment.

Other notable scenes from the Lover section of the show include a full-scale office cosplay moment during “The Man,” where Swift sings about the sexism she’s faced throughout her career. While it’s been a part of the show since 2023, it certainly fits into the “ corporate fetish ” trend of late, in which offices have become unlikely muses.

The Fearless Era

Projects and stage lights provide a golden glow during the Fearless era.

By Michelle Duncan

By Michelle Mastro

Next up in the night, Swift performs three songs from her second album,  Fearless, for which she won album of the year in 2010 at the Grammys (the youngest artist to ever win the accolade). Though she was certainly popular in country circles following her self-titled debut album, it was this second record that established her mainstream success. And not only does the singer bring back some classic circa 2009  dance moves , she also showcases a dazzling gold motif that she employed when promoting the album over a decade ago.

Taylor Swift with her bejeweled guitar

Outfitted in soft curls and sequins, Swift was often portrayed as the girl next door and an American sweetheart during this period. Though she did, at times, lean into this persona, fans remember her determination to be bold, strong, and, yes, fearless. The sparkles and shine acted as visual representation of this.

For fans, perhaps the most exciting Easter egg was a nod to the bedazzled guitar that she toured with during her  Fearless era. In an Instagram story, Swift revealed that it was her parents who artfully stuck the shimmering crystals onto her acoustic instrument just days before the Eras Tour started.

The Red Era

Taylor Swift wears an outfit nearly identical to one she wore in the “22” music video.

During the European leg, Swift switched up the order of her sets, and moved the Red era to the third spot. The original tour for the album, which took place between 2013 and 2014, was her biggest at the time. It included a seven-piece band, fifteen dancers, multiple costume changes, as well as jumbotrons and multilevel stages. Though the Eras Tour stage certainly honors some of these larger-than-life moments from the first  Red tour, it also shows considerable restraint.

Swift wears a sparkling red coat during an acoustic set.

During one particularly emotional moment, Swift sings the 10-minute version of her critically acclaimed “All Too Well” with just her acoustic guitar. However, this doesn’t mean it wasn’t exciting. “Even some of her slower songs like “All Too Well,” where it was just her and a guitar, had insane stage effects that you wouldn’t expect, like snow confetti falling across the stadium and the stage rising when she starts singing a high note,” Minocha tells  AD.

The Speak Now Era

Swift sings “Enchanted” during the Speak Now set.

Though Swift only performs one song from her third album,  Speak Now —much to the disappointment of some fans—she makes sure it counts. The singer belts in a ballgown in a digitally crafted field of flowers, thanks to projections on the screens and the stage floor. The color purple defined the album’s aesthetic, and, though the shade is often associated with royalty, it can also symbolize ambition, power, and independence. Following her historic win at the Grammys for  Fearless,   Speak Now was a pivotal moment in her career. Could she keep up the pace or was she another teen star who lost momentum as they reached young adulthood? Not only did Swift deliver, she proved she could do it on her own: Speak Now was the first album she wrote entirely solo.

The Reputation Era

Swift stands atop a raised stage during the Reputation era of the concert.

Spawned from Swift’s 2016 public feud with Kim Kardashian and Kanye West,  Reputation represented the singer’s reflection on fame, public perception, and an opportunity to rewrite the “good girl” narrative she’d carried around for years. Though the album is often billed as defensive and reactive, it remains one of her most misunderstood collections: It’s also full of love songs and sweet moments. The dark stadium and blood red risers certainly support the most common perception of the album; however, it’s hard to miss the lit candles just below her. After all, it’s no coincidence burning is just as frequently used to describe rage and anger as it is passion and love.

The backup dancers pay homage to Swift’s “Look What You Made Me Do” music video.

During “Look What You Made Me Do,” Swift’s backup dancers perform in doll boxes dressed in outfits inspired by previous looks she’s worn. The moment is a direct nod to the song’s  music video , in which Swift reenacts various moments throughout her time in the public eye in an eruptive, Easter egg-filled video.

The Folklore and Evermore Era

Taylor Swift on an A-frame during the Folklore set

To make room for new material, Swift now combines two albums, Folklore and Evermore, into one set. “I was so obsessed with the  Folklore set because it seemed like Taylor was living her best life in a little remote forest cabin even though some 60,000 people were watching her,” Minocha says of watching the opening night show in Glendale, Arizona back in 2023. (A version of this home was first seen in her  2021 Grammy’s performance .)

Thematically,  Folklore explored a fictional woodland world Swift dreamed up during quarantine, and while a cabin certainly captures that aura, the choice of an A-frame specifically is notable. Because they were relatively cheap and easy to build, the style of home grew in popularity in the United States following World War II as vacation properties—an appropriate connection given the album is centered around an escapist fantasy.

A-frames also represented a unique moment for architects who, with little financial consequences at stake, were able to test out their more speculative creative ideations. In many ways, with lockdowns, limited promotion, and no obvious answer for how or if the music would be performed live, this is what Swift’s  Folklore era represented too: the opportunity to explore,  uninhibited . “I love that album and she really created this whole world for it,” Low adds, “Building the folklore cabin and bringing us all into that world with her was just so cool.”

Swift uses a moss-covered piano for songs during this set.

Swift’s ninth album, Evermore, was positioned as a deeper exploration of the “folklorian woods,” the fictional, cottagecore-inspired place Swift used to direct her first foray into indie folk music. In the combined set, trees circle the singer on the screens behind her while Swift croons behind a moss-covered piano.

The 1989 Era

The 1989 set of Swift’s Eras Tour

“Another thing that I loved about the stage design in general was how there are basically three different parts of it that all connected together: the main stage, the diamond stage, and the catwalk that leads to the end of the stage,” Miranda says. “She really utilizes each and every one of these sections of the stage at different times during the night.”

Swift and dancers wield golf clubs during “Blank Space.”

Though examples are abundant, a particularly creative use comes during Swift’s  1989 set, a record which won Album of the Year at the Grammys in 2016. While performing “Blank Space” on the central diamond, the raised portion displays a Shelby Cobra, which Swift and backup dancers “hit” with light-up golf clubs in a live reenactment of an iconic scene from the song’s music video.

The Tortured Poet’s Department Era

Following much speculation, Swift added a brand-new set to the Eras Tour when the show began its European leg in Paris on May 9. Designed for her latest record-shattering album, The Tortured Poet’s Department , the stage takes on a noir palette for this portion of the show. Screen projections and props include a UFO ship that beams a spotlight on the singer as well as a rolling bed-table hybrid seemingly designed to resemble a 19th-century hospital bed.

“For a minute I knew cosmic love,” Swift sings beneath the beam of a UFO.

The Tortured Poet’s set also includes the addition of a new stage piece: an elevated box that mirrors the floor projections, giving the appearance that Swift is levitating around the stage. Some fans have endearingly describe the prop as a “ stage Roomba. ”

The bed recalls Swift’s “Fortnight” music video.

The set ends with a highly theatrical performance of the singer’s “I Can Do It With a Broken Heart,” in which the stage takes on the appearance of a vaudeville-, burlesque-style theater . Many fans linked the design to Clara Bow, a silent film star who Swift name-checks on the album. However, perhaps the most notable aspect is the simulated proscenium arch. In theater architecture, the detail marks the metaphorical plane separating performers from the audience, similar in concept to the “fourth wall.” It’s a unique addition considering the architectural detail is not possible in a stadium designed for 360-degree views—generally the only venues in which Swift performs.

Swift sings “I Can Do It With a Broken Heart” at The Eras Tour in Paris.

It’s particularly impactful when considering a recurring theme on the album: Swift’s complex relationship with fame and fans . In songs like “But Daddy I Love Him” and “I Can Do It With a Broken Heart,” she sings about the pressure to please fans and her frustration with commentary about her life and decisions. The proscenium could represent a metaphorical separation between Swift, the performer, and Swift, the person, showcasing which version of her she believes fans are entitled to.

The Midnights Era

During the final set of the show, Swift performs songs from her album Midnights.

The non-stop show ends with cuts from Swift’s 2022 album,  Midnights,  with the stage cast in dark light, representative of both the title of the album and the end of the concert. Standing firmly in the present,  Midnights still has its roots in the past, since the album tells “the stories of 13 sleepless nights scattered throughout my life,” Swift explained in a  Instagram post . It’s easy to follow the way the previous two-plus hours of sonic reflection—aided through the incredible set design—brings her to where she is now. As Minocha summarizes, “I’ve been to almost all of Taylor’s past tours ,and the stage and production has always been above and beyond, but because this one explores all the eras of her career, everything is just next level.”

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