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Star Trek: Voyager - Season 3

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• Star Trek: Voyager - Season 3
• Episode 02: Flashback

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Star Trek: Voyager - Episode Guide - Season 3

The slo-o-o-o-ow evolutionary progress of Star Trek: Voyager continues in season 3, as the show finally starts to more closely resemble, you know, Star Trek.

Voyager season 3 is still fairly uneven in quality, but some good old ST staples still get some good use in this season. The crew experiences trippy time paradoxes in “Coda” and “Before and After”, while the entire ship visits the 1990s a la Star Trek IV in “Future’s End.” The holodeck, well more used in Voyager than in any other ST series, is done extremely effectively in the ripping yarn “Worst Case Scenario” and the surprisingly interesting “Real Life.” (To be fair, however, there is “Alter Ego”…)

1. Basics, Part II – Talk about your pat resolutions: The Voyager crew survives in Stone Age conditions for about six hours of so and befriends a shaman while Paris, with the assistance of the Doctor, rounds up some galactic cavalry and Voyager is returned with nary a scratch. O yeah, Seska dies and the baby for which Janeway and Chakotay were willing to sacrifice ship and crew is never heard about again. **

2. Flashback – In Voyager’s version of “Trials and Tribble-ations,” Tuvok and Janeway mentally travel back to Tuvok’s time on the Excelsior, which awesomely intersects with the events of Star Trek VI: The Undiscovered Country, and gives Captain Sulu an opportunity to kick a little ass. ****

3. The Chute – With no knowledge of how they arrived, Paris and Kim find themselves in a prison straight out of Escape from New York. Kim’s sad attempts to act the aggressive badass are thankfully outweighed by a neat twist or two. ***

4. The Swarm – Janeway et al attempt to maneuver Voyage through a space packed with a swarm of small ships, but it’s Robert Picardo who deservedly gets the quality screen time. The Doctor’s memory is rapidly degrading and so B’Elanna crafts a holodeck program of the EMH’s designer, Dr. Zimmerman, to assist. ***

5. False Profits – Full disclosure: Star Trek Guide digs the Ferengi as fantastic satirical content on consumerism, so that may bias this synopsis. So … remember the dudes looking to bid on rights to a wormhole in the ST:TNG episode “The Price”? This is what happened to them after traveling through the ultimately unstable wormhole: The two conniving Ferengi found ways to exploit the local mythology of a nearby planet to their advantage; clearly The Prime Directive has no business (so to speak) conflicting with the Laws of Acquisition… ****

6. Remember – B’Elanna has recurring dreams which appear to be induced by visiting aliens called Enarans ; these are a side effect of an attempt to repress certain bits of Enaran history or something, but we’re still trying to figure out why Torres was susceptible rather than the Vulcans and Betazoids kicking around…**

7. Sacred Ground – Metaphysics and subatomic physics collide in a story that would likely have had Gene Roddenberry foaming at the mouth. When Kes is left comatose outside of a monastery while on shore leave, Janeway must take a less than scientific approach to restoring her to consciousness. **

8. Future's End, Part I – Kinda like Star Trek IV: The Voyage Home except not quite as humorous and set in the 1990s. An interesting time-travel tale which includes time travelers from the 29th century and Voyager’s escape into the 20th, where an unknown event will destroy the Earth 1,000 years later. Interesting stuff made even more compelling with Ed Begley Jr. playing an EEEvil Steve Jobs. ****

9. Future's End, Part II – Part II keeps the tension and intrigue high, while giving Tuvok and Paris some a few funny bits. Time ticks away as the unanswered questions demand resolution: Can Henry Starling be stopped? How will Voyager return to the 29th century? Does The Doctor get to keep that dope mobile emitter? And will Paris bag that attitudinal 90’s chick? ****

10. Warlord – An alien warlord takes control of Kes’s mind and whoa are the results boring … *

11. The Q and the Grey – Kind of like two Q-centric episodes put together: Q tries to convince Janeway to have a baby with him (guess he should have been around for Kes’s Elogium), and then reveals that Janeway’s decision in “Death Wish” has led to a civil war among the Q that’s having deleterious effects in the standard four-dimensional plane of existence. ***

12. Macrocosm – The classic virus-from-another-planet Star Trek trope goes one step further when a “macrovirus” invade Voyager. Watchable despite the silly presence, basically because The Doctor and Janeway are ultimately the only ones standing (literally). **

13. Fair Trade – Neelix finally admits that he knows nothing about the space they’re traveling through and goes on to whine about his uselessness. And then he gets scammed out of Voyager resources thanks to an “old friend.” **

14. Alter Ego – Kim and Tuvok vie for the affections of a holodeck babe, which then (sigh) comes to life outside the holodeck. *

15. Coda – Head trip for Janeway: The captain appears to be trapped in a time loop involving various death scenarios before the plot line takes a crazy left turn into the afterlife. ***

16. Blood Fever – Another rule of Voyager: Any story line involving B’Elanna Torres flipping out can immediately be labeled a non-classic. In this pretty silly episode. Tuvok goes through Pon Farr – and “passes it” to B’Elanna. I know, right? 0

17. Unity – In an episode set just outside of Borg space, a couple of subplots featuring the deadly force involve the investigation of a dead Borg cube and rogue Borg units who have (mostly) de-assimilated from the collective. ****

18. Darkling – Picardo gets to chew the scenery a bit in this one, based on an attempt by the Doctor to expand his personality. Unfortunately, this experiment goes awry and a Mr. Hyde type emerges at random. ***

19. Rise – Tuvok and Neelix (gods help us) crash land a shuttle (no kidding). Sensors and transporters aren’t working (imagine that) because reasons, so Neelix lies, claiming to know how to repair the nearby space elevator; also, there’s a bomb aboard. And Neelix squeakily complains that Tuvok doesn’t respect him. *

20. Favorite Son – In a plot line straight out of Kirk’s playbook, Kim is revealed to actually be a member of another species and is recalled to a planet where women are the vast majority, so even the ensign can get some. Or so he thinks … **

21. Before and After – Head trip for Kes: She suddenly finds herself years in the future and saddled with a terminal disease. She then begins traveling backward through her life. ***

22. Real Life – The Doctor creates a too-perfect family with whom to interact on the holodeck, so it’s a good thing that Anson Williams of Happy Days fame is aboard to direct. Includes a surprisingly touching ending. ***

23. Distant Origin – A nice script steadily unpacks a compelling tale about a reptilian scientist who believe their species evolved from humans. This one includes a very interesting reaction to the typical stirring speech by Chakotay as well… ****

24. Displaced – Head trip turns into invasion, as Voyager crew members are replaced one at a time by aliens who’ve discovered quite the unique pilfering strategy… ***

25. Worst Case Scenario – This show may take (justifiable) flak for overusing the holodeck, but at least three Voyager episodes make the list of top ST stories using the device. This is the first of the best. When a mysterious, anonymously-programmer holo-program starring the Voyager bridge crew and set in a time of Maquis rebellion, nearly everyone on board is obsessed. When the “author” is revealed to be Tuvok and the “holonovel” actually a training exercise, the crew nevertheless encourage him to finish writing; Paris offers to lend a hand. ****

26. Scorpion, Part I – The wussification of the Borg begun in the post-Best of Both Worlds seasons of ST:TNG continues, as the Voyager crew discovers a totally badass bunch of dudes known only as Species 8472. The Borg then condescend to negotiate (!) with Janeway regarding safe passage though Borg space in order for assistance with the 8472s.

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Star Trek: Voyager – Season 3, Episode 22

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Watch Star Trek: Voyager — Season 3, Episode 22 with a subscription on Paramount+, or buy it on Fandango at Home, Prime Video.

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Cast & crew.

Kate Mulgrew

Capt. Kathryn Janeway

Robert Beltran

Roxann Dawson

B'Elanna Torres

Robert Duncan McNeill

Jennifer Lien

Ethan Phillips

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Star Trek: Voyager - Season 3

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As Capt. Janeway and her crew continue their journey home, they face many obstacles, including a time rip that sends them back to 20th-century Earth.

20 Episodes

S3 e1 - basics (2), s3 e2 - flashback, s3 e3 - the chute, s3 e4 - the swarm, s3 e5 - false profits, s3 e6 - remember, s3 e7 - sacred ground, s3 e8 - future's end (1), s3 e9 - future's end (2), s3 e10 - warlord, s3 e11 - the q and the grey, s3 e12 - macrocosm, s3 e13 - fair trade, s3 e14 - alter ego, s3 e15 - coda, s3 e16 - blood fever, s3 e17 - unity, s3 e18 - darkling, s3 e19 - rise, s3 e20 - favorite son, where does star trek: voyager rank today the justwatch daily streaming charts are calculated by user activity within the last 24 hours. this includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. this includes data from ~1.3 million movie & tv show fans per day..

Streaming charts last updated: 9:30:05 p.m., 2024-06-02

Star Trek: Voyager is 4985 on the JustWatch Daily Streaming Charts today. The TV show has moved up the charts by 2208 places since yesterday. In Canada, it is currently more popular than From Darkness but less popular than CSI: Cyber.

Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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Star Trek: Voyager

Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home. Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home. Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

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• Trivia When auditioning for the part of the holographic doctor, Robert Picardo was asked to say the line "Somebody forgot to turn off my program." He did so, then ad-libbed "I'm a doctor, not a light bulb" and got the part.
• Goofs There is speculation that the way the Ocampa are shown to have offspring is an impossible situation, as a species where the female can only have offspring at one event in her life would half in population every generation, even if every single member had offspring. While Ocampa females can only become pregnant once in their lifetime, if was never stated how many children could be born at one time. Kes mentions having an uncle, implying that multiple births from one pregnancy are possible.

Seven of Nine : Fun will now commence.

• Alternate versions Several episodes, such as the show's debut and finale, were originally aired as 2-hour TV-movies. For syndication, these episodes were reedited into two-part episodes to fit one-hour timeslots.
• Connections Edited into Star Trek: Deep Space Nine: Inter Arma Enim Silent Leges (1999)

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Star Trek Voyager - The Complete Third Season

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Product Description

26 episodes on 7 DVDs. 7 DVDs. 1996-97/color/19 hrs/NR/fullscreen.

Season 3 had a few clunkers (the guilty pleasure "Macrocosm" puts Janeway in stripped-down "Ripley" mode against invading macro-viruses, and Ensign Kim is an awkward "Favorite Son" to a bevy of babes), but for every misstep there's a strong science-fiction concept, like the highly-evolved Hadrosaurs in "Distant Origin," which doubles as a compelling indictment of institutionalized repression. Overall, this is rock-solid Trek , and the DVD features are equally engaging, albeit growing more perfunctory (especially the season 3 summary) with each full-season release. Don't forget the Easter eggs hidden on the special-features menus, however; they contain some of the set's happiest surprises. --Jeff Shannon

Product details

• Aspect Ratio ‏ : ‎ 1.33:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ NR (Not Rated)
• Product Dimensions ‏ : ‎ 7.75 x 5.5 x 1.25 inches; 11.2 ounces
• Item model number ‏ : ‎ PRT50794DVD
• Media Format ‏ : ‎ Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC, Subtitled
• Run time ‏ : ‎ 19 hours and 46 minutes
• Release date ‏ : ‎ July 6, 2004
• Actors ‏ : ‎ Kate Mulgrew, Robert Beltran
• Subtitles: ‏ : ‎ English
• Language ‏ : ‎ English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1), Unqualified
• Studio ‏ : ‎ Paramount
• ASIN ‏ : ‎ B000228EBS
• Number of discs ‏ : ‎ 7
• #1,941 in Science Fiction DVDs

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We Finally Know When 'Star Trek: Prodigy' Season 2 Will Hit Netflix

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The Big Picture

• Star Trek: Prodigy's second season premieres on Netflix on July 1, 2024.
• The story continues as the group embarks on a mission to find Voyager's Chakotay in the Delta Quadrant with the guidance of Admiral Janeway.
• The show's creators hint at a potential seven-season run, promising more adventures and excitement for fans of the series.

It's been a long year for fans of Star Trek: Prodigy , but the animated series' long-awaited next season is finally in sight. Netflix will reportedly release the second season of the kid-aimed Star Trek series on July 1. TrekCore.com reports that the release date can be seen on Netflix's app.

The second season of the series, which follows a ragtag group of alien teenagers in the galaxy's Delta Quadrant as they try to use an experimental Starfleet ship, the USS Protostar , to escape an evil dictator, didn't seem like a sure thing at one point. Last year, the series was canceled and deleted from its original streamer, Paramount+, even though its second season was nearly complete. Fan outrage ensued over the well-received show's cancelation, and a letter-writing campaign was launched ; Prodigy was eventually picked up by Netflix , who are currently streaming the show's first season. Fans have been waiting for the next season's release ever since, although it was released in France several months ago.

What Do We Know About 'Star Trek: Prodigy' Season 2?

In "Supernova", the two-part finale of Prodigy 's first season, the USS Protostar was destroyed, as was the cadets' mentor, a holographic avatar of legendary Starfleet commander Kathryn Janeway ( Kate Mulgrew ). However, the group escaped their foes, saved Starfleet, and made it to Federation territory. There, they met the real Janeway, who took them on as warrant-officers-in-training aboard a new Protostar-class ship. Janeway wants them on a mission to return to the Delta Quadrant to find her Voyager first officer Chakotay ( Robert Beltran ), who was lost in the region aboard the Protostar in the first place. The series will presumably also deal with the fate of Gwyn ( Ella Purnell ), who departed the group in the first-season finale to try and bring peace to her people, the Vau N'Akat. A clip of the second-season premiere was also released last year, which reveals that a familiar Star Trek voice will have a part to play in the series. In it, the Prodigy cadets meet the holographic Doctor ( Robert Picardo ), who was Janeway's chief medical officer on the original Voyager .

Will there be more Prodigy after its second season? Only time can tell, but in an interview with Collider , Prodigy writers and executive producers Dan and Kevin Hageman said "We wrote this thing to go seven seasons at least."

Watch on Netflix

Season 2 of Star Trek: Prodigy will debut on Netflix July 1, 2024 . Stay tuned to Collider for future updates.

Star Trek: Prodigy

A group of enslaved teenagers steal a derelict Starfleet vessel to escape and explore the galaxy.

10 Best Star Trek: Voyager Episodes, Ranked

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Everything about Star Trek: Voyager was a risk when the series debuted following the end of Star Trek: The Next Generation , an incredibly popular series. The flagship show of the nascent United Paramount Network, Captain Kathryn Janeway and her crew faced familiar struggles from fans. Their story, however, took the Star Trek universe to a new part of the galaxy. The Delta Quadrant hosted never-before-seen alien species and was the backyard of the Borg.

Through syndication and wide streaming access, Star Trek: Voyager is now regarded as a classic of this universe's second wave. Voyager finished its journey strong, and the addition of Seven of Nine -- a human drone rescued from the Borg collective -- changed the series for the better. Now in the third wave of the franchise, Seven of Nine is the captain of the USS Enterprise-G, and Janeway is now a Vice Admiral leading the young cadets of Star Trek: Prodigy . Below are the episodes that best showcase why Voyager is among Star Trek's most beloved series

10 'Distant Origin' Is the Kind of Social Allegory Star Trek Does Best

Voyager is caught up in a tale about scientific truth, immigration and acceptance, how did star trek: voyager become a tv series.

Star Trek: Voyager debuted after The Next Generation ended its historic run, but Captain Janeway's series was in development long before then.

The only episode on this list before Seven of Nine joined the crew, "Distant Origin" is representative of what Star Trek does best . It's a high-concept story about scientific exploration and the ways entrenched powers oppress the truth and those who seem "lesser" than them . The Voth are a superior race of intelligent beings that evolved tens of millions of years in Earth's past and took the stars.

The titular theory threatens the social order of the Voth, and the idea that they have a right to oppress others because they are "the first race" in their sector of space. Ironically, the episode spends much of its time away from the USS Voyager. It's not really their story, but rather the story of the Voth scientist facing punishment for violating "doctrine."

9 'Dark Frontier' Reveals Seven of Nine's Human Past and Importance to the Borg

This episode ties voyager to first contact and the next generation.

A feature-length two-part episode, "Dark Frontier" brings the Borg Queen to television for the first time since the character was created for Star Trek: First Contact . It also reveals how Annika Hansen and her parents came to be assimilated by the Borg. Part-heist story and part "mythology episode," which gives viewers a courtside view to how the Borg assimilate a species.

The USS Voyager plans to steal some Borg technology to help them get to Earth more quickly, but it's trap to recapture Seven of Nine. The Borg Queen reveals that Seven of Nine was "allowed" to leave the collective, and her recapture is meant to make her the human face of the Borg invasion of Earth, just as Locutus (Jean-Luc Picard) and Vox (Jack Crusher) were meant to be. In rescuing Seven of Nine, Captain Kathryn Janeway proves herself to be the Borg's biggest threat .

8 'Drone' Is a Perfect Blend of Star Trek Weirdness and Character Study

A high-concept voyager episode with a deeply emotional ending.

In "Drone," the holographic Doctor and Seven of Nine have a baby, of sorts. Originally bound to sickbay and the holodecks, the Doctor was given a 29th Century mobile emitter by Henry Starling. A transporter accident blends Borg "nanoprobes" with this technology creating a 29th Century Borg drone, just without a collective. He names himself "One," becoming something like a son to Seven of Nine.

One accidentally signals the Borg collective, which shows up to assimilate him and the USS Voyager. One is curious about his people, yet he's fully an individual . First, he helps the crew fight the Borg cube, but even his 29th Century know-how can't match the cube's raw firepower. He sacrifices himself in truly epic fashion, saving the ship but breaking Seven of Nine's heart .

7 'Endgame' Is the Epic Series Finale for Voyager and the Borg

Janeway brings the crew home and defeats star trek's worst enemy, star trek: voyager actor weighs in on controversial tuvix debate.

Star Trek: Voyager's Tuvix actor Tom Wright shares his opinion on whether Janeway made the right decision about his character's fate.

While everyone from fans to some of the cast lament the series finale of Star Trek: Voyager didn't show the ship actually arriving on Earth, it's still a fantastic finale. It begins many years after the previous episode, when the USS Voyager does arrive on Earth. Now a Vice Admiral, Janeway travels back in time with a plan to bring the ship and immobilize the Borg. All it will cost her is her life.

The beginning of the finale shows a version of the crew's future, though not everyone made it to Earth. The Elder Janeway's plan is ambitious and takes the ship right into the heart of the Borg society. While her younger counterpart gets her ship home, the elder Janeway has a final showdown with the Borg Queen. "Endgame" is full of spectacle appropriate for a series finale, while not sacrificing attention on the characters fans loved .

6 'Year of Hell' Is an Epic Two-Part Struggle for Survival

A year-long episode of star trek: voyager was almost a whole season.

The "Year of Hell" is a two-part episode that, according to Star Trek Voyager: A Celebration , could've lasted for an entire season. The episode centers on a new species called the Kremin, who developed a "timeship" that could erase entire civilizations from history. The captain and lead scientist, Annorax , continues these temporal incursions and sets his sights on the USS Voyager.

The two-part episode takes place over an entire year, with the USS Voyager and the Krenim engaging in a running war. The ship is damaged, the crew is battered and demoralized. The resolution resets the series' status quo. Had the fallout from this taken a full season, the show might have gotten too dark. This two-part epic is just enough "hell" to make this episode a classic instead of "the one where the season started to go downhill." The Krenim and the idea of the "Year of Hell" was mentioned in Season 3's "Before and After," when Kes visited a possible future.

5 'Timeless' Is About the Death and Resurrection of the USS Voyager

The survivors of the uss voyager break the prime directive to rewrite history.

Time travel is a Star Trek staple , and Voyager featured a lot of it. In "Timeless," select members of the crew survive after the USS Voyager is destroyed. The episode was directed by LeVar Burton who also appeared as Captain Geordi La Forge from the alternate future. As the surviving crew tries to change the past, La Forge has to stop them from violating the "Temporal Prime Directive."

Along with being a dark look at the future, the episode is emotionally heavy, especially for Chakotay and Harry Kim. The latter blames himself for the accident that destroyed the ship. He is determined to fix that mistake. Even though he's successful, the episode ends on a down note as the elder Kim sends a message to his younger self.

4 'Message In a Bottle' Brings Voyager One Step Closer to Home

The emergency medical holograms prove their mettle as starfleet officers, star trek: prodigy is the last hope for janeway and chakotay shippers.

Star Trek: Prodigy brought Voyager characters Kathryn Janeway and Chakotay back into their story and there is a chance for the romance fans never got.

The Romulans appear in "Message In a Bottle," one of the rare times a classic Star Trek alien species appears in Voyager other than the crew. The ship discovers a massive sensor array, and Seven of Nine sends the Doctor to another Starfleet vessel on the edge of Federation space. The array is the bottle, and he is the message. However, the ship is experimental and has been overtaken by Romulans.

The Doctor meets the Mark II version of the Emergency Medical Hologram used by Starfleet, and the irascible pair have to take on the Romulans. Along with being a thrilling episode in its own right, "Message In a Bottle" was important to the overall story. It's the first time the USS Voyager is able to make contact with Starfleet, letting them know the ship was not destroyed .

3 'Living Witness' Is Unlike Any Other Star Trek Episode

The closest the uss voyager ever got to the 'mirror universe'.

Another Doctor-heavy episode, "Living Witness" is a truly unique premise, not just for Voyager but Star Trek itself. Much of the episode is set far in the future from the 24th Century, in a society where the USS Voyager, Starfleet and Captain Janeway have become myth. A copy of the Doctor's program is discovered, and a researcher at the museum reactivates him.

The holographic recreations of the USS Voyager are like Mirror Universe versions of the characters fans know. As the Doctor tries to set the record straight, it causes social upheaval in the society. Ultimately, he urges the researcher to deactivate him and maintain peace on his planet, at the cost of the truth . Though, an even further future ending scene shows the truth eventually came out.

2 'Scorpion' Represents an Ending and a Beginning for Voyager

These episodes introdce the borg and seven of nine, star trek: prodigy's connection to voyager, explained.

Star Trek: Prodigy is a new series with new characters in the universe, but the series is directly connected to Voyager through characters and ships.

The end of Star Trek: Voyager Season 3 and start of Season 4 began the ship's frequent conflicts with the Borg. The second part of the two-part episode also introduces Seven of Nine, as Captain Janeway makes an alliance with the Borg . They encounter a new alien, species 8472 from a dimension of "fluidic space" with no other lifeforms. They are immune to assimilation.

The first episode cold open is short but powerful. A pair of Borg cubes descend on the unseen species 8472 and are destroyed. "Scorpion" is as consequential to Voyager as the classic Season 3 to 4 " Best of Both Worlds " was to The Next Generation . Unlike the USS Enterprise, which only had to deal with a single Borg cube, the USS Voyager was in the heart of Borg space.

1 'Blink of an Eye' Is a Classic Star Trek Episode with a Unique Concept

The top-rated star trek: voyager episode encompasses everything the franchise does best.

The USS Voyager finds itself stuck in the orbit of a planet that has a strange time variance, due to a heavy concentration of "chronaton particles." While the ship spends less than a week in this predicament, the time differential means the ship is viewed in the sky by the planet's indigenous population for a millennia. The "skyship" is the subject of myth, religion, pop culture and serves as an impetus for scientific advancement.

Because of the Prime Directive , the crew avoids making contact with the population, even though the presence of the ship causes frequent planetwide earthquakes. However, as the society advances, explorers from the planet come to the ship. It's a classic Star Trek episode despite being so unique. Just like "Distant Origin," it deals with the idea of scientific exploration, respect for other cultures or societies, and the propensity for any species to turn to violence when faced with the unknown .

Star Trek: Voyager is available to own on Blu-ray, DVD, digital and streams on Paramount+ and Pluto TV.

Star Trek Voyager

Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

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Published May 29, 2024

The Darkest Treks: Star Trek's Closest Calls with Black Holes

From lost probes to ancient treasure, Starfleet's encounters with black holes require science know-how and faith of the heart.

This article contains story details and plot points for Star Trek: Discovery's "Lagrange Point."

StarTrek.com

As the journey of Star Trek: Discovery comes close to reaching its endpoint, the eponymous starship and crew have found themselves at the end of a very long road. In the search for the technology left behind by the mysterious Progenitors , we learn that the technology itself has been hidden at a specific spot, right in a tricky place, between two black holes. In scientific terms, this is called a " Lagrange Point ," which is where the episode gets its name and refers to a location in space between two bodies in which gravitational attraction and repulsion are enhanced, creating what NASA calls "parking spots," in space.

In this case, the two bodies that have created a small parking spot are two black holes, rendered in all their glory, resembling what physicist Kip Thorne posits black holes would really look like if observed from a spaceship. But, Star Trek has been thinking about black holes, long before current science was really sure what they might look like, and, as such, Starfleet's history with this phenomenon goes deep. So deep, you might say, that light can't even escape!

Here's a brief history of Star Trek 's best black hole adventures, and how these wonderfully mysterious phenomena continue to pull us in.

Voyager 6 … I Presume?

Star Trek: The Motion Picture

In Star Trek: The Motion Picture , the crew of the Enterprise learn that a giant machine intelligence known as V'Ger is really a mash-up of an ancient alien lifeform and an old Earth space probe called Voyager 6 . Decker tells us that the probe "disappeared into what they used to call a black hole." In 1979, the same year as the Disney sci-fi romp titled The Black Hole , the actual term "black hole" was still relatively new, at least in the popular consciousness. Although the etymology of "black hole," can be traced to the early 1960s, it was not until 1967 — smack-dab in the middle of the first run of The Original Series — that the scientific term became more widely used. Before the 1960s, referring to a collapsed star with an unbeatable gravitational pull wasn't standardized, and as far back as the 1700s, the term "dark star" was often used instead.

"Beyond the Farthest Star"

This is why Decker says people used to call various gravitational phenomena black holes. At the time, the coinage was still fairly new! In The Animated Series debut episode, "Beyond the Farthest Star," the Enterprise gets into the orbit of a "dead star," which is an imprecise astronomical term, because again, at the time, black holes had just recently become fully codified as black holes.The 1967 TOS episode " Tomorrow is Yesterday ," also mentions that the Enterprise uses a "black star" to create a slingshot effect and travel back in time. In theoretical physics, a "black star" is a kind of alternative theory to a black hole, but, it's also possible that in "Tomorrow is Yesterday," Starfleet merely called it a black star, and it was really a black hole.

In real life, NASA has not lost any probes to black holes, at least not that we know. But, on Voyager I and Voyager II , there is a golden record, containing various pieces of information about Earth, including an audio recording of Nick Sagan saying, "Hello from the children of planet Earth." Sagan is the son of Carl Sagan and was a writer for The Next Generation and Voyager .

Singularity Headaches from Voyager to Enterprise

"Parallax"

Speaking of spacecraft called " Voyager ," the wayward crew in Star Trek: Voyager dealt with more than their fair share of black hole conundrums. In the second regular episode of Voyager , ever, " Parallax ," they encounter an event horizon of a "quantum singularity." In physics, the center of a black hole is called a singularity, the place of infinite density. In "Parallax," the proximity to this singularity the Voyager crew believed there was another ship trapped in the same area of space, but, in reality, it was a time-delayed echo of Voyager itself.

In the episode " Hunters ," the Voyager crew was able to transform a microsingularity into a full-blown black hole, and thus, destroy an attacking Hirogen ship. A few years later in Earth time — but roughly 200 years prior in Star Trek time —  the Enterprise episode " Singularity " found the crew of the NX-01 skirting the edge of a black hole, resulting in everyone becoming obsessed with irritating minutiae. You could say, the proximity to the singularity of a black hole made the crew single-minded .

Real Black Holes Come To Star Trek

"If Memory Serves"

As NASA has pointed out over the years, black holes are not fully understood by contemporary science, an evolving truth that is reflected over the years throughout all of Star Trek , too. This is why, it wasn't until the 2019 Discovery episode " If Memory Serves " that we got our first Star Trek glimpse of what current science thinks a black hole might really look like. When siblings Spock and Burnham take an unauthorized road trip to Talos IV, the Talosians create an illusionary black hole around their planet to ward off the visitors. From this point, all versions of Star Trek have begun using this conception of black holes on-screen. While the red-matter-generated black hole Spock created in the 2009 Star Trek film looks incredible, the version first depicted in Discovery Season 2 is more scientifically up-to-date.

This contemporary version of a black hole also appeared in the Strange New Worlds episode " Memento Mori ," in which the Enterprise crew uses the gravity of a brown dwarf star — tethered to a black hole — to escape attacks from the Gorn. A black star of this nature also appears in the opening credits of every single episode of Lower Decks , in which it appears the U.S.S. Cerritos almost gets sucked into a black hole, but, thankfully, narrowly escapes.

"Lagrange Point"

Because Discovery pioneered this newer look for black holes, it's fitting that two black holes appear in the penultimate episode of the entire series. From navigating the multiverse to the mycelial network, Discovery has had more than its fair share of encounters with the stormy weather of outer space. But, with the double black holes of "Lagrange Point," Discovery proves that when it comes to space obstacles, sometimes, the classics work best.

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Ryan Britt is the author of the nonfiction books Phasers on Stun! How the Making and Remaking of Star Trek Changed the World (2022), The Spice Must Flow: The Journey of Dune from Cult Novels to Visionary Sci-Fi Movies (2023), and the essay collection Luke Skywalker Can’t Read (2015). He is a longtime contributor to Star Trek.com and his writing regularly appears with Inverse, Den of Geek!, Esquire and elsewhere. He lives in Portland, Maine with his family.

Star Trek: Discovery Seasons 1-4 are streaming exclusively on Paramount+ in the U.S., the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. The series streams on Super Drama in Japan, TVNZ in New Zealand, and SkyShowtime in Spain, Portugal, Poland, The Nordics, The Netherlands, and Central and Eastern Europe and also airs on Cosmote TV in Greece. The series is distributed by Paramount Global Content Distribution.

• May 31, 2024 | Podcast: All Access Says Farewell To ‘Star Trek: Discovery’ With “Life, Itself”
• May 30, 2024 | Alex Kurtzman Explains Why ‘Star Trek: Starfleet Academy’ Is Set In The ‘Discovery’ Era
• May 30, 2024 | Recap/Review: ‘Star Trek: Discovery’ Pulls It All Together For “Life, Itself”
• May 29, 2024 | ‘Star Trek: Strange New Worlds’ Season 4 Filming Set For 2025; Anson Mount Thanks Fans For Patience
• May 29, 2024 | Watch: Saru Has A Daring Plan To Save The Federation In Clip From ‘Star Trek: Discovery’ Season 5 Finale

Watch: Saru Has A Daring Plan To Save The Federation In Clip From ‘Star Trek: Discovery’ Season 5 Finale

| May 29, 2024 | By: TrekMovie.com Staff 18 comments so far

The season 5 finale (which is also the series finale) of Star Trek: Discovery arrives tomorrow. A new clip gives us a clue of what Saru’s role will be wrapping things up. Watch it below, with SPOILERS .

One last mission for Saru…

Here is the brand new preview (via IGN ) for “Life, Itself” with Doug Jones as Saru and Rachael Ancheril as Commander Nhan and Oded Fehr as Admiral Vance…

For more from Doug Jones, check out our brand new interview with the actor . We will have more from Doug after the season finale debuts.

ICYMI: Episode Trailer

Here is the episode preview…

“Life, Itself” debuts on Paramount+ on Thursday, May 30.

The fifth and final season of  Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+  in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria.  Discovery also premiered on April 4 on Paramount+ in Canada and will be broadcast on Bell Media’s CTV Sci-Fi Channel in Canada. The rest of the 10-episode final season will be available to stream weekly on Thursdays. Season 5 debuted on SkyShowtime in select European countries on April 5.

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And sir it’s the Enterprise

I’ve seen some theories online it shows up…

I’m willing to bet money on this, yes.

NCC-1701-P , the “Picard” Enterprise

I’m sure the yields are exponentially bigger, but it’s a little wild to think Starfleet is still using photon torpedos after 1000 years.

The Enterprise coming to the rescue would make me forget all the annoying things about DSC… I forget how the ISS 1701 even reappeared this season but isn’t it still a 900 year old ship? What can it do against the Breen, unless they gave it a refit…

Yeah it would make no sense. It’s an ancient ship that has basically been sitting stagnant for nearly a millennium. And against the Breen???

And it would be crazy they gave it a complete refit in a week lol. That said this is still Discovery, so…

I’m not sure where people are getting the idea that the Enterprise could be coming to the rescue. The clip only mentions Saru’s shuttle.

Besides, I rather see the Voyager-J come to the rescue with command hologram Janeway.

Yeah the Voyager J would actually make sense. Fully onboard with that idea.

They did it for Discovery.

However, the 32nd Century DOES have an Enterprise. It was mentioned in Season 4.

As someone who hasn’t watched Discovery since season 1, does the camera ever stop shaking?

Yeah, same here. For some reason I thought the shaky cam had gone out of style in recent years. Guess it’s still hanging in there.

I would say it’s less shaky than just constantly moving. In any given shot there’s almost always a subtle pan/zoom – not so much as to be distracting, but it’s definitely noticeable if you’re paying attention.

Farwell Commander Nhan

And Saru too? They seem to be telegraphing that those guys are going to die.

Honestly, I’m just excited that we might see this oft talked about new fangled pathway drive, after it’s been teased since the first episode of season 4.

Uh, which midnight? Not Eastern.

Probably the same time that’s always been in your time zone.

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Star Trek: Discovery tore itself apart for the good of Star Trek’s future

And it helped set the tone for where Star Trek is now

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If you were to jump directly from the first episode of Star Trek: Discovery to its finale — which just debuted on Paramount Plus — the whiplash would throw you clear out of your seat like your ship had suffered an inertial damper malfunction. Since its first two chapters premiered on CBS All Access in 2017, the series has moved to a different ship and a different century, and has acquired an almost entirely different set of characters. Moreover, Discovery has received a radical tonal refit, evolving in fits and starts from a dark and violent war story to a much sunnier action-adventure serial.

Though it never won the mainstream attention or critical acclaim of its spinoff, Strange New Worlds , nor the gushing fan adulation of Picard ’s Next Gen reunion , Discovery spearheaded Star Trek’s return to television , the franchise’s maiden voyage into the frontier of premium streaming content. Like any bold pathfinder, Discovery encountered obstacles, suffered losses, and made some major course corrections. But, if you ask the cast and crew, the adventure has been more than worth the tumultuous journey.

Tacking into the wind

“We were on wobbly legs for a long time,” admits star Sonequa Martin-Green, whose character, Michael Burnham, has had the rug pulled out from under her a number of times over the course of the series. In the first season and backstory alone, Burnham lost her parents, saw her mentor murdered, was tried for mutiny, discovered that her first love is a Klingon sleeper agent, and was betrayed by not one but two Mirror Universe doppelgängers of trusted Starfleet captains.

Move over, Deep Space Nine — this was instantly the grimmest canonical depiction of the Star Trek universe on screen. Season 1 of Discovery was rated TV-MA and featured more blood and gore than the franchise had ever seen, not to mention an instance of graphic Klingon nudity. (Actor Mary Wiseman recalls seeing her co-star Mary Chieffo walking the set wearing prosthetic alien breasts and thinking, What the hell? ) The corpse of Michelle Yeoh’s character is cannibalized by Klingons off screen, and her successor, portrayed by Jason Isaacs, turns out to be a manipulative psycho from the Mirror Universe who tries to mold Burnham into his plaything.

The bleak, adult-oriented tone was not the only sticking point with Star Trek purists, as Discovery would take place a decade before the original 1960s Star Trek but have a design aesthetic much closer to that of the 2009 movie reboot, leading to some irreconcilable clashes with continuity. The show’s serialized, season-long arcs were a far cry from the familiar “planet of the week” stories of most previous incarnations of the franchise. Then there was Burnham’s backstory as the never-before-mentioned human foster sister to Trek’s iconic Vulcan Spock , a creative decision that has “clueless studio note” written all over it. Even ahead of its debut, Discovery faced vocal opposition from the fan base for straying so far from their notion of what Star Trek was supposed to be. (Not to mention the revolting but quite vocal faction of fans who were incensed that Star Trek had “gone woke,” as if it hadn’t been that way the whole time.) Many of Discovery ’s detractors flocked toward The Orville , a Fox series starring and created by Seth MacFarlane that was essentially ’90s-style Star Trek with the occasional dick joke thrown in. The Orville offered fans alienated by Discovery ’s vastly different approach to Star Trek a more familiar (but far less ambitious) alternative.

The grim Klingon War story was the brainchild of co-creator Bryan Fuller, who had been a member of the Star Trek: Deep Space Nine and Voyager writers rooms before creating cult series like Pushing Daisies and Hannibal . Fuller would end up departing Team Discovery before production even began, asked to resign after a string of creative differences with the studio. New showrunners Aaron Harberts and Gretchen J. Berg carried out a version of Fuller’s plans without him, and then oversaw the show’s first major pivot. Discovery ’s second season was immediately brighter, more colorful, and cozier with established Star Trek lore. (This is the arc that would introduce the versions of Pike , Spock , and Number One who now lead Strange New Worlds .) But things weren’t so sunny behind the scenes — Harberts and Berg were fired midway through the season after writers accused the duo of creating an abusive work environment.

As different as Discovery would eventually stray from the HBO-style drama of its first season, co-creator Alex Kurtzman feels that the mission of the series has never changed.

“One of the things that we set up in season 1 is that we knew that Burnham would start as a mutineer and end up a captain,” says Kurtzman. “What was exciting about that is that we knew it would take time.”

Captain on deck

It was after Harberts and Berg’s departure that Kurtzman, who had remained involved but been primarily occupied with the development of the growing television Star Trek franchise as a whole, took the helm of Discovery himself. Before long, he would promote writer and co-executive producer Michelle Paradise to the role of co-showrunner, which she would retain for the remainder of the series. Just as the late, great Michael Piller did during the third season of The Next Generation , Paradise brought a sense of stability and confidence to Discovery , which reverberated onto set.

“I commend Michelle Paradise and the rest of the writers because this show evolved ,” says Martin-Green. “Our initial showrunners, Aaron Harberts and Gretchen Berg, they made their impact and that’ll never be erased, but landing where we did with Michelle co-showrunning with Alex Kurtzman, jumping farther than any Trek had gone before, I feel that’s when our feet were solid on the ground and when we really established our identity.”

Season 2 fell into a steady rhythm that felt more in tune with Kurtzman’s “movie every week” philosophy, never far in tone from the reboot film trilogy on which Kurtzman served as a writer and producer. The steady presence of Michelle Yeoh’s deliciously amoral Emperor Georgiou was a major boon, essentially becoming Star Trek’s answer to Buffy ’s Spike or Dragon Ball Z ’s Vegeta. However, Discovery was also undeniably borrowing clout from legacy characters Pike and Spock, and the constant friction with established canon wasn’t sitting well with Kurtzman or the audience.

The season ended with a surprising twist that resolved the continuity problems but also changed the entire nature of the show. The titular starship and its crew would be propelled 930 years into the future, past the furthest fixed point in Star Trek’s continuity. No longer forced to tiptoe around the sacred canon, Discovery was free to sprint in a bold new direction. Once again and in a more tangible way, it was a whole new show.

“If the folks who came in had sort of taken us off the rails that would have been a very different experience,” says Anthony Rapp, who portrays the prickly Commander Paul Stamets. “But Michelle Paradise came through as such a shining light and a beautiful presence in our lives. She took the show into this territory of being able to have the heart in its center in a way that felt very grounded and meaningful, and really helped us to make that transition.”

An open sky

Season 3 of Discovery offered Kurtzman, Paradise, producing director Olatunde Osunsanmi, and the rest of the creative team a rare opportunity to completely rewrite Star Trek’s galactic map . Not since the launch of The Next Generation in 1987 had a writers room been able to venture onto such “fresh snow,” as Paradise puts it. In the 32nd century, beyond the furthest point explored in the established Trek canon, the righteous United Federation of Planets has all but collapsed in the aftermath of “the Burn,” a mysterious space calamity. Some longtime friends are now adversaries, and even Earth has become an isolationist state. The USS Discovery, displaced in time, becomes the means by which to reconnect the shattered galaxy. It’s not hard to read this as a mission statement for Star Trek as a whole — a relic from another time, back to offer hope to a bleak present.

Season 3’s 13-episode arc restored a bit of Star Trek’s space Western roots, with warp drive a rare and costly luxury in the ravaged 32nd century and half the galaxy dominated by a vast criminal empire known as the Emerald Chain. Michael Burnham spent much of the season out of uniform, having found a new purpose as a more roguish freelance courier alongside the sweet and savvy Cleveland Booker (David Ajala). This is arguably the most interesting version of the show, as Michael questions whether or not Starfleet — the institution whose trust she has worked so hard to restore — is still her home.

By the end of the season (and right on schedule with Fuller and Kurtzman’s original plans), Michael Burnham finally accepts her destiny and becomes captain of Discovery. More subtly, this altered the premise of the show for a third time, as the central question of “Will Michael ever become captain?” had been answered in the affirmative. But, since she’d already been the central character and a figure of improbable cosmic import, the change was mostly cosmetic. And symbolic — Martin-Green considers her presence “being Black, and a woman, and a captain sitting in that chair” to be her greatest contribution to Star Trek. After three seasons of struggle and uncertainty, Burnham could now be as aspirational a character as Picard , Sisko, or Janeway .

The tone on which the show settled at the end of season 3 would be the one that finally stuck. Where the series had initially been bloody and brooding, it was now squarely an adventure show featuring a cast of characters with a boundless and demonstrative love for each other. The crew would face mortal danger each episode and a galactic-level threat each season, bolstered by very expensive-looking visual effects and a rousing score. At the same time, many conflicts both large and small would eventually be resolved by characters talking through their feelings and finding common ground. This was exhausting as often as it was compelling, but it was consistent. For its final two seasons, viewers could finally know what to expect from Star Trek: Discovery .

Discovering itself

This “feelings over phasers” approach was not for everyone, but it was never intended to be. Even from the outset, before Paramount began pumping out more Star Trek series to target different facets of the fan base, Discovery was never meant to be a definitive Star Trek experience that checked every box.

“You’ll never be able to be everything to everybody,” says Michelle Paradise. “The goal was always to make the best version of Discovery . It’s a different kind of Star Trek. It’s serialized, it’s fewer episodes, it’s a movie every week. That’s a thing that will appeal to many people, and for some people it won’t be their cup of tea.”

Discovery has bounced up and down my personal ranking of Star Trek series a number of times during its run, more than any of its past or present siblings. I have begun each season of the show with great excitement, and that excitement is frequently exhausted by season’s end. Most Trek series have good years and bad years. To me, Discovery suffers from being simultaneously brilliant, innovative, lazy, cringe, inspiring, and eye-rolling at all times, only in different measures. It features the franchise’s strongest lead actor since Patrick Stewart, and a supporting cast that has never been leveraged to my satisfaction. In my career, I have written more words about Star Trek: Discovery than any other television series, and I still haven’t made up my mind about it. For as many cheerleaders and haters as the show must have, I imagine there are many more viewers who feel the way I do — it’s a show that I wanted to love, but never fully fell in love with.

As Discovery disappears in the aft viewport, some will bid it a fond farewell, some will be blowing it raspberries, and some will turn away with total disinterest. But regardless of how well Discovery itself is remembered in the coming years, it has already made a substantial impact on the franchise. It paved the way for every Trek series that followed, including three direct spinoffs. Its second season was the incubator for Strange New Worlds , now the most acclaimed Trek series in a generation. Michelle Yeoh had such fun in her recurring role on Discovery that, even after winning an Academy Award , she was still keen to return for the upcoming Section 31 TV movie . Discovery ’s 32nd-century setting will continue to be explored in the new Starfleet Academy series , leaving the door open for some of its characters to return.

Even the new shows that have no direct relationship to Discovery have benefitted from the precedent it set by being different from what came before. Lower Decks is an animated sitcom, Prodigy is a kid-targeted cartoon , Picard is… a bunch of different things that don’t work together , but they are all different shows. Star Trek was one thing, and beginning with Discovery , it became many things. And for Star Trek, an institution that preaches the value of infinite diversity in infinite combinations, that’s a legacy to be proud of.

Star Trek: Discovery is now streaming in full on Paramount Plus.

Star Trek: Discovery boldly goes where no Trek has gone before by saying religion is... OK, actually

Star trek: discovery is cracking open a box next gen closed on purpose, star trek: discovery is finally free to do whatever it wants, loading comments....

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Star trek confirms the harsh reality of seven of nine's life after starfleet.

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Star Trek's Original Ban on Female Starship Captains Is Even Weirder Than It Seems

Star trek confirms doctor phlox's fate centuries after enterprise, star trek confirms captain shaw's story isn't over.

• Seven of Nine faces continued bigotry and obstacles in “Lady Luck,” showcasing ongoing struggles post- Voyager return.
• “Lady Luck” highlights Seven’s resilience against discrimination stemming from her previous Borg status.
• Despite serving with distinction, Seven of Nine still confronts anti-Borg sentiments, even in her new role in Starfleet.

Warning: contains spoilers for "Lady Luck," appearing in Star Trek Celebrations: Pride!

Seven of Nine’s return to the Alpha Quadrant was not as hopeful as one would have hoped, as Star Trek has confirmed the harsh reality of her life afterward. When fans were reintroduced to Seven during Star Trek: Picard’s first season, she had adjusted–somewhat, to her new life. Yet, as seen in the story “Lady Luck” in Star Trek Celebrations: Pride , she must still deal with bigots.

“Lady Luck,” appearing in Star Trek Celebrations: Pride , by Vita Ayala and Liana Kangas, follows Seven of Nine and Raffii as they attend Raifi’s Starfleet class reunion. Raffii is the butt of jokes among her classmates, who tease her for being so quiet during her time at Starfleet. Seven is having it even worse, as she must constantly deal, not only with mansplaining, but rampant bigotry.

Several of Raffi’s classmates bring up Seven’s former Borg status, which greatly irritates her.

One Starfleet officer brings up Seven’s failed application to Starfleet Academy, which nearly starts a fight.

Seven of Nine's Character Arc Was One of Star Trek's Most Rewarding

However, her life after returning to the alpha quadrant was anything but good.

Seven of Nine’s journey to rediscover the humanity that was stolen from her as a child was the basis for one of the most compelling character arcs in the Star Trek franchise. Seven was born human, but was captured by the Borg along with her family. After being severed from the Collective, Seven not only has to rediscover what has been lost, but deal with the guilt of her actions as a Borg. Seven served with distinction, but as seen in Star Trek: Picard’s first season, she did not have an easy time upon returning to the Alpha Quadrant.

Seven of Nine attempted to make a life for herself after Voyager , but thanks to her status as a former Borg drone, many doors were shut in her face. She applied to Starfleet Academy, but was rejected. Seven later fell in with the Fenris Rangers, a group of vigilantes patrolling unprotected sectors of space. By the time Picard’s final season rolled around, Seven had joined Starfleet, serving on the USS Titan under Captain Shaw. At first, Shaw was uncertain of Seven, and even dead named her. He eventually came around, but it was a reminder of what Seven deals with.

Starfleet's ban on women starship captains in Kirk's time was odd, and now fans learn it was a very real, but unofficial, thing.

Decades Later, Seven of Nine Must Still Deal With Anti-Borg Sentiments

Seven of nine must work harder to be taken seriously.

Now, “Lady Luck” further reinforces the bigotry that Seven of Nine still deals with, even 20 years after Voyager’s return.

Now, “Lady Luck” further reinforces the bigotry that Seven of Nine still deals with, even 20 years after Voyager’s return. It is totally understandable the apprehension many would feel around her, as the Borg are the most feared race in the Star Trek franchise. The Borg force other races to join them, stripping them of their individuality. Yet Seven has been free of the Borg for decades at this point. Her actions since returning to the Alpha Quadrant point to a legacy of caring and helping people, but she must still deal with bigotry from those around her.

Star Trek Celebrations: Pride is on sale now from IDW Publishing!

Den of Geek

Discovery Just Brought a Star Trek Enterprise Character to 32nd Century Canon

The Star Trek: Discovery finale reveals that the show has been a pseudo-continuation of the story of an infamous Enterprise character all along!

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This Star Trek: Discovery article contains spoilers.

Since 2020, Star Trek: Discovery has harbored a strange sci-fi temporal anomaly. Starting with the episode “Die Trying,” in season 3, director David Cronenberg —the mastermind who gave us The Fly and more recently, Crimes of the Future —has appeared semi-regularly as a mysterious figure known only as “Dr. Kovich.” As Discovery’ s latter seasons have gone on, Kovich’s true purpose has become more clear, even if we don’t fully understand why he wears that all-black, somewhat contemporary-looking suit.

While it’s been tempting to say that David Cronenberg has just been playing David Cronenberg this entire time, the Discovery series finale actually fully answers the question of who Kovich really is and his larger role in Star Trek canon. In fact, Cronenberg’s strange character is revealed to be, perhaps, one of the most crucial people in the entire universe.

Kovich Is Actually Agent Daniels From Star Trek: Enterprise!

While Kovich has previously assisted the crew of Discovery with various pieces of information about the multiverse and time travel rules, his role in the recently concluded season 5 was significantly larger. Starting with “Red Directive”, he’s been calling the shots, sending Burnham and the crew on the treasure hunt across the universe to track down clues that lead to the elusive—and life-creating—technology of the ancient aliens known as the Progenitors. 

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Back in season 3, some fans theorized that Kovich was the leader of some future-tense version of Section 31 , which would have explained his interest in Georgiou. Before season 4’s introduction of Laira Rillak (Chelah Horsdal), there were even some who suggested he was the low-key President of the Federation. But, now, at the end of season 5, we know the truth: Kovich is actually a bit more important than any of those other guessed-at roles. He’s the guy who saved the entire timeline! 

As Burnham chats in Kovich’s office—which sports Geordi’s visor and Sisko’s baseball in places of honor—she playfully asks him to reveal his true name. Because Kovich has come to trust Burnham, he obliges, introducing himself as “Agent Daniels.” If you’re not a hardcore fan of the prequel series Enterprise , this probably meant nothing. But if you are, this was a fairly huge twist.

In the 2001 Enterprise episode “Cold Front,” Daniels (played then by Matt Winston) revealed to Captain Archer (Scott Bakula) that he was really a time-traveling agent from the 31st century, sent back to the 22nd century to prevent a ton of tampering with the timeline. Daniels then popped-up throughout all four seasons of Enterprise , and, in the events of “Storm Front Parts I and II,” Daniels aids the crew of the NX-01 in an alternate 1944, in which an alien species called the Na’kuhl have aided the Nazis with advanced technology. 

Although Archer isn’t thrilled with Daniels often popping in for some temporal shenanigans, in the end, it’s through Daniels’ help that the NX-01 Enterprise succeeds in restoring the timeline. That said, throughout the run of Enterprise , it seems like several tweaks to the timeline were happening, all along, because of the Temporal Cold War. And now, with the revelation that Kovich is Daniels, it seems possible we could all soon be looking at the Trek timeline in an entirely new light.

What Agent Daniel’s Return Could Mean for the Star Trek Timeline

Back in Discovery season 3, in the episode “Terra Firma Part 1,” Kovich broke new ground for the franchise by becoming the first person from the Prime Timeline to mention the existence of the Kelvin Timeline outright. In doing this, the modern TV shows more overtly acknowledged the permeance of a Star Trek multiverse over a single, linear timeline.

The revelation that Kovich is the same character who fought to preserve the 22nd Century in Enterprise could be even more useful for future timeline questions than it might seem at first. Yes, on the surface, this is a nice easter egg that neatly explains Kovich and his job in the 32nd century . But it also makes the entirety of Discovery a little more timey-wimey than ever before. At the end of Discovery season 2, the ship journeys to the future, to save the past, and all of creation from a rogue AI called Control. In season 3, Kovich was very interested in Georgiou’s connection to Control, which could indicate that, maybe, just maybe, Control wasn’t part of the “original” Prime Timeline.

In fact, since First Contact in 1996, it seems possible that the “original” Star Trek timeline has been modified, and tweaked by various temporal incursions, many, many times over. In Enterprise —the first province of Agent Daniels—Zefram Cochrane remembered the Borg, indicating that the “current” timeline is the one in which Picard and the crew helped restore the events of 2063. If Picard and the Enterprise-E crew weren’t part of a predestination paradox, and some version of First Contact occurred in another timeline without their intercession, then that means everything in Enterprise already exists in a separate timeline from all the canon that came before it.

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On top of this, Enterprise season 3 Daniels (Kovich) told Archer that the war with the Xindi and Starfleet in the 22nd century existed only because of temporal incursions. This, too, suggests that Enterprise was creating a slightly divergent timeline all along, one a bit different from whatever existed in TOS, TNG, DS9, and Voyager, prior to First Contact .

In the 2023 Strange New Worlds season 2 episode, “Tomorrow and Tomorrow and Tomorrow,” there was even more evidence that the Prime Timeline is in flux. Now, Khan no longer rises to power on Earth in the 1990s, but later, in the early 21st century , due to continuing temporal changes. Clearly, whatever happened with the Temporal Wars that we first glimpse in Enterprise is still sending ripples through the entire canon.

By explicitly connecting Kovich to Enterprise though, what Discovery has done is create a kind of comprehensive handwave courtesy of one of the franchise’s foremost time travelers. But whether you choose to believe Daniels reintroduction in the 32nd Century means a lot more temporal shifts have occurred than we know of, revealing Kovich’s true identity was always part of the season 5 plan, as showrunner Michelle Paradise tells Den of Geek .

“Very early on, we knew we were going to have to answer the backstory of this character and who he is and that it had to be worthy of the character himself and the way David plays him,” Paradise says. “A couple of our writers who are very familiar with Star Trek: Enterprise suggested Daniels and the minute they did, all of our heads exploded a little bit because it just felt like that makes sense. We knew, coming into this season, that we wanted to answer that in what, at the time, we thought was the season finale.”

Assuming the Star Trek franchise can coax back Cronenberg for recurring roles on other shows or movies, the universe now has a character who knows more about the various chronologies than anyone else (other than maybe Q) and who can pop in whenever time shenanigans are going on. The great thing that makes Kovich/Daniels unique to Q is that he’s not superpowered or all knowing. He’s simply a guy who’s been around a long time, and some of that longevity is because of time travel.

After all, Kovich is only human. Or, as he told Captain Archer all those years ago, “more or less.”

Ryan Britt is a longtime contributor to Den of Geek! He is also the author of three non-fiction books: the Star Trek pop history book PHASERS…