aaron carter tour 2013

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Aaron Carter  

• No longer touring
• 533 past concerts

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Aaron Carter’s career skyrocketed towards the end of the 1990s, as he built a reputation as an artist in his own right with his mainstream success.

Aaron Carter’s beginnings were in a band called Dead End, a local alternative rock band that Carter decided to leave after two years because his passion was in pop music. His first solo performance was when he sang “Crush on You” originally by The Jets as he landed the slot opening a show for his brother’s band the Backstreet Boys in Berlin in March 1997. He was almost immediately offered a recording contract after the show, which he obliged, and spent the summer of 1997 recording his eponymous debut album, which was released on December 1st 1997. It became an international hit, and was later certified gold 5 countries.

Carter’s sophomore album entitled “Aaron’s Party (Come Get It)” was released on September 26th 2000. The album was later certified 3x Platinum in the US alone, making it to number 4 in the Billboard 200. It featured the hit singles “I Want Candy”, “Aaron’s Party (Come Get It)” and “That’s How I Beat Shaq”. He was fortunate enough to land support slots on national tours alongside Backstreet Boys and Britney Spears.

On the track list of his Platinum certified third album “Oh Aaron”, released on August 7th 2001, which made it to number 7 in the Billboard 200 was a duet with his older brother Nick called “Not Too Young Not Too Old”. Following the release of the album, he released two live concert DVDs, Aaron’s Party: Live in Concert and Oh Aaron: Live in Concert. His fourth studio album came in the form of “Another Earthquake” released on September 3rd 2002. The album made it to number 18 in the Billboard 200.

Throughout the remainder of the 2000s, Carter released a handful of singles including “Saturday Night” and then “Dance with Me” which featured Flo Rida. He embarked on the Aaron Carter’s Wonderful World Tour in 2014.

Live reviews

There is no doubt that Backstreet Boy Nick Carter’s brother; younger brother Aaron started his successful career at a very young age! His sophomore album “Aaron’s Party (Come Get It)” went to number 4 in the US charts and then his subsequent album “Oh Aaron” managed number 7. Either way, he was extremely successful at a young age.

His single, “Shake it” opens his set this evening, it has the audience bouncing to the beat from start to finish. There are mobile phones in the air all the way through this set, most of which belong to teenage girls wanting to capture this moment that is clearly euphoric for them. One of the biggest songs that Carter released was “I Want Candy”. I doubt very much that anyone in the audience are aware that Carter didn’t write this song, but no one is going to spoil their fun. “Not Too Young, Not Too Old” featuring his older brother Nick, is a surprise for everyone as he makes an appearance on stage. There is no sibling rivalry throughout this performance whatsoever, just a great deal a support for one another.

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Florida teen-star Aaron Charles Carter has always struggled to step from beneath the large shadow cast by the 1990s. He always prided himself on his pop stylings and pre-teen fanbase yet years later he now wants to remain relevant on the live circuit.

It is a pretty tricky feat as it is very difficult to shed your sugary Disney image without airing on the side of controversy (see Miley Cyrus). Aaron has achieved this by recording more pop records with the same elements of fun but the shiny costumes and cheesy dance routines have been completely toned down. The benefits of being a child star means that large crowds do not phase you and he practically gallops onstage to address the large room without as much as a hint of nerves. It is great to see Carter not dismiss his past whilst performing 'Aaron's Party (Come Get It)' and 'Not Too Young, Not Too Old' which have the whole room dancing and cheering along.

aaron u were amazing at the granada theater it was such an honor seeing u preform hope u will come back soon been waiting a long time to c u in concert it was worth the wait

What a Fantastic show!!!!! I'm more of a rock music fan so I wasn't really sure what to expect, but I had a blast!! He sounded great and was super nice and friendly!!!!

It was an amazing night!! I really did enjoyed the show! Unfortunately it was a little short, hope you are playing longer next time. Hope you are coming back soon :)

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Inside Aaron Carter's Tragic Journey After Child Star Success

Aaron carter battled addiction throughout much of his adult life until his death at 34, but he stayed optimistic about his prospects until the end..

"The show always must go on," Aaron Carter  said, describing his mantra on E! True Hollywood Story   as he explained how his opioid addiction started with painkillers prescribed to help him power through a broken jaw he suffered in a fight. 

But then, as Aaron would be the first to admit, the show unraveled. His jaw healed, but he didn't stop taking the pills. "Everybody thought, Oh my god, he has AIDS, he's a crackhead, he's a meth head ," he recalled. "That's when I realized, either you get your s--t together or you make the decision to slowly die."

Sadly, he lost his years-long battle with addiction on Nov. 5, 2022, at the age of 34. He was found unresponsive in the bathtub at his home in Palmdale, Calif. The singer had welcomed son  Prince  with former fiancée  Melanie Martin  less than a year beforehand.

Autopsy results released by the L.A. County Medical Examiner-Coroner in April stated that Aaron accidentally drowned , with the tranquilizer alprazolam (sold as Xanax) and inhalation of difluoroethane, a compressed gas, listed as secondary causes.

Kelly K Public Relations and Holly Davidson of ICT PR told E! News after the postmortem was finished that it was a relief to finally have answers.

"Our team actively tried to implement a plan to rehabilitate a recovery to health, however, due to outside influences and triggering dysfunctional relationships, these circumstances made it a challenge," they said in a statement.

Aaron's ashes were  interred at Forest Lawn Hollywood Hills , and his twin sister Angel Carter  has encouraged fans to visit the spot.

"He adored his fans, and I know how much this would mean to him now having a final resting place where we could all celebrate his life," she wrote on Instagram in October. "I invite you to visit, share your memories, and never forget who Aaron was deep down."

Big brother Nick Carter , 42, told E! News' Francesca Amiker as the first anniversary of Aaron's death approached that the fact that he was gone was "still unbelievable" to him.

"I'm still processing the whole situation and trying to make sense of it—because it hasn't," Nick said. "But I'm hoping that one day I can make sense of it all."

For several years before he died, Aaron had been getting far more attention for what he was going through off stage than for music or any other career move he had in the works. But that had been a troubling pattern for the "I Want Candy" singer ever since he followed Nick into the limelight back in the '90s and found fame to be a mixed blessing.

As both brothers knew all too well , there was no such thing anymore as becoming a celebrity for a little while. Commercial popularity can wane, enough to make the money dry up, but the interest in what you're up to— be it well-meaning or morbid —is always there. The fascination, coupled with Aaron's tendency to be startlingly candid and self-effacing when asked the right questions led to a conflicted give-and-take with the spotlight over the years.

The brothers' relationship suffered for it—Nick  obtained a temporary restraining order  against Aaron in September 2019, alleging his sibling had made threatening remarks—and Aaron's overall health remained fragile. He  spent a night in the hospital  in late 2019, purportedly for exhaustion, a couple months after revealing on  The Doctors   that he had  been diagnosed  with multiple personality disorder, schizophrenia, acute anxiety and manic depression.

For years Aaron had courted controversy in a speak-before-you-think way, going on ill-advised Twitters rant or making outlandish claims about Michael Jackson  "passing down the torch"  to him—but he has also dealt with some very real issues, including money troubles, substance abuse, depression and the ongoing battle to stay relevant in show business, in the public eye.

For the record, he didn't mean Michael had passed the pop music torch to him.

He knew Michael before the pop legend died in 2009 , and when they spoke "it was just talking about how I feel and how he feels," Aaron  explained to Cosmopolitan.com in November 2015. "Not really telling me what to do, because Michael didn't even know what to do sometimes. He was confused, he dealt with a lot of anxiety, he dealt with a lot of judgment and people bashing him. And I'm dealing with the same stuff too. All because—why? All because I said Michael passed the torch to me? It's a metaphor.

"It doesn't mean I want to put his shoes on and start moonwalking. I'm not Michael Jackson. I'm Aaron Carter. Come on, we lost Michael Jackson because of these kinds of pressures."

Asked what sort of pressures, he said, "I deal with the anxiety of relationship stuff, family stuff, the pressures of my career, and what I'm doing with my life, and evolving as an artist. And the pressures of people talking behind my back and thinking I'm still a 12-year-old-looking Aaron Carter, but I'm 28 years old now, and I've changed, I look different. And people judge me for it. Like, come on, people. Stop. The fact that the world out there is based on superficialities...People need to wake up."

Aaron burst onto the scene when he was barely 10, opening solo for the Backstreet Boys   in 1997 with a cover of The Jets ' "Crush on You" and quickly securing a record deal of his own. His self-titled debut album did alright, but his 2000 album  Aaron's Party (Come Get It ) went triple platinum, selling more 3 million copies.

"I don't think I had a voice," he recalled in 2016 on an episode of  Oprah: Where Are They Now . "I think I was terrible but they did ['Crush on You'] as a joke and then I just wanted to get good." 

The tween pop star performed on Nickelodeon, and then made his acting debut as a guest star on Disney Channel's smash-hit  Lizzie McGuire , where he met future girlfriend Hilary Duff . He made his Broadway debut in 2001, starring in  Seussical the Musical , and at 13, his third album,  Oh Aaron , also went platinum.

Maintaining that level of success, especially when it first comes at such a young age, is a tough task for anyone, and the pieces started to fall out of place for Aaron as he got a little older.

In 2003, his parents,  Bob  and Jane Carter , divorced, and "it screwed me up for awhile," Aaron admitted . Also that year, the Carters sued boy band impresario and Aaron's former manager Lou Pearlman , who died in 2016, for allegedly not paying their youngest son all the royalties he was due from his debut album. Bob told Aaron that his mother, who was then his manager, had also mishandled some of his money (which she denied, but both Nick and Aaron would end up estranged from her for years).

Recalling how he had to shoot an episode of MTV's Cribs an hour after finding out his parents were divorcing, Aaron said on Where Are They Now?  years later, "A lot of money was coming in. We had the biggest estate in all of the Florida Keys. I had to show all the cameras my life that I was losing, and nobody ever knew it." 

Meanwhile, his parents' split sent him spiraling into a depression and a cycle of self-destructive behavior.

"With everything that was happening," he said, "I started losing all my money. I went broke."

Aaron also broke up with Hilary in 2003 after two years of dating off and on—and then news that he had simultaneously dated Lindsay Lohan   for part of that time was an unforgivable offense to some starry-eyed fans, who immediately took sides between the actresses. (Not only did their tween fans not get over it, Aaaron didn't either—he  kept the memory of those Disney-fueled days alive on social media.)

In 2005, a photograph of Aaron smoking pot ended up on the cover of the  National Enquirer , courtesy of a friend with a camera. He was 15.

"And one of my best friends did that to me," Aaron recalled to Cosmo . "It was really detrimental, and it really hurt me. And yeah, I did smoke weed. I mean, yeah, I still do. Like, so what? I'm gonna keep it real with people. I've been through a lot of stuff...I felt like, 'Oh my god, I can't trust anybody.'"

When he was 18, "I took a big fraction of my trust fund," he  told  Esquire , "and I went to Guitar Center and spent a million dollars in one hour."

Asked about his experiences as a young artist being managed (or mismanaged) by adults, he said that his intention was to help others learn from his own experiences.

"I want to make sure that I epitomize being a performer at such a young age, and then growing up and being able to transcend anything negative or anything bad, or even anything good," he told Cosmo . "That's what the message is to all of the younger kids: OK, you might get a taste of fame, but what happens when you get a taste of fame, you get a taste of money, and then boom, all of a sudden it drops down? Those true, defining moments happen. And that's what happened with me."

He added, "...From 15, 16, 17, [I was] kind of being reckless, or partying, being young, stupid, and then 18 years old, [I was] like, "OK, I'm 18 years old, I have no manager, I have nothing, I have nobody, my parents didn't teach me how to run my career—what am I gonna do?" Am I gonna try to figure it out? Am I going to try to be normal or something? What's normal? I'm never going to be normal. This is my normal. What I do is my normal."

He embarked on his Remix Tour in 2005, and the following year he and his siblings starred in E!'s  House of Carters . The through-line for Aaron, at least, has always been music, but the lucrative deals dried up as he headed into his 20s, leading to him moving in with Nick for awhile.

Aaron competed on  Dancing With the Stars in 2009 , finishing in fifth place (Nick would follow in his footsteps in 2015, finishing second). But it was after that brief resurgence into the prime-time spotlight,  DWTS  being one of the biggest shows on TV, that life started to spiral out of control again.

Doing DWTS  had indeed gotten his hopes up as far as getting attention from a major label.

"All this hype, all this stuff—I hired Johnny Wright to be my manager, and he started having other producers and writers come in and work with me, working on my project," Aaron said. "Then he started having record label people come in, the big guys, the heavy hitters...and they just were not interested in me.

"They had no interest in me," he reiterated. "They didn't want to touch me, they didn't want to do anything. The guys didn't even damn near want to look at me, like, they would just walk past me in the compound."

"Nothing ever came to fruition," he continued. "I started getting really heavy into drinking. I was telling people, ‘I'm on a very bad path right now, I need help.' I called my mother. She took me down to her house. The next day I was at Betty Ford Center."

He checked into rehab at the famed Rancho Mirage, Calif., facility in 2011.

In 2012, however, tragedy would strike the entire Carter family when Aaron's sister Leslie Carter  died of an accidental drug overdose at 25.

"I actually reached out to her two weeks before that and I said, 'I'm going to get you the money to go to rehab,'" Aaron said. "She wanted it and her phone got cut off for two weeks, and she got really bad into it. I think out of all the experiences and all the things that happened with my sister's passing, I just learned that life means so much to me and more than just money and fame."

Nick did not attend Leslie's funeral , a decision that drew attention to the still fractured relationships within the family . "My family has always had a complicated dynamic," Nick told TMZ at the time. "There are so many emotions for me surrounding the loss of my sister. I am trying to stay healthy, positive, and focused."

Aaron landed a role in  The Fantasticks off-Broadway, reveling in the pressure of being the production's marquee name. "It was difficult because I had to go and I had to learn to be the man," he told Esquire . "I had this whole ensemble that wanted me to the be the star of the show and fill the house up."

He embarked on his After Party Tour in June 2013, but lingering debts continued to plague him and, in November 2013, he made the decision to file for Chapter 7 bankruptcy—his way of finally achieving a clean financial slate.

"I spent my whole adulthood, basically, with all of these taxes from when I was a kid, when I made a lot of money [and wasn't in control of my finances]," he told Cosmopolitan.com. "So I decided to [file for] bankruptcy. And it took me a long time to make that decision, because I didn't want to be humiliated. I ended up being humiliated anyway, but people are so ignorant that they don't even know what a chapter 7 is."

"Do you know what a chapter 7 is? A chapter 7 is a full discharge," he continued.  "Meaning I don't have to pay a single cent. My credit score is like a 750. I got my life back, because I deserved it. I've been put through a lot of different things and tested in many ways. Having a tax lien for $4 million—what record company is going to want to sign Aaron Carter when they incur a debt of $4 million? So I was blacklisted, boycotted, no one wanted to work with me."

At the time of that interview, during which he said he'd been producing music and "making beats" for the past 10 years, whether folks knew it or not, he was about to go hang out with Deadmau5  (after going to watch Nick dance in the  DWTS final). Aaron said that, after he posted his own remix of Deadmau5's "The Veldt" and the Internet didn't take kindly to him not initially crediting the EDM star, Deadmau5 reached out to him to offer him his expertise.

He also decided to stop waiting for the mainstream to re-notice him, and in April 2016 he unleashed his new single "Fool's Gold" ("about love, a current love-type situation I've been going through recently," he told Esquire ) via his own label, Rakkaus Records.

"Sooner or Later" followed in January 2017, and in February he released the EP  LøVë , his first album since 2002.

"I want some credibility," he told  Entertainment Tonight in April 2016. "Everything makes me want to prove something. Every obstacle that I'm put through, I'm turning into a positive."

He went back on tour and was in his element, doing a medley of old hits, such as "I Want Candy" and "Aaron's Party," but also showcasing his new stuff like "Fool's Gold," which he characterized as "EDM-dub-trap."

In May 2017, however, their family patriarch Bob Carter died unexpectedly at the age of 65. "My heart is broken," Aaron wrote on Instagram. "We are so hurt we lost you poppa way too soon. You were never human to me, you were always my real life super hero."

And while he went back on the road, with then-girlfriend Madison Parker in tow, it didn't feel as if life has been the same.

He  said  working out and therapy—"talking about stuff and not being afraid to be real with yourself"—helped him cope with his chronic anxiety. But he also told  ET  in 2016 that, despite the sojourn to rehab, he still smoked weed and drank wine. He said, "I'm not going to abuse things. It's just how I'm gonna do my life."

"The misconceptions are that I'm a meth head," he said, noting that people tended to assume he was so skinny because he was abusing drugs, "or I'm a crackhead, or I'm a drug addict, or I'm this or that."

In July 2017, during a tour stop in Georgia, Aaron was arrested for alleged DUI and both he and Madison were busted for alleged possession of marijuana and drug-related items. 

Afterward Aaron lamented that he was targeted by the cops because he was a celebrity. He was said to have been cooperative with authorities and he was released from custody after posting bail. A rep for the artist said that Aaron was a longtime card-carrying medical marijuana user to treat his anxiety and that evidence would prove he didn't commit any crime.

Before he went back onstage a couple nights later, Aaron tweeted, "I will NOT continue to tolerate such lies about me regarding drug use with alleged meth, heroine, crack - it's not funny! This body shaming must end now! It's amazing how many of you who can hide behind your screens and type it, but wouldn't say it to my face," the singer tweeted. "Ending this with the fact that there are so many bullies out there and this male body shaming must continue to be addressed."

A few weeks later, Aaron wrote an open letter revealing that he was bisexual , stating, "when I was around 13-years-old I started to find boys and girls attractive." When he was 17, he had his first "experience" with a guy "that I had an attraction to who I also worked with and grew up with."

His letter was met with a wave of largely supportive feedback from fans and empathetic souls who applauded him for speaking his truth.

The very next day, his rep confirmed that he and Madison had  broken up , but she insisted the split had nothing to do with Aaron's sexuality , or his decision to open up about it.

"I've been nothing but supportive of Aaron and his career and I'm happy for him that he's having the courage to live his truth," she told E! News in a statement. "Breaking up is never easy for anyone, but it is my hope that we can move on from this point as peacefully and respectfully as possible. I wish him all the best." 

Back when he was talking to Cosmpolitan.com in 2015, he said he felt certain "pressures" to do with love.

Asked what he meant, Aaron said, "I'd rather just not talk about it. Love is, like, a weird subject for me right now." He said he just wanted to "love and be loved," but it was a struggle.

"Maybe [the struggle is] more so the person that I'm with understanding me a little better," he said. "Understanding how I am. You know what I mean? Because I'm a really hard person to be with."

Losing his dad, his arrest, the breakup, the rigors of being on the road, the rumors... The stresses were piling up. In September 2017, he tweeted that he had totaled his BMW in an accident , suffering a broken nose and cuts to his arms and legs.

"I never meant to get into an accident as severe as this," he tweeted afterward. "I've ran into people before and honestly nothing compares to what happened today." An hour later, he  tweeeted again , "Everything is fine... Let's get back to my music."

To his followers, he added, "Thank you for all the support and love. Means a lot. Accidents happen. I'm just happy both of us were ok."

In the 24 hours following the accident, an anonymous caller reported to authorities that Aaron had recently tried to buy a gun and had made threats of harm against his family and others, prompting police to make a welfare check at his Florida residence.

Police visited two more times after the caller claimed he need a psych evaluation, having refused medical treatment after his accident, and then that he had addiction issues and had threatened to harm people.

The welfare reports don't indicate that the police were able to speak with him during any of their visits.

Police were called back to Aaon's house on Sept. 6, 2017, after receiving a call about a suicide threat. Again, they did not make contact with him, but nothing seemed amiss at the house. A couple weeks later, he entered treatment to, as his rep explained, "improve his health and work on his overall wellness."

In February 2018, he shared on  The Real  that he had put on 45 pounds after losing an unhealthy amount of weight and was feeling "cautiously optimistic" about his future.

"I learned a lot of things from last year," he said. "It was a very exhilarating year, full of good things, good times and then trials and tribulations. My dad passed away last year...I kind of went on a downward spiral."

Toward the end of the summer of 2018 Aaron gushed on social media about the new love in his life,  Lina Valentina , writing, "No one has understood me and shown the love this woman has for me EVER."

Tumultuous story short , they broke up in August. The following month, Carter canceled a planned tour in the wake of his mental health diagnosis.

Later, he tweeted that he would be helping mom Jane through a sobriety setback —and planned to keep the family business behind closed doors.

"It's time to stop airing our family problems and issues in the public in public eye," he wrote. "I hope some day we can all be adult enough to talk to each other instead of through law Ayers and courts. #Family."

Aaron and Melanie first went public with their relationship in January 2020. Melanie suffered a pregnancy loss that April and Aaron told YouTube viewers, "We're gonna give it some time, let her heal and then we're going to try again. We both want that. I gotta take care of her."

He popped the question that June and the following April they revealed Melanie was pregnant again. Prince was born Nov. 22, 2021 .

When Aaron died, Melanie told  People   in a statement, "My heart is completely broken over the passing of my fiancé Aaron. I knew he was struggling, and I tried everything to help him He has a very independent and strong personality, and I couldn't help him in the way I felt he needed it."

In his final days , Aaron said on the  No Jumper  podcast that he was taking all of his medication legally, including Xanax, as well as "taking care of my mental health, working on my relationship." The interview was released three days before he died.

He shared on the  Brett Allan Show  in August 2022 the questionable reason why he wanted to follow Nick into show business.

"I wanted to do what he was doing because he would come home with all these stuffed animals," Aaron recalled. "I remember very vividly all of these toys. He would bring back this stuff and have 'Nick' on it. So I wanted to become a singer at the age that I did for stuffed animals. Not money. I wanted my own toys."

He got money and toys, but he wasn't sure the trip had been worth it.

Aaron admitted to  Esquire  in 2016 that being an entertainer made him predisposed to wanting to please everyone—and it was a bummer even when "somebody that has two followers" says something nasty. But that's also why he shared so much with the world, he said, on Twitter and elsewhere, including on stage.

It bothered him when haters dumped on him, "but as a man, I'm like, you know what, I'm going to focus now on what I have to do and what my message is," Aaron said. "And I am going to show the world a little bit of what I deal with, because that's what I deal with. I deal with hate and I deal with love. And I deal with naysayers and people who believe in me. And people who are fans of me and have little blip of me in their mind from a certain time period, and still think that I'm a little boy."

"But the thing is," he added, "I missed out on being able to show them any proper transition with me with music because of all the unfortunate things that happened. At least I can hopefully say in the future that it made me a better man, maybe a smarter man."

( Originally published Sept. 7, 2017, at 2:09 p.m. PT )

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Aaron Carter

Aaron carter tour dates.

Singer-songwriter Aaron Carter will be hitting the road again in 2019 supporting his latest album 'LØVË' . The new 26-date trek kicks off January 29th in Las Vegas and runs into March visiting cities like Salt Lake City, Cleveland, Houston, Charlotte and Richmond. Joining the tour on select dates will be special guests Kicking Sunrise . The tour originally launched back in 2017 and was extended into 2018.

Carter released his fifth studio album 'LØVË' on February 16th, 2018 via Sony Music. The new album follows up 2002's 'Another Earthquake!' which reached #18 on the Billboard 200. The pop singer spent most of 2013 touring across North America for his After Party Tour which consisted of 166 shows across America. The following year, he launched his Wonderful World Tour which included another 80 concerts.

Aaron Carter Concert Schedule

No events =(, about aaron carter tour albums.

Aaron Carter came on the Pop / Rock scene with the appearance of the album 'Aaron's Party (Come Get It)' released on September 26, 2000. The track 'Introduction: Come To The Party' quickly became a hit and made Aaron Carter one of the newest emerging talents at that moment. Afterwards, Aaron Carter published the hugely famous album 'Most Requested Hits' which contains some of the most beloved tracks from the Aaron Carter collection. 'Most Requested Hits' features the single 'Aaron's Party (Come Get It)' which has made itself the most requested for music lovers to enjoy during the live events. Apart from 'Aaron's Party (Come Get It)' , most of other songs from 'Most Requested Hits' have also become sought-after as a result. Some of Aaron Carter's most famous tour albums and songs are provided below. After 16 years since releasing 'Aaron's Party (Come Get It)' and making a huge effect in the business, music lovers consistently gather to hear Aaron Carter on stage to perform hits from the full discography.

Aaron Carter Tour Albums and Songs

Aaron Carter: Aaron's Party (Come Get It)

• Introduction: Come t...
• Aaron's Party (Come ...
• I Want Candy
• My Internet Girl
• That's How I Beat Shaq
• The Clapping Song
• Real Good Time
• Tell Me What You Want
• Girl You Shine
• Interlude: Big Bad '...

Aaron Carter: Most Requested Hits

• Not Too Young, Not T...
• I'm All About You
• Leave It Up To Me
• Another Earthquake!
• To All the Girls
• Do You Remember
• America A O

Aaron Carter: LØVË

• Hard to LØVË
• Sooner or Later
• What Did You Want to...
• Fool's Gold
• Seattle TideZ
• Let Me Let You
• (Don't) Say Goodbye
• Almost There
• Dearly Departed

Aaron Carter: Sooner Or Later

Aaron Carter: Oh Aaron

• Stride (Jump on the ...
• Come Follow Me
• Baby It's You
• The Kid in You
• Cowgirl (Lil' Mama)
• Aaron Carter Spoken ID

Aaron Carter Concert Tour Questions & Comments

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• March 9, 2013 Setlist

Aaron Carter Setlist at Rams Head On Stage, Annapolis, MD, USA

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• Mar 07 2013 The Stone Pony Asbury Park, NJ, USA Add time Add time
• Mar 08 2013 The Note West Chester, PA, USA Add time Add time
• Mar 09 2013 Rams Head On Stage This Setlist Annapolis, MD, USA Add time Add time
• Mar 10 2013 Jammin Java Vienna, VA, USA Add time Add time
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"Going after their accusers": "Fallen Idols" producers on Nick Carter and backlash against #MeToo

Docuseries producers on aaron carter's warmth, who refused interviews and what accusers face post-johnny depp trial, by gabriella ferrigine.

To believe or not to believe. That is the question.

It sits squarely at the heart of  "Fallen Idols: Nick and Aaron Carter," Investigation Discovery's docuseries that delves into sexual assault allegations made against Backstreet Boys member Nick Carter through interviews with his accusers.

Key among those participants is Melissa Schuman, who was a member of the late '90s and early aughts girl group Dream as a teenager. In 2017, at the height of the #MeToo movement,  Schuman  published a blog post claiming that Carter had raped her at his Santa Monica apartment in 2003. In "Fallen Idols," Schuman's account of her experience, coupled with testimony from Carter's other accusers and the intense backlash all the women received, underscores the challenges faced by accusers who come forward against high-profile figures with vehement, dedicated fanbases.

"You're now seeing a new wave of people being accused who now are affirmatively going after their accusers," Michael Hirschorn, executive producer of "Fallen Idols," tells Salon. "And this story, I think, is pretty remarkable in terms of the degree of aggression and vitriol in the responses."

According to Hirschorn, the social and legal reckoning spurred by #MeToo in film and television is something the music industry has not necessarily seen yet. "I was really struck how over the past eight years . . . that the film and TV business had really been profoundly transformed by the #MeToo accusations," he says. "And it felt that it had really been reformed; whereas the music business felt like it was kind of operating pretty much as is. And a lot of the people who were running the music business in the aughts, '90s — even the '80s — are still there. So there are a lot of stories still to be told. And the music business, everybody knows, is a tough and uncompromising place, and especially a tough place for young women. So it felt that that was a timely and important story."

"You're now seeing a new wave of people being accused who now are affirmatively going after their accusers."

Separate from serving as an exposé of the allegations Nick Carter faces, "Fallen Idols" also examines younger brother Aaron Carter's mental health and substance abuse issues as well as the Carter family's reportedly fraught dynamic, providing new insights into the dark underbelly of meteoric stardom for young stars. "We also wanted to look at the way young men who come up in this industry are treated and the way that both of those things influence the choices that people make and that many people of that generation will potentially empathize and relate to," says "Fallen Idols" showrunner Elissa Halperin.

Check out the full interview with Hirshcorn and Halperin below, in which they discuss how "Fallen Idols" came to be, the mixed blessing of growing up in the spotlight, and the complexities of going public in the digital age. 

The following interview has been edited for length and clarity. 

Michael Hirschorn:  The project started with an excellent British producer named Natasha Bowler, who had been investigating for various European outlets, #MeToo issues in the music business. She's the person who initially got in contact with the three women and really built trust over a period of time. So she then brought the project to me . . . and once the project was a go, Elissa joined as the showrunner and really took over the making of it.

The why now for me — I think there are a number of answers. One is I used to run programming at VH1 roughly at that time in the 2000s and was kind of aware of a lot of what was happening in the music business. And I was really struck sort of, how over the past eight years — which I think is probably the time span of #MeToo — that the film and TV business had really been profoundly transformed by the #MeToo accusations. And it felt that it had really been reformed, whereas the music business felt like it was kind of operating pretty much as is. And a lot of the people who were running the music business in the aughts, '90s —even the '80s — are still there. So there are a lot of stories still to be told. And the music business, everybody knows, is a tough and uncompromising place, and especially a tough place for young women. So it felt that that was a timely and important story.

Two other quick things, and I'll let Elissa jump in. There was a specific point, this is like in '22 when we were talking to Natasha. California — and I'm going to get the specific legalities wrong — had initiated a variety of look-back laws that basically temporarily suspended the statute of limitations to allow people who felt that they were victimized during that time period to come forward and initiate civil suits and potentially criminal actions. And there are other states that have done similar things. And so we had a sense in '22 that there was going to be a second wave of #MeToo starting in 2023. And boy, did that turn out to be the case. So I think everything that's in the news right now, you're seeing a pretty significant reckoning around some of these issues. And the music business I think mirrors what was happening seven or eight years ago in the entertainment business more generally. 

And then I think the last point, which I think deserves some attention, is the shift in the way that people who are being accused post-Johnny Depp have chosen to be far more aggressive in their responses to these accusations. So the first wave was really people would either apologize or just go silent for a period of time or would defend themselves against the charges. You're now seeing a new wave of people being accused who now are affirmatively going after their accusers.

And this story, I think, is pretty remarkable in terms of the degree of aggression and vitriol in the responses. Now, of course, we're not the people to say who's right and who's wrong. And I think depending on which prism you look at it through, you're either talking about a person who has been unfairly maligned or misunderstood, who is righteously fighting back. Or it could be somebody, if you believe the women, who is attempting to snuff out a legitimate complaint. And these are women who chose in our documentary to not only come forward and, I think, bravely tell their stories but also have been willing to undergo a really brutal legal process that's still ongoing.

When you first reached out for interviews, who was the first to respond? I'm curious to learn who was the most challenging to get for the docuseries. Were there any discussions about trying to get Paris Hilton or other members of Dream to participate?

Halperin: Yeah, definitely. When I came on to the project, the women were on board and Aaron [Carter] had recently passed away. And that had expanded the scope of what the documentary was. So I think we were really looking at it from this full 360 outreach perspective that we really wanted to represent all sides in some form. We reached out early to Nick Carter's camp to offer — we didn't necessarily expect he would take it — but we wanted to offer the being in communication. And they provided a lot of legal documents as well as some voices, which were all included in the documentary that would help to shed light on his perspective. And I think we really just tried to cover all of our bases and be as thorough as possible in terms of anyone who really had a personal connection to the story to have an opportunity to speak out. And we did reach out to Paris Hilton, who unfortunately declined to personally participate.

What were the challenges in making an exposé about this popular boy band member, especially since these cases are still ongoing? 

Elissa Halperin:   So it definitely is challenging. One of the things to note is that when I came on to the project, and when Michael started the project, none of these lawsuits had been filed yet. So we had our suspicions that they were going to be filed based on that look-back window. But I don't think that any of us were prepared for the number, and the defamation claims, and the counterclaims to the defamation claims. So I think that even with the awareness that there might be litigation, it turned out to be more complicated than I think any of us expected.

"We did reach out to Paris Hilton, who unfortunately declined to personally participate."

And so we just really wanted to be mindful the whole time that these are stories where the people who were immediately involved in them have two very different points of view that are currently being fought out in court and that we needed to report that with integrity and to really do our due diligence to understand that while also giving these women a platform where they felt safe and taken care of to share their story. And I think we approach every story that way, where anyone who comes into our space and agrees to speak with us and wants to tell their story, that we treat them with respect and we want them to be comfortable. And we want to allow them to say what they came to say. And I think that we had a lot to keep in mind while doing that, and we were very transparent about the fact that we were going to do our diligence about that. But that treating people respectfully was from beginning to end a top priority.

What kind of considerations were made or accommodations were made to make the key women participants who alleged abuse feel safe while discussing their stories?

Halperin: Well, I think there were a lot of conversations with building trust. Natasha had built a very extensive relationship with the women. And then when Michael came on board, I know he had to also earn their trust. And when I came on board, the same thing. I don't think any of us took that trust for granted and didn't value it. And I don't think we took it for granted any step of the way. And then there were also support services offered each step of the way as well. We were in conversation with attorneys. So I think we really tried, on the women's side, any time there was a concern or anything, we made ourselves very available to talk through anything. We offered opportunities for them to stop if they needed to.

So aside from discussing the alleged assault that Melissa Schuman went through, the series also shows the pressures that she endured as a former member of Dream to project sexiness as a teenage star. What was important about presenting this specific aspect of her experience in the industry?

Halperin: I think we've been talking a lot as a culture a little bit more about this particular period and the way that women were treated, both by the audiences and just by bosses and managers and publicists and everything. There's been a lot of coverage on Britney Spears  and the way that we treated her, on Paris Hilton, Lindsay Lohan, all of these young women. And I think we wanted to represent that part of the story and looking at the way women were treated.

But I think a big thing about this as well was that we also wanted to look at the way young men who come up in this industry are treated and the way that both of those things influence the choices that people make and that many people of that generation will potentially empathize [with] and relate to.

Hirschorn: And also the retailing of extremely young people as pop stars and performers. And it's notable that Lou Pearlman was the guy who initially put them together. Puffy [Sean Combs] was the person who initially put Dream together.

Especially now with that we're seeing with Diddy,  [aka Sean Combs.]

Hirschorn: Yes, exactly. Ironies abound. There was the fact that Aaron Carter was younger than 10, and he was touring. And, if what his former tour manager says is true, he didn't have his family around and was performing six days a week on Broadway. And it was only 20 years ago, but it feels like ancient history in a way.

"Everyone who had some interaction with Aaron felt that he was somebody that they cared a lot about and he cared a lot about them."

Hirschorn: He was somebody who was genuinely close to these women, who people close to him had really warm and passionate feelings about. I was really struck by the degree to which everyone who had some interaction with Aaron felt that he was somebody that they cared a lot about and he cared a lot about them. But at the same time, he clearly had mental health issues, clearly had addiction issues. And so his standing as a witness and a source is questionable. And the things that he was alleging were significant, serious, and we wanted to make sure that we didn't put our thumb on the scale too much in either direction to say, "Don't believe anything this guy says," or "Everything he says should be taken as gospel."

So I think the trick that Elissa and the team really had to tackle was how to weigh everything properly. And if we did our job right — we can't answer all these questions for you, but we can, I think, raise some interesting questions and hopefully start a conversation.

Halperin: I think Aaron's story is such a tragic story. And I think it intersected with the women's story and I think it intersects with Nick's story and I think it's interesting to really look at these two brothers who were so famous together at that same period and just look at where each of them went. From the allegations that are against Nick — but also, Nick seems to have really settled into this happy domestic life. Nick still has his fame and his supporters. And Aaron, I think, while there was so much warmth for him that we experienced, he really seemed to be struggling with a lot. So I think it was really interesting to look at that.

After Aaron spoke out supporting Melissa and some of Nick's other accusers, whether as a direct result or not, he was targeted incessantly online. How would you say that the digital age has helped or hindered making "Fallen Idols"?

Hirschhorn: I think like everything else in our culture, social media has hyper-politicized everything and turned every conversation debate into team sports. And you have, I think, more in this story than many other stories that are similar to it, this intense fan base, largely composed of women, as it happens, who believe that Nick Carter cannot do any wrong, that he is perfect and personified.

And then at the same time, coming out of the #MeToo movement — and I think it's going to come into play in the story — believe all women, the idea that victims or alleged victims are always right and always to be believed. And so it makes it very difficult to suggest that some things might live in a gray area and that there's nuance and that there's the possibility that a similar event could be perceived differently by the people involved. And that, then exacerbated by all the legal activity that's happening, made both the stakes very high and the journalistic decisions that needed to be made very complicated and involved a lot of debate on our part about, "How do we navigate through that?" knowing that it was possible that nobody would be happy with what the result was.

Notably, the docuseries features several self-proclaimed Nick Carter/Backstreet Boys super fans who vehemently refute the claims of sexual assault against him. And to me, it was noteworthy that they were all women. What were the conversations around the decision to feature these participants, and were there any challenges in getting them to participate? Because obviously, the nature of the documentary is exposing Nick Carter's alleged behavior.

Halperin: So the reason why we wanted to include the fans is because I think immediately when I came onto the project, I was struck by how devoted a fan base Nick had after more than 30 years — that Nick Carter and Backstreet Boys fans were so exceptionally devoted to that band and had grown up with them. And there was so much to that, so much to that emotional connection that I felt like that was interesting to explore, both from a nostalgic perspective and wanting to hear memories of that time and that idea of, "This is the first person I fell in love with. Everything was about this." And I think a lot of people can relate to that. And then I think their devotion, and maybe not even all these specific women, but the fan base's devotion to Nick's reputation and Nick's guilt or innocence feels so personal. And I think we felt like that was a part of the story. And I think it was somewhat challenging.

We obviously wanted to protect the women who were participating in the series at the outset. But we also asked everyone the same questions about Nick Carter and how they felt about the current allegations. So I think we really wanted that voice. And I think we were clear on what our intentions were with that.

"Fallen Idols" shows a fair amount of the online doxxing, the trolling, the death threats and the stalking that happened as a result of Melissa and the other accusers speaking out about the alleged assault. How much did you actually decide to show in the docuseries itself relative to what you were actually exposed to when you interviewed them?

Hirschorn: It's interesting because any time you get into social media, you can very quickly go down a rabbit hole and get into really dark, weird, f***ed-up spaces. And there were a number of avenues that we decided not to pursue because they were so murky, so complicated, so hard to explain. And the web of relationships was so complicated that we sort of decided, unless we had two more hours to get into them, it was not worth doing. And at a certain point, all web controversies turn into every other web controversy. So I think we wanted to really get at the most salient aspects of it. And I think the psychological aspects of it; specifically in Aaron's case, he sort of seemed to invite some of that attention because he was really putting himself out there asking people to engage with him. And so to a certain degree, we wanted it to be understood that he wasn't purely a recipient.

There were a few online personalities, Molly Golightly, Ganval, etc., who targeted Melissa, and then later Aaron. Were these people that you considered trying to have participate in "Fallen Idols," or did you not want to include them?

Halperin: We actually did have conversations with them. And ultimately, they were not a part of the series, either by their decision or our decision.

We've talked about how Aaron Carter's mental health and rapid decline is extremely heartbreaking to watch. What were the considerations you made with his family about showing that? Were you in contact with his family about showing certain footage and sensitive clips and just his vulnerability in that regard?

Halperin: Melanie, his fiancée at the time, was included in the documentary. And she's Prince's mother, and she gave her consent in that way. And also, Aaron really lived his life very publicly online. Much of what we depicted were things he put out there. And so I think it was helpful to see that I think his intention was to show his full self, struggles and all.

There's a "Sesame Street" clip that is particularly poignant that you show because it features Nick and Aaron together talking about sibling disagreements. There's this rinteresting family dynamic and discussion that "Fallen Idols" really delves into. How did you stumble onto that clip? And why was it added in near the end of the series?

Halperin: I think, actually, we were just kind of going through all of our old archive, just as much archival as we can find. I have to credit our series director Tara Malone because she always loved that clip so much. And we played it for Melanie and Prince, partially because of the fact that we thought Prince would enjoy seeing that kind of thing. But I think we were really struck by that as well. And that image of just the love that was there and just seeing where it went, I think for us it was really emotionally powerful to include.

How would you say the "Fallen Idols" team and the accusers prepared for the response from what will undoubtedly be many naysayers? Are the women primed for this, given the intense retaliation they've already received and experienced for years?

Hirschorn:  They haven't seen it. We did not agree to show it to any of the relevant parties before it airs. So we don't know. And they should answer for themselves. I think the fact that they've all initiated lawsuits, have been through depositions, which can be pretty brutal . . .  And in Shay [Ruth]'s case, in particular, held a press conference. My sense is that they're fairly prepared for it, given what they've already gone through.

We touched on this sort of resurgence of #MeToo that's happening right now. What do both of you hope that "Fallen Idols" contributes to the ongoing #MeToo discourse? W

"The fan base's devotion to Nick's reputation and Nick's guilt or innocence feels so personal."

Hirschorn:  That's a tough question to really comprehensively answer. I mean, we're not looking for any specific result. I think we're interested in having a useful conversation about how this generation of entertainers was brought up, how a certain generation of us was taught to behave. And can there be a fruitful conversation moving forward about how to come up with a better method for dealing with these young stars and their proper care and feeding. Because one of the most tragic stories is it's always these very young stars when they become grown-ups who are really, really struggling, both from the alleged accused side and from the alleged victim side.

Halperin: Yeah, I think opening up a conversation that has more nuance and that allows for us to look critically at all sides and all choices and try to kind of find a way to move the conversation forward in a way that isn't quite so polarizing. That can be more respectful and that can be more allowing for thoughts and ideas and nuance. I mean, I think to me that was a lot of what I thought about. And if "Fallen Idols" can spark any of that, I think that's valuable.

The Backstreet Boys were the One Direction and the BTS of the early aughts. What do you expect the reaction to this docuseries will be and what do you hope it will be?

Hirschorn: We expect and we're already seeing a very highly polarized response, which I think is very much in tune with how so many debates are played out through social media and the public square in general. And what we would like is something that's a bit more nuanced and a bit more textured. And we tried to make something that left you with some empathy for everybody involved. Whether we succeeded or not, or whether that's even possible in this environment, is very much an open question.

"Fallen Idols" is now streaming on Max.

about this topic

• "We all have a responsibility for the safety of minors": "Quiet on Set" directors on new fifth episode
• Me Too founder on her healing memoir and and creating change: "All of us contribute to rape culture"
• The Diddy investigation: A timeline of allegations and lawsuit leading up to sex investigation

Gabriella Ferrigine is a staff writer at Salon. Originally from the Jersey Shore, she moved to New York City in 2016 to attend Columbia University, where she received her B.A. in English and M.A. in American Studies. Formerly a staff writer at NowThis News, she has an M.A. in Magazine Journalism from NYU and was previously a news fellow at Salon.

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