georges imbert de la tour

Summary of Georges de La Tour. One of the greatest exponents of 17 th century Baroque painting, La Tour's mastery of chiaroscuro was such that he is often named as Caravaggio's natural successor. But La Tour's paintings, although relatively small in number, stand on their own terms for an economy of styling that charge his brooding candlelit scenes with a sense of enigmatic tranquility.

Georges de La Tour. Joseph the Carpenter, 1642, Louvre. Georges de La Tour (13 March 1593 - 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.

Georges de La Tour (born March 19, 1593, Vic-sur-Seille, Lorraine, France—died Jan. 30, 1652, Lunéville) was a painter, mostly of candlelit subjects, who was well known in his own time but then forgotten until well into the 20th century, when the identification of many formerly misattributed works established his modern reputation as a giant of French painting.

Georges de La Tour, French. One of the greatest masterpieces of seventeenth-century French art, Georges de La Tour's Cheat with the Ace of Clubs takes as its subject the danger of indulgence in wine, women, and gambling. While the theme harks back to Caravaggio's influential Cardsharps, also in the Kimbell, the roots of this engaging ...

The Fortune-Teller. Georges de La Tour French. probably 1630s. On view at The Met Fifth Avenue in Gallery 622. Darting eyes and busy hands create a captivating narrative between otherwise staid figures, each of which is richly clothed in meticulously painted combinations of color and texture. La Tour took on a theme popularized in Northern ...

The Penitent Magdalen. Georges de La Tour French. ca. 1640. On view at The Met Fifth Avenue in Gallery 622. With its extreme contrasts of candlelight and shadow, pared-down geometry, and meditative mood, this painting exemplifies La Tour's painting at its most accomplished and characteristic. These visual qualities were a powerful ...

La Tour, who was born in 1593 and worked for most, if not all,of his life in Lorraine, was rediscovered at the beginning of this century. His paintings, of mendicant hurdy-gurdy players, rascally ...

Georges de La Tour was born in 1593 in Vic-sur-Seille, a large market town in the independent duchy of Lorraine, now part of northeastern France, that was the seat of the archbishopric of Metz. His family belonged to the provincial artisanal class: both his father and grandfather were bakers.

March 1593 - Jan 30, 1652. Georges de La Tour was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.

Georges de La Tour (1593-1652), a French Baroque painter, is primarily celebrated for his religious and genre paintings, renowned for their exquisite candlelight effects and dramatically evocative scenes. Though he remained relatively obscure during his lifetime, his works garnered significant attention and appreciation after being ...

Little is known of Georges de La Tour's life. By 1620 he was established at the prosperous town of Lunéville, where he specialized in religious and genre scenes. His primary patrons seem to have been Lunéville's bourgeoisie and the duchy's administration at nearby Nancy. In 1639 he gained the title of peintre du roi (Painter to the King) and ...

Georges de La Tour (1593-1652) One of the great French Baroque artists, indeed one of the finest Old Masters of Baroque art in Europe, Georges de La Tour led a highly successful career in Luneville in the Duchy of Lorraine. His patrons included Louis XIII, Cardinal Richelieu and the Duke of Lorraine, and he became official court painter to ...

Jean Baptiste Georges Imbart de La Tour (Tenor) (Paris 1865 - Paris 1911) Tannhauser. He studied at the Paris Coservatoire with St. Yves Bax. In 1889 he won the song competition of the Paris Conservatoire. His stage debut occurred in 1890 in Geneva as Raoul in ''Gli Ugonotti'' of Meyerbeer. In 1893 he joined the Opéra-Comique in ...

The Met's Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.

Share the Bog! Georges de La Tour, born on March 19, 1593, in the Duchy of Lorraine, now in France, was a painter whose work is celebrated for its unique use of light and shadow, capturing the quietude and spiritual depth of his subjects. De La Tour's life and career were largely spent in relative obscurity, with much.

SUMMARY. Georges de La Tour was long overshadowed by the works of Spanish and Italian painters and fell into obscurity until the early 20th century. As an academic research on this painter progressed in 1930s, he came to be reappreciated in recent years. All the details of La Tour as the great French painter of the 17th century have been revealed.

Georges de La Tour French, 1593-1652

The Fortune Teller is an oil painting of circa 1630 by the French artist Georges de La Tour.The work was uncovered in about 1960 and purchased that year by the Metropolitan Museum of Art in New York. François Georges Pariset described the painting in The Metropolitan Museum of Art Bulletin, attributing it to La Tour—a likely choice given the calligraphic signature at top right: "G. de La ...

The Penitent Magdalen. 1540. by Georges de La Tour. A sinner, perhaps a courtesan, Mary Magdalen was a witness of Christ who renounced the pleasures of the flesh for a life of penance and contemplation. She is shown with a mirror, symbol of vanity; a skull, emblem of mortality; and a candle that probably stands for her spiritual enlightenment.

Georges de La Tour [note 1], né et baptisé le 14 mars 1593 à Vic-sur-Seille et mort le 30 janvier 1652 à Lunéville, est un peintre lorrain. Artiste au confluent des cultures nordique, italienne et française, contemporain de Jacques Callot et des frères Le Nain, La Tour est un observateur pénétrant de la réalité quotidienne.

Boyer, Jean-Claude. Les Apôtres de Georges de la Tour de Paris á Albi. Actes du colloque de Vic-sur-Seille, 9-11 septembre 1993. Metz, 1994, pp. 59-69. 1995 Thuillier, Jacques. Saint Jean Baptiste dans le désert. Metz, 1995 , p. 15, ill. 1995 Le Floch, Jean-Claude. Le Signe de contradiction. Essai sur Georges de La Tour et son oeuvres.

The Newborn Child is an oil-on-canvas painting created c. 1645-1648 by the French painter Georges de La Tour, now in the Museum of Fine Arts of Rennes in France. It is sometimes thought to be a representation of the Madonna and Child (with the left-hand woman as St Anne) in the form of a genre scene - it is thus also known as The Nativity.