robbie williams tour brisbane

​General Admission Grass ticket holders will need to bring a picnic blanket or rug with them to sit on (should you wish) or alternatively a low-to-the-ground beach style chair or director/camping chair. Please note that beach chairs (being low-to-the-ground) will be positioned in the first half of the General Admission Grass area and director/camping chairs (being higher off the ground) will be positioned toward the rear of the General Admission Grass area.

I LOST SOME BELONGINGS AT A SHOW // LEFT BEHIND CLOAKED OR CONFISCATED ITEMS - WHAT DO I DO? Please contact the Mellen Events office on (08) 9383 3534 or [email protected] in the days immediately after the show. If you cloaked items at the free cloakroom (or had a confiscated item cloaked), please let us know your Cloaking Ticket Number to better help us locate your item.

I PURCHASED A DRINK (ALCOHOLIC) AT THE VENUE & HAVEN'T FINISHED IT BY THE END OF THE SHOW. CAN I WALK OUT THE VENUE WITH IT? No, the event area is a licensed venue and as such, no alcohol can be taken off the premises (just as you can't purchase a drink at a pub and walk out with it - it must be consumed within the licensed area). Please assist security by leaving any unfinished alcoholic beverages behind.

Update to all patrons attending Fri Dec 1st Show

**Update to all patrons attending the Robbie Williams concert this evening at Nikola Estate**

Significant changes have been made in an effort to improve our patron’s experience getting to and from the venue for tonight’s show. These include:

*The venue is working with Main Roads WA to control the traffic lights at the cnr of Great Northern Hwy and Reid Hwy to facilitate a better traffic low.

*The venue has sought approval from Main Roads WA to add an additional entrance the venue. Upon arrival to, and departure from the venue this evening, please follow the directions of traffic management personnel and law enforcement.

*A different bus route will be in place for the Guildford Shuttle buses and pre-paid Buswest buses which should also reduce the amount of traffic congestion.

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First finding fame as a member of 90s boy band Take That, Robbie Williams (born February 13th, 1974) has since become a global star, selling millions of records and becoming one of the UK's most treasured celebrities.

As part of the highly successful group Take That, Williams stood out from the crowd, with an edgy, tougher look than his pretty-boy bandmates. Following in-fighting and William's dislike for the demands made by their management, he left the band in 1995, pursuing a solo career that would lead to brighter success than what had come before.

After leaving the band, Williams befriended Oasis, joining in with the drug-fueled parties that came along with their success, This lifestyle took its toll, with Williams becoming increasingly overweight and the subject of much discussion in tabloid gossip columns, distracting Williams from focusing on his own music. In 1996, he released his first single, a cover of George Michael's "Freedom '90," which was largely a disaster. However, his second single, "Old Before I Die" in 1997 showed more promise, displaying a prominent Oasis influence. His debut album arrived the same year, "Life Thru a Lens," finding huge success in the UK. This was followed by the multi-Platinum release, "I've Been Expecting You," in 1998, establishing Williams' solo career.

His third album, 2000's "Sing When You're Winning" found even greater popularity, bolstered by the hit single "Rock DJ," with Williams also recording a big-band album of standards, "Swing When You're Winning" shortly after. Robbie Williams had by now established himself as one of the leading pop stars in Europe, through an endless string of hits, as well as his larger-than-life persona, selling more copies than he had previously with Take That.

Williams continued this high-flying success with 2002's "Escapology," although despite being one of the biggest stars in the UK and Europe, he failed to break into the American pop market. Despite this, his 2005 record, "Intensive Care" topped the charts in many European countries and his 2006 world tour sold over 1.5 million tickets in just one day. "Rudebox" followed, going double-Platinum in the UK, although it was his lowest selling album in his solo career.

In 2010, news of Take That's reunion brought forth much speculation as to Robbie Williams' involvement, recording a number of new songs with Gary Barlow although he did not become as involved as the other members of Take That. Williams' ninth album, "Take the Crown" arrived in 2012, featuring the production of Jacknife Lee, who has worked with Snow Patrol, R.E.M and Bloc Party, returning to the sound of his earlier work. He again found a number one single with "Candy," reaching the top spot in a number of European countries. In 2013, he again looked towards standards for inspiration, recording "Swing Both Ways," which also featured some originals. The album also featured appearances from star guests including Lily Allen, Olly Murs, Rufus Wainwright, Kelly Clarkson and Michael Bublé.

Live reviews

In full transparency, this is a copy of a review on the Radio Creme Brulee blog.

It is not too far in the distant past that Las Vegas concert residencies were associated with fading pop stars that were way past their commercial prime. More often than not, the artists that gravitated to Las Vegas concert residencies had enjoyed their fair share of the limelight in America’s musical mainstream. Many attribute the dramatic shift in perception for these shows to Celine Dion (with specific regard to her “A New Day” tour). The tour featured theatrical performances and imbibed the spirit of glitz and excess that Las Vegas is often characterized by. Since then, artists such as Elton John, Britney Spears, and Jennifer Lopez have carried on this tradition with immense success. The newest twist to the history of Las Vegas residencies is one that British pop superstar Robbie Williams just might be the catalyst for.

Robbie Williams is one of the more noteworthy symptoms of the US musical mainstream’s stubborn insularity from the global pop music landscape. Despite being the recipient of the second largest recording contract (valued at 80 million pounds) of all time, Robbie Williams (like many artists from the UK) has been overlooked by US terrestrial radio’s gatekeepers. These gatekeepers enjoy immense power to shape public opinion even today despite the rapid proliferation of alternate venues for music discovery besides terrestrial radio in the last two decades. As a result, Robbie Williams’ chart success in the US has been rather lackluster. None of his singles have entered the Billboard Top 40 singles chart. This is in stark contrast to his larger-than-life popularity overseas (literally everywhere besides the US). Furthermore, it has been almost two decades since he last performed live in the US.

Given this reality, it is rather interesting that Robbie Williams chose a Las Vegas concert residency route as opposed to a mini-tour covering the US’ key media hubs. The second element of surprise stems from the conscious choice of venue. Williams’ team has opted for the intimacy of the Encore Theater at Wynn Resorts. This is quite a shift for someone that in Europe is considered a stadium act. The final element of surprise is the overwhelming demand for tickets for these shows. The six shows scheduled for March 2019 have sold out. It would be interesting to see data highlighting the split between domestic and international demand for these tickets. Six more dates have been added between the months of June and July in Las Vegas.

On the evening of March 9, as concert attendees began to fill in the Encore theatre and indulge in friendly banter with each other, it became clear that one common theme linked many of the Americans in the audience. Most of these people either had foreign ties (by virtue of having lived or studied in Europe at some point in their lives) or had discovered Robbie Williams in the couple of years in the late 90s during which his promotion team tried to actively promote him on American television (to compensate for the lack of acceptance from American terrestrial radio gatekeepers).

My expectations of the concert were moderate – not because I expected to be underwhelmed but because I assumed (incorrectly of course!) that the intimacy of the Encore Theatre automatically meant that the show would be a mellow affair with Robbie Williams sitting on a stool performing mostly swing covers. While covers comprised a significant portion of the setlist, the concert was as far from a mellow affair as it could be. The concert opened with a call to the audience to sing the cheeky and irreverent “National Anthem of Robbie” with the lyrics being projected on to the curtains. The audience obliged with an overabundance of enthusiasm as they sang along hilarious lyrics such as

“Yes he went to rehab

Drugs and drinks took him low

God bless our Robbie

He can swing both ways

He is totally global

Except in the US of A”

This was followed by a video of Robbie Williams being broadcast on the curtains with the crowd cheering on deliriously. The curtains opened to a jaw-dropping stage setup. This was the first indication that Robbie Williams had decided to emulate elements of a stadium concert setup within the smaller confines of a theatre. In fact, the stage set design is one of the smartest uses of spaces I have seen in a very long time. The stage featured three ramps two of which were joined like a horseshoe and a center ramp. There were circular spaces between the ramps which is where the band performed. Robbie Williams made a rather dramatic entry via a suspended platform from the ceiling of the theatre.

The concert was an invigorating cocktail of Robbie’s unapologetic and ego-driven lack of political correctness, quirky humor with not even a hint of inhibition, his penchant for excesses, and the glitz and theatrics laced with a touch of class that have come to characterize Las Vegas as a music concert destination. For an artist that has not been in the American limelight for over 15 years, Robbie Williams embodied the spirit of Vegas with relative ease. In addition to the magnificent stage, Robbie’s entourage featured a troupe of drop dead gorgeous female dancers that performed eye-popping dance routines on songs such as “Rock DJ”, “Let Me Entertain You”, and “Swings both ways”. The euphoria factor of this concert surged ten-fold whenever they were on stage.

There were some defining elements of the concert worth highlighting. The first was a reverence for Las Vegas as demonstrated by the high-adrenaline performances. The second was an ode to Robbie Williams’ beginnings as the dreamy-eyed boy from Stoke-on-Trent (UK) as showcased on performances of songs such as “Mr Bojangles” and “Sweet Caroline” (a Neil Diamond cover performed with his father Pete Conway). In fact, “Sweet Caroline” was one of two songs that featured Robbie’s father – a rather unusual and heartwarming twist to a typical concert format. The final element was Robbie Williams’ commitment to audience engagement. For his performance of “Something Stupid”, he invited an Australian fan from the audience and serenaded her on a couch on a stage. It is fair to say that she took full advantage of the situation and probably got the most bang for her buck as she squeezed his buttocks before leaving the stage. He was aware that people had traveled from different parts of the world for this concert. He asked people to yell out and identify themselves as he did a roll call for Europeans, Australians, Kiwis, and finally Americans. To the Americans, he yelled “why don’t you tell your f**kin friends about me???? I don’t want to be infamous for NOT being famous in America”.

Musically, the highlights of the night were “Feel”, “Rock DJ”, “Swings both ways”, “Let me entertain you” and the penultimate track of the evening – “Angels” (which he introduced by saying “OK fine, I’ll perform that one hit”). The night ended with a cover of “My Way” (made popular by Frank Sinatra). The performance was a subtle nod to the artist that had come to define the early history of Las Vegas concert residencies. It was minimalist at best with only Robbie Williams and his primary songwriting partner Guy Chambers on the piano. At the end of the song, Robbie Williams exited by sinking in to the stage while Guy Chambers continued to play the piano as the curtains descended slowly. There was something symbolic about that moment as it focused the spotlight on the songwriting partnership that sowed the seeds for Robbie Williams’ monumental rise to stardom. Prior to this musical alliance, the success of Robbie Williams was far from a foregone conclusion.

One cannot doubt the larger than life ambition of Robbie Williams in his creative vision for this show. He undoubtedly tried to incorporate a lot but in doing so, he may have inadvertently eschewed the primary aspect of his career – his own hits. With a musical legacy spanning over 11 albums as a solo artist (and fifteen albums including the ones with Take That), he was never going to be in a position to do justice to all of it. That being said, he may have gone too far the other way with a covers-heavy setlist. In my humble opinion, that might have been a miscalculation in the context of an artist trying to reacquaint himself with American audiences. His legacy has been largely built off his own hits as opposed to those of others. This might be my only criticism (albeit a rather significant one) of the concert.

The concert is a reminder that America’s insulation from the European musical mainstream since the mid-90s is America’s loss. It is also a reminder that pop music can be fun, classy, and entertaining without being sonically hollow. It is my sincere hope that Robbie Williams’ return to the American stage forces a re-evaluation of gatekeepers in the American musical mainstream that have largely failed in their endeavor to uphold one of the fundamental tenets of responsible media – diversity.

On the other hand, Robbie Williams may have found the city that embodies his spirit and both him and his concert audience are better off for it. I hope that this performance not only ushers in a new era for Robbie Williams’ relationship with America but also for the many talented popstars from across the Atlantic that have been relegated to relative obscurity in America.

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When you’re at a Robbie Williams concert, one thing that you’ll notice straight away is how varied the crowd is. The first time I saw Robbie Williams live was when I was nine years old, at Milton Keynes Bowl. To enter the stage, he descended from the sky on a wire. Suffice to say, I was already mesmerised. His opening song, - the classic - "Let Me Entertain You," couldn’t have been more fitting. His performance was full of life as he paraded the stage exuding more and more confidence with every breath. Never before has a Mexican wave filled me with such joy as when conducted by Robbie himself. With the crowd in the palm of his hands, he ran through classics like "Kids" and "Angel," then recently released songs like "Let Love Be Your Energy" and "Better Man," and even did a couple of covers – he did a cover of Wings’ "Live and Let Die" boldly early on his set, and the crowd love it, especially my mum! Eleven years on, seeing Robbie Williams at the O2 Arena London, I was no less disappointed. He didn’t appear miraculously from the sky, but he was still greeted by thousands like a God. Performer to the masses, for the masses, his rendition of "Be a Boy" spoke wonders – there, my idol of nine years old sang, wearing a huge gold crown, as powerful ever.

A showman to the very end, Take That favourite turned solo artist Robbie Williams really knows how to put on a show. An artist with an impossible amount of hits, the real genius is moulding a live show that both satisfies his artistry as well as his loyal fan base.

Confidently striding onto stage, Robbie does a whole circuit of his runway and stage to really lap up the excited cheers before launching into a swing inspired set. Covers by the likes of Harry Richman and Dean Martin allow him to indulge in his favourite genre whilst still showcasing his abilities as a frontman. A brilliant live band supports the singer throughout and a selection of video interludes splits the show. The hit single 'Swing Supreme' divides a jazz heavy first half.

When he returns for act II following more video footage of the tour preparation, the hits are all lined up to be knocked out in quick succession. These included new track 'Go Gentle' and 'She's The One' which receive deafening screams from his devoted crowd. A mash up of 'Rock DJ', 'Come Undone' and 'Candy' is expertly done before the finale of 'Angels'. This track is performed with the huge band before it leads off to a last acapella verse shared with just Robbie and his thousand strong choir.

Mr Williams is sexier than Elvis! Robbie appears to entertain without any effort at all. His charismatic charm and boyish grin makes me blush whenever he looks you in the eye!

He works the room and woes the crowd. Robbie's voice is now lower but better because of his technique! He is a consummate professional, this was obvious when a speaker feedback sent him into a rage mid song!! LMEY - that's what he does from start to the long awaited final song Angels! My favorite is 'Me and my monkey' a story song about sin city Las Vegas. His band are the best I've seen and his backup singers brilliant!

Best part was RW was hot and sweaty so he disappeared then came back on stage wearing a sexy black kilt! Yes he mooned us too (but with jocks)! The old Robbie has gone but the new version is a Better Man!

Last nights Robbie Williams show was amazing. Good to see stringent security checks/searches at turnstiles. Although we had been offered a change of pitch standing to seating tickets, when tickets arrived they were for standing, and now really glad. We managed to get quite close to stage,Robbie's performance from beginning to end was amazing. He commands the audience and his audience participation was brilliant, touching at times when he got us to sing along to "strong" as he has clearly changed the words to "We're strong " for victims of Manchester tragedy. He was absolutely outstanding and I enjoyed every second. Tender moments when his dad joined him on stage and they duetted. Brilliant, fabulous show. Security staff also excellent all evening, very helpful.

I went to the Take That re-union concert in Düsseldorf some years. One of the best concerts I have ever been. The pre-group were the pet shop boys. They were so good. We all thought they will be hard to beat. How wrong we were! Take That started for approx an hour without RW and were absolutely fantastic. Then a very strange thing was brought on stage, with RW on top. What an entrance... then everything changed. He started straight away with one his best. I think it was Rock DJ. In a Nutshell, Take That was brilliant but unbeatable with RW together. If ever you have the chance to see him, do go. You will of regret it.

Talk about making an entrance, 17 showgirls parading his Brit awards, straight into "the heavy entertainment show" and "let me entertain you" then "Rock DJ" what an opening. Then when we thought it couldn't be more exciting, the opening bars of "the flood" and the other Take That boys arrived. (Shame Jason wasn't there) and we were also treated to everything changes. Robbie returned to centre stage to delight us with a good mix of songs from all of his albums.

Then later in the set, take that returned to present him with his Brit Icon award. Fantastic show, already have my tickets for next June.

Robbie is always spectacular and an amazing entertainer. He had the crowd in the palm of his hands. I went to Rochford, and the two at Rod Laver. It was hilarious when he got Justin on stage to sing Something stupid to, as Robbie thought he was gay.

He is such a showman, love him to bits and can't wait for his next concert.

He did all of his old well known songs.....I can't wait until he comes back down under again. He sang Men at Work's "Land Down Under" which was simply awesome.

He is just so, so AWESOME....ROBBIE WILLIAMS FOR KING

I have to say that I have mixed feelings about this concert. He came on late at 9pm finished 10:15pm. He only did a few classic songs. He should have come on at 7 or 8:30pm and we had no open act. He made it up by performing Angels, Strong, No Regrets but he should have performed Rock DJ and Millennium. Why he did Feel and Let me entertain you. he did perform love my life.

could have been better if he came on time. 3/5

Robbie Williams is the ultimate entertainer. His concert at the Brisbane Entertainment Centre was simply outstanding. It was my first concert and I'm glad it was Robbie.

The Brisbane Entertainment Centre on the other hand was very different. I have never had seats more uncomfortable. Sardines! I did request a move and was given the best seats in the house. On that note I will give them an A+

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Robbie Williams 2023 Australian Tour Setlists

By Music Feeds

Robbie Williams is celebrating 25 years of hits at a bunch of Australian headline shows this month. The British pop star is playing stadium venues in Sydney and Melbourne and wineries in Mount Cotton, Geelong and Swan Valley.

Williams will be supported throughout the tour by Supergrass’ Gaz Coombes and his own electronic project, Lufthaus. The three acts are booked in for the final night of the VAILO Adelaide 500 after-race concert series .

The tour comes 25 years after the release of Williams’ debut solo record, Life Thru A Lens . He’s released a total of 12 studio albums a solo artist, the latest being 2019’s The Christmas Present . The retrospective compilation, XXV , came out in September 2022. You can find all of Williams’ Australian tour setlists below.

Robbie Williams – ‘Let Me Entertain You’

​Adelaide 500 @ Adelaide Parklands

• Sunday, 26th November
• Hey Wow Yeah Yeah
• Let Me Entertain You
• Land of 1000 Dances (Chris Kenner cover)
• Come Undone
• Could It Be Magic (Barry Manilow cover)
• Don’t Look Back in Anger (Oasis cover)
• Back for Good (Take That song)
• Love My Life
• You’re The Voice (John Farnham cover)
• She’s The One (World Party cover)
• Medley: Let Me Entertain You, Strong, Back For Good, Feel, Angels

AAMI Park, Melbourne

• Thursday, 23rd November
• Let Me Entertain You 
• Land of 1000 Dances (Chris Kenner cover) 
• Come Undone 
• Could It Be Magic (Barry Manilow cover) 
• Don’t Look Back in Anger (Oasis cover) 
• Back For Good (Take That song) 
• Love My Life 
• You’re The Voice (John Farnham cover) 
• Wednesday, 22nd November
• Back For Good (Take That song)
• Medley: Let Me Entertain You, Strong, Come Undone, Better Man, Feel, Angels

Sirromet Wines, Mount Cotton​

• Sunday, 19th November

Sirromet Wines, Mount Cotton

• Saturday, 18th November

Allianz Stadium, Sydney

• Thursday, 16th November

Robbie Williams – 25 Years Of Hits Australian Tour 2023

• Thursday, 16th November, 2023 – Allianz Stadium, Sydney, NSW
• Saturday, 18th November, 2023 – ​Sirromet Wines, Mount Cotton, QLD (A Day On The Green)
• Sunday, 19th November, 2023 – ​Sirromet Wines, Mount Cotton, QLD (A Day On The Green)
• Wednesday, 22nd November, 2023 – ​AAMI Park, Melbourne, VIC
• Thursday, 23rd November, 2023 – ​AAMI Park, Melbourne, VIC
• Saturday, 25th November, 2023 – Mt Duneed Estate, Geelong, VIC (A Day On The Green)
• Sunday, 26th November, 2023 – Adelaide Parklands Street Circuit, Adelaide (Adelaide 500)
• Thursday, 30th November 2023 – Nikola Estate, Swan Valley, WA (A Day On The Green)
• Friday, 1st December, 2023 – Nikola Estate, Swan Valley, WA (A Day On The Green)

Tickets on sale now

Further Reading

Supergrass’ Gaz Coombes to Support Robbie Williams on 2023 Australian Tour

Lineup Announced for Adelaide 500 After-Race Concerts: Robbie Williams, Icehouse, Christine Anu + More

Paramore 2023 Australian Tour Setlists

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Robbie Williams Live Concert Experience

Sirromet Winery

Contact & Location

850-938 Mount Cotton Road, Mount Cotton Queensland 4165

diamondexperiences.com.au

[email protected]

0429 882 238

SOURCE www.atdw.com.au

For the ultimate live concert experience, you cannot go past the ultimate VIP experience.

Diamond Experiences take care of the details, leaving you free to create memories with colleagues or loved ones.

Your all-inclusive tickets include a stunning welcome with champagne and charcuterie from Lina Rooftop, group luxury transfers to and from Sirromet Winery, clear views of Robbie Williams from the Diamond Experiences private marquee, a deluxe hospitality package for the entire duration of the concert and access to private toilets within the marquee area, ensuring no queues.

Approximate times (confirmed closer to the concert):

4.30 pm | Guests arrive at Lina Rooftop 5.30 pm | Group departs Lina Rooftop in a shared luxury transfer to Sirromet Winery

6.30 pm – 10.30 pm | Diamond Experiences Private Suite

10.30 pm | Group departs Sirromet Winery and returns to Lina Rooftop

The formal experience concludes upon our return to Lina Rooftop. Guests may wish to enjoy a night cap at the rooftop or make their way home.

Tickets $1,195 per person Members Only $1,100 per person

Diamond Experiences Members have first opportunity to book experiences. Any remaining tickets will be released to the public.

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Live Review: Robbie Williams – A Day On The Green 2023 – Sirromet Winery, Mt. Cotton

ARTIST: ROBBIE WILLIAMS VENUE: A DAY ON THE GREEN, SIRROMET WINES, MT. COTTON QLD DATE: NOVEMBER 18TH 2023 REVIEWER: HAYLEY TREADWELL PHOTOGRAPHER: ANDREW TREADWELL PHOTOGRAPHY

I think the last time I was as excited for a concert was about 20 years ago! I have been looking forward to this show since it was announced. Robbie Williams, the undisputed King of pop, coming to our little neck of the woods at Sirromet Winery! What an absolutely magical afternoon and night! 

The magic started when we arrived at Sirromet and found our spot on the grass in the front GA section. I loved watching everybody flow in and find their space, and seeing the laughter and joy as people set up their little picnics and poured their first drinks. DJ Joey Lightbulb played some great tracks allowing everybody to just enjoy a chilled vibe for the afternoon. 

An exciting inclusion in the line up, Lufthaus opened the performances for the day with their electronic sound radiating over the hills of Mount Cotton. Lufthaus is Robbie Williams dance music project which saw him make an under the radar return to music in early 2022. Since then however the group has had much success and released their debut album in September this year. I really enjoyed their opening set and getting to know more music from Robbie and his contribution to this great collaboration. 

English musician and frontman of the band Supergrass, Gaz Coombes gave a flawless performance with a set filled with soothing blues vibes through to upbeat rock songs! I think he was a little unappreciated by the crowd, but I thought Gaz Coombes was outstanding! What a voice! Dancing the afternoon away with Gaz and his band was a perfect way to warm the crowd for the man we were all waiting for. 

Off the back of his Netflix documentary, the XXV tour is such a special experience! I think because the layers are already off, the moment the music started the energy and emotions coming from the stage were simply infectious! What an incredible showman!!! 

Opening up with 2012 hit ‘Hey Wow Yeah Yeah’ all the girls and boys were clapping their hands at the silhouette of Robbie behind the screens, and when those screens came up, the showman came alive and so did the crowd! 

‘Let Me Entertain You’ really lifted the crowd again as Robbie, ‘re-introduced himself’, his band and his a$$ and made sure we were with him, before he returned to dancing up a storm as the crowd screamed and cheered. 

Robbie told us he was going to take us on a journey of the ‘highest highs and the lowest lows’ and all the things in between. He shared stories of his life, chatted with the crowd, hugged a fan or 2 and just looked like he was having the time of his life. I know, I was.

I loved the covers of Take That and Oasis. Nothing like ‘sticking it to the man’ by singing these songs just as good, if not better than the originals! And that’s what makes me love Robbie Williams so much, that energy that says, enough of your shit, now I do it my way! And he does it with such effortless joy, a radiating smile and a genuine love for being on the stage! I could not have been more grateful to have danced and sung the night away with this incredibly talented superstar!! 

Hearing hits like ‘Come Undone’ and ‘She’s The One’ live were incredibly moving, and then dancing our butts off to ‘Kids’ and ‘Rock DJ’ where you never want the moment to end, song after song of passionate delivery and raw emotion in every song was the journey Robbie had promised us. 

‘Like a Bogan fairytale’ may be my most favorite way I have ever heard a crowd described, but that is exactly the compliment Robbie gave us as he asked us to light up the night with our phones and then helped us sing him into the final song of the night, ‘Angels’. 

I saw people crying tears of related pain and tears of genuine joy and happiness. People dancing and cheering in every direction, just one big party with our host for the night, Robbie Williams. 

There are limited tickets available for the remainder of the tour and I think if you have always wanted to see Robbie and can get to these venues, this is the time to go! He is in the prime of his career and having an awful lot of fun on stage and with the crowd and it truly is not to be missed for every fan! 

To the amazing folks at A Day on The Green who put on a fantastic show, Frontier Touring for bringing us this great tour and Robbie Williams and his team, thank you so much for coming out to Sirromet Winery! I will never forget the night we spent with the greatest showman of our time! Robbie, you are magic! 

Until the next gig 

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Robbie Williams Concert Setlists & Tour Dates

Robbie williams, robbie williams at planai-stadion, schladming, austria.

• Hey Wow Yeah Yeah
• Let Me Entertain You
• Land of 1000 Dances
• Come Undone
• Could It Be Magic
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Robbie Williams at A Day on the Green Swan Valley 2023

• Do What You Like
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Robbie Williams at VAILO Adelaide 500 2023

Robbie williams at a day on the green geelong 2023 #4.

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Robbie Williams at AAMI Park, Melbourne, Australia

Robbie williams at a day on the green brisbane 2023 #5.

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Most played songs

• Angels ( 631 )
• Let Me Entertain You ( 564 )
• Rock DJ ( 440 )
• Feel ( 402 )
• Strong ( 362 )

More Robbie Williams statistics

3forty5 A-Meezing Coverband Airways Alien Clouds Alienare Andrea Gioe David Archuleta Avant Garden Back to the 80s, 90s & 00s Barilari Gary Barlow The Baseballs Eric Bazilian Drake Bell Louis Bertignac The Best of Britain Bloodsucking Zombies From Outer Space BLØF De Boertjes van Buuten The Boots Boys Republic Cristóbal Briceño Danica Bryant Howard Carpendale Marco Carta Catapults The Chain Gang Chained To An Idiot Guy Chambers Circa Waves Liam T Clayton Clouseau Dean Collins Pravila Igre The Cross Filip D'Haeze Darius Deaf Havana Carolina Deslandes Di‐rect Digital $tone Doctor and the Medics Andreas Dorn Jahméne Douglas Eliza and the Bear Elles Elvis Nick Emil Bulls Enjoyable Listens Felix Pate

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Kristen Anderson‐Lopez & Robert Lopez Aqua Harold Arlen Rick Astley The Beatles Bee Gees Irving Berlin Blur David Bowie Buggles Robert Burns Cab Calloway Carson and Gaile The Dave Clark Five The Clash The Nat King Cole Trio Eddie Cooley Creedence Clearwater Revival Neil Diamond Joe Dolan Ian Dury & The Blockheads Duke Ellington and His Orchestra Eminem The Everly Brothers & Harry Belafonte Claude François Frankie Goes to Hollywood Gloria Gaynor Ashley Hamilton Steve Harley & Cockney Rebel Mildred J. Hill & Patty Hill Richard Himber and His Orchestra Mark James JAY‐Z John Kander R. Kelly Chris Kenner The Killers The Kingston Trio The La’s Limp Bizkit Lorde Darlene Love Barry Manilow Dean Martin Hugh Martin Men at Work Johnny Mercer George Michael Vaughn Monroe and His Orchestra Marion Montgomery

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Gigs seen live by

4,466 people have seen Robbie Williams live.

CharlotteJ onlineprof evrasova kuringgai ozp3dr0 JeffgJones concert_mania neilsherwin nthn TheRealAsh laurenashlee UberEbs79 lukelive25 bemo colspooners criscles LinkBizktPepprs Grasshopper75 hannahroids Jenoby kathy123456 andrewjcrone dbeads Wheresmymojo Leroycat horshradise rez125 JosieFitt annemareec MickBell rapenn Kath_sand87 Rj777 Chrissyboy66 yaudog Wickers73 Cspellin9 Babakazoo parkes_au SDevo rise-4 jus_wil Ryaneric Phil66 ravenburn Strangermouse Papsty25 chrismagnet dylbagz Aussiefaraday

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Robbie Williams Nov 2023

ROBBIE WILLIAMS RETURNING TO AUSTRALIA IN NOVEMBER 2023 A DAY ON THE GREEN TO HOST THE ONLY QLD, WA & REGIONAL VIC SHOW Roundhouse Entertainment, Chugg Entertainment and Frontier Touring are delighted to announce global pop phenomenon ROBBIE WILLIAMS will return to Australia in November 2023 to play headline dates across the country, including three very exciting a day on the green events. Robbie will entertain a day on the green audiences at Queensland’s Sirromet Wines, Mount Cotton on Saturday 18 November; Geelong’s Mt Duneed Estate on Victoria’s Surf Coast on Saturday 25 November; and he will then make his Swan Valley debut at WA’s Nikola Estate on Friday 1 December. "Australasia is one of my favourite places in the world to tour,” Robbie says. “I feel so at home there and hugely appreciate the warm, loving welcome I always receive. I can't wait to do these shows in 2023 and spend some time with my fans.” Tickets go on sale on Friday 30 September from 1.00pm local time from Ticketmaster with the a day on the green and AAMI members’ pre-sale beginning Thursday 29 September. ROBBIE WILLIAMS is without doubt one of the finest male pop stars of his generation, having sold more than 85 million albums, with 14 UK number one albums and 14 number one singles as a solo artist. With an unparalleled catalogue of pop hits, including Angels , Rock DJ , Kids (with Kylie Minogue), Feel , Better Man , Love My Life , Supreme and countless more career-defining smash singles, the Let Me Entertain You superstar does exactly that! With his new album XXV released earlier this month, Robbie celebrates twenty-five years as a solo artist. A journey through his career-defining catalogue, featuring multiple No.1 hit singles and fan favourites, the songs of XXV offer a fresh and illuminating perspective, having been newly orchestrated by Jules Buckley, Guy Chambers and Steve Sidwell, and re-recorded with the acclaimed Metropole Orkest in the Netherlands. Last on tour in Australia and New Zealand in 2018 on The Heavy Entertainment Show World Tour – which included two huge sold-out a day on the green events in Victoria – and more recently performing two exclusive nights in Melbourne for his Better Man biopic, Robbie is raring to deliver his live show to his favourite cities down under in 2023. “He is Robbie f***ing Williams; he’s a national treasure.” – DIY Mag “So rarely, these days, do you see someone smash it to such a high and palpable degree. So rarely does it feel as though the stars – man, mood and moment – align to create such pure, concentrated entertainment.” – VICE “There was so much joy and frivolity in this concert that it's hard to know where to begin…” – Sydney Morning Herald Playing his highly anticipated AFL Grand Final headline performance this weekend, the iconic artist will entertain a crowd of 100,000 fans before the game kicks off on the hallowed turf of the MCG. Do not miss the ultimate showman, ROBBIE WILLIAMS , live in concert when he returns to Australia in November 2023! Tickets go on sale Friday 30 September from 1.00pm local time from Ticketmaster . TOUR DATES ROBBIE WILLIAMS XXV AUSTRALIAN TOUR A DAY ON THE GREEN Sat 18 Nov 2023 – Sirromet Wines, Mount Cotton, QLD Lic. All Ages Sat 25 Nov 2023 – Mt Duneed Estate, Geelong, VIC Lic. All Ages Fri 1 Dec 2023 – Nikola Estate, Swan Valley, WA Lic. All Ages All event information adayonthegreen.com.au FRONTIER TOURING Thurs 16 Nov 2023 – Allianz Stadium, Sydney, NSW Thurs 23 Nov 2023 – AAMI Park, Melbourne, VIC All event information frontiertouring.com TICKETING ROBBIE WILLIAMS FAN CLUB PRE-SALE (ALL SHOWS) Via robbiewilliams.com Runs from: Tuesday 27 September, 12.00pm local time for 72 hours or until pre-sale allocation exhausted AAMI CUSTOMER PRE-SALE (A DAY ON THE GREEN SHOWS ONLY) Via AAMI Events and Experiences Runs from: Thursday 29 September, 12.00pm local time for 24 hours or until pre-sale allocation exhausted A DAY ON THE GREEN MEMBERS PRE-SALE via adayonthegreen.com.au/register/ Runs from: Thursday 29 September, 12.00pm local time for 24 hours or until pre-sale allocation exhausted GENERAL PUBLIC ON SALE Tickets on sale Friday 30 September at 1.00pm local time From Ticketmaster | 136 100  

IMPORTANT INFORMATION Patrons are advised to purchase tickets only through authorised ticket sellers. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the A Day On The Green, Frontier Touring and winery’s websites TICKET PRICES – A DAY ON THE GREEN Front GA Standing Only – $249.90 plus booking fees Gold Reserved Seating – $199.90 plus booking fees GA - Lawn – $149.90 plus booking fees EVENT INFORMATION a day on the green is Licensed All Ages. Strictly no BYO alcohol. Food will be available on site or BYO. Under 18 patrons must be accompanied at all times by a responsible adult. ALL patrons must have a ticket, regardless of age. TRANSPORT For a totally relaxing, stress-free day, leave the car at home and travel by bus. This is the preferred a day on the green transport option. For all transport and event information, go to adayonthegreen.com.au ABOUT A DAY ON THE GREEN 2023 marks the 22nd season of a day on the green , which started in January 2001. After nearly 500 shows and more than 4 million happy patrons, the a day on the green experience of good food, fine wine and great music in magnificent locations remains unrivalled and is firmly established as one of Australia’s most popular and premier outdoor concert events. Sign up here to become an a day on the green member to keep up to date on all the latest tour information and access pre-sale offers, competitions and more. robbiewilliams.com | facebook.com/robbiewilliams twitter.com/robbiewilliams | instagram.com/robbiewilliams Spotify | YouTube mushroom.com adayonthegreen.com.au Proudly presented by Frontier Touring, Chugg Entertainment, Roundhouse Entertainment, Bay 93.9 & Geelong Advertiser (Geelong), Nova 106.9 & Sea FM 90.9 (Mount Cotton) Aboriginal and Torres Strait Islander cultures have honoured and celebrated the role of music and songlines for over 60,000 years. Roundhouse Entertainment acknowledge and pay respect to all Traditional Custodians of Country, including the lands on which we work, and our artists create and perform.

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About Robbie Williams

He is the best-selling British solo artist in the United Kingdom and the best selling non-Latino artist in Latin America. Six of his albums are among the top 100 biggest-selling albums in the United Kingdom, and in 2006 he entered the Guinness Book of World Records for selling 1.6 million tickets of his Close Encounters Tour in a single day.

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