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Blackmore's Night Announces 25th Anniversary Tour Dates

The tour will kick of on Friday, October 28.

Grab your tambourine or your tankard of ale, and come sing and dance with legendary guitarist Ritchie Blackmore (formerly of Deep Purple and Rainbow) and award winning vocalist Candice Night, for the 25th anniversary tour of Blackmore's Night, their unique and well traveled Renaissance/Folk/Rock outfit.

Join this special group as they transport you back in time to a magical evening where their music will enter your heart and soul! Visit Blackmore's Night online here .

BLACKMORE'S NIGHT 25TH ANNIVERSARY TOUR DATES

FRIDAY, OCTOBER 28, 2022

The Academy of Music, Northampton, MA

https://www.aomtheatre.com/event/blackmores-night/

SUNDAY, OCTOBER 30, 2022

Sony Hall, New York City, NY

https://sonyhall.com/events/blackmores-night-10-30-2022/

FRIDAY, NOVEMBER 11, 2022

Music Box at Borgata, Atlantic City, NJ

https://www.ticketmaster.com/event/02005D19D73A47BD

FRIDAY, NOVEMBER 18, 2022

Patchogue Theatre for Performing Arts, Patchogue, NY

https://www.patchoguetheatre.org/events/2022-11-10-blackmore-s-night

Ritchie Blackmore and Candice Night have created a new genre of music for all ages, inspired by many melodies of the Renaissance period, and "Blackmoreized" into contemporary music. This is the sound of Blackmore's Night.

In 1997, Blackmore's Night released their debut CD, Shadow of the Moon, which immediately went gold in Japan and earned awards worldwide. Meanwhile, their devoted fan base is growing exponentially as the band has created a genre of music for all ages. From grandparents to children, everyone has their medieval mood music and gypsy dances. Clearly the music of Blackmore's Night connects with fans on a deep level, allowing them to experience an entirely different era of merriment.

At the helm of this band, is award winning lyricist and vocalist, Candice Night, who not only contributes her unique, entrancing vocals, but deftly navigates seven medieval woodwinds, including chanters, shawms, pennywhistles and recorders. Rock and Roll Hall of Fame inductee and celebrated guitarist, Ritchie Blackmore, who traverses between acoustic and electric guitar, mandolin, mandola and hurdy gurdy.

Further enhancing the band's inspired sound are keyboardist/back-up vocalist Bard David, Violinist, Scarlett Fiddler, back up vocalist/rhythm guitar, Lady Jessie , bassist/rhythmic guitarist Earl Grey, and percussionist Troubadour of Aberdeen. With lyrics penned by Night, the collective embraces the aura of the old world inn, from madrigals and ballads to good old fashioned Renaissance-inspired pub songs.

Additionally, every one of Blackmore's Night's studio CD (11 in total) has debuted in the top 2 of the Billboard charts, many of which entered or remained at the number 1 spot. They have earned Awards such as "Best Album of the Year", "Best Vocal Album of the Year" and their sold-out concerts in castles and UNESCO sites worldwide are filled with thousands of fans dressed in Renaissance garb, dancing and singing as if time stood still. No clocks...no pressure...just the gaiety and camaraderie of a medieval pub. Everyone joins in and loses their stress in the music.

2022 Tour Dates

Blackmore's Night will perform four gigs in 2022 at the following locations:

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Project Description

Talented Troupe Hits The Road with Band Featuring Legendary Musician Richie Blackmore (Deep Purple, Rainbow) and Candice Night at the Helm

Grab your tambourine or your tankard of ale, and come sing and dance with legendary guitarist Ritchie Blackmore (formerly of Deep Purple and Rainbow) and award winning vocalist Candice Night, for the 25th anniversary tour of Blackmore’s Night , their unique and well traveled Renaissance/Folk/Rock outfit. Join this special group as they transport you back in time to a magical evening where their music will enter your heart and soul! Visit Blackmore’s Night online here .

BLACKMORE’S NIGHT 25TH ANNIVERSARY TOUR DATES

FRIDAY, OCTOBER 28, 2022

The Academy of Music, Northampton, MA

https://www.aomtheatre.com/event/blackmores-night/    

SUNDAY, OCTOBER 30, 2022

Sony Hall, New York City, NY

https://sonyhall.com/events/blackmores-night-10-30-2022/  

FRIDAY, NOVEMBER 11, 2022

Music Box at Borgata, Atlantic City, NJ

https://www.ticketmaster.com/event/02005D19D73A47BD  

FRIDAY, NOVEMBER 18, 2022

Patchogue Theatre for Performing Arts, Patchogue, NY

https://www.patchoguetheatre.org/events/2022-11-10-blackmore-s-night  

Ritchie Blackmore and Candice Night have created a new genre of music for all ages, inspired by many melodies of the Renaissance period, and “Blackmoreized” into contemporary music. This is the sound of Blackmore’s Night.

In 1997, Blackmore’s Night released their debut CD, Shadow of the Moon, which immediately went gold in Japan and earned awards worldwide. Meanwhile, their devoted fan base is growing exponentially as the band has created a genre of music for all ages. From grandparents to children, everyone has their medieval mood music and gypsy dances. Clearly the music of Blackmore’s Night connects with fans on a deep level, allowing them to experience an entirely different era of merriment.

At the helm of this band, is award winning lyricist and vocalist, Candice Night, who not only contributes her unique, entrancing vocals, but deftly navigates seven medieval woodwinds, including chanters, shawms, pennywhistles and recorders. Rock and Roll Hall of Fame inductee and celebrated guitarist, Ritchie Blackmore, who traverses between acoustic and electric guitar, mandolin, mandola and hurdy gurdy. Further enhancing the band’s inspired sound are keyboardist/back-up vocalist Bard David, Violinist, Scarlett Fiddler, back up vocalist/rhythm guitar, Lady Jessie , bassist/rhythmic guitarist Earl Grey, and percussionist Troubadour of Aberdeen. With lyrics penned by Night, the collective embraces the aura of the old world inn, from madrigals and ballads to good old fashioned Renaissance-inspired pub songs.

Additionally, every one of Blackmore’s Night’s studio CD (11 in total) has debuted in the top 2 of the Billboard charts, many of which entered or remained at the number 1 spot. They have earned Awards such as “Best Album of the Year”, “Best Vocal Album of the Year” and their sold-out concerts in castles and UNESCO sites worldwide are filled with thousands of fans dressed in Renaissance garb, dancing and singing as if time stood still. No clocks…no pressure…just the gaiety and camaraderie of a medieval pub. Everyone joins in and loses their stress in the music.

Contact: Carole Stevens [email protected] to request interviews.

https://www.blackmoresnight.com/  

https://www.instagram.com/blackmoresnightofficial/

https://www.facebook.com/blackmoresnightofficial/  

https://youtu.be/NM0wd9XH8XE  

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Blackmore's Night Interview (Issue 94)

This interview was originally published in Issue 94 (Apr 2021)

Interview by Andy Brailsford

Blackmore’s Night have now been with us for almost twenty-four years, and ‘Nature’s Light’ is their eleventh new studio album. The venture has been more financially, and I would suggest psychologically, rewarding than either Deep Purple or Rainbow. With Candice Night, Richie Blackmore is in a good place, so much so that he has successfully revisited the Rainbow days, and continues mesmerising on his Strat, and all kinds of stringed instruments many of us have never heard of. Fireworks was honoured to be the first publication to be granted an interview with the couple, prior to the album’s release in March.

It’s a long time since we spoke with you guys. Are you, the children, and Carole doing okay, and managing to stay away from everything that’s flying around at the moment?

RB: I wanted time off but it’s beginning to be too much time off now ... starting to get antsy and I want to play!

CN: All okay here. Dealing with the restrictions and new guidelines and trying to stay safe and healthy.

You live close to New York, which was pretty bad with the Coronavirus. Has it impacted on you in any way?

RB: Candice and I spend a lot of time at home so it suits me to be away from any form of company, as I don’t like talking to people anyway. Over here, like probably where you are, there is a lot of confusion as to what the real story is – whether it’s with masks or who has or doesn’t have Covid, who’s going to get it, why we’re getting it. We pretty much know where it's come from although they’re trying to play that down. So there’s so much mystery involved you have to wonder who’s telling the truth.

CN: We are about an hour and a half away from the city and we hardly went into NYC anyway, so what happens there normally doesn’t affect us. But it is on Long Island too, although there is a lot of misinformation. We know people who have had it. And we know people who were misdiagnosed with it. Recently where the kids go to school, they tested all the high school athletes and the tests all came back negative but then the health department switched the results somehow and listed them all as positive! I mean, you have to wonder what’s going on.

It’s nice to see you back, but why has it taken so long? I know one or two reasons, but that was a while ago now.

CN: We actually released our CD in 2016, then in 2017 we rereleased ‘Winter Carols’ with new tracks making it a double CD, and that same year we released a double CD called ‘To The Moon And Back’ which was a twenty year retrospective of the twenty years of Blackmore’s Night. One of the CDs was a compilation of our best of songs and on the second CD were new songs or new takes of old songs as well as unreleased video footage of the band. Then in 2018 we had a hard time: my Dad lost his battle with cancer, Ritchie’s brother passed, our cat of sixteen years passed, as well as losing Ritchie’s best friend from his early band days, Jimmy Evans – so that whole year wasn’t very inspiring to play or create. We started recording again in 2019 and tried to release in 2020 but the pandemic hit so everything was put off. We did release an EP of Christmas songs called ‘Here We Come A Caroling’ this past December and we did two live stream concerts on Ritchie’s Facebook page, so we have been busy each year.

As the children are growing, have they shown any real interest in music or playing music? I would be surprised if not.

RB: Yes, Autumn is playing cello in the school orchestra and I’m also teaching her the guitar. She has a brilliant three and a half octave range, pitch-perfect voice and Rory has a great voice and a very good sense of rhythm, so he has a drum kit set up. So they are both musically inclined.

CN: Autumn has her daddy’s improvisational gene. That girl can make up songs about anything, anytime, it’s amazing. He only has to show her something once on the guitar and she remembers it for life. I am clueless with guitar. I picked up Ritchie’s guitar the other day and put my fingers on the fretboard in a mock playing position; she just rolled her eyes and said, “Mom, that’s not even a chord.” And Rory can do things rhythmically that are amazing. He just feels it naturally.

Having said that, would I be correct in saying there are younger voices doing the ‘La la la’ bit at the end of ‘Going To The Faire’?

RB: Yes, those are our little ones. CN: Autumn also sang the high parts on our Christmas EP on ‘Silent Night’.

I remember when you played over here as Blackmore’s Night; Autumn wasn’t phased at coming out on stage at all, although she did run straight to her mum and sort of ran away from you Ritchie, which was quite amusing .

CN: Yes, that’s when she was mommy’s girl. But as I’m the one who cracks the whip on healthy eating and homework and staying on schedule, they happily run to daddy to escape me now [laughs].

Are you still keeping an eye on English football and Chelsea, Ritchie? They have just sacked Frank Lampard as manager and put in someone who was sacked from his previous team. It’s the only job I know where you can look forward to getting fired before you actually get there. Do you think you made the wrong decision to be a musician instead?

RB: I’ve actually fired myself once or twice. I don't fire musicians anymore, I just set fire to them. I do follow football but over here, we pick up the Spanish league and they’re obviously very good players. Of course, my favourites were always Bayern Munich because of Franz Beckenbauer; I liked his technique of dancing with the ball.

With regard to the album now, when I saw the title ‘Once Upon December’ I thought it was going to be a Christmas song, which would have been a bit disorienting in March, but it’s not is it? Having said that, once you reach March, Christmas is only a blink away isn’t it?

RB: And who’s to say when Christmas really is? They say that Christmas is the celebration of the birthday of Jesus but then the story goes that he was born in March and not in December.

CN: That song was originally done by a renaissance faire performer friend of ours, Owain Phyfe. Its origins come from a 16th-century Italian song ‘FuggiFuggiFuggi’. The record company did release that song in December as a preview of the ‘Natures Light’ album to come, so at that point the title of that track worked perfectly.

There is also some really nice interplay on ‘Darker Shade Of Black’, with the acoustic guitar and piano just prior to the Strat lead. Did you play to the keyboard, or was the guitar laid down first?

RB: Guitar was laid down first. And some opera singer was passing by the studio….

With ‘The Twisted Oak’ I wrote, ‘If you shut your eyes you can just imagine people in castles, long ago, dancing with each other with the band playing at the end of a large hall.’ Do either of you get images like that while putting the songs together?

RB: Yes and we were going to call it “our left behind” which we included if you listen carefully. My life consists of many visuals of castles, courtly dances, and minstrels in the gallery.

CN: I always think that Ritchie’s melodies are so visual that they instantly paint pictures in my mind when I hear them. Then I just try to channel the pictures I’m getting into storylines which become the lyrical content.

Why did you decide to re-record ‘Wish You Were Here?’

RB: A lot of people request that song, especially over here, so we decided to re-record it. It’s one of my favourite songs.

CN: Plus we’ve been performing it since 1997 so we added some new instrumentation and a new vocal performance, as my voice has strengthened over the years. It sounds truer to the way we perform it onstage now.

Are there any ‘new’ instruments that you introduce us to on this album? How long does it usually take you to get to grips with new/old instruments, either stringed or woodwind?

RB: I’m still practising the nyckleharp. I leave all the shawms and woodwinds to Candy. She’s already very good at them even though she doesn’t practice.

CN: I don’t have time to practice! But at this point I’m playing rauch-pfifes, recorders, penny-whistles, shawms, gemshorns, crumhorns, bombards – so I don’t think I need to add any more. But it’s nice to be able to pull on any of these sounds or make our own ensembles by multi-tracking the parts when we’re recording.

Are you always looking for new/old instruments you can explore, or are there none left?

RB: We do have a lot of old instruments, but there is always instruments I’ve never heard of that go way back.

One thing I saw not too long ago, said that you were a film score writer. Is that true? I did not know that, and if so what films were they? RB:I do write a lot of film music but unfortunately they never release the films. Probably because of the music [laughs].

‘Der Letzte Musketier’ has a deep sense of Jon Lord at the beginning, and I know you had great respect for him. Was there some thought behind that or is it just coincidental?

RB: No, I wanted an organ beginning to it, which our producer made up on the spot. But the story is I used to be in a band called the Three Musketeers and we played in Hamburg, Germany where we were based and we were only together for about a year but in that year that band became my favourite band of all time. Unfortunately, the other two members have since passed on and so that makes me the last Musketeer. We used to play very fast instrumentals in Germany in 1964 or ’65 – most of the audience wanted to dance to the music but we always had complaints that our music was too fast and they couldn’t dance to it, so consequently we didn’t work very much. Our drummer, for instance, was an incredible drummer who could sight read brilliantly. I was there when another drummer asked him if he could sight read a piece of music, so Jimmy Evans proceeded to read that piece of music upside down and backward and forwards. So the other drummer was immediately a giant fan of our drummer and followed him everywhere because he was so in awe of his talent. His stage name was Tornado Evans and he played with me on some Lord Sutch recordings – my favourite all time musician friend.

It’s a while since you played Blues, so what inspired you to do this track in that style?

RB: Waiting for Candy, who was shopping for groceries [laughs]. So the producer and myself threw it together. Some days I like to play the Strat and some days I like to play the acoustic, depending on my frame of mind. They’re two different animals completely – The Strat and the acoustic, not Candy [laughs].

‘Second Element’ doesn’t sound like it is based on medieval music, which makes it not immediately identifiable as Blackmore’s Night. If it wasn’t for Candice’s voice, Blackmore’s Night wouldn’t have sprung to mind until the guitar came in later on. I also think it is very memorable and would make a good single. Any thoughts on that?

RB: Yes, we’ve always liked the song and it was written by one of our friends in Hamburg, who happens to be engaged to Sarah Brightman. He and two or three of his friends wrote the song and we decided to do it because it’s a great melody.

CN: It was originally on Sarah Brightman’s album ‘Dive’. There are two versions of it, one is a love song and the other one is ‘Second Element II’ which I instantly fell in love with because it’s about the element of water being the source of life; very nature magic based. And I love Ritchie’s guitar on this track!

One quick question about politics, as that has been firmly in our faces recently. Bearing in mind you played with Screaming Lord Sutch, if he had ever been successful in his attempts to be elected, you could have become an MP, Ritchie. How cool would that have been, and what would you have been minister of?

RB: Minister of Transport. And I’d make everybody ride bicycles. I’m glad you didn’t ask me which side I would vote for.

I have always thought your style and sound are instantly identifiable with you, and I remember the first time I heard your version of ‘The Snowman’ on Fluff Freeman’s Rock show one Saturday afternoon. I didn’t turn it on until part way through, and remember thinking, ‘That’s Richie’s sound,’ then, ‘Hang on, that’s ‘The Snowman’, that’s not a Ritchie tune.’ That sound is still immediately identifiable today, so do you still use much of the same equipment, or have you started to utilise profilers and such?

RB: No, I was using Marshall Amplification then but for the last twenty years I’ve been using Engl amps. Same strings, which are D’Addario – a Long Island manufactured string, where I live. Funnily enough, I just got a couple of 100 watt Marshalls out of storage and blew the dust off of them; I haven’t played a Marshall Amp in years. When I used to play I would play onstage with four 4x12 Marshall cabinets but I was only going through one Marshall cabinet. Now I enjoy playing through small amplifiers – how I really started out. I never really felt comfortable with all those cabinets behind me; it was always too loud.

When you play live, I notice that there’s one thing on stage that you have used for an eternity that looks like an old Teac reel to reel recorder, which, if so, I assume you use for echo effects.

RB: It was an AIWA tape deck that was lying around the house, so instead of wasting it I used it as a pre amp. Instead of many preamps that squash the sound, it actually opens up the sound which is unusual.

Do you still miss the Ginster’s meat pies and English chocolate?

RB: I still eat too much English chocolate because I can get it down the shop at the end of the road. The Ginsters was more for Candy, yet I love them too.

CN: He is able to get Cadburys but we both miss Flakes and Crunchies! Luckily we can get Branston Pickle, though, and Horlicks [laughs].

I was at your Rainbow shows, at Birmingham on the first run and the Stonefree show on the second. What encouraged you both to reinvigorate that after so long? Was it something you felt you had to get out of your system?

RB: Again just a frame of mind. I didn’t realise so many people were so interested in seeing the old Rainbow songs, but I was very surprised at how many people came out to hear it. I love nostalgia too.

Did you derive any inspiration for ‘Nature’s Light’ from doing those tours, or was some of the album already mapped out?

RB: No, playing with Rainbow is a completely different situation. I wouldn’t be insured to write something for Blackmore’s Night from the Rock situation .

I also saw somewhere on the internet where one of the styles of music you played was described as ‘Neoclassical Metal’. I thought the first part was right but I’m not sure about the second ‘Metal’ bit. Would you say that was right?

RB: I’ve never played Metal. Obviously, with Blackmore’s Night I play wood, and with Rainbow I play Hard Rock Blues.

Did those Rainbow dates re-enforce your relationship with the Strat, Richie, as I notice you use it quite a lot on the new album?

RB: Those Rainbow shows, I was never quite comfortable on stage until we played about our fifth show, then I started to feel more at ease. But having not played Rock for more than twenty years, it was a bit of a stretch. Medically, I had to have pain-killing injections into my spine so that I could stand onstage for two hours, whereas in the Blackmore’s Night show I am usually on a stool for two and a half hours, so that helps my back. I think when we played the Czech show I only did one encore because my back was hurting so much.

In retrospect, did you both enjoy doing that, or did you feel like Phil Collins after he had done Genesis in 2007?

RB: I liked it in parts, but felt a little bit uncomfortable in other parts.

Do you record in your own studio at home and do the production yourselves, and are you digital, or do you go out to a studio and let someone else deal with that?

RB: We have a producer that flies in from LA. We spend most of the time talking about politics, but then we do a little bit of music and we have the equipment for recording but neither Candy nor I know how it works. I do know that there is a bar which I had built next to the studio, so I often sit in the bar room and write tunes before I go into the studio to put them down. There was a time when I wanted to be the one to never have a studio in the house but I succumbed to having the necessary recording equipment. I’m also a cat lover so whenever we went to the studio or lived in a studio setting, like we would usually do with Purple or Rainbow, I would miss my cats. So having a studio in the house, the cats can come downstairs and tell me if they like the music or not [laughs].

How involved do you get Candice, with the instrumentals?

CN: I don’t, really. Just to sit on the sidelines and watch and be in awe and be supportive. If he asks my opinion, I’ll give it. Otherwise I’m happy to just watch him do his thing – it's brilliant.

In my review, I wrote, “It’s uplifting, more than capable of cheering us up during these dark days, and much better than going to the chemist.” Does it ever get difficult to achieve a cheery feeling in music?

RB: You go through every emotion when you are recording. Happy, sad, and sometimes I just think that I can’t play very well at all. I have those moments when I seriously question my guitar ability.

CN: I think writing happier songs is actually more difficult for me. Somehow the darker songs have more dimension, but I do hope that in these times, as in any time, our music provides an escape from any stress or darkness that they are experiencing, especially in these crazy unprecedented times.

You are a great admirer of Eddie Van Halen, who we sadly lost last year. I believe you met him, but did you ever get any indication that you inspired him to any degree?

RB: Yes, he asked me how I got a few sounds on some of the Deep Purple stuff and what effects I was using and I remember once when he asked me about the effect on a song, which I don’t even remember, and I told him it was just the amplifier and I didn’t use any effect. He was insistent that I used an effect when I didn’t even use an effect on the song he was talking about, but very nice guy and brilliant guitar player. Reinvented the guitar technique with tapping.

What is your opinion regarding the revival of vinyl discs. Do you not think it’s going back in time?

RB: Anything that goes back in time is okay by me. I think it’s a good idea. People miss that hiss when you put that needle on the groove; there is a certain hiss.

CN: I think there is a warmth too, to that sound. Digital is too crisp. Maybe its nostalgia again. ‘Natures Light’ will be released on a golden disc.

Do you still vacuum hotel rooms to relax when you’re on tour Richie, or do Autumn and Rory take care of your free time now?

RB: If I’m moving furniture around in a room then I have to get a vacuum because some hotel rooms are filthy once you move the furniture. An old trick that I learned in the Screaming Lord Sutch days when going into a hotel room, I was taught to always kick the bed hard to see if anything runs out!

CN: I’m glad he’s keeping occupied vacuuming and playing guitar in the hotel room while I’m occupying the kids! [laughs].

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Blackmore’s Night

• May 19, 2022 Setlist

Blackmore’s Night Setlist at Sunoco Performance Theater, Harrisburg, PA, USA

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• Dancer and the Moon Play Video
• Darkness Play Video
• Dance of the Darkness Play Video
• Under a Violet Moon Play Video
• Soldier of Fortune ( Deep Purple  cover) Play Video
• Durch den Wald zum Bach Haus Play Video
• World of Stone Play Video
• Allan Yn N Fan Play Video
• Renaissance Faire Play Video
• Gilded Cage Play Video
• Strawberry Girl Play Video
• Home Again Play Video
• Moonlight Shadow ( Mike Oldfield  cover) Play Video
• Dandelion Wine Play Video
• Song played from tape Snoopy Versus The Red Baron Play Video

Note: Strawberry Girl was a dedication from Candice to a young renaissance girl that she spotted near the stage.

Edits and Comments

12 activities (last edit by bamboozled , 21 May 2022, 19:37 Etc/UTC )

Songs on Albums

• Dance of the Darkness
• Strawberry Girl
• Durch den Wald zum Bach Haus
• Under a Violet Moon
• Moonlight Shadow by Mike Oldfield
• Soldier of Fortune by Deep Purple
• Allan Yn N Fan
• Dancer and the Moon
• Dandelion Wine
• Gilded Cage
• Renaissance Faire
• World of Stone

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Blackmore’s Night Gig Timeline

• Nov 23 2019 The Village Lanterne Lindenhurst, NY, USA Add time Add time
• Nov 17 2021 The Village Lanterne Lindenhurst, NY, USA Add time Add time
• May 19 2022 Sunoco Performance Theater This Setlist Harrisburg, PA, USA Add time Add time
• May 20 2022 Sherman Theater Stroudsburg, PA, USA Add time Add time
• Oct 28 2022 Academy of Music Theatre Northampton, MA, USA Add time Add time

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[url=https://www.setlist.fm/setlist/blackmores-night/2022/sunoco-performance-theater-harrisburg-pa-1bb719bc.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=1bb719bc[/img][/url] [url=https://www.setlist.fm/edit?setlist=1bb719bc&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/blackmores-night-bd6d1ba.html]More Blackmore’s Night setlists[/url]

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Blackmore’s Night

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November 3, 2022 @ 8:00 pm - 9:30 pm

2022 marks the official 25th Anniversary of Blackmore’s Night , inspired by many melodies of the Renaissance period, and Blackmoreized into contemporary music. They call it Renaissance/Folk/Rock. At the helm is the dynamic husband and wife duo: celebrated guitarist Ritchie Blackmore, who traverses between acoustic and electric guitar, mandolin, mandola, cello, and hurdy gurdy, and Candice Night, who not only contributes her unique, entrancing vocals, but deftly navigates seven medieval woodwinds, including bagpipe, chanters, shawms, corner music, pennywhistles, and recorders. Further enhancing the band’s inspired sound are keyboardist/back-up vocalist Bard David, violinist Scarlett Fiddler, back-up vocalist/shawm player Lady Lynn, bassist/rhythmic guitarist Earl Grey, and percussionist Troubadour of Aberdeen. With lyrics penned by Night, the collective embraces the aura of the old world inn, from madrigals and ballads to good old fashioned, Renaissance-inspired pub songs.

Their latest release To The Moon And Back: 20 Years And Beyond… is a best-of compilation including the most-requested and beloved songs from their fans, all of which have been re-mastered. Alongside these classics, the album includes four re-recorded new versions of some of their favorites: “Moonlight Shadow”, “Somewhere Over The Sea”, “Coming Home”, and “Writing On The Wall”. Additionally, the set has a live version of “Home Again” and three brand new songs: “Ghost Of John” (which includes the vocal debut of Blackmore and Night’s 6-year-old daughter Autumn), Ritchie Blackmore’s new version of “Land of Hope and Glory” and Candice Night lending her vocals to a favored Rainbow tune “I Surrender”. The set is complete with a booklet boasting a collage of 20 years of memorabilia and a small unrehearsed video from a sound check, rewarding fans with an intimate glimpse behind the scenes.

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Blackmore's Night

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• Blackmore's Night spielt nicht in deiner Nähe. Alle Konzerte ansehen
• Moscow, Russian Federation Standort ändern

26,653 Fans erhalten Konzertbenachrichtigungen für diesen Künstler.

Songkick beitreten um Blackmore's Night zu folgen und Benachrichtigungen über Konzerte in deiner Nähe zu erhalten.

Nächstgelegenes Konzert

District Music Hall

Touren außerhalb deiner Stadt

Werde vor anderen informiert, wenn sie in der Nähe von Moscow, Russian Federation auf Tour gehen

Schließe dich 26,653 Fans an, die Konzertbenachrichtigungen für diesen Künstler erhalten

Kommende Konzerte (4)

Sherman Theater

The Vogel, Count Basie Center for the Arts

Ähnliche Künstler mit kommenden Konzerten

Touren am meisten mit, live-bewertungen.

A fantastic summer's evening watching this great band from just a few feet from the stage. Fabulous atmosphere with many dressing up and getting right into the theme.

It was our first time seeing Blackmore's Night, travelling from Essex to be there, and worth every mile. Fabulous singing from the amazing Candice together with humour and banter among the band members and Richie's unmistakable skill on the strings of his many guitars... what a great combination!

My husband and I love this band, Paul being a Deep Purple fan since his teens (just a few years ago!).. together with our interest in Medieval times, being sure we've met before sometime long, long ago, possibly under a violet moon?!

We would happily join the roving fan base and see them again, especially in similar settings.

Nikki & Paul

Mehr erfahren

Als unangemessenen melden

Small venue so special intimacy

Some really sweet notes in particular in the acoustic numbers with Candice and Ritchie.

The band are a very talented group of muso's a special bunch.

Felt fortunate to see as came from Australia and this was an opportunistic booking and got some of the last seats.

Highly recommended

I was waiting to see blackmore's night. My brother came to my home from another country just to see them Three day before the concert I received an email telling me from that the concert was suspended and that I will reicive the reimbursement in a few days.

Vergangene Konzerte

Bergen Performing Arts Center

Center for the Arts of Homer

Hart Theatre, Egg Center for the Performing Arts

Alle vergangenen Konzerte anzeigen

Blackmore's Night Tourtermine und Tickets 2024-2025 in deiner Nähe

Du möchtest Blackmore's Night auf einem Konzert sehen? Hier findest du Informationen zu allen kommenden Konzerten von Blackmore's Night sowie Tourtermine und Ticketinformationen für 2024-2025.

Blackmore's Night wird derzeit nicht in der Nähe deines Standorts auftreten – hat aber vor, 4 Konzerte in 1 Land in 2024-2025 zu geben. Alle Konzerte anzeigen.

Nächste 3 Konzerte:

• Stroudsburg, PA, US
• Norwalk, CT, US
• Red Bank, NJ, US

Nächstes Konzert:

Letztes Konzert in deiner Nähe:

Konzerte in 2024:

Bisherige Touren

Meist gespielt:

• Berlin (10)
• Stuttgart (8)
• New York (NYC) (7)
• Stroudsburg (5)

Meiste Auftritte mit:

• Ritchie Blackmore (15)
• Candice Night (13)
• CANDICE (4)
• Blackmore (4)

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Blackmore's Night

BUY TICKETS

Medieval Folk-Rock Troubadours

Legendary guitarist formerly of Deep Purple and Rainbow, Ritchie Blackmore, and award winning vocalist Candice Night are creating a new genre of music for all ages, a new genre, inspired by many melodies of the Renaissance period, and Blackmoreized into contemporary music. They call it Renaissance/Folk/Rock. This is the sound of Blackmore’s Night .

In 1997, Blackmore’s Night released their debut CD, Shadow of the Moon , which immediately went gold in Japan and earned awards worldwide. Meanwhile, their devoted fan base is growing exponentially as the band has created a genre of music for all ages. From grandparents to children, everyone is their medieval mood music and gypsy dances, clearly the music of Blackmore’s Night connects with fans on a deep level, allowing them to experience an entirely different era of merriment.

At the helm of this band, is award winning lyricist and vocalist, Candice Night , who not only contributes her unique, entrancing vocals, but deftly navigates seven medieval woodwinds, including chanters, shawms, pennywhistles and recorders. Rock and Roll Hall of Fame inductee and celebrated guitarist, Ritchie Blackmore , who traverses between acoustic and electric guitar, mandolin, mandola and hurdy gurdy. Further enhancing the band’s inspired sound are keyboardist/back-up vocalist Bard David, Violinist, Scarlett Fiddler, back up vocalist/rhythm guitar, Lady Jessie , bassist/rhythmic guitarist Earl Grey, and percussionist Troubadour of Aberdeen. With lyrics penned by Night, the collective embraces the aura of the old world inn, from madrigals and ballads to good old fashioned Renaissance-inspired pub songs.

Additionally, every one of Blackmore’s Night’s studio CD (11 in total) has debuted in the top 2 of the Billboard charts, many of which enered or remained at the number 1 spot. They have earned Awards such as “Best Album of the Year” “Best Vocal Album of the Year” and their sold-out concerts in castles and UNESCO sites worldwide are filled with thousands of fans dressed in Renaissance garb, dancing and singing as if time stood still. No clocks…no pressure…just the gaiety and camaraderie of medieval pub. Everyone joins in and loses their stress in the music.

Grab your tambourine or your tankard of ale, and sing and dance with Blackmore’s Night “Under a Violet Moon.” Join them as they transport you back in time to a magical evening where their music will enter your heart and soul.

2022 marks the official 25th Anniversary of Blackmore’s Night.

Support Act: Wizard’s Consort

Friday, Nov 18 8:00PM

TICKET PRICE

$49-$79 including fees

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• BUY TICKETS

Blackmore's Night

~20 years of renaissance rock~.

May 19, 2022 8:00 PM

May 19, 2022 |  Doors open   at 7 pm | Showtime at 8 pm

About blackmore's night.

  The year is 1996. The setting: a snowy winter in Massachusetts. Inside a lodge, nestled around a fireplace, a guitarist plays some beautiful acoustic tunes, and a singer with an ethereal voice joins in. They play throughout the night, creating songs of myths and fantasy inspired by nature. All of this is occurring while the guitarist, none other than famed stringsmith Ritchie Blackmore , is working with his band Rainbow to record their last CD Stranger In Us All .

  Here, in this moment miles away from it all, Ritchie Blackmore and Candice Night are using their secluded time around the fire in the middle of winter to create, some beautiful music, a new genre, inspired by many melodies of the Renaissance period, and Blackmoreized into contemporary music. They call it Renaissance/Folk/Rock. This is the sound of Blackmore’s Night .

 In 1997, Blackmore’s Night released their debut CD Shadow of the Moon, which immediately went gold in Japan and earned awards worldwide. Meanwhile, their ever-growing, devoted fan base is growing, as the band has created a genre of music for all ages. From grandparents to children,  everyone is embracing their medieval mood music and gypsy dances. Clearly, the music of Blackmore’s Night connects with fans on a deep level, allowing them to experience an entirely different era of merriment.

 At the helm is the dynamic husband and wife duo: celebrated guitarist Ritchie Blackmore , who traverses between acoustic and electric guitar, mandolin, mandola, cello, and hurdy gurdy, and Candice Night , who not only contributes her unique, entrancing vocals, but deftly navigates seven medieval woodwinds, including bagpipe, chanters, shawms, corner music, pennywhistles, and recorders. Further enhancing the band’s inspired sound are keyboardist/back-up vocalist Bard David , violinist Scarlett Fiddler , back-up vocalist/shawm player Lady Lynn , bassist/rhythmic guitarist Earl Grey , and percussionist Troubadour of Aberdeen . With lyrics penned by Night , the collective embraces the aura of the old world inn, from madrigals and ballads to good old fashioned, Renaissance-inspired pub songs.

  Additionally, every one of Blackmore’s Night’s studio CDs (10 in total) has debuted in the top five of the Billboard charts, many of which entered or remained at the number 1 spot. They have earned Awards such as “Best Album of the Year” or “Best Vocal Album of The Year” and their sold-out live concerts in castles and UNESCO sites worldwide are filled with thousands of fans dressed in Renaissance garb, dancing and singing as if time stood still. No clocks…no pressure…just the gaiety and camaraderie of a medieval pub. Everyone joins in and loses their stress in the music.

Grab your tambourine or your tankard of ale, and sing and dance with Blackmore’s Night  "Under A Violet Moon.” Join us To The Moon and Back: 20 Years And Beyond… for an amazing collection of music from Blackmore's Night.

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Blackmore's night   &   ritchie blackmore's rainbow, blackmore's night tour dates 2024.

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Animal charity : Camp  Papillion

--------------

Saturday, June 22nd

The Sherman Theater

Stroudsburg, PA

Sunday, June 23rd

District Music Hall

 Norwalk, CT

Animal charity: Army Legacy Animal Rescue

Saturday, June 29th

Berklee Performance Center, Boston, MA

Animal charity: Animal Rescue League of Boston

Sunday, June 30th

Academy of Music

Northampton, MA

Friday, July 5th The Vogel Red Bank, NJ

Animal charity: rescue ridge, saturday, july 6th the vogel red bank, nj.