ego trip artwork

Ego Trip - Canvas Print

Samanta Art print #OXM2053

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• Natural Wood Frame [1.25" WIDTH]
• Classic Dark Wood Floating Frame [2" Thick]
• Classic Dark Wood Frame [1.25" WIDTH]
• Standard Champagne Floating Frame [2" Thick]

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Canvas Print Description

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All of our products are handcrafted — printed, stretched, stapled, and framed — at iCanvas, in Illinois. Lincoln would be proud.

Canvas Print Product Features

Gallery Wrapped Canvas

All of our artwork comes gallery wrapped.  The image is stretched around the sides and stapled to the back of the wooden frame.  Your piece of art will be ready to hang, and will include an easy-to-use hanging kit.

Canvas Stretcher Bar Keys

The use of canvas stretcher bar keys is essential for preserving the visual appeal of canvas artwork, as they allow for the adjustment of canvas tension, which in turn guarantees a surface that is free of wrinkles. Stretcher keys are the preferred canvas stretching method by art professionals around the world as well as ours.

FRAME OPTIONS

Black & white matte frames have a sleek lacquer finish and are versatile enough to pair with almost any piece of art. Mottled gold & silver frames are hard wood with a textured metallic finish. Silver pairs well with cool colors and dark backgrounds, while gold pairs particularly well with classic art, traditional décor, and warmer colors. Dark wood can look great with rustic, farmhouse, nature and photography prints.

Framed Canvas Framing Options

Floating Frame

A little “armor for your art” that won‘t obscure the canvas.  Your canvas print is gallery wrapped and mounted to a 2" thick, elegant, black hard wood frame.  The art is inset, leaving a 3/8" space between the art and frame, creating the illusion that your art is “floating.”

About Fine Art Prints

Fine Art Paper

Presented on heavyweight (300 GSM) fine art paper with a distinct textured surface, using long-lasting ultra-chrome inks. A white border is left around the artwork for self-matting or to draw the eye in further.

Low-Glare Acrylic

Acrylite clear-coat premium glazing reduces glare while maintaining a crystal clear view of your art. Your art will be well protected and easy to clean.

Frame Options

Our Indonesian hardwood frames are handcrafted at iCanvas. Black & white matte frames have a sleek lacquer finish and are versatile enough to pair with almost any piece of art. Mottled Gold has a textured metallic finish and pairs particularly well with classic art, traditional décor, and warmer colors. Natural Wood brings the outdoors in and pairs well with watercolors, Scandinavian style artwork, or any natural, earthy subject matter.

Highest Quality Standards

Giclee printing process.

The standard for precision and stunning color reproduction.

Premium Materials

The best quality canvas for texture and finish; premium inks for vivid color; hand-stretched over 100% North American pine frames.

Ego Trip Limited Edition Print by Jane Wooster Scott - Secondary Market Art

Jane Wooster Scott Art > Ego Trip Art Print

Ego Trip by Jane Wooster Scott has recently been listed as available in the secondary art market. This limited edition print may be available for purchase. If you are interested in a price quote and purchase of this print, please contact us using the form provided and we will contact you regarding Jane Wooster Scott's Ego Trip availability and current market price on the secondary market. This art piece is a hard to find print, but we can attempt to locate one available for sale for you. If you need an art appraisal, we do not currently perform these at this time. If you would like to speak with one of our secondary market art brokers about Ego Trip or any other limited edition art, please call 908-264-2807. Please note that we do not currently do appraisals. Please use the estimated market price to get a good idea of the limited edition print of Ego Trip's current value. An image is provided only if we have access to one from a gallery and all images and photos are copyright by their respective copyright holders. *Market price in the secondary market is highly volatile. Estimated pricing is strictly an estimate.

12" H x 19" W x 2" D 'Ego Trip' Graphic Art Print on Canvas

See More by Trademark Fine Art

Rated 0 out of 5 stars.

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12" H x 19" W x 2" D

11" H x 14" W x 0.5" D

Not available with "Wrapped Canvas" and "No Mat"

16" H x 20" W x 0.5" D

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Not available with "Wrapped Canvas" and "12" H x 19" W x 2" D"

Product Overview

Artist: Samanta

Art Technique

Description

• Ready to hang
• Giclee (jee-clay) is an advanced printmaking process for creating high quality fine art reproductions virtually indistinguishable from the original piece
• Hang anywhere with the attached sawtooth hanger
• Clear acrylic facing protects the print from damage

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Size: 12" h x 19" w x 2" d, specifications, more about this product, ratings & reviews.

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Arrives by Sat, May 11

Product ID: 44640990664A

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16" H x 24" W Ego Trip Photographic Print on Canvas

See More by East Urban Home

Rated 0 out of 5 stars.

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16" H x 24" W

20" H x 30" W

24" H x 36" W

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Product Overview

Description.

• Hand-crafted in the USA
• Patented warp-resistant base
• Black mat board backing
• Fade-resistant archival inks
• Ready to hang, hardware included
• Made to order

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Size: 16" h x 24" w, other dimensions, specifications, more about this product, ratings & reviews.

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Svarvargatan 2, SE-112 49 Stockholm +46 (0)8-651 84 26 [email protected] Newsletter MORE

Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.

[email protected] +46 (0)8-651 84 26 Newsletter   Instagram   Facebook

TITLE OF WORK

Artist name, no search results.

The Ego Trip Collection 10 titlar BY Malga Kubiak

A collection of work by Malga Kubiak. Including the following titles produced between 1987-1994:

About the artist

Born in 1950. Based in Stockholm, Sweden.

Malga Kubiak is a poet, performanceartist och underground film-maker. She made an impact on the cultural life in Gothenburg in the 1980’s with projects such as DS Art Ensemble, Miss Mess och GBG Poetry Art Festival. Since then Kubiak has worked in Stockholm as an artist, writer and singer. In the collection of video works ‘The Egotrip Collection'(1984-94) she confronts the viewer with existential issues using a hectic flow of images, black humour and provocative pornography. Some titles out of the Egotrip collection are: Ego, Superego, Father, Angel, IDN 1, IDN 2, IDN 3, IDN 4, Flasher and Baby Trouble Hole.

WORKS BY SAME ARTIST

Hey Angel (Angel)

Malga Kubiak

1993, 00:25:00

Baby Trouble Hole

1994, 01:50:00

1985, 00:12:00

1986, 00:06:00

1992, 00:09:00

1987, 00:11:00

1987, 00:12:00

1989, 00:45:00

1991, 03:00:00

1988, 00:17:00

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http://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/EgoTrip

Western Animation / Ego Trip

Edit locked.

Ego Trip is a Made-for-TV Movie of Dexter's Laboratory , which originally aired on Cartoon Network in 1999 as an hour-long special that would serve as the Grand Finale of the show's first run.

This special contain examples of:

• Accidental Hero : Dee Dee, of all people, manages to save the Bad Future when she presses the "Positive" switch on the neurotomic protocore, undoing all of Overlord Mandark's plans.
• Actually Pretty Funny : Dexter calls Braindark a "lame brain", and Number 12 can't help but laugh at it even with his terror at being around his former employer.
• Bad Boss : Executive Mandark, totally. He publicly uses an electric whip on Number 12 for almost being late for work.
• Bad Future : Played with. Executive Mandark and Overlord Mandark are responsible for taking over the world and turning it into a wasteland full of dumb people, but we are told from the beginning of the movie that the future was saved, and even see the (happy) ending before the Darkest Hour with the kingdom of Dextopia.
• Bald Head of Toughness : Action Dexter lost his hair and gained some serious muscle during his nonstop digging to escape from Mandark's tower, and he's a stone-cold badass acting as a one-man résistance against his nemesis' tyrannical anti-science reign. The younger Dexters are overjoyed at how cool they grow up to be and share a brief moment of shocked disappointment about losing their hair in the future, but he does have a radical orange beard .
• Bald of Evil : Overlord Mandark is bald and has taken over the world.
• "Be Quiet!" Nudge : When Number 12 realizes it's their fault that Mandark got the Neurotomic Protocore and took over the world, Dexter elbows him.
• Beware the Silly Ones : Mandark. And just to drive it home, he still retains his silly "nerd" voice with each increasingly evil incarnation.
• Big Bad Duumvirate : Executive Mandark and Overlord Mandark, the ones most directly responsible for the Bad Future . The former is the one who eventually turns the world into a dystopia, and the latter rules it with an iron fist.
• Big Damn Movie : Well, as big as a 50-minute TV special can get, but the stakes are easily the highest they've ever been for this show: not only does Dexter have to save the world, but his arch nemesis is a legitimate threat this time! It also had a far more expansive scope and more lavish layouts than anything the regular show ever had (a precursor to Genndy Tartakovsky 's next show ) and a music score performed by a live orchestra.
• Brain in a Jar : Old Mandark has been reduced to this and stuck in a museum.
• During his pep talk to 12, Dexter calls him "A lion! A tiger! A bear!" to which 12 responds "Oh my!" Later, when Executive Mandark pushes his Berserk Button , 12 hulks out, with a lion, a tiger and a bear leaping from his chest, to which Mandark nervously replies "Oh my" before getting his ass handed to him .
• Dee Dee wandering into the time machine after Dexter accidentally points her to it (He meant to point toward an exit). She ends up arriving in the middle of the climax and does what she does best: push the world saving button out of curiosity.
• When they first meet Old Man Dexter, he misidentifies 12 as "Billy". At the end, when all the Dexters are saying goodbye to one another (a'la The Waltons ), he does it again.
• But for Me, It Was Tuesday : The Dexters are furious that Dee Dee stole their thunder by reverting the protocore instead of them. Of course Dee Dee just saw a shiny button and pressed it like she normally does. She has no idea why Dexter is sulking at her later on.
• Old Man Dexter is a callback to a season 1 episode titled, of course, "Old Man Dexter." In the episode, Dexter attempts to age himself so he can watch late night TV, only for Dee Dee to mess up the machine mid-procedure, causing Dexter to age himself to the point of a senile old coot. The film version even has him repeat certain lines from the episode during his introduction ("Who put these stairs here?!" And "Oh, my hip!").
• Executive Mandark stepping on 12's glasses mirrors a similar shot in the episode "Dexter Dodgeball," where a school bully does the same to Dexter.
• Chekhov's Gunman : At the beginning of the special, Deedee wanders into Dexter's Time Machine and is not seen again until the end when she wanders into the final battle and asks " What Does This Button Do? "
• Corrupt Corporate Executive : In the future, Mandark takes control of the company he and Dexter worked for/will work for , and uses its resources to advance his plan for world domination.
• Darker and Edgier : The film is easily the darkest installment of the show, with numerous scenes of violent action and Mandark being upgraded from a petty rival to a full-blown villain responsible for a Bad Future scenario.
• Destination Defenestration : It's implied Mandark took over the company by kicking the previous CEO out a window.
• Demoted to Extra : Dexter's parents only make a brief cameo, and even though Dee Dee plays a role in the climax, she barely has a minute of actual screen time. During his time travels, Dexter never even wonders where his family is or what they might be doing.
• Despotism Justifies the Means : Overlord Mandark numbs the minds of everyone in the world, hoards all knowledge and technology for himself, and declares science forbidden to all- just so he can be the smartest person on the planet.
• The robots that arrived to destroy "the one who saved the future"? They were created by the four Dexters themselves, who were so upset about Dee Dee (unknowingly) stopping Mandark and stealing their thunder that they tried to exterminate her for payback. When present day Dexter realizes he only created the robots he destroyed, he relents to a more proportionate revenge of just sulking and refusing to talk to Dee Dee.
• Number 12 is publicly flogged by Executive Mandark for being almost late to work.
• The Dog Bites Back : Twelve is utterly afraid of his version of Mandark, having been pushed around by him and shown being sadistically punished and humiliated just for being almost late to work. When Twelve's forced to confront him in the climax, Executive Mandark smacks him around with little effort, as he's still too scared. However, when he smugly plucks Twelve's glasses off his face, stomps on them, and cruelly laughs at his expense, Twelve finally snaps and kicks Mandark's ass, taking his glasses as his own for good measure.
• Double-Meaning Title : An "ego trip" is another way of saying that someone is full of themselves. Dexter goes on a trip to the future because he's so " ego tistical" that he genuinely believes that he alone was the one who "saved the future." Meanwhile, the Bad Future Mandark creates is a result of his own selfish desires and, eventually, greed for all of the world's knowledge. The title also references the fact that Dexter's trip results in him meeting three different versions of himself from the future: "alter egos" in a manner of speaking.
• Droste Image : A variant; when Dexter and 12 visit a Dexter-centric museum exhibit in the far future, a caretaker exclaims "It's you! Both of you!" The camera pulls back to reveal the two standing in front of a large mural depicting... Young Dexter and 12, standing in the exact same posture.
• "Number 12" (aka Young Adult Dexter) shows himself to be a sniveling, cowardly yes-man during his punishment by CEO Mandark.
• Old Man Dexter shows how decrepit and senile he is by having great difficulty getting down the stairs in his tower, misunderstanding Dexter's talk of "presence", and having forgotten how he supposedly saved the future.
• Action Dexter is introduced, as the nickname implies, with an awesome action sequence.
• Exact Words : The robots that attack Dexter at the start of the movie say they've come to "Destroy the one who saved the future". But they never said who that person was. Dexter assumed he was that one, but it turns out it was Dee Dee. The Dexters, in their haste to send their robots back in time, gave the robots an ambiguous command which the original Dexter was bound to misunderstand.
• Twelve has this reaction when Action Dexter explains how Mandark became Overlord. Action Dexter: Then, darkness fell. Somehow my most prized invention, the Neurotomic Protocore, fell into Mandark's clutches! Twelve: ( quietly ) Oh my gosh , we left the core out in my cubicle ! Dexter: ( elbows him )
• Seeing the attack vehicle incoming, Overlord Mandark says that no one else on Earth could possess the intelligence to build such a device, only to realize that his Arch-Enemy is still alive.
• Extreme Doormat : Number 12, until he Took a Level in Badass when Executive Mandark breaks his glasses.
• Fan Disservice : Overlord Mandark is grotesquely obese and wearing only a speedo.
• Fat Bastard : Overlord Mandark is morbidly obese, to the point that he needs to be carried around by a crane and later a robotic front loader. This represents his gluttonous hoarding of knowledge and power.
• Flashback : When Action Dexter explains how Mandark stole assorted ideas to rise up the ranks in the corporation (which explains how Number 12 ended up the way Dexter found him) and ultimately used the Neurotomic Protocore to take over the world.
• Foreshadowing : The fact that the robots from the future didn't fight back while Dexter was destroying them is a hint that he wasn't the one they were really after .
• From Nobody to Nightmare : Mandark started out as The Rival and classmate to Dexter and rarely did anything worse than show him up. As a young adult, he stole Dexter's ideas and used them (and the implied murder of the previous CEO) to work his way up to become the Executive — a rich, powerful, and sadistic businessman — that uses his new position to make Dexter's life a living hell, before ultimately becoming a full-on world-threatening villain that wants to hoard all knowledge for himself.
• Future Badass : Action Dexter is tall, manly and very muscular, much to the joy of present Dexter and Number 12... well, save for going bald (Old Man Dexter reveals that he wears a wig).
• Future Me Scares Me : Dexter is less than impressed when he finds out his young adult self's a cringing whipping-boy who designs cubicles for a living. Later subverted when he discovers the older Dexter's plans for the Neurotomic Protocore stashed in a secret compartment in his cubicle's wall.
• Geek Physiques : Young adult Dexter, a.k.a. Twelve, is tall, lacks any muscle mass, and still maintains his intelligence.
• Grand Finale : This movie was intended to serve as the definite end to the show, though the series was subsequently renewed for two more seasons. Though, in a way, it kinda still was this as this was the last product of the old guard of the series, including Genndy working on it, and the original models and animation in general.
• Green-Eyed Monster : While working at the corporation as research scientists, Mandark grew jealous of Dexter being able to come up with so many new ideas while he was uninspired, to the point he began stealing Dexter's creations. Brain in a Jar Mandark even flat-out admits that he's petty and jealous.
• Had the Silly Thing in Reverse : A serious version. In attempting to harness the Protocore's powers, Mandark inadvertently set the positive flow to negative. Not only did the negative neurotomic energy twist Mandark's mind, making him more insane than he already was, but it also numbed the minds of everyone in the world, allowing him to swoop in and take over the world with no resistance. To undo the damage he caused, the Protocore has to be reset to positive.
• Hope Springs Eternal : Concluding his flashback, Action Dexter says he tries to do what he can for others but is constantly outmatched by a lack of resources. Dexter tells him the laboratory is intact and that he has three equally intelligent people willing to help him.
• Innocent Innuendo : In their brief appearance, Dexter's parents are seen struggling with something just offscreen, with their arms and legs leaving a lot to the imagination before we're shown what's really going on. Mom: ( straining ) Honey... I don't think that's gonna fit... Dad: ( raising a shaky arm ) Just... a little more, dear... [ The camera zooms out to reveal them playing Twister as Dad slaps his hand down on a tricky spot. ] Dad: Got it! Ha-ha! See, hon? I told you I could do it.
• Kick the Dog : Mandark broadcasts his torture of Number Twelve on the office's television screens, just for being nearly late.
• Klingon Promotion : It's heavily implied Mandark murdered the CEO of the corporation he and Dexster worked at after having smoozed his way up to the near top by kicking him out of a window.
• Know When to Fold 'Em : How the special ends: Dexter returns to the present, just in time to see himself fighting the robots. He comes to the realization that he perpetuated his own journey through time , only to abruptly decide in frustration to go to the kitchen and make a sandwich . Time travel hurts my brain!
• MacGuffin : The neurotomic protocore is the all-powerful item which the Dexters and Mandarks are fighting over.
• Mandatory Line : Dee Dee only gets one line in this entire movie, and that's before she pushes the button that saves the world.
• Manly Facial Hair : Action Dexter is naturally the most manly and badass of the future versions of Dexter, and the only one with any facial hair, sporting an impressive beard.
• Negated Moment of Awesome : During the Final Battle just before Dexter can push the button and restore the protocore to normal, undoing Mandark's reign, Dee Dee appears and presses said button instead. The Dexters don't take it well .
• Nice Job Breaking It, Hero : While in Number 12's cubicle, Dexter finds the Protocore and its blueprints hidden in a secret compartment. Unfortunately, when he convinces 12 to check out the future with him, they leave those things out in their haste to leave, allowing Mandark to swoop in and use the technology for his own conquest.
• Non-Protagonist Resolver : The film is eighty-seven minutes of Dexter struggling to reach and push the button that will save the day, twenty seconds of Dee Dee (who had disappeared accidentally in Dexter's time travel machine at the very beginning of the film) reappearing in the middle of the Final Battle and doing what she does best while Dexter and Mandark are kicking each other's butts, and the last couple of minutes of Dexter being so angry that he accidentally causes the Stable Time Loop that led to this whole mess by creating a Killer Robot horde and sending it to get rid of Dee Dee, figuring out what he did, and giving Dee Dee the cold shoulder as a final gag.
• Non-Serial Movie : While it was intended as the Grand Finale , it fell under this due to the series continuing and the series having Negative Continuity to begin with.
• Not Quite Dead : Overlord Mandark was unaware that Dexter was still alive in the Bad Future .
• Oh, Crap! : When Twelve finally fights back against his Mandark, Mandark nervously sweats and meekly says, “Oh, my.” before Twelve kicks his butt.
• "Stop the typing. Stop the typing. STOP THE TYPING!! "
• Dexter, Twelve, and Old Man Dexter saying hello to one another over and over, and later when the three (and Bad Future Dexter) say goodbye.
• Plagiarism in Fiction : Mandark became head of the company in the future by stealing Dexter's ideas.
• Rage Breaking Point : After Executive Mandark breaks Twelve's glasses, Twelve gives his former boss the ass-kicking he's had coming.
• Reveal Shot : When Number Twelve is summoned by his boss, the camera makes a point to not show his face as he's getting dressed, until he steps out of the shadows to show it's Mandark. The build up, however, is ruined by Mandark's voice being recognizable.
• Rewatch Bonus : As mentioned above in foreshadowing , the robots that come back to the present don't actually attack Dexter after alerting him of their purpose, nor try to fight back as he destroys them. The first time through, it just seems like Dexter just managed to react fast enough. The second time, you realize that the robots had plenty of time to destroy him while he was running around screaming during his initial panic: they didn't because he wasn't their target — Dee Dee was.
• Two of Dexter's future selves keep saying "Hello" to each other for a good while when they first meet, much to present Dexter's annoyance, who finally tells them to shut up.
• At the ending, when the Dexters are going back to their own times, they repeatedly say "Goodbye, Dexter!", except for Old Man Dexter, who ends it off by saying "Goodbye Billy" to Twelve.
• Same Voice Their Entire Life : In-Universe . Unlike Dexter, who sounded different throughout the different stages of his life (with Action Dexter even sounding like The Ahnold ), Mandark retains the same voice he had as a kid, even when he's overlord and an elderly Brain in a Jar (though the latter case has a bit of a robotic filter on it). This unfortunately gives away the surprise that he's Number Twelve's boss.
• Screams Like a Little Girl : Number 12, whenever he hears Executive Mandark's voice, emits a shrill shriek and goes into a Troubled Fetal Position .
• Sexy Secretary : Mandark has several attractive women typing away at workstations just outside his inner sanctum.
• Something We Forgot : Played rather seriously. When Dexter and Number 12 leave to go further into the future, they forget to put the Neurotomic Protocore back in its hiding place, allowing Executive Mandark to claim it. Upon hearing from Action Dexter that he got it, Number 12 realizes their mistake, to Dexter's irritation.
• Stable Time Loop : The whole special . Dexter's trip to the future was instigated by robots who were seeking to "destroy the one who saved the future". While in the future, he inadvertently allows Mandark to steal the Protocore and create a Bad Future . After much fighting and teaming up with his selves from various time periods, the day is saved by... Dee Dee , who wanders in from the main era and does her thing . Furious at having their thunder stolen, the Dexters create an army of robots to destroy Dee Dee... the same robots that Dexter encountered at the beginning. When he realizes this, Dexter has a minor breakdown trying to figure it out, then decides to screw it and get a sandwich. And all this because he accidentally pointed Dee Dee towards the time machine instead of the lab's actual exit.
• Storming the Castle : A very literal and epic example. Piloting the Humongous Mecha they had built, the four Dexters crash through Overlord Mandark's defenses and fight off his Mecha Mooks as they make their way to his throne room.
• Surrounded by Idiots : In the Bad Future , an exasperated Dexter sees villagers that are too dumb to even make fire. It turns out that Mandark's misuse of the Neurotomic Protocore numbs everyone else's intelligence.
• Tempting Fate : We first meet Twelve signing into work with only two minutes to spare, and expressing relief because "I could've gotten in big, big trouble!" The words are barely out of his mouth before the evil CEO summons him.
• There Are Two Kinds of People in the World : Executive Mandark gives Number Twelve this speech before his public flogging. Mandark : There are two types of people in this world, Number Twelve. There are those who struggle to support their families. Scratching and scraping for any little morsel of food they can find. Then there's the strong. The powerful! The elite! With luxuries that others can't possibly dream of. But you, Number Twelve, are neither .
• Thin-Skinned Bully : Deconstructed. While the Smug Snake CEO Mandark is expectedly terrified when he finally kicks Twelve too far and earns himself a nasty beatdown, when the latter makes a break to reverse the effects of the protocore, the beaten down but furious Mandark refuses to let Twelve take his power, regained backbone or not, and joins the frantic wrestle for the control panel with the other Mandarks.
• This Cannot Be! : Overlord Mandark's reaction to a high-tech vehicle about to storm his citadel. Even more so when he sees not just one Dexter but four Dexters working the controls.
• Timey-Wimey Ball : The special employs a Stable Time Loop for the timeline but Twelve and Action Dexter do not remember that it was Dee Dee who saved the future even though they would have previously lived through the events as Young Dexter. Making it more glaring is that Old Man Dexter does remember it, but had forgotten it prior to the battle because of his senility.
• Troubled Fetal Position : A variant. When Dexter and 12 arrive in the distant future, they hear Mandark's voice yelling at them. 12, still terrified of his abusive boss, drops to his side on the floor and mimes frantically typing at his computer as he shakes and cries "I'm typing, I'm typing!"
• Unknown Rival : Infuriated by Dee Dee stealing their glory, the four Dexters program robots to attack her in the present day. When present!Dexter returns and realises he mistakenly attacked and destroyed them, he gives up and just settles for giving Dee Dee the cold shoulder. Given Dee Dee didn't even mean to save the world and just wanted to press the shiny button, she has no idea at all why Dexter is mad at her and just shrugs it off.
• Villainous Valor : After all the Dexters gain a Heroic Second Wind over their Mandarks and make a break for the control panel, the Mandarks refuse to lose to Dexter again and desperately fight them to a standstill. Even the sadistic CEO Mandark, who just suffered a brutal revenge beating by Twelve, is not a Thin-Skinned Bully and just gets back up and angrily wrestles Twelve on even ground. Hell, even the brain in a jar Mandark somehow puts up a resistance. It is only when Dee Dee enters that they become too smitten to put up a fight anymore. Mandark: No! I've always wanted that core! CEO Mandark: No! I stole that core! Overlord Mandark: No! The core is mine! Brain Mandark: No! Just because I'm bitter and jealous!
• Visual Pun : Once Twelve gains his resolve to fight Executive Mandark, images of a lion, tiger and bear come out of his body with Executive Mandark adding... Executive Mandark : Oh my!
• Vomit Discretion Shot : Time travel makes Twelve queasy and he throws up in the time machine as soon as he and Dexter arrive in the distant future. During the second trip, he even brings a vomit bag.
• What the Hell, Hero? : Dexter gives this to Twelve after the shock of seeing how weak and fearful he's grown up to be.
• Wimp Fight : Dexter and Mandark's typical slap fights in the main series come to a head in the film's climax. Number 12 outright curb-stomps Executive Mandark, and Action Dexter and Overlord Mandark engage in a dramatic action hero fight, while the present Dexter and Mandark just flail awkwardly at each other. Plus, Old Man Dexter and Braindark merely hurl insults at each other until Braindark beats Old Man Dexter by simply falling over on him.
• Word, Schmord! : When all four Dexters and Mandarks gather together, we get this exchange: Overlord Mandark: Just like old times, eh? Action Dexter: Yes, quite a reunion, but... Dexter: (butting in) Reunion, schmunion! I want my Neurotomic Protocore, you gluttonous old hack! Overlord Mandark: NEVER!
• You Are Number 6 : Apparently, in the future, everyone is referred to as a number, and being a no-number is a crime punishable by imprisonment .
• You Are Better Than You Think You Are : Double subverted. Dexter is initially dismissive of Number 12 for being so completely cowed by Mandark and wasting time designing cubicles. He can't believe he grows up to be this guy, only to stumble upon secret plans for how to utilize the Neurotomic Protocore. Realizing his older self just lacks confidence but still retains his intelligence, Dexter assures him that he and his ideas are brilliant.

Video Example(s):

Using the assault vehicle they had built, the four Dexters charge their way through Mandark's defenses as they infiltrate his castle.

Example of: Storming the Castle

Mandark the Ove...

Alternative Title(s): Dexters Laboratory Ego Trip

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Papa Roach Drop Cathartic ‘Cut the Line,’ Announce ‘Ego Trip’ Album Release Details

Dating back to their breakout track "Last Resort," Papa Roach have had a knack for delivering a catharsis to fans by putting some of their inner most anxieties into words. That tradition continues with the new song "Cut the Line," which comes off as a rallying cry for those keeping things buried inside.

" Are you tangled up inside / Is it something that you hide? / Are you twisted up and don't know why? / Are you stuck inside your head / Like I'm stuck inside my head / If you listen to the voice inside / Ka-ka-ka-cut the line / Cut the line ," sings Jacoby Shaddix in one portion of the song.

The track has officially hit streaming services and a video will be serviced for the song this Friday (March 4) at 1PM ET / 10AM PT. For now you can hear the song streaming via the Spotify player below, while the video player will be active once the clip is live.

Papa Roach, "Cut the Line" Lyrics (Per AZLyrics.com )

Are you tangled up inside Is it something that you hide? If you listen to the voice inside Ka-ka-ka-cut the line Cut the line Are you trapped up in your thoughts? Tied up in knots? Dying to find a way out? When there's nobody around And you're melting down It seems like you need to reach out Is there something that you wanna say? Is there something that you wanna say? Is there something that you wanna say? Is there something that you wanna say? Are you tangled up inside Is it something that you hide? Are you twisted up and don't know why? Are you stuck inside your head Like I'm stuck inside my head If you listen to the voice inside Ka-ka-ka-cut the line Cut the line Are you stumbling with your words Sometimes it hurts 'Cause you don't have a way to speak out Are you terrorizing yourself? Terrified of that hell? I wish you would just make a sound Is there something that you wanna say? Is there something that you wanna say? Is there something that you wanna say? Is there something that you wanna say? Are you tangled up inside Is it something that you hide? Are you twisted up and don't know why? Are you stuck inside your head Like I'm stuck inside my head If you listen to the voice inside Ka-ka-ka-cut the line Ka-ka-ka-cut the line Are you tangled up inside Is it something that you hide? Are you twisted up and don't know why? Are you stuck inside your head Like I'm stuck inside my head If you listen to the voice inside Ka-ka-ka-cut the line Ka-ka-ka-cut the line

Papa Roach, "Cut the Line"

With "Cut the Line" now following " Swerve ," " Kill the Noise ," " Dying to Believe " and " Stand Up ," fans have gotten a pretty significant taste of the upcoming album. Papa Roach have now confirmed that the forthcoming set will be titled Ego Trip , and the album is on schedule for an April 8 release via New Noize Records in partnership with ADA Worldwide.

Speaking about the band's 11th studio album, singer Jacoby Shaddix says, “Now isn’t the time for comfort or conformity, but to be inspired and build something new. Something better, in order to channel something more.” The album is available to pre-order here . You can check out the artwork and track listing below.

The band is also kicking off their 2022 touring tonight on the "Kill the Noise" tour , which features special guests Hollywood Undead and Bad Wolves . Papa Roach will also hook up with Highly Suspect for some additional dates later this spring. Keep up with their touring at this location .

Papa Roach, Ego Trip Artwork + Track Listing

1. Kill The Noise 2. Stand Up 3. Swerve feat. Jason Aalon of Fever 333 & Sueco 4. Bloodline 5. Liar 6. Ego Trip 7. Unglued 8. Dying To Believe 9. Killing Time 10. Leave The Light On 11. Always Wandering 12. No Apologies 13. Cut The Line 14. I Surrender

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118. ego trip

A complete run of ego trip magazine

The Art and Influence of Hip Hop

Property from the Collection of ego trip/Ethnic Inc.

March 30, 05:57 PM GMT

1,000 - 1,500 USD

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Description

A complete run of  ego trip magazine ,  with all printed issues from Vol. 1 No. 1 (1994) through Vol. 4 No. 1 (1998).

13 issues, issue 1 printed in black ink on yellow paper, Vol. 1 No. 1-Vol. 2 No. 5 staple bound at spine, the rest bound at spine in glossy photographic wrappers.

Complete listing of issues with cover stars:

Vol. 1, Issue 1 (1994): Nas

Vol. 1, Issue 2: Method Man

Vol. 1, Issue 3: Smif-N-Wessun

Vol. 2, Issue 1 (1995): Eazy-E

Vol. 2, Issue 2: Cypress Hill

Vol. 2, Issue 3: KRS-One

Vol. 2, Issue 4: A Tribe Called Quest, De La Soul, Large Professor

Vol. 2, Issue 5: Wu-Tang/Ghostface Killah

Vol. 2, Issue 6: Redman

Vol. 3, Issue 1 (1997): Biggie Smalls

Vol. 3, Issue 2: Rakim

Vol. 3, Issue 3: Gang Starr

Vol. 4, Issue 1 (1998): Def Squad

Condition report

Catalogue note

A COMPLETE RUN OF THE CELEBRATED HIP HOP MAGAZINE FROM THE 1990S

Renowned as “The Arrogant Voice of Musical Truth,” ego trip magazine was formed and founded in New York City in 1994 by Sacha Jenkins and Elliott Wilson, with Jeff “Chairman” Mao as principal conspirator. Publishing early career profiles on the likes of Nas, Method Man, The Notorious B.I.G., Raekwon, Ghostface Killah, MF DOOM and others, ego trip was firmly ensconced at the nexus of Hip Hop’s ’90s creative explosion, cementing its reputation for obsessively knowledgeable and sardonically dispensed rap coverage while also reporting on the underground sub-cultures of and adjacent to NYC’s graffiti, skateboarding, and indie rock and hardcore punk scenes. By 1996, catalyzed by the additions of managing editor Gabriel Alvarez and art director Brent Rollins (both of whom defected from Los Angeles’s revered Rap Pages magazine to enlist in the ego trip guerilla unit) this central committee of furious five scribes had established itself as the most original collective editorial voice in Hip Hop publishing. Like Scarface and Willie D pushing a bloody-eyed but unbowed Bushwick Bill through a Houston hospital ward, they could not be stopped.

ego trip ’s authoritative, impassioned and often ruthlessly critical perspective would result in a plethora of memorable features and recurring “front-of-the-book” segments. Amongst these: “Why Most Live Hip-Hop Shows Suck,” “Ignorant Rhyme of the Month,” “ego trip Ebonics,” the colorization confrontation “Light Skinded vs. Dark-Skinded: A (Sk)In-Depth Debate on Blacks in Hip Hop,” an imagined children’s board game entitled “The Rap Game” (tagline: “You Can’t Win”), legendary graffiti writer and artist Lee Quinoñes’s restaurant reviews, the advice column “Ask Mister Softee,” dearly departed NYC street photographer Ricky Powell’s regular photo journal “The Rickford Files,” and the ever popular “Count Chocula vs….” – a recurring snaps-filled Q&A between rap luminaries like Busta Rhymes, Stretch Armstrong and Fat Joe and everyone’s favorite Transylvanian cereal vampire. Meanwhile the magazine’s beloved in-house “ ego trip ads” foretold the meme before memes.

Through bombastic editorials written in the voice of the magazine’s fictitious white publisher “Ted Bawno” (and occasional stories penned by his entitled but delusively “down” son, “Gaelen Bawno”), ego trip ’s editorial staff surreptitiously lampooned the power structure and racial dynamics at the top of the mastheads of many mainstream “urban” publications. Yet ego trip was also fully capable of thoughtfully memorializing lost icons like Eazy-E and The Notorious B.I.G., celebrating the vibrancy of artists like Mobb Deep, Redman, Rakim and Gang Starr in the midst of career-defining moments, and conducting deep dive Q&As with the vital producers responsible for Hip Hop’s sonic landscape. ego trip ’s roll call of contributors encompassed the most revered writers and editors of the era. The publication’s integrity, brutal honesty, humor, and obsession with Hip Hop minutiae would culminate in Jenkins, Wilson, Mao, Alvarez and Rollins co-authoring ego trip’s Book of Rap Lists in 1999, and the collective’s fixation with race and identity would yield ego trip’s Big Book of Racism! published in 2002.

The current lot comprises a complete run of this essential publication. Lasting only four years and thirteen issues, ego trip nevertheless established itself as one of the most crucial and critical voices of the 1990s, at once both popular and political – a delicate balance achieved by few and respected by many. Any issue of ego trip , much less the entire run featured here, is highly coveted by collectors of Hip Hop's explosive output and a magazine whose effects on the culture reverberate to this day.

Provenance:

Jeff "Chairman" Mao, Partner,  ego trip

 Condition Report:

To request a condition report for this lot, please contact [email protected]

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Dexter's Laboratory: Ego Trip (1999) (USA broadcast)

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Egotrip Productions

Artistic production and dissemination

We are artistic producers creating mesmerizing artworks using new and traditional mediums of expression since 2006. Our projects include digital artworks involving open narrative thematics, public art, site-specific performances, VR, shadow puppetry, music videos, contemporary art installations, video mapping on architecture and print media. The company is directed by interdisciplinary artists Allison Moore and Arthur Desmarteaux . Our studio is located in the Mile End borough of Montreal.

Making magic happen through digital arts

Producing immersive scenographies and video projections, we seek to create poetic and mysterious experiences through a combination of various mediums such as 3D and stop motion animation. We are interdisciplinary artists creating multi-channel audio-visual installations. The company is a member of Québec Association of Puppeteers and UNIMA ( International Union of Puppetry ). Our collective works have shown in Japan, South Korea, Europe, UK, Australia, Brazil, US and Canada.

Years of creativity

Creating compelling and thoughtful experiences for a wide audience using digital technologies in conjunction with analog processes.

We are producers and artistic directors of digital works such as music videos, installations and immersive experiences. We are involved in cultural mediation activities.

How We Work

We work with video compositing and 3D modeling softwares to create strange worlds. We are also puppeteers and create humourous theatre plays featuring engaging electronic music soundtracks.

We create original music videos

Recent Projects

Let's collaborate to create exciting art pieces!

Watch CBS News

Pope Francis visits Venice in first trip outside of Rome in seven months

April 28, 2024 / 3:18 PM EDT / CBS/AP

Pope Francis made his first trip out of Rome in seven months on Sunday with a visit to Venice that included an art exhibition, a stop at a prison and a Mass.

Venice has always been a place of contrasts, of breathtaking beauty and devastating fragility, where history, religion, art and nature have collided over the centuries to produce an otherworldly gem of a city. But even for a place that prides itself on its culture of unusual encounters, Francis' visit on Sunday stood out.

Francis traveled to the lagoon city to visit the Holy See's pavilion at the Biennale contemporary art show and meet with the people who created it. But because the Vatican decided to mount its exhibit in Venice's women's prison, and invited inmates to collaborate with the artists, the whole project assumed a far more complex meaning, touching on Francis' belief in the power of art to uplift and unite, and of the need to give hope and solidarity to society's most marginalized.

His trip began at the courtyard of the Giudecca prison, where he met with women inmates one by one.

"Paradoxically, a stay in prison can mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others, as symbolized by the artistic event you are hosting and the project to which you actively contribute," Francis told them.

The 87-year-old pontiff then met with Biennale artists in the prison chapel, decorated with an installation by Brazilian visual artist Sonia Gomes of objects dangling from the ceiling, meant to draw the viewer's gaze upward.

The Vatican exhibit has turned the Giudecca prison, a former convent for reformed prostitutes, into one of the must-see attractions of this year's Biennale, even though to see it visitors must reserve in advance and go through a security check. It has become an unusual art world darling that greets visitors at the entrance with Maurizio Cattelan's wall mural of  two giant filthy feet , a work that recalls Caravaggio's dirty feet or the feet that Francis washes each year in a Holy Thursday ritual that he routinely performs on prisoners.

The exhibit also includes a short film starring the inmates and Zoe Saldana, and prints in the prison coffee shop by onetime Catholic nun and American social activist Corita Kent.

Francis' dizzying morning visit, which ended with Mass in St. Mark's Square, represented an increasingly rare outing for the 87-year-old pontiff, who has been hobbled by health and mobility problems that have ruled out any foreign trips so far this year.

"Venice, which has always been a place of encounter and cultural exchange, is called to be a sign of beauty available to all," Francis said. "Starting with the least, a sign of fraternity and care for our common home."

During an encounter with young people at the iconic Santa Maria della Salute basilica, Francis acknowledged the miracle that is Venice, admiring its "enchanting beauty" and tradition as a place of East-West encounter, but warning that it is increasingly vulnerable to climate change and depopulation.

"Venice is at one with the waters upon which it sits," Francis said. "Without the care and safeguarding of this natural environment, it might even cease to exist."

in the exhibit as tour guides and as protagonists in some of the artworks.

Ahead of his trip, Francis sat down with "CBS Evening News" anchor and managing editor Norah O'Donnell during an hourlong interview at the guest house where he lives in Rome. 

During the interview, Francis pleaded for peace worldwide amid the ongoing wars in Ukraine and Gaza .

"Please. Countries at war, all of them, stop the war. Look to negotiate. Look for peace," said the pope, speaking through a translator.

He also had a message for those who do not see a place for themselves in the Catholic Church anymore. 

"I would say that there is always a place, always. If in this parish the priest doesn't seem welcoming, I understand, but go and look elsewhere, there is always a place," he said. "Do not run away from the Church. The Church is very big. It's more than a temple ... you shouldn't run away from her."

The pope's Venice trip was the first of four planned inside Italy in the next three months, Reuters reported. He is scheduled to visit Verona in May and Trieste in July, and is expected to attend the June summit of Group of Seven (G7) leaders in Bari.

In September, he is also set to embark on the longest foreign trip of his papacy, traveling to Indonesia, Papua New Guinea, Timor-Leste and Singapore.

_______________________________________________________________________________________________________________________

An extended version of O'Donnell's interview with Pope Francis will air on "60 Minutes" on Sunday, May 19 at 7 p.m. ET. On Monday, May 20, CBS will broadcast an hourlong primetime special dedicated to the papal interview at 10 p.m. ET on the CBS Television Network and streaming on  Paramount+ . Additionally, CBS News and Stations will carry O'Donnell's interview across platforms. 

• Pope Francis
• Catholic Church

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Pope’s Visit to Art Exhibition in Prison Is a First for Venice Biennale

Incarcerated women serve as guides to the show, which reflects Pope Francis’ longtime commitment to society’s marginalized people.

By Elisabetta Povoledo

Reporting from Venice and Vatican City

Landing by helicopter at a women’s prison where the Vatican has mounted its pavilion for the Venice Biennale international art exhibition, Pope Francis on Sunday told the women incarcerated there that they had a “special place in my heart.”

“Grazie,” one woman called out. Others applauded.

Many of the women had participated with artists in creating works that hang throughout the prison for the exhibition, titled “With My Eyes.” Francis, the first pope ever to visit — if briefly — a Venice Biennale, said that it was “fundamental” for the prison system “to offer detainees the tools and room for human, spiritual, cultural and professional growth, creating the conditions for their healthy reintegration.”

“Not to isolate dignity, but to give new possibilities,” Francis said to applause.

Over the decades, countries participating in the Biennale — the world’s principal showcase for new art — have used deconsecrated churches, former beer factories, water buses and various other sites to display their art, but this was the first time a prison was selected.

That made the project “more complex and more difficult to implement,” Bruno Racine, the director of two venues of the Pinault Collection in Venice and a co-curator of the Vatican Pavilion, said in an interview. But the setting is consistent with Francis’ message of inclusivity toward marginalized people, he added.

The Vatican project has received an overwhelmingly positive public reception, but it has not been without controversy. Some critics raised ethical concerns about the intersection of powerful institutions like the Vatican and the Biennale with the limited autonomy of imprisoned women. Others suggested that the Vatican, in mounting the show, was complicit in a penal system in which overcrowding remains a serious issue .

Still others demanded that the pope request pardons or at least reduced sentences for any women who were incarcerated because they had responded violently to domestic abuse.

“I don’t think the Vatican has the power to have any influence over Italian justice,” Mr. Racine said of that idea.

While the Vatican has not publicly responded to the critiques, Francis has been consistently outspoken about domestic abuse, saying in 2021 that there was something “almost satanic” about the high number of cases of domestic violence against women.

He has also been a vocal advocate of prison reform, denouncing overcrowding and often meeting with inmates during his travels.

On Sunday, Francis said that prison was “a harsh reality, and problems such as overcrowding, the lack of facilities and resources, and episodes of violence give rise to a great deal of suffering there.” But he said prison could also be a place where people’s dignity could be “promoted through mutual respect and the nurturing of talents and abilities, perhaps dormant or imprisoned by the vicissitudes of life.”

The pope described his artistic vision to artists he called to the Sistine Chapel last year , telling them to “think of the poor and to ensure that art went into the peripheries,” the Vatican’s culture chief, Cardinal José Tolentino de Mendonça, said earlier this year. On Sunday, Francis told artists involved with the Vatican project that “the world needs artists.”

The curators, Mr. Racine and Chiara Parisi, of Centre Pompidou-Metz, the French museum, selected a handful of artists to work with the incarcerated women to create works that are scattered through the prison.

One, a 1965 serigraph featuring the word Hope backward, was hung over the door of the prison canteen, where about a quarter of the 80-odd inmates who agreed to serve as guides to the show first meet visitors. The serigraph was created by the artist Corita Kent, a former nun and an activist for social justice who died in 1986.

The Lebanese artist Simone Fattal transcribed poems and reflections by the incarcerated women on lava slabs that line a brick corridor: “I thought I was suffocating.” “I often think of my family.” “I am so sad.”

In another room were small stylized paintings by the French artist Claire Tabouret that were based on family photos the women had given her.

Visitors get only a brief glimpse of penitentiary life, but during the tour a short film, directed by Marco Perego and starring his wife, the actor Zoe Saldaña, shows the conditions inside in bleak black and white: shared rooms, shared showers, little privacy. Both inmates and professional actresses acted in the film, Mr. Racine said.

This is the third time the Vatican has participated in the Biennale: In 2013 and 2015, it was among many participants at the Arsenale, one of the fair’s main venues. And for the 2018 Architecture Biennale, the Vatican built a series of chapels, “for believers and nonbelievers alike,” that can still be visited .

On Sunday, the pope greeted the inmates of the Giudecca prison individually in an inner courtyard. Some gave him flowers, and others pressed envelopes and notes into his hands.

Giovanni Russo, the head of the Department of Penitentiary Administration in the Italian Ministry of Justice, told reporters at a Vatican news conference last month that the women who participated in the project were entitled to unspecified benefits. While the Vatican Pavilion was unique, he said, nearly all of Italy’s 190 penitentiaries had “artistic projects” of some kind or another, involving more than 20,000 volunteers.

It’s not the first time that the inmates at the prison have participated in major art projects. Two years ago, the French artist Pauline Curnier Jardin worked with inmates to make a film and paint a large common room where the women meet visitors twice a week. The walls are now a soft purple, decorated with stylized leaves and figures designed by the inmates during a series of workshops with the artist.

After the Biennale closes in November, the artworks in “With My Eyes” will be removed, Mr. Racine said. But Ms. Curnier Jardin’s soothing additions, which are unrelated to the Biennale, will remain.

After the prison, Pope Francis celebrated Mass in St. Mark’s Square.

Praising Venice’s “enchanting beauty” during the homily, he added that the city was also threatened by issues like climate change, overtourism and the “the fragility of constructions, of cultural heritage, but also of people,” which risk fraying the city’s social fabric. City officials this past week began charging an access fee to the city, hoping to deter day visitors from coming on especially busy days.

Many tourists hoping to visit St. Mark’s Square on Sunday were stymied by dozens of blockades around the area, part of the increased security for the pontiff’s visit.

“I’m not upset,” Julia Suh, visiting from Augusta, Ga., said at one of the blockades while watching the Mass on her cellphone. “I’m very honored — it’s what they’re supposed to do because of heightened security.”

Elisabetta Povoledo is a reporter based in Rome, covering Italy, the Vatican and the culture of the region. She has been a journalist for 35 years. More about Elisabetta Povoledo

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Airbnb 2024 Summer Release highlights

Key Takeaways

• Over the past five years, we’ve launched over 90 unique experiences inspired by some of the most beloved people and places in the world. In 2023 alone, we launched 35 of these stays which have garnered over 4.7 million views.
• Given this demand and excitement, we took our learnings from over the years to build a brand new category - Icons - with new experiences dropping throughout the year.
• More than 80% of bookings on Airbnb are group trips so we're introducing new features including shared wishlists, trip invitations, and group messaging to make planning group trips easier than ever.
• With over 5 million Hosts on our platform, we’re making it easier for them to dynamically track their earnings, switch between accounts, and adjust their home photo tours in the Listings tab.

Introducing Icons 

A new category of extraordinary experiences hosted by the world’s greatest icons across music, film, television, art, sports, and more. 

• Over the past five years, we’ve launched more than 90 1 one-of-a-kind stays and experiences available only on Airbnb across movies, sport, gaming, food, music and more. In 2023 alone, we launched 35 of these stays which garnered over 4.7 million views 2 . 
• Given this demand and excitement, we took our learnings from over the years to build a brand new category – Icons – with new experiences dropping throughout the year 3 .
• Home Alone (Chicago, IL, United States) 
• Barbie’s Malibu DreamHouse – Ken’s Way (Malibu, CA, United States) 
• Shrek’s Swamp (Scotland, United Kingdom) 
• Hocus Pocus (Danvers, MA, United States)
• Mystery Machine (Malibu, CA, United States) 

New features for group trips

Planning group trips is easier than ever with shared wishlists, group messaging in a redesigned Messages tab, and digital trip invitation postcards. 

• More than 80% of bookings on Airbnb are group trips 5 , which is why we’re introducing new features to help make planning trips with friends and family easier.
• Traveling can offer family and friends a way to have fun, connect with each other, and create cherished memories. National parks, Beach, Amazing pools, Amazing views, and Iconic cities are the top 5 categories booked for group trips 5 suggesting Airbnb guests traveling in groups love to travel to iconic cities for trips that are adventurous and relaxing.
• London, Great Britain
• Paris, France
• Rome, Italy
• Lisbon, Portugal
• Melbourne, Australia
• Rio de Janeiro, Brazil
• Dubai, United Arab Emirates
• Kuala Lumpur, Malaysia
• Budapest, Hungary
• Cape Town, South Africa 

Shared wishlists 

• Guests are constantly discovering, and saving, wonderful listings on Airbnb using wishlists. Since we launched the feature over a decade ago, guests have created over 1.2 billion wishlists 9 to help them plan their trips.
• Shared wishlists are a great and convenient place to start planning a group trip. However, guests often still share individual links with friends when trying to decide on the best home for their trip. In fact, over a million listing links were shared a day on average in the last year 10 . Starting today, when we detect guests have shared three or more listing links, we’ll create a wishlist of those listings, which can be shared with co-travelers to help make organizing trips even easier. 
• While shared wishlists are a great tool for planning group trips, only 1% of group bookings have come from shared wishlists so we’re making it easier to create and collaborate with co-travelers. Now invited co-travelers can leave notes and vote on their favorite listings to make the decision process easier and bookings quicker.
• Every group has an unsung hero – the person who makes it their mission to ensure the group has the perfect space to enjoy their trip. On Airbnb women create 75% more shared wishlists than men 12 .

Trip invitations

• Less than 1 in 10 group trips have a co-traveler who joined a reservation 13 , making it the primary booker’s job to answer many logistical questions from co-travelers and bear the sole responsibility of communicating with the Host. We want to help change that.
• Starting today, once a trip is booked, we’re making it easier and fun for the primary booker to invite co-travelers to the reservation with digital postcards illustrated by artists from around the world. These postcards invite co-travelers to join the trip, see important details like check-in and wifi details, and join a group chat with their Host. 

Messaging 

• Messaging is an important part of the Airbnb experience. Over 15 billion messages have been sent on Airbnb 14 and in the last year alone, 3 billion messages were sent 15 . As a result, we’re redesigning the inbox tool and making it easier to see and quickly engage with messages in our new Messages tab. 
• Now all guest, Host, and support messages are conveniently in one place with a unified search, chat members can use emoji reactions, and Hosts can use AI-suggested quick replies to efficiently respond to frequently asked questions about check-in, checkout, and more.  

Upgrades for Hosts

We’ve improved the earnings dashboard, updated the Listings tab to give Hosts more control, and added a simple way to quickly switch between the guest and Host sides of the app.

• In 2023, Hosts on Airbnb earned more than $57 billion USD and the earnings dashboard was visited over 7 million times by Hosts 16 . Knowing how important earnings are to Hosts, we’re making the earnings dashboard even more interactive, with extra insights such as occupancy rates, nights booked, and average guests and nightly stays. And for the first time, Hosts can break down their earnings by listings.
• Since launching AI-powered photo tours in the Listings tab last fall, 2 million listings on Airbnb now feature a photo tour giving guests a better understanding of their Host’s home 17 . Hosts know what parts of their homes make it attractive to guests so we’re giving them the opportunity to edit the order of photos in a Listing tab photo tour to highlight the best parts of their home.
• In the past year, 36% of Hosts also stayed in an Airbnb 18 so we’re making it easier to get the best of both worlds and allowing them to easily switch between their Host and guest profiles.