Full Cast of Star Trek Beyond - Every Actor & Character In the Movie

Zoe Saldana, John Cho, Chris Pine, Star Trek: Beyond logo

With the future of Star Tr e k ’s Kelvin Timeline reboot movies in a seemingly-continuous limbo, here’s a list of every character who appeared in the most recent entry from 2016: Star Trek Beyond .

Around the early-to-mid 2000s, the Star Trek franchise was stagnating. Following Enterprise ’s cancellation and the box-office bombing of Paramount’s then-newest Trek film, Star Trek: Nemesis , the studio decided it was time for a change. 

A reboot was conceived under the leadership of J.J. Abrams who went on to direct two movies, 2009’s Star Trek and its 2013 sequel, Star Trek Into Darkness .

The third entry into this rebooted series, Star Trek Beyond , opened on July 22, 2016, to less-than-stellar financial results.

Every Character & Actor in Star Trek Beyond

Many fans argue that Star Trek Beyond is the strongest movie in the Kelvin Trilogy. It featured a quick-moving narrative, solid character beats, and even a Beastie Boys song or two. 

Here are all the characters that had a part to play in the threequel and their corresponding actor.

Chris Pine - Captain James T. Kirk

Chris Pine, James Kirk, Star Trek Beyond

Chris Pine’s Jim Kirk opens the film feeling the weight of the mission. The USS Enterprise has been exploring deep space for two and a half years, and everything is starting to feel a bit rote for the Starfleet captain.

Little does he know that a trip beyond Starbase Yorktown will result in him and his crew getting way more than they bargained for.

Zachary Quinto - Commander Spock

Zachary Quinto, Spock, Star Trek Beyond

Everybody’s favorite half-human, half-Vulcan science officer returns, marking Zachary Quinto’s third time in Spock’s pointy ears.

Gravely injured during the first act and stranded on an uncharted planet with the rest of the Enterprise Crew, Spock must rely on the medical expertise of Dr. McCoy to survive.

Karl Urban - Dr. Leonard McCoy

Karl Urban, Leonard McCoy, Star Trek Beyond

Karl Urban returns as the irascible Dr. McCoy, who is teamed with Spock for much of the film as they try to find a way to reunite with the crew in between sarcastic zingers.

During the final conflict of the film, Bones and Mr. Spock man the controls of one of Krall’s drone ships to help take out the rest of the villain’s massive fleet.

Zoe Saldana - Lt. Nyota Uhura

Zoe Saldana, Nyota Uhura, Star Trek Beyond

The Avatar and Guardians of the Galaxy superstar Zoe Saldana comes back for another round as Lt. Uhura, who begins the film on the outs with her boyfriend, Spock.

After the Enterprise is destroyed and the crew is taken prisoner, Uhura must fight for her life against Krall and his forces, patching things up with her Vulcan suitor in the process.

Simon Pegg - Lt. Commander Montgomery Scott

Simon Pegg, Lt. Commander Montgomery Scott, Star Trek Beyond

In Star Trek Beyond , Simon Pegg’s Scotty uses his engineering genius to escape the crumbling Enterprise in a photon torpedo tube.

Once on the surface of the planet Altamid, Scott meets a fellow strandee named Jaylah, and the two join forces to help get the wreck of the long-lost USS Franklin up and running again.

John Cho - Lieutenant Hikaru Sulu

John Cho, Hikaru Sulu, Star Trek Beyond

John Cho’s Lt. Sulu, the Enteprise ’s helmsman, shares the bulk of his screentime with Saldana’s Uhura as the two try and free themselves from their captivity.

Sulu gets to put his piloting skills to the test when he’s called upon to fly the outdated Franklin off of its resting place on Altamid.

Anton Yelchin - Ensign Pavel Chekov

Anton Yelchin, Pavel Chekov, Star Trek Beyond

By the time of Beyond , the wide-eyed whiz kid Chekov has developed into a highly competent Starfleet officer, who pairs up with Captain Kirk throughout the movie’s second act.

The film is dedicated to actor Anton Yelchin, who tragically lost his life in a freak accident shortly before the theatrical release. The cast has spoken on many an occasion about how difficult it would be to make a fourth movie without him.

Idris Elba - Captain Balthazar Edison/Krall

Idris Elba, Krall, Star Trek Beyond

An ex-MACO for the United Earth Military, Idris Elba’s Captain Edison fought in multiple conflicts with the Romulans as well as the Xindi.

But when the Federation was founded, his military skills and knowledge had no further use, and he felt abandoned by the very governing body he used to fight for. 

When his ship, the USS Franklin, crash-landed on Altamid, Edison took control of the planet’s technology, becoming the devious and disfigured villain known as Krall.

Sofia Boutella - Jaylah

Sofia Boutella, Jaylah, Star Trek Beyond

Sofia Boutella’s Jaylah became marooned on Altamid as a young girl after her parents were killed by Krall.

In Beyond , Jaylah has taken up residence in the hull of the USS Franklin , a Federation vessel that went missing around the time of Captain Jonathan Archer’s missions in the mid-2100s.

Joe Taslim - Anderson Le/Manas

Joe Taslim, Manas, Star Trek Beyond

Joe Taslim plays Anderson Le, one of Edison’s crewmembers who was mutated into the evil Manas by Altamid’s energy transference tech.

Lydia Wilson - Jessica Wolff/Kalara

Lydia Wilson, Jessica Wolff, Kalara, Star Trek Beyond

Much like her crewmate Le, Lydia Wilson’s Jessica Wolff survived on Altamid by becoming Kalara and serving as one of Krall’s underlings.

Sara Maria Forsberg - Kalara’s Translated Voice

Sara Maria Forsberg

Upon arriving in Yorktown to lure the Enterprise into Krall’s trap, Kalara is fitted with a universal translator collar which converts her alien speech into something more understandable. Sara Maria Forsberg provides the voice of the universal translator.

Deep Roy - Keenser

Deep Roy, Keenser, Star Trek Beyond

Deep Roy plays Scotty’s pal and fellow engineer Keenser in all three Kelvin timeline films. In Beyond , a caustic sneeze from Keenser helps the crew melt a lock to get out of a jam.

Melissa Roxburgh - Ensign Syl

Melissa Roxburgh, Ensign Syl, Star Trek Beyond

An Enterprise crewperson, Melissa Roxburgh’s Syl hides a deadly weapon called the Arbonath in her cranial cavity thanks to some quick thinking on the part of Jim Kirk.

Shohreh Aghdashloo - Commodore Paris

Shohreh Aghdashloo, Commodore Paris, Star Trek Beyond

The commanding officer of StarBase Yorktown, Shohreh Aghdashloo‘s Paris was actually added to the movie during reshoots. Some fans have also theorized that she’s an ancestor of Tom Paris from Star Trek: Voyager . 

Greg Grunberg - Commander Finnegan

Greg Grunberg, Commander Finnegan, Star Trek Beyond

Greg Grunburg, a longtime staple of J.J. Abrams-affiliated productions, plays Finnegan, an officer stationed in Yorktown’s command center. Fun fact: Finnegan is the alternate reality version of the character by the same name from the Star Trek: The Original Series episode “Shore Leave."

Danny Pudi - Fi’Ja

Danny Pudi, Fi'Ja, Star Trek Beyond

Community ’s Danny Pudi makes a cool (cool, cool, cool) cameo as Fi’Ja, a would-be assailant of Scotty’s who is put down by Jaylah.

Kim Kold - Zavanko

Kim Kold, Zavanko, Star Trek Beyond

Savanko, another alien who tries to attack Mr. Scott on Altamid, is played by Danish bodybuilder Kim Kold.

Fraser Aitcheson - Hider

Fraser Aitcheson, Hider, Star Trek Beyond

Fraser Aitcheson plays Hider, the third alien who comes after Scotty and is quickly dispatched by Jaylah.

Douglas Chapman - Sir Olden

Douglas Chapman, Sir Olden, Star Trek Beyond

Sir Olden, a Starfleet science officer portrayed by Douglas Chapman, is on the Enterprise when it’s brought down by Krall’s swarm ships.

Anita Brown - Tyvanna

Anita Brown, Tyvanna, Star Trek Beyond

One of the Enterprise ’s bridge officers, Anita Brown’s Tyvanna evacuated the ship once it was attacked.

Doug Jung - Ben

Doug Jung

Doug Jung wrote Star Trek Beyond ’s screenplay alongside Simon Pegg. He also made a brief appearance in the movie as Ben, Lt. Sulu’s husband.

Dan Payne - Wadjet

Dan Payne, Wadjet, Star Trek Beyond

A red-shirted Enterprise operations officer, Wadjet, was portrayed by Dan Payne.

Shea Whigham - Teenaxi Leader

Shea Whigham, Teenaxi Leader, Star Trek Beyond

Boardwalk Empire ’s Shea Whigam lent his voice to the Teenaxian who appeared in Star Trek Beyond ’s opening scene

Jeff Bezos - Alien Starfleet Official

Jeff Bezos, Alien Starfleet Official, Star Trek Beyond

Jeff Bezos (yeah, that Jeff Bezos) made an easy-to-miss cameo under heavy alien makeup as a Starfleet officer.

Carlo Ancelotti - Yorktown Doctor

Carlo Ancelotti

Carlo Ancelotti, the Italian football manager, also made a blink-and-you-miss-it appearance as a doctor on Starbase Yorktown. He reportedly got the role because he’s friends with Zoe Saldana.

Will Star Trek Beyond Get a Sequel?

Ever since Beyond was released in cinemas in 2016, various attempts at making another sequel have been announced and subsequently shelved.

As the main cast members are typically quite busy, it would be something of a Herculean task to get all their schedules aligned so that they could work on a fourth Kelvin timeline film.

Anything’s possible, however, with Paramount's top brass claiming that they wish to move the Star Trek franchise back into features alongside its healthy TV presence.

Star Trek Beyond is available for purchase where ever movies are sold.

Star Trek: Discovery Season 5 Cast, Characters & Actors (Photos)

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Jaylah in Star Trek Beyond

Star Trek Beyond

After stopping off at Starbase Yorktown, a remote outpost on the fringes of Federation space, the USS Enterprise , halfway into its five-year mission, is destroyed by a powerful, unstoppable wave of unknown aliens. With the crew stranded on an unknown planet and with no apparent means of rescue, they find themselves in conflict with a new ruthless enemy who has a well-earned hatred of the Federation and what it stands for.

  • 1.1 Prologue
  • 1.2 Act One
  • 1.3 Act Two
  • 1.4 Act Three
  • 2 Log entries
  • 3 Memorable quotes
  • 4.3.1 Under Roberto Orci
  • 4.3.2 Under Justin Lin
  • 4.4 Filming
  • 4.5 Continuity
  • 5.1 Marketing
  • 5.2 Posters
  • 5.3 Box office
  • 5.4 Reception
  • 5.5 Merchandise gallery
  • 6 Awards and honors
  • 7.1 Credits
  • 7.4 Second Unit
  • 7.5 Dubai Unit
  • 7.6.1 Uncredited
  • 7.7.1 Unconfirmed
  • 7.8 Stand-ins
  • 7.9.1 Unconfirmed
  • 7.9.2 Companies
  • 7.11.1 Graphic references
  • 7.11.2 Balthazar M. Edison's personnel file
  • 7.11.3 Diagnostic wrap display
  • 7.11.4 Public transporter menu
  • 7.11.5 Starbase Yorktown memorial wall (unseen material)
  • 7.11.6 Spock Prime's holophoto – Senior staff of the USS Enterprise -A
  • 7.11.7 Spock Prime's obituary
  • 7.11.8 Unreferenced material
  • 7.11.9 Deleted graphics references
  • 7.12 External links

Summary [ ]

Prologue [ ].

Kirk on Teenax

Kirk offering a piece of the Abronath as a gesture of peace

In early 2263 , on the planet of Teenax , Captain James T. Kirk is negotiating a treaty between the Teenaxi Delegation and the Fibonan Republic who are long-term enemies. He presents a piece of an ancient weapon as a gesture of goodwill, but the Teenaxian leader asks where it comes from. When Kirk says the Fibonans acquired it a long time ago, the Teenaxians accuse the Fibonans of stealing the artifact . The Teenaxians (who turn out to be quite small creatures compared to Humans), attack Kirk. As a result, he flips open his communicator and urgently asks Montgomery Scott that he be beamed up. He is eventually evacuated to the USS Enterprise , accidentally taking two Teenaxians with him. Walking down a corridor in his torn uniform, Kirk is followed by Spock and Leonard McCoy . Kirk asks his first officer to log the artifact in the ship's archive vault . " Jim, you look like crap, " McCoy says. Kirk sarcastically thanks the doctor. When McCoy asks the captain if he is all right, Kirk replies, " Never better. Just another day in the fleet. "

Act One [ ]

USS Enterprise bridge crew 2263

The crew of the Enterprise anticipate shore leave

USS Enterprise at Yorktown

The Enterprise arrives at Yorktown

The stardate is 2263.2. It has been nine hundred and sixty-five days since the USS Enterprise began its five-year mission . The Enterprise docks at Starbase Yorktown , an extensive deep space colony containing a large city, to replenish dwindling supplies while the crew takes shore leave . Struggling to find continued meaning in his duties as captain, and becoming increasingly affected by thoughts of the death of his father, George Kirk , Kirk applies for a promotion to vice admiral .

Spock learns of Spock Prime's death

Spock learns that Spock Prime has died

Meanwhile, Spock and Nyota Uhura deal with a time-out in their relationship; Hikaru Sulu reunites with his husband Ben and their young daughter; and Montgomery Scott struggles to keep the ship operational. Spock is also distraught to find that his alternate reality counterpart has recently passed away.

Kalara in UT

Kalara rescued and brought to Yorktown

An escape pod is found drifting out of a nearby nebula and its occupant, Kalara , claims her ship is stranded on the planet Altamid , which is located past the dangerous, unexplored nebula that will block communications with Starfleet . In a meeting with Yorktown's commanding officer Commodore Paris , Kirk volunteers the Enterprise for the rescue mission, and they get through the nebula with some difficulty, and eventually arrive at Altamid, which Spock finds to be a sparsely-populated class M world. Not long after arrival, the Enterprise comes under attack from a swarm of thousands of small, heavily-armed alien ships. Kirk orders a counterattack, but the Enterprise is overwhelmed by the enemy's sheer volume and strength; the ship's phasers , navigational deflector , and warp nacelles are destroyed within minutes.

USS Enterprise's deflector dish destroyed

The swarm cripples the Enterprise

With the Enterprise crippled and helpless, several of the attacking ships breach the hull, and a boarding party commanded by the swarm's leader, Krall , boards the ship. They make their way to the ship's vault, and on the way there Krall captures and drains the life force from several Enterprise crewmen, leaving them as withered husks. Scott attempts to restore power to the ship's impulse drive by feeding it from the warp core , but Krall orders the swarm to resume its attack. They destroy the neck section of the Enterprise , separating the saucer and engineering hulls, and leaving the saucer powerless due to Scott's modifications, leaving no way of switching over to the saucer's reserve power without a separation . Spock and Dr. McCoy are in a turbolift car that is ejected into space and subsequently captured by a swarm craft, but they managed to get into the craft and overpower its occupants.

Krall boards the Enterprise

Krall boards the Enterprise

Krall arrives at the ship and attempts to get to the vault to take the artifact from the Enterprise 's mission from Teenax. However, Kirk gets to the artifact first and gives it to Ensign Syl before ordering the crew to abandon ship. As the separated engineering hull begins to disintegrate, most of the crew escape in escape pods , only for the swarm ships to capture them and drag them back to the planet. Seeing this, Scott fires himself out of the ship in a advanced long-range torpedo casing.

Kirk during Battle of Altamid

Kirk on the bridge in the last moments of the Enterprise

Kirk goes to separate the saucer from the neck but Krall attacks him before Kirk can initiate the separation. Uhura goes on to separate the saucer and gets left behind with Krall in the neck section while Kirk is on the saucer side.

USS Enterprise saucer crash

The Enterprise 's saucer burning up

Kirk reaches the bridge, which by now is occupied only by Sulu, Chekov , Kalara, and a few other crewmen. However, Chekov reports that the saucer is too badly damaged to keep in orbit, and will crash within minutes. Kirk orders the remaining crew to abandon the ship by Kelvin pods once it enters the atmosphere (though everyone except for himself, Chekov, and Kalara are also captured), and is the last person to leave the Enterprise . Moments later, the saucer crashes into a mountain range, and what remains of it crash-lands in a field, embedding itself into the earth.

Act Two [ ]

Scott, who has landed elsewhere, is saved from some of the planet's unruly inhabitants by an alien scavenger named Jaylah and taken to her makeshift home, which he discovers to be the wreckage of the USS Franklin , which went missing almost one hundred years prior . Meanwhile, the swarm craft hijacked by Spock and McCoy crash-lands on the planet, badly injuring Spock and forcing McCoy to perform some very hasty surgery in order to save his life.

Grinning spock

" God, you're getting delirious. "

After discovering that the alien artifact originated from the planet on which they had crash-landed, Spock reveals to McCoy that he is reconsidering his place in Starfleet after Spock Prime's death. The two are then attacked by the swarm only to be saved by Scott, who has repaired the Franklin 's transporter system.

Meanwhile, Kirk and Chekov force Kalara to admit she lured the Enterprise into a trap, claiming that Krall promised to return her crew to her in exchange for the Enterprise and her own crew. With their tricorders having insufficient range to locate the rest of the crew, the trio board the crashed saucer in order to use its sensors. Kirk pretends to go to retrieve the artifact in a corridor and Kalara turns on him and reveals that her "crew" never existed; she's been in league with Krall from the very start. Fortunately, Kirk had seen through her, and Chekov rescues him as more of Krall's troopers arrive. Outnumbered and trapped, Kirk ignites the fuel tank for the saucer's maneuvering thrusters , which allows them to escape, but also causes the saucer to flip over, killing Kalara and the troopers, and causing the fuel tanks to explode, leaving the mostly-destroyed saucer as all that remains of the USS Enterprise .

Spock and Chekov

" You gave your girlfriend a tracking device? " " ...That was not my intention. "

Meanwhile, Krall demands the artifact, threatening to kill Sulu if he does not get it. Syl relents and gives Krall the artifact, which he reveals to be the final component of a weapon called the Abronath that attacks organic tissue and which he intends to unleash on Starbase Yorktown. Krall then tests the weapon on Syl, dissolving her completely in the process.

When the group consisting of McCoy, Spock, Scott, Kirk, Chekov, and Jaylah has ascertained the location of the captured crew through Uhura's vokaya amulet, the group formulates a plan to infiltrate Krall's base. Jaylah is initially fearful of this, remembering the death of her family at the hands of Krall and his people, but Scott and Kirk are able to persuade her to help out.

Act Three [ ]

Spock, Jaylah, and McCoy

Spock, Jaylah, and McCoy beam into Krall's base

As Krall departs for Starbase Yorktown, Kirk, McCoy, Spock, and Jaylah rescue the crew before repairing the Franklin and also setting a course for the starbase. Spock and McCoy beam aboard an attacking drone ship and discover a way to disrupt the drones' cohesion, allowing the Franklin and the starbase to destroy much of the drone fleet using discordant noise on a very high frequency (VHF), provided courtesy of Jaylah's collection of "classical" late 20th century music.

After a brief battle between the swarm and Yorktown's defenses, Krall still manages to board the starbase despite the Battle of Yorktown , which eventually culminates in the Franklin intercepting his ships in a maneuver near the starbase's central control complex.

Balthazar Edison

Krall's original identity: Captain Balthazar Edison

As they look for him, Uhura learns from the Franklin 's video logs that Krall's original name was Balthazar Edison and that he was born Human . Before his sudden disappearance, Edison had been the captain of the Franklin . He had been declared missing in action by Starfleet, and had ended up crashing onto Altamid, which was a former mining colony of an alien species known as the Ancient Ones, who had left drone equipment and other technology behind. Edison, and at least two of his crewmates, had used the remains of this technology to prolong their lives, and to build new military vessels. However, the use of the life-extension technology had also rendered the former members of the Franklin unrecognizable as Humans because they acquired some of the biological attributes of the other species they lured for their consumption.

Once Krall/Edison is on board the Franklin , he steals a command division Starfleet uniform and reverts to a mostly Human appearance after draining the life force from several more Enterprise crewmembers, healing the injuries he suffered when his ship was crushed.

Kirk confronts Krall at Yorktown

Kirk fights Krall to save Yorktown

Krall/Edison prepares to deploy the bioweapon, leading to a chase through the base. Kirk confronts Krall/Edison in the life support hub, and they fight in anti-gravity and weightless conditions in the life support section of Yorktown. Krall/Edison expounds his theory that Humanity needs to be in a state of conflict in order to progress, and that the Federation has stifled this process by bringing about peace in large areas of the galaxy. The fight ends with both Krall/Edison and the Abronath bioweapon being ejected into space, where the Abronath devours him.

Kirk is rescued from suffering the same fate by Spock and McCoy in their hijacked drone. Kirk tells Spock he doesn't know what he would do without him, causing him to contemplate his decision to leave Starfleet.

Spock's group photo

Spock finds Spock Prime's photo of himself along with his crewmates from his reality

Commodore Paris closes the unsolved cases of the fate of Captain Edison and the crew of the USS Franklin . She commends Kirk for his actions and informs him that his promotion to the admiralty is assured. However, Kirk respectfully declines the offer, his experience having rejuvenated his spirit to be a Starfleet officer, stating that "admirals don't fly". Remaining a starship captain, Kirk allows McCoy to lead him to a gathering where McCoy has planned a surprise birthday party for his friend. At a loss for words, Kirk instead raises a toast to the late starship Enterprise and to their fallen comrades. Spock allows himself a look at some of Ambassador Spock's personal effects and finds a photograph of him and his prime reality comrades on the bridge of their Enterprise .

Kirk's birthday party

Kirk's surprise birthday party

Reminding himself of his earlier discussion with Dr. McCoy, Spock elects to live as his alternate self did and remains serving in Starfleet. Kirk offers his condolences on Ambassador Spock's passing to his friend, which Spock accepts and begins to renew his relationship with Uhura. A despondent Jaylah, also present at the gathering, has consumed a large number of alcoholic beverages, which she had been told would "take her edge off", but is clearly not having much of an effect. Hoping to boost her spirits, Scott presents Jaylah with an acceptance letter into Starfleet Academy , courtesy of a few strings pulled by Kirk, who also warns her that Starfleet has many rules but not to follow all of them.

Crew looking at the Enterprise-A

The crew looks at the construction of their new starship

As Kirk and Spock look out of a massive window, they view the construction of a new starship. Considering the perils that had befallen the Enterprise and her crew since they were first assembled five years earlier, McCoy questions whether or not they really should go back out into space. As the starship finishes construction, its primary hull proudly displays her name and registry : USS Enterprise (NCC-1701-A) . Kirk, Spock, Scott, McCoy, Sulu, Chekov, and Uhura can be heard taking turns paraphrasing Zefram Cochrane :

Log entries [ ]

  • Kirk: " Captain's Log , Stardate 2263.2. Today is our 966th day in deep space , a little under three years into our five-year mission . The more time we spend out here, the harder it is to tell where one day ends and the next one begins. It can be a challenge to feel grounded when even gravity is artificial . But, well, we do what we can to make it feel like home. The crew , as always, continues to act admirably despite the rigors of our extended stay here in outer space. And the personal sacrifices they have made. We continue to search for new life forms in order to establish firm diplomatic ties. Our extended time in uncharted territory has stretched the ship's mechanical capacities. But fortunately our engineering department, led by Mr. Scott, is more than up to the job. The ship aside, prolonged cohabitation has definitely had effects on the interpersonal dynamics. Some experiences for the better, and some for the worse. As for me, things have started to feel a little episodic. The farther out we go, the more I find myself wondering what it is we're trying to accomplish. If the universe is truly endless, then are we not striving for something forever out of reach? The Enterprise is scheduled for a reprovisioning stop at Yorktown , the Federation 's newest and most advanced starbase . Perhaps a break from routine will offer up some respite from the mysteries of the unknown. "
  • Edison: " Captain's log... I don't remember the stardate. All distress calls unanswered. Of the crew , only three remain . I WON'T ALLOW IT! The indigenous race abandoned this planet long ago. They left behind sophisticated mining equipment and a drone workforce . They have some sort of technology that prolongs life . I will do whatever it takes for me and my crew. The Fed-Federation do not care about us. You'll probably never see me again. But if you do... be ready. "

Memorable quotes [ ]

" To perfect eyesight and a full head of hair. "

" You guys break up? What'd you do? " " A typically reductive inquiry, doctor. " " You know Spock, if an Earth girl says, uh, 'it's me, not you', it's definitely you."

" I am Lieutenant Nyota Uhura of the USS Enterprise . And you have committed an act of war against the Federation. " " Federation?! Federation is an act of war. "

" Your captain... why did you sacrifice yourself for him? " " He would have done the same. And if he made it off that ship, he will come for us. " " I am counting on it, Lieutenant Uhura. "

" Yeah, I say it hurts less when it's a surprise. " " If I may adopt a parlance with which you are familiar, I can confirm your theory to be "horseshit". "

" Come now, Montgomery Scotty. "

" Leaving me behind will significantly increase your chances of survival, Doctor. " " Well that's damn chivalrous of you, but completely out of the question. " " It is imperative that you locate any surviving crew. " " Here I was thinking you cared. " " Of course I care, Leonard. I always assumed my respect for you was clear. The dialogue we have had across the years has always... " " It's okay, Spock. You don't have to say it. " [McCoy and Spock are surrounded by three of Krall's drone ships] " Well, at least I won't die alone! " [Spock is beamed out from behind McCoy] " Well that's just typical."

" This is where the frontier pushes back. "

" You're part of something bigger now, lassie. Right? Dinnae give up on that. 'Cause we'll sure as hell never give up on you. That is what being part of a crew is all about. "

" What happened to you out there, Edison? " " Ed-i-son? I have to say, Kirk, I missed being me. We lost ourselves, but gained a purpose! A means to bring the galaxy back to the struggle that made Humanity strong. " " I think you're underestimating Humanity. " " I fought for Humanity! Lost millions to the Xindi and Romulan wars. And for what? For the Federation?! To sit me in a captain's chair and break bread with the enemy! " " We change. We have to. Or we spend the rest of our lives fighting the same battles. "

" You lost. There's no way for you to make it back there! Give up! " " What, like you did?! I read your ship's logs, Captain James T. Kirk. At least I know what I am! I'm a soldier! " " You won the war, Edison. You gave us peace! " " Peace... is not what I was born into. "

" You... can't stop it. You will die. " " Better to die saving lives, than to live with taking them. That's what I was born into. "

" To the Enterprise ... and to absent friends. "

" You really want to head back out there, huh? "

" Space. The final frontier. " " These are the voyages of the starship... " " ... Enterprise . Its continuing mission... " " ...to explore strange new worlds... " " ...to seek out new life... " " ...and new civilizations... " ...to boldly go where no one has gone before. "

Background information [ ]

The film takes place two-and-a-half years into the characters' five-year mission , [1] when the USS Enterprise is attacked by the Swarm and the crew is marooned on an unknown world as a consequence. They gain an ally in Sofia Boutella 's alien warrior, Jaylah. [2]

Idris Elba plays the Swarm's leader, Krall, who detests the Federation's philosophy and opposes its introduction to the wider galaxy. [3] Elba said, " There's definitely an opposing argument to the good that the Federation think they do. There are purists that believe in independence, and believe that we're all made differently for a reason, and will fight tooth and nail to defend that. There's massive relatability to modern world politics in that sense. " [4]

J.J. Abrams had stated he would like more female characters in the sequel. [5] He also mentioned the sequel could fall back on abandoned story ideas for the characters. " There was [an idea] implying the sexuality of one of the characters, a back story for another character that was pretty intense, a really funny story we wanted to do with yet another. Hopefully, if there are future films, those other stories will get their moment, " he said. [6] Roberto Orci has voiced support for having a gay character. [7]

William Shatner was contacted about a possible role in the film. Along with Shatner, Leonard Nimoy had been rumored to appear, in a scene with Chris Pine and Zachary Quinto , as the future alternate reality versions of the characters. [8] In the wake of Nimoy's death on 27 February 2015 , Simon Pegg mentioned there would be some tribute to the late actor in the final film. [9] On 27 May 2015 , Pegg mentioned that it was possible Shatner could portray Kirk again at some point, [10] but Shatner confirmed he would not appear and he never discussed it. [11] Shatner's Kirk and Nimoy's Spock appear in the film in a still handled by the actor Zachary Quinto.

Zoë Saldana stated she would dislike it if Spock and Uhura broke up, describing that possibility as potentially "heartbreaking" for her. Concerning the film's action quotient, she speculated, " I'm pretty sure that for this third installment, we'll be able to sort of [...] be more hands-on. " [12] Lin said their relationship will be consistent and acknowledge what came before. [13]

Bruce Greenwood expressed hope that Christopher Pike could return, which he referred to as a "deep, deep wish to come back." Although Pike dies in Star Trek Into Darkness , Greenwood suspected Khan Noonien Singh 's revitalizing blood could be used to bring Pike back to life. As a result, he confirmed, laughing, that he would be interested in reprising the role in " Star Trek III: The Search for Pike ", an in-joke reference to the title of Star Trek III: The Search for Spock . In a serious manner, Greenwood related he would be interested in further resolution to the relationship between Pike and Kirk. ( Star Trek Magazine Special 2015 , p. 21) In reference to Kirk, he concluded, " Whatever happens in the third film, it will give the audience a sense of progression and change; an arc and a character that's really growing with them. " ( SciFiNow , issue 80, p. 26)

On 2 February 2015 , the on-line movie and television news site FilmDivider.com reported that, for the new Star Trek film, three new major female roles would be cast. One of them would be the President of the United Federation of Planets , one would be a starship captain , and the third would be an ex-wife of Doctor McCoy , who was to be depicted as having several former wives. The male villain would be a Bryan Cranston -like type and the website also stated that Cranston was in talks with the studio. All this proved to be false. [14]

The working title for this sequel was "Washington" and "Washington Project". [15] [16] [17] On 21 April 2015 , TrekMovie.com announced that Star Trek Beyond "may be the title" of the film. [18] The title was later confirmed by Director Justin Lin . [19]

Development [ ]

Under roberto orci [ ].

Producer Bryan Burk commented that Paramount wanted the third film to take less time to produce than Star Trek Into Darkness took, and that 2016 – the 50th anniversary of Star Trek – would be a logical year to release it. [20] Roberto Orci and Alex Kurtzman added that Paramount insisted on a 2016 release date. [21]

J.J. Abrams, who directed Star Trek and Star Trek Into Darkness , chose to direct Star Wars Episode VII , and accordingly only produce this film. [22] Abrams noted, " Having directed pilots and movies and then having seen subsequent directors work on those shows or do their own versions of those films – time and again I have seen it done better. " [23] Patrick McKay stated, " Bad Robot , J.J., and his team are really at the heart of this movie's development. They are the guiding light by which we all do our work. J.J.'s been a key part of helping us spin this tale from the beginning, and if there are people who think that we've lost him to Star Wars this time around, that’s not the truth as far as we see it. " [24]

In an interview published on 6 May 2013 , Michael Giacchino expressed he was open to return to score the film, saying, " I’d be happy and honored to do another if that was in the future. " [25]

In August 2013 , then-writing partners Zack Stentz and Ashley Edward Miller pitches to J.J. Abrams a story with an antagonist who "...was more a 'noble adversary' a la Balance of Terror than another Khan . There was also Dyson Sphere [sic] and an ancient, Lovecraftian menace to the galaxy." [26] [27]

In September 2013 , J.J. Abrams acknowledged rumors that Rupert Wyatt could helm the sequel, stating, " He's incredibly talented, and we'd be lucky to have someone as talented as Rupert. But there are things we're focusing on right now before the director, which is just sort of the fundamentals of where the story is gonna go. " [28]

On 2 November 2013 , it was reported that Attack the Block director Joe Cornish was Paramount's choice to direct the film, though reports differed as to whether or not he had already begun negotiations to join the project. According to Variety , Cornish was offered the film once before, in May 2013 , but had turned it down. [29] [30] [31] Abrams voiced his support for Cornish, stating, " I don't know if [he] is the guy. My guess is that's up in the air. I adore him and love him and can't wait to see what he does next. Hopefully, it will be Star Trek." [32]

On 6 December 2013 , it was announced that up-and-coming screenwriters J.D. Payne and Patrick McKay would be writing the script alongside Roberto Orci. It was also announced that Alex Kurtzman would not be involved with the project, due to work on The Amazing Spider-Man movies and other projects. [33]

In February 2014 , J.D. Payne explained they were trying to come up with a classic Star Trek storyline, where " You should respond to this opportunity that the crew has that also has some pitfalls to it [....] It's sort of the Adam and Eve thing, where should we eat the fruit or not eat the fruit? Well, there are some very compelling reasons why they should and why they shouldn't. So, [there are] similar kinds of things here that really give the whole movie an opportunity to sort of play with that, and have people come down on different sides and wrestle with it. " [34]

In April 2014 , it was revealed Roberto Orci had been lobbying to direct the film, but Paramount was reluctant to allow him, as he had never directed before. However, Bad Robot and Skydance Productions were supportive. [35]

At the US premiere of Star Trek Into Darkness on 2 May 2013 , Damon Lindelof hinted that the prospect the Klingons would declare war on the Federation would come to fruition, and that Benedict Cumberbatch would return as Khan Noonien Singh . [36] However, Lindelof was not involved with the sequel.

Later in May 2013, Paramount relented to Roberto Orci's appeals, offering him the director's chair. [37]

In an interview published on 29 June 2014 , Patrick McKay implied the film may not have a villain, explaining that, while he loved Star Trek II: The Wrath of Khan , he also loved the other films " that have a little bit more of the character relationships and the humor and some more of the speculative sci-fi elements. " [38]

In July 2014 , Roberto Orci clarified that he was not technically directing the film until Paramount approved the script. [39] On 9 August 2014 , Orci proclaimed he had finished a first draft of the script. [40] On 27 August 2014 , he revealed that the casting process for other characters had begun. [41]

On 18 September 2014 , Zachary Quinto stated he expected the film to start shooting within the next six months. [42] The next day, it was confirmed that shooting would begin in February 2015 , with a summer 2016 release date. An official announcement was to be made soon thereafter with a specific release date. [43]

As the domestic gross of Star Trek Into Darkness (which stood at US$228.5 million) was less than the first film, Paramount made the decision to film the sequel outside Los Angeles to save money. " We're making it for what it should have been shot for last time if we had made it outside of L.A., which we would have done except that [J.J. Abrams] didn't want to, " a studio source told The Hollywood Reporter . " That was a $20 million issue. " [44]

On 29 September 2014 , Mayor Park Wonsoon confirmed he had met with the producers, including Jeffrey Chernov , and confirmed Seoul in South Korea as one of the filming locations for Star Trek Beyond . [45] According to TrekMovie.com, the film would be shot primarily in Vancouver, British Columbia, Canada, which would also be used for outside filming locations. [46]

Roberto Orci officially stepped down from directing the film on 5 December 2014 . Orci remained attached the project as an in-name producer, but ceased to by involved in production. [47] While the film was without a director, Jonathan Frakes lobbied to be given the opportunity to direct the movie. ( SFX , issue 270, p. 63)

Under Justin Lin [ ]

On 22 December 2014 , it was announced that Justin Lin had been hired to direct the film. [48] Two days later, it was announced that Roberto Orci would only produce the film and will no longer be involved in the writing process. [49]

A childhood fan of Star Trek: The Original Series , Lin was called by J.J. Abrams while filming the second season of True Detective . [50] After learning he was not beholden to any previous script, Lin decided to go " new and fresh. The Klingons , Romulans and other species are great, but it's time to go further. It has been fun to focus on creating whole new worlds and species. " [51] Simon Pegg coined the title when he recognized Lin was trying to take Star Trek "beyond". [52]

On 21 January 2015 , it was announced that principal filming would start on 15 April 2015 at Vancouver Film Studios in Vancouver, British Columbia, Canada. [53] It was also announced that Simon Pegg and Doug Jung would help write the film. [54] Jung came to stay at Pegg's house to co-write the script; whenever they felt they completed enough of the rewrite, they would pass time by watching episodes of the original show. [55] They also consulted Memory Alpha, with Pegg claiming " We actually wrote to the Memory Alpha guys and got them to name a certain device in the movie. I sent them a letter saying, 'Can you come up with this for me?' In two hours, they came back with an entire etymological history of what the thing was. It's beautiful. It’s fantastic to have that support network. " [56]

Simon Pegg commented Paramount felt Roberto Orci's script was " a little bit too Star Trek -y. Avengers Assemble [the release title of The Avengers in the United Kingdom], which is a pretty nerdy, comic-book, supposedly niche thing, made $1.5 billion. Star Trek Into Darkness made half a billion, which is still brilliant. But it means that, according to the studio, there's still $1bn worth of box office that don't go and see Star Trek . And they want to know why. " Pegg described the rewrite as being akin to "mak[ing] a Western or a thriller or a heist movie, then populate that with Star Trek characters so it's more inclusive to an audience that might be a little bit reticent". [57]

Pegg also explained they wanted to mark the 50th anniversary by deconstructing the franchise. " I felt like it was important to really deconstruct the idea of Star Trek , the idea of the Federation and why it's special. We'll really be poking at a lot of different things. " He also said, " We're gathering a great community within the galaxy, but to what end? What does it all mean? " [58]

The character of Jaylah was inspired by Jennifer Lawrence's portrayal of Ree in the 2010 film Winter's Bone . Pegg and Jung referred to her by Lawrence's nickname "J. Law", eventually inspiring the name "Jaylah". [59]

On 24 February 2015 , it was reported that filming was pushed back to begin on 1 June 2015 and continue on until September. [60]

In March 2015 , Stephen F. Windon was confirmed as the film's cinematographer, replacing Roberto Orci's choice of Claudio Miranda . [61] It was also confirmed that Nick Satriano had replaced the previously announced First Assistant Director Kim H. Winther . [62]

With the release of the official casting call, it was confirmed that shooting in Vancouver, B.C. would be starting on 15 June 2015 and continuing through 15 October 2015 . To be considered being an actor, extra, or crew member on the new film, a legal eligibility for working in Vancouver was a requirement. Extras casting would get underway in May 2015 . [63]

On 2 June 2015 , it was reported that the first draft of the script had been finished. [64]

On 13 June 2015 , Michael Giacchino said he had not yet talked to the makers of Star Trek Beyond about the prospect of him returning to Star Trek in order to compose this film. The reason no contact had been made was partly because Giacchino himself had been extremely busy but also " because they're in such a crazy schedule crunch [....] But I imagine that I will be talking to them soon about all of this, and we'll figure out what’s going to happen next, " he said. [65]

Deep Roy was confirmed to be returning as Keenser on 8 July 2015 , having canceled a convention appearance for filming on Star Trek Beyond . [66]

On 11 July 2015 , Michael Giacchino announced his participation in the movie by tweeting, " So thrilled to be working with Justin Lin and the rest of the Enterprise crew on Star Trek Beyond ! Let's boldly go! " [67] [68] He commented that Beyond is not as gritty and earthbound as the previous two films, so the score would feel different. [69]

It was announced on 24 July 2015 that Joe Taslim had been cast in a key role opposite Idris Elba. [70]

On 7 August 2015 , Joseph Gatt confirmed that the character he played in Star Trek Into Darkness , Science Officer 0718 , would not be returning for Star Trek Beyond , due to script rewrites eliminating his role from the story. [71]

The Italian press reported on 24 October 2015 that former Chelsea, Juventus, Paris Saint Germain and Real Madrid manager Carlo Ancelotti had been cast to play a doctor. [72]

Bryan Burk observed, " In the beginning, you could see a palpable sense of excitement as the cast started to work with [Justin Lin]. " ( SFX , issue 270, p. 71)

Addressing the involvement of Roberto Orci and his co-writers John D. Payne and Patrick McKay, Justin Lin said on 14 December 2015 " The WGA has to figure it out, because I don’t know who those writers are, I never met them. I came on, I had an idea and then Simon and Doug came on. I had one conversation with Orci after I came on, and that was it. " [73]

While the first trailer credited Simon Pegg and Doug Jung , it also credited Roberto Orci , John D. Payne , and Patrick McKay . The second trailer only credited Pegg and Jung.

Due to Warner Bros. Pictures becoming Paramount Pictures, the copy of the Paramount logo that came from the film was replaced with a new copy of the logo on the DVD.

Filming [ ]

Sofia Boutella and Justin Lin

Boutella and Lin on set

Justin Lin with Kirk in transporter

Lin and Pine on the set of the Franklin 's transporter

It was reported that filming was pushed back again and was to begin on 25 June 2015 . [74]

On 25, 26, 29 and 30 June 2015 , the production filmed scenes in Squamish Boulders , Squamish, British Columbia. Filming took place around the Kacodemon Boulder and Cave Boulder for the first three shooting days. On the fourth day, filming took place south of the Black Dyke Boulder. [75] The filming schedule was updated on 26 June 2015 and the first set photos as well as a sixteen-page filming permit contract went online. [76] [77]

On 26 June 2015 , Executive Producer David Ellison revealed Dubai as a filming location. [78] [79] Three days later, Director Justin Lin revealed that the title was officially Star Trek Beyond , as well as releasing the first officially released set photo. [80]

On 19 July 2015 , TrekCore reported some set photos from a large green screen build-up located at Kent Hangar Field, west of Vancouver International Airport. In addition, an enormous wooden construction was also spotted. [81] This location was later revealed as a filming location for War for the Planet of the Apes . [82]

Between 11 August 2015 and 13 August 2015 , an open casting call for background roles was held by Miranda Davidson Studios at Dubai City Studio Soundstage, Building B, Ground Floor. [83] [84]

On 14 August 2015 , several more set photos were published on the internet, backing the claim that a Federation starship crash landed on a planet. [85]

On 20 August 2015 , the first set photos from the filming were published by ScreenRush.com . Several shots gave a detailed view of Sanja Milkovic Hays ' newly designed Starfleet uniforms and also several shots of an alien character played by Sofia Boutella . [86]

On 22 August 2015 , the Dubai Film and TV Commission (DFTC) announced an internship program which would run from 13 September until 15 October 2015. The organization meanwhile also confirmed Dubai was to be used as a filming location for Star Trek Beyond , in October 2015. [87]

On 27 August 2015 and 29 August 2015 , Twitter users reported that Star Trek Beyond was filming at Triangle Road in Richmond, B.C. and at the Pitt River Quarries in Red Deer, B.C. [88] [89]

In October 2015, filming started in Dubai. Filming locations included the desert reserve Platinum Heritage and the Dubai Central Park Towers ground in front of the Central Park Tower and the Platinum Tower. [90] [91] [92] [93]

During their filming in Dubai, several set photos were posted on Twitter, Instagram and other social media sites, including several images and videos of new alien species. [94] [95] [96] [97] [98] [99]

Principal filming wrapped in Dubai on Thursday 15 October 2015 . [100]

On 11 March 2016 , it was announced that reshoots would occur the following week. It was also announced that Shohreh Aghdashloo would be playing the " High Command of the Federation ". [101] Reshoots wrapped up on 17 March 2016 . [102]

Continuity [ ]

  • In this installment, James T. Kirk begins sporting the hairstyle of his prime universe counterpart on Star Trek: The Original Series .
  • At Starbase Yorktown , Hikaru Sulu meets up with his husband and daughter . It pays homage to former Hikaru Sulu actor George Takei , who is gay. His daughter is possibly Demora Sulu 's alternate counterpart first seen in Star Trek Generations . (This would make her much older than the Demora of the primary timeline, who was born in 2271 .)
  • According to logs of the USS Franklin , Balthazar Edison was a MACO major before he was captain of the Franklin . The logs also said that he participated in the Xindi wars , possibly as one of the MACOs assigned to Enterprise NX-01 under Captain Jonathan Archer in ENT : " The Expanse ". It also mentioned that he fought in the Earth-Romulan War .
  • The Franklin 's registry number (NX-326) is a reference to Leonard Nimoy’s birthday (March 26). The ship is named after director Justin Lin's father.
  • The saucer section crash landing on Altamid is an homage to when the USS Enterprise -D crash-landed on Veridian III in Star Trek Generations .

Green hand - STB end credits

The " giant green hand " seen in the credits

  • One of the many stories of the Franklin 's fate involved a " giant green hand ". This could be an homage to TOS : " Who Mourns for Adonais? ". A giant green hand also appears in the end credits of the film.
  • The ripping of James T. Kirk 's shirt at the beginning of the film is an homage to various Original Series episodes such as " Where No Man Has Gone Before ", " Shore Leave ", " Court Martial ", and " Amok Time " in which Kirk gets into fights and his shirt is ripped.
  • This movie marks the third time an Enterprise is destroyed in a Star Trek film . The original USS Enterprise was destroyed in 2285 in Star Trek III: The Search for Spock and the Enterprise -D was destroyed in 2371 in Star Trek Generations .
  • This film marks the second time a ship captained by Kirk has crashed into an ocean, the first time being in Star Trek IV: The Voyage Home , and the third time it made contact with the water, the second time being in Into Darkness , when it was hiding on Nibiru .
  • Kirk mentioning the Enterprise being on its 966th day in deep space is a reference to the month that Star Trek: The Original Series first aired: September 1966 .
  • This is the second Star Trek film not to feature any scenes taking place on or near Earth . ( Star Trek: Insurrection was the first.)
  • The photograph of the prime USS Enterprise -A crew Spock views while looking through Ambassador Spock 's belongings near the end of the film is a publicity photo for Star Trek V: The Final Frontier . Terry J. Erdmann commented: " When Spock opened the kit at the end and sees that picture of the original crew, Paula [M. Block] and I just looked at one another. I arranged that photo shoot, getting all the actors together after the fact. They had only shot together as a full cast for a few days, so I had to get the wardrobe, set, lighting, etc. to make that moment happen. I was so pleased to see it on screen when the picture flashed in front of me in the theater. I thought, that photo shoot still has legs ". [103]
  • This marks the third movie to feature Kirk's birthday. The first was shown at the beginning of Star Trek II: The Wrath of Khan and the second was the opening scene of Star Trek .
  • Kirk having a drink with McCoy as he discusses his life is reminiscent of many such scenes in The Original Series where Kirk sought Bones' counsel, often over a drink, as seen in episodes such as " The Corbomite Maneuver " and " The Ultimate Computer ".
  • The drink that McCoy dismisses when he finds Kirk drinking is Saurian brandy , the preferred drink of Kirk and McCoy in The Original Series .
  • This is the second film – the first being The Wrath of Khan – where Kirk ponders his future on his birthday.
  • The toast McCoy offers to Kirk while sharing Saurian brandy , " To perfect eyesight and a full head of hair ", is interesting considering that in the prime universe, Kirk requires corrective lenses, being allergic to Retinax V .
  • The toast Kirk gives at his birthday party in honor of the fallen crewmembers was also spoken by his counterpart in Star Trek III: The Search for Spock , Captain Jean-Luc Picard in Star Trek Nemesis , and Kor in DS9 : " Once More Unto the Breach ". His toast to the Enterprise also echoes the toast Montgomery Scott raises to the original Enterprise in TNG : " Relics ".
  • Commodore Paris could possibly be a distant relative to Admiral Owen Paris and his son, Lieutenant Tom Paris , from Star Trek: Voyager . Simon Pegg later confirmed that Commodore Paris was a nod to Tom Paris from Voyager and stated that the commodore " probably " could have been his grandmother. [104]
  • Simon Pegg stated that the names of the two crew members killed by Krall were taken from " Balance of Terror ", Martine and Tomlinson . [105]
  • Chekov states that Scotch whisky was invented by an old woman in Moscow . It is reminiscent of Chekov 's dialogue about Scotch from TOS : " The Trouble with Tribbles ".
  • Shortly before the Franklin lifts off from Altamid, Kirk asks Sulu if he can fly it. Sulu turns and says, " You kidding me, sir? ". In Star Trek VI: The Undiscovered Country , Captain Sulu of the USS Excelsior similarly turned toward Janice Rand and said " Are you kidding? ", when she asked if they should report to Starfleet that Praxis had exploded.
  • Given that the film opens on the 966th day of the five-year mission (2 January 2263), it can be extrapolated that the five-year mission began on 12 May 2260 .
  • Spock Prime's date of death is listed on screen as stardate 2263.02, ostensibly the same day as 2263.2, when Kirk records his Captain's log early in the film.
  • This is the third Star Trek film after Star Trek II: The Wrath of Khan and Star Trek in which no Klingons appear on screen. While Klingon ships appeared in both other films, this is the first where there is no reference to them at all.
  • Karl Urban has said that the medallion he wears at the end of the film, as well as his shirt being open, is an homage to DeForest Kelley 's similar first appearance as McCoy in Star Trek: The Motion Picture . [106]
  • Spock's pondering leaving Starfleet to return to New Vulcan (to dedicate his life to completing the late Ambassador Spock's work) is possibly a reference to the fact that in the prime universe, he left the service soon after the end of the five-year mission (as seen in Star Trek: The Motion Picture ) to dedicate himself to the kolinahr discipline. By the end of the events of that film, he had resolved his internal conflicts and had decided that his initially reluctant return to Starfleet was now a permanent one. In this film, Spock ultimately decides, after looking at a photo of Ambassador Spock with his fellow aged Enterprise comrades, that he also belongs with his own Enterprise family.
  • This is the first on-screen use of saucer separation since Star Trek Generations , and the first on-screen use by a ship other than the Enterprise -D.
  • This film establishes that Kirk's mother, Winona, is still living, as McCoy asks the captain if he will be calling his mother on his birthday.
  • With a release at Star Trek 's 50th anniversary, this film includes fifty new alien species. [107]
  • In one line, Krall refers to the Federation 's "centuries of expansion"; according to ENT : " These Are the Voyages... ", by the events of the film, the Federation was just over a century old (Although, considering the unknown circumstances of the Franklin 's arrival on this planet, it may be that Krall was the victim of a time dilation effect or Krall has simply lost track of time after so long trapped on Altamid with no awareness of the date on Earth).
  • When Scotty beams Spock and McCoy onto the Franklin separately, he explains that it's so they wouldn't become spliced by the cargo transporter, a prospect that McCoy finds horrifying. This references the Voyager episode " Tuvix " – one of the two people put together by the transporter is a Vulcan, Tuvok .
  • The Star Trek: Deep Space Nine episode " The Ascent " also features two characters who are often at odds being stuck with each other ( Odo and Quark ) being separated by a one-at-a-time beam-out, with the one initially left behind, Odo, believing Quark has abandoned him (due to death).
  • This is the second time in the alternate reality that equipment originally created for mining was used as a weapon (against the Enterprise ); the first was Nero's ship, the Narada .
  • In his intercom address during the Enterprise 's mission to Altamid, Kirk states to his crew that " There is no such thing as the unknown, only the temporarily hidden. " His prime timeline counterpart similarly stated to his crew, " there's no such thing as the unknown. Only things temporarily hidden, temporarily not understood, " in the episode " The Corbomite Maneuver ".
  • In Star Trek: The Original Series , the opening tagline ended with " where no man has gone before ", a wording that could be seen as sexist, so in Star Trek: The Next Generation it was changed to " where no one has gone before ". In Star Trek Beyond , the line is spoken (using "no one") by a woman, Uhura .
  • Thasus is mentioned in the film. Thasus was the homeworld of the non-corporael Thasian species. It was home to Charles Evans after a transport ship crash-landed on the ship.
  • Spock quotes Shakespeare's Measure for Measure , Act 3, Scene 1 - "The miserable have no other medicine but only hope."

Release [ ]

Star Trek Beyond international titles

International title cards: English, Castilian Spanish, Chinese (traditional), French, Spanish, Portuguese

In October 2015, Allociné , a French site for the dates of movie releases, reported that, in France, Star Trek Beyond will be released on 24 August 2016 and will be titled Star Trek sans limites . [108] In January 2016, Paramount Pictures France advanced the release date to 17 August 2016 . [109] The release date in Belgium, Switzerland, and French-speaking communities in Europe was also 17 August 2016. The release date in Quebec and New Brunswick provinces and French-speaking communities in North America was 22 July 2016, the same date as the United States. [110]

Despite not being permitted the chance to direct this film, Jonathan Frakes has nonetheless made supportive comments about it. For example, in the lead-up to the movie's release, he has remarked, " I think Justin Lin is going to do a great job. I'm looking forward to that. " ( SFX , issue 270, p. 63)

Marketing [ ]

Star Trek Beyond cast Omaze

The Star Trek Beyond cast in the July 2015 Omaze campaign announcement video

Washington Code Name

Filming of an Omaze video using the codename "Washington"

On 14 July 2015 , the cast of Star Trek Beyond announced "To Boldly Go", a charity campaign in partnership with Omaze to benefit nine different children's charities:

  • Brave Beginnings (Zoe Saldana)
  • Camp Sunshine (Anton Yelchin)
  • Direct Relief (Zachary Quinto)
  • Heaven Homes (Idris Elba)
  • KidsCan (Karl Urban)
  • Koreatown Youth & Community Center (John Cho)
  • Make-A-Wish (Chris Pine)
  • Time is Precious (Simon Pegg)
  • St. Jude Children's Research Hospital ( Susan Nimoy in honor of Leonard Nimoy)

Those who donated would receive prizes, as well as a greater chance of winning a walk-on part in the film for them and a friend, depending on the amount they give. J.J. Abrams previously announced a similar campaign, " Force for Change ", for Star Wars Episode VII. [111] Each week, two of the cast members announced a winner. [112] The winners included Audrianna Davis and friend Summer, [113] Amy and Karen Ackerman, [114] Steven and Nick, [115] Steve Lamb, Linda, and several others. [116]

Omaze reported on the set visit in late September 2015 [117] and announced Adam Horwitz as the winner of the walk-on role. [118]

A trailer for the film was released online on 14 December 2015 , and premiered in theaters before Star Wars: The Force Awakens . [119] The trailer, which was set to the Beastie Boys ' " Sabotage " as a callback to the 2009 film, drew a mixed response from fans as well as George Takei and Wil Wheaton . [120] Simon Pegg admitted to being surprised by the trailer, speculating " the marketing people [were] saying, 'Everyone come see this film, it's full of action and fun.' When there is a lot more to it than that. I didn't love it because I know there is a lot more to the film. " [121]

A full-length trailer was released on 20 May 2016 , to mixed reviews, but was better received than the teaser.

There is a four-issue comic book series titled Star Trek: Manifest Destiny , though it is not branded as an official prequel to the film like previous IDW Publishing comics Countdown and Countdown to Darkness .

Star Trek Beyond is the first film in the franchise not to have a novelization.

Collectible miniatures of starships from the film have been produced by Snapco and more are slated for release by Hallmark and Quantum Mechanix . Ben Robinson , the project manager of the Star Trek: The Official Starships Collection partwork magazine, has announced that Eaglemoss Collections will be producing a USS Enterprise and a USS Franklin from the film as special issues. Another Beyond starship design will also be produced. Additional starship miniature premiums will be included with Paramount Pictures ' Amazon.com and Walmart home video releases.

Concept art showing the Franklin has been posted at TrekCore . [122] [123]

On 13 March 2016 , it was reported that Paramount had announced the film's international release dates. Thailand would be the first country to show the film, on 19 July 2016 , and Argentina the last, on 1 September 2016 . [124] [125]

Jaylah and scott

A still from the movie

On 27 March 2016 , the first official still photo from the movie was released as part of USA Today 's summer film preview. [126] [127] More photos were released later, including after the film's second trailer was released. [128]

A promotional single was released for the film in America, " Sledgehammer ", by Rihanna . In China, a different track, " Lost in the Stars " was released by Chinese pop star Zhang Jie (aka Jason Zhang). [129]

Posters [ ]

The first official teaser poster for the film was released alongside the second trailer. [130] Soon after, character posters started being released. [131] The posters featuring Sulu and Uhura had to be re-released following a gaffe that placed their insignia on the wrong side of the uniform. [132]

Logo poster

Box office [ ]

Despite receiving reviews as positive as its two predecessors, Beyond underperformed at the US box office. It opened with US$59.2 million, behind the last two films, and almost a month after its release it only grossed US$196.9 million worldwide, compared to its US$185 million budget. [133] Beyond ultimately grossed US$158.8 million in North America, the lowest total of the three current Star Trek film series, though overseas it made approximately US$183 million, ahead of the first film. At a total gross of US$341.9 million, it was the least successful of the trilogy financially speaking. [134] Not only that, the total gross pitted against its production budget, made Beyond the second all-time worst performing film of the entire Star Trek film franchise in terms of profitability, only surpassed by Star Trek Nemesis . Ironically though, and unlike the latter, Beyond was well received by critics and fans alike, making it as of 2020 the fourth best-received film of the franchise, even beating out, albeit by the slimmest of margins, fan favorite Star Trek IV: The Voyage Home – that is, only in this regard as that film was a financial success for the studio.

  • see Star Trek films – Performance summary for further particulars.

The substantial loss suffered by the studio on the account of Beyond , played a major part in the cancellation decision in January 2019 of the fourth alternate reality film . [135]

The dismal box-office performance reflected itself in its resultant domestic sales of DVD and Blu-ray Disc home video formats, equally disappointing. According to the professional industry site The Numbers, the Beyond domestic home video sales (excluding the three-film combo releases) had by June 2020 totaled up to US$42.5 million in contrast to Star Trek 's US$200 million and Into Darkness 's US$80.5 million with an additional US$3.8 million for combo releases of the latter two titles. [136]

Reception [ ]

Forbes magazine argued that Paramount should have given the film a lower budget: " The thing that made [ Beyond ] most appealing to the fans, that it played like a smaller-scale 50th anniversary homage to the spirit and tone of the original show, was the thing that arguably doomed it in terms of blockbuster success. Star Trek Beyond was what its fans wanted it to be. There is value in that over the long run. But Paramount and friends need to realize that Star Trek is never going to be a Guardians of the Galaxy -level success and plan accordingly. " [137] The Forbes commentary touched upon the circumstance that while "old guard" Star Trek fans did show up at the theaters, "new", and non-fans alike failed to do so, they at the time being offered a plethora of apparently more attractive (block buster) alternatives, those stemming from The Walt Disney Company by then owned properties in particular. These not only included the cited Guardians of the Galaxy and others from the Marvel Cinematic Universe film franchise, but the productions from the in the meantime revived rival Star Wars franchise as well, as detailed in a later Forbes editorial. [138]

Additionally, the alternate reality film franchise had started to cause a rift between the "old guard" fanbase and newcomers to the franchise, with the former expressing their reservations about the alternate reality (re)incarnation, especially for its lack of "the Roddenberry factor", as Star Trek production staff veteran Doug Drexler had put it, [139] (X) but which was present in Beyond , courtesy Director Justin Lin and Writer Simon Pegg, making it the trio's best received one by the [old guard] fanbase. Whereas newcomers on the other hand had flocked to the first two action packed films, precisely because it was fast paced fun and in line with similar fare offered to them by other franchises which catered to the current tastes of contemporary cinema goers (being coined "fun, popcorn movies" by former Star Trek production staffer Roger Lay, Jr. [140] ), they apparently deemed Beyond as "too Trekkie " to their tastes. [141] [142]

Simon Pegg commented two years after the film's release that Paramount had poorly marketed the film, stating they had waited too long to release a full trailer and that they were afraid of mentioning the 50th anniversary. He also expressed anger at how the teaser ruined the use of "Sabotage" in the movie. [143] (X) Pegg did not deviate from his opinions as he reiterated them in March 2020 to IndieWire in an even more outspoken fashion. [144] Incidentally, the studio appeared to have deemed the film "too Trekkie" as well, explaining their marketing decisions regarding the heavy emphasis on action and fun, as related above . Furthermore, Pegg himself came by and large to agree with the Forbes assessment when he at a later point in time – in the process expressing his own personal doubt on the continued existence of the alternate reality and/or the film franchise as a whole for that matter – stated to Collider ,

"The fact is, the appeal of Star Trek is slightly more niche than the appeal of, say, the Marvel movies, which make huge amounts of money, and have this really, really broad appeal and they do very well. I think Star Trek is just a little bit more niche, so it isn’t gonna hit those kind of numbers. So yes, the obvious thing to do would be to not go for that massive spectacle, go for something a little bit more restrained in the vein of the original series. Yes, that would be a brilliant thing to do, and I’m sure it probably has been discussed… You specialize a little bit more. (...) Maybe TV is a better place for [Star Trek] now. Television has evolved so much. It's become something which is very much a contemporary, a peer of cinema. It's simply viewed in a different way. It isn't a reduced scope anymore. You can still do masses of interesting things, and it can still look modern and not inexpensive. Maybe television is a better format for Star Trek. That's where it started, you know." [145]

What Beyond , or rather its poor box office performance, had abundantly and conclusively demonstrated though, was that the reliance on the traditional Star Trek fanbase alone for a motion picture production to become financially viable, was not enough due its relatively small numerical size of potential cinema visitors, especially from the 1990s onward when production costs exploded from double to triple digit millions of dollars, and arguably never had been. Any new Star Trek motion picture production, be it a film or a television production, especially those conceived from the 1990s onward, needed to attract a viewership that extended well beyond "Trekdom" alone, and which was something Paramount was actually already acutely aware of since Berman -era Star Trek . ( A Vision of the Future - Star Trek: Voyager , pp. 139-140) It is this circumstance in particular that explained the ponderous and sluggish development of a projected fifteenth film ; Paramount needs a film that is appealing to an audience as broad as possible, [146] the aforementioned Forbes admonishment notwithstanding – hence the resurfacing of the "too Trekkie" qualifier in regard to that projected film.

  • See also in this regard: Star Trek films – Gross vs net profitability

Merchandise gallery [ ]

Soundtrack

Awards and honors [ ]

Star Trek Beyond received the following awards and honors.

Links and references [ ]

Credits [ ].

John Cho Simon Pegg Chris Pine Zachary Quinto Zoë Saldana Karl Urban Anton Yelchin And Idris Elba

Sofia Boutella Lydia Wilson

Paramount Pictures And Skydance Present

In Association with Alibaba Pictures

In Association with Huahua Media

A Bad Robot Production

A Sneaky Shark Production

A Perfect Storm Entertainment Production

A Justin Lin Film

In Loving Memory of Leonard Nimoy

  • Captain James T. Kirk – Chris Pine
  • Commander Spock – Zachary Quinto
  • Doctor "Bones" McCoy – Karl Urban
  • Lieutenant Uhura – Zoë Saldana
  • Montgomery "Scotty" Scott – Simon Pegg
  • Sulu – John Cho
  • Chekov – Anton Yelchin
  • Krall – Idris Elba
  • Jaylah – Sofia Boutella
  • Manas – Joe Taslim
  • Kalara – Lydia Wilson
  • Keenser – Deep Roy
  • Ensign Syl – Melissa Roxburgh
  • Tyvanna – Anita Brown
  • Ben – Doug Jung
  • Fi'Ja – Danny Pudi
  • Zavanko – Kim Kold
  • Hider – Fraser Aitcheson
  • Matthew MacCaull ( Blue Shirt 1 )
  • Emy Aneke ( Blue Shirt 2 )
  • Commodore Paris – Shohreh Aghdashloo
  • Commander Finnegan – Greg Grunberg
  • Jennifer Cheon ( Control Tower Technician 1 )
  • Jarod Joseph ( Control Tower Technician 2 )
  • Jeremy Raymond ( Control Tower Technician 3 )
  • Kissing Guy – Harry Han
  • Kissing Girl – Gina Brinkman
  • Injured Red Shirt – Adam DiMarco
  • Orion Girl – Fiona Vroom
  • Chancellor Ambassador – Richard Laurence
  • Sir Olden – Doug Chapman
  • Wadjet – Dan Payne
  • Jin – Anthony Shim
  • Jeanine – Andrea Yu
  • Teenaxi Leader – Shea Whigham
  • Jae – Christian Sloan
  • Krall's Henchman – Jake Huang
  • Night Watch Captain – Priya Ragaratnam
  • Yorktown Red Shirt – Luka Hays
  • Thomas Cadrot ( USSE Bridge Crew 1 )
  • Jennifer W. Evans ( USSE Bridge Crew 2 )
  • Roxanne Fernandes ( USSE Bridge Crew 3 )
  • Jake Foy ( USSE Bridge Crew 4 )
  • Jodi Haynes ( USSE Bridge Crew 5 )
  • Nathan Jean ( USSE Bridge Crew 6 )
  • Tarun Keram ( USSE Bridge Crew 7 )
  • J.P. Mulcaster ( USSE Bridge Crew 8 )
  • Edwin Rodriguez ( USSE Bridge Crew 9 )
  • Alex Rose ( USSE Bridge Crew 10 )
  • Polina Soldatova ( USSE Bridge Crew 11 )
  • Sarah Yu ( USSE Bridge Crew 12 )
  • Ian Nsenga ( USSE Bridge Crew 13 )
  • Natalia – Ashley Edner
  • Kalara Alien VO – Sara Maria Forsberg
  • Starfleet Official – Jeff Bezos

Second Unit [ ]

Dubai unit [ ], uncredited [ ].

  • Fernanda Alcantara – Photo Still
  • Halit Alptekin as USSE Crew
  • Carlo Ancelotti as Yorktown doctor
  • Justin Anthony as Swarm Soldier
  • Nicole Anthony as USSE Bridge Crew
  • Alika Autran as Franklin Crew
  • Eric Banerd as Swarm Soldier
  • Ness Bautista
  • Jonathan Buckhouse as Swarm drone
  • Ashley Edner as Pesca
  • Chuka Ekweogwu as USSE Crew
  • Lucius Fairburn as Blue Shirt / Red Shirt / Yellow Shirt
  • Jabbz Farooqi as Lieutenant
  • Rebecca Fielding – Extra: Dubai
  • Justin Fortier as Swarm Soldier
  • Calum Grant
  • Ugnė Gražytė as FBI Agent
  • Cindy Harlow as Vulcan ambassador
  • Joel Harlow as Vulcan ambassador
  • Rich Hill as USSE Bridge Crew
  • Adam Horwitz
  • Rebecca Husain as Enterprise crewmember
  • Sorena Khanlou as Swarm Soldier
  • Nick Langmead – Extra: Dubai
  • James Lawson as Swarm Soldier
  • Richard David Lecoin as Swarm Soldier
  • Oqwe Lin as boy
  • Simon MacIntyre as USSE Bridge Crew
  • Trevor Mack as Enterprise crewmember
  • Christian Mandel as Civilian / Starfleet Officer
  • Natalie Moon as Control Tower Tech
  • J.P. Mulcaster as Enterprise crewmember
  • Kane Nelson as Swarm drone
  • Gai-Lanne Pepper as Enterprise crewmember
  • Werner Pretorius as Boltaan
  • Marc Primiani as Enterprise crewmember
  • Rihanne Quionn as Sulu's daughter
  • Jeff Reyes as Swarm Soldier
  • Harpreet Sandhu as USSE Bridge Crew
  • Arlene Santana as USSE Bridge Crew
  • Nick Satriano as Red Shirt Rescue Crew
  • Jason Matthew Smith as Hendorff
  • Bryce Soderberg as Satine
  • Jamie Soricelli as Enterprise crewmember
  • Adam Stone as Cabinet Member
  • Justin Stone as Security
  • Jaewon Suh as Swarm Soldier
  • Nicole April Webster
  • Natasha Young as USSE Bridge Crew
  • Alan Yu as Swarm Soldier
  • Sam Yunussov as Swarm Soldier
  • Randall Cormier
  • Angela Martine
  • Meghan Noble
  • Britni Peters
  • Craig Smith
  • Robert Tomlinson
  • Laura Yanovich
  • Purple-skinned alien girl
  • Female Vulcan ambassador
  • Male Vulcan ambassador

Stunt department [ ]

  • Andrew Emilio DeCesare – Pre-Production stunt performer
  • Alice Ford – Pre-Production stunt performer
  • Jake Huang – Stunts

Unconfirmed [ ]

  • Philip Chang – Stunt Performer
  • Paul Lazenby – Stunt Performer/Stunt Rigger
  • Don Lee – Stunts
  • Brian Lydiatt – Stunt Rigger
  • Dave Phillips – Utility Stunts
  • Hugo Steele – Stunt Performer

Stand-ins [ ]

  • Jade Pattenden – stand-in and photo double for Zoe Saldana
  • Omar Adam – Production Assistant: Dubai
  • Mike Aichholz – Assistant Accountant
  • Faisal Al Kaabi
  • Richie Alonzo – Creature Sculptor
  • Francisco Alvarez – CG Artist: Double Negative
  • Chyla Anderson – Film Score Vocalist
  • George Antzoulides – Previsualization Artist: Proof Inc.
  • Brandon Aquino – Camera department
  • Chris Arnold – Art Department Assistant
  • Jyoti Arora – Roto Artist: Double Negative
  • Anoushka Babur – Production Intern: Dubai
  • Chris Baer – Mold Maker
  • Rico Bailey – Location Assistant: Dubai
  • Kurt Barretto – Production Assistant: Dubai
  • Heather W. Barth
  • Alvaro Bataller – Digital Compositor: Double Negative
  • Todd Bates – Mold Maker
  • Ashley Bell – Second Assistant Director
  • Dave Benediktson
  • Babak Bina – 3D Artist: Double Negative
  • Bryan Blair – Mold Maker
  • Gerald Blaise – Concept Artist: ILM
  • Roland Blancaflor – Silicone and Foam Casting Artist
  • Jacob Bond – Best Boy Electric/Lighting Technician
  • Phillip Joseph Boutté, Jr. – Costume Concept Artist
  • Matt Bowler – Cyber Scanning 3D Artist: Clear Angle Studios LTD
  • Andrea Brown – Extras Casting Director
  • Nancy Anna Brown – Set Designer
  • Lee J. Buckley – Techno Dolly Crane Operator
  • Steve Buscaino – Silicone and Foam Casting Artist
  • Norman Cabrera – Creature Sculptor
  • Merve Cangokce – Makeup Artist: Dubai
  • Brad Carlson – VP Physical Production: Paramount Pictures
  • Stephen Carr – Personnel Driver: Chris Pine
  • Michael Cawood – Previs Supervisor: Proof Inc.
  • Jordane Chedotal – Art Department Assistant: Dubai
  • Jason Claridge – Head Scenic Paint Coordinator
  • Leigh Clarke – Unit Production Manager: Dubai
  • Philip Coleman – Technocrane Operator
  • Siobhán Condon – VFX Production Coordinator: Double Negative
  • Robert Consing – Storyboard Artist
  • Hamza Darbar
  • Greg D'Auria – Editor
  • Miranda Davidson – Extras Casting Director: Dubai
  • Andrew Del Rosario – Set Decorator/Swing Gang Boss
  • Francesco Dell'Anna – Digital Compositor: Double Negative
  • Natasha Denis
  • Nuwan de Zoysa – Key Assistant Location Manager: Dubai
  • Kay Di Rezze – Assistant Accountant: Dubai
  • Pranali Diwadkar – Assistant Set Decorator: Dubai
  • Neville Dsouza – Transportation Coordinator: Dubai
  • Olivier Dubard – Gerealist TD: Double Negative
  • Denny Dugally – Art Director
  • Matthew Duvall – Compositing Lead: Atomic Fiction
  • Katerina Dzolganovski – CG Artist: Double Negative
  • John Eaves – Concept Designer: Props
  • Scotty Eugene Fields – Mold Maker
  • Mohammad Ahmed Fikree – Intern
  • Warren Flanagan – Concept Illustrator
  • Tim Flattery – Concept Designer: Ships
  • Christopher Ford – Generalist Technical Director: Double Negative
  • Jeremiah Forkkio – Previs Artist: Bad Robot Productions
  • Dave Freeman ' – Concept Artist: Double Negative
  • Dionys Frei – Aerial Drone Pilot: DediCam
  • Christopher Friend – Photogrammetry Cyberscanning Service: Clear Angle Studios LTD
  • Natasha Gale – Costume Production Assistant
  • Caroline Jimenez Garcia – Layout Technical Director: Double Negative
  • Mayra Garcia
  • Lyall Gardiner – Location Manager: Dubai
  • Natasha Gerasimova – Art Director
  • Paul Giordano – Assistant Location Manager
  • Peter Gluck – Key Assistant Location Manager Overseas Pre-Production
  • Ruslan Goj – Production Assistant: Dubai
  • Liz Goldwyn – Set Designer
  • Catarina Gonçalves – Rotoscopr Artist: Double Negative
  • Ann Goobie – Location Manager
  • Mike Gunther – Second Unit Director
  • Kevin Haaland – Stand-in: John Cho
  • John Halfman – Mold Maker
  • Rupert Hancock – Set Dresser/DMX LED Lighting Technician
  • Rod Haney – Rigging Grip
  • Sean Hargreaves – Special Effects Aerial Unit Director/Senior Concept Designer
  • Dan Hermansen – Art Director
  • Earl Hibbert – Previsualization Supervisor: Proof Inc.
  • David Holm – Transportation Coordinator
  • Chen Kuang Hsu – Matchmove Artist: Atomic Fiction
  • Dwight Huet – Construction Foreman: Dubai
  • Daniel Ibeabuchi – Grip Assistant: Dubai
  • Gregory Irwin – First Assistant "A" Camera Operator
  • Mohammed Ismail – Electrician
  • Faldela Issel
  • James Jackson
  • Jack Jenkins – Roto Artist: Double Negative
  • Romain Joly – Visual Effects Artist: Double Negative
  • Lee Joyner – Sculptor
  • Doug Jung – Original Screenplay Writer
  • Rochard Kamel – Location Manager: Dubai
  • Pradeep Kankara
  • Jenna Kerr – VFX Associate Producer: Atomic Fiction
  • Sara Khangaroot – Visual Effects Production Manager
  • Lukas Tiberio Klopfenstein – Roto/Prep Artist: Double Negative
  • Vikram Kulkarni – Digital Compositor: Double Negative
  • Josh Lange – Previsualization Artist: Proof Inc.
  • Don Lanning – Creature Sculptor
  • Jenne Lee – Art Department Coordinator: Dubai
  • Simon Lee – Concept Artist/Sculptor
  • Eric Lemay – Special Effects Technician
  • Andrew Li – Assistant Art Director
  • Gil Liberto – Head Mold Maker
  • Peter Lliev
  • Kew Lin – Rotoscope Artist: Double Negative
  • Irma Lotosova – Wardrobe Stylist
  • Don Macaulay – Supervising Art Director
  • Abdulrahman Al Madani – Intern
  • Garry Maddison – Colorist: Double Negative
  • África Aguirre Martin – Studio/Data Management: Double Negative
  • Victor Martinez – Concept Illustrator
  • Patrick Mashaba – Camera and Electrical Department
  • Alecia Maslechko – Production Assistant
  • Josh McCarron – Silicone and Foam Casting Artist
  • Robert Bruce McCleery – Second Unit Director of Photography
  • Patrick McKay – Writer
  • Michael McMullen – Set Security
  • Uzair Merchant – Assistant Art Director: Dubai Unit
  • Milos Milosevic – 2D Sequence Supervisor: Double Negative
  • Regan Mitchell – Grip
  • Andreas Maaninka – Lead Modeler: Double Negative
  • Maxim Molchanov – Set Dresser
  • Jeremy Mooney-Somers – Effects Technical Director: Double Negative
  • David Moreau – Digital Set Designer
  • Eva Morgan – Production Coordinator
  • Tim Moshansky – Location Scout
  • Andrew E.W. Murdock – Additional Photography Production Designer
  • Ian Mussell – Grip
  • Amit Narwani – Matchmove Artist: Double Negative
  • Katrina Navassartian – Visual Effects Associate Producer: Double Negative
  • Kane Nelson – SAE/Assistant to Movement Coach
  • Michael Nickiforek – Special Effects Makeup Artist
  • Alex Noble – Silicone and Foam Casting Artist
  • Aaron Noordally – Prep/Paint Artist: Double Negative
  • Brian Oberquell – Special Effects Artist: Center Forward Productions, Inc.
  • Marc Opdycke – Creature Sculptor
  • Joey Orosco – Creature Sculptor
  • Paul Ozzimo – Concept Illustrator
  • Peter Pacula – Best Boy Rigging Grip
  • J.D. Payne – Writer
  • Philip Pendlebury – Visual Effects Artist: Double Negative
  • Manuel Perez – Digital Compositor: Double Negative
  • Lauren E. Polizzi – Art Director
  • Anne Porter – Digital Set Designer
  • Xin Yi Puah – VXF Editor: Double Negative
  • A. Martin Puentes – Character Animator
  • Rushab Punmiya – Visual Effects Artist: Double Negative Vancouver
  • Mandy Raubenheimer – Assistant Accountant
  • Dominic Ridley – Photogrammetry Cyberscanning Service: Clear Angle Studios LTD
  • Cassandra Rodriguez – Executive Assistant: Paramount Pictures
  • Erick Rodriguez – Creature Sculptor
  • Matt Rose – Creature Sculptor
  • Mike Rotella – Creature Sculptor
  • Raju Sadekar
  • Johnnie Saiko – Mold Maker
  • Rhys Salcombe – 3D Sequence Supervisor: Double Negative
  • Rodolphe Saleh
  • Janine Schiro – First Assistant Accountant
  • Scott Schneider – Specialist Set Designer
  • Benoit Terminet Schuppon – Layout Artist: Double Negative
  • Melissa Shafiq – Makeup Artist: Dubai
  • Daniel Sheridan – Location Assistant: Dubai
  • Oksana Shumylo
  • Andrew M. Siegel – Property Master
  • Romain Simonnet – Generalist TD/Environment TD/Digital Matte Painter: Double Negative
  • Miro Skandera – Previsualization Artist: Bad Robot Productions
  • Craig W. Smith – VFX Editor
  • Sean Stranks – Visual Effects Supervisor: Double Negative
  • Peter Stratford – Set Designer
  • Christo Streak – Accounts Assistant
  • Alan Stucchi – Roto and Prep Site Supervisor-Compositor: Double Negative
  • Marius Swart – Best Boy Grip: Dubai
  • Raghav Tandon – Production Assistant: Bad Robot Productions
  • Andy Taylor – Visual Effects Producer: Double Negative
  • Rhonda Taylor – Second Assistant Director
  • A.J. Teshin – Off-Camera Singer
  • Miles Teves – Creature Sculptor
  • Gareth Thomas
  • Sarah Jane Thompson – Makeup Artist: Dubai
  • Ty Thomson – Previz Artist
  • Davide Tiraboschi – Aerial Drone Camera Operator: DediCam
  • Roger Tortosa – Lighting and Senior Generalist TD: Double Negative
  • George Max Trummler – Third Assistant Director: Dubai
  • Pedro Valdez – Mold Maker
  • Rebecca Valente – Editor: Bad Robot Productions
  • Amy Vatanakul – Previsualization Artist: Bad Robot Productions
  • A.J. Venuto – Mold Maker
  • Karina Villagrana – Makeup department
  • Cameron Ward – Previsualization Artist: Proof Inc.
  • Callum Webster – Set Designer
  • Lindsay Welff – Assistant Property Master: Dubai
  • Neil West – Lookdev and Lighting Technical Director: Double Negative
  • John Wrightson – Creature Sculptor
  • Plamen Yosifov – Art Department Staff
  • Lawrence Zalasky – Layout Technical Director: Double Negative
  • Milena Zdravkovic – Concept Designer
  • Monislav Zhelyazkov – Set Dresser
  • Mohamed AbouAhmed – Scenic Artist: Dubai/Set Plasterer: Vancouver
  • Brandon Allen – Special Effects Technician
  • Samuel Allison – Extras Casting Assistant
  • Anthony Almaraz – Key Costumer
  • Salim Alrazouk – Art Director: Dubai
  • Adam Al-Samarae – Location Assistant: Dubai
  • Marcos Arias – Writer
  • Scott Andrew Armstrong – Rigging Grip
  • Tara Arnett – Graphic Designer
  • Leona Atkinson – Construction Accountant
  • Tania Baaklini – Hotel and Visa Coordinator: Dubai
  • Eric Bachtiar – Data Operations
  • Kristian Bakstad – Stand-in
  • Kurt Barretto – Office Production Assistant
  • Christopher Batty – Pre-visualization Supervisor: Kelvin Optical
  • Bill Baxter – Electrician
  • Eric Benedict – Previsualization Artist
  • Richard Bennett – Storyboard Artist
  • Kris Bergthorson – Concept Designer
  • Justin Bertges – Costumer: Quantum Creation FX
  • Uttham Bhalaykar – Roto Prep
  • Jacob Bond – Rigging Electric Lighting Technician
  • Jeff Bonny – Best Boy Rigging Grip
  • Cole Boughton – Key Production Assistant
  • Peter Boyer – Orchestrator
  • Becky Brake – Supervising Location Manager
  • Michael Brazelton – Compositing Supervisor
  • Keith Brookes – Set Wireman
  • Kurt Bruun – Assistant Property Master
  • Shaun Bullied – Digital Asset Manager
  • Zack Bunker – Digital Asset Manager
  • Richard K. Buoen – Storyboard Artist
  • Riki Butland – "C" Camera Operator
  • Benjamin Cairns – Third Assistant Director
  • Leslie Cairns – Cutter
  • Loree Cameron – Graphic Designer
  • Lanny Campbell – Key Ager/Dyer
  • Matthew Campbell – Lead Greensman
  • Max Cannella – Production Coordinator: Paramount Pictures
  • Andrea Carter – Art Department Coordinator
  • Chris Cavanaugh – Digital Imaging Technician
  • David C.P. Chan – Action Sequence Contributor
  • Julian Chapdelaine – Grip: Vancouver
  • Jesse Chapman – Assistant Editor
  • John Chaschowy – Lead Greensman
  • Lynn Chaulk – Scenic Artist
  • Clem Chen – Painter
  • Tom Chen – Video Assist Assistant
  • Michael A. Cheng – Photo Double/Stand-in
  • Peter Chiang – Visual Effects Supervisor: Double Negative
  • Stephen Cholakis – Driver: Set Decorations
  • Steve Christensen – Art Director
  • Genevieve Claire – Visual Effects Line Producer
  • Kelly Coe – Special Effects Fabricator
  • Steve Collins – Special Effects Fabricator
  • Joey J. Cook III – Second Unit "A" Camera Operator
  • Christian Cordella – Costume Concept Artist
  • Dave Cory – First Assistant Editor
  • Marcela Coto – Previs Coordinator: Proof Inc.
  • Brian Cunningham – Concept Illustrator
  • John Dale – Construction Coordinator
  • Joe Datri – Hydrascope Technician
  • Nicholas Dent – Grip
  • Olivier Deveux – Digital Matte Painter: Atomic Fiction
  • Allison Dillard – Production Safety
  • Nick Diomis – Unit Driver
  • Daren Dochterman – Prop Concept Artist
  • James Doh – Storyboard Artist
  • Whitney Donald – Researcher
  • David Dowling – Property Master
  • Kim Doyle – VFX Production Supervisor
  • Cameron Drinkle – Video Coordinator
  • Kirsten Dumont-Aubrey – Sculptor
  • Rhonda Earick – Costumer Ager/Dyer
  • Troy Eirich – Props
  • Spencer Ennis – 2nd Unit 2nd Assistant "A" Camera Operator
  • James Fantin – Accounting Clerk
  • Lisle Fehlauer – Set Dresser
  • Suzie Fox – Production Assistant
  • Kimberly French – Still Photographer
  • Jeff Frost – Concept Model Maker
  • Jack Gauvreau – Head Sculptor
  • Chris Gibbins – Second Unit First Assistant Camera Operator
  • Selena Ginger – Payroll Accountant
  • Betsy Glick – Costumer
  • Sean Goojha – Assistant Art Director
  • Dan Gorval – Best Boy Grip
  • Dave Greenbaum – Driver: Hair and Makeup
  • Caitlin Groves – Special Makeup Effects Artist
  • Geoffrey Haley – Steadicam Operator: "A" Camera Operator
  • Rupert Hancock – Set Dresser/Set Wireman
  • Rod Haney – Rigging Grip Best Boy
  • Michael Hanna – Lighting Technician/Set Wireman
  • Tommy Harper – Executive Producer
  • Melissa Harrison – Assistant Property Master
  • Chris Hatchwell – Special Effects Assistant
  • James L. Head – Grip
  • David Heffler – Makeup FX Coordinator
  • Chris Henderson – Animator: Props
  • Amy Hetland – Set Costumer
  • Rob Hinderstein – Special Makeup Effects Artist
  • Steven Hoffart – Set Dresser
  • Eliza Hooker – Set Decoration Coordinator
  • David Husby – Sound Mixer
  • Ron Irvine – Transportation Captain
  • Elsey Israel – Trainee Assistant Director/Production Assistant
  • Annie Jackson – Social Media Specialist: Bad Robot
  • Anne Jacobsen – Production Accountant
  • M. Faraz Javed – Production Staff
  • Trevor Johann – Production Assistant
  • Cameron Johnson – Assistant Colorist: Double Negative
  • Meaghan Irene Johnson – Additional Trainee Assistant Director
  • Dave Joshi – Video Coordinator
  • Tex Kadonaga – Set Designer
  • Kevin Kasper – Set Dresser
  • Leon Keegan – Facilities Captain: Dubai
  • Joel Kennedy – Third Assistant Director
  • Daniel Castle King – Production Secretary: Los Angeles
  • Richard Klein – International Political Advisor
  • Scott Kozak – Grip Rigger
  • Scott Kukurudz – Additional Third Assistant Director
  • Tracy Lai – Special Makeup Effects Artist
  • Janet Lane – Payroll Clerk
  • Vince Laxton – Set Wireman
  • Ken Lebre – Senior Dailies Producer
  • Michelle Lee – First Assistant Accountant
  • Sarah Lemmon – Lighting Data Coordinator
  • Terry Lewis – Lead Dresser
  • Sandy Lindala – Prosthetics Coordinator
  • Stephen Richard Lofstrom – Stand-in: Zachary Quinto
  • Nathan Longest – Propmaker
  • Spencer Louttit – Assistant Property Master
  • Shawn Luke – Set Dresser
  • Rohan Lyal – Head Greensman
  • Jessica Lythgoe-Green – Canadian Costume Supervisor
  • Mark MacDonald – Office Production Assistant
  • Richard MacDonald – Lighting Technician
  • Harlow MacFarlane – Special Makeup Effects Artist
  • Boris Maganic – Sculptor
  • Jacqueline Makkee – Special Effects Technician: Film Illusions
  • Jeff Markwith – Set Designer
  • Andrew Masterson – Helicopter Pilot: Dubai
  • Nick Mather – Set Dresser
  • Sarah Mather – Second Assistant Camera Operator
  • Brian Maxwell – Trainee Assistant Director
  • Carol McConnaughey – Unit Publicist
  • Andrew Lee McConnell – Set Designer
  • Christopher McDonald (editor) – Dailies Operator
  • Michael McLellan – Second Unit Key Grip
  • Curtis McParland – Special Thanks
  • Shane Meehan – Roto Supervisor
  • Himanshu Meena – Senior Matchmove Artist
  • Mark Mentiply – Special Effects Technician
  • J.J. Mestinsek – Scenic Paint Foreman
  • Valeria Migliassi Collins – Script Supervisor
  • Dave Miller – Driver: Cast
  • Juhlene Moller – Payroll Accountant
  • Ryan Monro – Dolly Grip
  • Roderick Dryden Morrison – Production Assistant
  • D. Martin Myatt – Assistant Property Master
  • C. Michael Neely – Previsualization Artist: Proof Inc.
  • Andy Nettleton – Helicopter Pilot: Dubai
  • Christopher Newman – Matchmove Artist: Prime Focus
  • Kieu Nguyen – Head Cutter
  • Meghan L. Noble – First Assistant Editor
  • Jordan Nounnan – Previsualization Artist: Proof Inc.
  • Ron Novak – Set Dresser
  • Timothy Oakley – Prop Fabricator
  • Carrie O'Bray – Transportation Co-Captain
  • Susan O'Hara – Costume Set Supervisor
  • Brad Oleksy – Grip
  • Martin Ostrom – Construction Crew/Lead Laborer
  • Harry E. Otto – Art Director
  • Ken Palkow – Prop Fabricator
  • Robert A. Pandini – Hair Stylist
  • Jessica Parks – Post-Production Supervisor
  • Eric C. Pike – Production Controller
  • Douglas Plasse – Second Unit First Assistant Director
  • Charles Porlier – Special Makeup Effects Artist
  • Emily Putz – Special Effects Assistant
  • Andrea Quaglio – First Assistant "C" Camera Operator: Dubai
  • Paul Rabjohns – Music Editor
  • Aline Rajan-Harjani – Transportation Coordinator
  • Yesi Ramirez – Casting Associate
  • Jim Ramsay – Set Designer
  • Zina Richardson – Costume Buyer
  • Katelyn Rodgers – Specialty Costumer
  • Christopher S. Ross – Concept Illustrator
  • Aja Kai Rowley – Art Department Assistant
  • Tyler Ruocco – Assistant Editor
  • Keith Saayman – Libra Technician
  • Nava R. Sadan – Costume Supervisor
  • Sonya Savova – Set Designer
  • Tysen Schieber – Boom Operator
  • Douglas J. Scott – Art Department Assistant
  • Anna Seltzer – Costumer
  • Trey Shaffer – Graphic Textile Designer
  • Brian Shaw – Second Unit Camera Trainee
  • Hugh Sicotte – Concept Artist
  • Dennis Simard – Lead Set Dresser
  • Tim Simonec – Orchestrator
  • Eira Katrine Sletbak – Assistant Production Office Coordinator: Dubai
  • Dane Allan Smith – Visual Effects Producer: Daneiam, Inc.
  • Jeremy Stanbridge – Art Director
  • Vincent Stander – Production Assistant
  • Irena Stepic – Assistant Costume Designer
  • Aaron Stewart – Lighting Technician
  • Bryan Sutton – Set Designer
  • Sophia Tapia – Payroll Accountant
  • James Tavet – Matchmove Artist: Atomic Fiction
  • Chris Tilton – Orchestrator
  • Khanh Trance – Special Makeup Effects Hair Artist
  • Stacy L. Tyson – Costumer
  • Alex Van Nieuwkuyk – Dailies Operator
  • Alexander Vegh – Pre-Visualization Supervisor: Proof Inc. /Second Unit Director
  • Spencer Village – Rigging Lighting Technician
  • Alan Villanueva – Costume Concept Artist
  • Estelle Vockerodt – Assistant Accountant
  • Paul Wagner – Props
  • Thomas Walker – Second Unit Digital Utility
  • Stephanie Walker-Wells – Production Supervisor
  • Heather Wasylchuk – Assistant Special Effects Buyer
  • Juniper Watters – Sound Utility
  • Beth Welch – Second Unit Third Assistant Director
  • Randall D. Wilkins – Set Designer
  • Allen Williams – Concept Artist
  • Joe Wolkosky – Set Designer
  • Amos Wong – Special Effects Electronics
  • Sauyan Wong – Data i/o Manager
  • Steve Woroniecki – Supervising Location Manager
  • Jane Wu – Storyboard Artist
  • Gary Young – Set Sculptor
  • Khaled Zaazouh – Aerial Coordinator: Dubai
  • Mariela Zapata – Set Costumer/Stand-in
  • Lye Zechari – Matchmove Artist: Double Negative
  • Brad Zehr – Special Effects Set Supervisor
  • Jason Zorigian – Production Coordinator: Los Angeles

Companies [ ]

  • April Webster & Associates – US Talent Casting
  • Atomic Fiction – Visual Effects Company
  • Audiolink Radio Communications – Walkie Talkies
  • Center Forward Productions, Inc. – Production Company
  • Clark & Page Casting – Canada Talent Casting
  • Clear Angle Studios LTD – Visual Effects Company: Cyber Scanning
  • Codex Digital – Digital Recording Equipment
  • Cool Air Rentals LTD
  • Daneiam, Inc. – Special Effects Company
  • DediCam – Aerial Drones
  • Double Negative – Visual Effects Company
  • Entertainment Partners Canada – Payroll Services
  • Film Illusions – Special Effects Company
  • Kelvin Optical – Visual Effects Company
  • K/O Paper Products – Production Company
  • Miranda Davidson Studios – Extras Casting: Dubai
  • Otto Nemenz International – Camera Equipment Contractor
  • Prime Focus – Visual Effects Company
  • Proof Inc. – Pre-Visualization Company
  • Quantum Creation FX – Special Effects Company
  • Sessions Payroll Management – Extras Payroll Services
  • Vex Motorsports – Vehicle parts
  • Star Trek Beyond (soundtrack)
  • Star Trek Beyond (DVD)
  • Star Trek Beyond (Blu-ray)
  • Star Trek Beyond (Blu-ray 3D)
  • Star Trek Beyond (4K Ultra HD)

References [ ]

2164 ; 2204 ; 2263 ; acid ; Akima's species ; Ancient Ones ; Abronath ; Altamid ; Armstrong -type ( starship ); Attack on Krall's base ; Attack on Yorktown ; away team ; backseat driver ; barn dance ; base of operation ; Battle of Altamid ; Beastie Boys ; bed ; bedside manner ; bee ; birthday ; birthday party ; Book (device) ; bread ; camouflage ; Federation cargo shuttle ( cargo shuttles ); cauterization ; classical music ; cliff ; closed network ; closet ; coat hanger ; Code 1-Alpha-Zero ; color ; commodore ; compression chamber ; Constitution -class ( starship ); Co-Co's species ; crash landing ; critical alert ; dark ages ; dilithium chamber ; distress call ; Earth-Romulan War ; EPS ; EPS conduit ; Enterprise , USS ; Enterprise -A, USS ; Enhancement sequencing unit ; environmental processor ; episode ; escape pod ; excellency ; excrement ; fan ; favoritism ; Fibonan ; Fibonan High Council ; Fibonan Republic ; Federation archive ; " Fight the Power "; fire ; five-year mission ; Franklin , USS ; Freedom -class ; Gagarin Radiation Belt ; General Council ; gift ; Glenfiddich ; goggles ; goo ; green ; headband ; hell ; Hewlett Packard Enterprise ; horse ; horse and buggy ; horseshit ; IFF ; image refractor ; inertial dampener ; Jaylah's drinks ; Jaylah's family ; Jaylah's species ; Jaylah stick ; Kalara's crew ; Kalara's escape pod ; Kalara's ship ; Kelvin pod ; Kevin ; Kirk, George ; Kirk, Winona ; Krall's base ; Krall's command ship ; language analysis ; locker ; Lordy ; Magellan probe ; Manas' language ; manual override ; manual release room ; medical school ; megahertz ; memorial ; military ; military service ; Military Assault Command Operations ; monorail ; monstrosity ; mortality ; murder ; Natalia ; nebula ; Necro Cloud ; Necro Cloud sector ; New Vulcan ; Non-Federation ; optimism ; Park ; polarized hull plating ; police ; protoplaser ; Public Enemy ; pulse phaser cannon ; puncture ; PX70 motorcycle ; Quarantine (device) ; quarters ; radio ; refractor belt ; renting ; roasting ; romance ; Romulan ale ; Russia ; " Sabotage "; Salcombe , USS ; San Francisco Fleet Yards ; safety area ; saucer ; saucer separation ; Saurian brandy ; Scotch ; Scott's grand nanny ; Shakespeare, William ; Schlerm ; shrapnel ; shuttlepod ; sneeze ; snow globe ; space lane ; spatial torpedo ; Spock (prime) ; stabilizer ; star cocktail ; Starfleet Academy ; Starfleet Charter ; Starfleet uniform (mid 2160s) ; Stargazer , USS ; Starship-class ; subspace link ; Swarm drone ; Swarm gun ; Swarm ship ; Takayama -type shuttlecraft ( unnamed 1 , and 2 ; ; survival kit ; Teenax ; Teenaxi ; Teenaxi Delegation ; Teenaxi symbols ; Thasus ; theft ; thief ; toast ; tracking device ; train ; treaty ; turbolift ; uncharted space ; United Earth Military ; United Federation of Planets ; universal translator ; unnamed plants ; vein ; VHF ; vice admiral ; vodka ; vokaya ; Vulcan ; Vulcan ; warp coil ; welcome mat ; Wilbur's species ; workbee ; wormhole ; wristwatch ; Yorktown ; Yorktown Central Plaza ; Yorktown database ; Yorktown Headquarters ; Yorktown satellites ; Yorktown sentry ship ; Yorktown tree ; Xindi wars

Graphic references [ ]

Altamid system ; ångström ; Federation database ; gray mode ; Kelvin , USS ; Medical shuttle 37

Balthazar M. Edison's personnel file [ ]

2255 ; boot camp officer ; captain ; carrier ; corvette ; cruiser ; derelict vessel ; diplomatic vessel ; escort vessel ; frigate ; Ginwald, T. ; hospital ship ; inventory log ; Iowa ; maintenance log ; mining vessel ; missing in action ; Murrysville ; Pennsylvania ; Pine, T. ; Riverside Shipyard ; science vessel ; Scott ; scout ; Starfleet Administration ; Starfleet Communications ; Starfleet Diplomatic Corps ; Starfleet Engineering ; Starfleet Intelligence ; Starfleet Medical ; Starfleet medical courier ; Starfleet Operations ; Starfleet Research ; Starfleet Science , Starfleet Security ; Starfleet Tactical ; supply vessel ; support vessel ; survey vessel ; transport vessel ; United Earth Military

Diagnostic wrap display [ ]

cellular collapse ; critical alert ; foreign substance ; organ failure

Public transporter menu [ ]

Arts / Culture ; Attractions ; Bars / Nightclubs ; Gardens ; Museums ; Parks /Nature; Restaurants ; sightseeing ; zone

Starbase Yorktown memorial wall (unseen material) [ ]

Al Kaabi, Faisal ; Al Razouk, Salim ; Bailey, Rico ; Barretto, Kurt ; Barth, Heather W. ; Benediktson, Dave ; Bitbit, Reynaldo ; Chedotal, Jordane ; Clarke, Leigh ; Darbar, Hamza ; Davidson, Miranda ; Denis, Natasha ; de Zoysa, Nuwan ; Di Rezze, Kay ; Diwadkar, Pranali ; Esmaeili, Samira ; Fisher, Rob ; Gale, Natasha ; Garcia, Mayra ; Gardiner, Lyall ; Gluck, Peter ; Goj, Ruslan ; Haley, Sean ; Haney, Rod ; Heimer, Mandy R. ; Hermansen, Dan ; Huet, Dwight ; Ibebuchi, Daniel ; Ismail, Mohammed ; Issel, Faldela ; Jackson, James ; Johnston, Sam ; Kamel, Rochard ; Kankara, Pradeep ; Kozak, Scott ; Lee, Jenne ; Lliev, Peter ; Lemay, Eric ; Lotosova, Irma ; MacAuley, Scott ; Mashaba, Patrick ; McMaster, Sam ; Mitchell, Regan ; Molchanov, Maxim ; Mussell, Ian ; O'Souza, Neville ; Pacula, Peter ; Riley, Simon ; Sacco, Sandrina ; Sadekar, Raju ; Saleh, Rodolphe ; Schiro, Janine ; Shumylo, Oksana ; Swart, Marius ; Thaler, Scott ; Thomas, Gareth ; Welff, Lindsay ; Yosifov, Plamen ; Zhelyazko, Monislav

Spock Prime's holophoto – Senior staff of the USS Enterprise -A [ ]

Chekov, Pavel ; Enterprise (prime), USS ; Enterprise -A (prime), USS ; Kirk, James T. ; McCoy, Leonard ; Scott, Montgomery ; Sulu, Hikaru ; Spock Prime; Uhura, Nyota

Spock Prime's obituary [ ]

2230 ; 2263; ambassador ; executive officer ; second officer ; stardate ; Enterprise , USS ; Enterprise , USS

Unreferenced material [ ]

Andorian herpes ; Chapel ; Cialis ; Deep C-Zar ; gangorian clap ; Hilts ; jumper ; Romaine

Deleted graphics references [ ]

744 ; 752 ; Acamar I ; Acamar III ; AF006 ; AF014 ; Alpha Cygni ; Andoria ; Andorian ; Andorian embassy ; Andorian system ; Arcturus ; argon ; bathymetry ; BDR-258 ; BDR-529 ; Bolarus ; Bolarus II ; carbon dioxide ; Centauri ; CGM-852 ; Cygnus II ; Cygnus VII ; Cygnus system ; exobase ; FGNI-592 ; GHD-258 ; Habitability Index ; helium ; JL006 ; JL008 ; KE091 ; Kepler-22 ; magnetosphere ; mesosphere ; NCV-1248 ; NCV-1539 ; NCV-1690 ; neon ; nitrogen ; Organian ; oxygen ; Rigellian ; Risian ; Sol ; student officer ; Tellarite ; thermosphere ; Translink ; troposphere ; Xindi

External links [ ]

  • Star Trek Beyond at Memory Beta , the wiki for licensed Star Trek works
  • Star Trek Beyond at Wikipedia
  • Star Trek Beyond at the Internet Movie Database
  • 1 Daniels (Crewman)

Cast of Star Trek Beyond

Star Trek Beyond cast

Chris Pine plays the role of Captain James T. Kirk, the commanding officer of the USS Enterprise in Star Trek Beyond.

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Zachary Quinto portrays Commander Spock, the first officer and science officer aboard the USS Enterprise.

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Karl Urban takes on the role of Lieutenant Commander Leonard McCoy, the chief medical officer of the USS Enterprise.

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Simon Pegg portrays Lieutenant Commander Montgomery Scott, the chief engineer of the USS Enterprise.

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John Cho plays Lieutenant Hikaru Sulu, the helmsman of the USS Enterprise.

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Anton Yelchin portrays Ensign Pavel Chekov, the ship's navigator and tactical expert. This was Yelchin's final performance as Chekov, as he tragically passed away after filming his scenes.

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Idris Elba portrays Captain Balthazar Edison, also known as Krall, a former commander of the USS Franklin who became a powerful mutated alien creature.

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Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, star trek beyond.

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"There's no relative direction in the vastness of space," a Starfleet high mucky-muck tells  Enterprise  Captain James T. Kirk ( Chris Pine ) in "Star Trek Beyond." "There's only you." She's asking him whether he wants to give up his captain's seat for a chance at a powerful desk job on the eve of his thirtieth birthday, a year younger than his father was when he died. Her language is meant to spur Kirk to look inward, and for a moment we might hope that he will, and that the film will look inward with him. 

There's a precedent for this sort of thing. Where all of the TV incarnations of " Star Trek " were mainly about morality and philosophy, with characterization serving as a means of examining those dramatic values, most of the big-screen film versions, including the '80s and '90s versions of the flagship TV show, were mainly concerned with the heroes' personalities. The screenplays gave us detailed examinations of, say, the relationship between Kirk and his half-Vulcan first officer Mr. Spock, between Kirk and the United Federation of Planets, between Kirk and the Klingons who tormented his civilization and killed his only son, and between all the characters (Kirk especially) and the prospect of aging and death. It was more soap opera than space opera at times, but always fun to watch, sometimes moving. 

What undermines "Star Trek Beyond" is that it's ultimately not interested in taking a long look at the "you" of Kirk, Spock ( Zachary Quinto ), ship's doctor "Bones" McCoy ( Karl Urban ), communications officer Uhura ( Zoe Saldana ), and the rest of the NCC-1701 crew. Sure, it nods in that direction. Even the worst "Star Trek" stories do. But in the end it's mostly a good big-budget sci-fi action movie that's been marinated in "Star Trek" flavor packets—and thus not terribly different from the 2009 "Star Trek" reboot or its sequel, " Star Trek Into Darkness ."

"Star Trek Beyond" pits the crew of the  Enterprise  against another bellowing megalomaniac ( Idris Elba ) who wants to punish the United Federation of Planets for its perceived sins. It's the best of the new "Trek" films, but it's still an unsatisfying effort if you want "Star Trek" to be something more than a military-minded outer space action flick, with familiar, beloved characters shoehorned into a standard mix of martial arts slugfests, close-quarters firefights, and scenes of starships and cities being shredded and burned. Advance publicity hyped "Star Trek Beyond" as a return to the original series' roots as a showcase for a bunch of eccentric personalities traveling the galaxy, ingeniously solving problems, and indulging in populist philosophizing about civilization and the frontier as they went along. But that's not what we get here—not really. 

Yes, there's a promising setup (the  Enterprise  crew is held hostage by a vicious bad guy who rules a backwater planet a la Kurtz in "Heart of Darkness"). And there are suggestions of classic "Star Trek" style action-plus-characterization-plus-cleverness, and pleasing performances by a cast that has settled into each others' rhythms, as a real-world naval crew would after years of sailing together. 

But the movie never delivers on its considerable promise because it's always in such a hurry to get to the next action scene. And aside from three magnificent setpieces—the first, crippling sneak attack by a fleet of tiny ships that swarm the  Enterprise  like explosive bees, and two vertigo-inducing chase-and-fight scenes in which geography goes all M.C. Escher on us—the action is not good enough to be the film's main course. Lin, who proved in the "Fast and Furious" series that he could do great or near-great action, here substitutes wobbly camerawork, chop-chop editing and rumbling sound effects for suspense and a sense of spatial design. It's a step up from the action in J.J. Abrams' "Star Trek" movies, but that's not the sort of thing one should brag about. A climactic reprise of a certain overused Beastie Boys song might be the franchise's low point, rivaled only by the laughable credits sequence of "Star Trek V," which cut from a helicopter shot of a lean young stuntman scaling a craggy peak in the Pyrenees to a close-up of the 57-year-old star/director Shatner's meaty hand in a studio, gripping a fiberglas "rock."

Simon Pegg and Doug Jung's screenplay provides the right amount of homage (as when Kirk grumbles after an opening action scene that he ripped his shirt again), plus Spock/McCoy odd-couple banter and some marvelous, character-based laugh lines (Scotty demands that Kirk give an opinion on one of his engineering improvisations, because "if I mess it up, I don't want it to be just my fault"). There's psychological nuance, irony, even a political subtext (Elba's character, Krall, a reptilian Che Guevara-type who wants the galaxy's "frontier" to "push back" against the Federation's expansionism). Too bad none of these aspects are filled out with the detail they deserve. Krail's fire-and-brimstone sermonizing is turned to nonsense by a pointless and self-defeating third act "twist"—like we need another one of those after the boneheaded fan service of "Darkness"!—and there are points late in the film where "Star Trek Beyond" seems jolted by the sudden remembrance of things that it told us it was going to deal with but didn't. 

Uhura spends most of the movie in a prison camp. Kirk, Spock and even McCoy have human moments, but they spend too much of their screen time sprinting through hallways, firing phaser pistols, and piloting spaceships while yelling and grimacing in tight closeup, like the heroes of every other science fiction-flavored action movie projected in theaters recently. Krall and other characters allude to the Federation's fake-benevolent brand of imperialism, but unless you're familiar with examples from elsewhere in the "Star Trek" universe or got briefed by a super-fan before buying a ticket, you'll leave with no sense of whether the villains' grievances are legitimate, much less if you're supposed to feel mixed emotions at Kirk's inevitable triumph.  

Spock, whose home planet was destroyed by a renegade Romulan warlord in the first movie, suffers most from the filmmakers' preoccupation with  pew-pew-pew! a ction-adventure. For three movies now, Spock's been carrying a crushing load of survivor's guilt. The character's barely disguised Jewishness, brilliantly articulated by the late Leonard Nimoy in the original TV and movie series, is more pronounced in the new franchise: he's been turned into a holocaust survivor, part of a fragile Vulcan diaspora haunted by genocide. But the scripts seem scared of treating Spock's predicament with the seriousness it deserves, much less daring to put it at the center of a film. Here it's treated mainly as an explanation for why Spock can't seem to keep a relationship going with Uhura. The death of Leonard Nimoy is integrated into the story by having Vulcan diplomats inform Spock of the death of Ambassador Spock, an alternate-universe incarnation of the character who dispensed advice and plot points to new Spock whenever the screenwriters painted themselves into a corner. The film's method of mourning Nimoy's Spock makes the Spockus ex machina  thing worse. New Spock mourns classic Spock as if the two were dear friends who had dinner every Monday at the same Chinese restaurant.

The missteps of writing and direction are more depressing when you consider the excellence of the core cast. Quinto and Saldana give the Spock-Uhura relationship and their own spotlight moments a lot more than the film gives them. Pegg is a hoot as Scotty, colorful but never hammy, though we may justifiably raise a Spock-like eyebrow at all the times that the actor-screenwriter lets his character save the day. Pine's Kirk seems to be morphing seamlessly into Shatner's, complete with surprising pauses and intonations, but he's more credible as a strong, respected leader; watch how the actor grows more calm and friendly whenever Kirk's bridge crew is becoming more agitated. Elba is such a strong presence throughout, even near the end, that it's a shame Krall is never granted the depth and complexity that his character keeps threatening to disclose. 

At this point it's worth asking what, if anything, this franchise is good for besides generating cash for Paramount and its above-the-line talent. Everything that made the original TV series and its follow-ups, small- and big-screen, seem so open-hearted, intelligent and playful is marginalized to make room for hyperactively edited action scenes and displays of hardware and production design. These are technically state-of-the-art but ultimately not all that different from what you see in most other CGI-driven action pictures, superhero as well as sci-fi—long, loud spectacles that are filled with people fighting, blowing up cities and planets, and crashing things into other things, instead of finding some other, more surprising way to move the plot along. What's the point of giving up pleasures that the "Star Trek" franchise is good at providing, to make more room for pleasures that most big-budget science fiction and fantasy already give us, month after month and year after year? Why boldly go where everyone else is already going? 

Matt Zoller Seitz

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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Film credits.

Star Trek Beyond movie poster

Star Trek Beyond (2016)

Rated PG-13 for sequences of sci-fi action and violence.

120 minutes

Chris Pine as Kirk

Zachary Quinto as Spock

Karl Urban as Bones

Zoe Saldana as Uhura

Simon Pegg as Scotty

John Cho as Sulu

Anton Yelchin as Chekov

Idris Elba as Krall

Sofia Boutella as Jaylah

Deep Roy as Keenser

Alice Eve as Dr. Carol Marcus

Writer (television series "Star Trek")

  • Gene Roddenberry

Writer (uncredited)

  • Roberto Orci
  • Patrick McKay
  • John D. Payne

Cinematographer

  • Stephen F. Windon
  • Greg D'Auria
  • Dylan Highsmith
  • Kelly Matsumoto
  • Steven Sprung
  • Michael Giacchino

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“Star Trek Beyond” Nominated For 4 Saturn Awards + TAS Blu-ray Too

star trek beyond cast 2017

| March 2, 2017 | By: TrekMovie.com Staff 20 comments so far

The nominations for the 43rd Saturn Awards were announced today and Star Trek Beyond has been nominated in four categories. Not only that but Star Trek: The Animated Series and some Trek alums have also been nominated. Get the details below.

Beyond Picks Up 4 Saturn Nominations

Today the Academy of Science Fiction, Fantasy and Horror announced the nominees for their 43rd Annual Saturn Awards. Star Trek Beyond garnered four nominations, including Best Science Fiction Film where it will be going up against Arrival , Independence Day: Resurgence , Midnight Special , Passengers , and Rogue One: A Star Wars Story . Two Beyond cast members have also been nominated: Chris Pine for Best Actor and Zachary Quinto for Best Supporting Actor. And finally Monica Huppert and Joel Harlow are nominated for Best Make-up.

Chris Pine and Zachary Quinto both nominated for Saturn Awards

Chris Pine and Zachary Quinto both nominated for Saturn Awards

The nominations were announced today via video by Greg Grunberg, who himself appeared in Star Trek Beyond (see video below).

Also up for four Saturn nominations is the JJ Abrams produced 10 Cloverfield Lane and Deadpool , however other films racked up even more, especially Rogue One which lead with 11 nominations. Beyond’s four nominations is the fewest of the Abrams trilogy, with 2009’s Star Trek garnering six nominations (including one win) and Into Darkness had five nominations. Star Trek: The Motion Picture and Star Trek: First Contact tie for the record number of Saturn nominations with ten each.

Barney Burman with his 2010 Saturn for Best Make-up for "Star Trek"

Barney Burman with his 2010 Saturn for Best Make-up for “Star Trek”

TAS Nominated

Beyond wasn’t the only Trek honored by the Saturns. CBS’ 2016 Blu-ray release of Star Trek: The Animated Series was nominated for Best DVD or Blu-ray Television Release. It’s going up against releases from Banshee , Hannibal , Mr. Robot , Salem’s Lot , and Versailles .

Star Trek: TAS Blu-ray nominated for Saturn

Star Trek: TAS Blu-ray nominated for Saturn

Giacchino Nominated For Star Wars not Star Trek + More Star Trek Alums nominated

A number of Star Trek alumni are nominated for Saturns this year. As noted before, JJ Abrams is nominated as producer for Best Thriller with 10 Cloverfield Lane . Star Trek Into Darkness’ Khan Benedict Cumberbatch was nominated for Best Actor for Doctor Strange . Winona Ryder ( Star Trek ‘s Amanda Grayson) was nominated for Best Actress (TV) for Stranger Things . Three VFX artists who worked on Star Trek before were nominated for Best Visual Effects: Richard Bluff ( Doctor Strange ), John Knoll ( Rogue One ) and Robert Legato (who won the Oscar last weekend for The Jungle Book ). Finally, Michael Giacchino didn’t get nominated for Best Music for his work on Star Trek Beyond but he did for his work on Rogue One .

Composer Michael Giacchino nominated for his work in "Rogue One"

Composer Michael Giacchino nominated for his work in “Rogue One”

A full list of nominees can be found at the official SaturnAwards.org . The 43rd Annual Saturn Awards will be held on June 21st in Burbank, California.

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How is Spock a supporting character???

Always has been.

For reference, Leonard Nimoy was nominated for an Emmy as Actor in a Supporting Role in 1967 and 1968.

http://www.emmys.com/awards/nominees-winners/1968?page=2

Mr. Nimoy was nominated all three years that TOS was on the air.

Giacchino is good, but he’s no John Williams.

That’s true but who is?

John Williams is a good composer. In fact, he’s MANY good composers….

I dunno how MG got a nom for Rogue One but not Beyond!!! Night on the Yorktown alone should’ve gotten him not just a nom but a win

As good as his work on Rogue One was it did lift some cues for John Williams’ original work from 1977’s Star Wars. It worked great but it incorporated some unoriginal elements. His work for Beyond he lifted a great deal from himself.

The folks who made “Arrival” can probably start preparing a spot for the award now. Far and away better than the other nominees.

Totally agree. With the possible exception of 2001, it’s very likely the best movie about first contact ever made. I’m no hater of BEYOND, but it’s cheap fast food by comparison.

I haven’t seen it but I think it might be tough to surpass Close Encounters of the Third Kind… Looking forward to seeing it when it gets to the top of my Netflix Cue.

No comparison. CE3K is a well-made (natch), feelgood pastiche of UFO encounter cliches, with Doug Trumbull’s visual marvels as the payoff for sticking around for the third act. ARRIVAL doesn’t even pretend to be that kind of crowd-pleasing spectacle, but it’s based on a standout short story by one of the genre’s best writers, relates some fascinating notions about the conundrum of communicating with aliens who are truly alien while keeping the motives of its very human characters front and center, and is only slightly burdened by a standard Hollywood subplot about the world’s nations overcoming tribalism and learning to cooperate. If it manages to lose to BEYOND or ROGUE ONE I’ll have to consider the Saturn awards as not to be taken very seriously.

Another one of those nominated movies that no one saw this year! But on that note a lot less people saw Beyond..so???

Greg Grunberg just absolutely takes me out of everything he’s in.

He’s a non-talented sack of fat who only get roles because he’s been BFFs with JJ Abrams since they were kids.

The Saturn Awards website says the show is slated for June 28, not June 21.

Congrats Beyond! :)

Gumball one of the few actors who been in Star Trek and Star Wars. And both essentially in the same year of each other. Pretty cool.

LOL did I really say Gumball? Don’t drink and post kids.

How many razzies?

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Movie's ratings

  • Kinorium 7.0 5410
  • IMDb 7.0 259 255
  • Critics 86% 318

Cast & Crew

  • Screenshots
  • Technical Data

Star Trek Beyond — Cast & Crew

Special effects, visual effects.

Justin Lin — Director «Star Trek Beyond»

Zachary Quinto

Zachary Quinto — Commander Spock

Zoe Saldana

Zoe Saldana — Lieutenant Uhura

Anton Yelchin

Anton Yelchin — Chekov

Sofia Boutella

Sofia Boutella — Jaylah

Lydia Wilson

Lydia Wilson — Kalara

Melissa Roxburgh

Melissa Roxburgh — Ensign Syl

Anita Brown

Anita Brown — Tyvanna

Fraser Aitcheson

Fraser Aitcheson — Hider

Matthew MacCaull

Matthew MacCaull — Blue Shirt

Shohreh Aghdashloo

Shohreh Aghdashloo — Commodore Paris

Greg Grunberg

Greg Grunberg — Commander Finnegan

Jennifer Cheon Garcia

Jennifer Cheon Garcia — Control Tower Technician

Jarod Joseph

Jarod Joseph — Control Tower Technician

Jeremy Raymond

Jeremy Raymond — Control Tower Technician

Gina Brinkman

Adam dimarco.

Adam DiMarco — Injured Red Shirt

Fiona Vroom

Fiona Vroom — Orion Girl

Richard Laurence

Dan Payne — Wadjet

Anthony Shim

Anthony Shim — Jin

Shea Whigham

Shea Whigham — Teenaxi Leader, voice

Christian Sloan

Christian Sloan — Jae

Priya Rajaratnam

Priya Rajaratnam — Night Watch Captain

Thomas Cadrot

Thomas Cadrot — USSE Bridge Crew

Jennifer W. Evans

Roxanne fernandes.

Roxanne Fernandes — USSE Bridge Crew

Jodi Haynes

Jodi Haynes — USSE Bridge Crew

Nathan Jean

Nathan Jean — USSE Bridge Crew

Tarun Keram

Tarun Keram — USSE Bridge Crew

J.P. Mulcaster

Edwin rodriguez.

Edwin Rodriguez — USSE Bridge Crew

Polina Nikolai

Polina Nikolai — USSE Bridge Crew

Ian David Nsenga

Ian David Nsenga — USSE Bridge Crew

Ashley Edner

Ashley Edner — Natalia

Sara Maria Forsberg

Sara Maria Forsberg — Kalara Alien, voice

Douglas Chapman

Douglas Chapman — Sir Olden

Aiham AlSubaihi

Justin anthony.

Justin Anthony — Swarm Soldier, uncredited

Nicole Anthony

Nicole Anthony — USSE Bridge Crew, uncredited

Alika Autran

Alika Autran — Franklyn Crew, uncredited

Jeff Avenue

Jeff Avenue — Swarm Soldier, uncredited

Eric Banerd

Eric Banerd — Swarm Soldier, uncredited

Chuka Ekweogwu

Chuka Ekweogwu — FBI Agent, uncredited

Jabbz Farooqi

Jabbz Farooqi — Lieutenant, uncredited

Justin Fortier

Justin Fortier — Swarm Soldier, uncredited

Rebecca Husain

Rebecca Husain — USSE Bridge Crew, uncredited

Sorena Khanlou

Sorena Khanlou — Swarm Soldier, uncredited

Adnan Kusybi

Adnan Kusybi — FBI Agent, uncredited

James Lawson

James Lawson — Swarm Soldier, uncredited

Richard David Lecoin

Richard David Lecoin — Swarm Soldier, uncredited

Simon MacIntyre

Simon MacIntyre — USS Enterprise Crew, uncredited

Trevor Mack

Trevor Mack — USSE Bridge Crew, uncredited

Christian Mandel

Christian Mandel — Civilian & Starfleet Officer, uncredited

Natalie Rivalin

Natalie Rivalin — Control Tower Technician, uncredited

Arzu Neuwirth

Harpreet sandhu.

Harpreet Sandhu — USSE Bridge Crew, uncredited

Arlene Cerda

Arlene Cerda — USSE Bridge Crew, uncredited

Bryce Soderberg

Bryce Soderberg — Satine, uncredited

Justin Stone

Justin Stone — Security, uncredited

Natasha Young

Natasha Young — USSE Bridge Crew, uncredited

Sam Yunussov

Sam Yunussov — Swarm Soldier, uncredited

Roberto Orci

Roberto Orci — uncredited

Patrick McKay

Patrick McKay — uncredited

John D. Payne

Gene roddenberry.

Gene Roddenberry — (based upon "Star Trek" created by)

J.J. Abrams

J.J. Abrams — Producers «Star Trek Beyond»

Lindsey Weber

Lindsey Weber — Producers «Star Trek Beyond»

Jeffrey Chernov

Jeffrey Chernov — executive producer

David Ellison

David Ellison — executive producer

Dana Goldberg

Dana Goldberg — executive producer

Tommy Harper

Ron Ames — associate producer

Josh Henson

Helen pollak, stephen f. windon.

Stephen F. Windon — Camera «Star Trek Beyond»

Michael Giacchino

Michael Giacchino — Composer «Star Trek Beyond»

Amanda Beggs

Eliot connors, david husby, frank a. montaño.

Frank A. Montaño — re-recording mixer

Stephen P. Robinson

Jon Taylor — re-recording mixer

Evan J Haley

Evan J Haley — sound designer: D-Box Technologies, uncredited

Salim Al Razouk

Salim Al Razouk — Designers «Star Trek Beyond»

Salim Alrazouk

Steve christensen, denny dugally.

Denny Dugally — Designers «Star Trek Beyond»

Natasha Gerasimova

Natasha Gerasimova — Designers «Star Trek Beyond»

Dan Hermansen

Andrew Li — Designers «Star Trek Beyond»

Don Macaulay

Harry e. otto.

Harry E. Otto — Designers «Star Trek Beyond»

Lauren E. Polizzi

Lauren E. Polizzi — Designers «Star Trek Beyond»

Jeremy Stanbridge

Jeremy Stanbridge — Designers «Star Trek Beyond»

Eric Sundahl

Andrew murdock.

Andrew Murdock — (additional photography)

Thomas E. Sanders

Thomas E. Sanders — Designers «Star Trek Beyond»

Lin MacDonald

Sanja milkovic hays.

Sanja Milkovic Hays — Designers «Star Trek Beyond»

Greg D'Auria

Dylan highsmith, kelly matsumoto.

Kelly Matsumoto — Editors «Star Trek Beyond»

Steven Sprung

Steven Sprung — Editors «Star Trek Beyond»

Brandon Allen

David benediktson, ryan bilodeau, tyler bilodeau, roland blancaflor.

Kelly Coe — fabricator

Steve Collins

Nicole connelly, chris cooney, richard darwin.

Richard Darwin — special effects technician

Fernando Domínguez

Edward duggan, mitch c. duran, adrian fisher, damien gendron, chris hatchwell, rob hinderstein, marty huculiak, abhi ingale, vance irvine, jeff lailey, antonio loza, steve machan, tevin maker, jacqueline makkee, glen marcoux, josh mccarron, mark mentiply, eric milner, gary minielly, malcolm mott, nicole murphy, brian nakazawa, casey d. noel, brian d. oberquell, colin palmer, bill pankiw, randy parks, walter polan, robert rockhill, joel e. schaeffer.

Joel E. Schaeffer — gimbal technician: Helicopter

Vincent Scrutton

W.a. andrew sculthorp, russell shinkle, andrew smith, jayme smith, andrew verhoeven, cameron waldbauer, jim waldbauer, kevin waldbauer, heather wasylchuk, kevin willis, rodolphe saleh, sushant acharekar, africa aguirre martín, ahsan uddin ahmed, zohaib ahsan, tosin akinwoye, hussam alazhar, anjel alcaraz, aldo aldana, daniel alejo, togrul alekperov, lee alexander, carlos a. alfaro jr., rene allegretti, corey allen, alaa alnahlawi, shudhdodhan milind ambhore.

Ron Ames — visual effects producer

Marta Ampudia

Srihari reddy amudam, michael anders, kris anderson, kanika andrew, weikian ang, eduardo anton, fabricio de vasconcellos baessa antonio, george antzoulides, neo apelian, austin aplin, william e. arias, chris arnott, jyoti arora, jason arrieta, hunter athey, swapnil attarde, david aulds, mark anthony austin.

Mark Anthony Austin — previsualization artist: Proof

Patrice Avery

Patrice Avery — previs producer: HALON

Mathieu Bacchous

Eric bachtiar, jessica bagby, swapnil bagul, kevin baillie.

Kevin Baillie — visual effects supervisor: Atomic Fiction

Ayush Bajoria

Ramkrishna bajpai, lucas baker, maggie balaco, subhrojyoti banerjee, gretchen bangs, alexandru banuta, carlo barbera, nicholas barnes, marie-eve baron, ryan basaraba, alvaro bataller, craig bates, mark battle, brian battles, christopher batty, michael baula, daniel bayona, paul beaudry, monica bechu, marie-eve bedard-tremblay, rohan bediskar, loïc beguel, maxime beliveau, janelle m. bell, eric benedict, nathan benner, brian n. bentley, patrick bergeron, vincent bergeron, aaron d. beyer, dheeraj bhadani, uttham bhalaykar, ravindra bhandi, monalisa bhattacharya, jason bidwell, daniel bigaj, sabina bihlmaier, muhittin bilginer, david bishop noriega, sanjoy biswas, kathryn jane black, pierre blain, gerald blaise, olivier blanchet, vincent blanco, trace bloomer, david bobichon, preetham tej boddu, michael boden, melissa boily, ariane boisvert, sebastian bommersheim, jason bomstein, alex bonacci, siksit boonyodom, antoine bordeleau, stephen borneman, matthew boston, jonathan bot, marie-philippe boudreau, ouirich bounthavy, benoit bourgoin, sara bourque, rigel bowen, russell bowen, john bowers, matt bowler, peter bowmar, neal bradshaw, james braid, paul brannan, emmanuel brassard, hayley brazelton, michael brazelton, bertrand breuze, decharne brian, hayes brien, mario brioschi, jared broddle, jason m. brown-skovira, nik brownlee, john brubaker, markus bruland, ghislain bruneau, lee j. buckley.

Lee J. Buckley — technodolly operator

Daniel Burridge

Chrysta marie burton, thomas j. burton, bonjin byun, ignacio caicoya, lucille caillaud, adriano calafiore, doug campbell, can baris candan, keanan cantrell, eric cardenas, patrick cardin, curtis carlson, angel carrasco, brendan carroll, huey carroll, jeremy p. carroll, alex carruthers, jonathan carré, michael cashmore, alejandro iván hernández castañeda, adrián castro viejo, remi cauzid, christiane caya, dmitrijs cernagovs, fabio cerrito, kamelia chabane, martin chabannes, christophe chabot-blanchet, philip chacko, anthony chadwick, gregory chalenko, aleksandar chalyovski, david c.p. chan, eric k. chan, matthew chan, po yan chan, janice chandra, jo-wan chao, moïse charest, tristan charette, james charles, guillaume charron, satyendra chaturvedi, abhishek chauhan, rajat chawla, meagan chechalk, raymond chen, yuantong cheng, jon chesson, rosemary chester, janson chew, danka chiang, ellie chiang, peter chiang, daniele chindamo, kunal chindarkar, laurence chong, liudmyla chorna, gabrielle chouinard, mathieu chouinard, zaria chowdhury, jahanzaib chughtai, haejung chun, alice cicchetti, genevieve claire, patrick clancey.

Patrick Clancey — digital opticals

Alexandre Clermont

Marie-joëlle clément, valérie clément, james cochrane, gregory coelho, catherine coley, jerome collombier, karen therese connolly, richard leo cook, sean coonce, james cooper, diane coote, ian copeland, andré-pierre cormier, johnathon cormier, evelyne cote, marcela coto, roel coucke, thomas courtois, kevin couture, patrick couturier, ben cowell-thomas, david crane, kristofer cross, lucas manuel cuenca, roberto d'alesio, dominic daigle, will van dao, varuna darensbourg, brad darrow, jamie darville, sashwata das, markus daum, patrick david, robert john davies, enoch davis, antonia de barros, lisa deaner, silvia debnarova, ayse dedeoglu, jake dee-mckoy, vincent defebo, camille deguire, yoshi deherrera, pablo del molino, val dela rosa, vanessa delarosbil, damien delaunay, francesco dell'anna, joel delle-vergin, damien delrue, marie victoria denoga, ayla dervis, lalit b desai, arthur deschamps, audrey deschamps-brower, saurabh deshpande, varadarajan desikan, sudheer devadiga, rustin devendorf, olivier deveux, ashish dewan, jerome dewhurst, sagar dhondge, iacopo di luigi, miles dickinson, raffael dickreuter, menno dijkstra, rod dimayuga, elisa-ann dion, gawade dipti, emmanuel dirian, mark divekar, roman dlapa, stephen dobbs, andreane dodier-villeneuve, andrew dohan, martin dolezal, roberto domeneghini, bea domenge, james dornoff, rodrigo dorsch, brady doyle, olivier dubard, brian ducharme, maxime ducharme, rémi ducharme, guillaume duchaussoy, nicolas duchesneau-tsimiklis, todd dufour, sandra duque, jessika duquette, katherine durant, john durney, samuel durocher, shrikant dusane, matthew nowicki duvall, pauline duvall, julien dykmans, abdullah ecirli, chan ee jien, shahar eldar, jennifer elena, tosh elliott, chris elmer, bessaguet eléonore, marco aurélio engelmann santos, mattias engström, catherine ennis, maxime entringer, zsuzsanna erdei, samira esmaeili, melissa espina, louis esposto, aby john ettonnil, jeremy ezekiel, paul john faeldo, devin fairbairn, irene faminial, jingjing fan.

YiMin Fan — pipeline td

Stuart Farley

Andrew farlow, farzeen farooq.

Farzeen Farooq — compositor

Cat Rowe Farquharson

Joseph farrant, ryan faulkner, brandon fayette, chad fehmie, andrew fensom, cranston fernandes, oniel fernandes, raphael fernandes, charles fernandez, victor manuel fernandez, catarina ferreira, david ferron, biagio figliuzzi, gabriele filippelli, nicolas fillion, enrico fioretti, james fisher, daniel fiske, daniel flavelle, jonathan fleming-bock, eva flodstrom, matthieu floury, christopher ford, jeremiah forkkio, sergio fornasieri, filippo forno, xavier fourmond, rachel fowler, elliot francoeur, aidan fraser, dave freeman, alan fregtman, vincent frei.

Vincent Frei — production support: Rodeo FX

Neville Freitas

Travis fruci, norihito fukuda, shizuka fukuda, brian fukushima, james furlong, marie fétiveau, prafull gade, bruno gagné, jagadeesh gajapathy, saul galbiati, javier gallego, stephen gallop, mayur gangasagar, francois garcia.

Francois Garcia — visual effects executive: Mels Studios

Julio Tovar Garcia

Emmanuel garcía garcía, sanchit s. gavale, alec geldart, joshua gengler, roxanne geoffroy, sotiris georghiou, jennifer german, amit ghildiyal, filippo giansante, justas giedraitis, gabriel giguère, matthew e. gill, daniel gilligan, stefan gilligan, pablo giménez, ève giordani, daniel giron, lucas glashoff, mathieu godin, jose luis gomez godinez, joshua goetz, michelle goh, mahendra golay, rachel schreibman, oleksiy golovchenko, alexandra n. gonzalez, moises gomez gonzalez, catarina gonçalves, brian gordon, rasik gorecha, george gosnell, megan graham, rich grande, michael grawert, matthew gray, ryan greenwood, dmitry grigoryev, johnny grilo, diego grimaldi, michael grobe.

Michael Grobe — visual effects supervisor: Prime Focus

Greg Groenekamp

Jack grundy, scott gudahl, omar gudjonsson, ingo gudmundsson, glenn guenette, christophe guertin, chandrashekhar gunjal, alexandra gunter, carlos guzman, sharna hackett, varun hadkar, gabriela hadová, jim hagarty, jacqueline hagerty, tyler halle, matt hallen, stian halvorsen, katie hamberger, justin hammond, fay hancocks, sara hansen, pete hanson, kyle hardin, sean hargreaves.

Sean Hargreaves — visual effects art director

Harishkumarv

Travis harkleroad, jonathan harman, mark harrison, philip hartmann, alexander hartwin, stacie hawdon, benjamin hawkins, dustin hayes, leanne hayward, richard hayward, chrystian hebert, alex heffner, ivo hejcman, ethan helms, robert hennings, justin henton, alberto hernandez rodriguez, lukas herrmann, john hewitt, earl a. hibbert.

Earl A. Hibbert — previz supervisor

Thomas Hiebler

Cara hindley, yan caspar hirschbuehl, hitesh dhruv, martin hjalmarsson, john hockaday, tom hocking, mark hodgkins, radka holasova, lindsay m. hoppe, yuka hosomi, leo-patrick houde, graham houston, milena hristova, martin hromadko, chen kuang hsu, melissa huerta, manuel huertas marchena, josh huitema, michael hutchinson, megan hutchison, nile hylton, carole-anne hébert, julien héry, kenneth ibrahim, hiroki iijima, adrian iler, ilaria introzzi, lia ioanniti, lea antonette lorenzo irlanda, travis wade ivy, evan jackson, rajeev jagasia, siddarth jambhulkar, stephen james, michael janov, jess jansen, julie jaros, jean-sebastien jasenovic, chris jassmann, gediminas max jauga, jack jenkins, digger jensen, peter tyler stewart jensen, rodions jepejevs, kundan kumar jha, mehul jhaveri, carolina jimenez garcia, martin johansson.

Martin Johansson — lighting technical director: Double Negative

Therese Johansson

Cameron johnson, erik johnson, sharon johnson, amanda johnstone-batt, suvi jokiniemi, romain joly, jeremy jones, punit joshi, zack judson.

Zack Judson — visual effects artist

Byung Gun Jung

Aleks justesen, brandon kachel, steven kaelin, lindsey kaiser, tomas kalhous, shaunik kalia, vivek karmarkar, abhyuday karn, prasad karve, anshul kashyap, dushyant kashyap, jeff kasunic, shraddha kate, manickam kathirvel, santosh katkar, prateek kaushal, vishal kaushal, mohsin kazi, matthew kee, eric keller, stéphane keller, adam kelway, andrew kennedy, christopher kerr, bernhard kerschbaumer, sarah kfoury, rashid khallouk, ara khanikian, abhijeet khedgikar, ryan kilbane, jin yong kim, alexander kirk, julien klein, lukas tiberio klopfenstein, terry klopfenstein, tom kloucek, mak knighton, prasanna kodapadi.

Prasanna Kodapadi — finaling supervisor: Stereo D

Nathan Koga

Stanislav kolev, eswarbabu kolla, robin konieczny, valdone koronczi, vaclav kostun, cyril kotecký, benjamin kousholt, vladimir kozhekin, rebecca kramp, alexa kroese, ondrej kubicek, vikram kulkarni, anukalp kulshreshtha, divya kumar vij, aravind kumar, brajesh dwarika kumar, manish magesh kumar, ranjan kumar, kushank tikku, ashutosh kushe, michael la fave, charles labbé, eric labranche, alain lachance, olivier ladeuix, guillaume laforge, gregor lakner, olivier lambert-rouillard, jeremy lambolez, alyson lamontagne, robin lamontagne, donna lanasa, alberto landeros, kevin landry, debbie langford, isabelle langlois, philippe langlois, mathieu lapierre, nicolas laprise pellicelli, eric larivee, dave larivière, shandy lashley, peter lasrado, yani lathouris, lopez laura, jimmy lavallée, virginie lavallée, james travis lawrence, françois le bastard, matthew leach, baptiste lebouc, key hyung lee, melissa lee, yongmin luke lee, marco leone, raphael letertre, jacques levesque, sébastien levrard, lenka likarova, chew teng lim, cedric ling, noll linsangan, john lipskie, jules lister, james s. little, christine liu, tiansheng liu, victoria livingstone, manuel llamas, hernan llano, shelly lloyd-james, melvin lopes, philip lorentzson, patrick louie, valerie loyer, michael lum.

Michael Lum — animation supervisor

Pieter Luypaert

Pieter Luypaert — visual effects production assistant: Atomic Fiction

Hugo Léveillé

Viviane lévesque bouchard, bárbara lópez sáenz, andreas maaninka, daniel james macdonald, melaina mace, alex james macieira, michal maciejewski, ajay madala, garry maddison.

Garry Maddison — colourist: Double Negative

Shri Bindhu Madhav

Aysha madina, francesco antonio maggi, matt magnolia, gokul mahajan, vaibhav laxman mahajan, gowtham mahalingam, ravi mahapatro, catherine maillette.

Catherine Maillette — visual effects coordinator: Rodeo FX

Armen Mailyan

Mahesh maity, carson majors, yael majors, vincent febriyanto mak, david maldonado, ashish malhotra, patriz manalo, amir manavi, ranadeep mandal, gabriel mandala, matthew maners, louis manjarres, roy vincent mann, delta manzano, jean-philippe marchand, radomir markovic, ernesto marrero, graeme marshall, nick marshall, daniel maskit, nathan mateer, eduardo castells mateo, giacomo matteucci, rhodri matthews, christoph matthiesen, amaury matu, stefan mayr, graham mcbride, kindra mccall, mark mccormack-douglas, luke mcdonald, kate mcfadden, david mckay, liz mclelland, myles mcneil, liam meakins, antonio meazzini, zachary medow, shane meehan, himanshu meena, neal melancon, jesse meler, alex melville, marco menco, tom mendelboim, carlos mendoza jr., rosanna mennear, andre mercier, simon mercier, rahul mhatre, perrine michel, djordje milasinovic, lizz miller, zach miller, milos milosevic, scott mitchell, tamara tai mitchell, souvik mitra, effandi mohamed, ken mohamed, amer sohail mohammed, buhas mohammedunny p., farhad mohasseb, dominique moisan, benjamin moktar, damiano moltisanti, antonio montes, christopher montesano, samuel montminy-brodeur, jeremy mooney-somers, charlotte moore.

Charlotte Moore — Additional VFX Bidding Producer: Double Negative

Steven Moore

Geraldine morales, abhishek more.

Abhishek More — visual effects producer

Sonia Moreau

Sébastien moreau.

Sébastien Moreau — visual effects executive producer: Rodeo FX

Victor Morejon

Daniel moreno, raul moreno, nathaniel morgan, christian morin, emmanuelle morin, jean-christophe morin, jean-francois morissette, claire morris, richard moss, giuseppe motta, vamsi krishna mudraboina, viktor muller, abhijit mulye, katy mummery, atyeb muneer.

Atyeb Muneer — digital compositor

Adam Muratoff

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Star Trek Beyond 2016

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The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.

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Beyond the Trek

Ian Truitner and Ursula Mills in Beyond the Trek (2017)

A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if t... Read all A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why. A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why.

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  • Trivia Iris mentions her Cauchy-Kovalevskaya thesis. In mathematics, the Cauchy-Kovalevskaya theorem is the main local existence and uniqueness theorem for analytic partial differential equations. This theorem is about the existence of solutions to a system of m differential equations in n dimensions when the coefficients are analytic functions. The theorem and its proof are valid for analytic functions of either real or complex variables.
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Iris Duncan : Meditate, run on a treadmill, masturbate, I don't give a shit. Just keep it together.

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Kate Mulgrew Wanted an LGBTQ+ Character on 'Star Trek: Voyager'

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The Big Picture

  • Although Star Trek has strong LGBTQ+ representation in its fandom, on-screen representation has faced challenges due to network standards.
  • Kate Mulgrew pushed for LGBTQ+ inclusion on Voyager but was turned down by producers, despite her groundbreaking role as Captain Janeway.
  • Star Trek 's journey to LGBTQ+ representation has been slow, with the first explicitly queer character not appearing until 2016's Star Trek Beyond .

Although Star Trek has long had significant LGBTQ+ representation in its fandom, representation on-screen has been harder to come by, thanks to network standards and practices and the timidity of the show's producers. Kate Mulgrew wanted to address that when she captained Star Trek: Voyager for seven seasons, but she was turned down by the show's producers.

Mulgrew broke new ground for women when she became the first-ever female-lead captain on a Star Trek series in 1995, but ultimately wasn't able to steer the franchise towards representing the LGBTQ+ community. Said Mulgrew at Fan Expo Boston this weekend, at a panel moderated by Collider's Maggie Lovitt , when asked about Voyager 's representation:

"I wanted a gay character on that bridge with me! But they couldn't be pushed. 'Good enough to get a woman in the seat,' you know? As it turned out, Genevieve Bujold was offered the role, and she lasted 24 hours. She said 'This is impossible.' I went to Rick Berman and I said 'It's a good cast. It's a very good cast. But we need a gay character. I want this known, that this is my preference and my choice.' But there wasn't any room, they felt at that time. Things changed quickly."

However, despite that disappointment, Mulgrew remains optimistic about the future of representation on Star Trek :

"But I think, all things considered, Star Trek has come and gone all the way towards advancing representation. It’s nothing if not of the people, by the people, for the people. It’s for everyone. It will continue to be that."

When Did the First LGBTQ+ Characters Appear on 'Star Trek'?

The inclusion of LGBTQ+ themes in Star Trek has come in fits and starts. In "The Outcast," a 1992 episode of The Next Generation , the Enterprise visits a planet of androgynous aliens and meets one alien, Soren, who wants to live as a woman. However, as the crew is forbidden from interfering in their culture, they are forced to surrender her to the authorities, where she is reconditioned to fit into their society. Jonathan Frakes , whose character has a romance with Soren, pressed for the producers to cast a male actor in the role, although they ultimately went with actress Melinda Culea .

Openly gay writer David Gerrold , who penned the classic episode "The Trouble With Tribbles," wrote "Blood and Fire," a proposed Next Generation episode that would have addressed the AIDS crisis and depicted a homosexual couple on board the Enterprise ; it was rejected for its then-controversial content. Star Trek didn't have its first explicitly queer character until 2016's Star Trek Beyond when Enterprise helmsman Hikaru Sulu ( John Cho ) was revealed to be gay as a nod to his original actor, gay activist George Takei .

Since the revival of Star Trek as a TV franchise in 2017, several gay characters have been introduced to the series, including Paul Stamets ( Anthony Rapp ), Hugh Culber ( Wilson Cruz ), Jett Reno ( Tig Notaro ), and Adira Tal ( Blu del Barrio ) on Star Trek: Discovery ; Raffi Musicker ( Michelle Hurd ) and Seven of Nine ( Jeri Ryan ) on Star Trek: Picard ; Beckett Mariner ( Tawny Newsome ) on Star Trek: Lower Decks ; and Christine Chapel ( Jess Bush ) on Star Trek: Strange New Worlds .

Star Trek: Voyager can be streamed on Paramount+, and Mulgrew's Kathryn Janeway will return in the second season of Star Trek: Prodigy , which will premiere on Netflix on July 1. Stay tuned to Collider for future updates.

Star Trek: Voyager

Watch on Paramount+

Star Trek: Voyager

star trek beyond cast 2017

I Love How Queerness In Star Trek Is Normalized

  • Star Trek has made strides in LGBTQ+ representation, with more queer characters in recent years, including main characters like Adira Tal.
  • By using allegories, Star Trek has explored queer themes since its inception, shedding light on the queer experience through metaphorical storytelling.
  • The normalization of queerness in Star Trek is a celebration of human diversity in the modern present, showcasing organic relationships and diverse characters.

I love that queerness in Star Trek is normalized. It seems perfectly natural for Star Trek to include queer characters, but explicit on-screen LGBTQ+ representation has been surprisingly rare until recently . Star Trek 's first same-sex kiss made franchise history in 1995, when Lt. Commander Jadzia Dax (Terry Farrell) fell for Lenara Kahn (Susanna Thompson) in Star Trek: Deep Space Nine season 4, episode 9, "Rejoined". Lt. Hikaru Sulu (John Cho) was briefly shown with a male partner in 2016's Star Trek Beyond . Both instances were considered controversial at the time, even though Star Trek was known for being ahead of the curve in representing other types of diversity.

In 2017, Star Trek: Discovery became home to Star Trek 's first queer main characters, Commander Paul Stamets (Anthony Rapp) and Dr. Hugh Culber (Wilson Cruz). Discovery featured no less than five main or recurring LGBTQ+ characters over its 5 seasons, including nonbinary character and actor Ensign Adira Tal played by Blu del Barrio, and there have been far more queer characters in modern Star Trek shows , with each series including at least one. Queer fans have definitely benefited from more direct LGBTQ+ representation in Star Trek , but the true beauty of inclusion isn't just in queer Star Trek characters existing -- it's in how characters on Star Trek are queer.

Star Trek: A Queer History Of The Franchise

While the Star Trek franchise has only added explicitly LGBTQ+ characters in the last 4-5 years, it has had ties to queer themes from the beginning.

Why Star Trek Uses Alien Metaphors For LGBTQ+ Identities

How metaphorical queerness in star trek can be helpful.

By telling stories about alien societies as stand-ins for actual human diversity, Star Trek sheds light on the queer experience without needing to explicitly state that. In Star Trek: The Next Generation season 5, episode 17, "The Outcast", Soren (Melinda Culea) is a female member of the otherwise agender J'naii, who was portrayed as a victim of systemic oppression that cisgender and/or heterosexual audiences can empathize with. Star Trek: Enterprise season 2, episode 14, "Stigma" draws a metaphorical parallel to the HIV/AIDS crisis when Subcommander T'Pol (Jolene Blalock) , a regular character viewers already know well, deals with contracting Pa'nar Syndrome after a mind meld.

Allegories are more valuable, however, when the queerness in Star Trek is explicit. Star Trek 's future doesn't care about homosexual relationships but it mattered in the 1990s, so Dax's relationship with Lenara Kahn in Star Trek: Deep Space Nine is framed with a Trill taboo against reassociation. "Rejoined" is relevant because Jadzia and Lenara still fight a social stigma echoing contemporary attitudes towards same-sex relationships. Adira's nonbinary gender and they/them pronouns aren't an issue for anyone in Star Trek: Discovery , but making Adira Tal the host of a Trill symbiont (literally a plural entity) is a clever way to start changing resistant minds about using they/them for actual nonbinary people.

In Star Trek: Discovery season 5, episode 6, "Whistlespeak", part of Captain Michael Burnham's (Sonequa Martin-Green) xenoanthropological brief on the pre-warp society on Halem'no is the Halem'nites' recognition of 3 genders. Without drawing any attention to it, everyone simply defaults to they/them pronouns for guest character Ravah (June Laporte).

Star Trek's Queer Stories Aren't About the Future (They're About Now)

Star trek models an ideal version of the present.

Instead of being a literal prediction of the expected future, Star Trek is a projection of an ideal future based on present circumstances, so as being queer becomes less stigmatized in the present, queer allegory in Star Trek is replaced with actual LGBTQ+ representation. Part of that normalization is showing queer characters' problems and imperfections unfettered by modern criticism. Adira Tal is just as nervous about coming out as nonbinary as they are about working on the USS Discovery's bridge. The hurdles to Captain Seven of Nine (Jeri Ryan) and Commander Raffi Musiker's (Michelle Hurd) relationship in Star Trek: Picard are Seven's Borg past and Raffi's substance abuse, not anti-gay rhetoric.

Queerness is acknowledged, but is ultimately an ordinary part of Star Trek characters. Stamets and Culber's marriage on Star Trek: Discovery is just part of the fabric of the show. Their relationship is organic, easily accepted, and never feels tokenistic. In Star Trek: Lower Decks , Lt. Beckett Mariner's (Tawny Newsome) sexual orientation is just one of many things that make Mariner one of modern Star Trek 's most interesting characters. Being queer on Star Trek is completely normalized , further proving how Star Trek 's future is a wonderful celebration of human diversity in the modern present, and I love that.

Cast Blu del Barrio, Oded Fehr, Anthony Rapp, Sonequa Martin-Green, Doug Jones, Wilson Cruz, Eve Harlow, Mary Wiseman, Callum Keith Rennie

Release Date September 24, 2017

Genres Drama, Sci-Fi, Adventure

Streaming Service(s) Paramount+

Franchise(s) Star Trek

Writers Alex Kurtzman

Showrunner Alex Kurtzman

Where To Watch Paramount+

Cast Terry Farrell, Cirroc Lofton, Rene Auberjonois, Nicole de Boer, Michael Dorn, Andrew Robinson, Nana Visitor, Avery Brooks, Colm Meaney, Armin Shimerman, Alexander Siddig

Release Date January 3, 1993

Genres Drama, Sci-Fi, Action, Adventure

Writers Ira Steven Behr, Michael Piller, Ronald D. Moore

Showrunner Ira Steven Behr, Michael Piller

Cast Orla Brady, Michael Dorn, LeVar Burton, Brent Spiner, Jonathan Frakes, Jeri Ryan, Patrick Stewart, Alison Pill, Isa Briones, Evan Evagora, Marina Sirtis, Amanda Plummer, Whoopi Goldberg, Gates McFadden, Todd Stashwick, Santiago Cabrera, Michelle Hurd, John de Lancie, Ed Speleers

Release Date January 23, 2020

Writers Akiva Goldsman, Terry Matalas, Michael Chabon

Showrunner Akiva Goldsman, Terry Matalas, Michael Chabon

Cast Gabrielle Ruiz, Fred Tatasciore, Jerry O'Connell, dawnn lewis, Eugene Cordero, Tawny Newsome, Noel Wells, Jack Quaid

Release Date August 6, 2020

Genres Sci-Fi, Comedy, Action

Writers Mike McMahan

Showrunner Mike McMahan

I Love How Queerness In Star Trek Is Normalized

Screen Rant

20 best episodes of star trek in tv history, ranked.

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Every Soong Character Brent Spiner Plays In Star Trek

Star trek guest star had 1 big problem with cardassian role on ds9, a ds9 classic sisko episode owes a weird debt to batman.

  • The best Star Trek episodes balance social messaging with entertaining genres like comedy, horror, and romance.
  • "Far Beyond the Stars" reflects on Star Trek's power to change societal attitudes about racial equality.
  • "Darmok" is a profound story about communication and cultural connection.

With hundreds of episodes across 11 different TV shows, it's a tall order to pick just 20 of the best Star Trek episodes of all time. For almost 60 years, the Star Trek franchise has held a mirror to contemporary society with powerful stories that challenge audiences to do better. While that approach can sometimes run the risk of being too worthy, the best episodes of every Star Trek TV show strike a perfect balance between social messaging and populist entertainment.

Indeed, the Star Trek franchise's secret weapon is that the format enables writers to tell stories from a variety of genres, which is one of many reasons why Gene Roddenberry's vision endures to this day. The best episodes of Star Trek can be mini-movies, outlandish comedies, horror stories, or doomed romances. Across all these disparate genres, Star Trek 's best episodes are defined by a hopeful vision for the future, and a message of peace, love, and understanding between alien cultures.

The Complete Star Trek Timeline Explained

From James T. Kirk to Jean-Luc Picard, from Kathryn Janeway to Michael Burnham, we're breaking down the full chronological timeline of Star Trek.

20 "Species Ten-C"

Star trek: discovery, season 4, episode 12.

Star Trek: Discovery often struggled to live up to its potential, but "Species Ten-C" is one of its finest hours . Star Trek is at its best when it's about the lead characters trying to form a connection with strange new life. This is particularly apparent in "Species Ten-C" in which the USS Discovery go beyond the Galactic Barrier to negotiate with the enigmatic aliens behind the Dark Matter Anomaly. Heavily riffing on Denis Villeneuve's 2016 movie Arrival , the scenes where Captain Michael Burnham (Sonequa Martin-Green) try to piece together the mystery of Species Ten-C are compuslive viewing.

Star Trek: Discovery

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Star Trek: Discovery is an entry in the legendary Sci-Fi franchise, set ten years before the original Star Trek series events. The show centers around Commander Michael Burnham, assigned to the USS Discovery, where the crew attempts to prevent a Klingon war while traveling through the vast reaches of space.

Star Trek: Discovery was never tired of telling people to " connect " with each other, but it has actual meaning in "Species Ten-C". It's only by finding a common language that the USS Discovery crew can avert a catastrophe. As an hour of TV, "Species Ten-C" is the perfect distillation of Discovery 's strengths, and adds one of the strangest ever alien creations to the Star Trek canon.

19 "Year of Hell"

Star trek: voyager, season 4, episodes 8 & 9.

"Year of Hell" puts the crew of the USS Voyager through the wringer in ways that the franchise had never done before . Pitted against the tyrannical temporal scientist Anorax (one of Kurtwood Smith's four Star Trek roles ), Captain Kathryn Janeway (Kate Mulgrew) and the crew of Voyager are pushed to the very brink. The time travel elements of "Year of Hell" mean that audiences know none of the damage done to characters like Lt. Tuvok (Tim Russ) will be permanent, but the strength of the performances means that the anguish still feels real.

Star Trek: Voyager

The fifth entry in the Star Trek franchise, Star Trek: Voyager, is a sci-fi series that sees the crew of the USS Voyager on a long journey back to their home after finding themselves stranded at the far ends of the Milky Way Galaxy. Led by Captain Kathryn Janeway, the series follows the crew as they embark through truly uncharted areas of space, with new species, friends, foes, and mysteries to solve as they wrestle with the politics of a crew in a situation they've never faced before. 

"Year of Hell" is a grueling Star Trek: Voyager movie that gets to answer the question of what happens when our heroes lose. With such a high death toll, and impossibly high stakes for the entire space-time continuum, it's one of the more ambitious of Voyager 's two-parters. It's not the sort of thing that fans want from a Star Trek show every week, but for a two-part epic, it really works and gives the Voyager cast a chance to flex their acting muscles.

18 "Those Old Scientists"

Star trek: strange new worlds, season 2, episode 7.

At its core, "Those Old Scientists" is a joyous celebration of what it means to be a Star Trek fan . Transporting Ensigns Boimler (Jack Quaid) and Mariner (Tawny Newsome) to the 23rd century version of the starship Enterprise allows Star Trek: Strange New Worlds to explore the idea of fandom and legacy. In the wrong hands, Boimler and Mariner's hero worship of Captain Christopher Pike (Anson Mount) and his crew would be grating, but writers Bill Wolkoff and Kathryn Lyn never lose sight of how that impacts the Strange New Worlds characters.

Star Trek: Strange New Worlds

A spin-off of Star Trek: Discovery, Star Trek: Strange New Worlds is a television series that takes place before the events of the original series and follows Captain Christopher Pike as he mans the helm of the U.S.S. Enterprise. The show focuses on this previous crew of the Enterprise as they explore the galaxy with returning characters from Discovery.

"Those Old Scientists" is a warm and funny treatise on what it means to meet one's heroes. One of the best scenes in the episode is the Star Trek: Strange New Worlds characters' recognizing their own heroes, a joyous way to honor the legacy of previous Starfleet legends. "Those Old Scientists" is warm, funny, and has a touching story to tell about legacy and the pressures of living up to the expectations of others. It's also packed full of jokes that reward multiple rewatches, making it an instant classic.

17 "The Trouble With Tribbles"

Star trek: the original series, season 2, episode 15.

Occasionally, and generally to its detriment, Star Trek forgets that it's allowed to be funny. There's a long tradition of the Star Trek comedy episode that begins with David Gerrold's "The Trouble With Tribbles" back in 1967. The classic Star Trek: The Original Series episode finds Captain James T. Kirk (William Shatner) dealing with a grain crisis. While that sounds painfully dull, Gerrold's script introduces the Tribbles, cute fluffy aliens that breed incessantly. So embedded in the cultural zeitgeist is "The Trouble with Tribbles" that it surely inspired the plot of Joe Dante's Gremlins .

Star Trek: The Original Series

Star Trek: The Original Series follows the exploits of the crew of the USS Enterprise. On a five-year mission to explore uncharted space, Captain James T. Kirk (William Shatner) must trust his crew - Spock (Leonard Nimoy), Dr. Leonard "Bones" McCoy (Forest DeKelley), Montgomery "Scotty" Scott (James Doohan), Uhura (Nichelle Nichols), Chekov (Walter Koenig) and Sulu (George Takei) - with his life. Facing previously undiscovered life forms and civilizations and representing humanity among the stars on behalf of Starfleet and the United Federation of Planets, the Enterprise regularly comes up against impossible odds and diplomatic dilemmas.

"The Trouble With Tribbles" doesn't have the thematic heft or dramatic stakes of other classic Star Trek episodes, but its cultural impact transcends all of that. David Gerrold's classic comedy is one of a handful of Star Trek episodes that has entered the popular imagination , breaking through into wider cultural conversations. Almost everyone knows what a Tribble is, even if they couldn't point to Sherman's planet on a star chart.

Star Trek: Discovery Explains Season 5’s Tribble Is Not A Threat

A Tribble was sighted aboard the USS Discovery, which should be alarming, but Star Trek: Discovery season 5 explains this Tribble is no trouble.

16 "Lower Decks"

Star trek: the next generation, season 7, episode 15.

"Lower Decks" is one of the standout episodes in Star Trek: The Next Generation 's final season . As well as inspiring Mike McMahan's Star Trek: Lower Decks , the episode also provides a new perspective on TNG 's cast of characters , courtesy of the USS Enterprise-D's lower deckers. Centering on a group of lowly ensigns, "Lower Decks" reveals the harsh realities of what it means to be a Starfleet officer. By allowing an audience to get to know Ensign Sito Jaxa (Shannon Fill) before she is brutally killed by the Cardassians, TNG puts the old redshirt trope to bed once and for all.

Star Trek: The Next Generation

Star Trek: The Next Generation is the third installment in the sci-fi franchise and follows the adventures of Captain Jean-Luc Picard and the crew members of the USS Enterprise. Set around one hundred years after the original series, Picard and his crew travel through the galaxy in largely self-contained episodes exploring the crew dynamics and their own political discourse. The series also had several overarching plots that would develop over the course of the isolated episodes, with four films released in tandem with the series to further some of these story elements.

The lack of the series regulars in "Lower Decks" may put people off, but in reducing their presence, the episode gets to provide an outsider's perspective . Audiences love Commander William T. Riker (Jonathan Frakes) but to the officers that serve under him, he can sometimes be a cruel taskmaster. Lt. Worf (Michael Dorn) may be a stoic Klingon warrior, but his mentorship of Ensign Sito allows him to show his vulnerable side. The final scene where Worf lets his guard down and shares a drink with the Lower Deckers is profoundly moving. It's the perfect way to keep the characters fresh in TNG 's home stretch.

15 "Scorpion"

Star trek: voyager, season 3, episode 26 & season 4, episode 1.

There are a lot better Star Trek episodes that deal with the difficult decisions faced by a Starfleet captain than "Scorpion". However, Star Trek: Voyager 's season 3 finale is the closest the show ever got to recapturing the thrill of watching Star Trek: The Next Generation 's "The Best of Both Worlds" . "Scorpion" is a hugely important two-parter in the development of Voyager , as it introduces the groundbreaking Species 8472 villains and debuted Jeri Ryan as Seven of Nine. While Seven would endure far longer than Species 8472, they were still a landmark Star Trek creation.

"Scorpion" is a great Star Trek episode because it reveals that the franchise's heroes are fallible and capable of making mistakes . Captain Kathryn Janeway (Kate Mulgrew) makes a deal with the Borg Collective, because she understandably believes that Species 8472 pose a huge threat to the galaxy. The rug pull that Species 8472 were simply defending themselves is devastating and defines Janeway's mission going forward, as she seeks to atone for her mistake by ultimately bringing the Borg Collective to their knees.

9 Versions Of The Borg In Star Trek

So many versions of the Borg Collective exist in Star Trek, from TNG's original cybernetic villains to Voyager's offshoots and Picard's revivals.

14 "The Last Generation"

Star trek: picard, season 3, episode 10.

Star Trek: Picard 's finale was the final Star Trek: The Next Generation movie that the cast deserved, a fitting send-off that brought their characters' stories to a satisfying conclusion. "The Last Generation" is bigger than any Star Trek finale before or since ; an apocalyptic battle for survival that ultimately boils down to a father's love for his son. While Admiral Janeway weakened the Borg in the Star Trek: Voyager finale, it's only right that Admiral Jean-Luc Picard (Patrick Stewart) gets to finish the job, resolving his decades-old trauma in the process.

Star Trek: Picard

After starring in Star Trek: The Next Generation for seven seasons and various other Star Trek projects, Patrick Stewart is back as Jean-Luc Picard. Star Trek: Picard focuses on a retired Picard who is living on his family vineyard as he struggles to cope with the death of Data and the destruction of Romulus. But before too long, Picard is pulled back into the action. The series also brings back fan-favorite characters from the Star Trek franchise, such as Seven of Nine (Jeri Ryan), Geordi La Forge (LeVar Burton), Worf (Michael Dorn), and William Riker (Jonathan Frakes).

"The Last Generation" is everything fans could want from a final Star Trek: The Next Generation movie . There's the strong familial bond between Picard and his crew, thrilling action sequences such as the Enterprise's flight through an exploding Borg Cube, bags of humor and wit, and a handover to the Next Generation 's next generation. The only reason that Star Trek: Picard 's finale isn't higher on the list is that, as the conclusion of a ten-part story, it lacks the standalone appeal of other classic Star Trek episodes.

13 "Living Witness"

Star trek: voyager, season 4, episode 23.

"Living Witness" is an inventive episode of Star Trek: Voyager that brilliantly questions the role of Starfleet in the Delta Quadrant . Awakening in a museum in the far-future, the Doctor (Robert Picardo) is horrified to discover that the history of Voyager doesn't reflect his own experiences. "Living Witness" is an incredibly smart Star Trek episode about how unreliable narrators shape our understanding of history. Although "Living Witness" is a star vehicle for Robert Picardo, the rest of the Star Trek: Voyager cast also get their chances to shine.

"Living Witness" was the only episode of Star Trek: Voyager to be directed by Tuvok actor Tim Russ.

Star Trek: Voyager could sometimes take itself too seriously, so it's refreshing to see the cast let their hair down and play exaggerated versions of their characters. The comedy inherent in these exaggerations helps to emphasize the inaccuracies created by a lack of rigorous historical research. "Living Witness" is a classic Star Trek episode that uses a brilliant sci-fi concept - the futuristic museum - to discuss a huge philosophical point about understanding the past.

Star Trek: Voyager’s 15 Best Doctor Episodes

Star Trek: Voyager's holographic Doctor was one of the series' most popular characters, with a cadre of stellar episodes focusing on him.

12 "The Devil in the Dark"

Star trek: the original series, season 1, episode 25.

Nothing quite sums up the core ethos of Gene Roddenberry's vision like Star Trek: The Original Series season 1, episode 25, "The Devil in the Dark." An episode about the importance of not judging other species by appearances, "The Devil in the Dark" is remarkable for making an audience care about a pile of rocks. It's testament to the power of Leonard Nimoy's performance as Spock that the scene where he mind melds with the Horta doesn't feel remotely ridiculous .

"The Devil in the Dark" has the dubious honor of being the only Star Trek episode that has no female speaking parts, something that Gene Roddenberry noted in a letter to writer Gene Coon after he reviewed the episode.

"The Devil in the Dark" establishes many elements that would go on to become Star Trek tropes in the decades that followed. From setting the framework for Star Trek episodes set in caves to the central idea of seeing beyond appearances to discover the emotional truth of apparent foes, "The Devil in the Dark" cements much of the franchise's core ethos. It's also a tremendous showcase for William Shatner, Leonard Nimoy, and DeForest Kelley as Kirk, Spock, and McCoy.

11 "The Measure Of A Man"

Star trek: the next generation, season 2, episode 9.

After a bumpy first season, "The Measure of a Man" is when Star Trek: The Next Generation starts to come into its own. An early showcase of Brent Spiner's abilities as an actor, "The Measure of a Man" puts the focus on Data, as he's forced to fight for his individuality. A hugely influential episode, Data's fight for his rights would later be echoed in the struggle of Star Trek: Voyager 's Doctor and Seven of Nine's battle to be accepted by Starfleet. Tackling huge themes like individuality, and what it means to be human, "The Measure of a Man" is a classic Star Trek morality play .

Writer Melinda Snodgrass was an attorney, and she used her experiences in the legal profession to write "The Measure of a Man".

Fighting Starfleet's desire to study Data's android body in more detail is Captain Picard, which gives Patrick Stewart an incredible opportunity. The courtroom setting is perfect for Stewart's background on the stage, and he appears to relish the opportunity to deliver big speeches about humanity. The central performances and philosophical questions are just two of many reasons that "The Measure of a Man" continues to be so influential on Star Trek .

Besides playing Data and all of his siblings in Star Trek, Brent Spiner portrayed the android's creator as well as various other Soongs in history.

10 "Balance of Terror"

Star trek: the original series, season 1, episode 14.

Another hugely influential Star Trek episode is "Balance of Terror", which had a considerable bearing on Star Trek: Strange New Worlds season 1. One of Captain Kirk's best episodes , "Balance of Terror" depicts a Starfleet vessel facing off against a Romulan Bird-of-Prey for the first time in a century. While "Balance of Terror" rightly gets plaudits for its tense submarine movie-style atmosphere, there's also much richer material in this classic Star Trek episode.

Star Trek: Strange New Worlds ' season 1 finale, "A Quality of Mercy" replayed the events of "Balance of Terror" but with Captain Pike in command of the USS Enterprise.

"Balance of Terror" also has an astute point to make about prejudice and racism, as some Enterprise crew members let their historic hatred of Romulans impact their relationship with Spock. This would have been particularly pertinent in the decades following World War 2, and is still relevant now. Not only that, but while Star Trek: The Original Series had a reputation for its disposable "redshirt" characters, "Balance of Terror" kills off a minor character and gives the death some genuine dramatic heft.

9 "Duet"

Star trek: deep space nine, season 1, episode 19.

An early indicator of Star Trek: Deep Space Nine 's promise, "Duet" is a powerful two-hander between Major Kira Nerys (Nana Visitor) and a suspected Cardassian war criminal, played by Harris Yulin. Kira's determination to prove that Aamin Marritza is actually Gul Darhe'el is compellingly played by Nana Visitor, and Harris Yulin proves to be an incredible foil. The moment where he tells Major Kira that for him, genocide is " a day's work " is utterly chilling.

Star Trek: Deep Space Nine

Star Trek: Deep Space Nine, also known as DS9, is the fourth series in the long-running Sci-Fi franchise, Star Trek. DS9 was created by Rick Berman and Michael Piller, and stars Avery Brooks, René Auberjonois, Terry Farrell, and Cirroc Lofton. This particular series follows a group of individuals in a space station near a planet called Bajor.

"Duet" is one of Major Kira's best DS9 episodes , but it's also demonstrable of what made Star Trek: Deep Space Nine so unique. There was a darker tone to DS9 's treatment of morality, and Marritza's motivations for pretending to be Gul Darhee'l are fascinating to pick apart. "Duet" is a powerful statement about the need to punish war criminals, and whether true justice can ever be found for historical horrors.

Harris Yulin played Cardassian Aamin Marritza in one of DS9's best early episodes, "Duet", but there was 1 problem Yulin had with his Star Trek role.

8 "Yesterday's Enterprise"

Star trek: the next generation, season 3, episode 15.

"Yesterday's Enterprise" is an incredible episode of Star Trek: The Next Generation that takes place in an alternate timeline where the Federation is still at war with the Klingon Empire. TNG never did a Mirror Universe episode , so this is the closest that they come to giving audiences the USS Enterprise-D's darkest timeline. The cause of the timeline being changed is the disappearance of the USS Enterprise-C, commanded by Captain Rachel Garrett (Tricia O'Neill). The Enterprise-C was supposed to be destroyed above a Klingon colony, proving to the Empire that the Federation fought with honor.

A younger Rachel Garrett, played by Kacey Rohl, will appear in the upcoming Star Trek: Section 31 movie on Paramount+.

"Yesterday's Enterprise" is an episode about destiny and personal sacrifice that also gives Denise Crosby's Lt. Tasha Yar a more meaningful death . By accepting their fate and returning through the temporal anomaly, the crew of the USS Enterprise-C sacrifice themselves for the future peace of the galaxy. Sacrificing the needs of the one for the needs of the many; there's nothing more Star Trek than that.

7 "The Best of Both Worlds"

Star trek: the next generation, season 3, episode 26 & season 4, episode 1.

"The Best of Both Worlds" is the gold standard of Star Trek 's season finales, ending on the greatest cliffhanger of all time. Revealing the full extent of the Borg threat. "The Best of Both Worlds" assimilated Captain Jean-Luc Picard and turned him against his former crew. "The Best of Both Worlds" is widely regarded as the moment when Star Trek: The Next Generation finally escaped the shadow of TOS , and it's easy to see why. The blockbuster stakes are like nothing that Star Trek: The Original Series could have achieved .

Between parts 1 and 2, rumors emerged that Patrick Stewart would be leaving Star Trek: The Next Generation , which only helped to promote TNG 's season 4 premiere even further.

By establishing the high-stakes season finale, "The Best of Both Worlds" changed the game for the Star Trek franchise. While the resolution may not live up to the set-up of the first episode, the assimilation of Picard, and the Battle of Wolf 359 had a lasting impact on the Star Trek universe. The iconic cliffhanger ending, where Riker orders the Enterprise to fire on its former captain, continues to be influential to this day.

6 "In The Pale Moonlight"

Star trek: deep space nine, season 6, episode 19.

Some of the best episodes of Star Trek question the cost of maintaining the utopian ideals of Starfleet and the Federation . This is best realized in the Star Trek: Deep Space Nine episode "In the Pale Moonlight", which forces Captain Benjamin Sisko (Avery Brooks) to make a very tough call. At the height of DS9 's Dominion War , Sisko realizes that the Federation needs an ally like the Romulan Star Empire, and he'll stop at nothing to convince them to join the war effort.

"In the Pale Moonlight" was named after the quote from Tim Burton's Batman movie.

Sisko breaks several Starfleet regulations and actively engages in criminality in his attempts to convince the Romulans to join the Federation Alliance. However, Sisko's actions are done in pursuit of the greater good, proving that Gene Roddenberry's binary vision of a peaceful utopia is a great idea in theory, but doesn't always hold in practice. By upturning Star Trek 's core ethos, "In the Pale Moonlight" demonstrated how important it was to preserve Roddenberry's utopia by whatever means necessary .

One of the greatest Star Trek: Deep Space Nine episodes, "In The Pale Moonlight," owes its title to Tim Burton's 1989 Batman movie.

5 "The Visitor"

Star trek: deep space nine, season 4, episode 3.

More than any other Star Trek show, Star Trek: Deep Space Nine explored the realities of balancing family duty with a commitment to Starfleet. The most powerful depiction of family and fatherhood in all of Star Trek is "The Visitor" , which depicts an entire alternate timeline in which Jake Sisko (Cirroc Lofton) loses his father. While there's a strong sci-fi idea at its heart; a man scattered across time due to a temporal accident, "The Visitor" is really about the way that grief can take over our lives.

The balance of high-concept sci-fi with emotional realism in "The Visitor" is something that all the best Star Trek episodes aspire to, but rarely achieve.

Jake Sisko's obsession with answering the question of what happened to his father completely changes the course of his life. Jake turns his back on a promising career as a writer to pursue his father across time, building to a devastating sacrifice. The older Jake Sisko is the best of Tony Todd's Star Trek roles , as the actor responds beautifully to the script. The balance of high-concept sci-fi with emotional realism in "The Visitor" is something that all the best Star Trek episodes aspire to, but rarely achieve.

4 "The Inner Light"

Star trek: the next generation, season 5, episode 25.

"The Inner Light" is another Star Trek episode that beautifully balances a high-concept sci-fi idea with something deeply profound and human. Captain Picard's encounter with an alien probe allows him to live through the dying days of an extinct civilization as Kamin, a humble iron weaver on the planet Kataan. It's never made clear whether Kamin was a real person, or if he was an amalgam of experiences assigned to Picard. Whatever the truth, Picard's experiences as Kamin have a profound effect on him, represented by his Ressikan flute.

"The Inner Light" has so many layers to it, making it one of the most thematically rich episodes of Star Trek ​​​​​​​ of all time.

Kamin's ambiguity gets more compelling when rewatching "The Inner Light", because it casts doubts on Picard's assertions that he never wanted a family. If Kamin is a simulation specifically designed for Picard, then the iron weaver's loving family reflects something Jean-Luc felt he could never have . "The Inner Light" has so many layers to it, making it one of the most thematically rich episodes of Star Trek of all time.

3 "City on the Edge of Forever"

Star trek: the original series, season 1, episode 28.

"City on the Edge of Forever" is an astonishing episode of Star Trek: The Original Series that still holds up nearly 60 years later. It's a classic butterfly effect conundrum, with Kirk and Spock traveling back to 1930s America to stop Dr. McCoy changing the course of history. However, "City on the Edge of Forever" is so much deeper than that, as it quickly becomes a romantic tragedy. Joan Collins' Edith Keeler is the most important of Captain Kirk's love interests , because you genuinely believe in their romance.

"City on the Edge of Forever" is a romantic tragedy that taps into the unique responsibilities of being a Starfleet officer to heartbreaking effect.

So it's devastating when it becomes apparent that Kirk's love interest and the march of history are on a collision course with each other. The climax of "City on the Edge of Forever", when Kirk is forced to stop Bones from saving Edith's life, is devastating. Kirk's inability to look at the accident is an astute acting choice by William Shatner, who turns in one of his finest Star Trek performances. "City on the Edge of Forever" is a romantic tragedy that taps into the unique responsibilities of being a Starfleet officer to heartbreaking effect.

2 "Far Beyond The Stars"

Star trek: deep space nine, season 6, episode 13.

"Far Beyond the Stars" is a powerful depiction of racism that doesn't rely on the usual Star Trek allegories. Directed by Avery Brooks , Star Trek: Deep Space Nine 's finest hour reflects on how far society has come since TOS tried to depict a racially diverse future, and how far it still needs to go to achieve it. "Far Beyond the Stars" doesn't shy away from racial slurs, or gut-wrenching violence to make the point that the dark days of segregation may be gone, but racist attitudes still persist.

It's often said that the past is another country, but in Star Trek terms, the racist 1950s are another planet for Captain Sisko.

In 2024, "Far Beyond the Stars" has lost none of its power, which says a lot about how far from reach Gene Roddenberry's utopia still is . It's often said that the past is another country, but in Star Trek terms, the racist 1950s are another planet for Captain Sisko. "Far Beyond the Stars" dispenses with the sci-fi allegories to give us an unblinking representation of racist violence in America's recent history, which proves that Star Trek 's message of acceptance and understanding is still as vital as ever.

1 "Darmok"

Star trek: the next generation, season 5, episode 2.

"Darmok" is the greatest episode of Star Trek of all time, because it's a profound mediation on communication and commonality. While it's technically a remake of Star Trek: The Original Series ' "Arena", retooled for Shakespearian actor Patrick Stewart, "Darmok" has much more to say about the need to find common ground. Star Trek always relies heavily on the universal translator technology, so "Darmok" flips that on its head by introducing the Tamarians, an alien species whose language doesn't reflect the universal dominance of American English .

The quest for deeper cultural understanding and relating to species that are unlike our own is pure Star Trek...

It's revealed that Star Trek 's Tamarians communicate via culturally specific metaphors. Therefore, Picard, Data, and Counselor Troi have to properly understand Tamarian culture to translate their language. The quest for deeper cultural understanding and relating to species that are unlike our own is pure Star Trek , which is why "Darmok" represents the franchise's finest hour in its near-60 year history.

All episodes of Star Trek are available to stream on Paramount+.

Star Trek

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  4. Star Trek Beyond

    Star Trek Beyond is a 2016 American science fiction action film directed by Justin Lin, written by Simon Pegg and Doug Jung, and based on the television series Star Trek created by Gene Roddenberry.It is the 13th film in the Star Trek franchise and the third installment in the reboot series, following Star Trek (2009) and Star Trek Into Darkness (2013). ...

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    Film and Plot Synopsis. After stopping off at Starbase Yorktown, a remote outpost on the fringes of Federation space, the USS Enterprise, halfway into their five-year mission, is destroyed by an unstoppable wave of unknown aliens. With the crew stranded on an unknown planet and with no apparent means of rescue, they find themselves fighting ...

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    Beyond the Trek: Directed by Ian Truitner. With Sunny Mabrey, Lance Broadway, T.J. Hoban, Christian Pitre. A deep space mining vessel has been adrift for two years. It is suspected the crew brutally killed each other, but the reason for the bloodbath is unknown. A rescue crew is sent to find if there are any survivors, what happened and why.

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