get weird tour setlist

Get Weird Tour

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As of 2018, the Get Weird Tour was ranked the 8th highest grossing girl group tour of all time. [1]

• 1 Background
• 2 Supporting Acts
• 3.1 UK & Ireland Leg
• 3.5 Europe, Asia & Oceania Leg
• 4 Tour Dates
• 7 References

Background [ ]

The tour was officially announced on July 17, 2015 through the band's Twitter. It began on March 13, 2016, in Cardiff, Wales at the Cardiff Arena and continued throughout the UK, finally concluding on April 3, 2016, in Birmingham, England at the Birmingham Genting Arena. On October 13, 2015, it was announced that the tour would also have dates in Australia, marking this as the first time Little Mix headlined a tour outside of the UK and Ireland. [2] On December 14, 2015, it was announced that the tour would also extend into Asia, with three dates confirmed.

Supporting Acts [ ]

• Nathan Sykes (UK shows)
• Jai Waetford (Oceania shows)
• JAGMAC (UK shows)
• Joseph Devries (2nd half of UK shows)
• Philippa Hanna (Europe shows)

Setlist [ ]

Uk & ireland leg [ ].

• " Change Your Life "
• " A.D.I.D.A.S "
• " Lightning "
• " Secret Love Song Pt. II "
• " Jump On It/Crazy In Love/Fester Skank/Where R Ü Now/Ring The Alarm "
• " Little Me "
• " How Ya Doin'? / Hotline Bling "
• " I Won't "
• " Love Me Like You "
• " Weird People "
• " The End "
• " Black Magic (BRITs Remix) "

Europe, Asia & Oceania Leg [ ]

• " Jump On It/Crazy In Love/Where R Ü Now/Ring The Alarm "
• " The Beginning "
• " Black Magic "

Tour Dates [ ]

Gallery [ ], references [ ].

• ↑ celebmix.com - Celebmix Top 10
• ↑ examiner.com - Australia announcement
• 1 Little Mix
• 2 Perrie Edwards
• 3 Leigh-Anne Pinnock

Meaning of The Get Weird Tour Setlist by Little Mix

"The Get Weird Tour Setlist" by Little Mix is a compilation of songs performed during the Get Weird tour. While the lyrics are not explicitly provided, we can analyze the setlist as a whole to interpret the overarching themes and messages conveyed in the performance.

The intro, "Cast The Spell," sets the stage for the show, possibly creating an atmosphere of enchantment and anticipation. It serves as a metaphor for the transformative power of music and performance.

Act 1 includes a mix of songs such as "Grown," "Hair," "Change Your Life," and "A.D.I.D.A.S" (All Day I Dream About Shoes). These tracks likely explore themes of empowerment, self-expression, and embracing one's true self. They encourage listeners to be confident and embrace their unique qualities, enhance their physical appearance (reflected in the mention of hair and shoes), and strive for personal growth and positive change in their lives.

The interlude features snippets of "Move," "OMG," and "Secret Love Song," which may signify the journey towards finding oneself. "Move" encourages listeners to be true to themselves and express their individuality. "OMG" could explore themes related to surprise and awe, potentially highlighting the amazement experienced in discovering one's own capabilities. "Secret Love Song" might delve into the complexities of love and longing, possibly suggesting that true love requires vulnerability and honesty.

Moving into Act 2, "Lightning," "DNA," and "Secret Love Song, Pt. II" may continue to explore themes of self-discovery and personal identity. "Lightning" might symbolize the electrifying feeling of finding one's purpose or passion. "DNA" could delve into the unique traits and qualities that make an individual who they are. "Secret Love Song, Pt. II" might touch on the theme of forbidden love or the struggle to express one's true feelings openly.

The medley in Act 2 includes a mix of songs by different artists, suggesting a celebration of diverse musical influences. These tracks might provide energetic and lively performances, creating an enjoyable atmosphere for the audience.

Act 3 features "Move" with an extended intro, possibly emphasizing the importance of self-expression and movement. "How Ya Doin’? (Remix)" incorporates an extended intro and covers of songs like "Hotline Bling," which could explore the theme of relationships and communication. "I Won't" might convey a message of strength and determination, refusing to be held back by negativity or obstacles. "Love Me Like You" could delve into the themes of longing, romance, and vulnerability.

The interlude, "How To Be Weird?," could suggest embracing one's inner weirdness and celebrating uniqueness. It may encourage listeners to let go of societal expectations and be true to themselves.

The final interlude, "The Beginning," might provide a moment of reflection and appreciation for the journey embarked upon during the performance.

The encore consists of "The End" and "Black Magic," with extended intros and outros. "The End" might serve as a closing statement, symbolizing the end of the show or a temporary goodbye to the audience. "Black Magic" likely conveys a message of empowerment and self-belief, using magical imagery to represent the ability to overcome challenges and achieve success.

Overall, "The Get Weird Tour Setlist" seems to revolve around themes of self-discovery, empowerment, embracing individuality, love, and celebration of diversity. It encourages listeners to be confident, true to themselves, and to embrace their unique qualities as they navigate life's journey.

This meaning interpretation was written by AI. Help improve it with your feedback

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CelebMix Spotify: the Get Weird Tour setlist

The European leg of Little Mix’s Get Weird Tour is now less than two weeks away and to help you get in the mood, we made you a Spotify playlist of the tour setlist. It’s the setlist as the girls played it in Singapore last week – apart from that incredible Jump On It/Crazy In Love/Where Are Ü Now/Ring The Alarm medley, which sadly isn’t available on Spotify.

Little Mix have made some setlist changes since the start of the tour in Cardiff back in March, so be warned European Mixers: this might not be what you’re gonna get at your show.

You can check all of the tour dates right here . There are still a few tickets left for some shows, so don’t wait too long if you decide to join the party.

Are you hoping for any setlist changes for the European leg? Let us know over on Twitter at @CelebMixLM and don’t forget to follow CelebMix on Spotify!

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Little Mix tour setlist as a playlist: Your soundtrack to the Get Weird shows

Litlle Mix play the second of three Newcastle dates on the Get Weird tour on Thursday night and we've turned their setlist into a Spotify

• 17:50, 8 APR 2016

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X Factor 2011 winners Jade Thirlwall, Perrie Edwards. Leigh-Anne Pinnock and Jesy Nelson will entertain their North East fans again on Saturday night after delighting Mixers in Newcastle last month.

As our excitement levels climb higher and higher we’ve turned the Get Weird tour setlist into a playlist to provide the perfect getting ready soundtrack if you’re heading to Saturday’s show or the final Newcastle date on or Saturday, April 16.

Little Mix Get Weird tour

The playlist has got it all with tracks from all three of the girls’ albums to date - DNA, Salute and of course Get Weird - as well as their growing number of hit singles and some of the surprise covers they’ve thrown into the mix for their tour, which will see them travel the length and breadth of the UK before heading overseas.

So get your tickets ready and press play...

• Jade Thirlwall
• Perrie Edwards
• Newcastle Arena
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72 Gut Reactions to Taylor Swift’s New Eras Tour Set List

On May 9 at 3:02 p.m., news reached Vulture (Slack) headquarters that Taylor Swift had radically rearranged the Eras Tour set list. Chaos ensued. The first show in the European leg of her tour, held in Paris (of Midnights fame), featured new visuals, new outfits, and several revised eras, including the addition of her 11th album, The Tortured Poets Department . When did she have time to do this, and why weren’t the Swifties notified in a series of overengineered puzzles? What follows is a transcript of innocent fans (Vulture writers and editors) processing the new set list raw in real time. The old Eras Tour can’t come to the phone.

➼ “‘Archer’ cut!!!”

➼ “Wait, what if she cuts ‘cardigan’?”

➼ “This could be a bloodbath.”

➼ “I wonder if the Eras Tour movie was also an experiment to see how the show would be.”

➼ “I think everything not in the movie will be cut.”

➼ “WHAT IS HAPPENING.”

➼ “My jaw is on the ground.”

➼ “‘This is not Taylor’s version!!’”

➼ “The way I am inconsolable and crying watching this stream.”

➼ “I have the old set list memorized. It’s like relearning the English language.”

➼ “‘You are so present right now’ as I watch three people livestream it on their phones.”

➼ “If she cut evermore entirely, I would die of laughter.”

➼ “If she cut ‘All Too Well (10 Minute Version),’  I would self-immolate.”

➼ “We cannot let this overwritten monstrosity overwrite the legacy of a perfect song.”

➼ “I’m so excited for new outfits and then TikToks of people re-creating them.”

➼ “This song should be 20 minutes, actually.”

➼ “These are new visuals?!”

➼ “She should make a dancer do the Post Malone face tattoos for ‘Look What You Made Me Do.’”

➼ “WHERE IS EVERMORE. ”

➼ “New flower!!!!”

➼ “It’s crazy that ‘Castles Crumbling’ is getting the same treatment as ‘Nothing New.’”

➼ “I bet she’s merging folklore and evermore into one era.”

➼ “She’s gonna cut her ‘betty’ speech down to just ‘no homo.’”

folklore/evermore

➼ “Let’s pray she cuts the damn christmas trees.”

➼ “‘cardigan’ lives to see another day!?!?!”

➼ “Sorry to ‘the 1.’”

➼ “This supports the idea that ‘the 1’ was about Matty.”

➼ “I hate everything about Matty because it ruins all my Karlie Kloss theories.”

➼ “I canceled my barre class. This is too important.”

➼ “To me, ‘champagne problems’ is about the movie The Family Stone .”

➼ “ TTPD is so evermore -ish that this makes sense tbh.”

➼ “Vulture investigates: Was Marjorie a good singer?”

➼ “Does she close the era on ‘willow’ now???”

➼ “WE WON.”

➼ “I have watched the concert on Disney+ like five times, in theaters twice, and then in person at Met Life once. In terms of watching clips, like hundreds of times.”

➼ “Omfg the outfit is two colors!!!”

➼ “I am howling.”

➼ “This is fucking up my day.”

➼ “I can’t begin to fathom what the surprise songs will be.”

➼ “I think the surprise song will be something TTPD .”

➼ “I think she will for sure end on ‘I Can Do It With a Broken Heart.’”

The Tortured Poets Department

➼ “THESE VISUALS.”

➼ “She read the traffic-violation list .”

➼ “SHE’S OPENING WITH ‘BUT DADDY, I LOVE HIM.’”

➼ “I wanna cry, but there’s no tears left.”

➼ “FUCK YEAHHHHHHHHHHHHH.”

➼ “I NEED TO GET TICKETS.”

➼ “‘But Daddy I Love Him’ and ‘So High School’ are literally my top two. I play them in this order every day.”

➼ “She needs to release this remix of ‘Who’s Afraid of Little Old Me?’”

➼ “The clear, close-up clips of her singing these lyrics are gonna go so hard.”

➼ “Taylor, please do the rock album.”

➼ “ TTPD is alien.”

➼ “She looks like SpongeBob at the Super Bowl .”

➼ “I am willing to say this jacket is the ugliest thing Taylor has ever worn ever.”

➼ “This woman loves FILM!”

➼ “How do you sit through Midnights after that?”

Surprise Songs — “Paris” and “loml”

➼ “It’s crazy how poor Midnights has aged.”

➼ “So Obamacore.”

➼ “‘Parees!’”

➼ “Her love of geography really lends itself to the surprise-song concept.”

➼ “I think every other surprise song is gonna be TTPD .”

➼ “It’s so weird to end on Midnights after doing one of the greatest things I have ever seen.”

➼ “Oh, I love this song. Sorry for my Taylor slander.”

➼ “I’m a Midnights apologist.”

➼ “It’s just weird because these songs are now 18 months old, and outside “Antihero” and sorta “Karma,” most of them didn’t really have a cultural impact.”

➼ “I do like how it’s fully a Joe Alwyn breakup album and she just lied.”

➼ “The only reason ‘Vigilante Shit’ made the cut was because of the choreo.”

➼ “Did the songs she cut have boring choreography?” “Yeah, kind of, except ‘tolerate it.’ Can you please explain how you’ve avoided all this for a year? In a way, I am jealous you’re experiencing all this for the first time.” “It feels like watching the final-season premiere of a show that’s been on for years.”

➼ “I can’t believe no cuts to Midnights . I bet we’ll see a few more cuts as the tour goes on.”

➼ “She made Travis Kelce join that Ryan Murphy show so she can keep singing, ‘Karma is that guy on the screen.’”

➼ “This has been fun. I need to do my real job now.”

➼ “I’m gonna go touch grass.”

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• taylor swift
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NEWS... BUT NOT AS YOU KNOW IT

Taylor Swift’s expected Eras Tour setlist for UK as Paris gig reveals huge changes

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The Lover house is burned down, Speak Now is fighting for her life, and we’re all afraid of little old Taylor Swift as she overhauls her Eras Tour setlist.

As the 34-year-old superstar kicked off the European leg of her tour in Paris, fans gathered around livestreams and X to discover what she had in store.

Paris night one didn’t disappoint and ticket chaos was forgiven as the Tortured Poets Department took centre stage and the entire Eras Tour was changed, from bodysuits to choreography.

Fans had already speculated there might be a switch up after she released the Eras Tour film before her tour had finished but this was more than our wildest dreams.

It’s no surprise that Taylor has added in the new album but at already three and a half hours long , some songs were left on the cutting room floor.

The Archer, tis the damn season, and even the last great American dynasty were all brutally ripped from the setlist.

New glittering bodysuits and dresses were rolled out for every era except Reputation, which is the last in the album in the show to get it’s Taylor’s Version.

So far no vault track appears on her main setlist, only core album songs have a permanent place on the Eras Tour.

Swifties have been left in utter disbelief as Folklore and Evermore were combined into one era, known as the sisters era, to keep time down.

Speak Now was reduced back down to one song — RIP Long Live — and debut remains reserved for surprise songs in the acoustic set.

Let’s be honest Taylor could perform for six hours and fans would still want more but even she would probably find that exhausting.

It’s been a whirlwind 24hours for Swifties so lets see what the setlist has been left looking like and what that means for the UK.

We’re still going strong opening with Lover but even her seventh studio album and big opener couldn’t survive Taylor’s great setlist war. We’ll miss you, The Archer.

• Miss Americana & The Heartbreak Prince
• Cruel Summer
• You Need To Calm Down

Fearless Era

The album that made her a superstar remains unscathed but since there were only three songs for this era it’s hardly surprising.

However, a new tasseled bodysuit was revealed and it looks incredibly similar to one worn on the Our Song hitmaker’s original Fearless tour in 2009.

• You Belong With Me

I’m never recovering from this pic.twitter.com/rNTY9smbVH — B R I T T A N Y 🤍 (@sobrittgoes) May 9, 2024

In a position switch up, the setlist now moved from Fearless into Red instead of evermore but the songs remain unchanged and All Too Well remains firmly in pride of place.

• We Are Never Ever Getting Back Together
• I Knew You Were Trouble
• All Too Well (10 Minute Version)

Speak Now Era

Justice for Speak Now, already balding but now scalped as Long Live has been once more removed.

We’re begging Taylor, I will sacrifice I Knew You Were Trouble for just one more purple painted dream.

Reputation Era

Yet to have it’s Taylor’s Version released, Reputation remains unchanged on the mammoth set but has been moved to after Red and Speak Now rather than before.

It’s also the only section that has not had an outfit change, the day that red and black bodysuit goes we’re all going to lose our minds.

• …Ready For It?
• Don’t Blame Me
• Look What You Made Me Do

Folklore/Evermore Era

Once separate totalling 12 songs, Taylor’s lockdown albums have been combined into one – with a lot of casualties.

‘We have reunited the sister albums,’ the singer told the Paris crowd, joking it could be called ‘everlore’ or ‘folkmore’.

Removed from the setlist are: Tis the damn season, the last great american dynasty, invisible string, and tolerate it.

• Cardigan (folklore)
• Betty (folklore)
• Champagne Problems (evermore)
• August (folklore)
• Illicit Affairs (folklore)
• My Tears Ricochet (folklore)
• Marjorie (evermore)
• Willow (evermore)

reunited the sisters and combined folklore and evermore “folkmore” she also removed the 1, tis the damn season, the last great american dynasty and tolerate it from the setlist pic.twitter.com/yoryodUHiQ — Taylor Throwbacks (@ThrowbackTaylor) May 9, 2024

Mother’s favourite child remains safe and sound with no changes and still following the Folklore set. Honestly, we would have loved to see some of this swapped out for the vault tracks which stormed the charts last year.

Bad Blood remains on the setlist, we wonder if Kendrick Lamar is free to come do a surprise live feature…

• Blank Space
• Shake It Off
• Wildest Dreams

this 1989 outfit is EVERYTHING 😭 pic.twitter.com/hr01OgoCzz — Je ϟ (@_jeanea) May 9, 2024

The Tortured Poets Department

Initially Swifties weren’t sure if this would be added and if so how could the 31 tracks possibly be whittled down into just a handful.

A new era brings blessings of brand new outfits, a floating stage set piece, gun shot choreography, and of course some insane vocal moments.

Taylor has spoken and these are (probably) her favourites off TTPD.

• But Daddy I Love Him
• So High School
• Who’s Afraid of Little Old Me
• The Smallest Man Who Ever Lived
• I Can Do It with a Broken Heart

The stage she’s gliding around on during Who’s Afraid of Little Old Me? IS A MIRROR!!!!! The audience can see themself in the mirror as she’s singing “You caged me and then you called me crazy. I am what I am ’cause you trained me” 💀💀💀 pic.twitter.com/YuV6A21dLs — 🩶beatriz🤍 – ttpd (@coneyisland131) May 9, 2024

Surprise songs

Each night Taylor plays two surprise songs from her vast discography, these have included This Love and Clean from 1989 and Dear John and Last Kiss from Speak Now.

She’s taken to doing mashups of the tracks, sometimes leading to fan speculation that the lyrics are somehow intertwined in inspiration.

Also known as the acoustic set, Paris night one fans were (obviously) treated to Paris from her album Midnights played on piano and loml on guitar from TTPD.

this might be the best midnights bodysuit yet pic.twitter.com/edqJw45yYC — Tayvis Nation 🏈🫶🏻 (@tayvisnation) May 9, 2024

Midnights Era

Closing out the show is the iconic era which gave us ‘Karma is the guy on the chiefs ’ and that chair choreography — Midnights.

Her 2022 album gets sparkling new outfits, although the Lavender Haze fluffy lilac jacket has not been swapped out.

• Lavender Haze
• Midnight Rain
• Vigilante Shit

What is the old Eras Tour setlist?

With so many changes, here’s what Taylor’s Eras Tour used to look like for a setlist run

• tis the damn season
• champagne problems
• tolerate it
• invisible string
• the last great american dynasty
• illicit affairs
• my tears ricochet

When is the Eras Tour in the UK?

The Eras Tour will come to the UK next month , beginning in Edinburgh for three nights before heading to Liverpool, Cardiff, and London .

Who knows what Taylor will have in store for fans given her penchant for keeping everyone on their toes.

Given the huge overhaul, this is likely to be the setlist for the UK gigs and all her European dates but might have minor tweaks thrown in.

Of course, if you’re sad your favourite track is not on there is always a chance it could be one of the surprise songs as she has no rules around what she can and can’t sing here.

We’re hoping for Electric Touch, Now That We Don’t Talk, The Black Dog , or Hits Different but that tells you far too much about us.

What is Paramore's Eras Tour setlist?

The iconic pop punk band Paramore will be opening for Taylor Swift at the UK gigs and they revealed their setlist in Paris.

Of course, it is much shorter but still packed with hits from the chart-topping band, fronted by Taylor’s long time friend Hayley Williams.

• Hard Times (+ Heart Of Glass)
• Burning Down The House
• Still Into You
• Caught In The Middle
• Brick By Boring Brick
• The Only Exception
• That’s What You Get
• Ain’t It Fun
• This Is Why

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Mick Jagger on building the perfect Rolling Stones tour: 'You've got to feel the energy'

Mick Jagger is speaking by phone from New Orleans.

Two days earlier, on Thursday, May 2, the Rolling Stones did “Time Is On My Side” with local soul queen Irma Thomas, whose 1964 recording of that classic inspired the British Invaders to cut their own rendition that same year, resulting in the Stones’ first Top 10 entry on the Billboard Hot 100.

Jagger and Thomas revisiting the song together as a deeply soulful duet turned out to be an aptly titled highlight of a set that was, remarkably enough, the Stones’ first time to take the stage at the New Orleans Jazz & Heritage Festival.

Two days later, Jagger says he may go out and catch more music while he’s there — which he does, popping in on the festival’s Gospel Tent on Saturday afternoon — before he makes his way to Arizona for the Stones’ first metro Phoenix concert since the death of founding member Charlie Watts in 2021.

The Stones are playing State Farm Stadium on Tuesday, May 7. It’s the third date on the Hackney Diamonds Tour , named for the Stones’ first album of original material in nearly 20 years.

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Boasting guest appearances by Paul McCartney, Lady Gaga, Stevie Wonder, Elton John and founding bassist Bill Wyman, who left the group in 1993 , the album has been hailed as their best work since “Tattoo You” or “Some Girls,” depending on the individual music critic’s level of enthusiasm.

Before the interview gets underway, the singer has a question for the interviewer.

“How hot is it there?” he asks. “ I remember the last time , it was warning you not to go out. Of course we did.”

Jagger laughs, as he does easily and often in the course of a 15-minute conversation that despite the actual presence of a phone never feels like he's phoning it in.

The man is unerringly affable, endearingly self-aware, impressively candid and refreshingly down-to-earth for one of rock and roll’s defining icons, widely held to be its greatest front man, a master of phrasing and a criminally underrated lyricist to boot, all while still doing stadium tours at 80.

Here’s what else he had to say.

Phoenix meets the Rolling Stones: First Phoenix concert in 1965 was a fever dream: 'So raw and so real'

Mick Jagger on introducing 'Hackney Diamonds'

The videos I've seen on social media from Jazz Fest and opening night have been amazing. Is the feeling you get from doing what you do on stage any different today than it was in the ‘60s or ‘70s?

Well, yeah, I mean, of course (laughs). You were younger and more crazy, more excited. And you were new. You weren't like treated like legends and all this. But you're the same person doing the same thing, even doing some of the same songs, so in some ways, it's the same. But it's a different time in the world, so there's a different vibe. It's the same, but only different, yeah.

How does it feel to have new music in the set?

Actually, really great. I love playing the old songs and all that. But it's great to be able to have something new, because you haven't done it before. It's a challenge to you to get it over to the audience and see if they like it, to see if they want to hear it.

It’s easier in a smaller place to play new songs. It's more difficult with a stadium crowd because they want to hear you know…. "Oh, I've come here to hear 'Paint It, Black'” “When are they gonna play 'Honky Tonk Women'?"

Are they gonna really like these songs? Are we gonna play them well enough? We haven’t played them that many times. We've only done “Angry,” like, three times, compared to “Paint It, Black.” (laughs) You go, 'Ugh, I made a mistake! Oh God.’ So yeah, it's challenging, but I enjoy it.

I would love to do more. We're doing three. I'm sort of changing them around, playing the three or four that are the most well-known. I'd love to put some others in, but there's only so much you can do, as I said, in a stadium. Red Hot Chili Peppers have got a new album. They're on tour and they're doing four songs. And I think we're on the same page here, when you're playing a big show. It's about all the audience can really take. (laughs)

Mick Jagger on being back in the studio with the Rolling Stones

How did it feel to get back in the studio and work on new material?

Oh, I loved it. It was great. I mean, I had a lot of songs I'd done during lockdown. I had a lot of time to write. So I had a lot of different kinds of songs and was glad to get them finally down. I thought, “When are we gonna get these songs down?” And it actually was really quick and fun and quite enjoyable. I like being back in the studio doing new things.

How do you decide “All right, it's time. Let's get in there and make an album” ?

I told this story when the album came out so I don't want to repeat myself too much. But I said to Keith, you know, “We've just gotta go make an album.” I didn't say, “I don't want to tour unless we have a new album.” But I said, “It would be better to go out with a new album when we next go on tour. So let's go do an album.” Keith said “Yeah, absolutely.”

We always used to have a deadline, you know? Like you guys at newspapers. You gotta write that story. And it's gotta be in here by this time. So I said, “We have to have a deadline.” Because otherwise we just keep going in the studio but we don’t finish anything. So everyone was down for that. And then we did it and we made the deadline. It all happened according to plan.

That's great. Were there specific goals you wanted to achieve artistically with this record?

Well, I wanted it to sound like a record made in 2024. The temptation with an old band is to go in and rehash something you've done before. And of course, the band is still the band. That's why I always say, “It's still gonna sound like the Rolling Stones, no matter what happens.”

But I said, “When you hear it, it's gotta sound like a record that's made by a rock band in this era,” you know? That crispness. If you listen to, say, a 1970s Rolling Stones record compared to this, you might love it because you've listened to it hundreds of times and that's the sound you like. But it's different, you know what I mean? It's a different period of sound.

It's much crisper and you can hear everything more clearly. But it's still got the energy level. To me, the energy level in a rock band is the most important thing. You've got to have that. You've got to feel the energy. That's a big part of it. And you've got to hear what everyone's playing.

Mick Jagger on working with Paul McCartney on 'Hackney Diamonds'

It's definitely got that energy. What was it like to work with Paul McCartney on this record?

Oh, it was great fun. We've all known Paul a long time. We worked in the '60s a little bit. He sang vocals with us and stuff. I've played with him in his house. Ronnie (Wood) has played with him a lot. And Andy Watt, the producer, was doing some work with him. So it was very fortuitous.

That's LA, you know. Next door there's Lady Gaga, Dolly Parton, Paul McCartney. It was great having him come by and he played great on "Bite Your Head Off."

Mick Jagger on losing Charlie Watts and recording with Bill Wyman

This is your first time in Phoenix since Charlie died. What was it like to sort of dust yourself off and get back to the music after losing someone that much at the core of who the Stones are?

Well it's very hard, you know, having Charlie since we first really started. I played with Charlie before the Rolling Stones existed. I played with Charlie as a singer in the Alexis Korner Band. He was playing the drums and I was the singer. Keith was sometimes playing with me. Sometimes he wasn't. So it was a difficult period to be without him.

But, you know, we decided to carry on. We had a tour planned. And Charlie said, 'You should go and do the tour,' you know? 'Go and do it.' So we did. That was tough, you know, doing it. Now, having done a tour with Steve (Jordan), we're kind of into that. But I miss Charlie. I look around and he's not there. But he is on the record. And we've got some other tracks he's on as well that we haven't released yet. So, you know, he's here.

One of the Charlie tracks has Bill Wyman on it. How did it feel to have him come in and kind of complete the circle ?

That was fun because we had this track with Charlie, and Andy and I said, “Well, let's marry up the old rhythm section.” It does sound a bit more like the old Stones, that particular track, “Live By the Sword.” It sounds slightly different from some of the others. But it's great. It's a different feeling.

Mick Jagger on building the ultimate Rolling Stones setlist for 2024

I love that you guys started doing “Out of Time” recently. I've always loved that song. What brought you back around to that?

I've always loved it. But the audience in America doesn't seem to know it as well as the European audience. So I think I'm going to give it a miss.

Uh oh. So we're not gonna hear that one in Phoenix?!

In Europe, they all sang along and everything. Here, they don't seem to know the song, you know? I mean, it's not a particularly well-known Stones song. It got a bit of popularity because it was in that (Quentin) Tarantino movie as a playout song. But they don't seem to know it. I put it in the front of the set, or near the front. And everyone's looking around like, “Ehh, what's this?” I don't know. I like to switch the set around. We've only done two shows. And I don't like doing the same set every night.

How do you go about putting a setlist together at this point?

Well, I have a list of all the numbers we rehearsed, right? We rehearsed for four weeks. So then, I go through all the ones I think we have to do, that people expect, that if we didn't do them, people would go, “Well, I came here to see ‘Honky Tonk Women' and they didn't do it.” And of course, I enjoy doing it. It's not a problem.

But then, the front half of the show, I kind of switch around a bit, just to keep everyone on their toes and interested with different ones on different nights. And now I've got to incorporate songs from the new album, which we rehearsed quite a few of them. And as I said before, we're only doing three so I'm switching it around a bit.

Are there other older songs you've never done live that you'd like to get around to someday?

I've tried to hit everything (laughs). I mean, I've been through the whole thing. And we do really weird ones. I mean, we did “I Wanna Be Your Man” (an early Stones single written by Lennon-McCartney) in Liverpool. That was really funny. We do that kind of thing from time to time out of the blue.

Mick Jagger on the Rolling Stones, the Beatles and rock & roll vs. pop

Speaking of "I Wanna Be Your Man" and Paul being on this record, there's been this ongoing debate for decades where Stones fans argue that the Stones are proper rock and roll and the Beatles are a pop band. What's your take on that?

Well, we're both pop bands, really. In the ‘60s, if you listen to the Rolling Stones, of course we played more blues than the Beatles. And The Beatles used to play more Tamla/Motown covers. We were all cover bands. But we both play pop music. We play blues. The stuff we played in early '60s, it's all influenced. But it's pop music.

“Time Is on my Side,” that we did here, that’s a pop song, you know what I mean? "Let's Spend the Night Together" is a pop song. "Ruby Tuesday" is a pop song. "Angie" is a pop song. Of course, we play rock. The thing about the Rolling Stones, though, and the Beatles, is there are very wide musical influences. Both bands incorporated a lot of styles into their music. Country music, blues, R&B, English music. So we had a very broad range, both of us.

It's difficult to pigeonhole either band, in my opinion. But obviously, the Rolling Stones are the more blues band, right? But we always were a pop band.

You know, one of the things that was so great about the era you guys came up in and defined was that being in a rock and roll band could mean playing any of those types of songs that are on any of those albums either of your groups recorded in the '60s. It seemed as though the possibilities were limitless.

We played Elizabethan songs like "Lady Jane" and "She's a Rainbow." "Paint It, Black" is not really a rock song. It's our most popular streamed song and it's like a Middle East-influenced pop song.

At this point, Jagger is reminded that the interview was scheduled to conclude five minutes earlier.

"Hey listen, I've got to leave you; thank you so much," he says.

And with that, he's off to hear some gospel in New Orleans, time still very much on his side.

Rolling Stones Phoenix 2024 concert: State Farm Stadium in Glendale AZ

When:  8 p.m. Tuesday, May 7.

Where:  State Farm Stadium, 1 Cardinals Way, Glendale.

Admission:  $63 and up.

Details:  800-745-3000,  SeatGeek.com .

Reach the reporter at  [email protected]  or 602-444-4495. Follow him on X (formerly Twitter)  @EdMasley .

Support local journalism.   Subscribe to azcentral.com today.

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David kushner announces 2024 tour. get tickets today.

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It’s a good day to be a David Kushner fan.

First, the rapidly rising singer-songwriter dropped the music video for his new single “Hero;” shortly after, he announced he’s heading out on a nationwide tour this fall .

From September through November, the husky-voiced, 23-year-old “Daylight” crooner will hit concert halls, theaters, and ballrooms all over North America.

That includes a stop at Brooklyn’s Paramount Theatre on Wednesday, Sept. 25.

“It’s been too long,” Kushner wrote on Instagram ; for the record, his last tour was in late summer and early fall 2023. “North America, I’m coming to a city near you.”

And if you want to see him belt live, seats are available for all of Kushner’s 2024 concerts as soon as today.

As of today, fans can now purchase tickets on sites like Vivid Seats ; the official on-sale is Friday, May 17.

Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event.

David Kushner tour schedule 2024

A complete calendar including tour dates, venues, and links to buy tickets can be found below.

David Kushner festival appearances

On top of the tour, Kushner will also lend his talents to a trio of festivals.

If you want to see him do his thing at a multi-day music extravaganza — along with some of your favorite artists — here’s everything you need to know about the festivals David Kushner will be at this year.

David Kushner set list

Late last September, Kushner performed a 13-song set at Vancouver, BC, CA’s Fortune Sound Club.

According to Set List FM , here’s what he took to the stage that night:

01.) “Dead Man” 02.) “Cigarettes” 03.) “Mr. Forgettable” 04.) “Georgia Rain” 05.) “Burn” 06.) “Miserable Man” 07.) “Look Back & Laugh” 08.) “oooWooo” 09.) “Hero” 10.) “Cannon Beach” 11.) “Time” 12.) “Elk Grove” 13.) “Daylight”

David Kushner new music

This year, Kushner has put out a trio of singles.

Up first, he dropped the melancholy and chilling “Skin and Bones” that sounds like it came from a much older artist. That’s not meant as a slight, Kushner’s voice suggests a wisdom and maturity not often found in 20-somethings.

Next, he released “In My Bones” with Lost Frequencies (we’re sensing a “bone” theme here). Here, Kushner lends his deep vocals to a pulsing electronic track. After a few spins, we’d guess Kushner’s departure from heavy ballads here will likely be a nice change of pace at his live shows.

Finally, the aforementioned “Hero” (which he performed as early as September 2023 as evidenced by the above set list) hit the airwaves. This emotional track fits right in with Kushner’s earlier work. Expect to sing along with this anthem.

Want to listen for yourself?

You can find David Kushner’s complete discography here .

Huge artists on tour in 2024

Looking for artists similar to Kushner on the road this year?

Here are just five of our powerful — yet sensitive — male singers you won’t want to miss live these next few months.

•  Hozier

•  Noah Kahan

•  Conan Gray

•  Niall Horan

•  Teddy Swims

Who else is out and about? Take a look at our list of the 50 biggest concert tours in 2024 to find out.

Why you should trust ‘Post Wanted’ by the New York Post

This article was written by Matt Levy , New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements from your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed Bruce Springsteen and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change.

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Taylor Swift Masterfully Reinvents the Eras Tour for Its European Version: See All the Changes

By Ellise Shafer

Ellise Shafer

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Anticipation hung in the air inside Paris’ La Défense Arena on Thursday night as a clock counted down to Taylor Swift ‘s first European date of the Eras Tour .

Yes, the record-breaking tour had been running for over a year and was very well-documented — Swift even released a concert film of it in October that is now streaming on Disney+ — but tonight was different. Just under a month ago, during a break from the tour, Swift had released her 11th studio album, “ The Tortured Poets Department ,” and this show would mark its live debut.

Popular on Variety

Heading into the “Speak Now” era, Swift debuted a new intro with purple flower visuals, cut “Long Live” and went back to just doing “Enchanted” as the sole song of that album’s set. The “Reputation” era remained unchanged, with Swift even sticking to the same outfit as before — an asymmetrical black-and-red snake bodysuit.

As unfamiliar visuals came across the screen, it became clear that it was now time for “The Tortured Poets Department.” Assorted pieces of furniture — a chair, a lamp, a door — floated from the sky alongside pieces of paper, which then evolved into a desert road where the fixtures crashed onto the floor. Swift then appeared in a white corset dress with cursive writing adorning its skirt and a chunky Vivienne Westwood choker. First up was “But Daddy I Love Him,” followed by a snippet of “So High School” that segued into “Who’s Afraid of Little Old Me?” The set’s graphics were mainly in black-and-white, and included a UFO that looked like it was about to abduct Swift and a filter that whited-out her eyes, giving her a demonic look. One chorus of “Down Bad,” during which Swift rotated around the stage on a spinning metal block, led into “Fortnight,” where a “TTPD”-emblazoned bed was brought out and Swift’s dancers dressed in nurse costumes. As Swift sat across from a dancer on a typewriter, the bed was tilted every which way, creating a fascinating display. She then donned a marching band jacket for “The Smallest Man Who Ever Lived” as her dancers followed her with drums.

All of the stylings for “The Tortured Poets Department” were vaguely Old Hollywood — perhaps a reference to Clara Bow? — but Swift really hammered that home with a minute-long skit in the middle of the set, in which two of her dancers fling her around like a doll while old-timey music plays. During the skit, Swift’s dress is removed — revealing nothing but a two-piece black set — and she is dressed in a gold jacket and matching heels. “I Can Do It With a Broken Heart” followed, furthering the Old Hollywood theme with feather props and a marquee displaying “Taylor Swift: The Eras Tour.” As Swift and her dancers left the stage, a visual reading “The End” displayed across the screen.

The surprise songs were next, at an unusually late place in the set. Wearing a new pink dress, Swift sang “Paris” — naturally — on the guitar, and then turned to the piano for “Tortured Poets Department” tune “loml,” which marked a tender moment of the set. Swift ended the show, as always, with the “Midnights” era, the songs for which remained the same, though she wore a new blue bodysuit.

Leaving the venue that night, one couldn’t help but feel that they had just witnessed an entirely new show, proving Swift’s expertise in reinvention. She could have just tacked “The Tortured Poets Department” songs onto the beginning or the end, but that would have been too easy. Instead, with more changes sure to come throughout its European leg, she gifted her fans with another reason to come back and see the Eras Tour again and again.

See the full setlist below.

“Fearless” “You Belong With Me” “Love Story”

“22” “We Are Never Ever Getting Back Together” “I Knew You Were Trouble” “All Too Well (10 Minute Version)”

“Enchanted”

“…Ready for It?” “Delicate” “Don’t Blame Me” “Look What You Made Me Do”

FOLKLORE AND EVERMORE

“Cardigan” “Betty” “Champagne Problems” “August” “Illicit Affairs” “My Tears Ricochet” “Marjorie” “Willow”

“Style” “Blank Space” “Shake It Off” “Wildest Dreams” “Bad Blood”

THE TORTURED POETS DEPARTMENT

“But Daddy I Love Him” “So High School” “Who’s Afraid of Little Old Me?” “Down Bad” “Fortnight” “The Smallest Man Who Ever Lived” “I Can Do It With a Broken Heart”

SURPRISE SONGS

“Paris” “loml”

“Lavender Haze” “Anti-Hero” “Midnight Rain” “Vigilante Shit” “Bejeweled” “Mastermind” “Karma”

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Weird Tales

• May 11, 2024 Setlist

Weird Tales Setlist at Chmury, Warsaw, Poland

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• May 11 2024 Chmury This Setlist Warsaw, Poland Start time: 8:10 PM 8:10 PM

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