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The Cab (formed in 2004) is an American melodic pop/rock group who rose to notoriety with their debut album, “Whisper Way”, featuring Panic! at the Disco’s Brendon Urie and Fall Out Boy’s Patrick Stump, hailing from Las Vegas, Nevada, U.S.

Initially formed by friends and schoolmates Alexander DeLeon and Cash Colligan, the pair began recording demos together and uploading them to MySpace in 2004. By late 2005 DeLeon and Colligan invited drummer Alex Johnson, guitarist Paul Garcia, and pianist Alex Marshall to join the Cab’s lineup, later playing their first show at The Alley in Las Vegas. The following January the Cab signed with local label Olympus Records, however progress was stalled until the band were able to give a demo to Panic! at the Disco’s Spencer Smith and Jon Walker. The demo resulted in the Cab signing with Decaydance Records around the same time members were graduating from high school.

Without having released any material the Cab were generating themselves a great deal of exposure on tours in support of We the Kings, Panic! at the Disco, Dashboard Confessional, and Forever the Sickest Kids. In March 2008 the band performed at the year’s SXSW Festival followed a month later by the release of their debut full-length “Whisper War”. Featuring Brenden Urie of Panic! and Patrick Stump of Fall Out Boy, the record was led by the single “One of Those Nights” and topped the Billboard Heatseekers Chart. The LP’s subsequent singles included “I’ll Run” and “Bounce” both of which earned regular radio play and rotation in the online blogosphere. In support of the record the Cab embarked on the Dance Across the Country tour with Steel Train, The Morning Light, and The Hush Sound.

In June 2009 guitarist Crawford left the group and was replaced by their friend Bryan Dawson, followed by the departure of bassist Cash Colligan later that year. In 2010 the Cab played on the Alternative Press and Warped Tour, before advertising for a new guitarist. Ahead of their sophomore album “Symphony Soldier”, the band moved to Universal Republic and released the single “Bad”. Earning widespread critical praise, the record features the likes of Pete Wentz, John Fieldman, and Bruno Mars. The Cab embarked on a national headlining tour in support and promotion of the record, before opening for All Time Low, Simple Plan, Avril Lavigne, and Maroon 5. The EP “Lock Me Up” followed in April 2014, following which Alex Marshall parted ways with the group.

Live reviews

The Cab? They are 'Cabulous' live. Sorry for the awful joke but, in all honesty, they are brilliant live. I love the atmosphere of concerts as it is, but when The Cab are on stage, it's crazy. One of my favourite songs by The Cab is 'Angel with a shotgun' because it's so touching. Performed on stage takes it to another level. Right before singing this at the concert I was at, they spoke to the audience, really engaging. Someone was pulled up on stage. I'm not sure whether I've been any more jealous than I was right at that moment, yet it was so fun. The venue wasn't too large, making you feel like you were part of the action, it also helps that it feels as if they own the stage.

It's easy to say that this was one of the concerts I'd been most looking forward to seeing, and one of the ones I was most upset about not being able to go back too. Be warned, when you leave the concert, you will want to relive it again and again.

It's hard not to listen to any of their songs and not have it stuck in your head for the next few days.

Catchy and trending, The Cab is my cup of tea. Or coffee.

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Find out more about The Cab tour dates & tickets 2024-2025

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• Arizona Zervas (2092)
• The Cab (2093)
• Set It Off (2094)

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• Los Angeles (LA) (32)
• Montreal (24)
• Las Vegas (16)
• Philadelphia (15)
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• Never Shout Never (113)
• We The Kings (105)
• Hey Monday (104)
• The Summer Set (82)
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This Wild Life Announce New Album, ‘Never Fade’, + Release Two New Tracks

The kid laroi announces us leg of the first time tour, tim qualls releases first single from his debut album ‘feel’, “forever”, nic d releases long awaited music video for “fine apple”, it took miley cyrus 18 months to craft “used to be young”, more like this related.

Melodic Music Monday: August 19

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About The Cab

The Cab is an American alternative rock band from Las Vegas, Nevada.

List of The Cab's featurings

Snoop Dogg, Alex Goot & Max Schneider

The Cab members' ages

The Cab members are currently 35, 39, 35 & 37 years old.

The Cab's country of origin

The Cab is from United States.

The Cab members' real names

The Cab members' real names are Alexander DeLeon, Cash Colligan, Alex Marshall & Ian Crawford.

The Success Story of The Cab

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The Cab to Return in 2020, Tease New Music: Listen

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They’ve been on hiatus for the last six years, but it looks like we’re finally getting new music from Vegas power-pop favorites  the Cab in 2020.

A tweet from guitarist / pianist Alex Marshall was posted yesterday and included a 41-second-long snippet of what appears to be a new track titled “Wasted.”

It was accompanied by a caption, which featured the song’s lyrics " Sippin’ on ya naked I was fuckin’ wasted."  It follows tweets from Marshall last year that confirmed new the Cab material was in the works.

The teaser is the first taste of new music we’ve had from the Cab since the band went on a break in 2014 following the release of their EP Lock Me Up .

Frontman Alexander DeLeon has been heavily occupied with his solo alt-pop project Bohnes during that time. He’s also written for other artists, including Panic! At The Disco . Judging from what we’ve heard, “Wasted” looks set to continue the R&B-influenced, pop-heavy sound the Cab moved toward with their later material.

There’s been no official word on a reunion for the Cab yet, with the band’s social media inactive since 2018, but given Marshall’s tweets, a new album announcement certainly looks like it’s a matter of when and not if.

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Grammy-nominated Bass Soloist

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• Night Splash -:-- / 1:02
• CAB -:-- / 1:02
• So There Is Love -:-- / 1:02
• Just Perfect -:-- / 1:02
• One for Stern -:-- / 1:02
• The Watcher -:-- / 1:02
• Antanamashi -:-- / 1:02
• Boogie Me -:-- / 1:02
• Elastic Man -:-- / 1:02
• Bernard -:-- / 1:02

With Bunny Brunel, Dennis Chambers, and Tony MacAlpine.

Tracks 1. NIGHT SPLASH 2. CAB 3. SO THERE IS LOVE 4. JUST PERFECT 5. ONE FOR STERN 6. THE WATCHER 7. ATAMANASHI 8. BOOGIE ME 9. ELASTIC MAN 10. BERNARD

• 01-NOTHING BUT THE BASS 4:43

Inside Death Cab For Cutie and The Postal Service’s anniversary tour: “It’s been more informative than nostalgic”

Ben Gibbard tells NME about the experience and what’s next for both bands, as the ‘Transatlanticism’ and ‘Give Up’ 20th anniversary tour gears up for a landmark London show at All Points East

Death Cab For Cutie and The Postal Service frontman Ben Gibbard has spoken to NME about the joint 20th anniversary celebrations for ‘Transatlanticism’ and ‘Give Up’ – which hit UK shores this week – as well as the future of both bands.

Playing both seminal albums in full across back-to-back sets, Death Cab and The Postal Service will headline London’s All Points East Festival on Sunday (August 25), alongside dates in Cardiff, Glasgow and mainland Europe . After extensive celebrations across the US, these gigs will mark the conclusion of the highly-anticipated anniversary tour, and the second reunion of The Postal Service, who haven’t released any music since 2003’s ‘Give Up.’

“Once we got going, it was like riding a bike”, exclaimed Gibbard, who told NME how old Postal Service keyboard sounds had to be rebuilt from scratch. “Death Cab being an active band, all that material from ‘Transatlanticism’ has been peppered through our sets for 20 years, but getting the Postal Service machine up and running took a fair amount of work in the front end.”

“I’ve never really had a gauge on what ‘Give Up’ and ‘Transatlanticism’ mean to the greater public, specifically in the UK”, he explained, with All Points East set to mark either band’s biggest ever UK show.

“In 2003, you guys [were] freaking out about The Strokes , The White Stripes , Interpol , Yeah Yeah Yeahs – fucking great bands, right? If you’ve heard [Death Cab’s] music, you know we don’t really slot in with that. We never really found a cultural lane in the UK until the last five to 10 years.”

Read our full interview below, where Gibbard also spoke to NME about the anniversary celebrations, plans for Death Cab’s 11th album and if the tour has changed his stance on a second album from The Postal Service.

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NME: Hello Ben. You’ve brought The Postal Service back for a second time, how does it compare to the 2013 reunion?

Ben Gibbard : “This time, it has felt even more pronounced. There are assuredly people who were too young to see the 2013 shows, who are seeing The Postal Service for the very first time. Looking at the audiences – of course, younger people tend to be in the front – there’s some people in the front row singing along, who were 100 per cent not alive when this record came out. The snowballing enthusiasm around these different people who formed a relationship with ‘Give Up’ has made these shows utterly bananas.”

Was there a moment, in or around 2003, where you’d realised you’d made two records that would stand the test of time in ‘Give Up’ and ‘Transatlanticism?’

“I don’t know if there was a point, certainly not that early. ‘Give Up’ was becoming a cultural phenomenon, in the sense that there was no band. There were no shows, interviews or TV appearances – the records were just selling like crazy… without any work on our behalf, other than having made the album. With hindsight, I think it was definitely a function of the early internet, word-of-mouth buzz. This cultural shift was happening, where indie rock was going from people’s secret music to a more mainstream style of music. Riding that wave was exciting, and terrifying at times.”

Has the tour impacted the way you feel about either of those albums?

“It’s been really illuminating. It’s making me reassess some of the choices that I’m currently making, musically. Not so much that I want to remake ‘Transatlanticism’, or ‘Give Up’, for that matter. Sometimes, as an artist, you’re moving forward at such [pace] that one can lose sight of what one does best. It’s not so much that I want to recreate the past, I want to make sure that I’m checking in with myself more often, creatively. The best career artists are the ones who know what lane they’re in, and their diversions still bring them back to that path, over the course of an album or a song. It’s been more informative than nostalgic.”

You touched on the organic growth of The Postal Service. In an age where artists are expected to constantly churn out music, what is the beauty, for you, in leaving something untouched for 20 years?

“I’m in a band that has been actively making music for 27 years, and I’m also the partial author of a one-and-done cult record. As a member of Death Cab, I have been living with the critiques that come with being a career artist, where people [ask], ‘Why can’t you make a record like ‘Transatlanticism’ or ‘Plans’ again?’

“Then I also have… let’s call it ‘the Neutral Milk Hotel perspective’ – I know they have a couple of records, but for argument’s sake. You put out this record, it becomes this cultural phenomenon, and you leave people in that place where they can dream on what a follow-up might have sounded like, but there will always be unfulfilled potential. But they have that one record. For me, it’s been really fun to have my cake and eat it too, where I can also be in the messy band [Death Cab]: we made a bad record, but then we made a good record.”

We know you’ve had a firm stance on this matter for two decades, but has the tour inspired a newfound desire to write new music for The Postal Service?

“I think the main reason that a second Postal Service record has never come to fruition – and will never come to fruition – the time commitments that Death Cab ended up taking, which really started with ‘Transatlanticism’, haven’t really ever let up. There’s just not enough time, let alone creative juices flowing, to make a suitable follow-up [to ‘Give Up’]. I think anything that we would attempt to make at this point would be thoroughly disappointing.

“The stakes are just lower [in Death Cab] when you’re putting an album out every two to three years. If people don’t like this one, there’ll be another one later. But after 20 years, there is no way we could ever follow that up in a way that would be satisfying to people. I would rather have all my focus on Death Cab than be watering both projects down. I just don’t have the capacity to do both. Some might argue I barely have the capacity to do one!”

Speaking of Death Cab, it’s been two years since the acclaimed ‘ Asphalt Meadows ‘. Have you turned your attention to album 11 yet?

“The band has been writing intermittently, over the last couple of years. I can’t — nor would I – give you a release date for a new record, but I think we’re going to take time off from touring and being in the limelight. We have asked our fans for a lot over the last two years. Speaking merely strategically, it is very much in our best interest to get the fuck out of people’s faces! We’re from an era where artists went away for a while, into the woodshed…”

How are you feeling ahead of All Points East – your biggest ever show in the UK?

“I’m cautiously optimistic. There are some old homies of ours [on the line-up ] — The Decemberists , Sleater-Kinney . That’s a lot of Americans showing up in London, we’ll see how this goes…

“There’s obviously a long-utilised playbook of a US band going over to the UK before their first record comes out, and starting to develop that buzz. We never did that, we didn’t play a show in London until our third album. By that point, we might as well have been 75 years old compared to the speed at which things move through the culture there! Although, we’ve certainly been embraced by people in the UK. I’m not going to play the underdog card.”

Death Cab For Cutie and The Postal Service headline All Points East on August 25, respectively playing ‘Transatlanticism’ and ‘Give Up’ in full. Check out their full tour dates below and visit here for tickets and more information.

AUGUST 23 – OVO Hydro, Glasgow 24 – Utilita Arena, Cardiff 25 – All Points East Festival, London 27 – Poble Espanyol, Barcelona 29 – KALORAMA, Madrid 30 – MEO Kalorama, Lisbon SEPTEMBER 21 – HSFstival, Washington D.C.

• Related Topics
• Death Cab for Cutie
• Jenny Lewis
• The Postal Service

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ONE NIGHT OF QUEEN

Friday, may 17 at 8pm.

One Night of Queen

Friday, May 17 at 8pm

Tickets go on sale Fri, Jan 26 at 10am

Member Presale begins Wed, 1/24 at 10am

Tickets available on Ticketmaster

Or call (727) 300-2000

Tickets for this performance go on sale to the public on Friday, January 26 at 10am. 

Members of Bill Edwards Foundation for the Arts have access to Member Presale starting Wednesday, January 24 at 10am! Call (727) 300-2000  to reserve your seats today and to learn more about the perks of membership including preshow lounge access, reduced fees, special events & more!

Gary Mullen & the Works re-create a complete Queen concert with all the pomp, power and classic rock staples we know and love. Since May of 2002, ‘Gary Mullen & The Works’ have performed around the globe to sold-out audiences and have been received with rave reviews.  Gary Mullen struts around the stage and excites his audience just as the unforgettable showman Freddie Mercury had. He perfectly mimics Mercury’s behaviors, style and dynamic vocal range to bring the passion of Queen to a new generation.  They will certainly rock you with their performances of “Killer Queen,” “We are the Champions,” “Bohemian Rhapsody,” and many more!

For tickets and membership information, call Bill Edwards Foundation for the Arts at (727) 300-2000.

The Story So Far fall tour includes a stop in Pa.: Where to buy tickets

• Updated: Aug. 20, 2024, 7:44 a.m.
• | Published: Aug. 20, 2024, 7:43 a.m.

The Story So Far is going on a fall 2024 tour that includes a stop in Pa. The band will perform on Sunday, Dec. 1, at The Fillmore in Philadelphia. Provided by Big Picture Media

• Deb Kiner | [email protected]

The Story So Far is going on a fall North American tour that includes a stop in Pa.

The rock band will perform on Sunday, Dec. 1, at The Fillmore in Philadelphia.

The tour celebrates the band’s latest album, “I Want to Disappear.” Supporting acts are Superheaven and Koyo.

Fans can buy tickets to the Dec. 1 show here (prices are as of the time of this publication):

• Stubhub, prices start at $63
• Vivid Seats, prices start at $74
• SeatGeek, prices start at $65

“I Want To Disappear” is the band’s fifth album and was released on June 21. It features the songs, “Big Blind,” “Letterman” and “All This Time,” according to Live Nation.

The band’s current lineup features Parker Cannon (vocals), Kevin Geyer (lead guitar, keys), Ryan Torf (drums, rhythm guitar, and keys) and Will Levy (guitars).

Other stops on the tour include:

Nov. 21 - Nashville, Tennessee

Nov. 22 - Chicago, Illinois

Nov. 23 - Columbus, Ohio

Nov. 24 - Buffalo, New York

Nov. 26 - Silver Spring, Maryland

Nov. 27 - Boston, Massachusetts

Nov. 29 - Brooklyn, New York

Dec. 3 - Atlanta, Georgia

Dec. 4 - Orlando, Florida

Dec. 6 - Houston, Texas

Dec. 7 - San Antonio, Texas

Dec. 8 - Irving, Texas

Dec. 10 - Phoenix, Arizona

Dec. 12 - Los Angeles, California

Dec. 14 - San Francisco, California

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A virtuoso guitarist, singer and songwriter with classic influences and a sunburned surf backbeat, Doug South cut his teeth in the bars and clubs on the west coast of Florida as a young man. 

What results is a mesh of top level musicianship, strong originals and interesting covers, merging rock, indie, surf, Americana, Blues, jazz and jam.

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Carmine Cabaret @ Cadenza

Carmine Terracciano presents a special edition of The Carmine Cabaret.

Accompanied by Jerry Barry and other special guests, Carmine takes you on a musical journey of songs you know and love, as well as insights on being “from away” , his New York beginnings, and other ruminations.

And, in the piano bar tradition, audience participation is always welcome, and there will be an extra mic (just in case!) This will be an evening they’ll be talking about for at least 5 minutes after the show ends!

About Carmine: Carmine Terracciano was born in Long Island, New York, drove a cab in NYC in the 80s, and moved to Maine over 30 years ago to raise a family of 3 children with his wife Kerrie. He was in The Tony Boffa Band for 15 years before running his own band, The Carmine Band, and continues to play in southern Maine whenever the opportunity presents itself.

Jerry has performed professionally as a drummer and freelance musician throughout his life, most recently as a full-time member of The Carmine Band. He is a founding member of the contemporary jazz group “Raccoon Beach”, whose self-titled debut recording received nationwide distribution and airplay. Concert highlights of “Raccoon Beach'' included performances at the Blue Note Jazz Club in New York City and The Newport Jazz Festival in Saratoga NY.

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