who concert tour

The Who Announce Dates for 2022 North American Tour

By Andy Greene

Andy Greene

The Who are heading back to North America in late April for an extensive tour that will keep them on the road through early November. They will once again be joined by local orchestras at every stop for an evening of music heavy on classics from Tommy , Quadrophenia , Who’s Next , and their 2019 LP Who in addition to selections from their other albums.

Some of the shows were originally booked for 2019 and delayed because Roger Daltrey was suffering from a vocal ailment, while others were scheduled for 2020 and postponed due to the pandemic. They have added several shows to the itinerary, and they’re calling the whole tour “The Who Hits Back!”

They first tried out the orchestra concept on 2019’s Moving On! tour. Pete Townshend and Roger Daltrey were joined for that run by their longtime drummer Zak Starkey, bassist Jon Button, guitarist-vocalist Simon Townshend (Pete’s brother), keyboardist Loren Gold, bassist Jon Button, background vocalist Billy Nicholls, orchestra conductor Keith Levenson, lead violinist Katie Jacoby, and lead cellist Audrey Snyder. That same team is back this time around, though they’ll be joined by additional keyboardist Emily Marshall.

Townshend says the presence of the orchestras gives him a focus he doesn’t have at traditional Who concerts. “It gives me a chance to make sure what I play, what I do, where I look, how I behave on the stage, is more connected with the people around me,” he tells Rolling Stone , “and with the audience, and with, to get prosaic about it, an inner sense.

“In other words,” he continues, “I don’t lose myself the way I did when I used to jump around, have a big adrenaline rush, and then come off the stage and someone would say, ‘Great show,’ or someone would say, ‘Terrible show,’ and I wouldn’t really know what I had done, to be honest, since I was like someone running a marathon. So the orchestra gives me space.”

Notable shows on the tour include a headlining set at the New Orleans Jazz Fest, a return to the original Woodstock site in Bethel Woods, New York, and the band’s first concert in Cincinnati, Ohio, since the 1979 gig where 11 Who fans died in a stampede shortly after the doors opened.

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“At last, we can close the loop on the disaster that happened back in 1979,” says Townshend. “We’ve done a lot of work on that. There’s been a documentary [ The Who: The Night That Changed Rock ] about it. This has been in the air for a while.”

And even though Daltrey is 77 and Townshend is 76, they’re not billing this as the band’s final tour. “Roger is of the opinion that he wants to sing until he drops,” says Townshend. “That’s not my philosophy of life. There are other things that I want to do, still want to do, and will do, I hope. I hope I’ll live long enough to do them.”

“But it’s not a farewell tour,” he continues. “Apart from anything else, we still have people who have tickets for the U.K. 2019 tour. We’re very, very keen to do that tour and we’ll be doing that tour in 2023, I think. But I’m I’m talking about stuff I don’t really know about. I don’t have any guarantees, like everybody else. I don’t really know for sure what’s going to happen next month.”

Here are the dates for the Who’s 2022 tour. Find tickets here .

April 22 – Hard Rock @ Ft. Lauderdale, FL April 24 – VyStar Veterans Memorial Arena @ Jacksonville, FL April 27 – Amalie Arena @ Tampa, FL April 20 – New Orleans Jazz Festival May 3 – Moody Center ATX @ Austin, TX May 2 – American Airlines Center @ Dallas, TX May 8 – The Cynthia Woods Mitchell Pavilion @ The Woodlands, TX May – Paycom Center @ Oklahoma City, TX May 13 – FedEx Forum @ Memphis, TN May 15 – TQL Stadium @ Cincinnati, OH May 18 – TD Garden @ Boston, MA May 20 – Wells Fargo Center @ Philadelphia, PA May 23 – Capital One Arena @ Washington, D.C. May 26 – Madison Square Garden @ New York City, NY May 28 – Bethel Woods Center of the Arts @ Bethel, NY Oct 2 – Scotiabank Arena @ Toronto, ON Oct 4 – Little Caesars Arena @ Detroit, MI Oct 7 – UBS Arena @ Elmont, NY Oct 9 – Schottenstein Center @ Columbus, OH Oct 12 – United Center @ Chicago, IL Oct 14 – Enterprise Center @ St. Louis, MO Oct 17 – Ball Arena @ Denver, CO Oct 20 – Moda Center @ Portland, OR Oct 22 – Climate Pledge Arena @ Seattle, WA Oct 26 – Golden 1 Center @ Sacramento, CA Oct 28 – Honda Center @ Anaheim, CA Nov 1 – Hollywood Bowl @ Los Angeles, CA Nov 4 – Dolby Live @ Las Vegas, NV Nov 5 – Dolby Live @ Las Vegas, NV

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The who on march 20, 2024.

Royal Albert Hall, London, United Kingdom

Note: with The Heart of England Orchestra

Classic Quadrophenia is About to Rock Your World

The Who released their sixth studio album 'Quadrophenia' 44 years ago. This summer, Pete Townshend is bringing the album back to life in the form of an orchestra.

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Well, what can you say about a group that are only 50% of the original line up who still manage to rock a joint even after 40 years? They were FANTASTIC! A surprise warm up performance from Noel Gallagher ( incidentally, the only acoustic performance of the night.) doing a couple of High Flying Birds numbers and then teasing the audience with fake intros to Wonderwall and segueing into another track, finishing up with a rousing Don't Look Back In Anger.

Then it was time for the big boys. Pete made a polite mea culpa explaining that there just really wasn't time to get the acoustic show to a level or loud enough to rock this gaff "So I bought this old red thing with me!"

Well, with that he transformed into a teenager and rocked the gaff!

Roger was rejuvenated as well, demolishing tambourines and testing the cable of his microphone to the limit hurling his mike around. His voice still with that brilliant growl pulling the tableau that is Tommy together. Simon, Pete's brother and Zack Starkey played their parts admirably supplying character voices and playing guitar and drums like they had always been band members.

There's only so many tracks on the Tommy album but there was no way that they were going to end the night there and went into what can only be described as a brilliant rendition of all the intros to every CSI detective show climaxing with "We Won't Get Fooled Again".

There is only one person who could finish a gig that good with by introducing the whole band with the phrase "You were all crap!" and that's Pete. Did they fall below his exacting standards? We'll never know, but in my opinion they were brilliant and roll on Saturday for round two! A great gig for an even greater charity - Teenage Cancer Trust and all that they help as Roger finishes every gig BE LUCKY!

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The Who at Manchester Arena 5 April 2017

Support: The Standard Lamps.

What. A. Night. Totally fantastic - actually, words really don't have any meaning - especially when it comes to "Love Reign O'er Me". Roger has said that he's started to sing songs as if it's the last time he will ever sing them, and it shows. John Correy seems to have a similar attitude to playing the keyboard introduction. It was pure magic.

The Who really were wonderful. I really hope I DO see them again - I need another fix - but if it never happens again (gawd forbid) I will forever treasure tonight. Yes, the sound was a bit 'muddy' but that's stadia for you. It was a shame because I didn't catch much of the banter. The guys are obviously enjoying themselves...

They did quite a chunk of "Tommy", including "Christmas" and "The Acid Queen", which was a rare treat.

The energy was definitely up and the crowd, although not completely full, was big.

If you do get the chance, go. Don't let anyone tell you they're "past it". Roger and Pete may be in their 70s, but they rock as hard as guys half that.

Even at about 70 years old, The Who put on a tremendous show. The energy in the place was absolutely electric. From the first Pete Townshend "Windmill" (Which he did over 80 of throughout the show) all the way to the final note from Daltrey (which, for us, was "The Scream" from Won't Get Fooled Again... Which he NAILED!!!) you couldn't have gotten more excitement out of the place. Sure, Daltrey can't hit every note like he used to, but his passion is still as strong as ever and he gives it everything he has, as does Pete.

Overall, it was the best concert I've ever attended, and I've attended quite a few. I've never seen The Who before, but watched concert footage from them in the 70's and this was not a disappointment... in fact, it may have been even better than when they visited Houston in 1975 when I compare it to the footage on YouTube.

I'd highly recommend this concert to anyone who enjoys good Rock & Roll or has even heard of The Who, as you'll be like me and think afterwards, "Wow, I only had to pay that much to see that good of a show?! Totally worth it!"

The Who in San Diego was fantastic as anywhere. I sat in the ninth row and we had waited for this concert eight months from a cancellation. Even the first back u I sat in the ninth row and we had waited for this concert eight months from a cancellation. Even the backup group was great. They played all their classics as usual.only thing I was surprised that they didn't come back and at least play one song at an encore. It might be because Roger is taking extreme caution with this Maurice not doing more than eight. And I don't blame only thing I was surprised that they didn't come back and at least play one song at an encore. It might be because Roger is taking extreme caution with his throat and allergies and not doing more than he has too . And I don't blame her him.Petes son is also playing guitar with them

I've seen The 'OO in 79, 80, 82, 94, 95, 07, 12, 13.

As they plan their 50th anniversary tour for spring of 2015, I recommend anyone who loves classic rock to see them. They still had their original energy of the 70's when I saw them last tour.

Often they will pull out more obscure songs for the hardcore fans but you can expect amazing renditions of family radio hits. As rock royalty goes, they have suitably expanded the musician on stage so they musically success playing a full sounds only doable in the studio 40 plus years back.

Despite Roger and Pete being the only surviving of the four, they find that perfect middle path between now and then.

The Quadrophinea tours of 1994/95 and 2011/12 were by far my favorites.

Had a brilliant time, however, I will say despite the atmosphere, the acoustics (mainly referring to new orchestra which was beautiful) were far too loud and overpowered the amazing vocals of The Who to the point we were lip reading and singing our much beloved songs. This, I presume, will be rectified as was an error and again, still fabulous atmosphere. Also, we were sat far from stage and camera work for projector screens....must do better. Roger was swinging his mic on stage whilst we're watching bottom of drums/member of orchestra reading music notes. All in all, amazing but that's because it was The Who, if they make minor changes in sound levels going forward it will be best ever concert guaranteed!

I almost didn't get into the show. After we went through security and they were ready to scan our tickets, I didn't have mine. I panicked first. I walked out of security where we were in line and there was my ticket on the floor being walked on. This was the most amazing Who concert I've seen. Roger Daltrey hasn't aged one year. His voice is stronger than ever before. I got the chills listening to him. Pete has slowed down but still a great singer and showman. They played so many of their classics. Also they were so personable with the audience. Like any concert this was much to short. The Who lives on and I hope they come back to Minneapolis real soon.

This was the fiftieth anniversary tour of The Who. I was lucky enough to have seen them 50 years ago as a wide eyed lad of 10 when they were the opening group for The Hermans Hermits.

I have seen them a good half dozen times since over the years.

Truthfully, one can never tire watching Pete Townsend. He still is amazing!

There were a number of jokes by Townsend about getting old, and while he isn't jumping in the air, he is still doing guitar windmills and playing amazingly.

It is truly special seeing them everytime.

If you are lucky enough to be able to get seats, then I advise you not to miss the opportunity.

Talking bout my generation.

The who rocked Honda Center on May 22. I had seen The Who twice before. Once at the Los Angeles Coliseum over 30 years ago and the recent Quadraphenia Tour in Las Vegas. They had more energy on stage and look like they were having the most fun ever. They played all their great hits spanning the 50 years of rocking the world !!!!! I had the privilege of seeing them three times in my lifetime. I would highly recommend anyone getting a chance to see them one last time to do so . You will not be disappointed. Long Live Rock and Roll !!!!!!!!!!!!!!

It just does not get any better. The Best. Hope they keep going. We will travel to see these great artists again and again. The best group on the planet as far as I'm concerned. Second to none. After adding Zac and Simon, they have not missed a beat. Saw them in AC with Zac's God-Father in the late 70's. Will continue to support them and Teen Cancer for Life. New Album will be incredible. Will try to see them again on their incredible tour and journey.

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Megadeth Announces Destroy All Enemies U.S. Tour

Featuring Mudvayne and All That Remains

Tickets for the 33-city nationwide tour on-sale this friday, april 26.

Megadeth is bringing its iconic live show to North America with a 33-city, nationwide tour, Destroy All Enemies, produced by Live Nation, this fall including stops in Los Angeles, Las Vegas, Boston, St. Louis and many more. Tickets for all dates will be on sale Friday at 10am local time with an exclusive presale for the Cyber Army/Megadeth Digital beginning today, Tuesday, April 23 at 12pm local time Megadeth.com .

Bringing along Mudvayne and All That Remains, the tour begins in Rogers, Arkansas on August 2 and runs throughout the month before wrapping in Nashville, Tennessee on September 28. Performing classic hits from Rust In Peace, Countdown to Extinction and more, the tour also brings Dave Mustaine and bandmates back to North America to perform their latest studio album The Sick, the Dying… and the Dead! Featuring some of Mustaine’s strongest-ever songwriting, the tour offers an equally ambitious live performance that delivers on all fronts.

“Our ‘Crush The World’ tour has been a tremendous experience for the four of us,” shared Dave Mustaine. “We are all playing tight, and that has made it possible for me to really focus on solos and singing, we are playing more songs than ever before, and we are closer to each other, onstage AND off. I’m excited to see Mudvayne, and All That Remains. Join us as we DESTROY ALL ENEMIES.”

The North American jaunt comes on the heels of a highly anticipated and successful stint in Latin America wrapping this month and starting back up in Europe this summer. With stops in Peru, Chile, Argentina, Brazil and México and forthcoming dates in Sweden, Italy, France, Germany and more, the band’s global appeal and lasting impact is more apparent than ever as continued calls for international touring are demanded.

Megadeth, alongside founder and frontman Dave Mustaine, are renowned for their unparalleled energy and mastery on stage. In 2023, the GRAMMY-Award winning band dominated arenas and festivals, reaffirming its status as one of heavy metal’s most formidable live acts. Dubbed “as ferocious and hard-hitting as ever” by AllMusic , Megadeth enjoyed sold-out shows and critical acclaim on the latest run of the Crush The World Tour captivating audiences and showcasing the latest and greatest hits.

For more information and to purchase tickets to the Destroy All Enemies Tour, visit www.megadeth.com .

Destroy All Enemies U.S. Tour 2024

Aug 2               Rogers, AR                   Walmart AMP

Aug 3               Houston, TX                 713 Music Hall

Aug 5               Albuquerque, NM          Isleta Amphitheatre

Aug 6               Denver, CO                  Ball Arena

Aug 8               Phoenix, AZ                  Talking Stick Resort Amphitheatre

Aug 9               Los Angeles, CA           YouTube Theater

Aug 10             Concord, CA                 Toyota Pavilion at Concord

Aug 12             Auburn, WA                  White River Amphitheatre

Aug 13             Bend, OR                     Hayden Homes Amphitheater

Aug 16             Las Vegas, NV              Bakkt Theatre at Planet Hollywood

Aug 17             Salt Lake City, UT         Maverick Arena*

Aug 20             Irving, TX                      The Pavilion at Toyota Music Factory

Aug 21             Austin, TX                     Germania Insurance Amphitheater

Aug 23             Macon, GA                   Atrium Health Macon Amphitheater*

Aug 24             West Palm Beach, FL    IThink Financial Amphitheatre

Sept 3              Tinley Park, IL               Credit Union 1 Amphitheatre

Sept 5              Huntington, WV             Marshall Health Network Arena*

Sept 6              Charlotte, NC                PNC Music Pavilion

Sept 7              Raleigh, NC                  Coastal Credit Union Music Park at Walnut Creek

Sept 9              Reading, PA                 Santander Arena*

Sept 10             Albany, NY                   MVP Arena*

Sept 11             Boston, MA                   Leader Bank

Sept 13             Bethel, MY                    Bethel Woods Center For The Arts

Sept 14             Wantagh, NY                Northwell Health at Jones Beach Theater

Sept 15             Richmond, VA               Virginia Credit Union Live!*

Sept 17             Cincinnati, OH               Riverbend Music Center

Sept 18             Pittsburgh, PA               Stage AE

Sept 20             Noblesville, IN               Ruoff Music Center

Sept 21             Clarkston, MI                Pine Knob Music Theatre

Sept 24             Minneapolis, MN           The Armory

Sept 26             St Louis, MO                 Hollywood Casino Amphitheatre STL

Sept 27             Southaven, MS             Bankplus Amphitheater at Snowden Grove*

Sept 28             Nashville, TN                Nashville Municipal Auditorium

*Non Live Nation Dates

About Megadeth:

With a musical legacy spanning four decades, Megadeth has sold in excess of 50 million albums worldwide earning numerous accolades including 1 Grammy award with 13 nominations and five consecutive platinum albums. Megadeth’s debut album, Killing Is My Business… And Business Is Good! was named by VH1 as the “Greatest Thrash Metal Debut Album of All Time.” The band’s latest album The Sick, The Dying… And The Dead! was released in September 2022 via Tradecraft/UMG. It debuted at No. 1 across Billboard’s Top Rock, Hard Rock, and Alternative Albums charts, and No. 3 on the Billboard 200, and the lead single “We’ll Be Back” was nominated for a GRAMMY Award for Best Metal Performance.

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com .

Megadeth Media Contact: Sara Jordan Jacobson | [email protected]

Live Nation Contact:

Live Nation Concerts

Monique Sowinski | [email protected]

Navier Grimes | [email protected]

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Looking for cheaper Eras Tour tickets? See Taylor Swift at these 10 international cities.

Swifties who want to snag tickets to Taylor Swift’s colossal Eras Tour know the experience won’t come cheap.  

This year, the billionaire will only visit three U.S. cities – Miami, New Orleans and Indianapolis – and prices for the in-demand shows are astronomical . For the Oct. 18 show in Miami, for example, cost of a single ticket ranged between $1,615 and $8,524 on StubHub.com as of Wednesday afternoon.

So, how else can fans see one of the world’s biggest singers? Go abroad .

In the past 30 days, searches for ‘Taylor Swift Europe tour 2024 tickets’ have increased by 300% in the U.S., indicating that some people are ready to take a long-haul flight to see the wildly popular artist live, according to travel website Islands.com .

Concert-goers who head to Europe for their Swift experience may actually save more money in the long-run . Not only are ticket prices across the pond cheaper, but many European cities, like Warsaw and Lisbon, are also budget-friendly, offering inexpensive food and lodging. 

Learn more: Best travel insurance

Was the travel worth it? Beyoncé and Taylor Swift's summer concerts drew fans from afar

To determine the most affordable Eras Tour stops, Islands.com researchers compared the cost of a two-night trip, including one cheap ticket on StubHub.com, two nights at a four-star hotel, six inexpensive meals, two five-mile taxi rides, and one domestic beer. However, researchers didn’t account for airline tickets or concert merchandise.

With safety at the top of travelers' minds, the researchers also factored in the city’s safety rating out of 100. 

To stay extra safe, the State Department encourages travelers to register with the U.S. embassy in the country they're visiting any time they travel abroad. That can be done at step.state.gov .

10 cheapest destinations for the Eras Tour in 2024

10. Vienna, Austria - total average cost: $1,089, safety score: 69.72

9. Cardiff, U.K. - total average cost: $1,061, safety score: 61.83

8. Lyon, France - total average cost: $1,047, safety score: 44.3

7. Lisbon, Portugal - total average cost: $1,028, safety score: 70.15

6. Munich, Germany - total average cost: $1,000, safety score: 78.88

5. Paris, France - total average cost: $971, safety score: 41.83

4. Stockholm, Sweden - total average cost: $935, safety score: 53.86

3. Hamburg, Germany - total average cost: $903, safety score: 57.51

2. Gelsenkirchen, Germany - total average cost: $749, safety score: 51.33

1. Warsaw, Poland - total average cost: $712, safety score: 72.98

Bad Bunny’s Songs of Exile

The Puerto Rican superstar is known for his anthems of community. His latest tour is about his own isolation.

Near the end of Bad Bunny’s 2022 World’s Hottest Tour in Las Vegas, all the lights went out. The Puerto Rican singer and rapper filled the darkness before the song “ El Apagón ” with a six-minute speech in Spanish about what makes his home island bien cabrón —“really fucking awesome.” He highlighted not only Puerto Rico’s beauty but also its resilience in the face of immense challenges: corrupt governance, poor electricity and water access, a hurricane only five years after the devastation of Hurricane María . Although “it is always becoming harder for Puerto Ricans to live on the island,” he said, their strong sense of kinship saves them: “The leaders are the people, who always help one another.”

His speech soon turned into a lament twinged with guilt. “Sometimes I see comments that are like, ‘Where is Bad Bunny?’” he told the stadium. “I’m here, in Las Vegas. This is my job.” The price of fame, he went on to suggest, was a type of exile—work that he cherished but that kept him from the island and people he loved.

Community has long been central to Bad Bunny’s work. The Latin-trap superstar, who has set Spotify streaming records and repeatedly topped the Billboard 200 chart, seldom introduces himself without mentioning where he comes from (accepting the 2022 Video Music Awards Artist of the Year trophy, he declared, “I’m Benito Antonio Martínez, from Puerto Rico to the world!”). He famously resists singing or giving interviews in English. Many of his songs contribute to a long Caribbean musical tradition of rebellion against colonialism . Meanwhile, others form an archive of place; the mountains, rivers, and beaches of Puerto Rico seep into numerous perreo anthems. “This is my beach / This is my sun / This is my land / This is me,” ends the house track “El Apagón,” signaling an understanding of Caribbean people as inextricable from the islands themselves. Bad Bunny’s latest tour and album, however, mark a spiritual departure for the artist, finding him retreating inward to wrestle with cynicism and isolation at the top of the world.

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The ongoing Most Wanted Tour, which began in late February, is less of a communal celebration and more of a solo rodeo. I don’t mean this only metaphorically: Midway through the Barclays Center concert I attended this month in Brooklyn, Bad Bunny appeared onstage atop a real, live horse. In the lead-up to this entrance, the stadium darkened as a three-minute video played on-screen, revealing a desert landscape of desolate sepia tones. “They tell me Jesus was in the desert for 40 days and 40 nights,” the singer growled in Spanish. “I’ve lost count of the years I’ve spent between sand and cactus.” In the video, a masked Bad Bunny, encased in a buckskin jacket, rode a slow-trotting horse into an apocalyptic sunset. “I remain like this,” Bad Bunny said. “Alone.” (At this point, my friend’s 78-year-old Puerto Rican grandmother, whom I attended the concert with, cried out in concern: “We’re here for you, baby!”)

This new lonely-cowboy persona is in line with the artist’s most recent album, Nadie Sabe Lo Que Va a Pasar Mañana , the 22-song trap opera behind this tour. In it, Bad Bunny explores what it means to be the caballo ganadór , or winning horse—at least that’s what he calls himself in the opening track, “Nadie Sabe,” an orchestral rap that samples trampling hooves. In 2022, he was, by several measures, the top artist in the world. Yet he doesn’t seem convinced that the hype is worth the stress. “Everyone wants to be No. 1,” he raps. “If you want it I’ll give it to you, motherfucker.” What fun is being No. 1 when no one can share it with you?

From the get-go, the new tour has approached listeners from a more standoffish posture. “If you’re not a real fan, don’t come,” read the official ads . Instead of energetic house warming up the audience as happened in 2022, this year’s show opened with the longing strings of a classical orchestra. (My friend’s grandmother: “They’re putting me to sleep!”) The ensemble’s rendition of Charles Aznavour’s French ballad “Hier Encore”—which Bad Bunny’s “Monaco” samples—set an early tone for the evening of nostalgia, as if happier days existed largely in the past.

Visually, the Most Wanted Tour was also decidedly placeless, leaning into minimalism and abstraction. At the World’s Hottest Tour show I attended in Las Vegas, the vibe was “beach party”: Bad Bunny appeared in an array of joyful pastels. Dancers in bikinis and denim shorts freestyled under string lights. Visuals showed cartoon dolphins swimming toward island oases. I remember feeling shocked when I left the stadium and stepped into the Mojave Desert’s hot and twisting air. The concert had felt like a portal home to the Dominican Republic, ready to rival JetBlue. I could almost feel the cool shine of the sea melting over my feet.

Yet this time around, tropical maximalism was replaced by nondescript, arid visuals and monochrome Yeezy-style fashions. The dancers, dressed in all-black hoodies or chaps, appeared sparingly. Most often, Bad Bunny was onstage by himself, hopping from one end to another while performing trap bops in burgundy cowboy gear.

For much of the performance, he also sported a Spider-Man-style mask or a studded nun’s habit (à la the Virgin Mary )—a tongue-in-cheek choice for a singer frequently criticized for his lewd lyrics. His hidden face added a layer of distance between him and the audience, seemingly signaling how much access to him we should really get to have. Bad Bunny has rebuked the parasocial aspects of fame, including people’s entitlement to his personal space. Throughout the Nadie Sabe album, he makes several references to a much-reported instance in which, during a vacation in the Dominican Republic, he threw a fan’s phone into some bushes after she photographed him without his consent.

Yet despite the lingering specter of celebrity’s dark side, the show’s final act still managed to conjure a wider sense of connection within the audience. Bad Bunny ended with a slew of his reggaeton hits, old and new, and segued into his song “Tití Me Preguntó” with a roll call of places— asking where, among other groups, his Ecuadorians, Mexicans, Dominicans, and Puerto Ricans were at. With each mention, the stadium erupted into ecstatic screams of recognition. Flags rippled; decibels flared. The rare roar of a crowd of Dominicans, all in one place in the U.S., immediately brought tears to my eyes. Once the song started, we screamed back his lyrics about bringing a roster of girlfriends to his VIP table. We in the audience were there, together. Meanwhile, Bad Bunny looped the stage, alone again.

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Fletcher on healing, her new album and being back on tour

NPR's Juana Summers speaks with Cari Fletcher, who goes by the stage name FLETCHER, about her newest album "In Search Of The Antidote" and what it's like to be back on tour.

(SOUNDBITE OF SONG, "TWO THINGS CAN BE TRUE" )

FLETCHER: (Singing) Did we take it too far? Maybe.

JUANA SUMMERS, HOST:

Last spring Carrie Fletcher realized something was wrong - like, more than just the stress of a worldwide concert tour, a deep fatigue that caused long-term concern for her singing voice as well.

FLETCHER: When I had to take the tour down and I saw, you know, applauses get quiet and social media get quiet and then all of the things, you're really forced to, like, look at yourself in the mirror and really decide and see what, you know, your worth is outside of all of those things. Like, there was a lot of silence.

SUMMERS: Turns out it was Lyme disease, and so Carrie, who goes by Fletcher onstage, found herself facing a major physical recovery and a lot of unprocessed mental health to work through. She went back to her hometown in New Jersey, and with all that downtime, she started writing a new album to be called "In Search Of The Antidote."

(SOUNDBITE OF SONG, "ANTIDOTE")

FLETCHER: (Singing) I get high. I get high. I get low. I get low. You're my dopamine state. You're my sanity dose. I get high.

SUMMERS: A year later, Fletcher is out on the road again, singing this new album to her loyal fans. We caught her earlier this week on a day off in Germany, and she was stoked about being back.

FLETCHER: To return back to a sold-out tour with all of these beautiful fans and, you know, like, scream-singing these songs back to me that - some of which I wrote from such a place of desperation but also a place of, like, hope and happiness and love and excitement for the future and - I pinch myself all the time when I get to a new country that I've never even been to before and they're singing word for word with me. It's like - it's insane that this is my job.

SUMMERS: Is there a favorite moment that you could share from the tour that you're on now that really just drives it home for you?

FLETCHER: People have been bringing crazy signs to the show. I have a song called "Becky's So Hot," and there's a point where I'm, like, grinding on a mic stand. And so the fans started doing this thing where they're like, can I be the human mic stand?

(SOUNDBITE OF SONG, "BECKY'S SO HOT")

FLETCHER: (Singing) Are you in love like we were? If I were you, I'd probably keep her - makes me want to hit her when I see her 'cause Becky's so hot in your vintage T-shirt.

There was a sign yesterday that said, truth or dare. And I saw it, and I picked dare. And then she folded the card over again, and it was like, I dare you to let me be your mic stand tonight. Somebody came to a concert dressed up as a microphone to the concert, and I was like, the commitment is real.

SUMMERS: I mean, this album - it's got rage and joy and lust and mess, which is something that you have certainly never shied away from mining, like in the lead single, "Eras Of Us," which I have heard is about running into your ex at Taylor Swift's Eras tour - true story?

FLETCHER: Yes. Truth or dare - that is the truth.

(SOUNDBITE OF SONG, "ERAS OF US")

FLETCHER: (Singing) It's nice to meet you.

Yeah. I had not seen my ex since the day that we had broken up, and we bumped into each other at the Taylor Swift concert. You know, to be at this show where both of us were, like, screaming these songs to an artist that has narrated so many of my breakups, so many of my romances - I just got hit with, you know, a wave of emotion of all of the eras of us, of her and I.

FLETCHER: (Singing) A story of love, stealing the air right from my lungs. Girl of my dreams, forever we're young. Remember it just the way it was, the eras of us.

And I think that's something I always really try to do with my music - is just to drop people into a really specific scene, into a really specific moment. And it's one of my favorite songs I've ever written. It just feels like a story.

SUMMERS: I wonder if you can tell us the story behind one of the songs on the album, "Doing Better," because that song's gotten stuck in my head - this idea of what better really is, why better feels worse.

FLETCHER: Yeah. Wow. I actually have a song on my last album - I have a song called "Better Version," and the lyric ends with, and now some other person's going to get the better version...

(SOUNDBITE OF SONG "BETTER VERSION")

FLETCHER: (Singing) Of me.

...Of me. Just in the last couple months, I was reflecting on, OK, well, what is the better version of me doing? And is she actually doing better? And I wrote a song called "Doing Better" that just really reflects on all the ways of, like, so many of the ways that my career had taken off...

(SOUNDBITE OF SONG, "DOING BETTER")

FLETCHER: (Singing) I'm doing better. I don't know if you remember when I told you in September that you wouldn't recognize me.

...Getting to do all these, like, incredible, incredible things and perform in all these places. And I felt awful.

FLETCHER: (Singing) I felt like I was flying. I felt the stars aligning. I always thought that if I ever got this high, I'd like it. I'm doing better. I've been looking for my center, but my tummy still hurts. Why does better feel worse?

We're kind of sold this narrative of, like, you know, we should have this amount of success by this amount of age and this type of relationship and this degree and this job. And this idea, this dream of better, you know, that we all have - it doesn't feel good. And it's actually, like, the deeper stuff, the stuff that, like, we don't put on display is, like, where so much of the antidote really is.

(SOUNDBITE OF FLETCHER SONG, "GIRL OF MY DREAMS")

SUMMERS: I don't want to get too messy here on public radio, but I do have to ask you about the ladies. I mean, your songs - people call them queer love anthems and queer anthems. And I'm curious how much you think about where your music fits within the sphere of queer pop music. Is that something that's, like, front of mind for you at all?

FLETCHER: When I first started writing, I was, like, really just embarking on my journey with my sexuality and just, you know, when I started talking about all of it for the first time and just falling in love with a girl for the first time. And I never really set out with a specific mission of, like, oh, I need the music to be categorized as this. It was just like, I just need to be free.

(SOUNDBITE OF SONG, "GIRL OF MY DREAMS")

FLETCHER: (Singing) I'm on heartbreak No. 4. Tequila doesn't hit no more. I got a new rebound. I'm falling for me now.

When I think about where my music fits in terms of, you know, the scope of music, it's just - it's meant to go to whoever needs to find it. And my queer journey has been so embraced by the community, and I couldn't ask for anything more. But it's also just - you know, it's also so deeply universal, like, this idea of, like, belonging and...

SUMMERS: Right.

FLETCHER: ...Experiencing love for the first time.

SUMMERS: I mean, that's one of the things that strikes me, right? Whether you are dating a woman or married to a man, there's something really beautiful and universal with the way that you describe these intense and heartfelt and, at times, overwhelming feelings when it comes to love and lust and relationships and all of the spectrum in between there. It's something that works for everybody.

FLETCHER: Oh, I love that. Thank you. Yeah. It's - for me, it's always just - I've never wanted to - anyone to feel, like, alienated from the music, from the emotions, from the feelings. Like, I felt alienated for so long as a kid, you know? I just felt so in my own world and lonely and so sad. And to just - to find that sense of home, like, in myself and in my own music...

(SOUNDBITE OF SONG, "PRETENDING")

FLETCHER: (Singing) I say goodnight as if my heart isn't wrenching.

And that's really what it is for me. It's just, like, the feelings are universal. We all navigate it. We all go through it, no matter how you identify, like, orientation-wise, gender, you know, sexuality. It's - we're human.

SUMMERS: Carrie Fletcher, thank you so much.

FLETCHER: Thank you so much. I appreciate you. This was a really sweet conversation.

SUMMERS: Fletcher's newest album, "In Search Of The Antidote," is out now.

FLETCHER: (Singing) We'll keep on pretending.

Copyright © 2024 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Review: Neil Young & Crazy Horse strike heart of gold at tour-opening San Diego concert

The concert began with an epic, 15-minute version of ‘Cortez The Killer’ that featured extra lyrics recently unearthed by Young. Guitarist-singer Micah Nelson, Willie’s son, very ably assumed the role in Crazy Horse of Nils Lofgren, now on tour with Bruce Springsteen & The E Street Band.

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When Neil Young sang “rock and roll will never die” near the conclusion of his tour-opening LOVE EARTH concert with Crazy Horse Wednesday in San Diego, you believed him.

Those words, from his 1978 song, “My My Hey Hey (Into the Black),” sounded like a defiant vow in the face of possible obsolescence 46 years ago. Now, they are a statement of fact from a proud maverick who sounds more committed than ever, even — or, rather, especially — at a time when rock is increasingly becoming a niche genre pushed aside by formulaic pop, hip-hop and dance-music.

At 78, Young remains a staunch keeper of the flame whose passion for music burns as bright as ever. If anyone thinks this veteran singer, songwriter and guitarist is ready to kick back in his old age, he and his band immediately and convincingly refuted such notions with their powerful, nearly two-hour performance at SDSU’s Cal Coast Credit Union Open Air Theatre. (They are set to perform a second sold-out show at the same venue Thursday night.)

Young and his three-man band opened with “Cortez the Killer,” an epic number from their 1975 album, “Zuma.” But this was no sentimental journey down nostalgia lane, nor was it a tentative, shake-off-the-dust run through.

Their carefully calibrated version of “Cortez” built to a series of powerful climaxes Monday and lasted 15 minutes — nearly twice as long as the original on “Zuma.” The song began with an opening guitar jam that lasted 7 minutes before Young’s reedy vocals commenced. For good measure, near the conclusion of “Cortez,” he sang — for the first time anywhere in concert — a missing verse he recently came upon that had been cut from the 1975 recording.

The unearthed lyrics provided additional depth and a palpable sense of despair to Young’s tour de force song about Hernán Cortez, the bloody Spanish conqueror of Mexico’s Aztec Empire: I floated on the water / I ate that ocean wave / Two weeks after the slaughter / I was living in a cave / They came too late to get me / But there’s no one here to set me free / From this rocky grave / To that snowed-out ocean wave.

The next selection was the buoyant “Cinnamon Girl,” a choice cut from 1969’s “Everybody Knows This Is Nowhere,” the first album Young and Crazy Horse made together. It clocked in at a crisp three minutes.

The rest of the concert included several other extended jams, with “Down by the River” and “Love and Only Love” both clocking in at a glorious 16 minutes (but not lasting one second too long). Conversely, Young’s tender solo acoustic versions of “Comes a Time,” “Heart of Gold” and “Human Highway” were each delivered with admirable concision.

The manner in which he alternated between longer and shorter selections served as a master class on how to pace a concert to build momentum and achieve maximum dynamic tension and release.

The final encore was an eight-minute rendition of “My My Hey Hey (Into the Black),” whose line There’s more to the picture than meets the eye could be a synopsis of Young’s career and his dogged determination to do things his way, every time, no matter what the trends of the day may be.

At SDSU, Young and his longtime Crazy Horse compadres — bassist/singer Billy Talbot and drummer Ralph Molina, both 80 — were focused and in sync from start to finish. They were joined by guitarist/singer Micah Nelson, 33, who on Monday had played a key role accompanying his father, Willie Nelson, at The Rady Shell at Jacobs Park.

Micah Nelson was performing in place of Crazy Horse charter member Nils Lofgren, who is now on tour in The E Street Band with his other longtime employer, Bruce Springsteen. Those are big shoes to fill, but Nelson was so in sync with Young you’d think they had been musical partners for decades.

The stage was bedecked with the giant, faux Fender guitar amplifiers, speaker cabinets and road cases Young and Crazy Horse used on their 1978 Rust Never Sleeps tour. There were no video screens on the stage, the better for the audience — which included basketball great Bill Walton and Las Vegas Raiders NFL team owner Mark Davis — to focus completely on the music at hand.

The SDSU concert — the start of Young and Crazy Horse’s first major tour together in a decade — came a year after Young’s mesmerizing solo concert here at The Shell. Monday’s performance was even more mesmerizing, in large part because of the musical empathy between the four musicians.

When they locked into a groove, which was often, they seemed to be of one mind. And it’s difficult to think of any other rock band of any vintage that can gain as much traction from so many slow-paced songs.

With few exceptions, Young’s biting guitar solos contained a minimum of notes, but he made each one count, repeatedly going into a zone where feeling and intensity trump quantity. Or, to invoke the title of Young’s 1988 album: “This Note’s For You.”

Apart from a heartfelt spoken tribute to the late David Briggs — the producer of many of Young’s albums with (and without) Crazy Horse — Young’s comments to the audience were along the lines of: “Thank you” and “How ya doin’?”

Otherwise, he let his music speak for him, and it spoke volumes.

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Trains Moscow to Elektrostal: Times, Prices and Tickets

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Moscow to Elektrostal by train

The journey from Moscow to Elektrostal by train is 32.44 mi and takes 2 hr 7 min. There are 71 connections per day, with the first departure at 12:15 AM and the last at 11:46 PM. It is possible to travel from Moscow to Elektrostal by train for as little as or as much as . The best price for this journey is .

Get from Moscow to Elektrostal with Virail

Virail's search tool will provide you with the options you need when you want to go from Moscow to Elektrostal. All you need to do is enter the dates of your planned journey, and let us take care of everything else. Our engine does the hard work, searching through thousands of routes offered by our trusted travel partners to show you options for traveling by train, bus, plane, or carpool. You can filter the results to suit your needs. There are a number of filtering options, including price, one-way or round trip, departure or arrival time, duration of journey, or number of connections. Soon you'll find the best choice for your journey. When you're ready, Virail will transfer you to the provider's website to complete the booking. No matter where you're going, get there with Virail.

How can I find the cheapest train tickets to get from Moscow to Elektrostal?

Prices will vary when you travel from Moscow to Elektrostal. On average, though, you'll pay about for a train ticket. You can find train tickets for prices as low as , but it may require some flexibility with your travel plans. If you're looking for a low price, you may need to prepare to spend more time in transit. You can also often find cheaper train tickets at particular times of day, or on certain days of the week. Of course, ticket prices often change during the year, too; expect to pay more in peak season. For the lowest prices, it's usually best to make your reservation in advance. Be careful, though, as many providers do not offer refunds or exchanges on their cheapest train tickets. Unfortunately, no price was found for your trip from Moscow to Elektrostal. Selecting a new departure or arrival city, without dramatically changing your itinerary could help you find price results. Prices will vary when you travel from Moscow to Elektrostal. On average, though, you'll pay about for a train ticket. If you're looking for a low price, you may need to prepare to spend more time in transit. You can also often find cheaper train tickets at particular times of day, or on certain days of the week. Of course, ticket prices often change during the year, too; expect to pay more in peak season. For the lowest prices, it's usually best to make your reservation in advance. Be careful, though, as many providers do not offer refunds or exchanges on their cheapest train tickets.

How long does it take to get from Moscow to Elektrostal by train?

The journey between Moscow and Elektrostal by train is approximately 32.44 mi. It will take you more or less 2 hr 7 min to complete this journey. This average figure does not take into account any delays that might arise on your route in exceptional circumstances. If you are planning to make a connection or operating on a tight schedule, give yourself plenty of time. The distance between Moscow and Elektrostal is around 32.44 mi. Depending on the exact route and provider you travel with, your journey time can vary. On average, this journey will take approximately 2 hr 7 min. However, the fastest routes between Moscow and Elektrostal take 1 hr 3 min. If a fast journey is a priority for you when traveling, look out for express services that may get you there faster. Some flexibility may be necessary when booking. Often, these services only leave at particular times of day - or even on certain days of the week. You may also find a faster journey by taking an indirect route and connecting in another station along the way.

How many journeys from Moscow to Elektrostal are there every day?

On average, there are 71 daily departures from Moscow to Elektrostal. However, there may be more or less on different days. Providers' timetables can change on certain days of the week or public holidays, and many also vary at particular times of year. Some providers change their schedules during the summer season, for example. At very busy times, there may be up to departures each day. The providers that travel along this route include , and each operates according to their own specific schedules. As a traveler, you may prefer a direct journey, or you may not mind making changes and connections. If you have heavy suitcases, a direct journey could be best; otherwise, you might be able to save money and enjoy more flexibility by making a change along the way. Every day, there are an average of 18 departures from Moscow which travel directly to Elektrostal. There are 53 journeys with one change or more. Unfortunately, no connection was found for your trip from Moscow to Elektrostal. Selecting a new departure or arrival city, without dramatically changing your itinerary could help you find connections.

Book in advance and save

If you're looking for the best deal for your trip from Moscow to Elektrostal, booking train tickets in advance is a great way to save money, but keep in mind that advance tickets are usually not available until 3 months before your travel date.

Stay flexible with your travel time and explore off-peak journeys

Planning your trips around off-peak travel times not only means that you'll be able to avoid the crowds, but can also end up saving you money. Being flexible with your schedule and considering alternative routes or times will significantly impact the amount of money you spend on getting from Moscow to Elektrostal.

Always check special offers

Checking on the latest deals can help save a lot of money, making it worth taking the time to browse and compare prices. So make sure you get the best deal on your ticket and take advantage of special fares for children, youth and seniors as well as discounts for groups.

Unlock the potential of slower trains or connecting trains

If you're planning a trip with some flexible time, why not opt for the scenic route? Taking slower trains or connecting trains that make more stops may save you money on your ticket – definitely worth considering if it fits in your schedule.

Best time to book cheap train tickets from Moscow to Elektrostal

The cheapest Moscow - Elektrostal train tickets can be found for as low as $35.01 if you’re lucky, or $54.00 on average. The most expensive ticket can cost as much as $77.49.

Find the best day to travel to Elektrostal by train

When travelling to Elektrostal by train, if you want to avoid crowds you can check how frequently our customers are travelling in the next 30-days using the graph below. On average, the peak hours to travel are between 6:30am and 9am in the morning, or between 4pm and 7pm in the evening. Please keep this in mind when travelling to your point of departure as you may need some extra time to arrive, particularly in big cities!

Moscow to Elektrostal CO2 Emissions by Train

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Carin León Unveils International Tour Dates Ahead of Stagecoach Debut

Carin León will head out on his 'Boca Chueca' tour starting July 22.

By Thania Garcia

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Música Mexicana artist Carin León has announced his international “Boca Chueca Tour,” slated for this fall. León will kickoff the trek later this year after making debut appearances at both Coachella and Stagecoach .

The “Boca Chueca Tour” will hit major cities across North America and Europe, including a night at Madison Square Garden in New York City, two nights at the United Center in Chicago, Bridgestone Arena in Nashville, Coca-Cola Coliseum in Toronto, and BMO Stadium in Los Angeles.

Following the North American leg, León will venture into Europe with confirmed dates in Madrid, London, Amsterdam and Paris.

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“Embarking on this tour is an exhilarating opportunity to share my new music with fans throughout North America and Europe alike. Taking my songs and the vibrant essence of Música Mexicana to a global stage is truly an honor,” said León.

Ticket pre-sales begin April 30 at 10 a.m. local time and a limited number of VIP packages will also be available starting April 30. Tickets go on sale to the general public on May 3.

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Moscow Metro Underground Small-Group Tour - With Reviews & Ratings

Moscow metro underground small-group tour.

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Tour Information

Key Details

• Mobile Voucher Accepted
• Free Cancellation
• Duration: 3 Hrs
• Language: English
• Departure Time : 10:00 AM
• Departure Details : Karl Marks Monument on Revolution Square, metro stop: Square of Revolution
• Return Details : Metro Smolenskaya
• If you cancel at least 4 day(s) in advance of the scheduled departure, there is no cancellation fee.
• If you cancel within 3 day(s) of the scheduled departure, there is a 100 percent cancellation fee.
• Tours booked using discount coupon codes will be non refundable.

Go beneath the streets on this tour of the spectacular, mind-bending Moscow Metro! Be awed by architecture and spot the Propaganda , then hear soviet stories from a local in the know. Finish it all up above ground, looking up to Stalins skyscrapers, and get the inside scoop on whats gone on behind those walls.

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We begin our Moscow tour beneath the city, exploring the underground palace of the Moscow Metro. From the Square of Revolution station, famous for its huge statues of soviet people (an armed soldier, a farmer with a rooster, a warrior, and more), we’ll move onto some of the most significant stations, where impressive mosaics, columns, and chandeliers will boggle your eyes! Moreover, these stations reveal a big part of soviet reality — the walls depict plenty of Propaganda , with party leaders looking down from images on the walls. Your local guide will share personal stories of his/her family from USSR times, giving you insight into Russia’s complicated past and present. Then we’re coming back up to street level, where we’ll take a break and refuel with some Russian fast food: traditional pancakes, called bliny. And then, stomachs satiated, we are ready to move forward! We’ll take the eco-friendly electric trolleybus, with a route along the Moscow Garden Ring. Used mainly by Russian babushkas(grannies) during the day, the trolleybus hits peak hours in the mornings and evenings, when many locals use it going to and from their days. Our first stop will be the Aviator’s House, one of Stalin’s Seven Sisters, followed by the Ministry of Foreign Affairs — and you’ll hear the legends of what has gone on inside the walls. Throughout your Moscow tour, you’ll learn curious facts from soviet history while seeing how Russia exists now, 25 years after the USSR.

Local English-speaking guide

Pancake snack and drink

Additional food and drinks

Tickets for public transport

Souvenirs and items of a personal nature

Tips and gratuities for the guide

Additional Info

Confirmation will be received at time of booking

Dress standard: Please wear comfortable shoes for walking. For your Urban Adventure you will be in a small group of a maximum of 12 people

Traveler Reviews

This tour exceeded our expectations. Nikolai (Nick), our tour guide, was very knowledgeable, thorough, and has a great personality. He didn't take shortcuts and really covered everything that was on the agenda in great detail. We saw beautiful metro stations and learned the history behind them, including many of the murals and designs.

We did the tour with Anna her knowledge and understanding of the History surrounding the metro brought the tour alive. Well done Anna!

This tour was amazing!

Anna was a great tour guide. She gave us heaps of interesting information, was very friendly, and very kindly showed us how to get to our next tour.

Amazing beauty and history.

An excellent tour helped by an absolutely amazing guide. Anna gave a great insight into the history of the metro helped by additional material she had prepared.

great tour and guide - thanks again

great will do it again, Miriam ke was very good as a guide she has lived here all here life so knew every interesting detail.a good day

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simontownshend.com

ZAK STARKEY

sshh.co.uk         trojanjamaica.com         jamaicasoundsystem.com

Zak Starkey, son of Ringo Starr, is the rightful heir to the drum seat of his godfather Keith Moon. Zak’s father only ever gave him one drum lesson and discouraged him from a career in rock’n’roll but it was Zak’s Uncle Keith who bought him his first drum kit at the age of eight. By ten Zak was teaching himself to play the drums and by the age of 12 he was playing in a pub band called The Next. In 1984 he recorded Under A Raging Moon with Roger Daltrey. Gigs then followed with The Icicle Works, Ringo Starr’s All-Star Band, Bobby Womack, Holly Johnson and Joe Walsh and recording with John Entwistle on his solo album The Rock . By the mid-90s Zak was playing for Roger Daltrey on his Daltrey Sings Townshend tour followed in 1996 by drumming for The Who on their Quadrophenia   tour. By 2004 Zak was in the drum seat with Oasis. He has recorded with Johnny Marr, The Lightning Seeds, The Hollywood Vampires, Joe Perry, Paul Weller, Graham Coxon and Mick Jones of The Clash. Zak has pretty much become the ‘unofficial’ official drummer for The Who, performing with them on their 2007/8 tour, the 2010 Super Bowl XLIV in Miami, FL, the Closing Ceremony of the London 2012 Summer Olympics, the 2013 Quadrophenia & More tour, The Who Hits 50! tour, The Who 2017 tour and the 2019 Moving On! tour. In 2020 Zak appeared alongside Pete Townshend, Noel Gallagher, Billy Gibbons Steven Tyler Kirk Hammett et al in Mick Fleetwood’s Peter Green tribute. When not with The Who, Zak plays guitar in his band SSHH. In 2017, Zak and Sshh founded Grammy-award-winning record label Trojan Jamaica, releasing recordings by Toots and The Maytals, Santigold, Shaggy, U-Roy, Ziggy Marley and many others.

Keyboards, Backing Vocals

jonbutton.com

BILLY NICHOLLS

Backing vocals.

billynicholls.com

KEITH LEVENSON

Music co-ordinator/conductor.

keithlevenson.net

fustercluckmusic.com

Keith Levenson is delighted to continue his relationship with Roger Daltrey and Pete Townshend having previously been Conductor and Musical Director of the highly acclaimed 2019 Moving On! tour. Keith had the honour of conducting Roger’s 1994 Daltrey sings Townshend tour with Roger, Simon Townshend, Billy Nicholls,   Zak Starkey and the late John Entwistle. Levenson went on to conduct more symphonic tours with Daltrey including the British Rock Symphony and The Wizard of Oz at Lincoln Center, where Daltrey played the Tin Man. He conducted and created arrangements for KISS, Meatloaf, Alice Cooper, Yes, Peter Frampton, Paul Rodgers, Darlene Love, Thelma Houston, Gary Burdon, Gary Brooker and Nigel Kennedy among many others. As a Broadway /National Tour Music Director/Supervisor, Keith has conducted the play Annie with Nell Carter and Sally Struthers, The Best Little Whorehouse in Texas with Ann Margret, Jason Robert Brown’s The Bridges of Madison County , Franco Dragone’s India! , Grease , Peter and Pan with Cathy Rigby, Dreamworks’ Kung Fu Panda Live and countless others. Keith recently co-produced and conducted the 50th anniversary album Roger Daltrey sings The Who’s Tommy which was released in summer 2019. Much thanks and gratitude to The NY Philharmonic, The Chicago Symphony, The LA Philharmonic, The Detroit Symphony and The Cleveland Orchestra. For Betsy.

KATIE JACOBY

Concert master/librarian.

katiejacoby.com

AUDREY Q. SNYDER

Principal cello/assistant librarian.

audreyqsnyder.com

Emily Marshall

Keyboards/associate conductor.

emilymarshallmusic.com

Randy Landau

Principal double bass.

Facebook: Randy Landau