nin tour 2022 europe

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Trent Reznor and compant have added dates in Glasgow, Manchester and London to their summer itinerary.

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After recently revealing two special headline shows this summer at Cornwall’s Eden Project, Nine Inch Nails today announce three additional UK dates for 2022, completing the band’s final UK & European touring plans for the year.

Either side of the Eden Project shows will see dates at O2 Academy Glasgow on June 15, the O2 Apollo Manchester on June 20 and a night in the capital at London’s O2 Academy Brixton on June 21. Tickets go on general sale Friday, March 25 at 10.00am GMT. Visit Metropolis Music’s official website for further information.

Yves Tumor joins the bill for the sold-out Eden Project show on June 18 , as well as the three newly-announced dates, and Nitzer Ebb will support on June 17 for what promises to be one of the live highlights of the year. The shows will be NIN’s first UK headline dates in four years.

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Nine Inch Nails were inducted into the Rock & Roll Hall of Fame, headquartered in Cleveland, in 2020.

NIN bring their show, hailed by The Guardian as “saw toothed,” with the “ferocity of a Rottweiler gnashing through its muzzle, bathed in exquisite monochromatic lighting and smoke” to the lush grounds described by The Times as “Magical…half Glastonbury, half Glydnebourne” and of which the Evening Standard wrote “The nearest you can get to watching a gig on the moon.”

Nine Inch Nails will play the following 2022 UK & European dates:

Weds, June 15: O2 Academy Glasgow – with Yves Tumor (On Sale Fri, Mar 25) Friday, June 17: Eden Sessions – Cornwall – with Nitzer Ebb Sat, June 18: Eden Sessions – Cornwall – with Yves Tumor (SOLD OUT) Mon, June 20: O2 Apollo Manchester – with Yves Tumor (On Sale Fri, Mar 25) Tue, June 21: O2 Academy Brixton, London – with Yves Tumor (On Sale Fr, Mar 25) Fri, June 24: Hellfest – Clisson, France.

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Nine Inch Nails has a tour history dating back to late 1988, when they started out as an opening act, playing in small clubs. Since then, they've played in all types of venues, from small clubs, to sports arenas and stadiums, to some of the largest music festivals in the world.

This page serves as a hub for all the tours performed by NIN, as well as solo appearances by Trent Reznor .

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Nine Inch Nails announce details of three new 2022 UK shows

The band will play Glasgow, Manchester and London with support from Yves Tumor

Nine Inch Nails have announced details of three new UK headline shows to take place this summer – get tickets here .

The band, who are already set to play a pair of gigs at the Eden Project in Cornwall this June, will now stop in Glasgow, Manchester and London too.

The new tour will begin on June 15 in Glasgow at the O2 Academy, with the Eden Project shows taking place on June 17 and 18.

June 20 will then see Trent Reznor and co. playing the O2 Apollo in Manchester, before the tour wraps up the following night (June 12) at London’s O2 Academy Brixton. The band have confirmed that these are their final UK and European shows for 2022.

As recently announced , at the Eden Project on June 17, the band will be supported by Nitzer Ebb , while Yves Tumor will play the June 18 date.

On the newly announced dates in Glasgow, Manchester and London, Nine Inch Nails will be supported by Tumor.

General sale tickets for the new gigs go on sale on Friday (March 25) at 10am GMT here .

Nine Inch Nails announce three additional UK headline shows completing the UK & European touring plans for 2022. New dates on sale Friday, 25th of March at 10am local. Visit https://t.co/5s8gSn7LnA for direct links to ticket sales and full tour info. pic.twitter.com/ed0txeQcz1 — nine inch nails (@nineinchnails) March 21, 2022

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Last year,  the band cancelled their planned live shows as uncertainties around the COVID pandemic remained . The new tour kicks off in Raleigh, North Carolina this April and includes appearances at the Shaky Knees Festival in Atlanta and the inaugural  Primavera Sound Los Angeles .

See their full live schedule for 2022 below.

APRIL 2022 28 – Raleigh, NC, Red Hat Amphitheater 30 – Atlanta, GA, Shaky Knees Festival

MAY 2022 01 – Franklin, TN, First Bank Amphitheater

JUNE 2022 15 – Glasgow, O2 Academy (with Yves Tumor) 17 – Cornwall, Eden Project (with Nitzer Ebb) 18 – Cornwall, Eden Project (with Yves Tumor) 20 – Manchester, O2 Apollo (with Yves Tumor) 21 – London, O2 Academy Brixton (with Yves Tumor)

SEPTEMBER 2022 02 – Morrison, CO, Red Rocks Amphitheatre 03 – Morrison, CO, Red Rocks Amphitheatre 07 – Troutdale, OR, Edgefield 09 – Bend, OR, Hayden Homes Amphitheater 11 – Berkeley, CA, The Greek Theatre at UC Berkeley 15 – Las Vegas, NV, Zappos Theater 16-18 – Los Angeles, CA, Primavera Sound Los Angeles 24 – Cleveland, OH, Blossom Music Center (w/Ministry and Nitzer Ebb)

Nine Inch Nails have released the albums ‘ Ghosts V: Together’ and ‘Ghosts VI: Locusts ‘ since their last live shows.

Reviewing the albums ,  NME  wrote: “Much like Reznor said last time Ghosts swung round, ‘Ghosts: V-VI’ is music for daydreams. But it’s only fair and decent for us to let you know that it’s also music for nightmares too.”

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On March 8th, 1994, two bands released their defining albums. Trent Reznor brought his industrial project to the mainstream (and dancefloors) with a song about fornicating like an animal, while Chris Cornell solidified himself as the voice of the heavier side of alternative rock. Nine Inch Nails and Soundgarden both had a following before these albums were released, and some would even say The Downward Spiral and Superunknown were the end of both bands, but when it came to commercial success and exposure, neither band ever flew as high as they did in ’94. I was lucky enough to see both bands perform in the year when “Closer” and “Black Hole Sun” were inescapable, and both shows will always stand out as highlights of my youth, but the success they achieved made me turn away shortly after. This was in the days when radio rotation could make and break a band, and no matter how much I enjoyed those albums, the lack of imagination from radio DJs made me want to vomit every time I heard a single from either album. A few years later The Fragile and Down on the Upside were released and I barely paid attention. So if you would have told me back then that I would be attending two nights of a double bill twenty years later, I would have laughed. But here I am, positively reflecting on back-to-back sets from bands who are celebrating the 20th anniversary of their biggest albums. Daniel Lopatin had the unfortunate task of filling in for the newly departed Death Grips both nights. His experimental Oneohtrix Point Never project did nothing but rattle my nose hairs with abusive bass while I mourned one of the most intense live acts I had ever seen. But if I’m being honest, I doubt the majority of the audience were any less confused than they would have been if MC Ride was spewing anarchist threats from the stage. Lopatin’s thirty minute set was enough for me the first night, so we didn’t bother getting in early the second night. Soundgarden were the first on the dual-headlining bill each night. If I hadn’t seen seen them perform at Red Rocks in 2011, I would have probably been blown away by how good they were, especially when Chris Cornell announced that he had just turned 50 the night before. But that show three years ago prepared me for a band that sounds better than they did two decades ago. What could have easily been a 401K tour for a band who broke up in ’97, Cornell and crew came out with something to prove. It would have also been just as easy to perform a play-by-numbers rendition of Superunknown, but they dug deep instead. In addition to their most popular singles, the old school fans were treated to five tracks from Badmotorfinger, as well as “I Awake” from Louder Than Love and “Flower” from Ultramega OK. We were 4th row for the first night and it was amazing to see how young and excited the band looked up close and personal. I heard some complaints about the sound from those in the upper rows, but my experience from row 32 the second night was just as amazing. It was a perfect, warm, still night on the Rocks and Soundgarden proved they are still as relevant as they’ve ever been. The single song from King Animal, “A Thousand Days Before”, didn’t make me want to run out and buy the new album, but it also didn’t send me in search of the nearest bathroom. And that’s about the highest compliment I can give to a band I haven’t really listened to since Cornell was pushing 30. Nine Inch Nails have been a much bigger influence on my life than Soundgarden, so I was happy to see Reznor would be headlining both nights. I would be lying if I said most of his recorded material since Spiral hasn’t been disappointing, but his stage presence is just as intense (very different, but still intense) as it was in ’94. So to see him perform two nights at my favorite venue was something beyond words. Like Soundgarden before him, Reznor would never be content playing an album in its entirely, so the crowd was exposed to a career-spanning setlist both nights. There are two versions of Trent Reznor’s NIN project that exist in my mind — the one that came before Lost Highway, and the one that came after. I’m not sure why Reznor’s work with David Lynch is my demarcation line between NIN 1.0 and NIN 2.0, but after he produced that soundtrack I stopped paying attention. Maybe it was to protect myself — Pretty Hate Machine, Broken and The Downward Spiral were so crucial to my adolescence that maybe I just had a fear that this clean-cut producer would shatter all my preconceived notions of the man who made those albums. I didn’t want to know him as a person. I just wanted him to continue to be the spitting, screaming, spewing hate machine that I had always known him to be. But we can’t stay young and angry forever. I went on to other bands and Reznor took NIN to other places — less industrial, less angry places. And I respect us both for that. Angst just isn’t attractive in middle-aged men. But the lack of angst doesn’t have to mean the lack of intensity. Reznor proved that fact when I saw him at 1stBank Center last year. And he proved it again at Red Rocks last week. We were so close when Nine Inch Nails took the stage that it was all a little disorienting at first. The performance opened with the glitchy, repetitive “Copy of A” from the new album, before pushing the decibels up a bit with “Santified″. There were a couple more new tracks and then there we were, twenty minutes into the set, and I could feel the weight of Red Rocks building at my back as Reznor spewed a little of that hate machine he still has left in him. The crowd was plugged right into it — mainlining the energy like a junkie in need of just one fix. But it wasn’t until the next song that everything changed in a blink of an eye… “step! right! up! march! push!” The crowd of people behind me instantly became a gang of fist-pumping vandals. My natural instincts turned my hands into fists of my own as I joined the masses in their blind pursuit of ‘closer’. By the time the song ended I had tripped over the seat behind me, only to get up and take a quick breath as “March of the Pigs” bled into “Piggy”. The fresh Colorado air was polluted with sweat, spilt beer and wasted youth. The adrenaline pumping through my veins made me feel alive. A quick glance around the venue confirmed that I wasn’t alone. The 1stBank set started out similiar, but the next forty minutes in Broomfield were something different. As if catching himself in an act of childish behavior, Reznor brought things down a level or two. As we were carried through a good portion of Hesitation Marks, I couldn’t help but be more impressed with the (absolutely mind-blowing) technology being employed on (and around and above and underneath) the stage than I was with the music itself. It’s not that it was bad, but after having my head split open with songs that meant so much to me, it was hard to groove to downtempo selections — even with the impressive band and backup singers that were surrounding the man himself. Red Rocks was a different experience. The set was mixed up to add diversity to those who attended both nights, and both nights were extremely well balanced. The new songs fit like jigsaw pieces with the old. The slow songs came and left right on time, instead of bogging down large portions of the night. The technology employed was the same, yet it was visually superior when offset by the natural beauty of the monoliths.

“Head Like a Hole” ended up closing out the main set both nights. The song is over twenty years old and it still seemed as fresh and groundbreaking as it did the day it came out. It would have been a fitting close, proving my theory of NIN 1.0 and 2.0 wrong — or at least adding weight to a theory of a hybrid 3.0 — but we were still in for an encore. Reznor decided to say farewell with “Hurt”. And as the serpent’s eyes from the original video looked out at the crowd, they saw pure satisfaction reflected back at them. It proved that although Reznor might be a different person than he was when he started NIN, he is still a true believer in producing a show that people will continue to replay in their minds for days, weeks, even years to come. I will never forget that show in ’94 (I will never forget that band), but these performances (along with the one last year) will all find warm safe places in my mind as well. http://ilistensoyoudonthaveto.com/2014/07/27/nin-soundgarden-red-rocks-07-21-14-07-22-14/

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I have seen Nine Inch Nails five times before yesterday's concert. This was an unusual concert because there was a major band, Soundgarden, opening for them. I did not see Nails in any of their Lollapalooza appearances nor when they toured with Jane's Addiction (even though I did see the Chicago stop of that tour, Jane's Addiction did not play as they were playing Lollapalooza that upcoming August and NIN was not) or Queens of the Stone Age. This was my first time seeing Soundgarden live and apparently by the number of people milling about the drink and concert gear area during the beginning of their set, many others' first time as well. I have been a pretty solid fan of Soundgarden since Badmotorfinger and Superunknown. I admit to falling off following them since Chris Cornell left the group and formed Audioslave and worked on solo stuff. Like many other lead singers, his success seems contingent upon being a part of Soundgarden even though Audioslave did have some success with their first album.

That being said, I was impressed to hear Cornell sing live. First Midwest Bank Ampitheatre is a twenty some year old venue that has never really been improved upon since I first started attending concerts there in the early 1990's. The acoustics and overall sound are typically terrible as a consensus opinion amongst concert goers. The band started promptly at seven and Cornell basically blew out the speakers on a good mix of material from their newest album as well as some of their more classic material such as "Outshined" from Badmotorfinger as well as Jesus Christ Pose, Rusty Cage. My Wave and Black Holed Sun were some of the highlights from Superunknown, by far their most popular album. Cornell has to be pushing fifty years old but he still displays impressive singing power and range. His pitch and strength of his high notes sound like he has all of the power he did in the 1990s. The band was loud and tight. I think that the end of the grunge scene as well as Cornell pursuing his solo work took Soundgarden out of relevance for a long period of time when they are a talented band with a unique sound that deserves a place in the pantheon of great bands with solidly original material. If they can release more material in the vein of their classic work, I feel that they will re-find their original fan base and attract some new fans as well. Soundgarden left at 9 on the dot and after about 25 minutes of reconfiguring the stage, Nine Inch Nails began promptly at 9:30pm. Trent Reznor appeared first with only his microphone, then each band member and their instrument appeared one at a time followed by the projection screens which formed the stripped down elegant stage framework. The set list began with Copy of A off of their newest release. The band sounded tight and all of the musical elements came together flawlessly. Trent Reznor's voice sounded as strong as ever as the band moved from one solid Nails choice to another with barely a breath in between. Versions of classic songs with an updated sound such as Sanctified from Pretty Hate Machine were refreshing in that I did not instantly recognize the track as recorded and was pleasantly surprised to figure out that a modified old favorite was playing.

My girlfriend was with me and three friends. It was her first time seeing either Soundgarden or Nine Inch Nails live. As someone who has listened to Nails and Soundgarden since the 90's, with the obvious emphasis and continual listening focus on Nails, I was curious to see what she thought of the concert from a fresh perspective. My first concert for NIN was in 1994 in Champaign, IL during the Downward Spiral tour. I then saw them again at FMBA (known then as the World Music Theatre) in 1995 during NIN's tour with David Bowie in support of Downward Spiral. It was not until the Lights in the Sky tour of 2008 that I saw NIN again for the first time in 13 years in Fort Wayne, IN at the Allen County Coliseum. I then saw NIN solo in 2009 at Northerly Island at the Charter One Pavilion and again at the Aragon for their Wave Goodbye tour in 2009 as well.

The girlfriend was amazed at the range of sound and depth that is NIN to folks who are familiar with more of the catalog than just the radio play songs. The selections from Ghosts and The Fragile were totally new to her and as usual Trent Reznor was the obvious coordinator of the set/music/light/imagery interplay. What is now fairly common amongst bands with better designed set pieces was originated or perfected at least with NIN and maybe to a lesser extent, Tool. The moving panels that formed the background of the stage were a novel and interesting set piece which kept the presentation simple but basically did what I think Reznor tries to accomplish with his set pieces and promotional materials: make the music an atmosphere, a feeling a place where it just comes at you and merges with your own feelings and helps shape and elucidate those darker thoughts for or with you. She and I both loved the imagery from the subtle blues and purples to the sweeping landscapes as an electronic, guitar and percussion wave of music rolled over each listener. Our only complaint and we are blaming this solely on the design of the FMBA and its management is the absolute lack of good acoustics and loudness. It seemed like the sound engineers were doing what they could at the show to punch up each track appropriately but without the relative uniformity of sound that Soundgarden has, the intricacies of NIN's highs and lows were sometimes lost because not enough power brought the sound to the back of the lawn where this old man was seated. Especially when reviewed in the light of my last show with NIN n 2009 at the Aragon where up front in GA in such a relatively small venue blew me away in terms of the raw power. Overall, it was a solid performance by Soundgarden and a very professional and well run NIN show. NIN played from 9:30-11:30pm, which I am assuming is because of local ordinance or by Reznor's design. In either instance, this musical offering was very satisfying for both acts. Soundgarden inspired a new listen to older material and a try out of their new stuff. NIN brought an excellent mix of music from across 25 years of music and while anyone can complain that their favorite track was not played live, I think every album had its fan base spoken to sufficiently. I look forward to my next NIN show, especially in a venue much more well suited to something more than just straight guitar rock.

Nine Inch Nails AND Soundgarden, Ahhh....what a combination!

When I first heard rumors that they would be touring together as the 20th celebration of both bands best selling albums (The Downward Spiral and Superunknown), I was beside myself.

Even though their music is different, they are my two favorite bands. I bought my tickets the first day they became available at the pre-sale, and settled down for the looong 5months it would take to actually see the bands play at the Lakewood Amphitheatre in Atlanta, GA.

The Dillinger Escape Plan opened up and they were alright, but they and everyone else knew we were waiting for the big guns.

The main singer came all the way to our section of the theatre, so that was entertaining and the best part of their show.

Now to Soundgarden! One of my biggest regrets in my concert history was never seeing SG back in the the 90's when they were in their element.

Well, as they say, it is better late than never, so this was my first time seeing SG, but not NIN. They put on a really good show and played most of their hits, but I was slightly disappointed that they only played 13 songs.

I have been keeping up with their setlist and they were playing 14-15 songs per concert. I REALLY wanted to hear Slaves and Bulldozers, but Cornell has only played that once this tour and it was his 50th birthday, so I guess he only pulls out the big guns/vocals on special occasions!

They best part of the concert was the run of songs that included The Day I Tried to Live, My Wave, Outshined, and Black Hole Sun. Their lights and the sound weren't perfect, but you could definitely understand the song lyrics if you were a fan. I've never been to an outdoor concert, so this influenced my opinion on the quality of the sound.

Ladies and Gentlemen, I now welcome you to the main event...NIN!

That opening was more dramatic than the actual opening of NIN. The lights were on (part of the outdoor theatre has a roof) and everyone was patiently waiting NIN's arrival when we heard a cheer go up from the fans by the stage and looked up to see Reznor casually standing there by a synthesizer! He started playing the opening chords of Copy of A with the band slowly showing up to play their instruments. It wasn't until half way through the song that the lights were turned off and they really let loose then!

If you are a fan of NIN, you know Reznor is notorious for being a perfectionist and really cares how things are synced and how the lights go with the beat of the music.

Well, his attention to detail really shows. The sound and lights blew SG's show away. I love the use of the moving screens and lights. They really add to the throbbing beats of the drums and the electronics that make NIN's music unique. I've already mentioned that I was paying attention to the setlist of SG and this was true for NIN as well. I was excited that he was consistently playing Closer. I have seen NIN 2x before (Downward Spiral '95 & Hesitation Marks '13) and he didn't play this song.

Closer was played during the meat of the concert which started with March of the Pigs. During this song was the best 'original' moment of the concert. He was halfway through the song when he dilberately paused so the crowd was caught singing the lyrics and then he sang the part after the crowd enjoyed their moment. After Pigs came Piggy, the Frail/Wretched, Closer, and Gave Up. I LOVED this part of the setlist!

I knew from my Oct. '13 concert that the Frail/Wretched combo was well done but he had only done it 1x before on this tour, so it was great that I could experience this awesomeness again. It was icing on the cake that he also played Gave Up, which I had also never heard in concert.

The ending was full of well chosen songs as well. It was Eraser (so violent/intense!), Wish, The Hand that Feeds, Head Like a Hole and the closer was Hurt. He played all my favorites except Burn (played previously 3x) ). The only song I wish he would take out is the Great Destroyer. He has played this at every venue on this tour and I thought it was the weakest part of the concert. I think he should play The Warning instead if he wanted a song from Year Zero.

Overall, this was a great concert that was worth the hassle of driving 3+ hours and dealing with Friday rush hour traffic (and a flooding rain) in Atlanta. I read one review where someone thought it was ridiculous that NIN was the lead band. I don't understand this criticism. I have over 240 NIN songs in my library and I know I don't have the complete list. He has so many songs to choose from and a great concert history that this critique baffled me. The intensity of NIN's live show is something all fans should experience at least once in their lifetime!

Nine Inch Nails were kicking ass as a band when I was 2 years old. They're STILL blowing out my eardrums and making my eyes bleed from all the awesome that is their concerts.

Trent Reznor is a god, period. His goal, other than making you have all of these feels (whether that's rage, or tears, or joy that comes out in headbanging or shaking your booty or just screaming the lyrics uncontrollably at the top of your lungs, is to make sure that no one is doing anything else other than being present at the show. The light show, of various degrees, over the various tours I've seen (Lights in the Sky,NIN JA, Wave Goodbye, Tension) is the BEST I've ever witnessed, hands down, by anyone.

Even if you're not a NIN fan, get a cheap ticket in the back somewhen, and go for the lights show. It's the most beautiful legal high, and the way that Trent has orchestrated the music to flow with the lights and the screens and all of the pretty, is mindblowing. I still really don't have a clue how it's done, but it doesn't matter, it's just beautiful.

NIN gigs are about 25 songs each, 2 and half hours or so of complete going crazy rocking out. Wear comfy shoes, it's a stadium tour, if you're on the floor, you're going to be standing for a long time in a mosh pit that is usually pretty insane (just dance harder than the people who are moshing, and you won't get pushed around;)

What can I say about NIN's music? I don't have enough adjectives to describe how varied, and just how freaking cool the songs are. Going to a show, you're taken on this whole epic journey of sound and light, and every musician in NIN as a touring band is so unbelievably talented. Most of NIN's biggest hits are considered "angry" music, but the songs I love best live are the ones where it's just such a performance of control.

One of my favorite concert moments ever, of any artist, is from one of the NINJA dates in Europe, where, for all of the lights and silhouettes, shadows and imagery of the blistering sound for most of the set, it was complete blackness, with Trent just stalking around the stage with a flashlight on himself, hissing "In This Twilight" into the mic. Spare, and lovely. Seeing NIN from the front row at London's O2, when Gary Numan came out and did Metal and Cars was pretty kickass.

And the latest Tension tour, the new songs from Hesitation Marks, like "All Time Low", which I can only describe as "funky", with female backup singers, and a range of instruments, and all of the dancing ever. So. Much. Awesome. Hours feel like minutes when you're having that much fun.

One of the few artists I can consistently say that whenever I go see them, I never want it to end. Go see a NIN gig. GO!

The new live format that Trent Reznor and Rob Sheridan have put together is very unique, and entertaining. It is a very different format from any of the other times I've seen Nine Inch Nails perform live.

In the past there has always been a lot of movement on stage, with multiple layers/rows of instruments, performers and props. This time it was just 4 guys on the stage (starting with just Trent and a sampler, followed shortly by the others).

Throughout the performance, all of the artists swapped instruments countless times, taking turns on guitar, bass, keys, samplers, percussion and various other instruments.

They've also traded in the typical extreme lighting and visuals for very minimal reactive visuals that move along with the performers. One of the highlights of the evening was the beginning of 'Closer' when Trent had a camera on his microphone, and a red distorted display of his face appeared across the screens.

I highly recommend checking out this tour for a rare opportunity to see a stripped down, raw performance by Trent and Co.

However, if you want to see one of NIN's more charismatic performances, check out the 'Beside You in Time' DVD.

Nine Inch Nails was always one of those bands in the background of my life. I knew the songs that kroq would play on the air, and my mom was actually much crazier about the band than I was.

As I got older, and specifically in the last few years, I've revisited some of the old music that didn't quite have as big of an impact on my life as others did. I figured if I had the opportunity to see legends like NIN and Soundgarden I should probably take it. And oh my god am I glad I did!

NIN moved my body in a way that I've never felt from a band that didn't have some sort of influence or memory tied to my life. It was pure musicality and performance that made the show so memorable.

I got to shake my booty and get some head banging in! It's the perfect combination! Being so far away from the stage didn't inhibit the experience at all because the music and the energy was just so good!

Trent said the band is taking an indefinite break after this tour. If you can catch them on this tour, I would 100 percent reccomend it!

I was looking forward to this concert for over 6 months. I had heard Chris Cornells voice was just a wretched scream these days but he was the COMPLETE opposite! He hit EVERY note and did songs we are all familiar with and I sang at the top of my lungs eight along with him. He sounded fantastic and still looks good too! But it was Trent Reznor that I was really there for. His light show did not disappoint but his song list wasn't that great and I hate to say that because they are my favorite band. He opened with a Copy which was killer, but I hate to say, it went a little downhill from there. He sang "Closer" "Piggy" and "Disappointed" which are my favorite songs but spent too much time on a non vocal instrumental noise which went on forever. I almost wanted to leave. The very end song was "Hurt" So I was glad I stayed. I would go again to see them!!!

NIN put on an amazing show as always with some really cool and innovative effects thrown in. I would complain about the storm that rolled in but if it hadn't then we wouldn't have gotten the awesome lightning bolt that punctuated the climax of "Hurt".

Soundgarden also put on a really solid show, they're a really tight band live. And Oneohtrix Point Never opening it all was the icing on the cake since I wasn't aware he was touring with them at all. So glad I weathered the weather and went to this concert!

Oh, NIN, you are so dear to my heart, and you never let me down! I have to say it was one of the most fantastic visual shows I have ever seen, and Trent's voice/energy is just as captivating as it ever was. I never miss a NIN show, they are just too good!

Sound garden sounded pretty good, but acted like jerks at the end of their set, kicking monitors and pouring beer on lights, like they were intentionally messing up the set up for NIN after them. It made me lose respect for them.

I really enjoyed NIN. It was more chill than I expected, but that didn't detract from my experience. Trent still performed passionately. The visual component felt almost minimalist and artsy, with band members constantly changing positions and with wildly varying lighting effects. The sound was excellent and it was interesting how some songs were altered to sound good live. It wasn't the all-out assalt on the senses like NIN of yesteryear, but it was still excellent.

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Nine Inch Nails announce first tour dates since 2018

Reznor and co unveil 11 US dates for 2022, including two shows at Red Rocks

Nine Inch Nails will be hitting the road across 2022 for a string of US shows, kicking off in Raleigh, NC on April 28. The dates represent the industrial rock icons’ first shows in almost three years.

The bulk of the new shows are scheduled to take place in September on a run that will begin with a two-night appearance at Morrison, CO’s iconic Red Rocks amphitheatre on September 2 and 3.

The band will also play the Greek Theatre in Berkeley, CA and LA’s Primavera Sound festival while Ministry and UK electronic pioneers Nitzer Ebb will provide support for their final date at the Blossom Music Center in Cleveland, OH on September 24.

NIN’s planned return to the live arena follows an aborted attempt in September 2021. At that point, the band had been scheduled to perform two shows with The Pixies in Cleveland, but ultimately decided to cancel due to the ongoing Covid-19 pandemic.

At the time, NIN said in a statement to fans , “When originally planned, these shows were intended to a cathartic and celebratory return to live music. However, with each passing day it’s becoming more apparent we’re not at that place yet. We are sorry for any inconvenience or disappointment and look forward to seeing you again when the time is right.”

Hosting the finale of the new tour in Cleveland, with an appearance from Ministry, appears to be an attempt to make it up to fans who missed out on the 2021 cancelled dates.

The band will perform at French festival Hellfest on June 24, indicating further European dates could be on the horizon.

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Nine Inch Nails 2022 US tour dates

• 04/28 Raleigh, NC - Red Hat Amphitheater
• 04/30 Atlanta, GA - Shaky Knees Festival
• 05/01 Franklin, TN - First Bank Amphitheater
• 09/02 Morrison, CO - Red Rocks Amphitheatre
• 09/03 Morrison, CO - Red Rocks Amphitheatre
• 09/07 Troutdale, OR - Edgefield
• 09/09 Bend, OR - Hayden Homes Amphitheater
• 09/11 Berkeley, CA - The Greek Theatre at UC Berkeley
• 09/15 Las Vegas, NV - Zappos Theater
• 09/16-18 Los Angeles, CA - Primavera Sound Los Angeles
• 09/24 Cleveland, OH - Blossom Music Center #%

For tickets and more information on NIN’s 2022 dates, head to the official Nine Inch Nails site .

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Matt is Features Editor for GuitarWorld.com. Before that he spent 10 years as a freelance music journalist, interviewing artists for the likes of Total Guitar , Guitarist , Guitar World , MusicRadar , NME.com, DJ Mag and Electronic Sound . In 2020, he launched  CreativeMoney.co.uk , which aims to share the ideas that make creative lifestyles more sustainable. He plays guitar, but should not be allowed near your delay pedals.

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Nine Inch Nails Plot Long-Awaited Return to the Road

By Jon Blistein

Jon Blistein

Nine Inch Nails will return to the road for the first time in four years with a string of headlining gigs scheduled for the spring and late summer

The band will kick things off with a quick three-show run: April 28 in Raleigh, North Carolina, April 30 in Atlanta and May 1 in Franklin, Tennessee (just outside of Nashville). A lengthier trek will begin with two shows at Red Rocks Amphitheatre in Morrison, Colorado Sept. 2 and 3, and wrap Sept. 24 with a special hometown gig at the the Blossom Music Center in Cleveland that will also feature sets from Ministry and Nitzer Ebb.

Nine Inch Nails have enlisted the help of several artists to provide support during the rest of the trek. Boy Harsher will join for gigs in Raleigh, North Carolina and Franklin, Tennessee, while 100 Gecs will open at both shows in Philadelphia. Yves Tumor will then perform during a stretch of gigs, Sept. 2 through 15.

Tickets for Nine Inch Nails’ tour will go on sale Feb. 11 at 10 a.m. local time. A fan presale will start Feb. 8 at 10 a.m. local time. Full information is available on Nine Inch Nails’ website .  

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Nine Inch Nails were scheduled to tour in 2020 and 2021, but scrapped those gigs because of the pandemic. The group has stayed busy over the past couple years, releasing two albums in 2020, Ghosts V: Together and Ghosts VI: Locusts , and teaming up with noise-rock group Health for a new song, “Isn’t Everyone,” last May. In 2020, Nine Inch Nails were also inducted into the Rock and Roll Hall of Fame .

Outside the band, Trent Reznor and Atticus Ross have kept characteristically busy with other projects as well, like producing Halsey’s most recent album, If I Can’t Have Love, I Want Power . The duo also won their second Best Original Score Oscar in 2020 for their work on the Pixar movie Soul with Jon Batiste (they were nominated in the same category that year, too, for David Fincher’s Mank ).

Nine Inch Nails 2022 Tour Dates

April 28 – Raleigh, NC @ Red Hat Amphitheater (with Boy Harsher) April 30 – Atlanta, GA @ Shaky Knees Festival May 1 – Franklin, TN @ First Bank Amphitheater (with Boy Harsher) May 24 – Philadelphia, PA @ The Met Philadelphia (with 100 Gecs) May 25 – Philadelphia, PA @ The Met Philadelphia (with 100 Gecs) September 2 – Morrison, CO @ Red Rocks Amphitheatre (with Yves Tumor) September 3 – Morrison, CO @ Red Rocks Amphitheatre (with Yves Tumor) September 7 – Troutdale, OR @ Edgefield (with Yves Tumor) September 9 – Bend, OR @ Hayden Homes Amphitheater (with Yves Tumor) September 11 – Berkeley, CA @ The Greek Theatre at UC Berkeley (with Yves Tumor) September 15 – Las Vegas, NV @ Zappos Theater (with Yves Tumor) September 16-18 – Los Angeles, CA @ Primavera Sound September 24 – Cleveland, OH @ Blossom Music Center (with Ministry and Nitzer Ebb)

This post was updated 4/25/22 at 12:40 p.m. ET with opening act information for NIN’s 2022 tour. 

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Nine Inch Nails share 2022 tour dates

Including one show with ministry and nitzer ebb..

Nine Inch Nails have announced a 2022 tour. Taking place in the United States, the shows begin on April 28 in Raleigh, North Carolina, and run sporadically until August, when Trent Reznor and friends will spend most of the month playing dates. The tour concludes in Cleveland, Ohio for a "legends of industrial" showcase, so to speak: Industry and Nitzer Ebb will also perform. Tickets for the dates being tomorrow, February 8 for a fan pre-sale. Public tickets go up on Friday, February 11.

Nine Inch Nails released the instrumental albums Ghosts V: Together and Ghosts VI: Locusts in 2020. More recently, they produced Halsey's excellent 2021 album If I Can't Have Love, I Want Power (one of our favorites of the year) and teamed up with HEALTH for the single "Isn't Everyone."

Read Next: Killing Joke guitarist Kevin “Geordie” Walker dies at 64

Nine inch nails 2022 tour dates.

4/28 - Raleigh, NC - Red Hat Amphitheater 4/30 - Atlanta, GA - Shaky Knees Festival 5/1 - Franklin, TN - First Bank Amphitheater 9/2 - Morrison, CO - Red Rocks Amphitheatre 9/3 - Morrison, CO - Red Rocks Amphitheatre 9/7 - Troutdale, OR - Edgefield 9/9 - Bend, OR - Hayden Homes Amphitheater 9/11 - Berkeley, CA - The Greek Theatre at UC Berkeley 9/15 - Las Vegas, NV - Zappos Theater 9/16-18- Los Angeles, CA - Primavera Sound Los Angeles 9/24 - Cleveland, OH - Blossom Music Center @&

@ - with Ministry & - with Nitzer Ebb

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Nine Inch Nails to score new TMNT movie like an animal

Nine Inch Nails announce Yves Tumor, 100 Gecs, Boy Harsher, and more for 2022 tour support

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Nine Inch Nails Reveal Spring + Fall 2022 U.S. Tour Dates

Nine Inch Nails ' 2021 tour plans did not come to fruition , but the band will be back on stages in 2022.

In fact, the group has just announced a brief run of spring tour dates, with a larger fall itinerary to follow. The spring run appears to be centered around the band's appearance at the Shaky Knees Festival in Atlanta on April 30, with dates booked in Raleigh, North Carolina and Franklin, Tennessee bookending the festival week.

As for the fall, the band will get back underway with a two-night stand Sept. 2-3 at Denver's Red Rocks Amphitheatre. More dates are booked through the month of September, winding down Sept. 24 at Cleveland's Blossom Music Center. While support acts have not been named for either of the tours, it was revealed that Ministry and Nitzer Ebb would open that final Cleveland date.

While Trent Reznor and Atticus Ross have primarily been tied up with their scoring work in recent years and they did take time out to produce Halsey's latest album, Reznor did tease a likely recording return for Nine Inch Nails last year right after their Oscar win for the Soul original score .

"What we've tried to do ... is break it up where we do some rock music and come back and do some film work. We've just done three pretty big [scores] with  Watchme n,  Mank  and  Soul  in a row," stated Reznor in a post-Oscar interview. "We should be on tour but Covid has prevented that and we are planning on working on Nine Inch Nails material as soon as probably tomorrow."

Tickets for Nine Inch Nails spring and fall shows will go on sale this Friday (Feb. 11) at 10AM local time. Check their website for ticketing info.

Nine Inch Nails 2022 Tour Dates

April 28 - Raleigh, N.C. @ Red Hat Amphitheater April 30 - Atlanta, Ga. @ Shaky Knees Festival May 1 - Franklin, Tenn. @ FirstBank Amphitheater Sept. 2 - Denver, Colo. @ Red Rocks Amphitheatre Sept. 3 - Denver, Colo. @ Red Rocks Amphitheatre Sept. 7 - Troutdale, Ore. @ Edgefield Sept. 9 - Bend, Ore. @ Hayden Homes Amphitheatre Sept. 11 - Berkeley, Calif. @ Greek Theatre at UC Berkeley Sept. 15 - Las Vegas, Nev. @ Zappos Theater Sept. 16-18 - Los Angeles, Calif. @ Primavera Sound Sept. 24 - Cleveland, Ohio @ Blossom Music Center (with Ministry + Nitzer Ebb)

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Nine Inch Nails Announce 2022 U.S. Tour Dates

Nine Inch Nails   have announced a set of 2022 tour dates set to take the band across the U.S. in April, May, and September. This will mark the group’s first U.S. tour after canceling all 2021 shows due to the COVID-19 pandemic.

The first leg of the tour will contain only three performances. NIN will start out at Raleigh, NC’s Red Hat Amphitheatre  on April 28th before a headlining slot at  Shaky Knees Music Festival   in Atlanta, GA on the 30th. This three-show run will conclude with a stop at  FirstBank Amphitheatre  in Franklin, TN on May 1st.

A summer tour of Europe will likely center around the group’s lone June date, a headlining spot at  Hellfest  in Clisson, FR on the 24th.  Trent Reznor   and  Atticus Ross   will then bring Nine Inch Nails back to the states in September where they will headline Red Rocks Amphitheatre  in Morrison, CO (9/2, 9/3). From there, the band will make its way through Troutdale, OR (9/7); Bend, OR (9/9); Berkeley, CA (9/11); Las Vegas, NV (9/15); and Los Angeles, CA’s Primavera Sound   (9/16–9/18). A six-day layoff will then bring the U.S. leg of the 2022 tour to a close in the birthplace of Nine Inch Nails, Cleveland, OH (9/24).

Tickets to all non-festival dates will go on sale to the general public this Friday, February 11th, at 10 a.m. local. Head to the band’s website for additional information and check out a detailed list of tour dates below.

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Nine Inch Nails Announce 2022 U.S. Tour Support: Yves Tumor, 100 gecs, and More

By Matthew Strauss

Nine Inch Nails have announced the opening acts for their upcoming U.S. tour . Joining Trent Reznor and the band at select dates are Boy Harsher, Yves Tumor, and 100 gecs, as well as Ministry and Nitzer Ebb. A press release notes that the acts were “personally curated by Trent Reznor .” Find Nine Inch Nails’ tour dates below.

Since they last toured in 2018, Nine Inch Nails have released Ghosts V: Together and Ghosts VI: Locusts . In addition, Trent Reznor and Atticus Ross have released music for Bird Box , Watchmen , Soul , Mank , and more. The musicians also worked with Halsey on If I Can’t Have Love, I Want Power and took home the Academy Award and Golden Globe for Best Original Score for their work on Soul , as well as the 2022 Grammy Award for Best Score Soundtrack for Visual Media .

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Nine Inch Nails:

04-28 Raleigh, NC - Red Hat Amphitheater * 04-30 Atlanta, GA - Shaky Knees Festival 05-01 Franklin, TN - First Bank Amphitheater * 05-22 Daytona Beach, FL - Welcome to Rockville 05-24 Philadelphia, PA - The Met Philadelphia ^ 05-25 Philadelphia, PA - The Met Philadelphia ^ 05-27 Boston, MA - Boston Calling Music Festival 09-02 Morrison, CO - Red Rocks Amphitheatre @ 09-03 Morrison, CO - Red Rocks Amphitheatre @ 09-07 Troutdale, OR - Edgefield @ 09-09 Bend, OR - Hayden Homes Amphitheater @ 09-11 Berkeley, CA - The Greek Theatre at UC Berkeley @ 09-15 Las Vegas, NV - Zappos Theater @ 09-17 Los Angeles, CA - Primavera Sound Los Angeles 09-22 Louisville, KY - Louder Than Life 09-24 Cleveland, OH - Blossom Music Center #%

* with Boy Harsher ^ with 100 gecs @ with Yves Tumor # with Ministry % with Nitzer Ebb

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NIN Live: 2022

April 28, 2022 - raleigh, nc, red hat amphitheater.

Setlist Somewhat Damaged The Day the World Went Away The Frail The Wretched March of the Pigs 1,000,000 Survivalism Piggy Closer The Perfect Drug The Becoming This Isn't the Place Every Day Is Exactly the Same I'm Afraid of Americans Fashion Only The Hand That Feeds Head Like a Hole Reptile And All That Could Have Been Hurt

Show Memorabilia

Known Recordings

Source 1: Audio - AUD (Schoeps MK4s + Babynbox + Sony PCM-A10) Taper: RyanJ Time: 107 minutes Rating: 4 out of 5 Hear a Sample: The Becoming, 2 Minutes Download the Full Show: .Zip File FLAC, 623.4 MB - 16-Bit .Zip File FLAC, 1.3 GB - 24-Bit Added to Archive: April 28th, 2022 Comments: NIN returns to the stage for the first time in three and half years with an amazing show!

Source 2: Audio - AUD (Schoeps MK4s > Babynbox > PCM-A10) Taper: TJ Time: 108 minutes Rating: 4.5 out of 5 Hear a Sample: Survivalism, 2 Minutes Download the Full Show: .Zip File FLAC, 564 MB - 16-Bit Added to Archive: April 28th, 2022 Comments: Another great tape from TJ

Source 3: Audio - AUD (AT853's (4.7k mod) > Tascam DR-05X) Taper: Mark T. Time: 106 minutes Rating: 4 out of 5 Hear a Sample: Only, 2 Minutes Download the Full Show: .Zip File FLAC, 609 MB - 16-Bit .Zip File FLAC, 1.3 GB - 24-Bit Added to Archive: May 1st, 2022 Comments: It’s about freaking time I returned to record some NIN! Ryan and I spent most of the pandemic talking almost daily and hanging out (when it was safe to do so)... just wishing that NIN would eventually get back out there. When the southeast dates were announced, we said - “We are GOING!” Fast forward to the show day - I met up with Ryan on a long drive to the show at the small but nice Red Hat Amphitheater in Raleigh. The pit was miniscule at this show so we were all really close to the band. Opening with Somewhat Damaged after that huge break of NIN shows… amazing!! Massive energy and the band was out to blow the place up! Right into The Day the World Went Away and off we went. They played all of the bigger songs I was looking for after such a big break. The highlights of this show were Every Day Is Exactly the Same and the amazing performance of The Perfect Drug which I was stoked to get! Trent was on fire, the band was in great form and overall the show kicked ass. We met up with TJ from Rage Against the Machine’s Live Archive and had a blast before the show and during it. Adam, Ryan’s brother, joined us and overall, our group was flawless. I was a bit nervous after not stealth taping for a very long time, but once I got a show recorded it felt natural again. Luckily I didn’t have many people around me going insane and the tape came out pretty solid considering we were SO close to the stage! The production and overall energy on the stage was so, so cool. Ilan smashing the drums along with Atticus’s programmed beats on Perfect Drug, the energy in the crowd… all flawless! Thanks to Ryan for getting me out to the show!

Source 4: Audio - AUD (Sony PCM-A10) Taper: zeegrizzle Time: 107 minutes Rating: 4.5 out of 5 Hear a Sample: This Isn't The Place, 2 Minutes Download the Full Show: .Zip File FLAC, 585 MB - 16-Bit .Zip File FLAC, 2.13 GB - 24-Bit Added to Archive: May 28th, 2022 Comments: Zeegrizzle taping all 3 nights of the first run of shows for NIN. I am impressed by the quality of the internal mics on these!

Source 5: Audio - MTX (Schoeps MK4s + Babynbox + Sony PCM-A10) + (Feed) Taper: RyanJ / Anonymous Time: 107 minutes Rating: 5 out of 5 Hear a Sample: The Wretched, 2 Minutes Download the Full Show: .Zip File FLAC, 1.25 GB - 24-Bit Added to Archive: December 6th, 2022 Comments: First show for NIN since 2018. It was absolutely incredible. They melted the place. Trent was very appreciative of every one coming out and the performance showed. The first time 'Everyday Is Exactly The Same' since 2006. I taped in front of the left stack. I was recording on level 2 on the A10 to start the show during Somewhat Damaged and my levels clipped and I immediately turned the volume down a few clicks. Only to realize I went to zero for about 3 seconds. I received the feed in my inbox over a month ago. I have been slowly working on matrixing the sources together. I did not know that they recorded. It was a treat to see from the first show of the tour when it came to my inbox! The audience tape is more apparent, as the feed is there to supplement. The feed ran a bit hot. But adding some reverb and compression helped to reduce the harshness. There are a few more to come.

Source 6: Audio - PRO (Soundboard) Taper: Unknown Time: 107 minutes Rating: 5 out of 5 Hear a Sample: Closer, 2 Minutes Download the Full Show: Not Available Added to Archive: February 5th, 2023 Comments: A raw soundboard... It includes 26 minutes of pre-show music.

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