pink floyd japan tour

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Pink Floyd Tokyo Japan March 1972 Tokai FM

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Pink floyd / henjo tokyo 1st show march 6 1972 / 2cd wx obi strip.

in 1970s , Pink Floyd , Shakuntala Label 2016/01/15 1,204 Views

Pink Floyd / Henjo Tokyo 1st Show March 6 1972 / 2CD WX OBI Strip / Shakuntala

Translated Text: Metropolitan Gymnasium Tokyo March 6, 1972. Digitally Remastered

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Also visited Japan a number of artists from the 70s early that it can be said that the lock dawn of Japan, at the time the information was limited, and many opportunities to actually witness the foreign artists that could not be know only in books until now, It was like the era, such as the dream. And Japan tour of Pink Floyd has been done three times until now. First visit to Japan is doing the tour to Japan in 1971, and the next in 1972. first visit to Japan at the time surprisingly concert is not carried out in Tokyo, twice in Hakone, once in Osaka, it was a stage of only a total of three times. Perhaps Tokyo resident of fans, in 1972, would not be the first time contact was on the stage of Pink Floyd in Japan for the second time.

Pink Floyd is finished the tour with the “unsolicited” released in November 1971, then again will be to spend time in the next recording of the album. And it was that was listed as the next operation of the theme is to represent the “madness that lurks in the human inner surface” in music. Such esoteric themes and complex configurations, after elaboration is superimposed many times, but to fruition as “madness”, the release had to wait in March 1973. Moreover, during and tour dates are bear, Floyd will be the option of gradually increasing the proficiency of “madness” through the tour. In fact, in the UK tour that began already in 1972 at the beginning of the year, which had been scheduled, it is also “madness” has been showing off early.

While the historical name board of the position, including the Nowadays chart action is “madness” that consolidate, at the time it has been the stage as a new song of pure Pink Floyd. It will be the first time listen to the “madness” for most of the audience, the world has already brew the atmosphere is not a ordinary person, a state that is watching drinking just Katazu fantastic sight to be deployed in stage It suggests from the time of the audience recording. That was done in a series of extension was the Japan tour of 1972. Was again unpublished “madness” has been played already through the whole volume from opening.

What a will do? The stage for artists. Paul McCartney has been recalled as a “person of songs from the new song in the Beatles era, such as” Sea Loves You “has received”. The audience is a testimony that well you can understand that feels pleasure in listening to the fraying about songs that I heard in the record in the live music at the concert venue. Also in the artist’s point of view, or not there was also intended that ascertain the reaction of the song directly by to show off the new song. Even during the album production and tour is organized, in the recording process, I suspect that there has been intended to reflect the reaction in stage in the album production. Also It’s a phenomenon that occurs from the time difference between the recording and release, you want to hear a new song that was played on the stage again, such as getting to buy the album, but that is later released for, it seems that there was also intended as a promotion. The Led Zeppelin has already played in actively stage a song of new album of unreleased yet been recording also probably from such a reason.

But in the case of Pink Floyd, it seems like there is one in does not belong is also another reason for the above-mentioned. In 1972 the stage “madness” full-length is playing from the opening, but is any rate’re playing a whole over a year ago of the album than release. And it can be heard on such as this work “madness”, although skeleton what is was released “madness”, it is not possible to dispel the unfinished impression to be honest. The different versions of is like listening to studio outtakes rather than unfinished. If most different version than there is misleading is that, or will still towards the phrase has not been aging comes with somewhere south. Probably there was a special awareness for the “madness” also for Pink Floyd. And that let us close to a perfect final form enhances the kneading degree by repeatedly playing through the tour, to imagine that than there was intent unprecedented.

When a student Fujiko Fujio visited the home of the first Osamu Tezuka, for “coming world” of only 300 pages, there is also the manuscript originally 1000 pages, 700 pages, which was cut is supporting that dense work there is an episode that startle you know the thing. Pink “madness” is no gap like that of Floyd, that is the beginning to end tension has become a dense work without relaxation,’s a result that went aged in stage over this way one year things I can understand well. The future generations of people but will only album “madness” remains, at that time, and realistic the fan to live is, luckily this way, know that the aging period over the long term is to support the that name board ing. Its one end, is the a 1972 Japan performances recorded in this work.

1972 of the Japan tour in Tokyo twice, Osaka twice, and Kyoto and Sapporo, a total of six performances have been made. It is a hard schedule also look at the current eye that is the development of the transportation network, in particular, 5 consecutive days performances from Tokyo to Kyoto. This work has been recorded that the first day of March 6, 1972 Tokyo Metropolitan Gymnasium performances. The first half as mentioned above is “insane” is played in full. Interesting is the content that Itokyo Goro put the announcement after the first half has ended. In the beginning in January of the stage it had been introduced as “A Piece for Assorted Lunatics”, already at the time of this March, “The Dark Side Of The Moon” and that the title has changed. That Japanese title is not yet referred to as “madness”. It should be noted that, in the day of the venue is that of a lyric that has been distributed to the audience, “the moon on the back side – – works to for all kinds of madman us.” And that it has been introduced as a new song to be released in the UK in November. Also postponed for four months until the release that had been scheduled for November is March next year, and probably was still insistence of Pink Floyd seeking perfection.

The first half is played “madness” full-length, is sandwiched between the announcement and the break, the second half is released music groups are lined up already. “To blow, wind, Yobeyo storm” was a song that symbolizes the Pink Floyd for the Japanese fans at the time that was touted in a big way to tour poster. Other, Eugene, Echoes and mystery in a concert, is concluded. Incidentally, in the second half of the disk 2 is recorded another source for the same day of the air at that time radio. Indeed it is what I thought bad, it is interesting to say that DJ was innocent and “Une idea what that band of anywhere in the country” after the broadcast. This would also be traces of Daira Kana era.

From Pink Floyd’s 1972 Japan tour, the first day of March 6 to complete recording of the Tokyo Metropolitan Gymnasium. Another source in the second half of that has been on the air at that time radio also Heiroku. Permanent Athletic press platen of the beautiful picture disc specification. With Japanese band.

日本のロック黎明期ともいえる70年代初頭から数多くのアーティストが来日し、情報が限られていた当時、今まで書籍でしか知ることの出来なかった海外アーティストを実際に目の当たりにする機会が多く、まるで夢のような時代であった。そしてピンク・フロイドの来日公演は今まで3回行なわれている。初来日が1971年、そして翌1972年にも来日公演を行なっている。驚くべきことに初来日時は東京ではコンサートは行なわれず、箱根で2度、大阪で1度の、計3回のみのステージであった。おそらく東京在住のファンは、1972年、2度目の来日でピンクフロイドのステージに初めて接したのではないだろうか。

ピンク・フロイドは1971年11月に「おせっかい」リリースに伴うツアーを終え、その後再び次のアルバムのレコーディングに時間を費やすことになる。そして次作のテーマとして掲げられたのが「人間の内面に潜む狂気」を音楽で表現することであった。このような難解なテーマと複雑な構成は、何度も推敲が重ねられ後、『狂気』として結実するが、リリースは1973年3月で待たねばならなかった。しかも、その間もツアー日程は組まれており、フロイドはツアーを通して『狂気』の練度を上げていく選択をすることになる。実際に、既に予定されていた1972年の年初から始まった英国ツアーでは、早くも『狂気』が披露されている。

今でこそチャート・アクションを含め歴史的名盤の地位を確固たるものとしている『狂気』であるが、当時は純粋なピンクフロイドの新曲としてステージされている。ほとんどの聴衆にとって初めて聴くであろう『狂気』に対し、その世界観は既に只者ではない雰囲気を醸しており、ステージで展開される幻想的な光景にただ固唾を飲んで見守っている様子が当時のオーディエンス録音から伺える。その一連の延長で行なわれたのが1972年の来日公演であった。ここでも未発表だった『狂気』がオープニングから既に全編を通して演奏されている。

アーティストにとってステージとは何であろうか。ポールマッカートニーは「ビートルズ時代でも新曲より『シー・ラヴズ・ユー』といった曲の方がウケた」と述懐している。観客はレコードで擦り切れるほど聴いた曲をコンサート会場で生演奏で聴くことに楽しみを感じているのがよく理解できる証言である。またアーティスト側の視点では、新曲を披露することで曲の反応をダイレクトに確かめるという意図もあったのではないか。アルバム制作中にもツアーが組まれており、レコーディングの過程で、ステージにおける反応をアルバム制作に反映させる意図があったと思われる。またこれはレコーディングとリリースの時間差から生じる現象だが、ステージで演奏した新曲を再度聴きたいがために後にリリースされるアルバムを購入してもらうといった、プロモーションとしての意図もあったと思われる。レッド・ツェッペリンが既にレコーディング済でありながら未リリースのニューアルバムの曲を積極的にステージで演奏していたのも、おそらくそのような理由からであろう。

しかしピンク・フロイドの場合は、上記のいずれにも属さないまた別の理由があるように思える。1972年のステージでは『狂気』全編がオープニングから演奏されているが、なにせリリースより1年以上前のアルバムをまるごと演奏しているのである。そして本作などで聴くことが出来る『狂気』は、骨格こそリリースされた『狂気』であるものの、はっきり言って未完成の印象を払拭できない。未完成というよりもスタジオ・アウトテイクを聴いているような別バージョンなのである。最も別バージョンというのが語弊があるのであれば、まだ熟成されていないという表現の方がピタリとくるであろうか。ピンク・フロイドにとっても『狂気』に対しては特別な意識があったのだろう。ツアーを通して繰り返し演奏することによって練度を高め完璧な最終形に近付けていこうという、従来にない意図があったのではと想像する。

学生時代の藤子不二雄が初めて手塚治虫の自宅を訪れた際、わずか300ページの「来るべき世界」に対し、元々1000ページもの原稿があり、削った700ページ分があの濃密な作品を支えている事を知り驚愕するエピソードがある。ピンクフロイドの『狂気』があのように隙がなく、終始緊張感が弛緩することなく濃密な作品となっているのは、このように1年かけてステージで熟成させていった結果なのだという事がよく理解できる。後世の人たちにはアルバム『狂気』のみが残るであろうが、当時、ライヴに臨場したファンは、幸運にもこのように、長期に渡る熟成期間があの名盤を支えている事を知っている。その一端が、本作に収録の1972年日本公演なのである。

1972年の日本公演は東京2回、大阪2回、そして京都と札幌と、合計6公演が行なわれている。交通網の発達している現在の目で見てもハードなスケジュールで、特に東京から京都までは5日連続公演である。本作はその初日1972年3月6日東京都体育館公演を収録している。前述のように前半は『狂気』がフルで演奏されている。興味深いのは前半が終了した後に糸居五郎がアナウンスを入れる内容である。当初1月のステージでは『A Piece for Assorted Lunatics』と紹介されていたが、既にこの3月の時点で『The Dark Side Of The Moon』とタイトルが変わっている点。『狂気』という日本語タイトルはまだないという点。なお、当日会場では『月の裏側－もろもろの狂人達の為への作品－』という歌詞カードが観客に配布されたとのことである。そして11月に英国でリリースされる新曲であると紹介している点。11月を予定していたリリースが翌年3月にまで4か月もずれ込むのは、やはり完璧を求めるピンク・フロイドの拘りだったのだろう。

前半が『狂気』全編を演奏し、アナウンスと休憩を挟み、後半は既にリリース済みの楽曲群が並ぶ。「吹けよ風、呼べよ嵐」はツアーポスターにも大々的に謳われた当時の日本のファンにとってピンク・フロイドを象徴する曲であった。その他、ユージン、エコーズ、そして神秘でコンサートは締めくくられる。なお、ディスク2の後半には当時ラジオでオンエアされた同日の別ソースが収録されている。さすがにマズいと思ったのか、放送後にDJが「どこの国の何というバンドでしょうねえ」とトボけた事を言っているのが面白い。これもまた大らかな時代の痕跡であろう。

ピンク・フロイドの1972年来日公演より、初日3月6日東京都体育館を完全収録。後半には当時ラジオでオンエアされた別ソースも併録。美しいピクチャー・ディスク仕様の永久保存がっちりプレス盤。日本語帯付。

METROPOLITAN GYMNASIUM TOKYO March 6, 1972 DISC ONE 01. Speak To Me 02. Breathe 03. On The Run 04. Time 05. Breathe (Reprise) 06. The Great Gig In The Sky 07. Money 08. Us And Them 09. Any Colour You Like 10. Brain Damage 11. Eclipse 12. Announcement 13. One Of These Days 14. Careful With That Axe, Eugene

DISC TWO 01. Echoes 02. Announcement 03. A Saucerful Of Secrets

RADIO BROADCAST SOURCE 04. Speak To Me 05. Breathe 06. On The Run 07. Time 08. Breathe (Reprise) 09, The Great Gig In The Sky 10. Money 11. Us And Them 12. D.J. Announcement Shakuntala. STCD. STCD-043/044

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Pink Floyd / The Dark Side Of The Moon Japanese SACD

In seven-inch deluxe packaging.

By Paul Sinclair

In addition to the previously announced 50th anniversary box set, and the Live at Wembley 1974 formats, Pink Floyd will release a Super Audio CD (SACD version) of their 1973 album The Dark Side Of The Moon .

This is a hybrid SACD that uses the same audio (5.1 surround and stereo) as on the Analogue Productions SACD from 2021. But the packaging is very different as this Japanese edition utilises the popular seven-inch deluxe format which faithfully replicates the UK original LP design (with the posters/stickers) but comes with loads of extra ‘stuff’ as listed below.

• The ‘golden OBI’ used for the four-channel Quad Mix in Japan (note: there is no Quad Mix on the SACD).
• 1972 Pink Floyd In Japan Photo Book (48pages, Airport, Live, and Japan stay in 1972)
• 1972 Pink Floyd In Japan Tour Pamphlet (16 pages)
• Ticket for 1972 tour in Japan (Tokyo Metropolitan Gymnasium, March 6, 1972 )
• Ticket for 1972 Tour in Japan (Tokyo Metropolitan Gymnasium, March 7, 1972 )
• 1972 Tour in Japan Tour Poster (Tokyo: Tokyo Metropolitan Gymnasium)
• The leaflet of the lyrics “The other side of the moon – works for all kinds of madmen -” distributed at the venue of 1972 tour in Japan
• Flyer announcing the 1972 tour in Japan (Osaka: Festival Hall)
• Promotional leaflet (handwritten by record company to promote “The other side of the moon”)
• Commemorative sticker (round sticker for the campaign to promote the band’s visit to Japan at that time)
• Commemorative single jacket (“Pink Floyd/Big 4”)
• Commemorative single jacket (“Point Me at the Sky”)

This special Japanese SACD edition is currently available to pre-order at CDJapan and will be released on 19 April 2023.

• Pre-order Japanese SACD of The Dark Side of the Moon

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5 January 2023

ROYAL MAIL TO HONOUR ROCK LEGENDS IRON MAIDEN WITH A SET OF 12 SPECIAL STAMPS

Royal Mail today reveals images of 12 new Special Stamps celebrating one of the most legendary rock bands of all time, Iron Maiden.

Iron Maiden become only the fifth music group to feature in a dedicated stamp issue – following on from The Beatles in 2007, Pink Floyd in 2016, Queen in 2020, and the Rolling Stones in 2022.

The main stamp set celebrates Iron Maiden’s live performances, featuring a selection of photos from their world-wide tours across the years, internationally and at home – and feature all current members of the band.

Images range from the 1980s until 2018 and show:

–  Steve Harris in Vancouver, June 2010 –  Bruce Dickinson at Hammersmith, Odeon, London, May 1983 –  Dave Murray, Adrian Smith and Steve Harris in Pamplona, September 1988 –  Nicko McBrain in Quito, March 2009 –  Dave Murray, Bruce Dickinson and Janick Gers in Rio de Janeiro, January 2001 –  Adrian Smith and Steve Harris in Helsinki, May 2018 –  Iron Maiden at Twickenham Stadium, London, July 2008 –  Bruce Dickinson sword fighting with Eddie in Birmingham, August 2018

A further four stamps pay homage to the band’s long-serving mascot and pop-cultural icon in his own right, Eddie, with his own miniature sheet. The stamps show four notorious Eddie artworks, including the latest addition featuring Eddie as a samurai warrior from the recent Senjutsu album.

Shown on the stamps are: –  ‘Iron Maiden’ Eddie: The stare that started it all. Born in 1980 – on the cover of the band’s debut album –  ‘The Trooper’ Eddie: The unforgettable artwork for one of Iron Maiden’s greatest hit singles and, more recently, the logo for their award-winning beer –  ‘Aces High’ Eddie: Reimagined as a fighter pilot for a song honouring the RAF servicemen who defended Britain during the Second World War –  ‘Senjutsu’ Eddie: Samurais, feudal Japan and flashing blades inspired this katana-wielding warrior, from the band’s most recent album

The backdrop of the miniature sheet is taken from Iron Maiden’s first official live album, Live After Death (1985).

Founded in east London in the mid-1970s by songwriter and bassist Steve Harris, Iron Maiden’s decades-spanning career has made them one of the most revered and influential bands of all time. With over 100 million record sales, almost 2,500 live performances across 64 countries and 17 studio albums – including their latest, Senjutsu, released in 2021 – Iron Maiden have remained fearlessly creative and dedicated to their legions of fans for almost half a century.

Iron Maiden founder member and bassist, Steve Harris comments:  “We were all absolutely astounded – in a good way! – when we heard first about the commemorative project, and equally pretty much speechless when we saw the stamps for the very first time. They look superb and I think they really capture the essence and energy of Maiden. We’re all very proud that Royal Mail has chosen to honour the band’s legacy like this and we know our fans will feel the same way,”

Iron Maiden manager, Rod Smallwood adds:  “As a band who have never played by anyone else’s rules for over 40 years, it’s very gratifying to see them honoured in their home country in this way. We’re proud to show how these six band members are still appealing to more and more fans every year with their music and their legendary shows – which I think these stamps really capture well. It’s also fantastic that Eddie has been honoured too – it’s incredible to think that Her Majesty, may she rest in peace, saw these and lent her iconic silhouette to them too.”

David Gold, Director of External Public Affairs & Policy, Royal Mail, said:  “Few bands in the history of rock music can be called bona fide rock legends – but Iron Maiden are just that – and more. With legions of devoted fans of all ages and from every corner of the globe, not only have they changed the way rock music sounds, but they have also changed the way it looks. We fully expect their fans will love these stamps as much as we do.”

Royal Mail collaborated closely with the band members and Phantom Music Management Ltd on the stamp issue.

The band will be back on the road in 2023 with their brand new, The Future Past tour, with dates across the UK and Europe.

The stamps are available to pre-order from today (5 January) at  www.royalmail.com/ironmaiden  and by phone on 03457 641 641.

The stamps go on general sale from  12 January 2023  with a Presentation Pack containing all 12 stamps priced at £17.70.

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• March 13, 1972 Setlist

Pink Floyd Setlist at Nakajima Sports Center, Sapporo, Japan

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Tour: Dark Side of the Moon Tour statistics Add setlist

• "Dark Side of the Moon - A Piece for Assorted Lunatics"
• Song played from tape Speak to Me Play Video
• Breathe (In the Air) Play Video
• On the Run ( then titled "The Travel Sequence" ) Play Video
• Time Play Video
• Breathe (Reprise) Play Video
• The Great Gig in the Sky ( then titled "The Mortality Sequence" ) Play Video
• Money Play Video
• Us and Them Play Video
• Any Colour You Like ( then titled "Scat" ) Play Video
• Brain Damage ( then titled "The Lunatic Song" ) Play Video
• Eclipse Play Video
• One of These Days Play Video
• Careful With That Axe, Eugene Play Video
• Echoes Play Video

Edits and Comments

22 activities (last edit by sicko , 10 May 2023, 08:07 Etc/UTC )

Songs on Albums

• Any Colour You Like
• Brain Damage
• Breathe (In the Air)
• Breathe (Reprise)
• The Great Gig in the Sky
• Us and Them
• One of These Days
• Careful With That Axe, Eugene

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• Mar 09 1972 Festival Hall Osaka, Japan Add time Add time
• Mar 10 1972 Kyoto Furitsu Taiikukan Kyoto, Japan Add time Add time
• Mar 13 1972 Nakajima Sports Center This Setlist Sapporo, Japan Add time Add time
• Mar 29 1972 Free Trade Hall Manchester, England Add time Add time
• Mar 30 1972 Free Trade Hall Manchester, England Add time Add time

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Tour Update

Metallica memories: alien ant farm.

• Alien Ant Farm
• Aug 19, 2024
• Aug 18, 2024
• Aug 17, 2024
• Aug 16, 2024
• Aug 15, 2024
• Aug 14, 2024
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