best travel camera low light

The best travel camera for 2024: the finest choices for your adventures

The best travel cameras for your next big trip

• Best overall
• Best-looking
• Best action cam
• Best tough camera
• Best premium compact
• Best small full-frame
• Best hybrid vlogger

Best for moving subjects

• Best superzoom

How to choose

• How we test

1. The list in brief 2. Best for most people 3. Best value 4. Best-looking 5. Best action 6. Best tough 7. Best premium compact 8. Best small full-frame 9. Best hybrid travel vlogger 10. Best for moving subjects 11. Best superzoom bridge 12. How to choose 13. How we test

Road trip or flyaway vacation, the best travel cameras let you capture incredible images of your holiday adventures. From action cameras to compact mirrorless models, we've extensively reviewed the top travel-friendly cameras and rounded up our recommendations in the expert guide below. Whatever your itinerary, this is list is your ticket to the ideal travel camera.

Based on our tests, we think the best travel camera overall is the OM System OM-5. A portable, weatherproof Micro Four Thirds model, it shoots higher quality images than a smartphone while offering the useful flexibility of interchangeable lenses.

Whatever your expectations and budget, you'll find a travel camera to fit the bill below. Our list includes some of the best mirrorless cameras , as well as some of the top compact cameras . Our expert reviewers have spent many hours testing the best options, using them in the real world to assess how well they perform when traveling. You'll find the results distilled in the list below, together with buying advice to consider when choosing a travel camera.

Tim is TechRadar's Cameras editor, with over 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. He’s also worked in video production with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi.

The quick list

If you don’t have time to read our full list of the best travel cameras, you can read the round-up below for a shortcut to the top options for your needs and budget. If you find one that takes your fancy, use the links to jump to our full write-up.

The best travel camera overall

Squeezing a host of features into a compact, weatherproof body that’s compatible with a range of lenses, the OM-5 is the ideal travel camera.

Read more below

The best value travel camera

With a large 1-inch sensor and useful 15x optical zoom, the Panasonic TZ200 puts smartphone-beating performance in your pocket.

The best-looking travel camera

Don’t be fooled by its lovely retro looks: the Nikon Z fc is every bit the modern travel camera, with a useful touchscreen and top image quality.

The best action camera for travel

The GoPro Hero 12 Black is the best all-round action camera available ideal for capturing your adrenaline-filled travels, with 8:9 sensor ideal for sharing travel videos to social.

The best tough travel camera

For rough and tumble travels you'll want a tough camera and they don't come much better than the OM System Tough TG-7.

The best premium compact

With a large sensor, fixed 23mm focal length, small form factor, retro design and film simulations, the X100VI is a powerful tool for street photography and documenting your travels.

Load the next 4 products...

The best small full-frame camera

Combining a small form factor with a high-res 61MP sensor and fantastic autofocus, the Sony A7C R is the best full-frame camera for travel photography.

The best hybrid for travel vlogging

A capable sensor and automated settings, including a Vlogging mode, make the Fujifilm X-S20 an accessible tool for stills and video on the go.

The best for moving subjects

The compact A6700 uses AI-powered autofocus to reliably snap on to animals, insects, cars and more. The Fuji X-S20 is better for video, though.

The best superzoom camera

Even with a 1-inch sensor, the Sony RX10 IV delivers sharp stills and video, with the added versatility of a generous 24-600mm zoom range.

The best travel cameras in 2024

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Below you'll find full write-ups for each of the best travel cameras in our list. We've tested each one extensively, so you can be sure that our recommendations can be trusted.

1. OM System OM-5

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want a robust travel camera: Light enough to travel with but tough enough to deal with bad weather, the OM-5 is a ruggedly dependable camera. ✅ You shoot handheld a lot: The OM-5 has excellent image stabilization for stills, meaning you can cross a tripod off your packing list.

❌ You want the best image quality: Its Micro Four Thirds sensor is decent enough, but some rivals offer more pixels and better low light performance. ❌ You have large hands: Handling is surprisingly good for a small camera, but the grip is not very deep, especially for those with bigger hands.

The OM-5 is only a relatively minor update of the Olympus OM-D E-M5 Mark III , but its combination of talents make it an ideal travel camera in our book – particularly if you want the flexibility of interchangeable lenses. It shoehorns a lot of features into a compact, weatherproof body that's compatible with a wealth of equally small lenses. Most of its skills, including excellent in-body image stabilization and computational photography modes, are also designed with travelers and adventurers in mind.

Our tests found that the OM-5 delivers excellent video and stills quality for its size, helped by a stabilization system (good for 6.5-stops of compensation) that gives you a high hit-rate of keepers. We also enjoyed the high-quality feel of the camera's dials, as well as in-camera software tricks, like Live ND and in-camera focus stacking, which are ideal for macro shots or blurring skies for an ethereal effect. Less good are the fairly average EVF resolution, 4K /30p limit for video and relative limitations of its smaller sensor, but these are all acceptable trade-offs considering this camera's size and price.

Read our in-depth OM System OM-5 review

• ^ Back to the top

The best-value travel camera

2. Panasonic Lumix ZS200 / TZ200

✅ You want an all-in-one compact: You can’t beat the TZ200 for portability, but it’s also a feature-packed option with a useful zoom range and 1.0-inch sensor. ✅ You want a large zoom range: At 15x optical zoom, the TZ200 offers the versatility to shoot all sorts of subjects on your travels.

❌ You like an ergonomic grip: The Lumix TZ200 has plenty of manual controls on the metal body, but there’s not much of a grip to get your fingers around. ❌ You want a cheap camera: Its generous feature set makes the TZ200 excellent value, but its still pretty pricey for a premium compact.

With smartphones now raising the bar for point-and-shoot photography, compact cameras have to offer something special to justify their place in your travel bag. The ZS200 / TZ200 does that with its large 1-inch sensor and versatile 15x optical zoom. It might be towards the upper end of the compact camera market, but Panasonic 's travel zoom continues to offer great value.

Its large 1in sensor produces better natural image quality than most smartphones, despite the latter's advances in multi-frame processing. Our tests found colors to be nice and punchy, with the dynamic range allowing you to recover lost shadow detail with post-processing if needed. Even at 24mm, vignetting and distortion is nicely controlled. There's also a handy built-in electronic viewfinder, which makes it easier to compose images in bright light. It's still quite pricey, but this is still the best travel zoom compact camera available right now.

Read our in-depth Panasonic Lumix ZS200 / TZ200 review

3. Nikon Z fc

✅ You care about camera design: From the retro dials to the circular viewfinder, the Nikon Z fc channels classic style to fantastic effect. ✅ You like manual exposure control: Dedicated dials for ISO, shutter speed and exposure, complemented by a lens control ring, give excellent manual control.

❌ You need a wide choice of lenses: There are only a handful of Z-series kit lenses designed for the APS-C format, limiting your options for expansion. ❌ You want a rugged camera: Although it looks like the sturdy FM2, the Z fc isn’t weather-sealed, so it’s not one to take on rainy adventures.

Travel photography is all about capturing memories and Nikon’s Z fc fully embraces the concept of nostalgia: it’s a stunning homage to the 30-year-old Nikon FM2 – complete with retro styling, dimensions and dials. Despite the throwback design, it’s a very modern camera inside, sharing many of its specs with the capable Nikon Z50. While some photographers might wish for a full-frame sensor, the Z fc’s APS-C number does a stellar job of capturing stills and 4K video, aided by reliable tracking autofocus. Our tests found that its 20.9MP sensor had an excellent handle on noise, especially under ISO 800, while dynamic range was impressive.

Its vari-angle touchscreen is also a brilliant addition, making it easy to frame travel selfies – or folding away completely for a leather-back look that lets you pretend it's the Eighties. The Nikon Z fc isn’t as sturdy as the camera that inspired it (there’s no weatherproofing, for example), but it’s still a beautifully unique camera for casual use. And with dedicated dials for ISO, shutter speed and exposure, plus a customizable lens ring, it’s also an easy one to control on the go.

Read our in-depth Nikon Z fc review

4. GoPro Hero 12 Black

✅ You want a rugged travel camera: Waterproof down to 10m, the GoPro Hero 12 Black is a great choice for capturing action-packed travels. ✅ You plan to share on social: The 8:7 aspect ratio of its sensor gives you lots of flexibility to crop footage for social, including vertical videos.

❌ You plan to shoot in low light: Its 1/1.9in sensor shoots sharp footage, but it still struggles with noise handling in lower lighting conditions. ❌ You want a hybrid for stills: While the sensor can shoot 27MP stills, you’ll get a better photography experience from a standard alternative.

If you're looking for a high resolution action camera for your travels that's as comfortable shooting smooth videos as it is crisp photos, then the GoPro Hero 12 Black tops the bill. It was an underwhelming update of the Hero 11 Black, but that's not necessarily a bad thing because that camera was already highly capable. There's the same 1/1.9in sensor with versatile 8:9 aspect ratio – you can reframe footage for different social channels without sacrificing quality, and its max resolution of 5.3K/60p beats the DJI Osmo Action 4. You can capture dramatic TimeWarps at the full 5.3K resolution, shoot photo sequences as a rapid 30fps, and pull 24.7MP stills from 5.3K video.

Design-wise, there's no change to the Hero 11 Black, the two rugged models are physically identical and come with a large Enduro battery as standard, giving more time between recharges on the road. The same interface lets you tweak the user experience, with ‘Easy’ and ‘Pro’ modes to suit your skill level. Superior Horizon Lock and HyperSmooth 5.0 smarts do a remarkable job of stabilizing handheld video. Minor updates from the Hero 11 Black are mainly for pros, including flat Log color profiles, 10-bit video, and multi-channel audio capabilities. For most people however, there's little reason to upgrade or to pick the Hero 12 Black over its predecessor which could save you a little money. 

Read our in-depth hands-on GoPro Hero 12 Black review

5. OM System Tough TG-7

✅ You want a hardcore camera: With a case that’s waterproof, shockproof and freezeproof, the OM System Tough TG-7 is built to take a beating. ✅ You like a simple interface: Premium features include RAW shooting and 4K video, but the camera itself is easy to operate, even in tricky conditions.

❌ You want the best image quality: Results from the 1/2.3in sensor are fine, but the TG-7 tends to overexpose, and detail is lost at the telephoto end. ❌ You like using a viewfinder: The Tough TG-7 doesn’t have a viewfinder, and the 3-inch LCD screen has limited visibility in bright sunlight.

The biggest change in the OM System Tough TG-7 and the camera it replaces is in the name – since OM System acquired Olympus, it has wrought extremely minor upgrades to key models from the Olympus range, including the TG-6. None-the-less, we haven't seen another tough camera to better the TG-6 in that time, and so if you want the best tough camera available today, the TG-7 now tops the list. 

Tough cameras like the TG-6 are freeze-proof, shockproof and waterproof and can therefore be used in scenarios that you simply wouldn't consider with your phone or expensive camera, and for that reason the TG-7 is still one of the best travel cameras you can buy. Its industrial design feels reassuringly rugged, while large buttons make it convenient to operate beneath the waves or while wearing gloves, plus its 3-inch LCD display offers decent visibility in most conditions. 

We found image quality to be reasonable for a camera with a 1/2.3-inch sensor, with nice, rich colors – although there was a tendency to overexpose and blow out highlights. An equivalent zoom range of 25-100mm is fair, plus the inclusion of 4K video and raw shooting enhance flexibility. Its image quality might not match your phone for regular photos, but the TG-7 will allow you to be capturing extreme travel memories when you otherwise couldn't, plus there's a range of useful accessories such as a ring light for close up photography. 

Read our in-depth OM System Tough TG-7 review

6. Fujifilm X100VI

✅ You're exploring the city: With a fixed 23mm f/2 lens, Fujifilm's best autofocus, tilt screen and hybrid viewfinder, the X100V is a fantastic choice for street photography. ✅ You want a premium camera: From its retro design to its metal body, the X100V feels well-made and looks the business.

❌ You don’t want a fixed focal length: The 23mm lens is fantastic, but some users will find it limiting, especially if you value the ability to zoom. ❌ You’re on a tight budget: The X100VI is a popular but niche premium camera, and its increased price will put it out of budget for many.

We'd class the Fujifilm X100VI as a niche premium compact camera, but the range has grown in popularity since its inception in 2010 and is more popular than ever. The sixth generation model keeps the fixed 23mm f/2 lens and retro design that's been inspired by 1950s analogue cameras and despite its single focal length and no zoom it is one of the best travel cameras you can buy if it's in your price range.

The X100VI keeps all that users have grown to love about the X100-series; sharp fixed lens, large sensor, retro design, and unique hybrid viewfinder, but then builds on the X100V with a higher-resolution 40MP sensor and in-body image stabilization. The result is a significantly more versatile camera, for example the digital teleconverter can crop into the full image for 50mm (at 20MP) and 70mm (at 10MP) focal length looks, while stablization lets you shoot slower shutter speeds in low light.  

Other key improvements over the X100V include more detailed 6K video and Fujifilm's best-ever autofocus that includes advanced subject detection for photo and video. You can rely on the X100VI as a discreet everyday camera to document the world around, especially your travels, and it comes with 20 film simulation color profiles inspired by actual Fujifilm 35mm film that you can customize with recipes to develop your own style. 

Read our in-depth Fujifilm X100VI review

7. Sony A7C R

✅ You want the sharpest stills: With a 61MP full-frame sensor, you won’t get sharper travel snaps from any other camera in this list. ✅ You want a small, powerful camera: Despite the full-frame sensor inside, the A7C R is very compact and fits neatly in the hand.

❌ You value good handling: The small design has drawbacks, including a compromised viewfinder and absent AF joystick. ❌ You plan to use big lenses: Its compact proportions mean the Sony A7C R is mismatched with larger telephoto lenses.

By combining a small, travel-friendly form factor with a 61MP full frame sensor and fantastic autofocus, Sony has created arguably the ultimate travel camera. Successor to the Sony A7C – already one of our favorite travel photography tools – and announced alongside the A7C II , the A7C R fits nicely in the hand, while a flip screen and new dials offer welcome control.

Equipped with Sony’s top-grade autofocus and AI-powered subject tracking, the A7C R can cleverly and reliably track a broad range of subjects. You won’t find a better full frame sensor, either: borrowed from the A7R V , it captures stunning, pin-sharp stills in all conditions. Cropping potential is vast, and video footage is decent too.

There are trade-offs, though. In testing, we found that the A7C R’s compact proportions come with handling compromises, especially compared to the traditional design of the A7R V. The viewfinder feels small and fiddly, and we wish Sony had included an AF joystick. It’s also not a camera to pair with large telephoto lenses. But the real kicker is the cost: it’s significantly more expensive than the A7C II. That premium means it’s only a camera to consider if you need absolutely the best possible image quality on your travels.

Read our in-depth Sony A7C R review

8. Fujifilm X-S20

✅ You value longevity: The X-S20 has double the battery life of the X-S10, making it a great choice for long days of travel photography. ✅ You shoot video, too: Capturing sharp 26MP stills and 6K/30p open gate video, the Fujifilm X-S20 is a true mirrorless hybrid.

❌ You need weather proofing: Build quality of the X-S20 is good, but you’re better off with the Sony A6700 if you need a weatherproof camera. ❌ You have a limited budget: Its additional features come at the cost of a steep price hike compared to the Fujifilm X-S10, which makes it a harder sell.

Channelling everything we liked about the X-S10 – including a compact, well-balanced body – the Fujifilm X-S20 cements its position as a fantastic mirrorless cameras for travel. It handles comfortably, with simplified dials making it accessible for beginners. In testing, we found new novice-friendly features – such as a dedicated Vlogging mode – also make the X-S20 a forgiving camera for touring first-timers.

The X-S20 is blessed with a proven shooting system, utilising the same 26.1MP sensor as the X-S10 and X-T4 to produce quality stills. It also eases the way for beginners with an automatic scene detection mode, which harnesses the power of Fuji’s latest X-Processor 5 to reliably choose the correct settings. From our first impressions, it works better than the automatic subject tracking, which was a little hit and miss.

With 6K/30p 4:2:2 10-bit internal video recording also on offer, plus in-body image stabilization that worked well in testing, the Fujifilm X-S20 is a solid option for content creators on the move. The lack of weather-sealing will discourage adventurous travellers, while the price tag means it isn’t one to leave in an unattended bag. But at just 26g heavier than its predecessor, the X-S20 is a very capable all-rounder for travel.

Read our in-depth Fujifilm X-S20 review

9. Sony A6700

✅ You want a capable travel hybrid: A sharp APS-C sensor, five-axis stabilization and AI autofocus make the A6700 a great all-rounder to take on the road. ✅ You like to get hands-on: A more ergonomic grip and lots of direct-access buttons make the A6700 a nice camera to handle and use.

❌ You shoot mostly video: The A6700 can record sharp video, but there’s a heavy 1.6x crop on 4K/120p slow-mo and Active SteadyShot stabilization isn’t the best. ❌ You like simple menus: The interface on the A6700 has quite a learning curve, and it can be tricky to navigate when shooting out and about.

It's a close-run thing between the Sony A6700 and the Fujifilm X-S20 above, but if you shoot a lot of moving subjects then the Sony should be your choice. Like the Fuji, it has a 26MP APS-C sensor and comes in a compact, travel-friendly form. And like the Fuji, it's a genuine hybrid, offering decent video options to go with its stills prowess. But there are some key differences.

First, the good: the A6700 has the same AI-powered chipset as the far more expensive Sony A7R V , and this helps it deliver incredible subject tracking; seriously, this camera will lock on to humans, animals, insects, cars, trains, aircraft and more, then follow them unerringly around the frame. However, its video chops aren't as impressive as those of the Fuji. 4K 120p slow-mo footage is subjected to a heavy 1.6x crop, while the five-axis stabilization doesn't work as well when filming as it does when shooting stills. The complex menu system also leaves something to be desired.

Still, it handles well, has a great battery and would make an excellent all-rounder for your next trip - so long as you're slightly more focused on images than video.

Read our in-depth Sony A6700 review

10. Sony Cyber-shot RX10 IV

✅ You like to zoom in: With a sharp, fast 24-600mm, the RX100 IV offers fantastic versatility to capture a range of subjects on your travels. ✅ You want an all-in-one option: The RX100 IV is a high-end bridge camera with a big zoom range, high-quality EVF and capable AF system.

❌ You want a small camera: While it ticks most of the boxes for travel photography, the RX100 IV is bigger and heavier than many rivals. ❌ You like a slick touchscreen: Its tilting touchscreen is a useful addition, but you can’t use it to navigate menus or swipe through images.

In terms of offering something for everybody, the RX10 IV ticks a lot of boxes. It's like having a bag full of lenses, but with the benefit of never having to change them. There's a very long zoom (going all the way from 24-600mm), while the maximum aperture is pretty wide throughout the lens. 

The RX10 IV's sensor might not be as a large as the ones you'll find on a mirrorless camera or DSLR, but Sony's 20.1MP one-inch chip proved itself to be very capable in our tests. Noise was well-controlled, and you'd have no problem making an A3 print from one of its files (particularly if you shoot at under ISO 800). 

You also get 24fps shooting, cracking 4K video quality and handling to rival a DSLR. The major downside? The high price – if your budget is tighter, don't forget about this camera's predecessor, the RX10 III .

Read our in-depth Sony Cyber-shot RX10 IV review

How to choose the best travel camera for you

Picking the right travel camera can be trickier than finding affordable flights. You’ll want a shooting tool that’s compact enough to conveniently carry on your travels, yet still capable of capturing sharp stills and stable video of your jet-setting adventures.

There are a few key things to keep in mind when choosing your ideal travel camera. Among the most important is size. While pocketable compacts offer convenience, the quality of your travel snaps will be boosted by the bigger sensors of larger mirrorless models.

If your adventures are likely to involve going off the beaten track, it’s worth considering a travel camera with rugged credentials. This could be one of the best action cameras , such as the GoPro Hero 11 Black – perfect if you plan to shoot quick, slick travel clips. Or it could be a sturdy compact such as the Olympic TG-6, which is one of the best waterproof cameras .

It’s also worth thinking about what subjects you might be shooting on your trip. A long zoom range will be handy on safari , while something light and fast is better for capturing street snaps on a city break. Travel compacts, such as the Panasonic Lumix ZS200 / TZ200, usually use a zoom lens to cover a range of shooting scenarios. Interchangeable lens cameras like the Fujifilm X-T30 II can similarly offer the flexibility of both worlds, but only if you’re happy to travel with extra barrels in your backpack.

Which type of camera is best for traveling?

Travel cameras come in a range of shapes and sizes. Which style is best for you will depend on how you like to travel, what you like to shoot and how much gear you’re willing to cart around.

Travel zoom compacts such as the Panasonic Lumix ZS200 / TZ200 are pocket friendly, yet offer a broad scope for capturing a range of subjects. Thanks to generous zoom ranges, they give you the opportunity to get close to the action, or to shoot wide. The trade-off for having all of this flexibility in a compact body is generally a smaller sensor, which is less useful for shooting in low light.

If you’d like neat proportions but don’t need the versatility of a zoom lens, premium compact cameras could be worth considering. Models such as the Fujifilm X100V sacrifice zoom range in favour of larger sensors that are better at gathering light – usually a one-inch or, in the case of the X100V, an APS-C chip.

Between compacts and mirrorless cameras is where you’ll find bridge cameras. Bulkier than a standard compact, they offer more comfortable handling and a large zoom range, but without the need to carry different lenses. New bridge cameras are increasingly rare, but the Sony Cyber-shot RX10 IV remains a great example.

If you don’t mind traveling with multiple lenses, many of the best mirrorless cameras have been specifically designed with travel in mind. In the case of models like the OM System OM-5 , that means a portable, weatherproof body, useful image stabilization for shooting on the move, plus a versatile Micro Four Thirds sensor that balances size and performance. And with lots of different lenses to choose from, you can pack different optics depending on the type of trip you’re taking – or opt for a reliable all-round option.

Is a DSLR or mirrorless camera better for travel photography?

When it comes to travel photography, most photographers look for a balance between portability and performance. If this is the combination you’re after, mirrorless cameras will almost aways have the edge over their DSLR rivals. Mirrorless models are generally smaller and lighter than DSLRs, making them easier to wield and travel with.

Despite their more compact proportions, many of the best mirrorless travel cameras can also match or outclass DSLR cameras when it comes to image quality, as well as autofocus abilities and video features. This makes them versatile tools for shooting on the move, especially if you choose a model with in-body image stabilization for sharp handheld results. If you pick a mirrorless camera with an established lens mount system, you’ll also find no shortage of glass to pack for your trip.

That said, there are reasons why you might still want to consider a DSLR camera for travel. Some photographers prefer the chunkier ergonomic grip for which the DSLR format is famous, especially if they plan on shooting for hours on end. The best DSLR cameras also offer superlative battery life, which can be useful if your travel plans include days away from electricity.

Budget might also be a factor, especially if you’re concerned about taking an expensive camera on your travels. Older DSLR cameras can offer great value, as can second-hand mirrorless models. It’s also worth looking at our round-up of the best cheap cameras , which includes some options that are a good fit for travel photography.

• Read our in-depth DSLR vs Mirrorless comparison

How we test travel cameras

Buying a camera these days is a big investment, and travel cameras are no different – so every camera in this guide has been tested extensively by us. For travel cameras in particular, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.

To start with, we look at the camera's design, handling and controls to get a sense of how suitable it is for life on the road, and any particular features that might be particularly useful for globe-trotters. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.

When it comes to performance, we use a formatted SD card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.

In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.

If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.

Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.

We then take everything we've learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.

Get daily insight, inspiration and deals in your inbox

Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.

Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other. 

• Chris Rowlands
• Mark Wilson Senior news editor

Lomography Lomomatic 110 review: Brand-new 50-year-old technology

It’s finally happened: Canon opens up its RF-mount to Sigma and Tamron lenses

Amazon has a ton of cheap tech gadgets on sale – I've found the 13 best ones

Most Popular

• 2 New Deadpool and Wolverine trailer is packed with Marvel Easter eggs – here are 6 of the best
• 3 Sony’s wearable air conditioner is the first step towards a real Dune stillsuit
• 4 Samsung's S90C OLED is our best-rated TV, and it just crashed to a new record-low price
• 5 This Android phone for audiophiles offers a hi-res DAC, balanced output and 3.5mm jack – plus a cool cyberpunk look that puts Google and OnePlus to shame
• 2 According to researchers, GPT-4 cracked 87% of real world 'one-day’ vulnerabilities
• 3 DJI drones just got a new rival in the US that licenses… DJI technology
• 4 Sony dropped OLED for its flagship 2024 TV – here's why
• 5 Missed out on the Fujifilm X100VI? New leak suggests the next best thing could land soon

11 Best Travel Cameras, According to Experts and Amateurs Alike

By Alex Erdekian

All products featured on Condé Nast Traveler are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

If you’re debating whether to spring for one of the best travel cameras before an upcoming trip, consider this: Yes, a smartphone is perfectly capable of serving the average traveler’s photography goals, but a dedicated camera is required for capturing high-quality memories. The wide angle lens of a smartphone camera can only take its images so far; in spite of technology’s advancements over the years, its zoom feature still degrades photo quality, making them too grainy—in our opinion—to be worth taking. When it comes to travel photography, many of us want to get close and fill the frame with exciting faraway shots like skylines and canyons. A good travel camera also allows the photographer to shoot exciting, fleeting scenes from their trips, like bicycles blurring through a charming street, low-light landscapes like a starry sky, or a city strip flashing with neon lights. Lastly, we’ll leave you with this: In an era when we’re glued to our phones every minute of the day, documenting a trip with a camera allows us to be present in the here and now, and actually connect with the place we’ve traveled so far to experience .

To guide your search for the perfect new device, we’ve tapped experts, editors, and frequent travelers to weigh in on their most-loved cameras. Below, 11 travel cameras to consider bringing on your next adventure.

Find the best travel cameras:

For taking your interest to the next level, for capturing video footage, for emulating the experts, for unserious fun with film.

Larry Guo, a Brooklyn-based reader who studied fine art photography as an undergraduate, loves Fujifilm’s ecosystem of cameras when it comes to taking travel photos. His particular camera of choice is the Fujifilm xT10, a mirrorless digital camera that is significantly more lightweight and portable than a DSLR. “You have all of the abilities of a raw digital camera, but it’s less bulky,” Guo says.

Guo’s recent travels have taken him and his partner Rob to Puerto Vallarta, Mexico, and throughout Japan . His partner, who has an affinity for landscape photography, uses the Fujifilm XT3, which is a more semi-professional model.

“[Rob] really likes the process of coming home and editing. He enjoys landscape photography, so he brought an extra lens. He took really beautiful shots in Puerto Vallarta of the mist. In Japan, he took beautiful photos all over the place. We had them printed at Griffin Editions in Gowanus [Brooklyn].”

Pallavi Kumar , Condé Nast Traveler’s senior visuals director, is loyal to Fujifilm as well. “Fuji’s image quality and colors are unmatched,” Kumar says. “Sony is supposedly advanced, but Fuji's image quality is something else.” She shoots with the Fujifilm x100V.

Guo added that he has heard terrific things about the point-and-shoot cameras by Ricoh. These high-end point-and-shoots make snapping high-caliber photos on the move easy and seamless, requiring little to no steps before hitting the shutter. “It’s a really well-made point-and-shoot,” he says. “There’s no interchanging lenses. And for most people, that's really what you need. Most people don’t want to travel with multiple lenses.”

Filmmaker and writer Leslye Davis—who is a co-director of the documentary Father Soldier Son and has worked as a visual journalist at the New York Times —has been taking a camcorder with her on her personal travels. “It keeps me off my cell phone and it makes it easier to keep track of footage but also to edit while you shoot, so it’s fun to watch the shots back-to-back,” she says. For photos, she’s been shooting with the Canon R6. “It’s light and has a silent shutter and the images are high-res.”

National Geographic underwater wildlife photographer Cristina Mittenmeier previously told Traveler that she shoots with a Sony a7R III . Given the subject matter she captures, she uses it for its extraordinarily high-resolution images and low-light capabilities.

In a previous version of this article, legend Steve McCurry recommended the Leica SL2 and White House photographer Pete Souza recommended the Fujifilm X‑Pro3.

McCurry is famous for his iconic photograph “Afghan Girl,” which was featured on the cover of National Geographic in June 1985. The SL2’s lenses, he said, were the best he’s used, and he praised the camera’s incredible durability. The camera has extremely crisp 5K and 4K recording capabilities, so for users who are traveling in rogue conditions—like windy deserts or beaches with massive waves—the camera’s weather sealing, which keeps out the elements, is key.

The Fujifilm X‑Pro3 is Souza’s favorite walking around camera. It's lightweight and quiet. Souza, who photographed Presidents Ronald Reagan and Barack Obama throughout their terms, recommends planning your travel shots with this camera for the “first two hours of light in the morning, the last two hours of light in the evening, or when the weather is really bad (think fog, rain, or snow).”

Growing in popularity lately has been Kodak’s new film cameras. Mercedes Bleth , Traveler’s g lobal associate director of social, has been loving the Kodak Ektar H35, a 35mm point-and-shoot film camera that shoots half-frame—which means you get twice as many photos for each roll of film. (A major plus considering film is so expensive.)

“I love taking this little film camera with me on trips,” Bleth says. “It is very compact, lightweight, and easy to use (point-and-shoot at its finest). I find that it's a more present way to capture memories while traveling—it allows you to stay in the moment because you don't spend as much time with your phone in hand, taking too many photos to get the perfect shot. Film is precious (even at half-frame), so what you get is what you get, which in my opinion, makes the memories that much more tangible, and fun to look back on once it's developed.”

I also own this camera in mint green and love how paper-light, affordable, and cute it is. For an even lower stakes experience shooting film, Traveler contributor Lydia Mansel loves her colorful Kodak M35 35mm film camera , a $25 option that is great for those into disposable cameras who want to upgrade to something reusable so they can stop shelling out and throwing away new ones after each trip.

• Student Successes
• My Learning

16 Best Low Light Cameras in 2024 (Updated)

You can also select your interests for free access to our premium training:

The best low light camera should have high ISO capabilities, image stabilization , and a high frame rate. Good autofocus and noise reduction capabilities are also beneficial for low light photography .

We have found low light cameras for all skill levels and budgets. And they have the right specs for when the sun goes down or when the lights go dim. At the top of our list is the Sony a9 II . It has amazing in-body image stabilization, a wide ISO range, and low light autofocus (AF).

If you buy a product through one of our referral links we will earn a commission (without costing you anything). Prices last updated on .

As an Amazon Associate, I earn from qualifying purchases. Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply to the purchase of this product.

What’s the Best Low Light Camera?

“Best” is a difficult term to define, especially when it comes to cameras. In the end, you need to think about which camera is best for you. What is your budget? And what photography do you want to do?

Our list of the best low light cameras has something for everyone. We’re sure you will find the best low light camera for your needs. Use these links to find the right section for you:

Best Low Light Cameras for Professionals

Best low light cameras for enthusiasts, best low light cameras for beginners.

• Impressive 20 fps continuous shooting
• Lightning-fast autofocus
• Improved ergonomics
• Great file transferring speeds
• 5-axis in-body image stabilization to counter camera shake
• Advanced 153-point AF system
• Excellent ISO range and low-light performance
• Extra-capacity dual card slots
• Weather-sealed, durable body
• Long-lasting battery life
• Unbelievable low-light performance
• Excellent ISO range
• Fantastic AF system
• Impressive high-resolution EVF
• Microphone and headphone ports

• Fantastic overall image quality
• Excellent 3D continuous AF tracking
• Long, 1,840-shot battery life
• Durable, weather-sealed construction
• Sharp 4K/30p Ultra HD video

• Relatively affordable
• Excellent in-body image stabilization
• Compact and ergonomic design
• Fantastic expandable ISO range
• Rapid burst speeds

1. Sony a9 II

The Sony a9 II was designed for professional sports photographers and photojournalists . It has all the features to meet their needs, such as a rapid burst and top-of-the-range autofocus. And it has the best low light features for professionals.

The 24.2 MP sensor isn’t breathtaking. Nor is the standard ISO range. But the Sony a9 II has features that make it a market leader in low light photography . The ISO range is extendable to 204,800, which is impressive. And the camera maintains excellent image quality with minimal noise.

The in-body stabilization system allows you to shoot at slower shutter speeds. So you don’t have to worry about camera shake . It gives you 5.5 stops of compensation, which gives you the freedom to shoot in the dark.

The jewel in the crown is the hybrid AF system. It has 693 points for phase detection . And there are 425 points of contrast detection. It’s the perfect system for the fast-paced action of sports photography . And the a9 II ‘s AF  also performs well when you’re in dark conditions.

2. Nikon D5

The D5 is one of Nikon’s best full frame DSLR cameras . It is rather on the expensive side. But it’s rugged and reliable. And it’s a low light specialist.

The sensor resolution may seem low. But the Nikon FX-format sensor isn’t your average image sensor. It is more receptive to light. And coupled with the Expeed 5 processor, the images won’t disappoint you.

The star of the show is the ISO range. The standard range is 100 to 102,400, which by itself is impressive. But this is extendable to 3,280,00. This is outstanding and makes it a true low light specialist.

The Nikon D5 also has brilliantly sharp and responsive autofocus. The system uses 153 points of detection. And it performs well down to light levels as dark as -4 EV. Plus, the video quality is also excellent, even in low light.

The problems are its size, weight, and price. And it lacks an image stabilization system. But you can rely on the quality. And when it comes to DSLR cameras, the D5 is the best camera for low light.

3. Sony A7S III

The Sony a7S III is a specialist in two areas. It is excellent for video. And it has superb low light capabilities. So if you’re into shooting videos in the dark, the A7S III is the best camera for low light footage capture.

The Sony Exmor R sensor is highly sensitive. But the low pixel resolution does let the camera down slightly. But when it comes to low light, the camera has no problems at all.

The ISO is expandable to 409,600, which is outstanding. Digital noise is kept to a minimum, even in the darkest conditions. And the advanced autofocus system functions without issue down to -6 EV.

The autofocus system uses 759 points of phase detection. And the in-body image stabilization gives you 5.5 stops of compensation. And both these features work for stills and video with the a7S III .

4. Nikon D850

Professional photographers all over the world are using the Nikon D850 . This DSLR camera has been around for a few years now. And some of its tech specs have been surpassed. But it’s still a camera you can turn to for low light photography.

Image resolution is this DSLR’s real strength. The full frame sensor has a staggering 45.7 MP, and it’ll give you unforgettable images. And the high resolution ensures you no digital noise when you’re shooting in lower light.

The expanded ISO reaches 102,400. And with this level of image resolution, you can push it to its limit without fear of losing quality. Even with minimal light, you can capture usable images.

The D850 ‘s autofocus system is reliable in low light conditions. But there is no in-body stabilization. You have to rely on lens stabilization systems. Fortunately, Nikon has an excellent range of lenses for F-mount cameras .

5. Canon EOS R6

The Canon EOS R6 is a solid all-round full frame mirrorless camera . It’ll perform well for all types of photography . And low light is one area where it is particularly strong.

The image quality from the full frame sensor is good. But the extra features make this a true contender when the lights go dim.

It has Canon’s Dual Pixel autofocus system with 100% image coverage . It uses 1053 AF areas no matter what you’re shooting. And the 5-axis image stabilizer gives you eight stops of shake correction.

These features maintain high image quality when shooting in low light. You’ll be impressed by the images even when using the EOS R6 ‘s expanded ISO range.

• Excellent low-light focusing
• Lightweight and portable
• Superb low-light dynamic range
• Dual memory card slots

• Image stabilization to prevent camera shake
• Great 4K video capabilities

• Great value for money
• Smaller, compact DSLR body
• Easy to handle and hold
• Long battery life

• Decent APS-C BSI-CMOS sensor
• A great frame rate of 15 fps
• 6.5 stops of image stabilization
• 4K video (DCI or Ultra HD) up to 60 fps
• A fully articulating rear touchscreen
• 12 Film Simulation modes

• Fantastic image quality
• Impressive 45-point AF system
• Built well and nice to handle
• Handy built-in Wi-Fi and GPS

• Large, detailed viewfinder
• Advanced video options, like vectorscopes and waveforms
• Impressive 10-bit 4:2:2 internal video capture up to 30p
• Excellent video options of 4K DCI and Ultra HD video up to 60p

1. Nikon Z6 II

The Nikon Z6 II is about as versatile as a full frame camera can be. It’s great for stills and video. There’s a good burst for continuous shooting. And low light shooting isn’t a problem either.

The image resolution is 24.5 MP. This isn’t groundbreaking, especially for a full frame camera. But the image quality is still excellent. And this mirrorless camera has other features that increase low light performance .

You can extend the high ISO from 51,200 to 204,800. This wide ISO range gives you flexibility and reliability. And the camera works hard to reduce digital noise, even at higher ISO settings.

The Z6 II has a special low light metering system that can assess images when light is limited to -6 EV. The in-body stabilization also helps to keep your image quality high. And the hybrid autofocus system performs well when light is low.

Nikon has an excellent selection of Z-mount lenses to go with this camera. You don’t get the same variety as their F-mount series, but the collection is growing.

2. Panasonic Lumix S5

The Panasonic Lumix S5 is a workhorse of a camera. It’s lightweight and robust. And it’s one of the best low light cameras on the market.

The 24.2 MP image resolution is perfectly respectable. But the Lumix S5 has a killer spec combination. It has a solid ISO range, advanced autofocus, and reliable image stabilization.

The top ISO setting is 51,200. And noise becomes a problem as you near the limit. But you can still capture usable images throughout the ISO range. You also get V-Gamut mode for a 14-plus stop dynamic range.

The autofocus system has head, face, and eye detection, making your life a lot easier. And the 5-axis in-body stabilization system is second to none in this price range. It allows you to shoot at a 6.5-stop, slower shutter speed. This is perfect for low light shooting.

The Lumix S5 also has great video capture and burst mode. So if you’re a videographer or vlogger lacking light, it’s one of the best cameras for low light shooting.

3. Nikon D7500

If you’re looking for a DSLR camera, the Nikon D7500 is a low light specialist. The camera has the classic Nikon DSLR build quality. And it’s durable and robust. The specs might not look like much to be excited about on paper. But it has excellent low light performance.

The ISO range is 100 to 51,200, and digital noise is kept to a minimum. You get usable images in some of the most extreme conditions. There is also an auto ISO mode that selects the correct number for the conditions. It’s a great time-saver and learning tool.

Photographers used to more modern cameras might not like the old-fashioned pentaprism viewfinder. But the touchscreen does have articulation capabilities.

The battery life is excellent, achieving 900 shots from one charge. Like most Nikon DSLR cameras , the D7500 is usable and reliable. And for low like conditions, it’s one of the best out there.

4. Fujifilm X-T4

The Fujifilm X-T4 is a versatile crop-frame mirrorless camera. The stills and video are brilliant, and the burst is quick too. But low light shooting is another one of its strong points.

The 26.1 MP image quality gives you a great basis to start from. The standard ISO range isn’t impressive. But you can extend it to 51,200. And as you go further up the ISO range, it continues to produce usable images.

The camera’s other features make the X-T4 a contender in dark conditions. It has a 5-axis in-body image stabilization system. This allows you to shoot at a slower shutter speed without experiencing blur. And the autofocus tracking system works when it’s as dark as -6 EV.

The 4K video capture also works well in low light. The battery life is good. And you can shoot up to 2000 photos without recharge with the battery extension.

5. Canon EOS 6D II

DSLR cameras are great photo workhorses. And the Canon EOS 6D Mark II is the perfect example. It has the classic DSLR traits of reliability and usability. And it has superb low light performance.

When the sun is shining, you get excellent stills with a resolution of 26.2 MP. And the image quality is maintained even up to the highest standard ISO stop of 40,000. You can also expand the ISO range to 102,400. And you might experience some noise at the expanded stops. But you still get usable images.

The autofocus isn’t the most advanced, with only 45-point cross-type detection. But it is fast and reliable in low light. It continues to function down at low light levels of -4 EV.

It’s a classic DSLR camera and one of the best for low light conditions. It might not suit everybody. But the EOS 6D Mark II might be the best low light camera for Canon enthusiasts.

6. Panasonic Lumix GH5S

The Panasonic Lumix GH5S is aimed at videographers as well as photographers. Its dual purpose does affect the stills functions. But if you’re looking for a camera that records videos , this is one of the best low light cameras available.

Don’t be alarmed by the 10.2 MP resolution. This is a Micro Four Thirds camera , so the sensor is naturally smaller. But the extra photoreceptive sensor surface delivers excellent image quality. And it also provides an ultra-wide dynamic range .

This mirrorless camera also has Dual Native ISO for extra light sensitivity . Digital noise is kept to a minimum even when using the expanded ISO grades. And the expanded ISO range is impressive, reaching 204,800.

The rugged body is splash- and freeze-proof. And the battery is reasonable at 440 shots per charge. The Panasonic Lumix GH5S is one of the best low light cameras for stills and video.

• Great image quality and exposure
• Fast and reliable autofocus with plenty of AF points
• Improved dynamic range and high-ISO performance compared to previous
• Compact design for portability

• Very beginner-friendly
• Excellent image quality
• Built-in image stabilization for video and low light
• Endless list of compatible lenses
• Excellent 4K video features

• Powerful 32.5 MP APS-C sensor
• Rapid 30 fps burst mode
• Uncropped 4K video with full AF
• Compact and lightweight body
• Accurate AF with face and eye detection

• Superb 26 MP APS-C sensor
• 4K / 30 fps and Full HD / 120 fps video
• Fast AF system with broad coverage
• Articulating touchscreen
• 20 fps burst with electronic shutter

• Excellent image quality and sensor
• Good ISO range and for low light
• 3x optical zoom for extra magnification
• Bright vari-angle LCD touchscreen
• Compact and robust body with weather sealing

1. Sony a6300

The Sony a6300 is affordable and has great features. It’s compact but has everything it needs to be the best low light camera for beginners .

It’s a crop sensor camera, so it doesn’t have the resolution of a full frame one. But 24.2 MP from an APS-C sensor won’t disappoint.

The ISO range is the feature that makes this a low light specialist. You won’t find many cameras with an ISO range of 100 to 51,200 in the same price bracket. You can shoot up to ISO 25,000 without experiencing any noise. Even beyond this point, the image quality stays high.

The autofocus system is another strong point for the Sony a6300 . It’s quick and reliable. And it uses 425 points of phase detection that keep your images in sharp focus even when light is running low.

2. Olympus OM-D E-M10 Mark IV

A lot of people might be concerned by the smaller sensor size. But the Olympus OM-D E-M10 Mark IV is one of the best low light cameras.

Micro Four Thirds cameras are often misunderstood. The sensor is smaller than those of the APS-C and full frame cameras. But this Olympus still packs a punch. And the smaller sensor gives you an extended focal length .

The standard resolution is 20.3 MP, which is more than respectable. But the ISO range of 80 to 25,600 makes this a competitive low light camera. If the light does start to fade, you won’t need to panic.

The in-body image stabilization system is the feature that sets this camera apart. It’s not something often found in a camera of this price bracket.

The system keeps your images sharp and distortion-free when conditions are favorable. And you don’t need to worry when using slower shutter speeds with the OM-D E-M10 Mark IV .

Olympus also has an excellent lens selection for its Micro Four Thirds cameras. Selecting the right lens can also help you achieve good results when the lights go out.

3. Canon EOS M6 II

The EOS M6 Mark II is an excellent mirrorless, beginner’s Canon camera . It has a variety of functions that make it an all-round camera with great low light capabilities.

This is a small and compact camera . But when it comes to image quality, it will knock your socks off. The APS-C sensor provides an image resolution of 32.5 MP. The image quality of this standard is a great place to start for night shooting.

The standard ISO range is 100 to 25,600 but expands to 51,200. The image resolution is so good that noise doesn’t become a problem until things get really dark. It’s perfect for night shoots and concerts.

Autofocus is a strong point. The phase detection AF works well in darker situations. You can keep your images crisp and clear. The main weakness is the battery life. Taking 300 shots per charge won’t get professionals too far. But the EOS M6 Mark II should be fine for beginners.

4. Fujifilm X-T30

The Fujifilm X-T30 is in the beginners’ category. But its affordability means you get a lot for your money. It gets the job done in low light. And you can grow into the camera as your knowledge improves.

This is a great all-round mirrorless camera . The 26.1 MP resolution gives you excellent images. And you get the option of a mechanical or electronic shutter for continuous shooting. The latter gives you a rapid 30 fps burst rate .

The standard ISO range of 200 to 12,800 doesn’t seem impressive. But this can be extended to 100-51,200, giving you superb images in low light. Digital noise becomes a problem, but only if you really push the ISO.

One problem is the lack of an in-body stabilization system. But the autofocus has excellent low light phase detection capabilities. The X-T30 was built with low light photography in mind. So it’s one of the best low light cameras available today.

5. Canon G1 X III

Are you looking for a compact camera with excellent low light performance? Then the Canon G1X Mark III could be the answer to your prayers. It’s made for travel and won’t let you down when the road gets dark.

Don’t be fooled by this camera’s size. The 24.2 MP resolution can compete with many DSLRs in the same price range. And those won’t fit in your pocket like this one.

The maximum ISO range is 100 to 25,600. That’s extended from 12,800. It may not seem like much compared to other cameras on this list. But it’s quite good for a compact camera.

The lens-shift image stabilization is another plus point. This feature makes the G1X Mark III one of the best low light, compact cameras you can find.

What is Low Light Photography?

Light is one of the essential elements in photography. And low light conditions have always been a challenge for photographers.

Light reacts with the film emulsion or triggers the camera sensor . This is how a photograph is made. The more light there is, the easier the process is. And in the past, low light photography has been a problem.

Camera technology has come a long way in the last few years. And now cameras are built to cope with low light conditions. They have the functions and features for excellent images even when light is at a premium.

Shutter speed , aperture , and ISO are the elements that make up the exposure triangle . All photographers should understand this if they want to shoot when the light is low.

If your film or sensor doesn’t get enough light, you experience two main problems. Your image will be underexposed, which means the photo is dark and lacks detail. Plus, your image will have noise .

Noise is an image defect that gives it a granular effect. With film photography , this problem is called grain. There are solutions in post-processing. But the best solution is to have a camera that can cope with the conditions.

When you’re looking for the best low light camera, you need to be aware of these things.

Dealing with low light has always been a problem for photographers. But all leading camera manufacturers are tackling low light photography problems head-on.

Camera technology is advancing all the time. And now low light solutions are being provided. No matter your skill level or budget, you can find the best low light camera to meet your needs. If budget isn’t an issue, we suggest you pick the Sony a9 II .

Popular Content

New: 7 Best cameras for travel

Updated March 2024

Travel can expose you to once-in-a-lifetime sights and experiences, and a good camera can be the perfect way to preserve those memories. We've looked at a range of models that offer great image quality, good autofocus and excellent video, so that you can capture whatever you encounter on your travels. We've also tried to select relatively small cameras so they don't interfere with your trip.

Our selections include relatively compact cameras with fixed lenses, perfect for just documenting what you saw on your trip; they also include Micro Four Thirds and APS-C models that allow smaller camera/lens combinations, if you're looking to travel light. Full-frame cameras open up the potential for even better image quality but the lenses can get pretty big, so it's worth checking how big the total package is, before committing to a large-sensor model.

Our recommendations

Best pocketable travel camera: ricoh gr iii, the classic choice: fujifilm x100vi, truly compact mirrorless: om system om-5, all-round compact capability: sony a6700, the great travel kit: fujifilm x-s20 with 18-55mm f2.8-4.0 ois, the stylish travel companion: nikon zf, portable full-frame: sony a7cr.

24MP APS-C sensor | 28mm equiv. F2.8 lens | Wi-Fi + Bluetooth

What we like:

• Excellent image quality
• Good controls and ergonomics
• Truly pocketable

What we don't:

• Short battery life
• No built-in flash
• Sluggish AF in low light

The Ricoh GR III is the latest in a series of classic compact cameras with a large APS-C sensor and a 28mm equivalent lens. It's not the most flexible camera but it's one of the most pocketable and has built up a dedicated following of photographers who find it a joy to shoot with.

Our only concern, in terms of using the GR III for travel are that some users have found dust can get into the lens. So it's worth trying to find some sort of protective bag to keep it in.

There's also the GR IIIx , a variant with a longer, 40mm equivalent lens on it. This may be a little tight for documenting your travels, but it's historically a popular focal length.

Read our Ricoh GR III review

See the Ricoh GR III studio scene

40MP BSI CMOS APS-C X-Trans sensor | 35mm equiv F2 lens | Hybrid viewfinder

• Excellent build quality
• Subject-detection autofocus
• Now with in-body image stabilization
• Lens not especially fast to focus
• Hard to find in stock

Like the Fujifilm X100V before it, the Fujifilm X100VI is a classically styled fixed lens camera with a 35mm equivalent F2 lens. But being in active production following its 2024 launch, the X100VI is somewhat easier to buy than its constantly out-of-stock forebear.

Updated with in-body image stabilization rated at up to 6EV of correction and a 40MP BSI CMOS APS-C X-Trans sensor, the X100VI is a significant upgrade over its predecessor despite looking virtually identical. And those improvements in part explain the X100VI's $200 increase in list price to $1,600.

Like its older brother, the X100VI isn't the smallest or most inconspicuous camera, but its fixed focal length means you develop an 'eye' for the photos it'll take, essentially making it a better quality, more engaging alternative to snapping away with your phone.

The addition of subject-detection autofocus has given the X100VI the ability to recognize animals, birds, automobiles, motorcycles and bikes, airplanes, and trains though human (face/eye) detection is a separate mode. However, the lens the X100VI shares with the X100V is not the fastest to autofocus, prioritizing sharpness over speed.

The X100VI brings a level of polish you would expect from a sixth iteration of a camera. Fujifilm has done a great job keeping the X100-series up to date without messing with the formula that's made it so popular. No surprise, this is the best X100 yet.

Unfortunately, despite ramped-up production, demand for the X100VI seems to have outstripped supply with the camera already on backorder at virtually all dealers. With any luck, however, its release will depress the over-inflated sale price of previous generation X100V cameras, which are still quite capable if you can find them for prices befitting used gear.

Read our Fujifilm X100VI review

20MP Four Thirds CMOS sensor | 4K/30p video | In-body stabilization rated to 6.5EV (7.5 with some lenses)

• Attractive JPEG output
• Selection of clever photo features
• Excellent image stabilization
• IP53 rating supports claims of weather sealing
• AF tracking is disappointing
• Image quality is behind larger sensor cameras

The OM System OM-5 is a compact interchangeable lens camera with a 20MP Four Thirds sensor in a compact body with plenty of external control.

That relatively small sensor means it can remain fairly small, even with a lens attached, and the Micro Four Thirds lens system provides extensive options in that regard, from compact zooms to small prime lenses.

Read our OM System OM-5 review

See the OM System OM-5 studio scene

26MP BSI CMOS sensor | 4K/60p video capture | Fully articulating screen

• Front and rear command dials
• Excellent AF in stills and video
• 4K/120p capture (with crop)
• No AF joystick
• JPEG sharpening can be aggressive

The Sony a6700 is built around a 26MP APS-C-sized sensor. Its excellent autofocus performance means it excels at both stills and video capture. There's a good choice of relatively compact lenses available, too. We'd suggest avoiding the really small 16-50mm F3.5-5.6 though: it's not the lens to get the most out of this camera.

Fast, dependable autofocus with a selection of subject recognition modes means the a6700 will help maximize your chances of capturing the unexpected moments on a trip.

Read our full Sony a6700 review

See the Sony a6700 studio scene

26MP X-Trans APS-C sensor | Up to 6.2K/30P 10-bit video | In-body image stablization

• Excellent still and video quality
• Long battery life
• Comfortable, simple ergonomics
• AF tracking still lags behind peers
• Small electronic viewfinder
• Micro HDMI instead of full-size

Fujifilm's X-S20 is also worth considering. Like the a6700, it's built around a 26MP BSI CMOS sensor and is strong at both stills and video. Its autofocus isn't as simple and powerful as the Sony's, but its JPEG color modes produce really attractive results, and there's a wide choice of lenses including compact prime and the well-priced, supremely useful 18-55mm F2.8-4.0 OIS, which is a great travel option.

Read our Fujifilm X-S20 initial review

See the Fujifilm X-S20 studio scene

24MP full-frame BSI CMOS sensor | Full-width 4K/30 video, cropped 4K/60 | Stabilization rated to 8EV

• Distinctive design with direct controls
• Effective subject recognition
• Strong stills and video features
• Weight and minimal grip can become uncomfortable
• Slow MicroSD second slot
• Few custom buttons

The Nikon Zf is a classically styled full-frame camera built around a 24MP full-frame sensor that's used by many of its peers. The angular 80s-style body isn't the most comfortable to hold in your hand for extended periods, but the lack of stick-out grip makes it smaller than many of its rivals, making it a tempting travel companion.

At least in its all-black form, there's a chance of it being mistaken for a film camera, which may help avoid the wrong kind of attention, when you're out and about in an unfamiliar setting.

Read our initial review of the Nikon Zf

61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

• Big camera features in a small body
• Outstanding AF performance
• Auto Framing video mode
• Small, low-res viewfinder
• No joystick control
• No fully mechanical shutter

The Sony a7CR is a relatively compact full-frame camera with an image-stabilized 61MP CMOS sensor. You sacrifice the convenience of an AF joystick and get a pretty small and basic viewfinder to keep the camera's size down, but there's little else that delivers this much image quality in such a compact package.

You'll need to pick your lenses carefully to keep the camera portable but the a7CR's autofocus means it can respond rapidly to just about anything you encounter on your travels.

Read our Sony a7CR initial review

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Gear in this story

• Discuss in the forums
• See full product details
• Read our review
• Watch the video review
• View sample images

When you use DPReview links to buy products, the site may earn a commission.

You may also like

More about gear in this article.

The arrival of the Fujifilm X100VI reignites the debate on what it means for its most direct competitor, the 40mm equiv. Ricoh GR IIIx. Which is the better photographer's compact? We think there's an obvious answer, but you'll have to find out for yourself which it is.

Panasonic's Lumix DC-S5 II and Nikon's Zf are two very different answers to the question: "what's the best enthusiast full-frame camera for $2000." They share more than you might expect, but with different areas of appeal. Discover the difference.

The Nikon Zf is a 24MP full-frame mirrorless camera with classic looks that brings significant improvements to Nikon's mid-price cameras. We just shot a sample reel to get a better feel for its video features and have added our impressions to the review.

The Nikon Zf is a 24MP full-frame mirrorless camera with excellent image quality, very good autofocus and classic styling that borrows from the manufacturer's film bodies of yesteryear.

As part of completing our Nikon Zf review, we've run the camera through our standard test scene, to see how it performs.

Latest sample galleries

Latest in-depth reviews

The Panasonic Lumix S5II launched the second generation of Panasonic’s full-frame mirrorless camera system and was the first Panasonic to feature phase detect autofocus. As our review reveals, it’s a heck of an all-around camera for both still and video shooters.

The latest Lumix puts a Four Thirds sensor in a full-frame body with boosted AF and a wealth of stills and video capabilities to create a Swiss Army Knife of a Micro Four Thirds camera.

The fourth camera in Leica's SL series of full-frame mirrorless cameras sees the 60MP BSI sensor from the Q3 and M11 models arrive with a significant interface redesign.

The Fujifilm X100VI is the sixth iteration of Fujifilm's classically-styled large sensor compact. A 40MP X-Trans sensor, in-body stabilization and 6.2K video are among the updates.

This $250 electronic lens adapter is perfect for Nikon Z-mount curious Sony shooters — shhh, we won’t tell anyone.

Latest buying guides

What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We've picked the models that really stand out.

What's the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel and recommended the best.

If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.

'What's the best mirrorless camera?' We're glad you asked.

Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.

• Gear Patrol
• Work for us
• Advertise with us
• Feedback / Contact us
• Camera reviews
• Lens reviews
• Printer reviews
• Buying guides
• Sample images
• Editorial enquiries
• Camera search
• Camera comparison
• Lens search
• Product timeline
• Browse all products
• Community Guidelines
• My Settings
• My GearList

The best travel camera in 2024: compact and portable cameras to take anywhere

The best travel cameras are small, lightweight, easy to use and offer a range of features – here are the ones to look at

• The Quick List ↩
• Best compact
• Best full frame
• Best hybrid
• Best for size
• Best budget
• Best waterproof
• Best action cam
• Best for 360º
• Best for vloggers
• How to choose
• How we test

The Quick List ↩ 1. Best compact 2. Best full frame 3. Best hybrid 4. Best for size 5. Best budget 6. Best waterproof 7. Best action cam 8. Best for 360º 9. Best for vloggers How to choose How we test

The best travel cameras have to do one crucial thing: be better than your phone. That means the best travel cameras need to combine compactness with image quality, advanced features with simple operation, and ideally the ability to share your holiday photos and vacation videos fast. 

Even though the best camera phones can produce great images, you just don't get the same quality as you would if shooting with one of the best point-and-shoots or best mirrorless cameras . Smartphones are restricted by smaller sensors offering lower still and video quality, reduced low light performance, and minimal control over depth of field (for those blurry backgrounds). 

We'll look at mirrorless cameras that offer better image quality and more versatility than compact systems but at the cost of increased size and weight. Compact cameras, perfect for keeping on you at all times, won't weigh you down, and are really simple to use – although they have smaller sensors and fixed lenses. And finally, action cameras that are robust cameras made for wild adventuring!

Gareth is the Reviews Editor at Digital Camera World, and the person in charge of approving all the latest camera-related tech. He never misses an opportunity to travel, or an excuse to take photos while traveling, so is best placed to judge what are the best travel cameras for all sorts of different vacations and adventures.

The Quick List

Travel cameras should be small and light, but not lacking in features for amazing photos and video. The Fujifilm X100VI ticks all of those boxes, with a diminutive size, but 40MP images and 6.2K video. And does all this while looking great, with some stunning retro charm.

Read more below ↓

Despite aging a little, the Sony A7 III still offers some features that are competitive with new models like IBIS, auto-tracking, and 4K video. Best of all, the camera is incredibly well-priced, making it the best option for traveling without worrying too much about damaging expensive kit.

The Fujifilm X-S20 is a camera for everyone, with great quality stills, but is set apart by its deceptively powerful video skills. This makes the X-S20 the perfect travel camera for any hybrid creator who is a versatile and lightweight camera, all at a price tag that won't break the bank. 

When picking the best travel camera, we're focusing on portability. If you want to fit a whole photographic kit – that's a camera and several lenses into a bag, then the dinky but mighty Olympus OM-D E-M10 Mark IV is one of the best portable cameras around.

If you want a small camera that shoots great stills and video, and cost costs the earth the Panasonic Lumix G100 is the best budget option out there for travel. There is also the slightly newer G100D, which is much the same, but with a USB-C port and upgraded EVF.

If you're planning on a coastal adventure then you need a camera that is fully waterproof and rugged enough to take on the most challenging adventures. This camera offers better stills than your average action cam, so if photos are your main priority  – the Tough TG-7 is for you.

View the full list ⇩

This is a camera that can withstand some serious adventuring, action cameras are made for extreme conditions, and the best of the bunch is the Osmo Action 4. The Osmo 4 offers an incredibly wide field of view, image stabilization, and waterproofing for action-packed vacations.

If you want to remember every little bit of your vacation, then you can't go wrong with a 360º camera to capture not what only is going on in front of you, but all around you. The Insta360 X3 is the best all-encompassing camera you can buy, best of all it is easy to slip into a pocket or bag for travel.

If you are looking for a small yet mighty all-in-one camera with quality video and audio made to go straight on social media or YouTube then the Sony ZV-E10 is the best choice. It does take decent pictures, but if you are looking for something more hybrid, check out the X-S20 above.

The best travel camera in 2024

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

Best compact travel camera

1. Fujifilm X100VI

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You want a pocketable camera:  the Fujifilm X100VI is a very compact camera, the whole package of camera and lens are so small that you can easily slip this into a jacket or rucksack pocket. ✅ You want a camera that looks good:  The X100VI is easily one of the best-looking cameras you can buy. The stunning retro looks of old-school film cameras are matched with superb build quality.

❌ You want a range of lenses:  the lens is fixed on the X100VI, so you are stuck with the 23mm focal length, although its digital cropping modes give the illusion (but not performance) of more focal lengths ❌ You want a cheap travel camera:  the X100VI has a premium price tag, and there are options that produce a similar image quality, if you don't mind a different style of camera that is.

If you are looking for a camera for traveling, then one of the major things to look out for is something small and lightweight that can easily slip into a bag or a jacket pocket and won't be a drag to carry around for long periods – enter the Fujifilm X100VI .

The X100VI is a fixed-lens camera, which means that it has a single lens that can't be changed. The lens is 23mm, or equivalent to a 35mm length lens on on a full-frame camera, a perfect length for travel photography as it is wide enough to get in landscapes and street scenes, but narrow enough for portraits and family shots. While there are converters available for the X100V to change the length of the lens, I find these have an adverse effect on image quality. The X100VI does have a trick to crop images when taking them to give the illusion of additional focal lengths, although at a reduced size. 

The X100V packs in some lovely 40MP photos, and while not the most ideal camera for video, you can get 6.2K (cropped), 4K, or HD video with slow motion reaching 240 frames per second. There is also human, animal, bird, and vehicle autofocus tracking, so you can snap away with confidence that your shots will be in focus. Finally, image stabilization helps cut out hand jitters in low light or shooting video, for more stable footage.

And for those who want to share travel snaps as you go, you get access to Fujifilm 's awesome film simulations and custom recipes, which takes the work out of editing, and with WiFi and Bluetooth connectivity and the Fujifilm X App, you can quickly share ready to post photos and video to social from your phone.

The X100VI's design will catch a few eyes while traveling. The camera is lovely to hold, made with premium materials, and with a wonderful hybrid optical viewfinder that shows either the real picture or how it looks through the sensor with a flick of a button. However, as a major downside for travel, the X100VI lens is not weather-sealed without an adapter – at an additional cost.

Speaking of cost, this premium camera comes at a premium price, with some similar tech available for less in other models. But for the build quality and features, I think it does a lot to justify its higher price, but if you want the best compact camera, there is nothing better than this.

Read our full Fujifilm X100VI review for more

• Back to the top ⇪

Best full frame on a budget

2. Sony A7 III

✅ You want full frame quality:  full frame cameras can produce more focus separation and are better in low light, the A7 III is the most affordable step into full frame. ✅ You want a camera to use outside of traveling:  the A7 III is a pro-level camera that is not just for travel, you can shoot brilliant photos all year round with a multitude of lenses available for different subjects.

❌ You don't want the expense of lenses:  the cost of lenses can add up, especially ones for full-frame cameras, if you want to keep costs low, choose a fixed lens camera or an option with smaller cheaper lenses. ❌ You want a small camera:  the A7 III isn't huge, but it also isn't small. With a lens attached, it is going to take up quite a bit of room in a bag, and won't be sliding in any pocket.

While the Sony A7 III might be the oldest Sony Alpha camera still being sold as new, even being replaced by a newer Sony A7 VI, it more than holds its own today. Any photographer looking for an excellent full-frame hybrid camera for traveling should seriously consider this camera as an option.

Why? Well, I don't think there is a better value full-frame camera out there, which when traveling can take some of the jeopardy out of damaging or losing your incredibly expensive kit.

It might be getting on a little, but the camera still has a very competitive 24.2MP back-illuminated image sensor, which delivers great tonal range and makes high ISO settings possible, which anyone who is shooting a lot in low light on their travels will really appreciate. A 5-axis image stabilization system also delivers less shake when shooting at night, or capturing video. 

And if you are also looking to get some video footage on your travels then the A7III has very capable 4K video, although has been surpassed by a few other models on this list which would be more suitable if video is a priority.

The A7III has a speedy and accurate 696-point AF system, and while not the latest algorithms, the A7 III also has some solid human face and eye tracking, so you can take reliably focused photos of your friends, family, or any interesting denizens you meet out on your travels. 

Whilst the A7III can be thrown a little off-balance with big pro lenses, Sony's lens range is extensive and there are many smaller primes to suit this camera perfectly for those who don't want to carry a lot while traveling. Or superzoom lenses like the Sony FE 24-240mm will empower you to capture everything from near to far.

Read our full Sony A7 III review

Best hybrid travel camera

3. Fujifilm X-S20

✅ You shoot video and photos:  the Fujifilm X-S20 is the best of both worlds, with great-looking photos and awesome video skills too! ✅ You want to balance price and features:  the X-S20 offers a lot for its price, and it is one of the best-value cameras around, you will struggle to find matching video specs at this price point.

❌ You don't really care about video:  there are other options that might suit photographers more than the X-S20 with higher megapixel counts. ❌ You might need weather resistance:  the X-S20 is not weather-sealed, so if you plan to get adventurous, a camera that can handle dust and water might be a better choice.

When I tested the Fujifilm X-S20 I was just so impressed at the amount of features that Fujifilm had managed to squeeze into its petite body – it's not just a great stills camera, it is also one of the best video cameras available, and the cherry on top, it is really well priced! For anyone looking for a hybrid camera to shoot a mix of photos and video, I think this is the best camera for any traveler right now.

Fujifilm chose not to update the X-Trans IV sensor from the X-S10, but this sensor despite its age still holds up very well today when it comes to stills. The X-S20 is also able to use Fujifilm's excellent film simulations and programmable film recipes to create ready-to-use images straight from the camera, which makes any regular social media posting that much easier.  The new X-Processor 5 also brings brand new subject recognition and tracking autofocus, making taking photos on the fly quicker and more reliable.

Despite its compact size, the X-S20 is a deceptively powerful video camera. The new processor combined with the modest resolution sensor means the X-S20 is capable of 6K video using the entire sensor (open-gate). The camera is also capable of numerous codecs and F-Log for getting in-depth with color grading. The subject recognition and tracking also carry through into videos and there are dedicated vlogging video features too.

Some might prefer the classic retro style like the X-T5 or X-T30 II, but with fewer manual dials, the X-S20 is a more user-friendly camera, with a more useful fully articulating screen than any of the X-T range. The camera is small, but handling is great with enough of a comfortable grip for long days, and the camera pairs really well with Fujifilm's small zoom and prime lenses, making traveling light with a kitted-out X-S20 a little easier. While the price is a little higher than the X-S10 that preceded it, I think the price bump is justified as this is one capable camera for traveling.

Read more: Fujifilm X-S20 review

Best travel camera for size

4. Olympus OM-D E-M10 Mark IV

✅ You want a small system:  the whole OM Micro Four Thirds system is tiny, with small cameras and lenses, so you can take a lot more gear to cover more subjects. ✅ You want a good-looking camera:  with a cool vintage style based on Olympus's OM film cameras, the E-M10 IV looks as good as the footage it shoots.

❌ You shoot a lot in low light:  the Micro Four Thirds sensor in the E-M10 IV doesn't handle low light as well as larger sensors, not good for frequent nighttime shooters. ❌ You won't use the retro dials:  if you are looking for just fast auto controls then the dials on the top of the E-M10 IV will be largely redundant for your needs.

When picking the best travel camera, we're focusing on portability, and the dinky but mighty Olympus OM-D E-M10 Mark IV is one of the best portable cameras around if you are looking for a whole system including lenses that can easily slip into a bag. The best Olympus lenses include positively tiny optics that can go a long way for travel photography, helping you keep your kit and weight size down. So if you are the type of carry-on-only travel photographer but with big photography ambitions then this is for you.

Not only does it have an incredibly lightweight body, but the camera will look great on your travels too, with a cool retro design that harks back to Olympus's long pedigree in film cameras. The camera has tactile dial-led controls for anyone who wants to get creative with manual photography, although don't let that fool you into thinking the camera is complicated, as there are lots of automatic modes and helpful features built into the camera.

The OM-D E-M10 Mark IV uses the smaller but still powerful Micro Four Thirds sensor. This has some slight disadvantages in terms of low-light capabilities, so if you like to go out a lot at night when you travel, then a larger sensor might be better for you. 

But Micro Four Thirds does have one big advantage, it effectively doubles the focal length of any lens mounted to the camera; so a 50mm will behave like a 100mm, so if you are about to head off on safari, then this could make all the difference to getting up close to wildlife. Its snappy burst shooting, its accurate autofocus, and its impressive 4K video will also all assist you with creating amazing content. It's a terrific all-around camera. 

Read our full Olympus OM-D E-M10 Mark IV review for more

Best travel camera on a budget

5. Panasonic Lumix G100

✅ You want an affordable camera:  the Lumix G100 is a great deal for the features it offers, and an affordable way to get great travel snaps. ✅ You want a range of small lenses:  there are a lot of Micro Four Thirds lenses, so there is something for every occasion, and best of all, they tend to be on the smaller side for easy travel.

❌ You want the very latest tech:  the G100 is a little on the older side and doesn't have Panasonic's latest autofocus, which puts it a little behind the competition. ❌ You want more serious creative video:  intended as a hybrid camera, there are lots of video-focused features, but the camera lacks IBIS and a headphone jack/USB-C found in rivals.

Sometimes, you just want to create quality images and video while you are traveling, but you don't want to pay a small fortune for a camera to do so, or risk carrying around an expensive camera. The Panasonic Lumix G100 is the best camera you can get for traveling that offers all the quality features you will need but at an affordable price.

The G100 is a super-small, super-cute camera with a Micro Four Thirds sensor. It is still easy to capture high-quality video and stills with simple controls, menus, and its approachable button layout. The camera can be paired with numerous dinky Micro Four Thirds lenses too, especially small pancake lenses to keep the overall size down. Micro Four Thirds also has the benefit of doubling the focal length, so 100mm becomes 200mm, so you can pair the G100 camera with telephoto lenses for capturing far away subjects like wildlife without having to carry huge lenses.

A downside though is there is some compromise for the low price, and the G100 is not the most technically advanced camera on this list, and its autofocus uses Panasonic's cruder contrast-detect technology, which is a little slower than other cameras and is notorious for "pulsing" and "hunting" during video. 

Despite this, the G100 is also a perfect camera for vloggers, with an articulating screen and ready to share footage. But while there’s an inherent risk of dumbing things down too much when creating a camera for social media creatives, Panasonic has avoided that pitfall with the Lumix G100, and this is a great camera if you're just as interested in vlogging as you are in travel photography. 

Read our full Panasonic Lumix G100 review

Best waterproof compact travel camera

6. OM System Tough TG-7

✅ You want a rugged adventure camera:  the TG-7 can certainly withstand some serious adventuring with a rugged water/dust/freeze/drop-proof build. ✅ You want a photography-first adventure camera:  the TG-7 puts photography first and foremost, offering a better experience than smaller fiddly action cameras.

❌ You want to strap the camera to things:  while action cameras have numerous accessories to strap to your sports equipment, there is far less for the bigger TG-7. ❌ You only care about video:  if you are just looking for the best rugged video camera for travel, then action cameras have you covered (see below).

Following the acquisition of Olympus's camera division, the OM System TG-7 is essentially an update to the much-loved Olympus Tough TG-6 under a new brand name. Although that camera has long been the top-regarded travel compact for adventurers who are as invested in photos as video. Action cameras might be smaller and just as hardy, but can't compete with the TG-7 for photography experience.

The TG-7 is ready for any travel adventure and is water-proof, dust-proof, crush-proof, drop-proof, and freeze-proof, so whether your hiking, climbing, swimming, or otherwise take you to the hottest deserts to the coldest tundras, the camera should come out the other side unscathed.

The TG-7 might have a relatively conservative 12MP resolution, although this helps dramatically when it comes to low-light images, as each pixel is larger allowing it to capture more light. Why is this important? Well if you are shooting in darker underwater environments, in gloomy forests, or at night, then you will get higher-quality images. 

The Touch also has RAW images, so you can get even more creative control over the final edit of your images. The camera also has a pretty incredible macro mode as well if you find some small details on your travels that you have to capture.

While it might not be up to the same standard as the best action cameras for video (see below for that), the Tough can capture decent 4K video, and will get some perfectly serviceable footage for social and YouTube of your wild adventures!

Read our full OM System Tough TG-7 review

Best action camera for travel

7. DJI Osmo Action 4

✅ You want a camera that can keep up with your travel adventures:  the Osmo 4 is hardy enough for whatever conditions you throw at it, weather-sealed and fantastic stabilized footage. ✅ You want a tiny camera:  action cameras like the Osmo 4 are great as they are so small they are effortless to travel with.

❌ You want to shoot high quality photos:  the 12MP photos from the Osmo 4 can't compete with more dedicated cameras, and the wide angle lens needs lots of corrections. ❌ You need accessories:  the market for DJI accessories isn't as big as the more famous GoPro, so if you need niche or cheaper accessories, that might be the brand to choose.

For most adventurer-creators, the Osmo Action 4 is the perfect balance of quality and price. Stabilized 4K video looks great and the camera can take a lot – not just rough and tumble but temperature extremes and it's waterproof to 16m without a case. Best of all, it has a larger image sensor than any other camera on the list, so it is better in lower light, making it more flexible.

DJI did have an interesting experiment with modular design, now seemingly abandoned, with the Action 2, but they do retain powerful magnetic mounts which can even partially survive the heat of an oven (we tried accidentally – see our full review). 

Like the more famous competition, DJI has high-quality horizon balancing and image stabilization, which has improved on the Action 3. The resolution limit is 4K, but in practice, this is the ideal resolution for action (and the limit of almost all TVs). More useful is the 120fps capability (or 240fps at 1080P).

The fact that Action 4’s isn’t interwoven with subscription software is one we wholeheartedly appreciate, too, but GoPro seem to finally growing out of this.

Read our full DJI Osmo Action 4 review

Best 360º camera for travel

8. Insta360 X3

✅ You want to capture everything:  the Insta360 X3 can capture all that goes on around you, perfect for capturing immersive travel content. ✅ You want to travel light:  the Insta360 X3 is very small and lightweight, and won't trouble your carry-on bag limits.

❌ You want a versatile camera:  the Insta360 X3 is made for one thing, and that is great 360º footage, if you want to capture more, you might need to bring a second camera. ❌ You want artistic images:  the Insta360 X3 has big 72MP images but the small sensor means they aren't as creative as a bigger camera.

The new Insta360 X4 has just launched offering 8K video and an updated design, but I still think the X3 offers great features for a much better value, so it remains in this guide for now!

There are times when handling even an action camera's wide-angle lens becomes a problem, and that's where a 360-degree action camera can step in. With two back-to-back lenses and enough smarts to eliminate a selfie stick from the footage, this almost magic camera can capture an image from a point within reach looking any direction you see fit.

I tried it with the bike attachment – which holds the camera a little way in front of the bike, over the front wheel – and was amazed at the footage which makes it look like I'm cycling toward a perfectly controlled drone. Better still, by syncing with my phone I could draw GPS data and have it overlaid, in the form of a speedometer, by the Insta360 app before sharing.

The only real worry is how naked those glass lenses are when the camera is in use; the joy of re-positioning the camera angle after the fact can be hours of fun. 5.7K is good enough for sharing, but more resolution would help pro work.

Read our full Insta 360 X3 review for more details

Best for travel vloggers

9. Sony ZV-E10

✅ You want ready-to-share footage:  this Sony is made for capturing footage with minimal editing to get up on YouTube and social media straight away. ✅ You want excellent audio:  the ZV-E10 has built-in stereo microphones that capture some of the best audio possible on a camera without external mics.

❌ You are more interested in photos:  the ZV-E10 is not a bad photography camera, but its video focused build means other cameras are better for stills shooters. ❌ You want a viewfinder for framing:  if you love a viewfinder for framing shots, then the Sony A6400 is almost the same camera, but with an EVF. 

The ZV-E10 makes for an excellent traveler's camera and is one of the cheapest vlogging-focused cameras yet. Combined with its slim dimensions, and wide choice of lenses, this makes it a perfect choice for travelers who want to shoot a lot of video. 

The big selling point of the ZV-E10 over other cameras capable of similar video is that the ZV-E10 comes with sophisticated built-in mics and a clip-on windshield for noise reduction, making it much easier to get clean audio on your vlogs even outdoors – which works excellently. Sony has put its years of audio experience into this camera and it shows.

The ZV-E10's 4K UHD video is of excellent quality too, and as we've come to expect from Sony, the autofocus is best in class, whether shooting video or stills. The camera has tracking modes for easy autofocus and digital image stabilization that crops your footage slightly but attempts to iron out any shake, which works well except for in very heavy movement.

And a point worth mentioning is that, while the ZV-E10 may be optimized for vlogging, it's still a capable stills camera with a 24MP sensor, and 11fps burst shooting, so photographers needed worry about restricting themselves with it. 

However, if you are more keen on photography than video, cameras in the Sony a6xxx range (like the Sony a6400 ) offer almost the same specs, but with a viewfinder, but you do lose the built-in stereo mics. Making it a tough choice for a hybrid shooter that might want the best of both worlds. 

Read our full Sony ZV-E10 review

How to choose the right travel camera

These are five key things to look out for when choosing the right travel camera for your needs.

1) Image quality: Ask yourself how you will use any photos or videos you capture. If you only plan to share content online on social media then any of the above cameras will be suitable. If you plan to print your pictures, though, then mirrorless cameras with larger sensors and higher megapixel counts will produce better-quality results.

2) Focal range: What kind of range do you need for your traveling activities? Compact cameras can have impressive zoom ranges, but to achieve their tiny size they often lack quality compared to mirrorless cameras. For mirrorless cameras, what lenses are available? So-called standard zooms are a great option for all types of travel, but they can also be large and heavy. A wide-angle lens might be best for capturing cities and landscapes, or if you are going to see wildlife or a sporting event then a compact telephoto lens might be best.

3) Size and weight: If you're going on vacation then the last thing you want to take is a heavy kit – especially given things like baggage restrictions when traveling. With that in mind, both your camera and lens(es) need to be small and light. If you want something that can fit in your pocket, get a compact camera – but if you don't mind taking a bag, a mirrorless system with one or two lenses could be more versatile. 

4) Simplicity: Don't want to get bogged down with camera settings? Most modern cameras have a range of auto modes – especially compact cameras, which take away the stress. Advanced modes and complicated controls don't usually mix with spur-of-the-moment snaps, so decide what is important to you and pick your camera based on that.

5) Price: The cameras in our list have a range of prices, and we try to include cameras that suit every budget. The price of a camera usually reflects its capabilities, although all the options listed here will take great images and video – so try to strike the right balance between what you need in a camera and what you can afford.

Is it better to use phone or camera for travel?

We covered this a little bit at the start of the article, but the answer is that it is always better to use a camera for stills or video when possible. So the question really becomes, "Do your travel plans make using a camera possible?" Phones are so small and quick to use that they go where cameras are too bulky and slow to shoot. A great compromise is a compact camera – or the Olympus Tough TG-6 , which is a weather-proof camera that goes the places that you wouldn't dare to use your phone! 

Is a DSLR or mirrorless camera better for travel photography?

As a travel camera, mirrorless cameras are usually the better choice for most people. They are much small and lighter than DSLRs, and also usually have a selection of smaller and lighter lenses to match. This makes traveling easier as it takes up less space and weight in increasingly restricted carry-on bags. Mirrorless cameras also are generally newer than DSLRs and most likely have more modern technology, making photography and video easier to capture and of better quality.

What size camera lens is best for travel?

Again, this comes down to what your travel plans entail and what you plan to shoot. The kit lens that comes bundled with many cameras will cover the most commonly used focal ranges, so that's a good place to start (though kit lenses do not deliver the best image quality). We recommend checking out the best lenses for travel photography to see what's right for you.

How we test travel cameras

When we are reviewing cameras, we carefully think about what scenarios each camera could be used for. When considering which cameras would make ideal travel cameras, we judge each camera on how small and lightweight it is for easy packing and transport, as well as carrying for long periods of the day while out exploring. 

We also consider the technical capabilities of each camera, and how suitable they are specifically for travel photography scenarios from beach vacations to safaris, to city breaks. Finally, we consider the price of the cameras to select options that cover a range of budgets and requirements.

We use our real-world experience with each camera and our in-depth camera knowledge to determine a final selection of top cameras that we would recommend as the ideal camera traveling companions.

Want to find out how we test and review DSLR and mirrorless cameras? We trial cameras both in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests will generally measure resolution, dynamic range, and signal-to-noise ratio, which gives us a benchmark by which to compare cameras. 

Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera's ISO range. Our compact camera evaluations are based on real-world testing alone.

For our real-world testing, our reviewers spend time with each camera, testing it in a variety of shooting situations and providing their qualitative thoughts on how the camera was to use and evaluating the images and video it produced. Here's an example of how we literally take a camera on vacation to evaluate it!

Get the Digital Camera World Newsletter

The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!

Gareth is a photographer based in London, working as a freelance photographer and videographer for the past several years, having the privilege to shoot for some household names. With work focusing on fashion, portrait and lifestyle content creation, he has developed a range of skills covering everything from editorial shoots to social media videos. Outside of work, he has a personal passion for travel and nature photography, with a devotion to sustainability and environmental causes.

• James Artaius Editor

Related articles

9 Best Lightweight Cameras for Travel and Hiking in 2024

Finding the best lightweight camera for hiking and travel isn’t easy. You need the best camera to capture the magic moments from your next adventure. You don’t want a camera that weighs you down. And you need to know it can handle the hard life of a traveler.

Olympus OM-D E-M5 Mark III

If you buy a product through one of our referral links we will earn a commission (without costing you anything). Prices last updated on .

As an Amazon Associate, I earn from qualifying purchases. Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply to the purchase of this product.

We’ve got a collection of the best lightweight cameras that are ideal for travel and hiking. It includes DSLR and mirrorless cameras . And we have bridge and compact cameras too. They are all lightweight cameras. And they have features that’ll get the best out of your hiking and travel photography.

What is the Best Lightweight Camera for Travel and Hiking?

You need to consider a few things when buying a lightweight camera for travel. Image quality is very important. You need a camera that captures the world you find in all its glory. And backpacking cameras always need to be lightweight and portable. You don’t want anything weighing you down.

Video features are becoming just as important for modern travel photographers. And we’ve included some cameras dedicated to video creation. A rugged and weatherproof body is important in a camera for hiking. And autofocus and image stabilization are other great features to look out for.

• Compact and weather-sealed camera body
• 50 MP High-Res Shot mode
• 4K video quality and 120 fps frame rate for slow-mo
• 30 fps max burst rate

• Excellent image quality from the 24.1 MP sensor
• Face and eye detection and tracking AF
• Built-in image stabilization
• 4K video recording and webcam abilities

• 26 MP from the APS-C sensor
• 20 fps max burst speed
• Brilliant AF system for tracking moving subjects
• Tough, weather-sealed body

• 20 MP from a 1-inch sensor
• Long-lasting battery life
• Incredible 15x zoom from the Leica lens

• Rugged, weather-sealed camera body
• Wide ISO range and fantastic low-light performance
• Built-in shake reduction system

• Fantastic 4K video quality
• Wide ISO range
• Weatherproof compact body
• USB charging

• Completely waterproof for underwater pictures and videos
• Excellent video features for adventure
• Macro shooting modes for nature lovers

• Brilliant autofocus system for tracking
• No time limit on video recording
• Fully articulating screen for vlogs and selfies

• Built-in 5-axis image stabilization
• Fixed Leica lens has a 20x Optical zoom

9 Best Lightweight Cameras for Travel and Hiking

1. olympus om-d e-m5 mark iii.

• 50 MP High Res Shot mode
• 30 fps continuous shooting speed
• Up to 6.5 stops of in-body stabilization with certain lenses
• Excellent weather sealing
• Articulating screen for angled shots
• Excellent 4K Ultra HD and DCI video
• Only 10 fps with AF tracking
• Complicated Olympus menus
• No headphone out
• No video log profile for dynamic range or colors
• An average battery life

The Olympus OM-D E-M5 Mark III is the perfect camera for hiking and traveling. It’s compact and lightweight. But it’s also rugged and packed full of fantastic features for photos and videos. The E-M5 Mark III has everything you’d expect from the best cameras for travel.

The Olympus OM-D E-M5 Mark III is a micro four thirds (MFT) camera. It’s a mirrorless machine but uses a smaller sensor than an APS-C or full frame camera. You don’t have to worry about the image quality. The MFT sensor still gives you fabulous images with a resolution of 20 MP. That’s far better than any smartphone camera.

If 20 MP isn’t enough, the camera has a 50 MP High-Res Shot mode. You’ll need a tripod for this type of shot. But it gives you incredible images with fantastic detail and vibrant colors. It’s ideal for landscape photography.

The autofocus system is another highlight of this travel camera. It uses 121 cross-type phase detection points. It’s fast and accurate. And it tracks moving subjects across the screen. It’s a great feature if you want to try wildlife photography or shoot mountain sports.

The video specs are just as impressive. You get 4K video quality. And you can select a frame rate of 24, 25, or 30 fps. It has a port for external microphones. And there’s 5-axis image stabilization that reduces camera shake in video and photos.

The Olympus OM-D E-M5 Mark III is weather sealed for tough conditions. It has an accurate electronic viewfinder. And there’s a 30 fps burst with pro capture mode. The USB charging is another handy feature for travelers.

2. Canon EOS M50 Mark II

• Strong sensor resolution
• 4K and Full HD video options
• Time-lapse recording
• External mic port
• Webcam functionality
• 4K video is cropped
• No environmental sealing
• No sensor-shift image stabilization
• Disappointing battery life

Mirrorless cameras don’t come much more compact than the Canon EOS M50 Mark II . It’s a photo and video hybrid, giving you wonderful results with both media. And its small size makes it an ideal hiking camera for your next trip.

The Canon EOS M50 Mark II is an APS-C mirrorless camera. And the image sensor has a resolution of 24.1 MP. That’s decent for a sensor of this size. And with a 100 to 25,600 ISO range, you also get fantastic results in low light .

The video features are why travelers are opting for the M50 Mark II. You can record 4K video at 25 fps. And there’s 120 fps for slow-motion videos when you drop down to Full HD quality. The rotating screen is perfect for travel vloggers. And the camera can double as a webcam with the EOS Utility app.

The autofocus is another positive for the M50 Mark III. It’s great with moving subjects. And the eye detecting and face tracking is another feature for vloggers and selfie-takers. The image stabilization system is a bonus too, reducing camera shake in photos and videos.

The Canon EOS M50 Mark II isn’t weather sealed, so you’ll have to take extra care if the weather turns. But the battery life is reliable. And the features and performance make it an excellent mirrorless camera for traveling.

3. Fujifilm X-T4

• Decent APS-C BSI-CMOS sensor
• A great frame rate of 15 fps
• 6.5 stops of image stabilization
• 4K video (DCI or Ultra HD) up to 60 fps
• A fully articulating rear touchscreen
• 12 Film Simulation modes
• Expensive for an APS-C camera
• Autofocus speed and accuracy depends on the lens and the subject
• Unreliable face and eye detection
• No external battery charger provided
• Limited video recording time
• No subject tracking in video mode

Fujifilm has built a reputation on its APS-C mirrorless cameras. And the Fujifilm X-T4 might be the best of the series. It has a powerful sensor that produces stunning images. And there are plenty of other features to excite travelers and hikers.

The sensor gives you a 26 MP image resolution. That’s impressive for a crop sensor camera. And you get excellent image quality and impressive low-light performance. The 5-axis image stabilization also works hard to keep your photos sharp. You don’t need to worry if you can’t pack your tripod.

The 15 fps burst is a fun feature for capturing the action. And the 4K video quality looks fantastic. There is some cropping when recording 4K video at 60 fps. But you’ll be able to shoot brilliant videos from your trips. And there’s slow-motion in Full HD.

The Fujifilm X-T4 isn’t the smallest mirrorless camera. But it’s still lightweight at 1.33 lb (660 g). The camera body is also rugged and weather sealed for outdoor shooting. It’s a quality camera. And one you should consider for hiking and backpacking.

4. Panasonic Lumix ZS200

• Excellent quality 4K video
• Incredibly versatile focal length range
• 5-axis in-body image stabilization
• Unmatched battery life
• High maximum aperture
• Fixed rear screen
• Not weather sealed
• 1.5x 4K crop factor
• AF occasionally hunts in video mode

A compact camera is a great choice for hiking and backpacking. And the Panasonic Lumix ZS200 delivers where it matters, so you don’t make any compromises on media quality. It’s small enough for any pack. And you’ll have impressive photos from your next adventure.

The Panasonic Lumix ZS200 has a 20.1 MP sensor that gives you outstanding photo quality. Compact cameras have suffered from the rise of smartphones. But the photo quality is far superior to anything a smartphone can produce.

Another advantage of the ZS200 is the wonderful fixed lens. It’s a Leica lens, so you don’t have to worry about optical quality. And it also gives you an incredible 15x zoom. That’ll get you close to the action no matter where you are.

You’ll have a pleasant surprise from the video quality too. It’s 4K video shot at a super-smooth 30 fps. And the Lumix 4K Photo mode allows you to select single frames from video footage to use as photos. That means you have a burst speed of 30 fps. You won’t miss a thing from your next hike.

You might not expect 5-axis image stabilization from a compact camera. But the Panasonic Lumix ZS200 is full of surprises. And the stabilization works well, keeping your images crisp and clear. You also have Wi-Fi connectivity for easy transfer and sharing when you’re on the road.

5. Pentax K-70

• Brilliant low-light performance with a wide ISO range
• Excellent image quality and sensor
• Built-in image stabilizer reduces camera shake
• High-quality pentaprism viewfinder
• Durable body with full weather sealing
• Limited AF system for fast-moving subjects
• Slow buffering when shooting in RAW
• Slow max burst speed of 6 fps
• Poor connecting Wi-Fi app
• Only Full HD video, no 4K recording

You can’t go wrong with a Pentax K-70 if you’re looking for a tough camera for travel and hiking. Pentax is known for its hardworking cameras. And the Pentax K-70 is a durable and affordable option for travelers. DSLR cameras don’t come much tougher.

This DSLR camera has a durable body. It’s dustproof and completely weather sealed, making it a fantastic option for hiking and backpacking. It isn’t the most lightweight camera on the list. But it still weighs under 2 lb (900 g). And you know it can take the strain of the hiking lifestyle.

The inside of the K-70 is just as impressive as the outside. The APS-C sensor has a resolution of 24.2 MP, so you can expect fabulous image quality. And the dynamic range is excellent for a camera at this level.

The low-light performance is another strength of the Pentax K-70. You get a wide ISO range starting at 100 and topping out at an impressive 204,800. That gives you options for dawn, dusk, and night photography. You might experience some digital noise. But not until you reach the higher ISO levels.

The Pentax K-70 also has a shake reduction mechanism. It counteracts camera shake when shooting handheld, keeping your photos sharp. This gives you more shooting options, allowing you to use a slower shutter speed without the risk of blurry images.

The durability and performance of the Pentax K-70 put it on our list of the best cameras for hiking. It’s a beginner-friendly DSLR camera. But the photography performance is fantastic, especially in low light. Photographers won’t find many better-suited DSLR cameras for traveling and hiking.

6. Nikon Z30

• Compact and lightweight body
• Responsive and accurate AF with eye detection and tracking
• Wide ISO range with excellent low-noise performance at the top end
• Vari-angle screen is perfect for videos and vlogging
• Environmental sealing for outdoor shoots
• Has no viewfinder, only an LCD screen
• No electronic shutter for quicker burst or silent shooting
• Video is cropped 1.3x when using the electronic vibration reduction system
• The battery life is disappointing for a Nikon camera

Modern photographers look at the video specs just as much as the photography specs. Video content is becoming more and more popular. And it’s no different if you want a backpacking camera. The Nikon Z30 is the vlogging solution for travelers and hikers.

The APS-C sensor has a resolution of 20.9 MP. That’s not record-breaking for a lens of that size. But it’s a vast improvement on smartphone cameras. And you get a strong ISO range for low-light photography. It starts at 100 ISO, and the top is expandable to 51,200.

But most people looking at the Nikon Z30 will be interested in the video features. And there’s a good selection of them. You get fantastic 4K video quality. The autofocus has eye detection and face tracking. And there’s image stabilization, so your footage is smooth when shooting from hand.

The Nikon Z30 has other features backpacking vloggers will appreciate. There’s Wi-Fi connectivity and remote shooting. You have a rotating screen for selfies and self-recording. And there’s a record light that tells you when it’s filming. The USB charging is another handy feature when you’re on the move.

Hikers will be happy to hear the Nikon Z30 is weather sealed for outdoor protection. And it’s the smallest and lightest camera in Nikon’s Z series. It’s the perfect size for hiking and backpacking. And you don’t need to break the bank for this vlogging camera .

7. Olympus Tough TG-6

• Very strong and durable body
• Waterproof to 50 ft (15.5 m)
• RAW file shooting capabilities
• Excellent macro shooting
• Smooth 4K video recording
• Only 12 MP image resolution
• No fully manual controls
• No touchscreen
• Annoying notifications with Wi-Fi app

The Olympus Tough-TG is the best waterproof camera on the market. As the name suggests, it’s a tough camera that’s built for a life in the wild. And it’s not just about the hard outer casing. The photo and video features are excellent too. It’s a perfect compact camera for hiking and adventure.

The Olympus Tough TG-6 is waterproof down to 50 feet (15 m). You can take photos and videos from beneath the waves. It’s also dustproof, shockproof, and crushproof. It’s also usable in temperatures of -10 degrees Celsius. It’s as rugged as they come.

It uses a 1-inch sensor that gives you a 12 MP image resolution. That is low compared to many modern compact cameras. But the detail is fantastic, and it still outperforms your average smartphone. The fixed lens has an 8x zoom. And it has underwater and macro shooting modes.

The video features are excellent for multimedia adventurers. You have 4K video at 30 fps. And you can record Full HD at 120 fps for brilliant slow-motion videos. You’ll have incredible action content from your next backpacking trip.

The Olympus Tough TG-6 has excellent battery life. And the rugged camera is small enough for a big pocket or a pouch in your backpack. The shooting options are fantastic for photos and videos. It has to be on the list of the best cameras for hiking.

8. Sony ZV-E10

• Top-end autofocus system that's great with photo and video
• Fully articulating screen and selfie modes
• External microphones and headphones ports
• Compact and lightweight camera body
• No sensor-shift stabilization, only a shake reduction system
• Visible rolling shutter effect with tracking shots
• The lack of a viewfinder is disappointing
• 4K video is cropped at 30 fps

Most travelers won’t have enough space in their pack for a Sony full frame mirrorless camera. But the Sony ZV-E10 is a more compact mirrorless camera option. And it’s another excellent choice for video creators and travel vloggers.

The photography performance is fantastic. The APS-C sensor gives you a resolution of 24.2 MP with fantastic detail and color rendering. There’s also an 11 fps burst that gives you action camera options .

The autofocus is one of the highlights of the Sony ZV-E10. It has a 425-point hybrid system that’s fast, reactive, and accurate. It tracks your subject when locked on, ideal for trekking and wildlife. And it performs well in low-light situations. You also have built-in image stabilization.

The 4K video quality is fantastic. The frame rate is smooth and steady. And there’s no pixel binning, so the video quality is just as good as the image quality. One problem is that the video is cropped when you use image stabilization. But you can work within that limit when necessary.

You might not get a chance for livestreaming on your hike. But the Sony ZV-E10 can be used as a webcam with no extra software if you want to go live on your trip. There’s limited weather sealing, so you’ll need to take care in bad conditions. But it’s a lightweight mirrorless camera that shoots amazing photos and videos.

9. Panasonic Lumix FZ2500

• Excellent quality Leica lens
• 5-axis image stabilization
• Solid build quality and large grip
• Good ergonomics
• Stunning 4K video
• Yellows occasionally look greenish
• Noisy JPEGs with high ISOs
• 1.4x crop factor with 4K video
• No USB charging

A bridge camera offers the simplicity of a compact camera with the features of a DSLR camera. The Panasonic Lumix FZ2500 is the perfect example of that blend. And it has all the features to make it a contender for the best lightweight camera for hiking.

The Panasonic Lumix FZ2500 has a 1-inch sensor. While it’s not the biggest sensor, you won’t be disappointed with the image quality. The images are sharp, rich, and vibrant. And the dynamic range is surprisingly good.

Bridge cameras have fixed lenses. And the FZ2500 has one of the best lenses in the division. It’s a Leica lens, so you’ll have no doubts about optical quality. But the 20x optical zoom gives the camera a broad appeal. It changes the possibilities of your photography.

The FZ2500 also has top Panasonic Lumix video features. Along with stunning 4K quality, you have frame rate options and the 4K Post Focus feature. You also get the Lumix 4K Photo that allows you to use single frames as photos. That gives you a burst mode of 30 fps so you don’t miss those fast moments.

The macro shooting modes are ideal for nature enthusiasts. And there are external microphone and headphone ports for more multimedia options. The battery life is more than reliable. And while it’s not completely weather sealed, there is environmental sealing for outdoor photography.

Our Verdict

The Olympus OM-D E-M5 Mark III is our pick as the best lightweight camera for hiking and traveling. The Olympus micro four thirds series lends itself to travel because of the compact nature of the cameras. And the OM-D E-M5 Mark III has fantastic features hikers and backpackers will love.

But you don’t have to go with an MFT camera. You can also go for a mirrorless or DSLR camera. And we’ve included models that specialize in photography and video for modern content creators.

You need to know your lightweight camera is up for a life of hiking, traveling, and backpacking. All the cameras on this list are tough enough and deliver on quality and performance. Now you’re ready to shoot your next adventure.

Buying Guide for Lightweight Travel and Hiking Cameras

If you’re unsure of what to look for in a lightweight camera fro travel and hiking, we can help fill in the blanks. Here are some features and specs you’ll want to look out for in a travel camera.

The Camera Body

The size and weight are the first things you need to consider in a travel camera. You don’t want anything that takes up too much space in your pack. And you don’t want your camera to weigh you down. You need a machine that’s compact and lightweight.

You’ll also need something rugged for the road. The best hiking camera is a weather-sealed camera. You never know when the weather can take a turn for the worse. And you don’t want your camera getting damaged in the rain.

Image Quality

Much of a camera’s image quality comes from the sensor resolution. You should look at the number of megapixels the camera sensor has. That will give you an idea of the image quality you can expect from your action camera.

Other features also contribute to image quality. The ISO range will give you an idea of how the camera performs in low light. And an image stabilization system keeps your images sharp. This means you don’t have to pack a tripod.

Video Quality

If you want to make travel and hiking videos, you’ll need a camera that’s up to the job. Most modern cameras have video features. But if you’re serious about videos , you shouldn’t settle for less than 4K video quality. It’ll look professional, and it’ll blow your social media competition out of the water.

What Camera Bag Will You Need?

That depends on the type of camera you choose. If you’re using a compact camera, you can fit it into your pack. Maybe it’ll fit into a big pocket. But if you’re using an interchangeable lens camera, you need a bag that protects the camera and the lenses.

Many travel and hiking photographers opt for camera backpacks. They’re spacious and they’ll protect your gear. And they leave your hands free for other essential tasks.

We recommend you try out our camera comparison feature or our article on budget travel cameras next!

Still Not Sure? Try Our Camera Tools!

Try our camera comparison tool.

Enter any two cameras to compare specs:

Explore our Camera DatabaseX

Try our camera finder quiz.

Buying a camera can be scary if you're not sure where to start. That's why we made this quiz! Answer a few simple questions to see the best camera options for you!

Related Articles

11 Best Budget Travel Cameras (Top Picks for Travel 2024!)

Finding the perfect camera for travel can be hard, especially if you are on a budget. Today, we will look through various options for travel photography. We’ll show you the best budget travel camera suitable for beginners all the way up to professionals. There are many different factors when considering the best budget travel camera. […]

17 Best Cameras for Hiking and Backpacking on a Budget in 2024

The best hiking camera lets you capture everything you see without slowing you down. We put together a list of the best DSLR, compact, and mirrorless cameras for hiking and backpacking.

Peak Design Travel Tripod Review (Worth The Price in 2024?)

I have had my carbon fiber Peak Design Travel Tripod for a few years now. I am a bit of a Peak Design fangirl. I bought many of my bags during their initial Kickstarters. The company is known for making innovative camera and travel bags. But the travel tripod was a departure for the company, […]

Best Rugged Cameras (11 Tough Cameras to Buy in 2024)

The best rugged cameras on the market are sometimes the best waterproof cameras. But it depends on what you mean by “rugged camera.” Do you want something to take with you on a beach holiday? If so, a compact waterproof camera like the Olympus TG-6 is fine. But if you’re more interested in taking video, […]

11 Best Cameras for Fashion Photography and Modeling 2024

The Sony A7R IV tops our list of the best cameras for fashion photography, but not everyone has the budget for a professional camera. See our full list!

11 Best Leica Cameras to Buy in 2024

Searching for the best Leica cameras available in the market today? The Leica brand name holds a rich history and a prestigious status in the world of photography. Known for its exceptional quality, striking aesthetics, and unrivaled performance, a Leica camera is more than just a photographic tool—it’s a statement of style, sophistication, and know-how. […]

• Reviews TV REVIEWS   v1.11 HEADPHONES REVIEWS   v1.7 MONITOR REVIEWS   v2.0 SOUNDBAR REVIEWS   v1.3 MOUSE REVIEWS   v1.5 KEYBOARD REVIEWS   v1.3.1 PRINTER REVIEWS   v1.2 VACUUM REVIEWS   v1.3 PROJECTOR REVIEWS   v0.8 TOASTER REVIEWS   v1.0 BLENDER REVIEWS   v1.0 KEYBOARD SWITCH REVIEWS   v1.0 SPEAKER REVIEWS   v0.8 CAMERA REVIEWS   v0.12.1 LAPTOP REVIEWS   v0.8.2
• In Progress
• Newsletters
• Compact Travel
• Table of Contents
• Best Camera
• Best Mid-Range
• Best Budget
• Best Vlogging
• Best Large Sensor

Notable Mentions

Recent updates, all reviews, the 5 best compact cameras for travel - spring 2024 reviews.

Point-and-shoot cameras are a natural choice for travel thanks to their compact sizes and built-in zoom lenses, making it a breeze to capture all your memories abroad without having to lug around a bulky kit with multiple lenses. While smartphone cameras have continued to improve, and they're usually the camera you've already got on you, some point-and-shoots offer improved image quality with larger sensors than the ones typically found in phones, while others offer longer zoom ranges that you simply can't get with the physically limited lenses on your smartphone.

We've bought and tested over 100 cameras in our lab, and below, you'll find the best small travel cameras we've tested. If you don't mind carrying a larger kit with interchangeable lenses, check out our picks for the  best mirrorless cameras for travel . If you want to capture beautiful images of destination vistas, you might also want to check out our  best cameras for landscape photography . Alternatively, if you're less interested in snapping places and more interested in the people that populate them, see our picks for the  best street photography cameras .

Best Compact Camera For Travel

It isn't cheap, but the Sony RX100 VII is the best small travel camera that we've tested. Sony has perfected the formula for compact zoom cameras with its RX100 series. This latest model features a stacked 1-inch sensor that delivers blazing-fast burst rates and great image quality for its class, along with a pop-up viewfinder and flash, a large tilting screen, and a zoom lens—all packed into an incredibly portable camera.

While it doesn't have the widest zoom range on this list, its 24–200mm full-frame equivalent focal length still gives you a fair amount of range, offering some flexibility for framing and composition. The camera also has a highly effective autofocus system, ensuring your subjects stay in focus, even in busier settings. That said, like most compact cameras, it has a pretty short battery life, though you can always pack a spare battery or portable power bank to charge it on the go.

See our review

Best Mid-Range Compact Camera For Travel

The Canon PowerShot G5 X Mark II is a great mid-range option if you don't want to spend as much on a travel camera. It's easily one of the most comfortable point-and-shoots we've tested, thanks to a nicely designed grip and thumb rest. On top of that, its user interface is highly intuitive. It also has a nearly identical pop-up viewfinder as the one found on the Sony RX100 VII , which is great for sunny days when it's harder to see the screen.

The built-in lens here has a fairly wide max aperture, making it decently well-suited to dimmer lighting conditions. However, it has a slightly shorter zoom range than the Sony, with a 24–120mm equivalent focal length. The camera's autofocus system can also struggle to track subjects quickly and accurately, so keep that in mind if you plan on shooting faster subjects in busier settings. Otherwise, this camera has plenty to offer for travelers who want something compact and comfortable to shoot with.

Best Budget Compact Camera For Travel

The Canon PowerShot SX740 is one of the best point-and-shoot cameras to get if you're on a tighter budget. It uses a smaller sensor than the more premium options above, so there's a slight trade-off in image quality. On the upside, its built-in lens has a 40x optical zoom range, giving you a remarkably wide focal length range of 24–960mm. Though it doesn't have a viewfinder like the Canon PowerShot G5 X Mark II , the camera's tilt screen can flip up for selfies or waist-level shots, and it's incredibly portable.

Of course, the most cost-effective choice if your budget is really tight is to simply use your smartphone! Most smartphone cameras these days feature pretty impressive processing to compensate for their smaller sensors, which means you can still get great results despite some hardware limitations. The best part is that you've likely already got a smartphone on you, so it won't cost you anything extra or take up more space in your luggage. Still, if you want the shooting experience of a dedicated point-and-shoot camera, the PowerShot SX740 has quite a bit of value for its price.

Best Compact Vlogging Camera For Travel

While the previous picks are more photography-oriented, travel vloggers should take note of the Sony ZV-1, the best point-and-shoot camera for travel vlogging. Though it doesn't have a viewfinder, it's the only option on this list to feature a fully articulated screen, making it easy to monitor yourself while recording or to take the odd selfie. On top of that, it has vlogging-specific features like a detachable windscreen to reduce ambient noise when recording outside.

The Sony ZV-1 II has since replaced it and features a wider-angle lens that's a good fit for walk-and-talk vlogs. However, the newer model doesn't have optical stabilization, and its digital stabilization feature crops in some of that wider field of view. For those reasons, the original ZV-1 is still our top pick here, especially since you can get it for cheaper. It checks all the boxes for a compact, all-in-one vlogging camera for travel.

Best Large Sensor Compact Camera For Travel

The RICOH GR III is a fantastic option if image quality is your top priority. While you'll still get great images from 1-inch sensor cameras like the Sony RX100 VII or the Canon PowerShot G5 X Mark II , the RICOH boasts a larger APS-C sensor that delivers excellent image quality and better noise handling in low light. Its sleek, minimalist design makes it the most pocketable camera on this list, too, so you can bring it with you wherever your travels take you.

Of course, this isn't the travel camera for everyone. If you want the flexibility to zoom in on farther subjects or you like to shoot video on the side, you're out of luck here since the camera has a fixed 28mm equivalent focal length and has poor video capabilities. If 28mm is too wide for you, you can opt for the RICOH GR IIIx instead, which has a 40mm equivalent lens. Though it lacks a viewfinder or zoom lens, this is one of the best options if you want something super portable that doesn't compromise on image quality.

• Canon PowerShot G7 X Mark III: The Canon PowerShot G7 X Mark III is a good compact vlogging camera. Unlike the Sony ZV-1, it has a built-in livestreaming feature that some travel vloggers may find appealing. However, its autofocus isn't as effective, and the camera doesn't have a fully articulated screen. See our review
• Fujifilm X100V: The Fujifilm X100V is a beautifully designed point-and-shoot with an APS-C sensor. Unlike the RICOH GR III, it has a hybrid optical/electronic viewfinder and a tilting screen, making it more versatile. However, it isn't as compact as other options here, and the manufacturer has since replaced it with the in-demand Fujifilm X100VI. See our review
• Panasonic LUMIX ZS80: The Panasonic LUMIX ZS80 is one of the best budget options you can get, offering a ton of value for its price, and unlike the Canon PowerShot G5 X Mark II, it even has a viewfinder. However, it's been discontinued and is harder to find. See our review

Apr 10, 2024: We brushed up some of the text throughout the article for clarity and added a mention of the Fujifilm X100VI to ensure the article is up to date with the current market.

Mar 14, 2024: We've reviewed the article to ensure the text and recommendations are up to date.

Feb 14, 2024: Moved the Panasonic LUMIX ZS80 to the Notable Mentions because it's been discontinued and is hard to find in stock, and replaced it with the Canon PowerShot SX740 as the main budget pick.

Dec 18, 2023: Reviewed accuracy of picks with no change to recommendations.

Oct 19, 2023: Moved the Fujifilm X100V to Notable Mentions.

Our recommendations above are what we think are currently the best compact cameras for most people to buy for travel, according to their needs. We factor in the price, feedback from our visitors, and availability (no cameras that are difficult to find or almost out of stock in the U.S.).

If you would like to choose for yourself, here's the list of all our compact fixed-lens camera reviews. Be careful not to get caught up in the details. There is no single perfect camera. Personal taste, preference, and shooting habits will matter more in your selection.

The best low-light cameras

Here are the best low-light cameras you can buy from Sony, Canon, Nikon and more.

With the best low-light cameras, the night opens up before you. Shooting in poor lighting conditions can be extremely challenging – sensors and film work by gathering light, after all, and if there isn't much about, you're going to have trouble making a decent picture. At least, that used to be the case.

As camera tech has got better, we've seen more and more models that can shoot at high ISO settings to gather more data, that pack in large sensors to improve dynamic range, and boast powerful image stabilisation systems that allow long shutter speeds to be used hand-held. All of this adds up to some seriously capable low light cameras. 

But which to choose? It is generally the case that the more you spend on a camera, the better it's going to be in low light. But there are loads of excellent low-light cameras available for those on a budget, so in this guide we've been sure to include some affordable starter models as well as the high-end stuff, so that there's something for every stripe of user. 

With these low-light cameras, you can unlock all sorts of low light techniques, whether you want to capture moody cityscapes, images of nocturnal animals, or are looking heavenward to capture images of starry skies. Want more to choose from? Check out our guides to the best cameras , and best cameras for beginners , and we also have a guide to the best cameras for wildlife photography .

The best low-light cameras available now

Why you can trust Creative Bloq Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test .

01. Sony a7S III

Specifications, reasons to buy, reasons to avoid.

The Sony A7S III is a highly specialised tool for professionals, and is definitely oriented towards video users. However, there was no other choice to top this list . It's the third in the series that revolutionised mirrorless cameras for video, and it can quite literally turn night into day with its maximum ISO ceiling of 409,600. Its 14 stops of dynamic range allow users to capture an incredible level of detail in even the darkest shadows.

As the A7S was so popular with video shooters, subsequent cameras have been leaning more and more heavily in this direction. The headline resolution of 12MP on the A7S III might sound rather low if you're coming from a stills background, but for video users who don't have much use for extra pixels, it makes sense. Either way, a less crowded sensor makes for cleaner images at high ISOs, which is great news for low light. Still, if you have no use for video and only want to shoot stills, you'll get better value out of the Canon EOS R6, our next choice. 

02. Canon EOS R6

While it may not technically reach the dizzying ISO highs of the Sony A7S III, the Canon EOS R6 makes a number of other advancements to be one of the most capable low-light cameras around. First, there's the autofocus. Canon has long been pulling ahead of the pack when it comes to autofocus, with its Dual Pixel CMOS AF system being one of the most advanced around. The EOS R6's autofocus system can function in conditions as dark as -6.5EV. That's even better than the headline-stealing EOS R5, which can reliably acquire focus down to -6EV.

The other half of the picture is the impressive stabilisation system. The EOS R6 has its own built-in 5-axis stabilisation system, and when used in conjunction with a stabilised RF lens, can achieve up to 8 stops of exposure compensation, which blows the competition out of the water. What this means in real terms is that you can use slower shutter speeds without needing to mount the R6 to a tripod, expanding its utility in low light.

It's arguably a little expensive for an enthusiast's camera, especially one that only gets up to 20MP in resolution terms – however, this relatively low pixel count helps with noise control, which is another helpful factor in low light. 

03. Canon PowerShot G1 X Mark III

Our expert review:

Smaller image sensors tend to struggle with low light scenes, producing high ISO image noise. As such, compact cameras aren't the first devices we'd normally recommend you reach for when shooting low-light photos or videos. However, the Canon PowerShot G1 X Mark III crams in an APS-C sensor in its compact body, the type you’d expect to see in an enthusiast DSLR!

The G1 X Mark III draws on more inspiration from the DSLR world, with a sensible button control layout and satisfying weight in the hand. As we noted in our full review, outdoor use is easy in any conditions due to its weather-sealed body, making it enjoyable to use wherever you need to. ISO sensitivity on the G1 X Mark III isn't super high but reaches a respectable 25,600. Still, Canon has done a hugely impressive job here, and with the lens shooting at a wide f/2.8 the G1 X Mark III is one of the best low-light compact cameras around.

Read more: Canon PowerShot G1 X Mark III review

04. Olympus OM-D E-M10 Mark IV

If you're looking for a great low-light camera on a budget, then we'd recommend starting your search at the Olympus OM-D E-M10 Mark IV. It's bursting with clever features that expand its low-light usefulness, so even though it's got a smaller sensor than a lot of other cameras, it makes up for it in other ways. 

One such feature is the Optical Image Stabilisation system. This isn't unique to the E-M10 IV, but Olympus has one of the best such systems going. The way optical image stabilisation works is by using a gyroscope to detect small camera movements and compensate for them by moving the lens, sensor or both in a countermanding direction. In practical terms, this means it's possible to use slower shutter speeds while hand-holding the camera. And a slower shutter speed means more light for the sensor, which in turn means better low-light performance. 

Excellent for beginners who're learning the ins and outs of photographer, the Olympus OM-D E-M10 is also pocket sized and ideal for travel. Its Micro Four Thirds mount gives you a lot of lenses to choose from, and its retro dial-based controls make it an enjoyable camera to use. 

05. Nikon Z6 II

The smartly designed Nikon Z6 II is not the top camera in the Nikon Z full-frame mirrorless range – that honour currently belongs to the sporty Nikon Z9. However, we're plumping for this camera as our low-light pick, not only because it's more affordable for most users, but also because it has a good number of features that make it extra-suitable for shooting in challenging light conditions. 

Its 24.5MP resolution is well balanced for low light – enough pixels for making good prints of images, but not so many that an overcrowded sensor produces noisy images. The Z6 II also has a highly sophisticated metering system, able to analyse scenes in conditions as poor as -6EV (exposure value), and it also boasts an excellent in-body stabilisation system. Nikon refer to theirs as Vibration Reduction, but practically it does the same thing – shifts the sensor to compensate for unwanted camera movement, enabling slower shutter speeds.

The Z-mount connection provides super-fast communication between camera and lens, which means exceptional autofocus speed and accuracy, even in challenging light conditions. The Z6 II is also a great way to make a jump from Nikon DSLRs into the world of mirrorless, as picking up the extra the Nikon FTZ adapter means you can use all your old F-mount lenses on this newer camera, in many cases with full autofocus functionality.

06. Nikon D850

Professional photographers and enthusiasts wanting to take a step up will love the Nikon D850. Its large full-frame image sensor is capable of handling image noise when ramped up to the highest (expanded) ISO of 102,400 and delivers pleasing dynamic range, too. Sure, it may be a few years old now but it still keeps up with most modern DSLR and mirrorless offerings in terms of features and reliability. There's also native access to the back catalogue of Nikon F-mount lenses which include a plethora of wide-aperture primes, perfect for when you need to take in more light.

Built like a workhorse, this is a DSLR perfect for outdoor adventurers. The D850 is fully weather sealed, making it a good choice for night-time cityscape or landscape shooting. It’s also more budget-friendly now that it's a few years old. Although, it is still quite pricey (you get what you pay for). So if you'd prefer a DSLR over a mirrorless but this it out of your budget have a look at the Canon EOS 6D Mark II, another full-frame camera with loads of lenses to choose from. 

07. Sony A6100

An APS-C sensor is known as a crop-sensor, relative to the full-frame 35mm image sensor so named after the 35mm film standard. Crop sensor camera bodies tend to appeal more to those that are on a tighter budget or want to dabble in photography without being fully consumed by it. One of the best crop sensor models, especially for low light, is the Sony A6100. A speedy shooter with a best-in-class autofocus system, the A6100 has loads of handy low-light features, such as the ability to shoot at an expandable ISO setting of 51,000. 

Autofocusing systems able to draw on either phase or contrast-detection require a good amount of light in order to operate accurately. Focusing in low-light then, can be a challenge. Thankfully, the Sony A6100’s hyper-accurate hybrid autofocus system performs even when the sun has dipped below the horizon. For those who need a low-light vlogging camera then the A6100 may be the perfect fit as it records high-quality 4K footage at 30p for detailed filmmaking.

This is a lot of camera for a reasonable price, but it may still prove above budget for some. If your budget is more restricted, consider the original Sony A6000 . We think the autofocus and video improvements on the A6100 makes it worth the price difference, but the A6000 still gets you an APS-C sensor and the Sony E lens mount, which is enough to craft a potent low-light setup.

08. Panasonic Lumix S5

The Panasonic Lumix S5 represents perhaps the best iteration of Panasonic's S-series line-up. They've managed to pack a full-frame sensor into a lightweight, portable body and as a result it’s a camera that does almost everything quite well. As such, it's one of the better all-rounders on the market at the moment. 

Keeping things steady for sharp handheld shots hte Lumix S5 comines a sophisticated image stabilisation technology with an expandable ISO up to 51,200. As you’d expect from a Panasonic camera, it's capable when it comes to recording videos, too, able to record 4K 60p footage which is ideal in a range of shooting circumstances. The Panasonic Lumix S5 is really a jack of all trades, ideal for many casual users and photographers that want a range of features for low-light capture.

09. Fujifilm X-T30

We’d definitely recommend the stylish Fujifilm X-T30 for users who want a camera that not only looks good but shoots well in low-light, and doesn't cost too much to boot. 

As many professional photographers know, it's not just about the camera body but the lenses you pair it with, and when you're shooting with the X-T30 the treasure trove of fantastic X series lenses opens up. Pushing the boundaries of low light capability, these lenses are ultra sharp and fast as well, with the incredible XF 50mm f/1.0 really showboating in the low light realm as it manages to make this wider-than-ever aperture useable. That means more light reaching the image sensor for better low-light performance.

The X-T30 uses the famous Fujifilm X-Trans sensor, which produces JPEG images that look vivid and punchy straight out of camera – ideal for those who'd rather get it right in-camera than fix it in post-production. Although, if you are one for Photoshop , its raw files are also pleasingly flexible. The X-T30 is held back a little due to the lack of in-body stabilisation but it ticks pretty much every other box, all at an outstanding price. 

How to choose the best low-light cameras

Got questions about low-light photography? In this section, we'll run through some of the most common question people ask about good low-light cameras and how to use them.

What sensor size is good for low light photography?

First off, when buying low-light cameras, consider the relationship between a camera’s sensor size and its megapixel count. Lots of pixels can be useful for printing, but they can also result in more image ‘noise’, meaning unwanted artefacts reducing the quality of your picture. Each pixel (or photosite) can generate a certain amount of heat when undergoing longer exposures, so larger sensors, where pixels are more spaced out, generate less noise. That is, only if the pixel density remains low. 

Full frame sensors are best for low light, as they provide a good balance between image quality and camera portability (larger-sensor cameras like medium format tend to be very expensive and bulky, so are only really an option for professionals and specialists). However, not everyone will be able to afford full-frame, so APS-C is also a good option. Micro Four Thirds sensors are smaller than APS-C, but still represent a step up from smartphones, so are a good choice for budget-conscious users. Many MFT cameras also have sophisticated stabilisation systems, which can help compensate for the slightly smaller sensor.

What lens should you use with a low-light camera?

It's important to consider what lenses you can use with a camera. Ideally, wide aperture zooms and primes will be what you're looking for here, or any lens with an aperture of f/2.8 or less. This maximises light input onto the image sensor. If you pick an interchangeable-lens camera you’ll be able to buy these; if you think you’d prefer a compact camera with a fixed lens, be sure to check its maximum aperture so you’ll know what you’ve got to work with.

Maximizing light hitting the image sensor is the name of the game to get well exposed shots. Since the lens is the vessel which delivers the light to the sensor it's important to use a lens which has as little restriction of light as possible. That means a wide aperture lens is ideal, something that stops open as wide as f/1.4, f/1.8, or f/2.8 will let more light into the camera. Camera systems that allow interchangeable lenses offer the best options here because it's often possible to get lenses with wider maximum apertures than those of fixed-lens systems. Some lenses can shoot as wide as f/0.95 and more! 

What ISO setting should you use in low light?

A camera's ISO sensitivity range makes probably the biggest difference to taking a well exposed low-light image, after the lens' aperture rating. ISO refers to the image sensor's sensitivity to light, denoted in tens, hundreds, thousands, and up. In bright conditions where there is plenty of light a setting of ISO 100 is ideal as it minimises the amount of image noise. But when it's darker a higher ISO will compensate for the loss of light and still produce a good exposure. The higher a camera’s maximum ISO setting, the more capable it will be in low light – though image quality at these levels can vary because dynamic range decreases and image noise creeps in the further up you go. Image stabilisation can also be critical, allowing you to use slower shutter speeds without the need for a tripod, again expanding light-gathering capabilities.

What shutter speed should you use for low light?

As a rule, you should try to use as slow a shutter speed as possible in low light in order to maximise the amount of light that hits the sensor. If you're using a stable camera support like a tripod, then the shutter speeds you can potentially use are effectively indefinite thanks to Bulb mode; just be aware that any subjects moving in front of the lens will be blurred to near-invisibility.

If you're shooting hand-held, your slowest shutter speed will depend on your camera. Common wisdom among photographers is that you shouldn't use a shutter speed slower than the focal length of your lens in order to guarantee a sharp image. So, if you're shooting with a 500mm lens you should stay at shutter speeds of at least 1/500sec, keep at 1/60sec with a 60mm focal length, etc. However, image stabilisation systems in digital cameras have changed the game a bit, and can provide an advantage of 2-4 stops, or even more, and enable you to use slower shutter speeds. It'll be different for every camera and lens, so you may need to refer to your camera manufacturer's guidance. 

What autofocus do you need for low light?

Autofocusing brings reliable and fast focus to stills and sometimes video, but not all camera's autofocusing systems can detect light in the same way. That's why it's important to consider the lowest reported autofocus detection range that a camera is specified to have (e.g. -4EV) to see how well it performs in darker conditions. Generally, the lower the number, the better it will be (i.e. -6EV is better than -4EV).

Related articles:

• Best Nikon camera : Top Nikon cameras
• The best Canon cameras
• The best camera in for all situations

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Get the Creative Bloq Newsletter

Daily design news, reviews, how-tos and more, as picked by the editors.

Jason Parnell-Brookes is an Internationally award-winning photographer, educator and writer. He won Gold in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. Jason is a qualified teacher, Masters graduate and works with many high profile international clients. For Creative Bloq, he writes about cameras, photography and video and photo editing. 

• Jon Stapley

Related articles

• Search Please fill out this field.
• Manage Your Subscription
• Give a Gift Subscription
• Sweepstakes
• Travel Products
• Tech Essentials

The 13 Best Compact Cameras of 2024

These are the top point-and-shoot options for epic travel photography.

In This Article

Jump to a Section

• Our top picks
• Tips for Buying
• Why Trust T + L

We independently evaluate all recommended products and services. If you click on links we provide, we may receive compensation. Learn more .

Travel + Leisure / David Hattan

What’s the best way to relive your favorite travel experiences over and over again? By taking epic photos that you can upload to social media or transform into a coffee table photo book, of course. Investing in a proper camera with a high-quality sensor and a decent number of megapixels will yield better, more printable results than your phone camera. But that doesn’t mean you need to lug a full-size DSLR and several interchangeable lenses around with you. You can get amazing results with a compact, or point-and-shoot, camera. 

B&H Senior Technologist Mark Steinberg defines a compact camera as one that is “pocketable, with a minimum number of protrusions, that can be used one-handed.” They’re a great option for anyone who prioritizes easy portability or casual photographers who want good results without a steep learning curve. There are several different kinds of compact cameras, from the budget-friendly to the professional quality, and from digital to film and instant. We’ve researched them all to find the best options across several different categories.

Best Overall

Sony cyber-shot dsc-rx100 vii digital camera.

B&H Photo

It has a high-quality sensor, near-instant autofocus, and a lens that fulfills both wide-angle and telephoto functions.

It’s an expensive option for occasional use only.

Chosen by Mark Steinberg as the best overall compact camera, the Sony Cyber-shot DSC-RX100 VII is the seventh generation of a series that has been raising the bar for compacts since its inception. It’s simple to use for novice photographers, with enough manual settings to allow for experimentation and growth. The 1-inch Exmor RS BSI CMOS sensor is a major highlight, allowing for high sensitivity with a maximum resolution of 20.1 megapixels. With 8x optical zoom and 24–200mm equivalence, the ZEISS Vario-Sonnar T* lens gives you the freedom to switch between wide angle and telephoto photography for everything from landscapes to wildlife.

Whatever your subject, the 0.02-second hybrid autofocus ensures sharp images in both still and video mode. You can shoot single, continuous, burst, and self-timer images and set an upper or lower limit for your ISO up to a maximum of 12800 for impressive low-light results. If film is your passion, you’ll love the camera’s 20 frames-per-second, 4K video for its smooth movement and cinema-quality resolution. When it comes to viewing your footage, framing (and taking) your shot, or scrolling through the menu, use the 180-degree-flip LCD touchscreen. In high-glare conditions, you can also revert to the pop-up electronic viewfinder. 

The RX100 VII offers Bluetooth and Wi-Fi connectivity for instant uploads to social media. 

The Details: 20.1 megapixels | 1-inch Exmor RS BSI CMOS Sensor | 24–200mm lens | 3-inch LCD screen | 4K video | 4 x 2.3 x 1.7 inches | 10.7 ounces | Electronic viewfinder

Best Image Quality

Ricoh gr iiix digital camera.

This camera uses advanced lens and sensor technology to deliver undistorted, true-color images with a high level of sharpness across the entire frame.

If video is a priority, bear in mind that the GR IIIx shoots Full HD rather than 4K.

Suitable for all experience levels, the Ricoh GR IIIx Digital Camera was designed with the express purpose of providing superior image quality. The 26.1mm GR lens offers a 40mm angle of view in the 35mm format that’s meant to mirror your natural field of view. It also uses premium technology to eliminate distortion, render colors accurately, and create amazingly sharp images. This is complemented by the camera’s high-resolution CMOS image sensor, which captures HD detail suitable for large-scale prints with up to 24.2 megapixels. 

Other highlights include the camera’s impressive shake reduction technology and its fast, precise hybrid autofocus with eight focus modes to choose from including one that automatically detects the eyes and faces for perfect portraits. We love that you can shoot in macro, while an interval composite shooting mode allows you to capture star trail images (you’ll need to buy a tripod separately.) These are the unique images that set your travel shots apart. The camera offers Full HD video, a LCD touch screen with instantly adjustable brightness, and 2GB of built-in memory — a lifesaver when your memory card malfunctions at the crucial moment. 

The Details: 24.2 megapixels | 1-inch CMOS sensor | 26.1mm GR lens | 3-inch LCD screen | Full HD video | 4.3 x 2.4 x 1.4 inches | 9.2 ounces | No viewfinder

Best Full-frame Compact

Sony cyber-shot rx1r ii digital camera.

This camera packs the full-frame sensor of a professional DSLR into an unbelievably compact, travel-sized body.

You could buy a good DSLR body and lens for a similar price.

The Sony Cyber-shot DSC-RX1R II is meant for professional photographers with a price tag and learning curve to match. The 35mm full-frame back-illuminated CMOS sensor is the largest available, offering more light, more information, better quality, and a greater dynamic range than the APS-C frame found in standard compact cameras. With 42.5 megapixels and the ability to shoot in uncompressed 14-bit RAW, this camera will produce pro-quality, large-scale prints with an astonishing amount of detail.

The ZEISS Sonnar T* 35mm f/2 lens is fixed with no optical zoom, making it best for wide-angle and close-up subjects (and especially, street photography). The large aperture allows you to work in low light and use an unusually shallow depth of field. And, if you’re familiar with terms like moiré and aliasing, you’ll appreciate the inclusion of the world’s first optical variable low-pass filter for reducing these kinds of distortion. Other perks include super-fast hybrid autofocus, Full HD video with the ability to capture slow-motion HD video, an electronic viewfinder, and an adjustable 3-inch LCD screen. 

The Details: 42.4 megapixels | Full-frame BSI CMOS sensor | 35mm lens | 3-inch LCD screen | Full HD video | 4.5 x 2.6 x 2.8 inches | 1.1 pounds | Electronic viewfinder

Panasonic Lumix DC-ZS200D Digital Camera

You can bring subjects 15 times closer without sacrificing image quality, thanks to its optical zoom.

It’s slightly heavier and bulkier than some of the other compact cameras on this list.

If you want to be able to photograph animals, birds, or any other subject from a distance without forking out thousands of dollars for a DSLR with a telephoto lens, the Panasonic Lumix DC-ZS200D is an excellent option. The Leica DC Vario-Elmar 24–360mm lens offers a 15x optical zoom — which brings subjects 15 times closer without any of the pixelation associated with digital zoom. Optical Image Stabilizer technology means your photos won’t suffer from blurry camera shake either. 

The 1-inch MOS sensor with 20.1 megapixels results in bright, colorful images that lend themselves well to print. You can expand your photographic skills by playing around with traditional aperture and shutter priority modes, or use preset scene and filter modes for instantly different effects. We especially love the camera’s Post Focus feature, which varies the focal point while taking 30 photos per second so that you can go back afterwards and select the best one. In terms of video, shoot in 4K or use high-speed Full HD for instant 120 frames-per-second, slow-motion playback. 

The Details: 20.1 megapixels | 1-inch MOS sensor | 24–360mm lens | 3-inch OLED screen | 4K video | 4.4 x 2.6 x 1.8 inches | 12 ounces | Electronic viewfinder

Best Splurge

Leica q3 digital camera.

This is a professional camera that pays equal attention to still images and video, delivering best-in-class results for both.

It’s not the best choice for those who want telephoto functionality.

The Leica Q3 is an ultra-exclusive option limited to one purchase per customer. And don’t be fooled by its compact size — coming in at just under $6,000, it’s a premium product for serious professionals. It boasts a full-frame BSI CMOS sensor for unparalleled photo and video quality. With a maximum aperture size of f/1.7 and a maximum ISO of 100000, it performs unbelievably well in low light conditions. The Summilux 28mm fixed lens includes an integrated macro mode, making the camera ideal for close-up work as well as wide-angle street photography. 

There’s no optical zoom. However, Triple Resolution Technology with up to 60 megapixels means you can use the digital zoom without losing significant detail. You can also shoot in 36 or 18 megapixel mode to save space on your memory card. Video is equally versatile with multiple formats to choose from including 8K, 4K, ProRes, and Full HD. All of your work benefits from hybrid autofocus and subject tracking, while the Leica FOTOS app can be used for audiovisual content creation. Finally, you can frame shots using the 3-inch display or the OLED viewfinder.

The Details: Up to 60 megapixels | Full-frame BSI CMOS sensor | 28mm lens | 3-inch LCD screen | 8K video | 5.1 x 3.2 x 3.6 inches | 1.6 pounds | Electronic viewfinder

Best for Videos and Vlogging

Canon powershot g7 x mark iii camera.

Designed to shoot high-quality video in vertical or horizontal formats, this camera offers Wi-Fi and Bluetooth connectivity and can live-stream direct to YouTube.

To realize full vlogging potential, you may need to purchase a tripod and remote control separately.

Looking for the best camera for filming quality reels? The Canon PowerShot G7 X Mark III is designed especially for this purpose with 4K and Full HD video, the ability to shoot horizontally or vertically, Wi-Fi and Bluetooth connectivity to social media, and the ability to live stream straight to YouTube. Whether you’re shooting video or still photos, the fact that you can tilt the LCD touch screen by 180 degrees makes it ideal for framing quality selfies. 

The technology is impressive, too. We’re talking a 1-inch stacked CMOS sensor paired with a DIGIC 8 image processor for exceptionally fast autofocusing, with facial recognition that puts you in the center no matter how much you move around. The 24–100mm lens is suitable for a versatile mix of wide-angle and short telephoto shots, while the f/1.8-2.8 aperture performs well in low light conditions. Finally, the Optical Image Stabilizer reduces camera shake for clear, crisp results. Adding other gadgets is easy. The camera has a 3.5mm microphone terminal and can be purchased as part of a video creator kit that includes a tripod grip and remote control. 

The Details: 20.1 megapixels | 1-inch stacked CMOS sensor | 24–100mm lens | 3-inch LCD screen | 4K video | 4.1 x 2.4 x 1.6 inches | 10.7 ounces | No viewfinder

Fujifilm X100VI Camera

This camera combines state-of-the-art technology with a vintage aesthetic and a full range of film simulation modes.

The lens is fixed, so any zoom comes with the compromise of digital cropping.

First off, the Fujifilm X100VI just looks cool, with a gorgeous silver-and-black or all-black aesthetic reminiscent of a vintage film camera. Beneath the retro exterior lies a cutting-edge X-Trans CMOS 5 HR sensor with a revolutionary image-processing algorithm for efficient light reception and amazing image resolution at any ISO sensitivity. Thanks to the fixed 23mm f/2 lens, you’ll also get 35mm equivalency in terms of low-light performance and the ability to achieve a shallow depth of field — for a much lower cost than a full-frame compact camera.  

You can zoom digitally by 1.4x or 2x. The 425-point intelligent autofocus system is super fast, while built-in image stabilization reduces the appearance of camera shake by up to six f-stops. And when it comes to video, you can switch between 6.2K, 4K, and Full HD at will. Above all, we love that this camera includes 20 simulation modes inspired by iconic Fujifilm film types ranging from Eterna Bleach Bypass to Nostalgic Neg. You can even shoot using a Grain Effect that replicates the textured look of vintage film photography. 

The Details: 40.2 megapixels | X-Trans CMOS 5 HR sensor | 23mm lens | 3-inch LCD screen | 6.2K video | 5 x 3 x 2.1 inches | 1.1 pounds | Hybrid electronic and optical viewfinder

Kodak Ektar H35 Half Frame Film Camera

It’s an inexpensive and easy-to-use film camera for maximum fun.

There’s a limit to how much you can do with such a basic setup, so it may not be ideal as your primary travel camera.

Perhaps you feel nostalgic for the days of film, or perhaps you grew up in the digital era and want to experience photography as it used to be. Either way, the Kodak Ektar H35 Half Frame Film Camera is great for film novices, those wanting to stretch their abilities as a photographer, and those who just love the retro look of original film. It’s inexpensive in terms of initial layout and because the half-frame format gives you twice as many images per roll as you’d get from a full-frame camera. 

Weighing in at just three and a half ounces, this pocket-sized camera is made for on-the-go convenience. It features a 22mm f/9.5 lens — so with no zoom and no autofocus, it’s best for wide-angle shots and back-to-basics experimentation that’s as fun as it is challenging. You can frame shots using the optical viewfinder and deploy the built-in flash in low light or at night. The camera is compatible with black-and-white and color film and requires one AAA battery to work. Choose yours in Black, Brown, Sand, or Sage. 

The Details: 22mm lens | 4.3 x 2.4 x 1.5 inches | 3.5 ounces | Optical viewfinder

Best Instant

Fujifilm instax mini evo instant camera.

Not only can you print photos instantly, you can also save a digital version to your smartphone via the app.

You’ll need to recharge after approximately 100 photos.

Available with a retro black or brown leather effect, the Fujifilm Instax Mini Evo Instant Camera lets you create 2 x 3-inch prints of your images in approximately 16 seconds. It features an autofocusing 28mm f/2 lens and uses automatic shutter speed and ISO for fool-proof results. Expressing your creativity is easy, with 10 lens effects (including Light Leak, Double Exposure, and Soft Focus) and 10 film effects from Vivid to Sepia. You can use these interchangeably for a total of 100 different possibilities. 

Other features include a built-in flash, a self-timer, a selfie mirror, and a 3-inch LCD screen. What makes this instant camera different from the Polaroids of the past is the ability to use it in conjunction with the INSTAX app. This means being able to use your smartphone as a remote for releasing the camera shutter (handy for group shots and selfies) and being able to save a digital version of your instant prints complete with an INSTAX frame. From there, you can upload them to social media. You can even use Bluetooth to send pictures from your smartphone to the camera to print. 

The Details: 2560 x 1920 pixels | 1/5-inch CMOS sensor | 28mm lens | 3-inch LCD screen | 4.8 x 3.4 x 1.4 inches | 10.1 ounces | No viewfinder

Best Durable

Ricoh pentax wg-90 digital camera.

Drop it, crush it, take it out in a sandstorm or underwater and this camera should still emerge in one piece.

If you’re looking for an underwater camera for scuba diving, scroll on — we’ve found ones with better depth ratings.

When it comes to durability, B&H’s Mark Steinberg recommends the Ricoh Pentax WG-90 above all others. It lives up to its armored appearance with some pretty impressive technical specs. It’s waterproof up to 46 feet underwater for up to two hours of continuous operation, making it ideal for surface water sports or snorkeling. It’s also shockproof against falls from five feet, crushproof against 220-pound-force weights, and dustproof. Heading somewhere cold? Unlike many of the cameras on this list, this one will still operate in temperatures as low as 14 degrees Fahrenheit. 

Toughness aside, it’s also a great little camera from a photography perspective. The 16-megapixel BSI CMOS sensor offers high sensitivity and minimal noise, even when using the maximum ISO setting (6400.) A built-in ring light and flash help out in low-light situations, while the 28–140mm equivalent lens is suited to both wide-angle and short telephoto use with a 5x optical zoom. Choose from a range of shooting modes including Fish-Eye, Sports, and Handheld Night; or capture moving images with Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | Equivalent 28–140mm lens | 2.7-inch LCD screen | Full HD video | 4.8 x 2.4 x 1.2 inches | 6.1 ounces | No viewfinder

Best for Action Sports

Gopro hero12 black.

This camera stands out for its Emmy Award-winning video stabilization, 177-degree field of view, and action-ready, rugged build.

With a super wide-angle lens and no zoom functionality, this is a specialist camera for POV filming and photography only.

GoPro’s reputation precedes it in the action sports category, and the latest Hero12 camera really is a thing of wonder. Film High Dynamic Range (HDR) video in 5.3K, 4K, 2.7K, or Full HD. Revel in the 177-degree field of view that shows more of your daredevil POV than ever before. And know that whether you’re jumping out of an airplane or racing at high speed down a mountain, the camera’s HyperSmooth 6.0 video stabilization ensures the footage is super smooth. Turning a full 360 degrees? Horizon Lock keeps the horizon level throughout. 

You can film vertically for direct upload to social media and slow things down by up to eight times for an epic fast-action/slow-motion effect. Meanwhile, Bluetooth audio support allows you to connect headphones for sound recording and remote voice commands. The camera also takes 27-megapixel still photos. Or, you can grab 24.7 megapixel stills from your video. The GoPro 12 is waterproof to 33 feet, can run continuously for over two and a half hours on Full HD, and features a new Enduro battery especially for temperatures down to 14 degrees Fahrenheit. 

The Details: 27 megapixels | 1/1.9-inch CMOS sensor | 12–39mm equivalent lens | 2.3 and 1.4-inch LCD screens | 5.3K video | 2.8 x 2 x 1.3 inches | 5.4 ounces | No viewfinder

Best Waterproof

Sealife micro 3.0 digital underwater camera.

This camera dives as deep as you can and takes the stress out of O-ring maintenance with a permanently sealed body.

It’s very definitely geared towards underwater photography rather than as an all-rounder for topside travel shots.

Unlike the other waterproof cameras on this list, the SeaLife Micro 3.0 is designed with scuba divers in mind. It’s waterproof to 200 feet (exceeding recreational dive limits) and is permanently sealed making it suitable for even the most careless or inexperienced underwater photographer. Use the 100-degree wide-angle lens to get as close as possible to your subject for the best results. You can rely on the built-in underwater color correction to counteract the loss of red tones; or, for the more advanced, there’s a manual white balance option. 

We love the large, f/2.8 aperture for its ability to make the most of limited ambient light. But if you tend to dive deep, the camera is also compatible with single or double after-market strobe sets. The camera delivers high-quality, 16-megapixel images in single or burst shooting mode and can also film 4K or Full HD video. And if you get all the way out to the dive site and realize you’ve left your memory card at home? No problem, the 64GB internal memory’s got your back. Finally, Piano Key controls make for easy menu navigation, even with dive gloves on. 

The Details: 16 megapixels | 1/2.3-inch CMOS sensor | 20mm equivalent lens | 2.4-inch LCD screen | 4K video | 4.2 x 2.1 x 2.9 inches | 11.6 ounces | No viewfinder

Best Budget

Kodak pixpro az255 camera.

This is the ideal camera for beginners who want to learn, with automatic and manual settings at a very reasonable price point.

It requires two AA batteries.

If you’re just getting into photography and don’t want to make a major investment just yet, the Kodak Pixpro AZ255 offers plenty of functionality for roughly nine times less money than our overall winner. It uses a 16-megapixel CMOS sensor and is well suited to most kinds of photography with a wide-angle 24mm lens and a 25x optical zoom that brings you significantly closer to your subject without compromising image quality. You can also use the 4x digital zoom, although you should expect some pixelation. 

Optical Image Stabilization helps eliminate blur, a continuous shooting mode ensures you never miss that action shot, and a built-in flash allows for nighttime shooting. And although the autofocus isn’t nearly as advanced as the more expensive models on this list, you’ll still benefit from subject tracking and face detection. Our favorite feature? The ability to keep things simple with 22 preset scene modes or to experiment with aperture priority, shutter priority, and full manual settings. You’re not limited to still photos — this camera also shoots Full HD video. 

The Details: 16 megapixels | 1/2.3-inch BSI CMOS sensor | 24–600mm equivalent lens | 3-inch LCD screen | Full HD video | 4.5 x 3.1 x 2.7 inches | 12.5 ounces | No viewfinder

Tips for Buying a Compact Camera

Understand the specs.

Before purchasing a compact camera, it’s important to understand some of the key specifications to look out for. 

Sensor size: Sensor size has the greatest impact on photo quality and clarity, especially in low-light conditions. The larger the sensor, the better your image quality will be with greater sensitivity and less noise (or graininess). B&H Senior Technologist Mark Steinberg says that BSI, or Back Side Illumination, sensors are superior for their ability to increase light-gathering efficiency. 

Megapixels: A megapixel equals one million pixels. Pixels are the tiny digital squares that make up your image and the more you have, the more detail you’ll capture. Most digital cameras offer sufficient megapixels for viewing on a screen. But the number of megapixels becomes important when zooming in on an image, cropping it, or printing it. Look for a higher number of megapixels if you plan on printing your photos, but bear in mind that more megapixels means larger files and less space on your memory card. 

Zoom: If you plan on photographing wildlife or anything else that requires a zoom, it’s important to understand the difference between optical and digital zoom. Optical zoom brings the subject closer before capturing the image, with a lens that extends outwards from the camera body. This preserves photo quality. Digital zoom simply crops and resizes a smaller section of the original image, resulting in a blurrier, grainier picture. 

LCD screen: The LCD screen is important because it allows you to view and compose your image before taking a picture. It also allows you to play your images back and scroll through the settings menu. Therefore, it’s important to choose a high-resolution LCD screen that displays colors accurately, even in bright light. It also needs to be big enough for you to see details clearly. Some point-and-shoots offer touchscreen capability for increased ease of use. 

Viewfinder: Many compact cameras lack a traditional viewfinder (the hole you look through to view and frame your image). But if you plan on shooting in bright conditions, investing in a camera with a viewfinder is helpful for when glare impacts your ability to see the LCD screen clearly. 

Video resolution: Video resolution refers to the number of horizontal and vertical pixels. The more you have, the more detailed your footage will be. Look for Full HD (1920 x 1090 pixels) as a minimum or 4K (3840 x 2160 pixels) for premium, cinema-quality video. 

Prioritize quality

It goes without saying that for the best results, you should spend as much as you can afford on the best quality camera possible. All of the specifications detailed above are worth considering, but if you focus on just one thing, Steinberg says that the most important factor in terms of image quality is the type and size of the sensor. If you plan on printing your vacation photos or using them to create a photo book or other memento, a reasonable number of megapixels (10 or more) is key. Finally, Steinberg points out that build quality and manufacturer support are also important. 

Choose a camera based on your skill level and goals

Having said that, there’s no point in spending a fortune on a high-end compact camera with advanced specifications if all you really want is a simple way of capturing fun vacation snaps for social media. Beginners should prioritize cameras that are intuitive and simple to use. If your goals are more ambitious, Steinberg recommends looking for manual settings that will allow you to fine tune shutter speed, aperture size, and ISO for the best results. 

It’s also worth considering where you’re traveling and your planned activities. If your camera will be exposed to dust, sand, humidity, or water, then looking for one that’s IP rated against dust and water ingress is crucial. When it comes to interpreting IP numbers, remember that the first number after the IP relates to dust while the second number relates to water. Only water ratings of seven or higher are fully waterproof. Scuba divers should be sure to check depth ratings.

In addition to considering all of the specifications listed above and how they relate to your requirements, Steinberg says it’s important to consider the ergonomics of the camera. Does it feel comfortable in your hands and next to your face? Are the controls and buttons easy for you to access and operate? Can you view the LCD screen clearly and does the menu navigation system make sense? You should also think about the ease of use. If you’re not sure, consider booking a free in-person or virtual appointment with a B&H expert to talk through different options.

Absolutely, and especially if you choose one with a decent number of megapixels. It’s generally accepted that in order for an image to be made into a high quality print, it needs to have 300 pixels per inch (300 PPI). The number of megapixels required to achieve this depends on how big you want your prints to be. For a standard 6 x 4 inch image, you’d need at least 2.2 megapixels. For a 5 x 7 inch image, you’d need at least 3.2 megapixels. It’s also worth remembering that good printing results are dependent on printer and paper quality too.

Before we tackle this question, it’s important to note that while compact cameras lack a mirror (and mirrorless cameras are more compact than DSLRs), mirrorless cameras are not the same as compact cameras for the purpose of this list. We’ve focused on point-and-shoot cameras for novice photographers and more advanced photographers who prioritize portability. Advantages of point-and-shoots over DSLRs include reduced size and weight, ease of use, and cost. 

Mirrorless cameras were introduced in 2004 and have since evolved to compete with DSLRs as the category of choice for intermediate and professional photographers. They have a larger sensor than a traditional point-and-shoot, offering superior image quality. They’re bulkier, cost a lot more, and come with interchangeable lenses. The key difference between mirrorless and DSLR cameras is that mirrorless cameras let light hit the sensor directly whereas DSLRs use a mirror to reflect light onto the sensor. 

This difference makes mirrorless cameras quicker and quieter — key advantages for fast-action and wildlife photography. High-end mirrorless cameras can also offer superior autofocus and better performance in low light conditions. DSLRs still hold the edge in terms of viewfinder accuracy, battery life, and a greater range of compatible lenses.

Why Trust Travel + Leisure

Jessica Macdonald has been writing about travel gear for more than a decade. She’s also a professional photographer who has sold images to many publications including Travel + Leisure. Although she typically shoots with her trusty Nikon DSLR, she has often used compact cameras especially for underwater photography. For this article, she conducted hours of online research and consulted the opinion of Mark Steinberg , a B&H Senior Technologist.

Love a great deal? Sign up for our T+L Recommends newsletter and we’ll send you our favorite travel products each week.

The best travel cameras of 2023

No matter where your travels take you, these cameras will set you up for success in documenting every detail of the journey.

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Choosing travel cameras for your trips can be an overwhelming prospect. You’re faced with a ton of great options, from advanced mirrorless systems to compacts and action cameras. It’s easy to get lost in the noise. Plus, when you consider features like video capabilities, screen type, and sensor size, it can be downright confusing. All of these features need to fit your photographic—and budgetary—needs. Knowing what you intend to use your captures for and what is most vital for you when traveling with a camera is the best place to start. These are the best travel cameras available, no matter what you are looking for.

• Best overall: Sony Cyber-shot DSC-RX100 VII
• Best action camera: GoPro HERO11 Black
• Best 360 camera: Insta360 X3
• Best mirrorless: Fujifilm X -T5
• Best mirrorless on a budget: Canon EOS R100
• Best for video: Sony ZV-E1
• Best for video on a budget: Sony ZV-1

How we picked the best travel cameras

The editors and writers at Popular Photography have decades of photography experience in just about every genre and have covered and reviewed just about every major camera on the market. When selecting the products in this list of best travel cameras, we looked at a wide range of important features in travel cameras. We researched the different camera choices available and compared specs and image and video quality. Size and weight, sensor size, autofocus abilities, battery life, and lens options were just some of the considerations. In addition, we noted any unique attributes or settings available on the cameras. We also aimed to choose offerings at different price points and cover the range of camera types from DSLR to compact. All of these considerations allowed us to compile a list of cameras suitable to various travel styles and capture needs.

The best travel cameras: Reviews & recommendations

While you certainly can use your smartphone to document your travels, there are lots of reasons to bring a dedicated camera along. Whether you’re looking for better image or video quality, a different perspective, or just don’t want the distraction of your phone, the best travel cameras will help you capture epic images to help you relive your trip down the line.

• Resolution:  20.1 megapixels
• Sensor size:  1-inch
• Lens mount:  N/A
• Image stabilization:  Digital and optical in the integrated lens
• Memory card slots:  Single Slot: SD/SDHC/SDXC
• Weight:  10.65 ounces
• Dimensions: 4 x 2.29 x 1.69 inches
• Versatile 24-200mm zoom lens built into the camera
• Fast autofocus with AF points covering nearly the entire field of view
• Pricey for a compact

The newest iteration of the Sony RX100 is an excellent bridge between a compact camera and a DSLR or mirrorless option. Its pocket-ready size makes it easy to carry and pack, an important feature for a travel camera. The smooth finish on the camera body does make it a bit slippery, but a wrist strap can help with carrying. 

Despite falling into the compact category , it has the option to use full manual mode (and other staples like aperture and shutter priority), allowing you to have complete control over your images. The 24-200mm equivalent lens covers both the wide-angle and telephoto sides of things, which is helpful for documenting a range of subjects on your travels. Plus, with a maximum aperture of f/2.8-4.5, you can still get nicely blurred backgrounds for drawing attention to your main subject. It’s also handy for shooting in low light if you don’t want to rely on the built-in pop-up flash.

The RX100 VII has 4K video recording with human and animal eye autofocus, which mimics Sony’s higher-end mirrorless models. The newly designed sensor and BIONZ X image processor allow for extremely fast autofocus, with 68% of the image area covered by AF points.

• Resolution:  27 megapixels
• Sensor size: 1/1.9-inch
• Image stabilization:  Digital
• Memory card slots:  Single microSD
• Weight:  4.5 ounces
• Dimensions: 2.8 x 2 x 1.3
• Award-winning stabilization
• Extremely compact
• Waterproof without a case
• Tons of mounting accessories
• Still not the best in low light conditions
• Limited controls

GoPro cameras have been synonymous with travel cameras for quite some time. That’s in part thanks to how rugged and compact they are. And now, the GoPro HERO 11 features the largest sensor of any GoPro yet. It can produce 27-megapixel stills, as well as 5.3k 60p video. And the expanded image sensor allows for more flexibility when zooming, cropping, changing digital lenses or adjusting the aspect ratio. You’ll be able to easily create vertical videos for social media platforms without losing most of your image.

GoPro’s HyperSmooth 5.0 image stabilization system is truly impressive, offering several modes depending on the activity in which you’re participating. It’s even burly enough to smooth out footage from high-impact activities like mountain biking or skiing. And it offers Horizon Lock to keep your footage level even as you move around.

GoPro also added new night effects to its latest action camera . That includes modes for documenting star trails, creating light painting photos, or capturing vehicle light trails. It still won’t perform as well in low light conditions as something like a mirrorless camera, but it has been improved compared to previous models.

If you want the latest GoPro, the recently released Hero 12 offers even longer run times and higher-quality HDR video.

Abby Ferguson

• Resolution:  48 megapixels
• Sensor size:  1/2-inch
• Image stabilization:  Yes
• Weight:  6.3 ounces
• Dimensions: 4.5 x 1.8 x 1.3
• Excellent stabilization
• Unique 360-degree perspective
• Lots of mounting options
• High-quality video
• App is a bit tricky to use

If you want something a bit unique for your travels, the Insta360 X3 action camera fits the bill. It records 360-degree video with its dual lenses so that you can show every direction for immersive content. The selfie stick is invisible in the footage, so you won’t have that distracting element in your shots. And it’s plenty rugged, with an IPX8 rating and waterproofing down to 33 feet without a case, making it an ideal travel camera for rugged adventures.

The X3 offers many different video and photo modes for extra versatility. It’s capable of 5.7K 24p 360-degree video, 4K 30p single-lens footage, 8K 360-degree timelapse, or ultra-wide 170-degree shots at 2.7K resolution. It can also create up to 72-megapixel photos, so you’ll be able to get high-quality stills as well. And thanks to its 6-axis gyroscope and FlowState Stabilization technology, your videos will be smooth and level no matter how adventurous your activity.

The camera pairs with the Insta360 app, which gives you lots of creative control. It provides lots of AI-powered features to simplify the process, or you can have full control. If working with 360-degree files, you can choose the direction the camera points, have it follow something, and so much more. The app is a little confusing to use, so takes some getting used to, but it offers nearly endless editing options.

To learn more about the Insta360 X3, read our full review .

• Best mirrorless: Fujifilm X-T5

Stan Horaczek

• Resolution: 40.2 megapixels
• Sensor size: APS-C
• Lens mount: Fujifilm X
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.2 pounds
• Dimensions: 5.1 x 3.6 x 2.5 inches
• 6.2K video at 30fps
• In-body stabilization
• Attractive in-camera film presets
• Tactile camera controls
• Solid weather sealing
• Expensive for an APS-C camera
• Rear screen only tilts

The newest version of Fujifilm’s X-T5 camera is an ideal choice for a hybrid shooter who wants to take both photographs and video on their trips. As an APS-C mirrorless camera , the body is relatively compact, which is ideal for a travel camera since it won’t take up much room in your bag. And it features Fujifilm’s typical retro styling, so it will look cool when you bust it out on your trips. Plus, there are lots of tactile dials on the top of the camera that keep you from digging in the camera menus, which is always ideal for staying in the moment.

The X-T5 offers 40.2 megapixels for detailed, high-quality photos. If that’s not enough, you can take advantage of Pixel Shift Multishot, which automatically takes 20 frames with a single press of the shutter to produce a 160-megapixel file. The electronic shutter goes up to 1/180,000 seconds, with 20 frames per second burst shooting to help you document fast action.

On the video side, it’s capable of 6.2K 30p video or oversampled 4K footage. The seven-stop in-body image stabilization system will help with achieving sharp photos even when shooting in low light. And it will help keep your videos smooth, even without a gimbal.

As with other Fujifilm cameras , it comes with lots of different film simulation modes. These can give your photos a more polished, unique look without needing to spend time editing, which is ideal when traveling.

To learn more about the X-T5, check out our full review .

• Resolution:  24.1 megapixels
• Sensor size:  APS-C
• Lens mount:  Canon RF
• Image stabilization:  None
• Memory card slots:  Single slot: SD/SDHC/SDXC
• Weight:  12.6 ounces
• Dimensions:  4.6 x 3.4 x 2.7 inches
• Budget-friendly
• Very compact
• Excellent image quality
• 4K video 24p video
• Rear screen is fixed
• No touchscreen functionality

Canon’s EOS R100 is an absolutely tiny camera, especially for one that offers interchangeable lens functionality. It is compatible with all RF lenses, as well as EF lenses if you get an adapter. The camera weighs a measly 12.6 ounces, making it the smallest Canon R line camera yet. It’s also very affordable.

Despite the small size and budget price, this camera has a lot to offer. It’s capable of cropped 4K 24p video, of you can record full HD at up to 60p. The autofocus system is very advanced for a budget camera, so you can trust that your images and videos will be in focus without much work on your end. The Eye Detection will even work when you are trying to get full body shots of a subject. Still images will also be high-quality thanks to the 24.1-megapixel sensor and excellent dynamic range.

The main downside to the camera is the rear screen. It is fixed, so you won’t be able to flip it around for selfies. And it isn’t a touch screen. But it offers lots of wireless connectivity options for transferring your files, so you don’t need to worry about sitting down to a computer to get images to share to social media while traveling.

• Resolution:  12.9 megapixels
• Sensor size:  Full-frame
• Lens mount:  Sony E
• Image stabilization:  Digital, 5-Axis
• Memory card slots:  Single slot: SD/SDHC/SDXC (UHS-II)
• Weight:  1.1 pounds
• Dimensions:  4.8 x 2.8 x 2.1 inches
• Impressive autofocus
• Unlimited 4K recording
• Lots of color control options
• Single UHS-I card slot
• Lower resolution sensor isn’t as ideal for stills

Sony’s ZV-E1 is a full-frame camera that is specifically built for vloggers . It is an interchangeable lens camera, unlike its more budget-friendly sibling mentioned below, meaning you can have more control over the look of your content thanks to the wide selection of lenses for Sony E mount. And, even though it’s a full-frame camera, it’s still very compact and lightweight, making it ideal for travel.

The ZV-E1 offers advanced and impressive autofocus. It can even track multiple people in a single frame, which is helpful if you are traveling with a group. It also offers focus breathing compensation, which is a change in focal length when adjusting the focusing distance. A bokeh switch allows for a custom level of bokeh, so you can fine-tune the style of your shots.

Perhaps most importantly, the video from the ZV-E1 is excellent. It’s capable of up to 4K 120p video or 240 fps with full HD resolution. And there are no recording limits, so you can record long cuts. It provides access to advanced color control, such as S-Cinetone, for natural-looking skin tones. You can also adjust the gamma, black level, knee, color level, and more. Or you can import and apply your LUTs in camera to save you editing time.

• Resolution:  10.1 megapixels
• Sensor size:  One-inch
• Weight:  10.4 ounces
• Dimensions: 4.15 x 2.36 x 1.71 inches
• Compact and lightweight
• Excellent autofocus
• Flip-out screen great for vlogging
• Less than impressive battery life
• 24-70mm lens may not be wide enough for some

This is the first version of Sony’s entry-level vlogging camera, but it is still an excellent choice and will save you money over the latest iteration. To create this vlogger camera, Sony used much of the tech featured in the more expensive RX100 line, resulting in superb quality in a bit more stripped-down package. They also added a handgrip on the ZV-1, making it easier to hold. And, the screen flips to the side, making selfies easier to record even when you have accessories on the hot shoe. 

Despite being a small point-and-shoot camera, you get 4K video and access to tons of AF points across the sensor. There is even a focus mode that allows you to easily shift focus from your face to elsewhere in the foreground, which is helpful for showing off your travel finds.

While the quality of the 24-70mm lens is solid, having something a little wider would have been ideal. If you do want a wider lens, the new ZV-1 II offers an 18-55mm equivalent lens. It also features a faster sensor and a new mic design. It will cost you a little over $100 more at the time of writing but may be worth it if you want that wide view for documenting travel.

Things to consider before buying the best travel cameras

When selecting the best travel cameras for your trips, there are a handful of things you should consider.

Your photography style

It is essential to consider what kind of traveler you are and how you intend to use the camera. For example, if you don’t mind traveling with heavy gear and want quality over anything else, your camera needs will differ from someone who likes to travel fast and light. Likewise, a backpacking trip through a jungle could call for a different camera than a luxury cruise. Deciding on what your priorities are first will help you narrow down all of the options available to you in a camera.

You’ll want to pay attention to both dimensions and weight in your setup. The amount of space that a camera takes up in your bag is significant when maximizing what you can bring along. Carrying a heavy camera around on your back while in between destinations or holding it for long periods while out and about gets old fast, so weight does make a difference. Even a few ounces can start to weigh you down on long treks.

You’ll want to choose a camera that offers features you’ll actually use but skips others that won’t be necessary. For example, if you want to take lots of selfies or group photos, a camera with a screen that flips around will be extremely helpful. Or, perhaps you would like to take lots of videos and share your travels. If so, paying attention to the video recording capabilities is a good idea.

Ruggedness and weather-sealing

Moisture and sand don’t play nicely with electronics. Hard falls can do even more damage. If you’re planning to take your camera out into the wilderness or other treacherous terrain, opt for a camera with robust weather sealing. Some cameras come with an IP (ingress protection) rating that will tell you exactly how much exposure to water, dust, and shocks they can withstand. Even if you’re not headed into the jungle, travel can take a toll on cameras, so ruggedness always comes in handy. 

Image size and quality

Not every photo is destined to become a giant print.  If you plan to use photos and videos solely for social media and to remember your trip, spending money on a camera with exceptional image quality and large files is unnecessary. However, if you want to make large prints of your images or produce high-quality films from video footage, you will want to invest in a camera with more megapixels and higher video resolution. Just remember, more pixels require more storage, so don’t skimp on those SD cards .

As with most purchasing decisions, cost is a significant factor. This is especially true with a travel camera, as you are likely putting an expensive piece of equipment at risk of getting broken, lost, or stolen, depending on how you use it. Finding a camera that isn’t pushing your budget to the max may be a good idea because of the risk. Insuring your equipment before trips is also recommended.

Q: Are mirrorless cameras better for travel?

Mirrorless cameras are often smaller than DSLRs because they can cut out all the space and weight required for the mirror mechanism. That also gives mirrorless cameras fewer moving parts, which means fewer things to break during your trip. As mentioned above, lighter and smaller cameras are ideal for travel, making mirrorless a frequently preferred option for travel cameras.

Q: Is GoPro good for travel photography?

GoPro cameras are excellent for travel for a few reasons. First, they are built to withstand extreme conditions, so you don’t have to baby them by any means. Second, they are tiny. You can easily throw one into your backpack or even a jacket pocket, making lightweight travel more possible. Lastly, they have excellent video capabilities and pretty solid still photo specs. However, they are limited in exposure control (among other things), and the ultra-wide-angle lens may not be ideal for all settings. There are tradeoffs, but overall it is an exceptional pick for travel.

Q: Can an iPhone 12 replace a DSLR?

The iPhone 12’s camera is impressive, no doubt. And as photographer Chase Jarvis once said, “the best camera is the one that’s with you.” Depending on your goals for your travel photography, the iPhone can absolutely replace a DSLR. However, if you want more control over your images or want higher-quality files, a dedicated camera, whether a DSLR or something else, will be the way to go.

Final thoughts on the best travel cameras

Choosing the best travel cameras will come down to your travel style (rugged adventures or luxury stays), documentation needs (stills or video), and how much control you want with your camera. For most users, the Sony Cyber-shot DSC-RX100 VII is a well-rounded option that meets a variety of needs. In addition, it offers more quality and features than a phone would, making it a worthwhile upgrade.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

Abby Ferguson is the Associate Editor for Gear and Reviews at PopPhoto, joining the team in 2022. She has been involved with the photography industry in various capacities since her undergraduate training at the University of Kentucky, with work ranging from client photography to program development and management of the photo department at Evolve, a vacation rental company.

Want more photography techniques, camera reviews, and inspiration?

Sign up for Popular Photography's newsletter and join the club.

Best cameras for low light photography in 2024

The best cameras for low light photography let you shoot effortlessly in dark conditions without boosting the ISO too high — check out our favorite models.

Best all rounder

Best hybrid model, best for intermediates, best for low light video recording, best for beginners, best compact option, best micro four thirds camera, best budget option, best crop sensor.

• Low light cameras FAQ
• How we test

1. The list in brief ↴ 2. Best all rounder 3. Best DSLR 4. Best hybrid model 5. Best for intermediates 6. Best for low light video recording 7. Best for beginner 8. Best compact option 9. Best micro four thirds camera 10. Best budget option 11. Cameras for low light FAQ 12. How we test

One of the best cameras for low light photography can revolutionize your shooting, especially if you like to shoot at nighttime, in poorly-lit areas or you're an astrophotographer. But there's much more to a camera capable of low light photography than shooting the stars: Having a good sensor can help in all kinds of situations. 

The good news is that in recent years, digital cameras have come a long way in terms of technology. That means whether you're a beginner photographer looking for something inexpensive to learn with, or you're a pro looking for the best the market has to offer, you'll be able to find a camera with seriously impressive technology inside. Even the cheapest cameras have impressive sensors compared to even just a few years ago — but if you buy something designed to perform well in low-light situations, you might just be blown away.

For keen astrophotographers, coupling one of the best cameras for low light photography with one of the best lenses for astrophotography will allow you to take incredible images of the night sky. If that's you, you might also find our round-up of the best cameras for astrophotography helpful.

If you're newer to photography and aren't quite sure what equipment you'll need, don't worry. We've answered the most common questions in our low light cameras FAQ . 

Our team of expert reviewers here at Space has spent time with a range of the best low-light cameras on the market. We've covered goods from top brands Sony, Nikon, Canon, Panasonic and Fujifilm and rigorously tested them all to see which ones operate best in low-light settings. In our guide, you'll find cameras covering a range of budgets, from high-end to more affordable cameras for beginners and enthusiasts.

Tantse Walter is a photographer and adventurer that's spent seven years facilitating global adventurous expeditions. She loves getting into the nitty-gritty of sourcing and planning trips. Whether that be for astrophotography location scouting, or just for the love of exploration. Tantse enjoys taking creative, bright and bold photos of people, places, animals and the night sky. Tantse’s photos have been purchased by notable companies such as Ford and Cross Country Trains as well as an upcoming book about the songs, rituals and musical history of Capoeira.

The quick list

Best all-rounder

The Nikon Z7 II shines as the overall best camera for low-light photography — but it's a fantastic all-rounder for almost every situation.

Read more below

Most manufacturers have eschewed DSLRs for mirrorless models, but the Nikon D850 still gives them a run for their money. It boasts fantastic resolution — but its mirrorless counterparts beat it in low light focusing.

This is a powerhouse of a camera, packed with a huge 61MP sensor. Along with excellent low-light performance, it can do just about everything a photographer could want, but its premium price will make it overkill for some.

The Nikon Z6 II has great ISO handling and we've found its autofocus to be sublimely accurate. It might not be feature-rich enough for professional photographers, but it's an excellent choice for intermediates. 

Best for low light video

We can't recommend the Sony A7s for stills — its 12.1MP sensor is lacking compared to others on the market. But it performs fantastically at recording video in low light.

The Fuji X-T4 packs in some fantastic technology but still manages to be easy to use — the perfect combination for a beginner.

Load the next 4 products ↴

If you don't want to have to deal with interchangeable lenses and want a compact solution, the PowerShot G1 X is a great choice. Its wide focal length and built-in image stabilization make it great for new vloggers.

Best micro four thirds camera

The Olympus OM-D E-M10 Mark IV is only a mouthful in name: the camera itself is a small and neat little package that packs in excellent quality and usability. It's not advanced enough for experienced photographers but for beginners and enthusiasts this makes for a great travel companion.

The LX100 II performs valiantly despite its budget price. Its sensor isn't the most detailed but that doesn't stop it capturing great photos in low light conditions — largely thanks to its wide aperture lens.

If you've used a Sony A6000 series camera before you'll find the upgrades in the A6700 to be serious improvements. This little powerhouse can impress amateur and professional photographers alike.

• Back to the top ⤴

Best cameras for low light photography 2024

Why you can trust Space.com Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test and review products.

The Nikon Z7 II on a tripod with a lens attached

Nikon Z7 II

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

✅ You shoot different styles:  This camera excels at shooting many different styles of photography thanks to its detailed sensor and processing power.

❌ You're only shooting astro:  The 45.7MP sensor would likely be too much if you only shoot astrophotography, and there are cheaper models out there that will be more suited.

🔎  Nikon Z7 II  Combines power, speed and precision with a simple interface and organized button layout in an attempt to master all trades — although it would be overkill for just astrophotography. ★★★★½

The Nikon Z7 II's predecessor, the Z6 II, is an excellent camera — and indeed you'll find it a little further down our list of best cameras for low-light photography. But thanks to a few key benefits that we highlighted in our Nikon Z7 II review , like dual memory card slots, more megapixels and better image quality, we think the Nikon Z7 II is hands-down the best camera for low-light photography currently on the market.

We've found that the noise level in high ISO shots is excellent: In fact, we couldn't notice any until at least ISO2500. The camera's exposure preview, too, makes it incredibly easy to set up a shot in low light — it's one of the best we've used, in fact. 

But it's not just these low-light features that make the Z7 II such a great camera. It's a fantastic piece of kit all-round, whatever type of photography you're shooting. Things like its two memory card slots is a big plus, for example, especially for pros. It lets you decide which card to store your photos on or you can set it to back up every shot automatically. This feature is a lifesaver in case, heaven forbid, one of your cards gets corrupted.

The Nikon Z7 II also sports almost double the megapixels as the Nikon Z6 II: its sensor packs in 45.7MP instead of 24.5MP. That's a mind-blowing resolution, perfect for photographers who are creating extra-large prints or want the ability to heavily crop in post-processing. For wildlife photographers in particular, it's a huge benefit.

• Read our full Nikon Z7 II review

✅ You're a pro looking for a second camera:  Produces high-resolution images without breaking the bank, and it's just about the best DSLR for professional use.

❌ You want something that's future-proofed:  DSLRs are gradually being phased out, so there won't be any newer versions or lenses released as most companies are now focusing on mirrorless models.

🔎  Nikon D850  A 45.4MP beast, the Nikon D850 will capture every single star you can possibly see and then some, thanks to its wide ISO range — although DSLRs are being phased out in favor of mirrorless models. ★★★★½

Most cameras these days are mirrorless, but the Nikon D850, a DSLR camera, is still a fantastic choice if you're looking for one of the best cameras for low-light photography. In our Nikon D850 review we called it one of the best you can buy, and if shooting the stars is what you're wanting it for, it's an absolute master for astrophotography.

The Nikon D850 is a tough beast: it's built with a magnesium alloy body that can survive most knocks while still being lightweight. Its weather-sealing makes it impervious to most weather conditions too, so don't let shooting in the rain put you off. Its advanced features make it appealing to professionals, but even if you're more of an enthusiast, there's a lot to love about the D850. Its huge ISO range — going up to 102,400 — puts it at the top of its class, and its full-frame sensor and powerful EXPEED 5 processor handles noise very well.

If you're more interested in video than stills, this is a great choice for shooting video in low-light conditions too. It focuses excellently in dark environments (down to -4EV), making use of 153 focus points. A built-in feature called face-priority autofocus is wonderful if you're shooting portraits, practically eliminating the need to switch to manual focus. And its hot shoe and PC sync connector make hooking up external lighting solutions a cinch, if that's more your style.

The only downside to the D850 is that the camera itself doesn't have built-in image stabilization, something that you'll find in newer, similarly specced mirrorless cameras. It's not a total deal-breaker, though, as long as your lens has stabilization. And if you use an F-mount lens, you'll benefit from Nikon's Vibration Reduction feature, which stabilizes shots by up to 4.5 stops — something that's supremely helpful in low light, especially.

We do have to mention, however, that DSLR cameras are quickly being phased out in favor of mirrorless cameras, and this is one of only a handful still available on the market. If you're looking to purchase a Nikon camera for the first time, then, you might be better looking for a mirrorless model. But if you already have a collection of Nikon lenses and want an upgrade from, say, an entry level DSLR, the D850 is still worth considering: It may be a little old now, but it's still a very capable camera. 

• Read our full Nikon D850 review

✅ You want insanely high resolution:  Currently, this is the highest resolution full-frame camera thanks to its massive 61MP sensor. ✅ You want accurate autofocus: The AI-powered autofocus in this camera is nothing short of incredible.

❌ You're a beginner:  Not because you wouldn't get on well with it, just because it would likely be overkill and you probably wouldn't need 61 megapixels. ❌ You only shoot astro: For practical reasons, we think the previous model, the Sony A7R IV, is slightly better for astro.

🔎  Sony A7R V:  The Sony A7R V builds on the power of its predecessor with its higher resolution EVF and LCD screen, more stops of image stabilization and a new AI autofocus unit, it proves to be a fantastic contender for low-light photography. ★★★★½

The Sony A7R knocks most other cameras on this list out of the water when it comes to megapixel count: It boasts a huge 61MP resolution. That means it's capable of bringing out an incredible amount of detail, even darkly shadowed areas. It's not just great for stills-shooting, either — with the ability to shoot 8K video, it's an absolute beast of a camera whether you're a photographer or videographer.

Its predecessor, the Sony A7R IV , used to sit on this list, and while that's still a very capable camera (and often available notably cheaper), the upgrades made to the A7R V mean it's a much better purchase in just about every way. A prime example is image stabilization: In our Sony A7R V review , we found the improved image stabilization (8 stops, compared to the A7R IV's 5.5 stops), made a huge difference when shooting cityscapes in low light. We were able to shoot handheld at 1/3 of a second at ISO 100 to get light trails from cars, and the image was pin-sharp and in focus. 

This, coupled with the newer AI-powered autofocus found in Sony's newer cameras (and not in the A7R IV), make it an absolute powerhouse for low-light photography — whether that be shooting indoors, low-light portraiture or nighttime cityscapes. 

The LCD screen on the A7R V has also had a big facelift — they've made it much more functional and bigger (from 3-inches tilt-only to 3.2-inches tilting and fully articulating) and it's a lot more detailed, upping the resolution from 1.44M to 2.1M dots. The EVF has also been improved from 5.76M to a whopping 9.44M dots (the same resolution as the A1), which makes viewing and composing your shots in the dark much easier.

That said, for astro specifically, we'd still recommend the Sony A7R IV for more practical reasons, and it's still in our best cameras for astrophotography guide. The new AI autofocus in the A7R V is undoubtedly impressive, but not only is it not necessary if you're only shooting astro, but it also drains the battery quicker, which isn't ideal for anyone embarking on long nights of astro shooting. Astro shooters also won't need the additional stops of image stabilization, so for the sake of the same resolution and very similar handling, we'd advise you to save the extra few hundred dollars and opt for the A7R IV if you focus more on astro.

• Read our full Sony A7R V review
• Read our full Sony A7R IV review

Nikon Z6 II

✅ You're on a budget:  While cameras in general are not cheap, this is certainly one of the more affordable options available. ✅ You're making the jump to mirrorless:  This would be a great camera to choose if you're switching from a DSLR to a mirrorless setup.

❌ You already have the Z6:  While there have been upgrades, they aren't substantial enough to warrant upgrading to if you already own the Z6.

🔎  Nikon Z6 II  The Z6 II is the perfect camera for semi-pros or advanced amateurs looking to make the first leap to mirrorless and could also work well as a second camera for professionals. ★★★★

Autofocus is handy on modern cameras, but it can be tricky in low light. That's where the Nikon Z6 II shines. It tackles this challenge exceptionally well with one of the best autofocus and exposure metering systems we've seen, working effectively down to -6EV. This means it stays reliable and precise even in very dark conditions, making it ideal for nighttime photography.

In our full Nikon Z6 II review , we showered praise onto the camera's eye-detection and animal-detection autofocus. Essentially, it means the camera stays focused on your chosen subject, so you don't have to keep adjusting, even if they move slightly. It's a lifesaver if you're a wildlife photographer, but since it works very well in low light, it's great even when you're shooting at dawn or dusk. 

In fact, the Nikon Z6 II is superb in just about any low light condition, and that's down to how well it handles ISO. It has range of up to 51,200, although that can be increased to 204,800, and while it's not the highest of all the cameras on this list, we've been impressed by how little noise it produces in images. It's down to the sensor in the camera: the Z6 II uses the same sensor in the more expensive Z7 II which you'll find higher on this list.

Another standout feature of the Nikon Z6 II is its 5-axis in-body image stabilization. This advanced feature can greatly enhance your shots, especially in low-light situations where you might need longer shutter speeds. While it's beneficial for newer lenses, it's particularly handy if you're using older lenses without stabilization, especially when paired with the FTZ mount adapter.

• Read our full Nikon Z6 II review

Sony a7S III

✅ You shoot a lot of astro/low light:  This camera has an insanely high expanded maximum ISO, making those low-light images much more achievable.

❌ You're on a budget:  Full-frame cameras are rarely ever cheap, and this is no exception. 

❌ You don't shoot video: This camera doesn't claim to be a still-only camera, so if you're only taking photos with it, it is quite expensive.

🔎  Sony a7S III  This camera excels in low light situations, especially for video recording. Though it is fairly expensive if you don't shoot any video, and there are better cameras for less money ★★★★

Released in 2020, the Sony a7S III supersedes the Sony a7 III , packing in the same great features into a smaller, more compact body. This is a powerful camera for shooting stills, but it's video where it truly shines. It's capable of shooting 4K at 120FPS, making it ideal for super slow-motion shots. Additionally, its 16-bit RAW HDMI output makes it perfect for professional workflows.

In terms of its low light performance, the Sony a7S III knocks it out of the park with its expandable ISO range going all the way up to 409,600. Add to that the a7S III's hybrid autofocusing technology, which works all the way down to -6EV, makes focusing in even the darkest of situations possible.

One potential downside for photographers is the relatively low megapixel count: 12.1MP — although this won't be an issue if you shoot video. But if you plan to use this camera for still photography as well, it's something to keep in mind. Compared to competing cameras like the Sony a7S III, it has a lower resolution, so if you often crop heavily or print large photos, it may not be the best choice for you.

It's not all bad news, though. A low megapixel count means that your images will have less noise in them when you're using a high ISO, which means it's actually often helpful for astrophotographers in particular. In addition, the in-body image stabilization of the a7S III means your low-light shots will be sharper/

We do love the Sony a7S III's 15-stop dynamic range, which captures a fantastic amount of data and extreme contrasts in scenes, whether you're shooting images or video. It means you can push your work that bit more than usual in post-processing, and get some truly stunning results.

• Have a look at our Best mirrorless cameras guide for alternative mirrorless models

Fujifilm X-T4

✅ You're upgrading:  If you're upgrading from your beginner camera or from an old DSLR then this would be a great option.

❌ You're on a budget:  While it isn't the most expensive camera by any means, there are certainly cheaper options available.

🔎  Fujifilm X-T4  Offers a simplified digital experience, coupled with a solid build and features like the insanely high ISO and the articulating screen that make astro and night photography easier to achieve. ★★★★

If you're new to astrophotography, the Fujifilm X-T4 is a great choice: It's easy to get to grips with and does an impressive job of shooting in low light. Features like its vari-angle screen and its intuitive dial controls means setting up the perfect shot is easy to do even if it's dark. 

Of course, its innards are just as impressive. Despite this having an APS-C sensor, it's still more than capable of delivering beautiful images of seriously high quality. With a 26.1MP resolution, you've got more than enough to capture a stunning amount of detail in each frame. And there are plenty of X-mount lenses on the market, giving you a large choice to play around and experiment with. 

We particularly love the classic and timeless design of the X-T4, and it's rare to find such versatility and performance in a camera that has such considered aesthetics: It's the perfect balance between design and performance. 

In our Fujifilm X-T4 review , however, we came across one problem that's worth keeping in mind if you're mostly going to be shooting at night. Its NP-W235 battery has been rated for around 500 shots per charge, but we noticed it drains much faster when taking long exposures in low light situations. You'll likely still have enough charge for a long shooting session, but just make sure it's fully charged before heading out.

The X-T4 has been succeeded by the Fujifilm X-T5 , but we think the X-T4 is still a better low-light performer. 

• Read our full Fujifilm X-T4 review
• Read our full Fujifilm X-T5 review

Canon PowerShot G1 X Mark III

✅ You need something lightweight:  This camera weighs just under 400g, and has an impressive sensor that you'd usually find in bigger DSLRs. ✅ You're a beginner vlogger:  Although it doesn't have 4K video, the 5-axis image stabilization ensures footage is smooth and steady.

❌ You're on a budget:  This certainly isn't the cheapest option out there, particularly for a fixed lens point-and-shoot camera. ❌ You want different lenses: This camera has a fixed lens, so you can't swap and change lenses to suit different photographic styles.

🔎  Canon PowerShot G1 X Mark III  Canon equipped this camera with a DSLR-style sensor while keeping the body compact, meaning less image noise in low light shooting. Though it is a bit costly for a fixed-lens camera. ★★★★

While every other camera on this list has interchangeable lenses, the Canon PowerShot G1 X Mark III does not. This is a compact, all-in-one bridge camera and, while that means it's probably not going to appeal to advanced photographers and professionals, it's a great place for newcomers to start who don't want the hassle of having to carry around bulky lenses (not to mention buy them — they can be very expensive!).

For a bridge camera, though, we've been seriously impressed with what the G1 X Mark III is capable of. It can compete with some much more advanced and expensive cameras, which is quite a feat. For example, you'll find a 24.2MP APS-C sensor inside the PowerShot G1 X Mark III, comparable to what you'll find in some DSLR and mirrorless cameras. Typically, compact cameras like this will have much smaller sensors, and that gives the G1 X Mark III the edge over its competition.

This camera also comes with an electronic viewfinder, which is really helpful for taking photos or videos in low light. It makes dark scenes appear brighter, improving visibility. Plus, its four stops of image stabilization do a great job of keeping your shots steady, even if you're shooting without a tripod and using longer exposure times.

The fixed lens zooms from a wide 15mm to 45mm focal length for 3x optical zoom. The Dual Pixel CMOS AF provides quick and reliable focusing, and the 7FPS continuous shooting gives you a lot of images to choose from.

The PowerShot G1 X Mark III is a good option for people who want to shoot videos as well. Although it doesn't have 4K capabilities and is limited to full HD 1080 60p video, the 5-axis Advanced Dynamic IS ensures that the content you create looks professional and smooth. So, if you're a beginner vlogger or content creator aiming for professional-looking videos, this camera is perfectly suitable for your needs.

• Learn how to view and photograph comets

Olympus OM-D E-M10 Mark IV

✅ You want great quality in a lightweight package:  This camera combines top-notch image quality with the ability to interchange lenses while still keeping things small and lightweight.

❌ You're a professional:  While we don't deny that this camera gives pleasing results, professional photographers tend to go for more powerful full-frame cameras.

🔎  Olympus OM-D E-M10 Mark IV  A small, lightweight camera that offers a great balance between usability, quality and an easy-to-understand, beginner-friendly interface. That said, more experienced photographers may get frustrated quickly. ★★★★

This mirrorless micro four-thirds (MFT) camera is a little wonder. It packs in a powerful image sensor into a small body, making it extremely portable while still having the flexibility of interchangeable lenses. It's a fantastic choice for beginners and enthusiasts who want a capable camera that's not going to break the bank.

In our Olympus OM-D E-M10 Mark IV review , we praised the camera's in-body image stabilization, which operates on a 5-axis range. It's an impressive feature given the camera's price and means when you're shooting handheld in low-light situations you've got extra stabilization, lending itself to sharper images. There's also a burst speed function — up to 8.7FPS — which can be useful when capturing action.

We also love the big and bright electronic viewfinder on the Olympus OM-D E-M10 Mark IV. It packs in 2.36 million dots to offer a detailed display of whatever you're trying to capture. And if you prefer to use the rear screen to frame your shots, you'll find the 3-inch touchscreen to be bright and useful thanks to being tiltable.

As a micro four-thirds camera, however, the E-M10 Mark IV does have some limitations — but it's to be expected given its price point. Its autofocus detection range isn't the best: It can only handle a range of -2EV, so you'll need to largely rely on manual focusing in low-light situations. Picking up one of the best tripods will help you get that steady, sharp shot, however. On the flip side, the ISO range is impressive here, topping out at 25,600.

• Read our full Olympus OM-D E-M10 Mark IV review

Panasonic LX100 II

✅ You travel a lot:  Compact cameras are much smaller and lighter than interchangeable lens cameras — ideal for travel. ✅ You aren't confident with focus:  This camera has a clever 'post focus' function which lets you select your desired focus point after the photo has been taken.

❌ You want to do a range of photographic styles:  Having a fixed lens means you're sometimes limited in what you can do because you can't change to a more suited lens for each photographic style.

🔎  Panasonic LX100 II  For a neat little camera for less than $1000, you can't go wrong if you want to use it for traveling or for low light photography thanks to its wide aperture. Though if you want to expand your photography skills into the future, you may need to upgrade ★★★½

A great choice for beginners, the Panasonic Lumix LX100 II is surprisingly adept at shooting in low light conditions. Perhaps the best at its price point, in fact, and so if you're on a budget, this camera is well worth considering.

We thought the build quality was very impressive: it's sturdier than most compact cameras and feels similar to an SLR with its top-mounted controls. 

There are two dials: one for exposure and another for shutter speed adjustments, offering convenient control over your shots without needing to navigate through complex menus. These controls give it more of a professional touch, which we really love.

The Lumix LX100 II sports a micro four-thirds image sensor, which produces images with a great amount of detail. But it's the camera's excellent post-focus function that we think makes it stand out from its competitors. 

Essentially, you have the ability to choose a focus point in a photo after it has been taken, which is an absolute game-changer if you realize you've missed your focus target — something that's easily done when you're shooting in low light. 

• Find out what equipment you need to see and photograph the planets

✅ You're at enthusiast level:  While it's likely too expensive for absolute beginners, enthusiasts who want the best specs in the APS-C range would do well with this camera.

✅ You want AI tech: There are seven autofocus options plus huge customization possibilities for each.

❌ You're a professional:  Due to its shortened battery life and singular card slot, we wouldn't recommend it as a primary camera for professionals. ❌ You shoot sports or fast action:  Although the autofocus is impressive, 11FPS likely isn't enough for fast-action photography.

🔎 Sony A6700: Though it comes with a higher price tag than some of its competitors, it's a reliable workhorse with a ton of impressive functionality. ★★★★

The Sony A6700 is Sony's newest crop-sensor mirrorless camera, taking over the A6600 as the flagship crop-sensor model. It carries a premium price tag (for a crop-sensor camera, at least) but packs in some seriously advanced features, making this an excellent choice for beginners and pros alike who are willing to spend a bit more.

In our Sony A6700 review, we praised the camera's low light performance. It can focus down to -3EV, which is one stop more than its predecessor, and its ISO is excellent all the way up to 6400 (at which point it begins to let in too much noise). When you're working in low light, then, or shooting astrophotography, this camera is more than capable of doing the job — though you might want to use one of the best editing apps for astrophotography to clear up the noise.

A standout feature of the Sony A6700 is its impressive autofocusing capability. Leveraging advanced AI technology from Sony's top-of-the-range full-frame cameras, it excels at tracking eyes and faces with remarkable accuracy. With nearly twice as many phase-detection points as its predecessor (759 compared to the A6600's 425), autofocus and tracking performance are nearly flawless. We found that during eye tracking, it seamlessly transitions to face tracking if the subject briefly turns away from the camera.

We also love that the A6700's 5-axis stabilization, previously only for images, now works with video. If you're a videographer or vlogger, then, that's great news, making this camera a great option for filming. 

Because it 'only' has an APS-C sensor, we wouldn't necessarily recommend the Sony A6700 for professional photographers, but its impressive and advanced suite of features means that it can compete with many full-frame cameras in terms of functionality. If you like bells and whistles, you're going to love it — although many of its features may be overkill for absolute beginners.

It's worth adding that if you've used a previous model in Sony's A6000 range, you'll notice a huge improvement in terms of technology and features, making it a worthy upgrade even from the A6600.

• Read our full Sony A6700 review

Best cameras for low light photography FAQ

Which camera is best for low light photography.

The Nikon Z7 II is the best for low light photography. We think it strikes a good balance between excellent image quality, competitive price, and flexibility for generalist shooting, too.

What ISO is best for low light photography?

The critical factor in finding the best camera for low light photography is how it deals with light sensitivity. The ISO range determines this — the higher the ISO sensitivity, the better the camera will capture well-exposed images in darker environments. 

The flip side of a higher ISO is that it brings noise into the image, so you'll also want to look for a camera with a larger image sensor (it physically takes up more space so it can capture more light) and one with fewer megapixels to mitigate the noise. This is why compact cameras with fixed lenses aren't traditionally favorites for low light photography — unless they have specialized sensors like the Canon PowerShot G1 X Mark III.

Which camera is best for autofocusing in low light?

The Nikon Z6 II and Sony a7S III are the best for autofocusing in low light from our guide because their exposure value goes as low as -6EV. However, another important consideration in low light photography is focus, which keeps images sharp. Autofocusing functions struggle in darker environments, so you'll want to look at how low the exposure value (EV) range on each camera goes. The lower the number, the better the camera will cope with autofocusing in less-than-ideal light conditions.

What should I look for in a camera for low light?

In-body stabilization is vital, especially in dark environments, as it lets you shoot handheld without needing a tripod , making sure video footage isn't shaky and stills come out sharp. For this purpose, you'll also want a camera with a fast lens (or one compatible with fast and wide aperture lenses) to maximize the amount of light coming through the image sensor. For more in-depth guidance about choosing lenses for low light photography, check out our guides to the best lenses for astrophotography and the best zoom lenses . 

Design and ergonomics are other factors to look out for when choosing a camera. Not just for aesthetics — some people prefer on-screen menus whereas some prefer buttons or dials. Consider whether you'll want something more portable and versatile, or a specialized camera dedicated solely to low light photography.

Tied into these considerations is, of course, your budget — we've included cameras at various price points, so you'll be sure to find something that works for you.

How we test the best cameras for low light photography

To guarantee you're getting honest, up-to-date recommendations on the best cameras to buy here at Space.com we make sure to put every camera through a rigorous review to fully test each product. We review each camera based on a number of factors. Functionality as well as design and construction and its overall performance are all aspects we consider when reviewing.

Our expert staff or freelance contributors (who know their fields inside and out) are the ones who review the cameras. That means you can rely on a hands-on experience and a fair judgement on each model based on its price point, destined use and class. For example, comparing a 60MP full-frame mirrorless camera to a sleek little crop-sensor DSLR wouldn't be appropriate, though each camera might be the best-performing product in its own class.

Best cameras for photos and videos Camera deals: discounts on cameras Best mirrorless cameras Best DSLR cameras DSLR vs Mirrorless cameras

Of course, with our reviews we also include the necessary information like how easy each model is to use, the technology it features and what specs it boasts as well as whether or not it can produce high-quality stills and videos. We also like to recommend any additional kit that would enhance a camera's performance and therefore, the photographer's experience.

With complete editorial independence, Space.com are here to ensure you get the best buying advice on cameras, whether you should purchase an instrument or not, making our buying guides and reviews reliable and transparent.

Join our Space Forums to keep talking space on the latest missions, night sky and more! And if you have a news tip, correction or comment, let us know at: [email protected].

Get the Space.com Newsletter

Breaking space news, the latest updates on rocket launches, skywatching events and more!

Jase Parnell-Brookes is an award-winning photographer, educator and writer based in the UK. They won the Gold Prize award in the Nikon Photo Contest 2018/19 and was named Digital Photographer of the Year in 2014. After completing their Masters Jase has spent a good chunk of two decades studying and working in photography and optics shooting and writing all over the world for big-name brands and media outlets . Now the Channel Editor for Cameras and Skywatching at Space.com their speciality is in low light optics and camera systems.

• Kimberley Lane Contributing writer
• Tantse Walter Contributing Writer
• Kimberley Snaith Freelance contributor

Pre-Star Wars Day Lego deal: 20% off the Emperor's Throne Room

Solar eclipse 2024: Live updates

China reveals astronauts ahead of April 25 launch to Tiangong space station (video)

Most Popular

• 2 Citizen scientists spot more than 1,000 new asteroids in old Hubble Telescope photos
• 3 Giant gamma-ray flare from 'recently deceased' magnetar lights up Cigar Galaxy
• 4 Earth got hammered by cosmic rays 41,000 years ago due to a weak magnetic field
• 5 Mirrors in space could boost solar power production on Earth. Here's how.

The Best Low Light Mirrorless Cameras (in 2024)

Are you looking for the best low light mirrorless camera for your needs?

You’ve come to the right place.

Because this article is going to give you everything you need on low light mirrorless cameras. I’m going to explain how to pick the perfect mirrorless camera—and then I’m going to show you the absolute best low light options out there, including options from all major manufacturers and all price ranges.

Are you ready to discover your next camera model?

Then let’s get started. The first five mirrorless options are full-frame, followed by three budget crop-sensor mirrorless cameras.

Best Low Light Mirrorless Cameras in 2024:

When you buy through links on our site, we may earn a commission at no cost to you. We evaluate products independently . Commissions do not affect our evaluations. As an Amazon Associate, we earn from qualifying purchases.

Full Frame Picks

Now let’s take a look at the best full-frame low-light mirrorless cameras out there, starting with:

1. Nikon Z6 II

The Nikon Z6 II offers stellar low-light image quality, plus a whole host of other useful features, including in-body image stabilization and impressive low-light AF.

The Nikon Z6 II is, hands down, the best low light mirrorless camera on the market in 2024, combining class-leading high-ISO performance, in-body image stabilization, an exceptional shooting experience, and powerful autofocus capabilities all in one model. The price isn’t unreasonable, either, which makes the Nikon Z6 II a potent option for both hobbyists and professionals. 

More specifically, the Nikon Z6 II offers quite possibly the best high-ISO performance I’ve ever seen in a camera, beating out (to my eye) Sony’s low-light monster, the a7S III, as well as the new Canon EOS R6. The Z6 II’s ISO range goes from ISO 100 to ISO 51200, and you get clean images almost every step of the way. Noise is hardly present at ISO 6400, somewhat noticeable at ISO 12800 to ISO 25600, and images at ISO 51200 are still borderline usable – truly the mark of a top-of-the-line low light performer. 

The Nikon Z6 II also packs one of the highest resolution sensors on this list, offering 24 megapixels of beautiful image quality. The Z6 II hits that resolution sweet spot, offering reasonable file sizes with genuine cropping and printing capabilities , certainly enough to satisfy even more serious photographers.  

As for autofocusing in low light, the Nikon Z6 II goes all the way down to -4.5 EV, so you can shoot in near blackness. If you’re looking to do night street photography, event photography , or low-light wildlife photography, this is essential, and will often be the difference between a successful and a failed photoshoot – and the Z6 II’s autofocus system is also pretty darn impressive overall, even if it can’t beat out its Canon or Sony rivals.

Finally, the camera is a dream to use, thanks to Nikon’s stellar design, plus a beautiful 3.69M-dot electronic viewfinder that former DSLR shooters will love. If you’re a serious hobbyist or professional photographer and your goal is to grab the best low-light mirrorless body available, then the Nikon Z6 II is the way to go.

2. Sony a7S III

The Sony a7S III is designed specifically for low-light videography, so it’s no surprise that the camera offers clean images at ridiculous ISOs. For videographers recording in low light, the a7S III is a must-have.

For hybrid stills and video shooters, as well as customers primarily interested in (low light) video, the Sony a7S III is truly your best option, thanks to its superb image quality, standout video features, capable low-light autofocus performance, and mindblowing electronic viewfinder. 

Yes, it’s expensive, and it’s certainly not the optimal choice for stills photographers, but for those who need a low-light video camera, it’s the camera to beat.

And here’s why:

First, the video features; the Sony a7S III can record beautiful 4K/120p footage, plus you get a fully-articulating screen (for shooting from odd angles), in-body image stabilization (for smooth footage at all times), and a host of video special features, including S-log, 240 frames per second when shooting in HD, and more.

The a7S III is a video camera that can occasionally work for stills, which is why its major stills weakness is its greatest low-light strength. With a full-frame sensor packing just 12 megapixels of resolution, you can’t crop and you can’t print large , but you can capture photos or videos that look great up to ISO 12800, and even into the ISO 51200 range. If you’re frequently shooting footage indoors or at night, the a7S III opens up a lot of opportunities, especially when combined with a wide-aperture lens.

Then there’s the low-light autofocus, which lets you shoot at a whopping -6 EV. And while you should expect the autofocus to struggle somewhat as you descend into near darkness, Sony’s cameras are equipped with the best autofocus available, and will keep you hitting that record button long after other shooters have headed home.

Related Posts

No summary of the a7S III is complete without mentioning the electronic viewfinder – because it is astonishing . With an insane 9.4M-dots of resolution, the photography (and videography) world has never seen anything that comes close to its level of detail, which will make any low-light EVF shooting easier than ever before.

For videographers in need of a serious low-light video body, or hybrid shooters willing to accept the 12 MP stills resolution, the Sony a7S III is the perfect choice.

3. Canon EOS R6

The Canon EOS R6 can autofocus in near darkness, plus it boasts a whopping 20 frames per second continuous shooting speed and top-of-the-line autofocus. What else could you want in a low-light action camera?

For low-light action photographers who don’t want to break the bank, there’s a new king in town: 

The Canon EOS R6 , which offers many standard tools, plus a few standout features where it counts. 

As you might expect from a 20 MP, cutting-edge mirrorless camera, ISO performance is superb; you can nail noiseless shots at ISO 3200, still beautiful shots at ISO 6400, and even usable images at ISO 25600. While this isn’t quite as good as the Nikon Z6 II or the Sony a7S III, the EOS R6 manages to push past the high-ISO capabilities of former low-light aficionados such as the Sony a7 III (below), and will certainly dazzle all but the most demanding low-light photographers. 

And while 20 MP may seem small compared to the EOS R6’s 45 MP sibling, bear in mind that it packs the same number of megapixels as Canon’s flagship 1D X Mark III DSLR , a camera used by many of the best action photographers in the world.

Megapixel count aside, the Canon EOS R6 is quite possibly the most well-rounded low-light mirrorless camera on this list. It packs all the features you’d want in a low-light body, including the aforementioned high-ISO performance, excellent in-body image stabilization (for handholding indoors and after sundown), and a nice (3.69M-dot) electronic viewfinder. Plus there’s the 4K/60p recording capabilities for stills shooters who also require video, as well as dual card slots for professionals who require redundancy in their work.

And I haven’t even mentioned the EOS R6’s autofocus, which is insanely fast in nearly every situation, and can shoot down to -6.5 EV (on a near-moonless night!), for unmatched low-light photography. 

Honestly, the autofocus alone makes the EOS R6 a worthy low-light camera, and if you’re an action photographer, or even a more all-around photographer who shoots action, you can’t go wrong with the R6.

4. Sony a7 III

The Sony a7 III shoots clean high-ISO photos, plus it boasts IBIS and Sony’s pathbreaking AF technology. If you’re after a top-notch low-light body but you can’t afford the competition, the a7 III is a stellar choice.

Like the Canon EOS R6, the Sony a7 III is very much an all-around camera, one that performs well in every area, including low-light shooting. And while I’d hardly call the Sony a7 III a budget model, these days – several years after launch and outclassed only by the Nikon Z6 II and the Canon EOS R6 – the a7 III’s $2000 price tag seems very reasonable indeed. 

In fact, the Sony a7 III appeals to hobbyists, semi-professionals, professionals, and videographers alike, and can satisfy pretty much all of them, thanks to its outstanding autofocus and low-light prowess.

First, there’s ISO, where the a7 III excels. While I do think the Canon EOS R6’s and the Nikon Z6 II’s ISO performance has crept past the benchmark originally set by the a7 III, it’s able to deliver very nice images at ISO 6400, ISO 12800, and even ISO 51200 (if I had to put a number on it, I’d say the a7 III is only a half-stop worse than the Nikon Z6 II, and only a hair worse than the Canon EOS R6, which means that the gains from grabbing one of these other options are negligible).

If you’re an event photographer, a night street photographer, or an astrophotographer, this is exactly the type of low-light sensitivity you’re looking for. You’ll also appreciate the a7 III’s in-body image stabilization, helpful for those who like to handhold past sundown.

Related Post: Best Cameras for Astrophotography (6 Top Choices for Stellar Photos)

Then there’s the autofocus, and while the a7 III doesn’t pack Sony’s latest algorithms, it still manages to track subjects with ease, making this a very capable low-light wildlife or action camera. Unfortunately, the a7 III can only autofocus down to around -3 EV, but this should be enough for most situations (including images lit by streetlights or car headlights).

The a7 III also offers 4K/30p recording, plus a fully-articulating screen for composing photos and videos in the field (useful for low-light and standard shooters alike).

The biggest drawback to the Sony a7 III is its electronic viewfinder; at just 2.36M-dots, you’ll start to struggle with a muddy feed as the light fades. This isn’t a dealbreaker, but if you’re used to an optical viewfinder, you may find the a7 III’s electronic viewfinder inadequate as the light lowers.

Ultimately, I do think the Sony a7 III is a powerful low-light contender. And while it does offer the high-ISO chops of some of its competitors, its well-rounded specs make it a great do-anything model.

5. Nikon Z5

The Nikon Z5 may not be the flashiest model around, but it’ll get the job done (and won’t cost a premium). For under $1500, you get an excellent Nikon sensor, a beautiful EVF, and more.

If you’re looking for a budget low-light option but you’re not willing to compromise on capabilities, then the Nikon Z5 is the way forward. 

Here’s what you get, all for $1400 USD: 

In-body image stabilization, for capturing sharp images handheld in low light.

A full-frame 24 megapixel sensor that produces gorgeous images (with plenty of room for cropping or printing large). As I explained in a previous section, 24 MP is in the resolution sweet spot, where you get plenty of detail without huge file sizes or processing requirements.

Beautiful high-ISO performance, only slightly below that of the Sony a7 III. Noise creeps in around ISO 3200, but images only start to go downhill in the ISO 12800 to ISO 25600 range. This leaves you plenty of room to shoot street photos at night, images of the night sky, indoor portraits, and even some low-light wildlife photos (though see my comments on autofocus below).

A very nice electronic viewfinder, packing 3.69M-dot resolution, which will keep you shooting long after dark. For me, at least, 3.69M-dots is a great place to be (and I consistently use a 3.69M-dot EVF in near darkness without too much noise).

There’s also dual card slots and 4K/30p video (albeit with a 1.7x crop). 

The Nikon Z5’s biggest weakness is its autofocus. While it focuses fast enough during good light, it only works down to -2 EV (or -3 EV with low-light autofocus active) – so if you’re looking to photograph action at night or in dark interiors, I’d recommend you look to one of the other options on this list.

Otherwise, the Nikon Z5 is an excellent camera – and one that will rise to the occasion for slower-paced low light photoshoots, be it architectural photography, landscapes, astrophotography, or indoor portraits .

Plus, at just $1400 USD, it’s a bargain!

Budget Crop-Sensor Options

For those who don’t want to pay a premium for a full-frame sensor, we’ve included several APS-C models. 

While low-light performance isn’t on the same level as the full-frame cameras listed above, these options are very respectable, and will do an outstanding job, especially once you factor in the price.

Related Post: The Best APS-C Cameras You Can Buy Right Now

6. Nikon Z50

The Nikon Z50 takes beautiful images in low light, plus you can focus even in darkness. It’s also pretty darn cheap!

These days, Nikon is producing class-leading sensors – which is why our pick for best low-light APS-C mirrorless camera goes to the Nikon Z50 , Nikon’s only crop-sensor mirrorless body, and one sporting an impressive sub-$900 price tag. 

Compared to full-frame cameras, crop-sensor cameras are at an immediate disadvantage. The smaller sensor leads to smaller pixels, which leads to worse high-ISO performance. Yet the Nikon Z50 still manages to hold its own, holding off noise until around ISO 3200, and still capturing usable images to ISO 12800 or so. If you’ve read my reviews of the best full-frame low-light cameras (above), you’ll know that this is a very respectable performance, even if it’s not on the same level as, say, the Nikon Z6 II.

This high-ISO performance is better than the other two APS-C cameras on this list, the Fujifilm X-T4 and the Sony a6600. Though it is worth noting that the Nikon Z50 uses a 20.9-megapixel sensor, compared to the 26 MP of the Fujifilm X-T4 and the 24 MP of the Sony a6600. 

On the other hand, anything north of 18 megapixels is acceptable for most professional use. So unless you’re planning to do huge crops or create wall-sized prints, 20+ megapixels will be just fine.

Then there’s the low-light autofocus, which is good, but not great. The Z50 generally focuses quickly, and it can shoot down to -4 EV, helpful for those who photograph action indoors or at night. Unfortunately, the Nikon Z50 doesn’t offer in-body image stabilization, so handholding at night is tough, but for landscape photographers, architectural photographers, and astrophotographers, that shouldn’t be an issue, as you’ll need to work with a tripod regardless.

As for other Z50 features, you get 11 frames per second shooting (highly useful for anyone who likes to capture action), plus 4K/30p video. My major gripe is the 2.36M-dot viewfinder, which isn’t bad , but may frustrate you, especially in low light.

All in all, the Nikon Z50 is a very nice camera at a great price. It delivers gorgeous image quality – and as long as you don’t expect pro-level autofocus performance, you’ll be very satisfied – and maybe even impressed.

7. Fujifilm X-T4

The Fujifilm X-T4 truly is a professional camera in an APS-C body, offering IBIS, unrivaled low-light focusing, plus a nice EVF. If you’re after a great low-priced camera but you want to push your equipment to the max, you’ve come to the right place.

The Fujifilm X-T4 is a gorgeous camera all-around – from the design, to the ergonomics, to the low light performance, and more. For any low-light shooter drawn in by the design and handling of Fujifilm models, the X-T4 is an excellent choice – and one that won’t disappoint. 

I’ve spent quite a few days in the field testing the Fujifilm X-T4, and I can confidently say that its image quality is tremendous . While its high-ISO performance isn’t quite on par with the Nikon Z50, I felt comfortable pushing the X-T4 to around ISO 6400 – and even ISO 12800 were usable, if not quite as clean as the Z50’s files. 

This is in part thanks to the X-T4’s resolution; instead of the 20.9 megapixels offered by the Nikon Z50, the X-T4 packs 26 MP of quality. This will give you a bit more latitude when cropping or printing, and slightly edges out every other camera on this list, including the Sony a7 III and Nikon Z6 II (which both come in at 24 MP).

Fujifilm’s low-light prowess continues into the autofocus arena. Honestly, Fujifilm isn’t known for its autofocus performance, but I think the X-T4 does a surprisingly good job in good light. Astonishingly, the X-T4 is also rated to focus down to a whopping -7 EV, which is what you’d find on a near moonless night . I haven’t tested this myself, but if Fujifilm’s claim is even close to correct, low-light shooters are going to have a blast focusing long after dark.

Plus, the Fujifilm X-T4 offers some of the most impressive continuous shooting capabilities on the market, allowing up to 20 frames per second using the electronic shutter (this drops down to 15 fps if you switch over to the mechanical shutter). If you plan to do low-light action photography of any type, the X-T4 will have you covered.

Unlike its predecessor, the Fujifilm X-T4 does include in-body image stabilization, which is just another feature to love; you’ll be able to handhold in low light and still come away with sharp images (though you’ll want to bring a tripod for low-light landscape or astrophotography). And the 3.68M-dot electronic viewfinder offers a very nice shooting experience, even as the light drops.

The X-T4 is pricier than other APS-C options, including the Nikon Z50. But for that price, you get a pro-level all-around performance, plus some nice extras (dual card slots, 4K/60p video, and a fully-articulating touchscreen among them). Not to mention the general Fujifilm aesthetic and handling, which has tempted many a photographer into grabbing Fujifilm cameras instead of more conventional – potentially cheaper – alternatives. 

Ultimately, the Fujifilm X-T4 isn’t going to work for everyone, and it doesn’t have the high-ISO performance of the cheaper Nikon Z50. But it manages to check most of the low-light boxes, while also offering a few features you just won’t find on a standard Nikon, Sony, or Canon camera.

8. Sony a6600

The Sony a6600 is a small camera, but it packs a lot of punch. If you’re looking for in-body image stabilization and good high-ISO capabilities for a low price, the a6600 is a perfect choice.

The Sony a6600 is our final pick for best low-light mirrorless camera, but don’t let that deceive you; it’s still a powerful performer, and one that’ll do a great job in pretty much any situation (low light included!).

Regarding image quality, the a6600 isn’t top of the line, but it’s hardly poor – you get clean images through ISO 1600, a slight amount of noise at ISO 3200, and can even push the ISO to 12800 in a pinch. The 24 MP images on the a6600 look nice, and as I’ve said before, 24 MP sensors are right in the sweet spot (even if I do prefer the 26 MP on the X-T4!).

Related Post: Best Lenses for Sony a6600

Then there’s the autofocus, which is truly stellar and puts a number of other cameras on this list to shame. If you’re looking for a low light action camera, then the a6600 is a fantastic choice, especially when you consider its 11 fps continuous shooting speed and relatively deep buffer (46 RAWs or 99 JPEGs).

Also important is the in-body image stabilization, which will let you shoot handheld in low light; this is perfect for portrait photographers and even street photographers who may find themselves working at dusk.

The Sony a6600’s viewfinder is disappointing, especially for the price. And the a6600 handling is a bit cramped for my liking. 

But if you’re after a lower-priced mirrorless camera with in-body image stabilization, fast autofocus, and decent low-light performance, the a6600 is the model to beat.

Factors to Consider When Buying a Low Light Mirrorless Camera

When it comes to picking a low light mirrorless camera, you’re going to want to consider a few key features, starting with:

Image Quality

First, the image quality. No matter what your photographic application, you’re going to want at least decent resolution (e.g., 16 MP or more) and decent low light capabilities.

But if you’re going to be using this camera frequently in low light…

…then you’re going to need a camera that’s exceptionally powerful.

You’ll want to be able to shoot up to ISOs of 3200 and 6400 without significant noise, and even shoot at ISO 12800 if necessary. This requires a cutting-edge sensor, one that’s probably full-frame, and not of the prosumer variety.

That said, you can find some nice budget options—which may come with a bit of noise at high ISOs but do a good job for the price.

A secondary consideration is the camera’s dynamic range: How well it can record both highlights and shadows in the same scene. Depending on the type of low light photography you do, this may matter a lot—or it may matter very little.

Build and Handling

If you’re going to be using this mirrorless body as your primary camera, then you need to get the ergonomics right.

By that, I mean that you should pick a camera that fits well in your hand and feels easy and comfortable to use.

Not everyone likes the same style camera, so there’s no one best camera, ergonomically speaking. But some cameras tend to be easier to hold than others, especially for those photographers with big hands.

You’ll also want to make sure the camera’s size fits your needs. If you’re going to be doing street photography in low light and at night, something small and unobtrusive is important, compared to, say, a serious sports shooter who might not particularly care about camera size. If you’re going to be traveling frequently with the camera, then you’ll want to consider whether it can pack away into a travel bag, a purse, or a backpack.

In terms of handling, you’ll want to look for features such as touchscreen capabilities, an articulating screen, and an electronic viewfinder. If a viewfinder is important to you (and it’s important to 99.99% of photographers), you’ll want to make sure it’s a good one, because low light shooting requires a high-resolution screen—without it, you’ll have a very unpleasant shooting experience.

Finally, the importance of build quality depends greatly on the user. If you’re the type of photographer who shoots in all forms of weather without compromise, then you’ll want the most weather-sealed camera you can find. On the other hand, if you’re looking for a camera for casual shooting, you’ll probably be fine without weather sealing (or, at least, with a more consumer-style body).

Autofocus and Speed

Cameras vary significantly in terms of their autofocusing capabilities, especially in low light.

Some cameras lose the ability to focus once things start to get mildly dark—and others can focus down to near blackness.

It’s also important to realize that cameras have varying numbers of autofocus points, with more- or less-capable algorithms.

For the low-light landscape photographer (e.g., an astrophotographer), this matters little. Landscape photographers will often focus manually in low light anyway, so AF is mostly unimportant.

But if you do low-light action shooting, such as wildlife or sports , then your autofocus capabilities matter a great deal. Look for a camera with speedy focus, many AF points, and good sensor coverage. That way, you’ll be able to lock focus even in low light—and you’ll be able to get that once-in-a-lifetime shot.

One other consideration when it comes to action shooting is continuous shooting speed. You don’t want to photograph birds in flight with a camera that fires bursts at 5 fps; it’ll be too slow. Instead, action-focused snappers will want at least 8 frames-per-second continuous shooting, with 10 fps, 12 fps, and above becoming incrementally more useful.

Video Capabilities

Mirrorless cameras tend to be pretty capable when it comes to video recording—but not all mirrorless bodies offer the same features, nor do they all offer professional-quality resolution.

If you’re going to be doing serious video work, 4K recording capabilities are a good idea, and 60p would be the icing on the cake. But 30p will do the job just fine.

Also, check for other features, such as focus peaking; these are extremely useful for low light videography, and they have a place in low light still photography, as well.

The Best Low Light Mirrorless Camera: Your Next Steps

Now that you’ve finished this article, you an expert in low light mirrorless bodies.

And you know all about the best low light mirrorless camera for your needs.

Just remember that there’s a number of excellent low-light mirrorless options, so you don’t need to get hung-up on top-of-the-line, high-resolution bodies.

You’ll be able to capture stunning photos with any of the cameras on this list.

So pick one, get it, and get out shooting!

Are mirrorless cameras better in low light?

Mirrorless cameras can perform very well in low light, depending on the type of low light shooting you plan to do. Most of the mirrorless cameras on this list are better at autofocusing than their DSLR counterparts, simply because mirrorless technology has now moved beyond DSLR tech. And mirrorless cameras do offer in-body image stabilization, which is a feature not included on standard DSLRs.  The main low-light drawback for mirrorless shooters is the lack of an optical viewfinder. While all the mirrorless cameras on this list include an electronic viewfinder, you’ll often struggle with a noisy feed after dark – hence the reason why DSLRs are sometimes preferable for night photography. But ultimately, the choice is yours, and there are certainly some standout mirrorless low-light performers worth checking out.

Which mirrorless camera is best for low light?

I’d recommend the Nikon Z6 II as the best all-around mirrorless camera in low light. High-ISO performance is class-leading, autofocus performance is very nice, and you get in-body image stabilization, dual card slots, and much, much more. If you’re looking for a more video-focused camera, I’d recommend the Sony a7S III, however. And if you’re after a more action-oriented model, then the Canon EOS R6 is tough to beat.

Are mirrorless cameras good for night photography?

Absolutely! Mirrorless cameras do a great job when doing night photography, thanks to their often impressive in-body image stabilization, high-ISO performance, and low-light focusing capabilities. Certainly, there are a number of non-mirrorless cameras that are great for night photography, but a mirrorless camera is a great choice.

What is the best mirrorless camera for low light videography?

The best mirrorless camera for low light videography is, without a doubt, the Sony a7S III. The camera is a low-light powerhouse, boasting outstanding high-ISO capabilities, exceptional autofocus, and 4K/120p recording.

What mirrorless camera is best for low light action photography?

I’d recommend the Canon EOS R6 for low light action photography. It balances price, autofocus capabilities, and high-ISO sensitivity for a truly outstanding low light action camera.  If the Canon EOS R6 is a bit too pricey for your needs, you might also consider the Fujifilm X-T4 or the Sony a6600, both of which are very capable action shooters.

Disclosure/Disclaimer : As an Amazon Associate, we earn from qualifying purchases. Certain content was provided "as is" from Amazon and is subject to change or removal at any time. Product prices and availability: Amazon prices are updated daily or are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

Jaymes Dempsey is a professional macro and nature photographer from Ann Arbor, Michigan; his work is published across the web, from Digital Photography School to PetaPixel. You can connect with Jaymes on Instagram , Facebook , and LinkedIn .

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Save my name and email in this browser to see the comment immediatley and edit it if needed. You can clear your browser data at any time.

Notify me via e-mail if anyone answers my comment.

  Subscribe to our weekly newsletter. We won't send you spam. Unsubscribe at any time.

2 thoughts on “The Best Low Light Mirrorless Cameras (in 2024)”

I think your numbers are wrong. I believe the R6 is closer EV -6.

Aren’t you guys tired of writing junk listicles? get a life!!

Currently Trending:

APS-C vs full-frame – which sensor size is best?

Why are we obsessed by full-frame sensors, alternatives to the fujifilm x100v here are 7 retro styled cameras, amateur photographer of the year 2023 winners announced, nikon z8 wins product of the year at the 2024 ap awards.

Advertisement

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works

The best travel cameras for 2024

Andy Westlake rounds up our pick of the best travel cameras for trips long and short, vacations and all other adventures

Welcome to our guide to the best travel cameras and holiday cameras! Here, we are going to be running through our picks for the best small and light cameras to take away with you. A full camera setup tends to be too bulky and heavy to use on a photo trip or vacation, while a smartphone will generally be too restrictive in terms of what it can capture (and never mind the battery). A dedicated travel camera is the ideal solution.

At AP, our review team tests cameras of all types, and that includes travel cameras. DSLRs, mirrorless models and compact cameras have all passed across our testing bench, and we’ve chosen the best of the best for this guide. This doesn’t just mean the most expensive premium models – after all, travel is expensive enough without having to add a whacking great camera bill on top.

Of course, you do have to spend a bit of money to make sure you get something worth buying. So, we’ve put together a list to suit a range of budgets, including new models and older ones that have come down in price. However, every camera on here has one thing in common – it impressed our reviewing team enough to earn their recommendation.

We’ve got plenty of advice for taking better travel images here .

How to choose the best travel camera or holiday camera

So what features might be most desirable for a travel camera? Small size and light weight are a given, and we’ve assumed that most users will prefer using a zoom lens , quite probably with an extended range. This could be complemented by a couple of small primes , for shooting in low light or going out in the evening. It might also make sense to add an ultra-wideangle zoom for architecture, landscapes or interiors.

As such, where we’ve picked an interchangeable-lens camera , we’ve also provided a lens recommendation, generally one that you can buy bundled with the camera. The fixed-lens compact cameras we’ve picked generally have generous zoom ranges , with the exception of the Fujifilm X100V, which is loved by travelling street photographers for its super-sharp 35mm prime. This is one we’d recommend for city breaks rather than countryside hikes.

In general, the cameras we’ve chosen in this guide also include fully manual control , a built-in viewfinder and raw format image recording . In order to attain a certain level of image quality, they also use sensors of the 1-inch type or larger . The one exception is the Olympus Tough TG-6, which we have chosen as the best bet for a waterproof camera . Going to be spending most of your time snorkelling on the beach? That one is your best bet.

Read on for our choice of the best travel cameras and holiday cameras that are available right now, including both high-end pocket cameras and lightweight mirrorless models teamed up with versatile zoom lenses.

Where to find the best travel and vacation cameras:

• Best waterproof travel camera: Olympus Tough TG-6 – check best price
• Best fixed-lens compact for travel: Fujifilm X100V – check best price
• Best zoom compact for travel: Panasonic LX100 II – check best price
• Best point and shoot for travel: Panasonic Lumix TZ200 / ZS200 –  check best price
• Sony RX100 VII – check best price
• Best all-in-one travel camera: Sony RX10 IV – check for best price
• Best DSLR for travel: Nikon D5600 – check best price
• Best travel camera for enthusiasts: Fujifilm X-S10 – check best price
• Olympus OM-D E-M5 Mark III – check best price
• Nikon Z 5 – check best price

The best travel cameras and vacation cameras: our full list

Olympus tough tg-6 – $489 / £399.

Olympus Tough TG-6 (Red) Lego for scale. Photo Joshua Waller

At a glance

• 25-100mm f/2-4.9 lens
• 12MP 1/2.3in sensor
• ISO 100-12,800
• 20fps continuous shooting
• 3in, 1.04m-dot screen

The Olympus Tough TG-6 is different from the other cameras included in this round-up, as it employs a relatively small sensor, which means it won’t give anywhere near the same image quality. It also does without a viewfinder, relying solely on a fixed rear screen instead. But it makes our list simply because it’s the best rugged camera you can buy right now.

Key to its attraction is its sheer robustness. The TG-6 is waterproof to 15m, shockproof to a drop from 2.4m, freezeproof to -10°C, and crushproof . So you can use it without any worries on the beach or in the sea. It also boasts impressive close-up capability and an extensive range of underwater modes, plus an extensive range of lighting and lens accessories.

For outdoor adventurers, it also includes a suite of environmental sensors that allow you to keep track of your travels, including GPS with a compass, a thermometer and an accelerometer.

Read our full review of the Olympus Tough TG-6 .

What we like:

• Supremely rugged build
• Has optical zoom (many tough compacts don’t)
• Useful environmental features

What we don’t like:

• Small sensor
• No viewfinder

Jellyfish, taken with the Olympus Tough TG-6, photo Joshua Waller

Take a look at other waterproof and underwater camera options here: Top 12 Best Waterproof and Underwater Cameras  

Fujifilm X100V  – $1,399 / £1,339

The Fujifilm X100V is a premium compact camera beloved of street photographers.

At a glance:

• 35mm equivalent f/2 lens
• 26.1MP APS-C X-Trans CMOS 4 sensor
• ISO 80-51,200 (extended)
• 11fps continuous shooting
• Hybrid optical/electronic viewfinder
• 3.2in, 1.62m-dot tilting touchscreen

Among all the cameras covered in this article, the Fujifilm X100V is unique, as it’s the only one with a fixed, single-focal-length lens . Usually for travel we presume photographers will prefer a zoom, ideally with an extended range to cover a broad array of subjects. But the X100V is different.

With its APS-C sensor, fixed 35mm equivalent lens, and classic rangefinder-like styling, it embraces a different way of shooting. It’s all about working with a fixed angle of view, and ‘zooming with your feet’ to find your pictures. It’s not for everyone, but for some photographers, it’ll be perfect.

While the X100V looks very much like the previous four models in the X100 series, it brings some significant improvements. Its redesigned lens is sharper, especially at close focus distances, and it gains a tilting rear screen that’s great for discreet, unobtrusive shooting.

Thankfully these upgrades don’t come at the detriment of the camera’s other major attractions, which include analogue dials for shutter speed, ISO, aperture and exposure compensation, and Fujifilm’s unique hybrid viewfinder that gives a choice of optical or electronic viewing.

Despite its old-fashioned good looks, the X100V is packed full of up-to-date features . It’s capable of 11fps shooting, 4K video recording, and face- and eye-detection autofocus. It also benefits from Fujifilm’s superb colour rendition, with a full array of Film Simulation modes on board to provide a variety of different looks.

And for those who really can’t do without a few different lenses, optional wideangle and teleconverters are available, giving 28mm and 50mm equivalent views.

Read our full review of the Fujifilm X100V. 

• Sublime image quality
• Super-sharp lens
• Has nailed the street photography feel
• Expensive for a compact

Image: Michael Topham

Panasonic LX100 II – $849 / £859

The Panasonic Lumix LX100 II

• 24-75mm equivalent f/1.7-2.8 lens
• 17MP Four Thirds sensor
• ISO 100-25,600 (extended)
• 11fps shooting
• 2.76m-dot EVF
• 3in, 1.24m-dot touchscreen

If you love the idea of an X100-like camera, but can’t live without a zoom, then the Panasonic Lumix LX100 II might just be for you. It boasts a similar array of external controls for shutter speed, aperture and exposure compensation, and incorporates a corner-mounted 2.76m-dot electronic viewfinder. But it also includes a 24-75mm equivalent optically stabilised zoom lens with an unusually fast f/1.7-2.8 aperture. This is particularly impressive given that the camera employs a relatively large Four Thirds type sensor.

One unique feature of the LX100 II lies with the way that it uses its sensor. It employs a multi-aspect ratio design that, at the flick of a switch on the lens barrel, can toggle between 4:3, 3:2 and 16:9 settings , all with the same diagonal angle of view, and therefore progressively wider horizontal views. There’s also a 1:1 option for those who enjoy shooting square-format images.

While the LX100 II is very much designed for stills shooters, it also offers 4K video recording , although with a 1.25x crop. Panasonic’s various 4K Photo modes are on board too, in effect shooting 8MP JPEGs at 30fps. Wi-Fi and Bluetooth are built-in for connecting to your smartphone.

The real attraction of the LX100 II, though, lies in just how pleasing it is to shoot with, thanks to its robust metal build and engaging control layout. It also delivers fine image quality. For enthusiast photographers who’d like a zoom compact camera that offers lots of manual control and creative potential, there’s nothing else quite like it.

Read our full review of the Panasonic Lumix LX100 II .

• Clever multi-aspect sensor
• Robust metal body
• Fast f/1.7 lens for low light
• Somewhat restricted zoom range
• Quite bulky for a camera of this type

Panasonic Lumix TZ200 / ZS200 – $697 / £679

The Panasonic Lumix TZ200 is portable and agile, but boasts a hefty zoom range.

• 24-360mm equivalent f/3.3-6.4 lens
• 20.1MP 1in sensor
• ISO 80-25,600 (extended)
• 10fps continuous shooting
• 2.33m-dot viewfinder

Panasonic originally invented the long-lens, pocket-sized ‘travel zoom’ camera, and the TZ200 (or ZS200 in the US) is the ultimate expression of this concept. Like its predecessor the TZ100, it adds a 20MP 1-inch sensor into the mix, to provide considerably improved image quality compared to its cheaper siblings with smaller sensors, such as the TZ95.

But it improves on the TZ100 with a longer 24-360mm equivalent zoom (compared to 25-250mm) and a larger, higher-resolution electronic viewfinder, yet without noticeably increasing in size. For those who can’t afford the TZ200, the TZ100 remains an attractive proposition for £389.

In contrast to its sibling the LX100 II, the TZ200 is very much a point-and-shoot at heart. But it still offers lots of manual control, including a full set of exposure modes and raw format recording. It’s capable of shooting at 10 frames per second, or 7fps with live view between frames. A vast array of features is available for those who’d like to experiment further, including panoramic, multi-exposure, intervalometer and even stop-motion animation modes.

As usual, Panasonic has included 4K video recording, along with its unique 4K Photo mode that allows 8MP JPEGs to be captured at 30fps.

Crucially, the TZ200 gives attractive images, particularly in bright, sunny conditions. It’s also more usable than you might expect in low light, as while the lens’s aperture isn’t especially large, the optical image stabilisation is extremely effective. It’s a great choice for when you just want to carry a pocket point-and-shoot camera but not skimp on zoom range.

• Huge zoom in a tiny body
• Clever 4K Photo modes
• Effective optical stabilisation
• Pricier than TZ100
• Lens aperture tops out at f/3.3

Sony RX100 VII – $1,298 / £1,049

The RX100 VII benefits from a pop-up viewfinder.

• 24-200mm equivalent f/2.8-4.5 lens
• 20MP 1in sensor
• 2.36m-dot pop-up EVF
• 3in, 921k-dot tilting touchscreen

Sony’s RX100-series compact cameras are famed for the way they fit an awful lot of technology into a small, pocketable package. The latest model in the range exemplifies this, with a 24-200mm equivalent f/2.8-4.5 zoom, a 20MP 1-inch stacked CMOS sensor, a pop-up electronic viewfinder and a tilting rear screen, all in a body that’ll slip neatly into a jacket pocket.

What’s more, it’ll shoot at 20 frames per second and record 4K video. Compared to its predecessor, it gains an upgraded sensor that enables Sony’s AI-based tracking autofocus, along with a socket for an external microphone and a few interface improvements. Otherwise, the older RX100 VI offers most of the same features for a slightly more affordable £849.

With 357 phase-detection AF points covering 68% of the frame and Sony’s Real-time Eye AF and Real-time Tracking on board, the RX100 VII has the most sophisticated autofocus of any compact camera . Set it to continuous focus and tracking, and you can almost forget about having to move the AF area or change focus modes ever again. This is very welcome, as in many respects the camera’s ambitious feature set has rather outgrown its simple control layout.

One area where the RX100 VII excels lies with composing your images, thanks its large pop-up viewfinder and tilting rear screen. The lens is a strong performer too, especially when stopped down. Crucially, the camera delivers attractive images which are a noticeable improvement over older Sony models in terms of colour rendition.

• Class-leading autofocus
• Pocketable form factor
• Great viewfinder and screen
• Still very pricey
• RX100 VI will do most of the same stuff for less money

Sony RX10 IV – $1,698 / £1,499

Sony Cyber-shot RX10 IV. Photo credit: Andy Westlake.

• 24-600mm equivalent f/2.4-4 lens
• 24fps continuous shooting
• 2.35m-dot viewfinder
• 3in, 1.44m-dot tilting touchcreen

For photographers who’d like an all-in-one camera with a long zoom lens , but who are prepared to carry something the size of a DSLR, there’s nothing else quite like the Sony RX10 IV .

Its 24-600mm equivalent optically stabilised lens offers immense versatility and reach, yet still boasts a usefully fast f/2.4-4 aperture . Meanwhile its 20MP 1in stacked CMOS sensor provides a combination of fine image quality and breathtaking speed. The camera also incorporates Sony’s sophisticated autofocus systems, including eye AF for both humans and animals.

The RX10 IV handles well too, with a large, comfortable handgrip. Three rings arranged around the lens barrel control zoom, focus and aperture, and there’s a dedicated exposure compensation dial perfectly placed for operation by your thumb. Focus area selection is handled using either the touchscreen or the rear d-pad. The viewfinder is decently large and gives an accurate preview, while the screen tilts for low-angle shooting.

To fully understand the RX10 IV’s attraction, though, we need to consider how it compares to mirrorless or DSLR alternatives. Quite simply, none can match its zoom range without changing lenses . What’s more, few other cameras get close to its ability to shoot at 24 frames per second with continuous autofocus and a vast 110-frame raw buffer.

The silent electronic shutter provides speeds as fast as 1/32,000sec while minimising any risk of subject distortion. Bluetooth and Wi-Fi provide smartphone connectivity, and as the icing on the cake, it’ll record 4K video. It’s without doubt the best bridge camera that’s ever been made.

Read our original review of the Sony RX10 IV

• Incredible built-in zoom range
• Fast burst and big buffer
• Comfortable, well-engineered handling
• Very expensive for a fixed lens

Nikon D5600 + 18-140mm f/3.5-5.6 lens – $969 / £749

The 18-140mm lens transforms the D5600 into a travel photography powerhouse.

• 24.2MP APS-C sensor
• ISO 100-25,600
• 5fps continuous shooting
• Optical pentamirror viewfinder
• 3.2in, 1.4m-dot fully articulated touchscreen

Some photographers still prefer a traditional DSLR with an optical viewfinder, and Nikon’s D5600 provides a solid specification in a portable package. What’s more, it can be bought in a kit with a versatile 18-140mm kit zoom, offering a 27-210mm equivalent range, for just £749. As the icing on the cake, Nikon’s SnapBridge connectivity can transfer all your pictures automatically to your smartphone , making sharing your adventures a breeze.

In terms of key features, the Nikon D5600 boasts a reasonably solid specification. Its 24.2MP sensor goes up to ISO 25,600 and supports continuous shooting at 5fps. Autofocus employs a 39-point phase-detection system covering the central region of the frame, while metering is handled by a 2,016-pixel RGB sensor.

One area where the D5600 shows its age, though, is with regards to video recording, which is Full HD only, rather than 4K. Recent mirrorless models undoubtedly offer more, but on the other hand, they can’t match the D5600’s impressive 820-shot battery life.

In general the D5600 delivers attractive images, with warm, saturated colours and plenty of detail. It handles nicely too, with the responsive touchscreen making up for a relatively simple set of external controls. Those who’d like to add extra lenses are well served by Nikon’s sizeable F-mount range , including the affordable AF-P DX-Nikkor 10-20mm f/4.5-5.6G VR wideangle zoom and the AF-S DX-Nikkor 35mm f/1.8 G. The latter would nicely complement the zoom for low-light shooting. See our guide to the best Nikon F-mount lenses for more ideas.

Read our original review of the Nikon D5600

• Solid DSLR handling
• Good connectivity features
• Well-priced
• Price may go up as it gets harder to find
• Middling video spec

Fujifilm X-S10 + 16-80mm f/4 lens – $1698 / £1,399

Fujifilm X-S10 in hand, Photo: Andy Westlake

• 26.1MP APS-C X-Trans CMOS sensor
• 2.36m-dot viewfinder
• 3in, 1.04m-dot fully articulated touchscreen

For enthusiast photographers who’d like a small, lightweight camera that handles well and offers excellent image quality , the Fujifilm X-S10 is extremely appealing. Styled to look and work very much like a shrunken DSLR, it offers most of the features of the firm’s flagship X-T4 in a considerably smaller body.

It comes in kits with various lenses, with prices starting from just below £1,000 for the XC 15-45mm power zoom. We’ve picked the most versatile kit zoom option, the XF 16-80mm F4, which provides a 24-120mm equivalent range.

Based around Fujifilm’s unique 26MP X-Trans CMOS sensor, the X-S10 delivers the firm’s signature attractive JPEG colour rendition. It even has a dedicated dial to select between the various Film Simulation modes, which provide an interesting range of different looks. Other highlights include 5-axis in-body stabilisation that works with every lens, and a fully articulated screen for shooting at unusual angles. When it comes to video, 4K recording is available at up to 30 frames per second.

With its prominent handgrip, twin control dials and joystick for positioning the focus area, the X-S10 provides the kind of handling that should satisfy experienced photographers. Fujifilm also makes the best available range of lenses for the APS-C format, including a nice set of compact primes.

What’s more, the major third-party lens makers have also recently started to support the firm’s X mount, with some interesting optics now available from Samyang, Sigma, and Tamron . This makes the X-S10 a great choice for existing DSLR users looking for a smaller camera.

A newer model, the Fujifilm X-S20 has recently been released and our review team found that when choosing between both models it depends if you’re planning on doing video content, particularly travel vlogging , ‘If you already have the X-S10 and are primarily a stills photographer, then the X-S20 may be overkill for you, but for the budding or experienced videographer, vlogger, and live streamer, the X-S20 hits it out of the park, with a cracking set of video features that really takes it to the next level.’

Read our original review of the Fujifilm X-S10 and how it compares to the newer Fujifilm X-S20 .

• Eye-catching images straight out of camera
• Excellent X-mount lenses
• Effective stabilisation
• Still quite pricey

Olympus OM-D E-M5 Mark III + 14-150mm lens – $1,498 / £1,299

The Olympus OM-D E-M5 Mark III is one of the best Micro Four Thirds cameras you can buy.

• 20.4MP Four Thirds sensor
• ISO 64-25,600 (extended)
• 3in,1.04m-dot fully articulated touchscreen

Olympus cameras have traditionally offered high performance in a compact form factor, and the E-M5 series delivers on this principle particularly well. Like its predecessors, the Mark III is unique in being extremely small and lightweight, while still having a fully weather-sealed body and a good set of external controls. What’s more, you don’t have to spend a huge amount of money to get a matching sealed lens.

Buy it in a kit with the 14-150mm f/4-5.6 II, and you get an extremely useful 28-300mm equivalent lens that’s also dust- and splashproof. If you’re prepared to spend a bit extra, there’s even a 12-200mm superzoom that offers a massive 24-400mm equivalent range. Despite its small size, the E-M5 III doesn’t skimp on features.

Its 20MP sensor includes on-chip phase detection that provides 121 focus points spread across the entire image area. You get 10 frames per second shooting, a decently large viewfinder, and a fully articulated screen. As usual from Olympus, the camera also produces very attractive JPEG images , with well-judged exposure and white balance that complement the firm’s signature punchy colour reproduction.

Micro Four Thirds models inevitably give more visible image noise at high ISOs, but this can often be offset by the superb 5-axis in-body image stabilisation, as it allows you to shoot handheld at remarkably slow shutter speeds. There’s also a good range of affordable f/1.8 prime lenses available for low-light shooting that’ll take up next to no space in your bag. There is also a good choice of lenses .

Read our original review of the Olympus OM-D E-M5 Mark III

• Exceptional stabilisation
• Loads of lenses available
• Weatherproof body
• Unavoidably small sensor

Nikon Z 5 + 24-200mm f/4-6.3 lens – $2,193 / £2,029

The Nikon Z 5 is the only full-frame camera on our list.

• 24.3MP full-frame sensor
• ISO 160-51,200
• 4.5fps continuous shooting
• 3.69m-dot viewfinder
• 3.2in, 1.04m-dot tilting touchscreen

If you really can’t do without full frame, the latest mirrorless models are ideal for travel , as they’re smaller and lighter than their DSLR counterparts. It’s also possible to get all-in-one superzoom lenses for them that deliver very creditable results. We’ve chosen the Nikon Z 5 , as it’s available in a kit with the firm’s Z Nikkor 24-200mm f/4-6.3 VR for a decent discount over buying the two separately.

The lens has a slightly shorter zoom range than its Canon and Sony counterparts, but provides a welcome weight reduction in return, of about 200g. While the Z 5 counts as Nikon’s ‘entry-level’ full-frame mirrorless body, it doesn’t give up a huge amount compared to the more expensive Nikon Z 6 .

Its 24MP sensor resolves just as much detail in good light, and while it falls behind in terms of noise performance at the highest sensitivities, it’s still perfectly usable at ISO 12,800. However, its maximum shooting speed of 4.5fps looks rather pedestrian by today’s standards, meaning it’s not the best choice for fast action or wildlife. It’s also only able to record 4K video with a significant 1.7x crop.

In other respects, though, the Z 5 maintains most of what makes Nikon’s mirrorless cameras so attractive. The body may be small, but it has plenty of external controls, along with a lovely large viewfinder and a tilting touchscreen . Dual SD card slots offer the option of backing up your images for peace of mind, while in-body IS means you can often do without a tripod. A range of fine fast primes is also available for low-light shooting.

Read our original review of the Nikon Z 5 here

• Satisfying controls and handling
• Does well in low light
• Gorgeous full-frame images
• Pedestrian burst rate
• Vicious crop into 4K video

Take a look at our latest buying guides  for more great options.

Related content:

• The DSLR is dead, long live the compact
• Flying with camera kit: how to do it
• Do travel photography like a street photographer
• How to take great travel photos with a smartphone

Follow AP on Facebook , Twitter , Instagram , and YouTube .

Andy has been Amateur Photographer's Technical Editor since 2014, responsible for reviewing everything from cameras and lenses to accessories and software. Prior to that, he was DPReview's Technical Editor, and introduced lens reviews to that website in 2008. Along the way, he's shot extensively with cameras and lenses of almost every imaginable type, brand and format.

You may also like...

April 23, 2024

Best Panasonic Cameras to Buy in 2024

Sam Kieldsen guides us through the best Panasonic cameras you can buy in 2023 - whether that's Micro Four Thirds, Full-frame or compact, along with details of the new S5 II

by Sam Kieldsen

The best cameras for photography in 2024

Want the best camera for photography? Here are the best for all genres of stills shooting, from portraits to landscapes, wildlife and more.

by Amy Davies

Best Fujifilm cameras to buy in 2024

The best Fujifilm cameras are sublime for photography and video alike. Sam Kieldsen and the AP team select the best we've tested.

Looking to improve your photography? Amateur Photographer is the magazine for you, subscribe today and pay just £26 for your first 13 issues!  

No thanks, I’m not interested!

5 Best Outdoor Security Cameras, Tested & Reviewed

Keep an eye on your backyard, 24/7.

We've been independently researching and testing products for over 120 years. If you buy through our links, we may earn a commission. Learn more about our review process.

Best Overall Outdoor Security Camera

Ring spotlight cam pro.

Best Value Outdoor Security Camera

Wyze cam v3.

Best Outdoor Video Doorbell Camera

Google nest doorbell (battery).

Best Solar Powered Outdoor Security Camera

Eufy s230 solocam (solocam s40).

Best Indoor Outdoor Security Camera

Arlo pro 4 wireless security camera.

Not only are outdoor security cameras handy for the video footage they record, which you can access directly on your smartphone, but they're relatively easy to set up and oftentimes battery-powered so you don't have to fuss with cables or outlets. And thanks to durable, weather-resistant design, you can leave them outside year-round.

The test engineers and tech experts at the Good Housekeeping Institute test all types of home security devices throughout the year, from video doorbells to pet cameras , smart locks , smart garage door openers and more. To narrow down the best outdoor security cameras, we relied on data collected from tests of more than 25 home security cameras in the Home Improvement and Outdoor Lab as well as firsthand tester feedback on factors like ease of use, accuracy of alerts and much more.

Once you've checked out our top picks below, continue reading for more shopping tips on how to find the best outdoor security camera for you.

A top-performing home security brand in our Home Improvement and Outdoor Lab tests, you can count on this outdoor camera from Ring to spot any animals, intruders or visitors outside your home thanks to clear 1080p resolution and color night vision. Unlike indoor security cameras, this one features two LED spotlights to help light up dark walkways or corners and can handle temperatures well below freezing.

On top of simple setup and an easy-to-use battery-powered design (that’s right, no need for messy cables!), we love the Spotlight Cam Pro’s “Bird’s Eye View,” a feature that provides an aerial view of your home and surrounding areas. Reliable and responsive motion detection is another bonus, but keep in mind that a Ring Protect Subscription for $4.99 per month is required for access to video history.

This no-frills camera from Wyze works just as well indoors as it does outdoors and at a fraction of the price of more premium models . While its main downside is that you have to keep it plugged in and an outdoor power adapter is required for outdoor use, our pros love that it comes with many of the features you need in a quality surveillance device — color night vision, 1080p resolution and an IP65 rating that means it’s been tested to withstand most weather conditions like rain. Wyze also offers one of the more affordable subscriptions around at only $2.99 per month, or you can go subscription-free with the purchase of a Wyze microSD card .

Don't be fooled by this doorbell's sleek, minimalist design. A top performer in our video doorbell tests, the Nest keeps track of any visitors, deliveries or more to your doorstep . It impressed our pros with crisp night vision, a wide field of view and excellent motion detection with timely and accurate alerts. Plus, the Google Home app makes it easy to navigate to your video footage and review any event history. But for more than three hours of video history, you’ll need to subscribe to Google’s Nest Aware plan for a minimum of $8 per month.

If you do spring for the subscription plan, it will cover any Google Nest cameras in or around your home. In that case, another one to consider is the Nest Cam with Floodlight , which not only notifies you when it detects possible trespassers, but also shines a pair of bright LED lights on the area, so you can monitor the situation from anywhere.

If top-notch resolution is a priority to you, look no further than this camera from Eufy that records crisp 2K footage. It also features one of the highest IP ratings on this list at IP67, meaning it should be among the most durable. In recent Lab tests, our pros were not only impressed by the camera’s video quality but also appreciated the built-in 600 Lumens spotlight that wil shine a light on any visitors approaching your home.

Even better is the fact that it’s solar powered so all it requires is around two hours of sunlight per day for continuous power (though you can rely on the battery if needed). Finally, no subscriptions are required since the camera stores up to 8GB of footage locally, which should amount to about two months worth of video history.

Though the experts at the Good Housekeeping Institute have recommended this compact security camera from Arlo for indoor use thanks to its exceptional performance in Lab tests, it's just as suitable for keeping an eye on outdoor spaces. According to testers, installation is a breeze, resolution is clear and a spotlight is integrated . There’s even a built-in siren you can activate from the app should someone be trespassing (or your dog is trying to escape). For the best features, including recording in 2K resolution, you’ll need a $7.99 per month Arlo Secure subscription, but we think that’s a price worth paying for Arlo’s reliable performance both indoors and out.

How we test outdoor security cameras

The engineers and experts at the Good Housekeeping Institute Home Improvement & Outdoor Lab test all types of surveillance electronics and smart home devices . To find the best security cameras on the market, we evaluated more than 25 models in our most recent tests, evaluating each one for video and audio performance, ease of installation and operation, app intuitiveness, motion detection, night vision and IP ratings or weather-resistance claims.

We also considered extra features such as smart home compatibility, video storage, subscription plan options and alert sensitivity. In addition to in-Lab evaluations, we sent security cameras home with our consumer testers to share firsthand feedback on factors such as ease of setup, how well they work in day-to-day life (including low light settings), battery life and more.

What to look for when shopping for an outdoor security camera

✔️ Power source: Battery-powered outdoor cameras are preferred by our experts since they don't require any cables or outlets, but you can certainly opt for one that is wired and needs to be plugged in. If you do choose a wired outdoor security camera, make sure to purchase a power adapter that is weather-resistant. Our pros also suggest considering a solar-powered camera, which doesn't require as much charging since it sources power directly from the sun.

✔️ Durability: Because you'll be leaving your security camera outdoors throughout the year, you should look for one that's durable. Check for any weather resistance claims and look for IP (ingress protection) ratings, which indicate to what degree the device can handle water exposure or submersion in addition to contact with other elements like dirt, sand, etc. The first number refers to solids while the second number refers to liquids; as a rule of thumb, the higher the number, the more protection you can expect. While you don't need a waterproof outdoor security camera, our pros do advise one that can handle a bit of rain or snow — ideally IP54 or higher.

✔️ Resolution: Having crisp, clear resolution is especially important in an outdoor security camera since there are so many lighting conditions at play and objects at a distance. The higher the resolution, the better you'll be able to see your surroundings and potentially identify who is approaching your home. Our pros suggest finding a camera with at least 1080p resolution, but for the best of the best consider 2K.

✔️ Night vision: Most security cameras today feature night vision, which means that they'll be able to capture footage when there's little to no light outdoors. For the best performance, consider a camera with color night vision.

✔️ Storage: Keep in mind that most security cameras require a subscription plan for access to video storage that's saved in a cloud, though you'll typically be able to view live video feeds for free. Make sure to consider the extra cost of a subscription before making a purchase, or consider a camera that offers free local storage onto the device via a microSD card.

Why trust Good Housekeeping?

The Good Housekeeping Home Improvement Lab provides expert reviews and advice on all things home-related, from setting up home security systems to installing smart plugs .

GH Institute writer and product analyst Olivia Lipski covers everything from consumer electronics to home, fitness, travel and more and frequently collaborates with the Home Improvement and Outdoor Lab. She's tested several types of security cameras since joining GH in 2021.

To write this review, she worked with the director of the Home Improvement & Outdoor Lab, Dan DiClerico , who brings more than 20 years of experience to the GH Institute, having reviewed thousands of products for Good Housekeeping, as well as brands like This Old House and Consumer Reports. During his time at the Institute, he has evaluated all types of security cameras and home security systems.

Olivia (she/her) is a media and tech product reviews analyst at the Good Housekeeping Institute , covering tech, home, auto, health and more. She has more than five years of experience writing about tech trends and innovation and, prior to joining GH in 2021, was a writer for Android Central, Lifewire and other media outlets. Olivia is a graduate of George Washington University, with a bachelor's degree in journalism, political science and French, and she holds a master’s degree in communications from Sciences Po Paris.

Having written thousands of product reviews and how-to articles on all aspects of home ownership, from routine maintenance to major renovations, Dan (he/him) brings more than 20 years of industry experience to his role as the director of the Home Improvement & Outdoor Lab at the Good Housekeeping Institute . A one-time roofer and a serial remodeler, Dan can often be found keeping house at his restored Brooklyn brownstone, where he lives with his wife and kids.

@media(max-width: 64rem){.css-o9j0dn:before{margin-bottom:0.5rem;margin-right:0.625rem;color:#ffffff;width:1.25rem;bottom:-0.2rem;height:1.25rem;content:'_';display:inline-block;position:relative;line-height:1;background-repeat:no-repeat;}.loaded .css-o9j0dn:before{background-image:url(/_assets/design-tokens/goodhousekeeping/static/images/Clover.5c7a1a0.svg);}}@media(min-width: 48rem){.loaded .css-o9j0dn:before{background-image:url(/_assets/design-tokens/goodhousekeeping/static/images/Clover.5c7a1a0.svg);}} Product Reviews

The Best Supplements for Menopause

The 7 Best Pellet Grills

Best Garage Door Openers

The Best Laundry Detergent Sheets

3 Best Portable Chargers

The 6 Best Smart Grills 2024

The Best Sleeper Sofas

Travelpro Platinum Elite Luggage Review

The Best Mosquito Repellents

The 10 Best Face Washes for Men of 2024

The Best Toilet Bowl Cleaners