fashion dress up world tour

Fashion Designer World Tour

Ready to play Fashion Designer World Tour?

Enjoy this free online dress up game by _Flash and play it on both your desktop and on your mobile device!

Go on a glamorous globetrotting adventure on Girlgames4u.com with Fashion Designer World Tour a captivating dress-up game that invites you to explore the diverse realms of style and design. As a budding fashion designer, you'll have the opportunity to create stunning outfits for an array of girl characters, each with their own unique tastes and personalities. Dive into a world of fabrics, colors, and accessories, and let your creativity soar as you craft ensembles that define global fashion trends and showcase your unique flair for design. Fashion Designer World Tour gives you the opportunity to unleash your imagination with an extensive wardrobe featuring a plethora of stylish options. From casual chic to red-carpet glamour, the game offers a spectrum of choices to suit every fashionista's preferences. The intuitive design interface makes the process of styling seamless and enjoyable, allowing players to effortlessly experiment with various combinations and create looks that transcend cultural boundaries.

With a diverse cast of characters representing different regions and styles, Fashion Designer World Tour takes you on a sartorial journey across the globe. Explore the fashion landscapes of iconic cities, drawing inspiration from the rich tapestry of cultures that influence each character's wardrobe. Fashion Designer World Tour celebrates the beauty of diversity and encourages players to blend global influences into their designs. As you progress through Fashion Designer World Tour, tackle exciting challenges and fashion quests that showcase your design prowess. Compete in fashion shows, build your reputation as a style icon, and unlock new features that elevate your creative capabilities.

Celebrate the art of dressing up on Girlgames4u.com, embrace the cultural influences that shape fashion, and let your creativity shine as you take the fashion world by storm in this dynamic and enchanting dress-up adventure with Fashion Designer World Tour.

How to play

Use the left mouse button to select the various outfits.

Play other games from the Fashion Designer series:

• Fashion Designer New York

Enjoying Fashion Designer World Tour? We have a full range of dress up games, from Seven Stylish Days to Fashionistas' Faceoff !

• Use the mouse to play the game.

This game can be played only on PC

Thank you for your feedback and for helping us improve Girlgames4u.com!

What didn't you like about Fashion Designer World Tour?

Fashion Designer World Tour

Ready to play Fashion Designer World Tour?

Are you a dress up games lover? If so, you're in the right place! Fashion Designer World Tour is a free online dress up games that will keep you entertained for hours! Similar to Fashionistas' Faceoff , Fashion Designer World Tour has lots of fun twists that we know you'll enjoy!

Go on a glamorous globetrotting adventure on Starsue.net with Fashion Designer World Tour a captivating dress-up game that invites you to explore the diverse realms of style and design. As a budding fashion designer, you'll have the opportunity to create stunning outfits for an array of girl characters, each with their own unique tastes and personalities. Dive into a world of fabrics, colors, and accessories, and let your creativity soar as you craft ensembles that define global fashion trends and showcase your unique flair for design. Fashion Designer World Tour gives you the opportunity to unleash your imagination with an extensive wardrobe featuring a plethora of stylish options. From casual chic to red-carpet glamour, the game offers a spectrum of choices to suit every fashionista's preferences. The intuitive design interface makes the process of styling seamless and enjoyable, allowing players to effortlessly experiment with various combinations and create looks that transcend cultural boundaries.

With a diverse cast of characters representing different regions and styles, Fashion Designer World Tour takes you on a sartorial journey across the globe. Explore the fashion landscapes of iconic cities, drawing inspiration from the rich tapestry of cultures that influence each character's wardrobe. Fashion Designer World Tour celebrates the beauty of diversity and encourages players to blend global influences into their designs. As you progress through Fashion Designer World Tour, tackle exciting challenges and fashion quests that showcase your design prowess. Compete in fashion shows, build your reputation as a style icon, and unlock new features that elevate your creative capabilities.

Celebrate the art of dressing up on Starsue.net, embrace the cultural influences that shape fashion, and let your creativity shine as you take the fashion world by storm in this dynamic and enchanting dress-up adventure with Fashion Designer World Tour.

How to play

Use the left mouse button to select the various outfits.

Play other games from the Fashion Designer series:

• Fashion Designer New York

Enjoying Fashion Designer World Tour? Check out our other dress up games for more challenges!

If you love playing challenging dress up games, give our top 5 games a try and put your skills to the test!

How to play?

• Use your mouse to interact.

Similar dress up games:

• Seven Stylish Days
• Fashionistas' Faceoff

This game can be played only on PC

Thank you for your feedback and for helping us improve Starsue.net!

What didn't you like about Fashion Designer World Tour?

Fashion Designer World Tour

Fashion Designer World Tour

Ready for Fashion Designer World Tour?

Fashion Designer World Tour is one the best dress up games you can play free online. But, if you prefer more games for girls, give our other dress up games a try.

Go on a glamorous globetrotting adventure on Iupy.com with Fashion Designer World Tour a captivating dress-up game that invites you to explore the diverse realms of style and design. As a budding fashion designer, you'll have the opportunity to create stunning outfits for an array of girl characters, each with their own unique tastes and personalities. Dive into a world of fabrics, colors, and accessories, and let your creativity soar as you craft ensembles that define global fashion trends and showcase your unique flair for design. Fashion Designer World Tour gives you the opportunity to unleash your imagination with an extensive wardrobe featuring a plethora of stylish options. From casual chic to red-carpet glamour, the game offers a spectrum of choices to suit every fashionista's preferences. The intuitive design interface makes the process of styling seamless and enjoyable, allowing players to effortlessly experiment with various combinations and create looks that transcend cultural boundaries.

With a diverse cast of characters representing different regions and styles, Fashion Designer World Tour takes you on a sartorial journey across the globe. Explore the fashion landscapes of iconic cities, drawing inspiration from the rich tapestry of cultures that influence each character's wardrobe. Fashion Designer World Tour celebrates the beauty of diversity and encourages players to blend global influences into their designs. As you progress through Fashion Designer World Tour, tackle exciting challenges and fashion quests that showcase your design prowess. Compete in fashion shows, build your reputation as a style icon, and unlock new features that elevate your creative capabilities.

Celebrate the art of dressing up on Iupy.com, embrace the cultural influences that shape fashion, and let your creativity shine as you take the fashion world by storm in this dynamic and enchanting dress-up adventure with Fashion Designer World Tour.

How to play

Use the left mouse button to select the various outfits.

Play other games from the Fashion Designer series:

• Fashion Designer New York

Enjoyed playing Fashion Designer World Tour ? Then keep the fun going with Seven Stylish Days and Fashionistas' Faceoff .

• Use your mouse to interact.

This game can be played only on PC

Thank you for your feedback and for helping us improve Iupy.com!

What didn't you like about Fashion Designer World Tour?

• Justin Bieber

Fashion Designer World Tour

Dress Up Games

Flies you to the top fashion capitals (Paris / New York / London / Tokyo) to present your own collection and your own parade. You'll have to choose three models then dress and makeup them tastefully so you attract the favor of judges who will mark your parade uncompromising.

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Fashion Designer World Tour

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You have to install Adobe Flash Player to play Fashion Designer World Tour . Download Flash Player now . If you do not see the game, refresh the page (hotkey F5) or restart your browser.

More informations about Fashion Designer World Tour

Do you have unknown fashion talents? You know a lot about fashion design and dress up? If so, don’t waste any longer your talent! Take part right now to the Fashion Designer World Tour. Get your mouse and let’s see if you’re a fashion reference. The game is realistic, magical and addictive. Conquer the fashion’s world with your creative gifts! Share the game on your Facebook or Twitter page. Then, help your friends join the world tour and show their creativity as well.

If you like Fashion Designer World Tour, try these free games too

How to play fashion designer world tour.

You can find this game in the girl games' category. As an international stylist, your goal is  to conquer the fashion design’s universe. Are you ready for the challenge? At first, select the country you want to represent in this big world’s contest. Then, click on Okay in the little dialogue on your screen to go on. The next step is to select your destination. You’ll be then introduced to your agent, tell her your name and click always on Okay to validate. Afterwards, choose 3 models. With your agent’s help, create a casual, dressy and professional outfits. To put clothes, accessory or make up on models click on one from the list and drag it to the model. Discover many similar games freely and without download on Playhub.com   

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Release date: 12 April 2011

Strut the glamour walkways around the globe in Jojo's Fashion Show - World Tour Deluxe! Travel from Japan to Barcelona and match outfits to keep your fashion line at the top. Design your own clothing to flaunt on the runway and watch as the backstage drama unfolds. See fair-weather friends and ruthless enemies come closer than ever suspected!

Sounds good? Then try the full version of Jojo's Fashion Show World Tour for free now!

Please note: due to its large file size, this game may take longer than normal to download and install.

Jojo's Fashion Show World Tour features

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Jojo's Fashion Show: World Tour  

From Japan to Barcelona, racks full of vibrant clothes and lifelike models await in Jojo's Fashion Show: World Tour. Mother and daughter designers, Jojo and Rosalind Cruz, have finally earned a name in the fashion world. Now Ros is leaving the nest to pursue her own dreams and Jojo must find a replacement in this fast-paced Time Management game. As backstage drama unravels, Jojo quickly discovers that fair-weather friends and ruthless enemies are closer than she ever suspected!

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Fashion Designer New York

Step into the glamorous world of high fashion on Dressup.com with Fashion Designer New York, a game that beckons you to unleash your creativity and design the trendiest outfits for a diverse cast of girl characters. Originally a beloved Flash game, the magic of Fashion Designer New York lives on through the Ruffle emulator on Dressup.com, ensuring that the excitement of being a fashion maven is as vibrant as ever. Immerse yourself in the thrilling universe of style, where the runway is your canvas, and your designs make a statement that resonates from the streets of New York to the fashion capitals of the world. From chic streetwear to elegant evening gowns, Fashion Designer New York offers a vast array of options to cater to every fashionista's taste. The game places you in the role of a budding fashion designer with the power to mix and match fabrics, colors, and accessories to create runway-worthy ensembles. The intuitive controls and user-friendly interface make the design process a seamless and enjoyable experience, ensuring that even those new to the world of fashion can easily craft their vision.

With the Ruffle emulator breathing new life into classic Flash games on Dressup.com, Fashion Designer New York invites players to rediscover the joy of styling and showcasing their creations. Dive into the extensive wardrobe, experiment with countless combinations, and watch as your designs come to life on the virtual runway. The game captures the essence of the fashion industry, offering an interactive journey into the heart of style and self-expression. You can also build a portfolio of stunning designs in Fashion Designer New York, and establish yourself as a top-tier fashion designer in the bustling streets of New York. The game's dynamic challenges and evolving fashion landscape ensure that there's always something new to discover and create.

Join the ranks of virtual fashionistas and experience the thrill of being a designer in the iconic Fashion Designer New York. Whether you're drawn to casual, edgy, or sophisticated styles, Fashion Designer New York provides a platform for artistic expression and sartorial exploration. With the Ruffle emulator preserving the charm of the original Flash game, Fashion Designer New York continues to captivate players with its timeless appeal and remains a vibrant celebration of creativity, style, and the dynamic world of fashion.

How to play

Use the left mouse button to select the various outfits.

Play other games from the Fashion Designer series:

• Fashion Designer World Tour

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This game can be played only on pc.

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Every Look From Beyoncé’s Renaissance Tour, From Custom Catsuits to Disco-Inspired Couture

Beyoncé’s Renaissance tour began with a bang in Stockholm and it hasn't slowed down since. The highly-anticipated show has featured inventive set design, a decades-spanning setlist, and a plethora of standout style moments—from to archival pieces to custom looks and nearly everything in between. The star’s wardrobe has combined her signature style with the visual ethos of the album Renaissance ( think lots of sequins, silver, catsuits, and the occasional bee-inspired look). Beyoncé has also been wearing looks from brands specific to the city she’s performing in—for the UK leg of her tour she wore picks from the London-based Mary Katrantzou and Robert Wun while in Marseille, France she opted for a look by designer Simon Porte Jacquemus.

The singer has donned looks from both established brands—Valentino, Mugler, lots of Alexander McQueen, among others—as well as smaller labels like Anrealage and Brandon Blackwood. Balmain catsuits and mini dresses have been a constant throughout her tour wardrobe (in March, she partnered with creative director Olivier Rousteing to design a Renaissance couture line for the brand ) as well as imaginative pieces from Loewe. Beyoncé began the tour in Europe which has seen her in London, Paris, and other cities with the last being Warsaw, Poland on June 28th. She will then head to North America with her last date coming in New Orleans, Louisiana on September 27th. Needless to say, there will be countless more style moments to come—so, to make sure you don’t miss one look, keep checking back here as we keep track of everything Beyoncé has worn during the Renaissance world tour.

Beyoncé certainly made a splash for her final Renaissance show in Kansas City, Missouri. To open the concert, the star wore a custom Balenciaga gown, embroidered with over 8000 crystal rhinestones, and black opera gloves.

The star also brought out a black, latex version of a previous Ivy Park bodysuit and cropped jacket for her final show.

It’s fitting that perhaps the most memorable look from Beyoncé’s tour, a crystalized Loewe bodysuit, came in not one, not two, but three color ways.

At Beyoncé’s Houston show, Meghan Thee Stallion hit the stage to perform the “Savage” remix live for the first time. Naturally, then, the singer made sure to bring out a handful of major looks for such an occasion, including this dramatic black-and-white Balmain gown.

For another Houston ensemble, Beyoncé went with a black number by British maestro Gareth Pugh that was trimmed with reflective detailing.

Lingerie powerhouse Agent Provocateur designed this fringed, metallic piece for the singer’s Houston Renaissance stop.

American designer Rick Owens’ first custom look for Beyoncé’s tour came in the form of this plunging, sculptural bodysuit that she paired with silver cut-out boots and shield sunglasses.

The Carters have a song called “Boss,” but it was Beyoncé who looked in control wearing this full look from, yes, Boss. Silver was again the color of choice for the star—opting for slouchy boots, a form-fitting bodysuit, and cropped statement jacket.

Beyoncé donned her mermaid best while in Dallas, Texas with this custom Georges Hobeika couture look. The gown, which took over 300 hours to make, is embroidered with layers of Swarovski crystals and features a dramatic head veil.

This custom look from Milanese house Del Core featured pink garter boots and a sculptural bodysuit complete with statement shoulders. Plus, some very “Alien Superstar” sunglasses to match.

Despite saying her “Telfar bag imported,” it took Beyoncé until her tour’s Seattle stop to sport a look from the New York brand . The red, sequined cut-out bodysuit was certainly worth the wait, though (Blue Ivy also had a matching look from Telfar).

For her show in Seattle, Washington, Beyoncé donned lots of denim in the form of this Diesel bodysuit moment complete with a blue overcoat.

The star pulled out this crystallized, sheer Elie Saab couture look complete with a dramatic hood and feathered train.

This sequined Vera Wang bodysuit was taken to the next level with layers of blue chiffon that moved gracefully while the singer performed in Vancouver, Canada.

For her first Renaissance concert up North in Vancouver, Canada, Beyoncé pulled out a few new looks like this custom Ivy Park gear that featured intricate embroidery throughout. She added a matching top hat, overcoat, and silver above-the-knee boots to complete the ensemble.

Brazilian brand PatBO brought the sparkle (and fringe) with this eye-catching, hand-beaded number they designed for the singer’s Vancouver, Canada concert.

This is the second flame bodysuit that Roberto Cavalli has designed for the singer. This time, though, the look was even more fiery thanks to dozens of red and orange Swarovski crystals lining the piece.

Beyoncé made this barely-there lingerie look by Agent Provocateur stage-ready by adding fringed boots and a sparkly overcoat.

Like many a pop star, it’s no secret that Beyoncé loves a Mugler bodysuit. Here, the star wore a strappy silver version that she styled with metallic boots and shield sunglasses.

Beyoncé pulled out all types of looks for her Los Angeles show, which also happened to fall on her 42nd birthday. In one of many new looks during the night, she rocked this embroidered Givenchy bodysuit with a cropped black jacket and patent heels.

Beyoncé went big for her first Versace look during her Renaissance tour. She wore a skin-hugging mini dress and over-the knee boots designed in the Italian brand’s signature Medusa print.

The star opted for a lace Dolce & Gabbana look consisting of a corseted bodice and a dramatic off-the-shoulder train.

A vision in red, Beyoncé wore a ruched Balmain top that she paired with latex, cargo-style pants and opera-length gloves. To round out the look, she wore a Ruslan Baginskiy hat and Thierry Lasry sunglasses.

Pucci is known for their statement prints, so it’s no surprise this bodysuit was heavy on all sorts of colors. The look featured the Italian brand’s archival "Giardino” print as well as crystal embellishments and a sparkling body chain.

Loewe may have created the most memorable look from Beyoncé’s tour thus far with their “hands” bodysuit. For her Los Angeles show, the singer wore another anatomy-focused look from the Spanish brand, this one, in black and red.

This pink Gucci look consisted of pleated satin and a handful of pearl and crystal embellishments. The star added in velvet gloves, a wide-brimmed hat, and a pair of bedazzled binoculars for good measure.

For the opening portion of her Los Angeles show, Beyoncé donned this rose pink Tamara Ralph gown that featured ruching at the side and feathered sleeves.

While she may have been hidden underneath a sculptural headpiece, this ivory Danielle Frankel look certainly spoke for itself.

Australian designer Tamara Ralph created this velvet gown, complete with shimmering details at the bodice, for Beyoncé’s Los Angeles show. She paired the dramatic piece with a black top hat and Alaïa heels.

The singer looked in control with a custom A-Morir cane that she wore with a bedazzled bodysuit by Prada inspired by their spring/summer 2012 collection.

Instead of her usual over-the-knee stilettos, Beyoncé opted for a towering pair of Marc Jacobs “Kiki” boots. She also wore a custom iteration of a look from the American brand’s fall/winter 2023 collection that featured a glittering red scarf.

This custom Alexander McQeen number, which featured an embellished mini dress and sculptural headpiece, was inspired by the brand’s fall/winter 2013 couture collection.

Sarah Diouf, the designer behind African brand Tongoro, designed this black-and-white motif bodysuit, gloves, and boots for the singer’s Santa Clara, California show.

The star looked presidential in another Ralph Lauren look, this one, a tuxedo-style bodysuit that she paired with a feather boa, bedazzled cane, and black boots.

In an ensemble that would make her song “Telephone” proud, Beyoncé donned a custom bodysuit by Lou de Bètoly made from recycled phones, chargers, and crystals.

Yes, that is Beyoncé hidden under all of that silver fringe. During her Las Vegas show, she certainly made a statement in this silver Jacquemus look.

Even when hidden underneath a red top hat, Beyoncé looked Renaissance -ready in this silver mini dress by Ukrainian brand Frolov.

Beyoncé opted for another printed Marine Serre ensemble, this time, a silver bodysuit layered with a red cut-out dress.

Cult-favorite lingerie brand Agent Provocateur designed this metallic bodysuit, completed with cut-out detailing, for the singer’s Las Vegas show.

Leave it to Beyoncé to make newsboy caps look cool. Here, she paired the accessory with a latex and fishnet look from Dundas.

The star spiced things up with a sheer, crystalized bodysuit by Bronx and Banco that she wore with a white feather overcoat.

Beyoncé donned another Givenchy look during her Glendale, Arizona stop–this one a form-fitting suit dress complete with gold accents along the waist and arms.

British brand Gareth Pugh designed this sculptural metallic bodysuit for the singer, which she paired with over-the-knee boots and flashy opera gloves.

The star swapped out her Loewe “hands” bodysuit for an equally as flashy look from the Spanish brand in the form of a black long sleeve, high-low dress.

Beyoncé looked ravishing in red when she wore this Atelier Zuhra look composed of a glittering bodysuit and a statement-making, sculptural train.

This very “Alien Superstar” ensemble by Zigman featured a semi-sheer bodysuit, metallic knee-high boots, and antena-like wings that doubled as a train.

Georgian brand Situationist and Ukrainian label Yaspis came together to create this custom metallic look for Beyoncé’s Phoenix, Arizona show. The dress featured a criss-cross halter bodice and an asymmetrical draped skirt with a daring slit up to her waist. To finish things off, the star added in a pair of opera-length gloves and a crystal mesh bodysuit.

The superstar, who celebrates her birthday September 4, recently posted a request to her fans via Instagram. “Virgo season is upon us,” she wrote. “This tour has been such a joy and as we approach the last month, my birthday wish is to celebrate with you wearing your most fabulous silver fashions to the show 8.23 – 9.22.”

Beyoncé has long been a fan of Lebanese designer Nicolas Jebran, so it’s only fitting that he crafted one of her buzziest Renaissance World Tour ensembles yet. The custom yellow bodysuit, which took over 200 hour s to make, was paired with beaded opera gloves and knee-high boots. Of course, the star rounded things out with antenna-like shield glasses.

London-based Alessandra Rich designed this shimmering ensemble for Beyoncé’s St. Louis, Missouri stop. The look featured a semi-sheer crystal net bodysuit complete with patent detailing at the midsection and sleeves. Prior to showing off the form-fitting catsuit, she wore a vinyl trench coat and coordinating top hat.

Beyoncé celebrated the arrival of Virgo season with this custom Loewe look that she wore for her St. Louis, Missouri show. She paired the look, which consisted of a metallic sculptural top and black maxi skirt, with sparkly heels from The Attico. The singer also announced that she wants her fans to wear their “most fabulous silver fashions” for the remaining month of her Renaissance tour, which concludes on September 22nd. “We’ll surround ourselves in a shimmering human disco ball each night,” she said in a statement.

The singer previously wore a similar swirl motif mini dress from David Koma earlier on in her tour. This time, though, she paired the piece with an asymmetrical leather jacket, patent cowboy boots, and sleek silver sunglasses.

Beyoncé definitely brought the heat to Miami in this sparkling custom Gucci look. The Italian brand created a corseted bodysuit draped with strands of silver fabric for the singer, which she paired with over-the-knee fringe boots.

Though this custom Valdrin Sahiti bodysuit followed a similar silhouette to many of Beyoncé’s form-fitting looks, its dramatic tulle shoulders and flowing train certainly spiced things up a bit. The singer rounded out the look with a pair of cat eye sunglasses and PVC heels by Mach and Mach.

Unlike her Marni look which was heavy on mixed metals, this custom Missoni ensemble was pure silver. The Italian house designed a patterned form-fitting dress (complete with a leg-baring) slit that the singer unveiled during her Tampa, Florida show. She also wore a silver long sleeve top with built-in gloves underneath, Amina Muaddi heels, and custom Tiffany & Co. glasses.

Patchwork like never before. The singer donned this custom Marni look, composed of a cropped puffer jacket, bodysuit, and boots, for her Atlanta show. The silver and gold pieces were made of leather and fragmented crystals for some extra shine.

Rounding out a pair of Gaurav Gupta looks in Atlanta, Beyoncé chose this show-stopping hooded gown for her final show in the city. The sparkling number is from the brand’s fall/winter 2023 collection and featured a one-sleeve silhouette and a trio of cut-out details.

Beyoncé turned up the heat in this blue flame bodysuit by Roberto Cavalli. The brand’s creative director Fausto Puglisi created the trompe l’oeil ensemble with a slew of Swarovski crystals and even added in a dazzling cowboy hat and gloves to finish off the look.

Even Beyoncé got in on fashion’s sheer obsession with this statement-making Dolce & Gabbana look. She paired the bodysuit, which featured sprawling crystal embroidery, with a pair of fringe sunglasses.

If anyone can make a newsboy cap work, it’s certainly Beyoncé. She accessorized this fitted, embroidered bodysuit from Self-Portrait with a matching hat and strappy heels.

Alberta Ferretti has been a constant throughout Beyoncé’s Renaissance wardrobe. So, naturally, the singer chose a scarlet bodysuit, complete with a sculpted bodice and plenty of crystals, for her Atlanta show.

The star opted for another Gaurav Gupta look, this one, from the brand’s fall/winter 2023 collection. Like her previous ensemble from the brand, the green dress featured an array of smartly placed cut-outs and a thigh-high slit.

If this Carolina Herrera ensemble looks familiar, that’s because Beyoncé previously wore a red version earlier on in her tour. Like the last wear, this one was made complete with a dramatic headpiece and opera-style gloves. The star also tied in a pair of Alaïa cabaret sandals, a pari she’s taken a liking to throughout her time on the road.

The star chose a Barbie pink look from Lapointe during her show in Charlotte, North Carolina. The curve-hugging mini dress featured a one-side feather sleeve and a draped train at the side. Of course, she had to add in a pair of sequined knee-high boots and fringe sunglasses from A-Morir for good measure.

This Gaurav Gupta bodysuit may be Beyoncé’s most detailed one to date—the piece featured elaborate infinity draping that cascaded throughout the look. She then paired the top half with garter-inspired crystal leggings that transitioned into boots.

Beyoncé dazzled in this custom Ralph Lauren satin gown and feather shawl for her Washington, D.C. show (which drew heavyweight guests like Solange Knowles, the Obamas, and Kamala Harris).

Tinsel chic? Beyoncé’s latest custom Gucci look (a fringe bodysuit, sculptural hat, boots, and overcoat) turned heads for all the right reasons at her D.C. show.

Nina Ricci designer Harris Reed created this crystal and velvet bodysuit inspired by the brand’s archival couture gowns. Beyoncé accessorized the look with custom drop earrings and an Elsa Peretti diamond ring from Tiffany & Co.

Beyoncé went with this custom royal blue look from Off-White (she wore a similar red version earlier on in her tour) for her show in the nation’s capital.

Self-Portrait creative director Han Chong custom designed this glittering mesh bodysuit and matching skirt for the star’s Washington, D.C. show. The sequined piece featured a diamond cut-out at the midsection and dramatic feather cuffs.

For her Boston show, Beyoncé dazzled in this reflective silver ensemblefrom Peter Dundas’s namesake brand. The look featured a form-fitting mini dress, oversized trench coat, ankle boots, and a coordinating hat.

Beyoncé got in on the lingerie dressing fad with this sultry custom look from Spanish-born, Paris-based designer Arturo Obegero.

Israeli designer Alon Livné designed this sheer catsuit, complete with intricately placed cut-outs, and ruffled cape for the singer’s Boston show.

Beyoncé looked straight out of a sci-fi thriller in this custom Demobaza look which featured a color blocked bodysuit, harness, and white boots.

Jean Paul Gaultier is known for their trippy prints, so it’s no surprise then that the bending motif was the focal point of this custom bodysuit.

The debate is still out on whether this look should be classified as Barbie pink or Valentino pink. Regardless, Beyoncé nailed this custom look from the Italian brand. She paired the form-fitting bodysuit (which was layered under a cape) with knee-high boots and feathered shield sunglasses.

For her New York show, Beyoncé, fittingly, wore one of the city’s favorite designers. Her custom Marc Jacobs gown featured a dramatic slit, bending black and white stripes, and a slew of dazzling Swarovski crystals.

This Alexander McQueen may look familiar. The singer wore a similar version just a few stops ago in Minneapolis, Minnesota. This one, however, featured a slightly different color way in bronze and silver and was accented by a dramatic reflective cape.

The singer looked ethereal in this semi-sheer Georges Hobeika gown. The piece featured delicate embroidery throughout and a strappy neckline at the bodice. Her sheer headpiece was crafted with 3D embroidered flowers and her opera gloves were trimmed with train-like pieces of fabric.

Beyoncé donned another custom Ivy Park look for her New Jersey show. This one kept up the camouflage theme with another pair of slouchy knee-high boots. Instead of a form-fitting bodysuit like she’s worn in the past, her jersey-style long sleeve was decidedly more casual (yet still packed a punch with crystal embroidery). Blue Ivy had on a matching jersey, too.

Sparkles and (faux) fur took center stage in this Philosophy di Lorenzo Serafini look. Her long sleeve bodysuit was embellished with Swarovski crystals and layered perfectly beneath the apricot coat.

The singer packed on the sparkle in this Miu Miu look during her stop in East Rutherford, New Jersey. The tank and cut-off shorts were embroidered with rhinestones and crystals as were her fringed knee-high boots, naturally. She paired the set with a custom Tiffany & Co. silver peephole cowboy hat and HardWear drop earrings.

Louis Vuitton’s newly appointed creative director of menswear, Pharrell Williams, designed this glittering catsuit for Beyoncé’s Detroit, Michigan concert. The two have quite the history as long time friends and collaborators—Williams has produced songs for Beyoncé in the past and she recently attended his debut runway show for the French brand earlier this year. The custom bodysuit put a spin on the brand’s famed Damier check through glittering crystal embroidery. Williams also created custom ensembles for Blue Ivy and Beyoncé’s backup dancers.

Beyoncé looked like liquid gold in this hooded mesh gown from Ivy Park. The piece featured slight ruching at the waist and a dramatic side slit which showed off her daring footwear choice—a pair of Alaïa cabaret heels. The patent calfskin choice are from the brand’s spring/summer 2023 collection in which the heel is designed to mimick the shape of two legs.

This silver cut-out number may just be Beyoncé’s most disco-ready jumpsuit yet. Custom designed by Lanvin, the piece featured the brand’s signature gold hardware as well as ruching throughout. To round things out, Beyoncé accessorized the look with equally as flashy opera gloves and above-the-knee boots.

Beyoncé traded her tour wardrobe of silver and gold for some Tiffany blue while in Chicago, Illinois. The look was created in partnership with designer Giles Deacon and featured a sculptural bodice and sheer organza gloves. She paired the dress with, of course, a custom Tiffany & Co. Twister Collar Necklace.

Beyoncé’s Acne Studios ensemble may have nailed the Barbie pink look, but it certainly did not disappoint during her Minneapolis show. She paired her reflective mini shorts and bustier with an oversized jacket and sparkling thigh-high boots.

Beyoncé’s Renaissance wardrobe isn’t just limited to bodysuits—she’s also been incorporating dramatic ensembles like this custom Schiaparelli mini dress and shawl. The strapless piece featured white feathered detailing which she paired with simple Dolce & Gabbana heels.

Balmain has been a focal point of Beyoncé’s Renaissance wardrobe and things got taken up a notch during her stop in Minneapolis. The singer opted for a sculptural latex bodysuit that she accessorized with knee-high boots, shield sunglasses, and a brimmed top hat.

Beyoncé stunned in silver with this custom Marine Serre look. The star wore a fitted bodysuit, complete with the brand’s signature moon motif, as well as chain undergarments layered on top. She added in a brimmed hat and silver boots for good measure, too.

This custom Alexander McQueen bodysuit is a riff on a similar look from the brand’s fall/winter 2016 collection. The semi-sheer piece features sequin horse embroidery and a tulle base.

It’s no secret that Beyoncé has been all in on the bodysuit style throughout her tour. But this custom Diesel look for her Louisville, Kentucky show may just be one of her most unique styles thus far. The trompe l’oeil look featured a print mimicking denim and grey crystals throughout. And to round things out, the piece’s boots and gloves were connected to the main portion of the ensemble.

Pulling out the sequins in Louisville, Beyoncé dazzled in this custom mini dress by Raisa Vanessa. The dress took nearly six months to make and featured a plunging neckline and two slits on either side. The singer rounded out the look with glittering knee-high boots and goggle-style sunglasses.

Beyoncé donned this Dsquared2 bodysuit—complete with layers of dazzling embellishments and a plunging neckline—for the opening act of her Louisville concert.

Alexander McQueen was a staple throughout Beyoncé’s European performances, so it’s no surprise that she’s returned to the British brand when stateside. During her Nashville concert, the singer wore a custom bodysuit, gloves, and boots complete with crystal embroidery. She stopped it off with a UFO-shaped chapeau appropriate for an alien superstar. The outfit seemed to be a shorter version of a look she wore earlier on in the tour.

The singer opted for another dazzling custom look from David Koma. Unlike her previous printed mini dress from the British designer, this red number had plenty of sequins throughout as well as an asymmetrical train detail. She rounded things out with patent leather boots, a ruby belt, and pendant necklace.

The McQueen look wasn’t the only repurposed silhouette Beyoncé wore in Nashville. She opted for a pink Ivy Park jacket, halter top, and shorts that are, again, a shorter iteration of a similar bodysuit she previously wore in Europe. She also mixed in a pair of custom Tiffany & Co. sunglasses and Gedebe boots to make things even more Renaissance worthy.

Beyoncé certainly leaned into some drama (and disco) with this custom Valentino look in Philadelphia. The focal point was the seemingly never-ending sequined train that connected to the pouf bodice of the bodysuit. She paired the flashy piece with coordinating boots, and towards the end of the show, she flew above the crowd in this look while mounted on a horse.

The singer mixed in some more sequins in Philadelphia with this custom Givenchy mini dress. The piece featured intricately placed cut-outs as well as fringe throughout the dress. She rounded things out with strappy heels and sheer black opera gloves. She, of course, also had on diamonds from Tiffany & Co. in the form of a ring, drop earrings, and a tennis bracelet.

Beyoncé went with another camouflage look from her label Ivy Park, this one a two-piece set. The crop top had built in sleeve-gloves and the mini shorts also featured chaps-like detailing that extended into her boots.

Beyoncé has been wearing plenty of Tiffany & Co. jewelry throughout her tour, but she took it to another level for her first North American stop in Toronto, Canada. The singer donned a dazzling bespoke mini dress from the brand complete with layers of chains and stones. The mesh look of the piece was inspired by the designs of Elsa Peretti and took nearly 200 hours to make. Beyoncé paired the piece with custom Malone Souliers heels as well as vintage earrings and an anklet both from Tiffany & Co.

Also while in Toronto, the singer traded her layered mini dress for a dazzling custom Fendi gown. The piece is a riff on a similar look from the brand’s spring/summer 2021 couture collection and features a daring slit as well as crystal embroidery meant to imitate the appearance of honeycombs. She rounded out the look with another pair of clear heels and statement tassel earrings.

Leave it Beyoncé to make comouflage cool. During the Toronto stop of her tour, the singer wore a fully patterned ensemble from her brand Ivy Park. The look featured a cropped jacket, over-the-knee boots and a plunging bodysuit.

For the final stop of the European leg, Beyoncé went with a slew of sequined and silver ensembles while performing in Warsaw, Poland. This look, by Balmain’s Olivier Rousteing, featured a dramatic bodice that cascaded down her side as well as a daring slit at the skirt. The singer rounded out her look with velvet gloves and a pair of Manolo Blahnik heels.

While Beyoncé has had some pretty avant-garde outfits, this Richard Quinn number may be her most “Alien Superstar” yet. The look featured legging-style pants with large crystal embellishments as well as a peplum-inspired top finished with similar adornments. However, the focal point of the ensemble is certainly the UFO-like headpiece that obscured everything but the singer’s eyes.

Outfitting an entire crew and Beyoncé is certainly no small feat, but global brand Daily Paper seemed to be up for the task. During the "Opulence" section of her concert in Warsaw, Beyoncé donned an embellished black jumpsuit and reflective track jacket from the brand—which she paired with knee-high boots and one of her signature top hats. In addition to Beyoncé’s look, Daily Paper designed over 100 custom tracksuits for her crew and dancers, mostly in silver reflective nylon.

Just one night after sporting a similar hooded piece while in Paris, Beyoncé went with another veiled look, this time, for her concert in Hamburg, Germany. The ensemble is designed by Carolina Herrera creative director Wes Gordon and features a plunging bodysuit, sheer red tights, and a silk hood that connects at the head and arms. Of course, the singer also had on her signature opera gloves and glitzy earrings to round out the look.

Again in Hamburg, the singer chose a look from Ivy Park—one of a wider selection of pieces from an upcoming collection between her brand and Adidas. Naturally, backup dancer’s leotards matched her ruched mini dress and knee-high boots.

Ferragamo’s creative director Maximillian Davis designed this red glittering gown for the singer’s show in Amsterdam. In honor of Juneteenth, Davis was one of several Black designers that Beyoncé wore throughout the show.

This robo-couture custom Balmain look featured silver-plated detailing that paneled the singer’s bodysuit. She paired the piece, which drifted into gloves, with a pair of knee-high boots.

“In the industry where we have to all fight, I want to thank [Beyoncé’s] support last night [to] all the Black designers that had created their own space in this tough industry,” Balmain designer Olivier Rousteing said . “This was the celebration.”

This is the second all-red Off-White look worn by Beyoncé during her tour. Her second version, however, featured a shortened silhouette and an accompanying top hat that was designed by the brand’s art and image director Ibrahim Kamara.

For her second Balmain look in Amsterdam, Beyoncé went with another iteration of the bee-inspired catsuits we’ve seen repeatedly on her tour thus far. This time, she paired the ensemble with a coordinating top hat rather than her infamous insect-like antena.

New York designer LaQuan Smith crafted this silver, shattered glass bodysuit for the singer’s Amsterdam stop. She paired the plunging piece with an equally as disco-worthy cape and heels.

London-based brand Feben outfitted Beyoncé in a color-blocked catsuit. “Thank you for inviting me into your world,” the designer wrote on Instagram . “What an incredible moment to be a part of, and a pivotal one for myself, and my inner child. It means the world to be supported and seen as a Black female designer in the industry.”

This deep silver mini dress was the second look from Ferragamo the singer wore in Amsterdam. The look featured ruched detailing that drifted into a train and above-knee boots.

While Beyoncé has, seemingly, unlimited access to a never-ending roster of designers, she went with her own label Ivy Park for this pink look in Amsterdam—and rightly so. Designed by the star herself, the piece featured daring slits, opera-style gloves, and a halter neckline.

“I started designing this collection over a year ago,” she said on Instagram . “I was so engulfed in all things Renaissance and was inspired by Studio 54, Bob Mackie, and the disco era.”

In Amsterdam, the singer went with a custom Gucci corseted leotard. The glitzy piece featured sheer detailing and draped crystal fringe that fell across the bodice area.

Naturally, Dutch designer Iris van Herpen was a standout of Beyoncé’s wardrobe for her first night in Amsterdam. The custom look, which took over 700 hours to make, featured a flowing train paired with a sculptural mini dress.

Yes, you can always count on Beyoncé to wear a form-fitting catsuit. But this one by Lebanese designer had a handful of eye-catching details. The bodice was composed of various strands of rhinestones and crystals and the sheer portion wrapped entirely around her body (even down to her boots).

French designer Simon Porte Jacquemus is from Marseille, France so it’s fitting that he outfitted the singer for her tour stop there. Jacquemus, who attended the concert, designed a form-ftting mini dress, boots, and gloves that featured disco ball-esque paillettes.

“[Beyoncé] is the first singer I saw live in Marseille 15 years ago,” he wrote on Instagram . “I’m so happy and proud. What a night in Provence, means a lot.”

This custom gown by Alebrta Ferretti has an embroidered leotard and a gold draped train that cascades down the singer’s side. Beyoncé wore the eye-catching piece with matching knee-high boots and black opera gloves (which have been a running theme in many of her looks throughout the tour thus far).

Beyoncé went with a sparkling, disco-inspired Stella McCartney dress and stirrup leggings for her concert in Barcelona, Spain. The custom look was made of environmentally friendly materials such as silver lead-free crystals.

“It is a life moment to dress someone as iconic and inspiring as Beyoncé—a visionary pioneer, disruptor, and artist who has worked tirelessly to make the world a better place,” the British designer said. A pair of clear Amina Muaddi heels rounded out the ensemble.

The star wore a custom Fendi leather intarsia catsuit for her show in the Spanish city. It was paired with over-the-knee boots, matching gloves, and an upcycled fur cape inspired by illustrations by Antonio Lopez as seen in Fendi’s spring 2022 collection.

For her fifth and final show in London, Beyoncé wore a custom Mary Katrantzou surrealist mini dress with black and gold detailing. The look, meant to resemble a perfume bottle, also featured a custom Stephen Jones bottle top headpiece, latex boots, and gloves.

The 41-year-old singer opted for a dramatic “Black Blossom” Robert Wun look. The form-fitting ensemble featured a plunging blazer accented by ruffled sleeves and asymmetrical pleated detailing.

Beyoncé again went with another British label for her third London show, this time a custom Andreas Kronthaler for Vivienne Westwood look. The mini latex dress features corset-style detailing and sheer spiral sleeves.

Beyoncé wore a custom royal blue Roksanda number for her London show. The piece is a riff of a similar dress from the brand’s fall/winter 2023 collection.

Alexander McQueen has been a staple of Beyoncé’s Renaissance wardrobe thus far. Here, she wore a custom deep red embroidered dress with coordinating boots and opera gloves—an iteration of a similar look from their fall/winter 2023 collection.

The signature silver paillettes of Paco Rabanne fit perfectly into the visual aesthetic of Renaissance, so its no surprise the star opted for a piece from the brand. She wore a glitzy custom gown for her show in Paris.

The 41-year-old looked ethereal in a custom light blue gown by New York brand Brandon Blackwood. She paired the off-the-shoulder number with coordinating opera gloves and silver jewels.

Beyoncé chose a statement-making Off-White look for her London show. The red bodysuit features a bustier-style top and 40,000 red hotfix crystals throughout.

Ditching the catsuits that fill the latter half of her concert, Beyoncé has chosen a series of stunning gowns for the opening segment of her show. Here, she wore a white Valentino dress complete with a train and coordinating opera gloves.

The singer was worn several looks from London-based brand David Koma over the course of her tour—one of them being this asymmetrical mini dress that features glittering fringe and wide shoulders.

The star has worn a silver two piece set from Loewe for several of her tour stops. On top of the long sleeve, she layered a molded breastplate and rounded out the look will silver boots.

This custom Dolce & Gabbana bodysuit is one of many bee-themed looks that Beyoncé has worn (there’s a reason she’s referred to as the Queen B after all). The piece features black and yellow embroidery as well as coordinating opera gloves.

Beyoncé continued her longstanding relationship with Balmain’s Olivier Rousteing—here, she wore an silver asymmetrical mini dress, thigh high boots, and wraparound sunglasses.

Beyoncé kept the bee theme rolling at the opening night of her tour in Stockholm. She wore a custom Mugler catsuit complete with towering antennas and bug-like sunglasses.

This custom look from Alexander McQueen features bugle bead and crystal anatomical embroidery. Beyoncé wore the piece during the opening night in Stockholm.

This trompe l’oeil Loewe catsuit has become a fan favorite throughout the star’s tour. The piece was custom made by the brand’s creative director Jonathan Anderson and is a play on a similar dress that recently went down the runway.

Beyoncé has worn this silver cutout bodysuit from French brand Courrèges several times thus far.

Beyoncé and her dancers wore colorful David Koma looks for opening night. The ruched dress, which she wore with a reflective jacket, is inspired by the brand’s Spring/Summer 2023 collection.

Beyoncé wore another custom Balmain look, a catsuit complete with the brand’s signature silver embroidery.

Beyoncé donned a color changing robe by Japanese brand Anrealage in what was one of the more experimental looks of the tour. The piece changed colors when exposed to UV lights and revealed a stained glass-like pattern.

This article was originally published on May 31, 2023

Fashion Queen: All of Letizia of Spain's looks from her tour of The Netherlands

Queen Letizia rarely puts a fashion foot wrong when representing Spain on the world stage or during her day to day duties closer to home.

Even in those rare 'faux pas' moments, such as when she turned up to present an award in 2022 only to see the recipient wearing the same high street dress as her and turned it into a photo op, she manages to come out looking elegant.

Little wonder then, particularly given her penchant for affordable pieces, that all eyes were on the royals' wardrobe choices during her tour of The Netherlands.

The verdict? Fashion lovers have crowned Letizia somewhat of a style icon after she stepped out in hit after hit.

Here's a run-through of her best looks:

Arriving in The Netherlands

Letizia meant business when she touched down in The Netherlands in a sharp black suit in place of the typical shift dresses we're used to seeing royals in during official meet and greets.

The jacket was a single-breasted, slim fit affair while the trousers were in a cigarette style. She softened the look with a white vest top underneath but the style message was clear, this royal is determined to be taken seriously in her own right.

Her suit is by Hugo Boss , with the jacket costing €379, and the trousers, €219. Much more affordable are her slingback shoes from Massimo Dutti which cost €99.95

Reception at Barbizon Palace

Later the same day, the royal dropped one of her most coveted looks on us, a flowing skirt with a liquid metallic finish paired with a black Bardot top, and simple black court shoes while attending a reception in hour of the Spanish community at Barbizon Palace.

The overall effect was stylish, yet not in any way stuffy or trying too hard. So how do we steal her look?

Well, her fabulous gold skirt is also by Hugo Boss, and also an investment buy. It's sold out on the brand's website but available to buy online from Saks Fifth Avenue, for €347.44 here .

It's believed her belt is also by the brand but has since sold out. Her top looks to be the Barnita top by Ralph Lauren which too is out of stock on the brand's website but available from Next here, priced at €152.

Her woven black clutch is by Bottega Veneta and costs €3,100 at Brown Thomas while her shoes are by Carolina Herrera as are her crystal cluster earrings.

Flying the flag for the high street again, she wrapped up in the black Batin coat from Mango, that is still available and on sale for €99.

Official welcome on Dam Square and attending a wreath-laying ceremony

Letizia continued her style winning streak into day two during the official welcome ceremony with Queen Maxima and King Willem-Alexander on Dam Square.

Her look proved that tweed isn't just for the colder months as she opted for a turquoise check dress with stunning cape sleeves by Moises Nieto that sadly looks to be sold out.

The Queen's bag was also by the brand and is still available costing €295. A tan headpiece by Balel Sinamey and nude heels completed her look. Later in the day, she draped a Carolina Herrera camel-coloured cape around her shoulders while attending a wreath-laying ceremony at the national monument.

The State Banquet

Wednesday evening was the highlight of the trip, the state banquet that coincided with an official portrait and Letizia put the royal in royal blue in a fabulous sapphire-hued gown by couture label The 2nd Skin Co.

Her dress was the Suraia design with a crew neckline, and Japanese-style bow sleeves. She paired it with the famed Diamond Loop Tiara which dates from 1879 and was bestowed as a wedding gift to Maria Christina of Austria upon her wedding to King Alfonso.

Joyas de Pasar diamond drop earrings and the Order of the Gold Lion of the House of Nassau which was pinned to her dress completed her look.

Beneath her gown, she reportedly wore navy Martinelli x Redondo "Monroe" Platform Sandals that cost €235.

Visiting Lab6 Headquarters

Next up was Letizia's take on Barbie-core in a statement pink coat that artfully clashed with a red fitted shift dress during a visit to Lab6 Headquarters, a production company that works with young people, and the Theater Tuschinski.

The felt coat is surprise surprise by her preferred designer, Herrera, and one she has had for several years as is the kimono-style wool red dress with statement shoulders and cape sleeves.

Her pink slingback shoes from Magrit are also a longtime friend but her pink Olivia Mareque bag is a new buy and still available. You'll find it here, priced at €173.45.

STRAAT Museum

Later that evening Letizia stepped out for a glamourous event at the STRAAT Museum to wrap up the royal tour and her outfit choice was a fashion tour de force.

She opted for a navy sculptural number that looked as if it should be housed behind a velvet rope in its own right. Her dress was in the deepest shade of navy with draping throughout but the standout detail was the oversized collar that wrapped gracefully around her neck and wound down the length of the dress.

It's a couture piece by Dutch designer Benchellal, and Letizia chose to pair it with navy Carolina Herrera slingbacks and a satin clutch bag by Madrid-based brand Felipe Varela. Her diamond earrings were courtesy of Queen Sofia.

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‘Dress Up’ at the MFA explores how costumes we wear create the image of ourselves

Gowns by the likes of gaultier, halston, pucci, and costume jewelry galore make up an appropriately theatrical exhibition.

“Dress Up,” an exhibition of fashion and costume jewelry just opened at the Museum of Fine Arts, exults in extravagance while embracing illusion. There’s a clue in the title, and more in the content: Costume — or more bluntly, fake — jewelry, fashioned from plastic, tin, rhinestone, and whatever non-precious else, is for the most part made to deceive — an aspirational mimic, removed from the real thing. Extend the metaphor, and one could argue it’s what any of us does, every day, not only by pulling on clothes, but by any means of projecting a version of ourselves out into the world. A quote from Ru Paul on the wall sums it up nicely: “We’re all born naked, and the rest is drag.” That’s what “Dress Up” is about.

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The show grew from a gift from Torontonian Carole Tanenbaum, who gave the MFA her substantial costume jewelry collection in 2018. Plans to build an exhibition around it started soon after, Emily Stoehrer , the MFA’s jewelry curator told me; but like a lot of things, the onset of the pandemic in early 2020 bumped it into limbo. The MFA added a new curator of fashion arts, theo tyson , in 2021; tyson and Stoehrer worked together to conceive a more expansive frame for the Tanenbaum gift to include never-before-shown pieces from the museum’s fashion collection, and “Dress Up,” with its more than 150 distinct bits, was born.

True to concept, the show begins with a theatrical gesture: Three lithe female mannequins stand just inside the entry, on a broad black plinth that’s unmistakably a stage. Against a storm-gray wall, slim right-angled black bars frame each from behind, a graphic visual strategy that amps up the performative air.

On the left, a frock of liquid gold by designer Bob Mackie drapes one of the mannequins, cascading from its closed neckline down to tight wrist cuffs, and to the floor; on the right is a shimmery midriff-baring silver-toned gown by Alexander McQueen. Commanding center stage is Jean Paul Gaultier’s “Big In Japan ensemble,” from 2019, an all-silk affair in organza and damask, tied up with a big, thick bow. On its breast perches a lush fabric brooch (of sorts) by Lexington, Mass.-based artist Mariko Kusumoto, whom Gaultier commissioned to adorn his Spring collection for Paris Fashion Week, 2019. The sculptural quality of Kusumoto’s piece — tufts of gauzy fabric fashioned in blossom-like forms, with satiny bits looking much like abstracted butterflies perched nearby — complete the ensemble so thoroughly that after seeing it with , it would feel unfinished without . Even I, a fashion layman, know that with Gaultier, that’s quite a feat.

Here’s part of the point, I think, of “Dress Up:” Gestures both large and small, extravagant and not, complete the deception fashion performs not just on the runway, but in our daily lives. The show turns to a quote on the wall by the late Kate Spade, a designer of among the best-known handbags in history, to point out that “playing dress-up begins at five, and never truly ends.” With whatever tools we have — or can afford — we’re projecting ourselves into public as we’d like to be seen, and not always as we are.

“Dress Up,” inevitably, name checks the icons of fashion history — Halston, Pucci, Chanel. A chapter of the exhibition called “More is More” catalogs greatest-hit partnerships of the ‘60s and ‘70s: The luxe drape of an Emilio Pucci print silk caftan, an icon of sun-drenched Amalfi coast lounging, paired with glass-and-brass necklace and earrings of frequent collaborator Coppola e Toppo; a sleek full-length Halston gown in red silk jersey gracefully finished with a gilded bamboo clutch by one of the designer’s besties, Elsa Peretti. There’s also a passage on the little black dress, an elegantly blank canvas that has invited endless accessorizing for decades, and pop music historians won’t want to miss a pair of gowns worn on stage by Mission Hill’s own Donna Summer , complete with microphone pouches sewn into the back.

But these moments feel like crowd-pleasing amid more potent fare. One section touches on fashion as a personal political statement. A photograph by Danielle Simone of the hip hop/dance/drag duo the Dragon Sisters is equal parts critique and aspiration. Gender-fluid artists who meld classical dance with hip-hop and fashion, the Dragon Sisters live in a hoped-for world of unfettered expression of self; in Simone’s picture, they’re draped in flowing gowns made from a half-dozen American flags by the designer Timothy Westbrook; the complaint, about the ongoing struggle LGBTQ+ people have had for equal rights in the US, is clear. Nearby, the red AIDS awareness ribbon, an elegant symbol of support for people living with HIV, sits in a frame, an evocation of how a person’s politics can be worn quite literally pinned to his or her chest.

Nearby, the show explores cultural representation as meatier purpose for fashion in a world always leaning towards more mass-produced sameness. Wampanoag jewelry-maker Tiffany Vanderhoop shows work alongside her mother, the Haida weaver Evelyn Vanderhoop, making clear garb and adornment can serve purposes deeper than aesthetics. Evelyn’s Raven’s Tail robe, intricately woven of wool, sea otter fur, cedar, shell, and copper, had to be danced into the collection in a ceremony by Evelyn herself. In the graphic scheme of one set of her earrings, Tiffany builds simple faces with eyes staring wide. “All My Ancestors Are Watching,” she calls them, an eternal vigilance of accessorizing.

“Dress Up” is at its best when reaching for deeper narratives around excess and artifice; in a section called “Shopping,” Jessica Craig Martin’s photograph of a bag-laden shopper in the hard glare of artificial light is a portrait of apex conspicuous consumption. The show also cares how it came to this: In a vitrine, photos of “Sex and the City’s” Carrie Bradshaw are pinned above two pair of her signature Manolo Blahniks, a brand that entered the vernacular through the pop cultural conduit of the show so thoroughly that they’ve become the Kleenex of high-fashion footwear.

Branding — artifice at its most shameless — is a big part of how we got to a world that’s so fast, cheap, and of control. But cheap had to come first, and the roots of fast fashion — mass-produced sameness, the product of inexpensive labor and material — might partly have grown from Providence, Rhode Island.

“Dress Up” contains a fascinating history lesson about the city’s role as the costume jewelry capital of the country, if not the world. Companies like the Rice Weiner Co. employed hundreds of European immigrants trained in jewelry-making to mass produce luxe-looking items with bargain-bin materials, touching off a boom of affordable, high-style knock-offs, which should sound familiar, even now.

In a chapter the show calls “The Theater of Everyday Life,” finely-made brooches, cuffs, bracelets, and necklaces shimmer behind glass, their glittery sheen masking cheap alloys and glass gems — the dawn of the democratization of glam . But whatever your means, illusion is the point. Part of dressing up is looking like you’re not.

Through Sept. 2. Museum of Fine Arts, 425 Huntington Ave. 617-267-9300, mfa.org .

Murray Whyte can be reached at [email protected] . Follow him @TheMurrayWhyte .

Journey to Moscow

   Welcome to Moscow - the capital of Russia, its political, scientific, historical, architectural and business centre, from which power and might of the Russian state developed.

The Comprehensive Guide to Moscow Nightlife

• Posted on April 14, 2018 July 26, 2018
• by Kings of Russia
• 8 minute read

Moscow’s nightlife scene is thriving, and arguably one of the best the world has to offer – top-notch Russian women, coupled with a never-ending list of venues, Moscow has a little bit of something for everyone’s taste. Moscow nightlife is not for the faint of heart – and if you’re coming, you better be ready to go Friday and Saturday night into the early morning.

This comprehensive guide to Moscow nightlife will run you through the nuts and bolts of all you need to know about Moscow’s nightclubs and give you a solid blueprint to operate with during your time in Moscow.

What you need to know before hitting Moscow nightclubs

Prices in moscow nightlife.

Before you head out and start gaming all the sexy Moscow girls , we have to talk money first. Bring plenty because in Moscow you can never bring a big enough bankroll. Remember, you’re the man so making a fuzz of not paying a drink here or there will not go down well.

Luckily most Moscow clubs don’t do cover fees. Some electro clubs will charge 15-20$, depending on their lineup. There’s the odd club with a minimum spend of 20-30$, which you’ll drop on drinks easily. By and large, you can scope out the venues for free, which is a big plus.

Bottle service is a great deal in Moscow. At top-tier clubs, it starts at 1,000$. That’ll go a long way with premium vodka at 250$, especially if you have three or four guys chipping in. Not to mention that it’s a massive status boost for getting girls, especially at high-end clubs.

Without bottle service, you should estimate a budget of 100-150$ per night. That is if you drink a lot and hit the top clubs with the hottest girls. Scale down for less alcohol and more basic places.

Dress code & Face control

Door policy in Moscow is called “face control” and it’s always the guy behind the two gorillas that gives the green light if you’re in or out.

In Moscow nightlife there’s only one rule when it comes to dress codes:

You can never be underdressed.

People dress A LOT sharper than, say, in the US and that goes for both sexes. For high-end clubs, you definitely want to roll with a sharp blazer and a pocket square, not to mention dress shoes in tip-top condition. Those are the minimum requirements to level the playing field vis a vis with other sharply dressed guys that have a lot more money than you do. Unless you plan to hit explicit electro or underground clubs, which have their own dress code, you are always on the money with that style.

Getting in a Moscow club isn’t as hard as it seems: dress sharp, speak English at the door and look like you’re in the mood to spend all that money that you supposedly have (even if you don’t). That will open almost any door in Moscow’s nightlife for you.

Types of Moscow Nightclubs

In Moscow there are four types of clubs with the accompanying female clientele:

High-end clubs:

These are often crossovers between restaurants and clubs with lots of tables and very little space to dance. Heavy accent on bottle service most of the time but you can work the room from the bar as well. The hottest and most expensive girls in Moscow go there. Bring deep pockets and lots of self-confidence and you have a shot at swooping them.

Regular Mid-level clubs:

They probably resemble more what you’re used to in a nightclub: big dancefloors, stages and more space to roam around. Bottle service will make you stand out more but you can also do well without. You can find all types of girls but most will be in the 6-8 range. Your targets should always be the girls drinking and ideally in pairs. It’s impossible not to swoop if your game is at least half-decent.

Basic clubs/dive bars:

Usually spots with very cheap booze and lax face control. If you’re dressed too sharp and speak no Russian, you might attract the wrong type of attention so be vigilant. If you know the local scene you can swoop 6s and 7s almost at will. Usually students and girls from the suburbs.

Electro/underground clubs:

Home of the hipsters and creatives. Parties there don’t mean meeting girls and getting drunk but doing pills and spacing out to the music. Lots of attractive hipster girls if that is your niche. That is its own scene with a different dress code as well.

What time to go out in Moscow

Moscow nightlife starts late. Don’t show up at bars and preparty spots before 11pm because you’ll feel fairly alone. Peak time is between 1am and 3am. That is also the time of Moscow nightlife’s biggest nuisance: concerts by artists you won’t know and who only distract your girls from drinking and being gamed. From 4am to 6am the regular clubs are emptying out but plenty of people, women included, still hit up one of the many afterparty clubs. Those last till well past 10am.

As far as days go: Fridays and Saturdays are peak days. Thursday is an OK day, all other days are fairly weak and you have to know the right venues.

The Ultimate Moscow Nightclub List

Short disclaimer: I didn’t add basic and electro clubs since you’re coming for the girls, not for the music. This list will give you more options than you’ll be able to handle on a weekend.

Preparty – start here at 11PM

Classic restaurant club with lots of tables and a smallish bar and dancefloor. Come here between 11pm and 12am when the concert is over and they start with the actual party. Even early in the night tons of sexy women here, who lean slightly older (25 and up).

The second floor of the Ugolek restaurant is an extra bar with dim lights and house music tunes. Very small and cozy with a slight hipster vibe but generally draws plenty of attractive women too. A bit slower vibe than Valenok.

Very cool, spread-out venue that has a modern library theme. Not always full with people but when it is, it’s brimming with top-tier women. Slow vibe here and better for grabbing contacts and moving on.

High-end: err on the side of being too early rather than too late because of face control.

Secret Room

Probably the top venue at the moment in Moscow . Very small but wildly popular club, which is crammed with tables but always packed. They do parties on Thursdays and Sundays as well. This club has a hip-hop/high-end theme, meaning most girls are gold diggers, IG models, and tattooed hip hop chicks. Very unfavorable logistics because there is almost no room no move inside the club but the party vibe makes it worth it. Strict face control.

Close to Secret Room and with a much more favorable and spacious three-part layout. This place attracts very hot women but also lots of ball busters and fakes that will leave you blue-balled. Come early because after 4am it starts getting empty fast. Electronic music.

A slightly kitsch restaurant club that plays Russian pop and is full of gold diggers, semi-pros, and men from the Caucasus republics. Thursday is the strongest night but that dynamic might be changing since Secret Room opened its doors. You can swoop here but it will be a struggle.

Mid-level: your sweet spot in terms of ease and attractiveness of girls for an average budget.

Started going downwards in 2018 due to lax face control and this might get even worse with the World Cup. In terms of layout one of the best Moscow nightclubs because it’s very big and bottle service gives you a good edge here. Still attracts lots of cute girls with loose morals but plenty of provincial girls (and guys) as well. Swooping is fairly easy here.

I haven’t been at this place in over a year, ever since it started becoming ground zero for drunken teenagers. Similar clientele to Icon but less chic, younger and drunker. Decent mainstream music that attracts plenty of tourists. Girls are easy here as well.

Sort of a Coyote Ugly (the real one in Moscow sucks) with party music and lots of drunken people licking each others’ faces. Very entertaining with the right amount of alcohol and very easy to pull in there. Don’t think about staying sober in here, you’ll hate it.

Artel Bessonitsa/Shakti Terrace

Electronic music club that is sort of a high-end place with an underground clientele and located between the teenager clubs Icon and Gipsy. Very good music but a bit all over the place with their vibe and their branding. You can swoop almost any type of girl here from high-heeled beauty to coked-up hipsters, provided they’re not too sober.

Afterparty: if by 5AM  you haven’t pulled, it’s time to move here.

Best afterparty spot in terms of trying to get girls. Pretty much no one is sober in there and savage gorilla game goes a long way. Lots of very hot and slutty-looking girls but it can be hard to tell apart who is looking for dick and who is just on drugs but not interested. If by 9-10am you haven’t pulled, it is probably better to surrender.

The hipster alternative for afterparties, where even more drugs are in play. Plenty of attractive girls there but you have to know how to work this type of club. A nicer atmosphere and better music but if you’re desperate to pull, you’ll probably go to Miks.

Weekday jokers: if you’re on the hunt for some sexy Russian girls during the week, here are two tips to make your life easier.

Chesterfield

Ladies night on Wednesdays means this place gets pretty packed with smashed teenagers and 6s and 7s. Don’t pull out the three-piece suit in here because it’s a “simpler” crowd. Definitely your best shot on Wednesdays.

If you haven’t pulled at Chesterfield, you can throw a Hail Mary and hit up Garage’s Black Music Wednesdays. Fills up really late but there are some cute Black Music groupies in here. Very small club. Thursday through Saturday they do afterparties and you have an excellent shot and swooping girls that are probably high.

Shishas Sferum

This is pretty much your only shot on Mondays and Tuesdays because they offer free or almost free drinks for women. A fairly low-class club where you should watch your drinks. As always the case in Moscow, there will be cute girls here on any day of the week but it’s nowhere near as good as on the weekend.

In a nutshell, that is all you need to know about where to meet Moscow girls in nightlife. There are tons of options, and it all depends on what best fits your style, based on the type of girls that you’re looking for.

Related Topics

• moscow girls
• moscow nightlife

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Muted Reactions to Israeli Strikes on Iran Hint at De-Escalation

Israel had vowed retaliation for Iran’s attack last weekend, but the strikes reported overnight were limited, and Iran downplayed them.

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Farnaz Fassihi ,  Ronen Bergman and Patrick Kingsley

Here are the latest developments.

The Israeli military struck Iran early on Friday, according to two Israeli and three Iranian officials, in what appeared to be Israel’s first military response to Iran’s attack last weekend but one whose scope, at least initially, appeared to be limited.

The Iranian officials said that a strike had hit a military air base near the city of Isfahan, in central Iran. Initial reaction in both Israel and Iran was muted , which analysts said was a sign that the rivals were seeking to lower the temperature of their conflict. World leaders, who for nearly a week have urged Israel and Iran to avoid starting a broader war in the region, called for both sides to de-escalate tensions on Friday.

The Israeli military declined to comment on the strike. A senior U.S. official said that Israel had notified the United States through multiple channels shortly before the attack. All the officials spoke on the condition of anonymity because they were not authorized to discuss the matter publicly.

The explosions came less than a week after Iran fired more than 300 missiles and drones at Israel — nearly all of which were shot down — in response to an April 1 strike on an Iranian diplomatic compound in Syria that killed seven Iranian officials. That attack brought the decades-long shadow war between Israel and Iran — waged on land, at sea, in air and in cyberspace — more clearly into the open.

Here’s what else to know:

A Western official and two Iranian officials said that Israel used both missiles fired from warplanes and drones in the strike , suggesting that the attack included more advanced firepower than initial reports indicated. Iranian officials initially told The New York Times that the attack had been carried out only by small drones, possibly launched from inside Iran, and that radar systems had not detected unidentified aircraft entering Iranian airspace. They said that a separate group of small drones was shot down in the region of Tabriz, roughly 500 miles north of Isfahan.

In public, Iranian officials sought to downplay the strike. Maj. Gen. Abdolrahim Mousavi, the commander in chief of Iran’s army, said explosions heard early Friday in Isfahan “were from our air defense firing at a suspicious object,” and that there had been “no damage.” Iranian news agencies appeared keen to show that things were “back to normal” in the city.

President Ebrahim Raisi of Iran had warned that “the tiniest act of aggression” on his country’s soil would draw a response. But in the hours after Israel’s strike, there have been no public calls for retribution by Iranian officials. One lawmaker, Seyed Nezamedin Mousavi, called the strike “ridiculous,” saying it showed Israel “is content with these ineffective actions.”

Isfahan is one of Iran’s most famous and historic cities . The area also hosts a number of Iranian military sites. Iranian media reported that nuclear facilities in Isfahan had not been hit.

Israeli leaders came close to ordering widespread strikes in Iran on the night Iran attacked, officials said, but the war cabinet postponed a decision. Mr. Biden and other world leaders urged Israel for days not to retaliate in a way that would inflame a wider Middle East war while it fights Hamas in Gaza and Hezbollah in Lebanon, both allies of Iran.

Alissa J. Rubin

An explosion damages a military base in Iraq used by an Iran-backed armed group.

Iraq’s joint military command says one person was killed and eight were injured in an explosion early Saturday at a base used by an Iranian-backed armed group, Harakat al Nujaba, in Iraq’s Babylon Province.

In a carefully worded statement, Iraq’s military did not attribute the explosion to an air attack with a missile or a drone. “Air Defense Command confirmed that there was no drone or jet fighter in the airspace of Babylon Province before and during the explosion,” the statement said.

Privately, however, military officials say it appears that at least one projectile hit inside the Kalsu base’s perimeter. A video taken shortly after the event and posted on social media showed damaged buildings and a large rubble-filled crater. A second video showed several parts of the base on fire.

According to Iraq’s joint command, the base is used by several elements of the Iraqi security forces including the Iraqi Army and police as well as the Popular Mobilization Forces , or P.M.F., an umbrella organization.

The P.M.F. includes some brigades that are backed by Iran. The one stationed at this base, Harakat al Nujaba, has participated in attacks on U.S. installations in Iraq and Syria. More recently it has joined with other Iranian-backed forces in Syria and Lebanon to attack Israeli territory.

There was no immediate claim of responsibility for the strike.

The U.S. military, which has carried out strikes on Iranian-backed armed groups in Iraq in the past, said in a statement released shortly after the attack that it had not participated in strikes on locations in Iraq. The Israeli military declined to comment.

The explosion came a day after Israel attacked a military air base near the city of Isfahan in central Iran, according to two Israeli and three Iranian officials who spoke on the condition of anonymity because they were not authorized to discuss the matter publicly. That attack, on Friday, appeared to be Israel’s first military response to Iran’s huge drone and missile attack on Israeli soil nearly a week ago.

Falih Hassan contributed reporting from Baghdad.

Farnaz Fassihi

Iran’s foreign minister, Hossein Amir Abdollahian, who is in New York attending U.N. meetings, told Iran’s state news agency that the small quadcopter targeting a military base in Isfahan did not have casualties or damage. “Israel is determined to portray its defeat as a victory,” Mr. Amir Abdollahian said, the most senior official to comment on the attacks and draw a link to Israel publicly.

Christoph Koettl and Christiaan Triebert

Satellite imagery shows that a precision attack damaged an air defense system at an Iranian base.

The Israeli attack on an Iranian air base in Isfahan hit a crucial part of an air defense system, a New York Times analysis of satellite imagery found.

Images showed that the precision attack at the Eighth Shekari Air Base damaged or destroyed the “flap-lid” radar , which is used in S-300 air defense systems to track incoming targets.

The Times used several satellite images in its analysis; the location of the damaged area was first pointed out on the social media platform X by Aurora Intel , and the findings have also been confirmed by a former U.S. government imagery analyst, Chris Biggers.

The radar is typically surrounded by several vehicles, including four trucks carrying missiles. Before the strike, the missiles were seen positioned next to the radar. After the strike, they had been moved and did not appear visibly damaged. It was not clear why the missiles had been moved. However, the fact that they appear undamaged indicated that the attack had a very precise target, according to Mr. Biggers.

Other areas of the air base and adjacent airport also appeared to be undamaged. The precision of the strike, deep within Iran and with several sensitive sites close by, suggested Israel chose the specific and narrow target, the air defense system.

According to the Missile Defense Project of the Washington think tank Center for Strategic and International Studies, Iran has acquired Russian-made S-300 air defense systems to deter Israeli and other airstrikes.

Reporting from the Capitol

Liberal Democrats urge ‘no’ vote on Israel aid to pressure Biden on Gaza.

A group of left-leaning House Democrats is urging its colleagues to oppose the $26 billion aid package for Israel, hoping to maximize the number of “no” votes from the party and send a warning to President Biden about the depth of his political coalition’s discontent over his support for Israel’s tactics in Gaza.

Framing the upcoming vote as a make-or-break moral choice akin to Congress’s votes to authorize and fund the Iraq war, progressive leaders in the House are working to muster a sizable bloc of Democratic opposition to the aid measure, which is expected to pass on Saturday and become law in the coming days.

“In the wake of those votes, people came around much, much later and said, ‘We shouldn’t have allowed that to go forward,’” Representative Pramila Jayapal, Democrat of Washington and the chair of the Congressional Progressive Caucus, said of the decades-ago debate over Iraq. “And I think that this is that moment.”

Representative Joaquin Castro, Democrat of Texas, called it a “defining vote,” adding, “We’re either going to participate in the carnage, or we’re not.”

There is little doubt that the bill, which would send roughly $13 billion in military assistance to Israel as it continues its offensive in Gaza, will pass the House, along with money for Ukraine, Taiwan and other American allies.

But progressive Democrats estimated that 40 to 60 members of their party may oppose it on the House floor on Saturday. That would be a striking signal from Congress, where ironclad bipartisan backing for Israel has long been the norm. And it would highlight the fraught divisions the war in Gaza has sown within the Democratic Party, even as more Democrats including Mr. Biden have begun to criticize Prime Minister Benjamin Netanyahu’s approach to the conflict and urge him to better protect civilians.

The legislation would allocate $5 billion to Israel’s defense capabilities and $9 billion for “worldwide humanitarian aid,” including for civilians in Gaza. But it would not place further conditions on how Israel could use American military aid, nor block future arms transfers from the United States as an increasing number of Democrats have sought to do.

Democrats who are leading the push against the Israel aid bill said they strongly supported the Jewish state and its right to defend itself, and would vote in favor of sending military aid that supports Israel’s defense capabilities, such as by replenishing the Iron Dome, David’s Sling and Iron Beam defense systems. They also denounced the Oct. 7 terrorist attack by Hamas that prompted the war, and said the hostages taken by Hamas must be released.

But they argued that approving more offensive weaponry without conditions was an untenable moral and political position that would amount to an endorsement of Mr. Netanyahu’s prosecution of the war, including his intention to invade Rafah over the objections of the Biden administration. More than 33,000 people in Gaza have been killed since the start of the conflict, according to the health ministry there, and the population is facing a hunger crisis.

“I understand the need for defensive weapons for Israel, particularly in light of the attack by Iran,” said Representative Ro Khanna, Democrat of California, who ran his first campaign on an antiwar platform and helped lead efforts to end U.S. participation in the war in Yemen. “But there is no justification to provide bombs and weapons to Netanyahu to continue the war in Gaza that is killing thousands of innocent Palestinian women and children.”

Saturday’s vote will recall a similar situation from 2007, when the speaker at the time, Nancy Pelosi, Democrat of California, split a piece of spending legislation to allow Democrats to register their opposition to funding the Iraq war while backing a domestic funding bill. Speaker Mike Johnson, Republican of Louisiana, similarly divided the foreign aid package to be considered on Saturday in order to get each element across the finish line in the face of distinct coalitions of resistance to different pieces of the bill.

In a critical test vote on Friday , the House agreed, 316 to 94, to bring up the package, with 39 Democrats — mostly progressives — joining 55 Republicans in opposition.

“This is a moment for members of Congress who support a safe and secure Israel to send a message that giving Netanyahu more offensive weapons is not a path for peace and security for Israelis and Palestinians,” Representative Becca Balint, Democrat of Vermont and the first Jewish member of Congress to call for a cease-fire, said in an interview. “To give Netanyahu more offensive weapons at this stage, I believe, is to condone the destruction of Gaza that we’ve seen in the last six months. And it’s also a green light for an invasion of Rafah.”

Representative Lloyd Doggett, a Texas Democrat who led the opposition to funding for the Iraq war in 2007, said the conversations among Democrats in Congress opposing continued U.S. backing for the war in Gaza were “not unlike” those that took place 17 years ago.

“We may well be casting the vote on whether a much wider war takes place, and whether American weapons go that result in the death of thousands of innocent people,” Mr. Doggett said.

The Democrats who oppose the aid package for Israel represent a minority of their caucus. But they see a “no” vote as part of a strategy to pressure Mr. Biden to condition aid and halt future offensive weapons transfers. Through many meetings, text chains and conversations with the administration, they have worked to shift the president’s approach to Israel, while underscoring the electoral risks Mr. Biden faces among voters who helped power him to the White House in 2020 and are now furious over his handling of the war.

“The only way to get a course correction is for a sizable number within the Democratic caucus to say it must shift,” Ms. Balint said.

Representative Dan Kildee, a Michigan Democrat who has been pressing Mr. Biden to withhold offensive weapons from Israel, said a big “no” vote would strengthen the president’s hand to do so.

“It helps the administration to have some number of Democrats express ourselves in this way,” he said.

Representative Greg Casar, Democrat of Texas, said he hoped a substantial number of Democrats opposing the bill would give the Biden administration greater leverage to influence the Israeli government’s approach to the war.

“I hope this vote will show the world that there is a really significant segment of the United States that doesn’t want to see expanded and widening wars,” he said.

Farnaz Fassihi and Eric Schmitt

Israel used missiles as well as drones in its overnight strike on Iran, officials say.

Israeli warplanes fired missiles on Iran during a retaliatory strike early Friday morning, one Western official and two Iranian officials said, suggesting that the attack included more advanced firepower than initial reports indicated.

It was not immediately clear the types of missiles used, from where they were fired, whether any were intercepted by Iran’s defenses or where they landed.

The Western official and the Iranian officials requested anonymity to discuss classified information.

Previously, Iranian officials said Friday’s attack on a military base in central Iran was conducted by small aerial drones, most likely launched from inside Iranian territory. A separate group of small drones, they said soon after the attack, was shot down in the region of Tabriz, roughly 500 miles north of Isfahan.

Israel has not publicly claimed responsibility for Friday’s attack and would not comment on the use of planes or missiles.

Israel’s strike came in response to an Iranian attack last weekend in which Iran fired hundreds of missiles and drones at Israel. A majority of the weapons used in that salvo were fired from Iranian territory and intercepted by Israel and its allies before causing any damage.

By contrast, the Iranian officials said, Iran’s military did not detect anything entering Iran’s airspace on Friday, including drones, missiles and aircraft. Iran’s state news agency IRNA reported that no missile attacks occurred and that Iran’s air defense system was not activated.

Iran’s decision to launch its strike primarily from its own soil last week was perceived by Israel as an escalation in the countries’ long-simmering shadow war. The Iranians believe the large salvo is helping with deterrence. Throughout the yearslong conflict, the two countries have traded clandestine attacks, including targeted assassinations, cyberattacks and conventional strikes conducted from and within third countries.

Iran’s attack last week was itself prompted by an Israeli strike on April 1, in which Israeli aircraft killed several Iranian armed forces commanders in Syria.

By using drones seemingly launched from inside Iran’s territory rather than its own, Israel hinted at a willingness to turn down the temperature on the conflict while also demonstrating an ability to conduct attacks that Iran could not detect.

One Iranian official, a member of the Islamic Revolutionary Guards Corps, said that even though the strike did little damage, the likelihood that drones were fired from under Iran’s nose sent a message about Israel’s capabilities.

A guided missile fired from an undetected warplane, even if it landed outside Iranian territory, would most likely deliver a similar threat.

Officials from both countries remained largely quiet about Friday’s attack, a gesture that appeared aimed at de-escalating a conflict some fear could spiral into a broader regional war. Israel’s silence on the attack, an Iranian official said, would allow Tehran to treat the strike as it had comparable previous attacks and not prompt an immediate response.

Mahdi Mohammadi, a senior adviser to Iran’s Parliament speaker, said that Israel’s limited attack on Iran showed that Iran had achieved its goal of deterrence. Israel’s refusal to openly claim responsibility, he said, amounts to a victory for Iran.

Israel’s attack, he said on the messaging app Telegram, was meant to show that it had the “capability to access Iran but in practice it also showed that it has accepted that it should not repeat its miscalculation.”

Peter Baker

The White House maintained public silence about the Israeli strike on Iran. “I’m not going to speak or speculate about any of the reports that are out there,” Karine Jean-Pierre, the White House press secretary, said at her daily briefing. John Kirby, the national security spokesman who typically speaks on foreign policy issues, did not join the briefing.

Jean-Pierre did repeat the president’s standard position urging against widening the war: “We do not want to see this conflict escalate. We continue to consult with our allies and partners, including in the region, to reduce further risk of escalation in the region.”

Raja Abdulrahim

Israel reportedly strikes an air defense site in Syria.

The Israeli military struck a Syrian air defense site in southern Syria with missiles early Friday, causing material damage, though no casualties were reported, according to Syrian state news media.

Syria’s official news agency, SANA, provided no other details and Israel did not comment on whether it was responsible for the attack, in keeping with its usual practice.

The strike happened around the same time that Israel carried out a strike on a military air base near the city of Isfahan, in central Iran.

That strike came less than a week after Iran fired more than 300 missiles and drones at Israel — nearly all of which were shot down — in retaliation for an April 1 attack on an Iranian diplomatic compound in Syria that killed seven Iranian military officers.

Friday’s strike in Syria targeted a radar system in the southern province of Dara’a, according to the Syrian Observatory for Human Rights, a monitoring group based in Britain.

The Syrian military detected Israeli aircraft entering Syrian airspace, but its air defenses did not try to intercept the strikes, the Observatory said.

Iranian-backed armed groups throughout Syria have been on high alert since Iran’s strikes on Israel last weekend, the Observatory said. The groups obscured their positions and gave some of their leaders a week of leave.

Iran is closely allied with Hezbollah, the Lebanese militia, and with the Syrian government, and both Hezbollah and Iran’s Quds Force operate in Syria. For years, Iranian proxies like Hezbollah have launched strikes at northern Israel.

Israel has repeatedly targeted Iran and its allies with strikes in Syria, including in Damascus, the capital, and Aleppo.

Attacks across Israel’s borders with Syria and Lebanon have escalated since the Oct. 7 assault by Hamas on Israel.

Since the first of the year, Israel has carried out nearly three dozen attacks in Syria, destroying buildings, military headquarters and weapon and ammunition warehouses, the Observatory said. The strikes have killed 129 fighters and 12 civilians, the group said.

Adam Rasgon

Jordan will not allow its airspace to be violated by either Israel or Iran, Jordan’s foreign minister told his Iranian counterpart in a phone call, the official Jordanian news agency, Petra, reported.

Jordan lies between the two enemies, and it played a key role in helping shoot down the barrage of missiles and drones Iran fired at Israel on Saturday.

Leily Nikounazar and Gaya Gupta

Residents of Isfahan describe their fears of an escalated war.

Daily life appeared to return to normal in Isfahan on Friday, according to Iranian state news media and a resident who was interviewed, hours after Israel’s attack on a nearby military base continued the cycle of strikes and counterstrikes between the two countries.

But tensions from the overnight attack reverberated through the city, and some residents described the threat of full-fledged war as crippling — despite analysts’ assessment that both nations were trying to avoid further escalation.

Mehrdad, 43, an engineer from Isfahan, said the latest retaliation left him and his pregnant wife feeling stressed and unwell. He asked that his last name not be used for fear of retribution.

“The future of this country concerns me,” he said. “I believe nothing good is expected.”

Though he said that the city had returned “back to its normal” and reactions from officials were muted — which he believed was to help make people feel at ease — many residents remain scared after a stressful night of explosions.

For the first six months of the war between Israel and Hamas, Iran’s involvement in fighting had been limited to its proxies, including the Lebanese militant group Hezbollah and the Yemeni Houthi militia. But after Iran’s first direct strike on Israel last weekend, Mehrdad said, “things are coming to the surface.”

He hoped that diplomatic mediation would put an end to the threat of war, and he worried that the county’s infrastructure would be “ruined” by further Israeli attacks.

“Our economic situation is awful. We have 50 percent annual inflation,” he said. “Now guess what would happen if the war materialized. What would happen to our living conditions in this country?”

Mahsa, 34, an accountant from Isfahan who also asked that her last name not be used for fear of retribution, described a tense atmosphere of fear and instability. The economy is often the main topic of conversation when people gather, she said, and many are worried about the consequences of a wider war.

“When Iran attacked, we were all worried and we really didn’t know what to expect,” she said, describing the cycle of retaliation between Israel and Iran as a “show game.”

“Of course, after this Israeli attack, the direction of the game will be determined,” she added. “Either a full-scale war, or the end of this line, or just threats.”

The distress is crushing. Mahsa said her mental health had deteriorated, describing an instance last week when she broke down sobbing in the middle of the street for seemingly no reason while on a run. Dreams seem “more impossible to achieve, day by day,” she said.

“We don’t have much mental energy left,” she added.

An earlier version of this article misstated the gender of Mahsa, an accountant from Isfahan, Iran. She is female, not male.

How we handle corrections

The seemingly small scale of Israel's attack may give both countries an exit from the cycle of escalation. “It appears we are out of the danger zone and, because Israel’s strike was limited, it has allowed both countries to back down for now,” said Sanam Vakil, director of the Middle East and North Africa program at Chatham House.

The few Iranian officials who have talked publicly about the attack have downplayed it, suggesting a bid to de-escalate. A lawmaker, Seyed Nezamedin Mousavi, called the strike "ridiculous,” saying it showed Israel “is content with these ineffective actions.” A former foreign minister, Mohammad Javad Zarif, dismissed it as "fireworks."

Cassandra Vinograd

Here is a look at the recent history of Iran-Israel hostilities.

For decades, Israel and Iran have fought a shadow war across the Middle East , trading attacks by land, sea, air and in cyberspace. A recent round of strikes — mainly an aerial barrage by Iran against Israel last weekend — has brought the conflict more clearly into the open and raised fears of a broader war.

A retaliatory Israeli strike on an Iranian air base on Friday, however, appeared limited in scope, and analysts said it suggested an effort to pull back from the dangerous cycle and potentially move the war back into the shadows.

Here is a recent history of the conflict:

August 2019: An Israeli airstrike killed two Iranian-trained militants in Syria, a drone set off a blast near a Hezbollah office in Lebanon and an airstrike in Qaim, Iraq, killed a commander of an Iran-backed Iraqi militia. Israel accused Iran at the time of trying to establish an overland arms-supply line through Iraq and northern Syria to Lebanon, and analysts said the strikes were aimed at stopping Iran and signaling to its proxies that Israel would not tolerate a fleet of smart missiles on its borders.

January 2020: Israel greeted with satisfaction the assassination of Maj. Gen. Qassim Suleimani , the commander of the foreign-facing arm of Iran’s Islamic Revolutionary Guards Corps, in an American drone strike in Baghdad.

Iran hit back by attacking two bases in Iraq that housed American troops with a barrage of missiles, wounding about 100 U.S. military personnel .

2021-22: In July 2021, an oil tanker managed by an Israeli-owned shipping company was attacked off the coast of Oman, killing two crew members, according to the company and three Israeli officials. Two of the officials said that the attack appeared to have been carried out by Iranian drones.

Iran did not explicitly claim or deny responsibility, but a state-owned television channel described the episode as a response to an Israeli strike in Syria.

In November 2021, Israel killed Iran’s top nuclear scientist, Mohsen Fakhrizadeh , and followed up with the assassination of a Revolutionary Guards commander, Col. Sayad Khodayee , in May 2022.

December 2023: After Israel’s bombardment of Gaza began in response to the Oct. 7 Hamas-led assault, Iranian-backed militias stepped up their own attacks . And late last year, Iran accused Israel of killing a high-level military figure, Brig. Gen. Sayyed Razi Mousavi , in a missile strike in Syria.

A senior adviser to the Revolutionary Guards, General Mousavi was described as having been a close associate of General Suleimani and was said to have helped oversee the shipment of arms to Hezbollah. Israel, adopting its customary stance, declined to comment directly on whether it was behind General Mousavi’s death.

January 2024: An explosion in a suburb of Beirut, Lebanon, killed Saleh al-Arouri , a Hamas leader, along with two commanders from that group’s armed wing, the first assassination of a top Hamas official outside the West Bank and Gaza in recent years. Officials from Hamas, Lebanon and the United States ascribed the blast to Israel , which did not publicly confirm involvement.

Hezbollah, which receives major support from Iran, stepped up its assaults on Israel after Mr. al-Arouri’s death. Israel’s military hit back at Hezbollah in Lebanon, killing several of the group’s commanders .

March: An Israeli drone strike hit a car in southern Lebanon, killing at least one person. Israel’s military said it had killed the deputy commander of Hezbollah’s rocket and missile unit. Hezbollah acknowledged the death of a man, Ali Abdulhassan Naim, but did not provide further details.

The same day, airstrikes killed soldiers near Aleppo, northern Syria, in what appeared to be one of the heaviest Israeli attacks in the country in years. The strikes killed 36 Syrian soldiers, seven Hezbollah fighters and a Syrian from a pro-Iran militia, according to the Syrian Observatory for Human Rights, a British-based group that tracks Syria’s civil war.

Israel’s military did not claim responsibility. But the country’s defense minister, Yoav Gallant, wrote on social media, “We will pursue Hezbollah every place it operates and we will expand the pressure and the pace of the attacks.”

April: A strike on an Iranian Embassy building in Damascus on April 1 killed three top Iranian commanders and four officers. Iran blamed Israel and vowed to hit back forcefully.

Two weeks later, Tehran launched a barrage of more than 300 drones and missiles at Israel, an unexpectedly large-scale attack , although nearly all the weapons were shot down by Israel and allies. Israel said for days it would respond, before a strike on Friday hit a military air base near the central Iranian city of Isfahan.

Israel has commonly used exploding drones in attacks on Iran.

Iranian officials said that the Israeli strike on Friday morning was carried out by small exploding drones, a tactic that would follow a well-established pattern in Israeli attacks on Iranian military targets.

As Israel has targeted Iranian defense and military officials and infrastructure, small drones — specifically ones known as quadcopters — have been a signature of those operations. Quadcopter drones, so named because they have four rotors, have a short flight range and can explode on impact.

The drones might have been launched from inside Iran, whose radar systems had not detected unidentified aircraft entering Iranian airspace, Iranian officials said. If the drones were launched within the country, it demonstrates once again Israel’s ability to mount clandestine operations in Iranian territory .

Israel’s military has not commented on Friday’s strike. Though it rarely claims responsibility publicly for attacks against Iranian targets, several attacks in recent years have used drones:

August 2019: Israel sent an exploding drone into the heart of a Hezbollah-dominated neighborhood in Beirut, Lebanon, to destroy what Israeli officials described as machinery used in the production of precision missiles.

June 2021: A quadcopter exploded outside Tehran at one of Iran’s main manufacturing centers for centrifuges, which purify uranium and are used at the country’s two major uranium enrichment facilities . Western officials have closely watched activity at those facilities for signs that Iran could be moving toward producing a nuclear weapon. Iran claimed that there had been no damage to the site outside Tehran, but satellite images showed evidence of significant damage.

February 2022: Six quadcopters exploded at Kermanshah, Iran’s main manufacturing and storage plant for military drones.

May 2022: A strike targeted the highly sensitive Parchin military site outside Tehran, where Iran develops missile, nuclear and drone technology. Quadcopter drones exploded into a building, killing an engineer and injuring another person, Iranians with knowledge of the attack said at the time.

January 2023: A drone attack on an Iranian military facility in January 2023 caused a large explosion in the center of Isfahan, the city near the air base that was struck on Friday. At the time, Iran made no effort to hide the fact that an attack had happened, but said it had done little damage. Iranian state media reported that drones had targeted an ammunition manufacturing plant but had been shot down by a surface-to-air defense system.

Michael Crowley

Traveling with Secretary Blinken

Blinken says the U.S. has not been involved in ‘offensive operations’ in Iran.

Secretary of State Antony J. Blinken said on Friday that the United States “has not been involved in any offensive operations” in Iran when asked about Israel’s strike on the country on Friday, but he declined to comment further.

Mr. Blinken spoke on the last day of a meeting of Group of 7 ministers in Capri, Italy, where the agenda was dominated by the conflict in the Middle East, including the exchanges of strikes in the past week between Israel and Iran. In remarks to reporters before departing the island, Mr. Blinken said the G7 was unified in urging de-escalation between Iran and Israel to avoid a wider war.

But Mr. Blinken would not even directly confirm the Israeli strike, which appeared to be the country’s first military response to Iran’s attack last weekend, referring instead to “reported events,” and he would not say whether the United States had been notified in advance of the Israeli action. Shortly before he spoke, Italy’s foreign minister, Antonio Tajani, told reporters that the United States had been “informed at the last minute” of the Israeli strike.

“But there was no involvement on the part of the United States,” Mr. Tajani said. “It was simply information which was provided,” adding that he believed the G7’s collective efforts deserved credit for “the small scale of the event.”

Mr. Tajani did not say how he knew the United States had not been notified in advance, but he had recently come from a meeting with Mr. Blinken and other G7 ministers. A senior American official said on Friday that Israel had notified the United States through multiple channels shortly before its attack on Iran.

The G7 weighed in collectively in a statement concluding the three-day meeting, urging countries to prevent further escalation “in light of reports of strikes” on Friday. The G7 includes Britain, Canada, France, Germany, Italy, Japan, the United States and the European Union.

The statement also said that the member nations “condemn in the strongest terms Iran’s direct and unprecedented attack” on Israel.

“Israel and its people have our full solidarity and support and we reaffirm our commitment toward Israel’s security,” it added.

The G7 also issued a new warning to Tehran, demanding that “Iran and its affiliated groups cease their attacks” throughout the Middle East and saying that “we stand ready to adopt further sanctions or take other measures.”

Mr. Blinken said of Iran that “degrading its missile and drone capabilities” was a key G7 goal.

Mr. Blinken also addressed the ongoing conflict in Gaza, pointing a finger at Hamas for the failure so far to reach a cease-fire deal that would include the release of Israeli prisoners.

“The only thing standing behind the Gaza people and a cease-fire is Hamas,” he said.

But he also addressed a major friction point with Israel, warning against what Israel says is its planned attack on the southern Gaza city of Rafah, where more than a million Palestinians have sought shelter from fighting elsewhere in the enclave. Israel has said an invasion of Rafah is necessary to eliminate Hamas battalions in the city.

“We cannot support a major military operation in Rafah,” Mr. Blinken said. Mr. Blinken said that protecting and caring for civilians amid such an operation was “a monumental task for which we have yet to see a plan.”

Asked about the U.S. veto on Thursday of a United Nations Security Council resolution to recognize a Palestinian state, Mr. Blinken said that while the United States supports the creation of such a state, doing so requires negotiations and that the proposed resolution “will have no effect on actually moving things forward and achieving a Palestinian state.”

He added: “You can put something down on a piece of paper and wave it around. It has no effect. What does and can have an effect is actual diplomacy.”

Mr. Blinken also noted that, under U.S. law passed by Congress, U.N. acceptance of a Palestinian member state would require “cutting off all of our funding for the United Nations.”

The Iranian news media appear keen to show that things are “back to normal” in Isfahan. The official news agency, IRNA, published a gallery of photos — people strolling, shoppers at a market, a child with a soccer ball — that it said showed “normal life” in the city today. Flights at the Isfahan airport, which had been suspended for a few hours, have resumed, it said.

Joe Rennison

S&P Global Ratings downgraded Israel’s credit rating on Thursday evening, citing the confrontation with Iran. It lowered Israel’s rating to A+ from AA-. That’s still a high rating on a scale that runs from triple-A down to D.

Maj. Gen. Abdolrahim Mousavi, the commander in chief of Iran’s army, said explosions heard early Friday in Isfahan “were from our air defense firing at a suspicious object. There has been no damage from the incident.” He said that experts were investigating the episode.

Reporting from Jerusalem

World leaders call for de-escalation after Israel’s strike in Iran.

World leaders on Friday urged Israel and Iran to de-escalate tensions after Israel struck an Iranian military base, the latest salvo in a cycle of retaliation that has raised fears of a broader war in recent weeks.

Prime Minister Rishi Sunak of Britain, whose military participated in defending Israel last weekend against Iran’s missile and drone attack, told reporters, “Significant escalation is not in anyone’s interests — what we want to see is calm heads prevail across the region.”

Ursula von der Leyen, the president of the European Commission, the European Union’s executive arm, told reporters during a visit to China, “It is absolutely essential that the region remains stable and that all sides refrain from further action.”

Italy’s foreign minister, Antonio Tajani, said the Group of 7 nations — which includes Britain, Canada, France, Germany, Italy, Japan and the United States — had changed the agenda of its meeting Friday on the resort island of Capri to “address the Iran issue and put priority attention on the Middle East.”

“The political goal of the G7 is de-escalation,” Mr. Tajani said.

The government of Jordan, which has been criticized in the Arab world for playing a role in intercepting Iran’s attack last weekend, issued an especially pointed plea.

“Israeli-Iranian retaliations must end,” Ayman Safadi, Jordan’s foreign minister said on Friday. He urged the international community to turn its attention back to Gaza, where six months of Israel’s bombardment and ground invasion have killed over 33,000 people and led to extreme hunger in parts of the territory.

“The inhumane war on Gaza must end now,” Mr. Safadi said. “The focus of the world must remain on ending the catastrophic aggression on Gaza.”

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