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Motörhead: Iron Fist 40th Anniversary Deluxe Edition – box set review

Triple Album Boxset/Single Album/2x CD

Out 23rd Sept 2022

Buy it here

A remastered deluxe edition of Iron Fist marks 40 years of the Motörhead album with additional demos, out-takes and a complete live set from the Iron Fist tour. Nathan Brown reviews.

Whilst Motörhead carried on to do much more, the classic three legged stool line up of Filthy Animal Taylor, Fast Eddie Clarke and Lemmy was career defining. For my money, the title of The Golden Years EP featuring 4 live tracks from this era got it about right. Iron Fist was the last outing for the three amigos who had been pictured together on the front of Ace of Spades. Now they entered full on medieval cum fantasy warrior mode for the press shots and cover of the Iron Fist single from this album. Was this cashing in on the success of NWOBHM bands who played with such imagery or were they just having a laugh? My money is on the latter having seen the recently resurfaced promo trailer . Motörhead looked far dirtier and more dangerous than any of the spandex wearing metal bands doing the circuit. If they were involved in a good against evil battle they were likely to be the bad guys. The Iron Fist of the title sat perfectly alongside the Snaggletooth logo first developed by Joe Petagno and now cast in metal on the back cover.

Iron Fist has much of the same sonic fingerprint as Ace Of Spades on songs like I’m The Doctor, Go To Hell, or Sex and Outrage which could also sit easily on the band’s eponymous debut (or the 1976 On Parole that pre-dated it but hit the streets later). I’m a Loser continues a theme from Ace of Spades. “Born To Lose, Live To Win” accompanied Lemmy’s Ace of Spades tattoo and thousands of badges, shirts and backpatches. Heavy and dirty, overdriven. there is no doubt who you are listening to. The middle finger in-your-face defiance of Motörhead leers out on (Don’t Let ‘Em) Grind Ya Down and Don’t Need Religion.

America is one of many tributes from Lemmy to the land he would eventually call home, doubtless based on touring experience. He’d got booted out of Hawkwind after getting busted with some speed on the USA/Canada border so the line “Up to Canada, Crystal meth” always made me laugh. The locations, weather and drug intake are like a tour diary “get on the bus” he orders before Fast Eddie’s final little flourish.  Somewhat connected, Speedfreak is another staple Motorhead subject. Lemmy’s embrace of amphetamines didn’t just lead to him having to form a new band, it gave them their name (although Bastard came first) and inspired a slew of songs.

Sex and Outrage might raise an eyebrow now when paired with Jailbait from Ace Of Spades.  Now the proclivities of some high status individuals in the music industry have been revealed the lyric “Just Me and You. Teenage, backstage, sex and Outrage” raises questions that no-one is here to answer.

Moving onto the demos, some of these tracks have been out in the wild on various compilations but the full demo is gathered here together to tell the story of how Iron Fist developed. Recorded in October 1981 at Jackson’s Studio, it starts off with Remember Me I’m Gone, the B side to Iron Fist. Don’t worry, lads, all 3 of you now gone are never to be forgotten. What’s enjoyable about the demos is you can hear how the songs progressed, some of them in an early basic form, others virtually complete.

Doctor, complete with a sniff before the hoarse vocals start is proper demo stuff. Without the full production the bass sounding more like a regular Rickenbacker than Lemmy’s full on assault. The guitar is low down in the mix and missing most of the flourishes. That’s what demos are for…to allow the band to listen back and rewrite as necessary. It takes a different turn towards the end.

Young and Crazy, complete with a false start, is an early version of Sex and Outrage with a slightly different chorus. Filthy’s drums channel his work on Overkill. Loser isn’t far off what you get on the final album recording with the exception of the middle 8 and the closing sequence, which descends into chaos. The full bass treatment is present.

Iron Fist has the full Filthy Animal double kick drum treatment giving it the Overkill sound. Other than this, and the mix it’s, again, pretty much the finished article even down to the ending. Go To Hell features a count in and some extra drum beats on the intro that had been eradicated by the time the song made its way onto the album. Hearing a slightly different mix and sound is interesting. The slow start to the middle section (way more than 8) sounds more in the vein of Hawkwind than Motörhead but then kicks into the full Motorbeast with double kick drums and driving high octane tune.

The CD and digital version has 7 bonus tracks – outtakes and alternate versions recorded at Morgan and Ramport studios.  Lemmy Goes To The Pub is not a safari recording of Mr Kilmister caught in his natural environment, the boozer, which I am sure would be absolute gold. It is an alternate, early, version of Heart Of Stone. Same Old Song, I’m Gone is similarly Remember Me I’m Gone before a chorus and title rewrite.

(Don’t Let ‘Em) Grind Ya Down and Shut It Down are straight up demo versions of album tracks. To finish, there are 3 instrumentals including Peter Gunn. Lemmy was always one to pay his dues to the originals who came before but this ain’t a spirited tribute to the Duane Eddy classic. It’s a bass heavy instrumental version of (Don’t Need) Religion. The other two, Sponge Cake and Ripsaw Teardown are typical of the output of this era.

Live at Glasgow Apollo 18/3/82 is previously unreleased and spread across 3 sides of the triple album and 1 of the double CD set. This gig was the second of the tour dates listed on the back of the Iron Fist single. The 19 song set showcased the new album opening with Iron Fist and Heart Of Stone but equally drew heavily on favourites from Ace Of Spades. In total there are 7 songs from Iron Fist and 7 from Ace Of Spades. They are complemented by other favourites Overkill (complete with double reprise) and Capricorn from that album, Bomber (the second B pronounced rather that silent) plus White Line Fever from their debut. They close the gig with the perennial Motörhead and Filthy Animal battering away at his kit, his alkaline batteries still running strong.

Overall its not a bad recording albeit with a little tape hiss, but this is a band for whom Dolby Noise Reduction was not created. Lemmy likes to playfully wind up the crowd. He berates them for failing to shout enough, at one point accusing their roar of sounding “like Leo Sayer”. In rock’n’roll style he encourages the audience to “cut some rug”. He also draws attention to a collapsed ending of Loser “it could have been a better ending but that’s the one I’m afraid you got”. There are of course a few dedications, including Jailbait….

To the Motörhead uber fan there is no such thing as too much Motörhead which is why there are already plenty of live albums to choose from – No Sleep Til Hammersmith, No Sleep At All, What’s Words Worth? etc. Each one tends to capture the band at a point in their career, and this is the Iron Fist tour!

All words by Nathan Brown. You can read more from Nathan on his Louder Than War archive over  here .

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MOTÖRHEAD Streams 1981 "Iron Fist" Demo, Announces Iron Fist Reissue

You know me.

• "Iron Fist"
• "Heart of Stone"
• "I'm the Doctor"
• "Go to Hell"
• "Loser"
• "Sex and Outrage"
• "America"
• "Shut It Down"
• "Speedfreak"
• "(Don't Need) Religion"
• "Bang to Rights"
• "Remember Me, I'm Gone"
• "The Doctor"
• "Young & Crazy"
• "Go To Hell"
• "Lemmy Goes to the Pub"
• "Some Old Song, I'm Gone"
• "(Don't Let 'Em) Grind Ya Down (Alternate Version)"
• "Sponge Cake (Instrumental)"
• "Ripsaw Teardown (Instrumental)"
• "Peter Gunn (Instrumental)"
• "Iron First"
• "Shoot You In The Back"
• "The Hammer"
• "Jailbait"
• "White Line"
• "Capricorn"
• "(Don't Let 'Em) Grind Ya Down"
• "(We Are The) Road Crew"
• "Ace of Spades"
• "Bite The Bullet"
• "The Chase Is Better Than the Catch"
• "Overkill"
• "Bomber"
• "Motörhead"

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Motörhead: iron fist 40th anniversary deluxe edition – box set review.

Motörhead – Iron Fist 40th Anniversary Deluxe Edition Box Set (BMG) Triple Album Boxset/Single Album/2x CD Out 23rd Sept 2022 Buy it here A remastered deluxe edition of Iron Fist marks 40 years of the Motörhead album with additional demos, out-takes and a complete live set from the Iron Fist tour. Nathan Brown reviews. Whilst […]

The post Motörhead: Iron Fist 40th Anniversary Deluxe Edition – box set review appeared first on Louder Than War .

Triple Album Boxset/Single Album/2x CD

Out 23rd Sept 2022

Buy it here

A remastered deluxe edition of Iron Fist marks 40 years of the Motörhead album with additional demos, out-takes and a complete live set from the Iron Fist tour. Nathan Brown reviews.

Whilst Motörhead carried on to do much more, the classic three legged stool line up of Filthy Animal Taylor, Fast Eddie Clarke and Lemmy was career defining. For my money, the title of The Golden Years EP featuring 4 live tracks from this era got it about right. Iron Fist was the last outing for the three amigos who had been pictured together on the front of Ace of Spades. Now they entered full on medieval cum fantasy warrior mode for the press shots and cover of the Iron Fist single from this album. Was this cashing in on the success of NWOBHM bands who played with such imagery or were they just having a laugh? My money is on the latter having seen the recently resurfaced promo trailer . Motörhead looked far dirtier and more dangerous than any of the spandex wearing metal bands doing the circuit. If they were involved in a good against evil battle they were likely to be the bad guys. The Iron Fist of the title sat perfectly alongside the Snaggletooth logo first developed by Joe Petagno and now cast in metal on the back cover.

Iron Fist has much of the same sonic fingerprint as Ace Of Spades on songs like I’m The Doctor, Go To Hell, or Sex and Outrage which could also sit easily on the band’s eponymous debut (or the 1976 On Parole that pre-dated it but hit the streets later). I’m a Loser continues a theme from Ace of Spades. “Born To Lose, Live To Win” accompanied Lemmy’s Ace of Spades tattoo and thousands of badges, shirts and backpatches. Heavy and dirty, overdriven. there is no doubt who you are listening to. The middle finger in-your-face defiance of Motörhead leers out on (Don’t Let ‘Em) Grind Ya Down and Don’t Need Religion.

America is one of many tributes from Lemmy to the land he would eventually call home, doubtless based on touring experience. He’d got booted out of Hawkwind after getting busted with some speed on the USA/Canada border so the line “Up to Canada, Crystal meth” always made me laugh. The locations, weather and drug intake are like a tour diary “get on the bus” he orders before Fast Eddie’s final little flourish.  Somewhat connected, Speedfreak is another staple Motorhead subject. Lemmy’s embrace of amphetamines didn’t just lead to him having to form a new band, it gave them their name (although Bastard came first) and inspired a slew of songs.

Sex and Outrage might raise an eyebrow now when paired with Jailbait from Ace Of Spades.  Now the proclivities of some high status individuals in the music industry have been revealed the lyric “Just Me and You. Teenage, backstage, sex and Outrage” raises questions that no-one is here to answer.

Moving onto the demos, some of these tracks have been out in the wild on various compilations but the full demo is gathered here together to tell the story of how Iron Fist developed. Recorded in October 1981 at Jackson’s Studio, it starts off with Remember Me I’m Gone, the B side to Iron Fist. Don’t worry, lads, all 3 of you now gone are never to be forgotten. What’s enjoyable about the demos is you can hear how the songs progressed, some of them in an early basic form, others virtually complete.

Doctor, complete with a sniff before the hoarse vocals start is proper demo stuff. Without the full production the bass sounding more like a regular Rickenbacker than Lemmy’s full on assault. The guitar is low down in the mix and missing most of the flourishes. That’s what demos are for…to allow the band to listen back and rewrite as necessary. It takes a different turn towards the end.

Young and Crazy, complete with a false start, is an early version of Sex and Outrage with a slightly different chorus. Filthy’s drums channel his work on Overkill. Loser isn’t far off what you get on the final album recording with the exception of the middle 8 and the closing sequence, which descends into chaos. The full bass treatment is present.

Iron Fist has the full Filthy Animal double kick drum treatment giving it the Overkill sound. Other than this, and the mix it’s, again, pretty much the finished article even down to the ending. Go To Hell features a count in and some extra drum beats on the intro that had been eradicated by the time the song made its way onto the album. Hearing a slightly different mix and sound is interesting. The slow start to the middle section (way more than 8) sounds more in the vein of Hawkwind than Motörhead but then kicks into the full Motorbeast with double kick drums and driving high octane tune.

The CD and digital version has 7 bonus tracks – outtakes and alternate versions recorded at Morgan and Ramport studios.  Lemmy Goes To The Pub is not a safari recording of Mr Kilmister caught in his natural environment, the boozer, which I am sure would be absolute gold. It is an alternate, early, version of Heart Of Stone. Same Old Song, I’m Gone is similarly Remember Me I’m Gone before a chorus and title rewrite.

(Don’t Let ‘Em) Grind Ya Down and Shut It Down are straight up demo versions of album tracks. To finish, there are 3 instrumentals including Peter Gunn. Lemmy was always one to pay his dues to the originals who came before but this ain’t a spirited tribute to the Duane Eddy classic. It’s a bass heavy instrumental version of (Don’t Need) Religion. The other two, Sponge Cake and Ripsaw Teardown are typical of the output of this era.

Live at Glasgow Apollo 18/3/82 is previously unreleased and spread across 3 sides of the triple album and 1 of the double CD set. This gig was the second of the tour dates listed on the back of the Iron Fist single. The 19 song set showcased the new album opening with Iron Fist and Heart Of Stone but equally drew heavily on favourites from Ace Of Spades. In total there are 7 songs from Iron Fist and 7 from Ace Of Spades. They are complemented by other favourites Overkill (complete with double reprise) and Capricorn from that album, Bomber (the second B pronounced rather that silent) plus White Line Fever from their debut. They close the gig with the perennial Motörhead and Filthy Animal battering away at his kit, his alkaline batteries still running strong.

Overall its not a bad recording albeit with a little tape hiss, but this is a band for whom Dolby Noise Reduction was not created. Lemmy likes to playfully wind up the crowd. He berates them for failing to shout enough, at one point accusing their roar of sounding “like Leo Sayer”. In rock’n’roll style he encourages the audience to “cut some rug”. He also draws attention to a collapsed ending of Loser “it could have been a better ending but that’s the one I’m afraid you got”. There are of course a few dedications, including Jailbait….

To the Motörhead uber fan there is no such thing as too much Motörhead which is why there are already plenty of live albums to choose from – No Sleep Til Hammersmith, No Sleep At All, What’s Words Worth? etc. Each one tends to capture the band at a point in their career, and this is the Iron Fist tour!

All words by Nathan Brown. You can read more from Nathan on his Louder Than War archive over  here .

Source: louderthanwar.com

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Another Motorhead album celebrates its 40th birthday, and it's quite the party

Three amigos’ farewell sumptuously re-packaged with added demos, booklet and essential previously unreleased live set.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

For all of their longevity, Motörhead ’s reputation as the loudest, fastest and most exhilarating band of their ilk was forged back in the late ’70 s and early 80s by the classic line-up of singer/bassist Lemmy Kilminster, guitarist ‘Fast’ Eddie Clarke and drummer Phil’thy Animal’ Taylor. 

Forget the High Street t-shirts that reduced the band to brand, this was the trio that elevated heavy metal to an entirely new level of excitement thanks to a run of utterly demented albums that included Overkill , Bomber (both 1979), 1980’s Ace Of Spades and the chart-topping live album No Sleep ‘Till Hammersmith from the following year. And that’s before we consider their ram-raiding of the UK Top 10 Singles Chart in the shape of The Golden Years and the St. Valentine’s Day Massacre EPs, the latter of which saw them teaming up with Girlschool .

Iron Fist , the final album from this celebrated trio, is one that seems to have fallen down the cracks of Motörhead’s history. With Lemmy expressing his dissatisfaction with Eddie Clarke’s production in the wake of Vic Maile’s departure from the band’s sphere, it’s easy to see how his influence may have tarnished the album’s reputation. 

And while there may be some extra gloss to Motörhead’s sound here, this 40th anniversary edition displays that some historical re-appraisal is certainly in order. Right from the off with the title track, Motörhead lay down the law with the dynamic that was uniquely theirs: Lemmy blasting out distorted chords on his overdriven bass guitar, Eddie Clarke’s high velocity guitar and Phil Taylor adding extra low-end heft with his two bass drums. 

Elsewhere, Lemmy’s lyrics are on point, especially on the righteous howl that is Don’t Need Religion and the self-aware America . With the tracks clocking in at around the three minute mark if not less, Iron Fist is an album that refuses to outstay its welcome.

But what makes this re-issue particularly desirable is the addition of a warts’n’all live set recorded at the Glasgow Apollo in March 1982. This is Motörhead in full flight – a breathless gallop through Iron Fist ’s highlights and glorious dips into the material that preceded it. The pace is frenetic throughout and by the time they reach the climactic triple-whammy of Overkill, Motörhead and Bomber , it feels as is they could derail at any moment. They would soon after but certainly not here, making it a fitting requiem. 

Julian Marszalek is the former Reviews Editor of The Blues Magazine. He has written about music for Music365, Yahoo! Music, The Quietus, The Guardian, NME and Shindig! among many others. As the Deputy Online News Editor at Xfm he revealed exclusively that Nick Cave’s second novel was on the way. During his two-decade career, he’s interviewed the likes of Keith Richards, Jimmy Page and Ozzy Osbourne, and has been ranted at by John Lydon. He’s also in the select group of music journalists to have actually got on with Lou Reed. Marszalek taught music journalism at Middlesex University and co-ran the genre-fluid Stow Festival in Walthamstow for six years.

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Motörhead’s Iron Fist to Get 40th Anniversary Edition

Listen to a previously unreleased demo of the title track now

Motörhead ’s 1982 album Iron Fist is receiving a 40th anniversary reissue, due out September 23rd. A previously unreleased demo of the title track can be heard now.

The album was the last to feature the legendary lineup of bassist-vocalist Lemmy Kilmister, guitarist Fast Eddie Clarke, and drummer Phil “Philthy Animal” Taylor. As the demo of “Iron Fist” proves, the trio was still a tight sonic force even during its final hour. The early version arguably tops the final studio recording in its rawness and ferocity.

Iron Fist followed up the band’s most successful LP, Ace of Spades , and is generally considered the weaker of the two. The colorful press release for the 40th anniversary edition isn’t having it: “ Iron Fist was rudely dismissed by some ignorant loud mouth hap’orths as being ‘less’, and has always suffered slightly from that initial idiotic disdain. We’re here to finally correct that nonsense, as Iron Fist reveals itself as a vital snapshot of the band at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride.”

The complete 40th anniversary collection includes a remaster of the original album, previously unreleased demos and outtakes, and a full concert that was originally broadcast on Radio Clyde on March, 18th 1982. The deluxe package includes a 20-page book featuring the story of the album and many previously unseen photos.

Watch the Making of the Giant Lemmy Statue at Hellfest and See the Surviving Motörhead Members Pay Tribute: Video + Photos

Pre-order the Iron Fist reissue in various bundles via Motörhead’s merch site . See the full tracklist and stream the demo for the title track below.

Iron Fist 40th Anniversary Artwork:

Iron Fist 40th Anniversary Tracklist: 01. Iron Fist 02. Heart of Stone 03. I’m the Doctor 04. Go to Hell 05. Loser 06. Sex and Outrage 07. America 08. Shut It Down 09. Speedfreak 10. (Don’t Need) Religion 11. Bang to Rights

Jackson’s Studio Demos October 1981: 01. Remember Me, I’m Gone 02. The Doctor 03. Young & Crazy 04. Loser 05. Iron Fist 06. Go To Hell

CD & Digital Bonus Tracks: 01. Lemmy Goes to the Pub 02. Some Old Song, I’m Gone 03. (Don’t Let ‘Em) Grind Ya Down (Alternate Version) 04. Shut It Down 05. Sponge Cake (Instrumental) 06. Ripsaw Teardown (Instrumental) 07. Peter Gunn (Instrumental)

Live at Glasgow Apollo 18/3/82: 01. Iron First 02. Heart of Stone 03. Shoot You In The Back 04. The Hammer 05. Loser 06. Jailbait 07. America 08. White Line 09. (Don’t Need) Religion 10. Go to Hell 11. Capricorn 12. (Don’t Let ‘Em) Grind Ya Down 13. (We Are The) Road Crew 14. Ace of Spades 15. Bite The Bullet 16. The Chase Is Better Than the Catch 17. Overkill 18. Bomber 19. Motörhead

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Motörhead's iron fist to get 40th anniversary edition.

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• November 11, 1982 Setlist

Motörhead Setlist at Westfalenhalle 3, Dortmund, Germany

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• Iron Fist Play Video
• Heart of Stone Play Video
• Turn You Round Again Play Video
• Shoot You in the Back Play Video
• Iron Horse/Born to Lose Play Video
• Nadine (Is It You?) ( Chuck Berry  cover) Play Video
• America Play Video
• I Got Mine Play Video
• I'm Your Hoochie Coochie Man ( Willie Dixon  cover) Play Video
• (Don't Need) Religion Play Video
• (We Are) The Road Crew Play Video
• Go to Hell Play Video
• Capricorn Play Video
• Bite the Bullet Play Video
• The Chase Is Better Than the Catch Play Video
• Overkill Play Video
• Motorhead ( Hawkwind  cover) Play Video

Edits and Comments

6 activities (last edit by dirkvandamme , 26 Nov 2022, 14:11 Etc/UTC )

Songs on Albums

• (Don't Need) Religion
• Heart of Stone
• (We Are) The Road Crew
• Bite the Bullet
• Shoot You in the Back
• The Chase Is Better Than the Catch
• I'm Your Hoochie Coochie Man by Willie Dixon
• Motorhead by Hawkwind
• Nadine (Is It You?) by Chuck Berry
• Turn You Round Again
• Iron Horse/Born to Lose

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Westfalenhalle 3.

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Motörhead Gig Timeline

• Nov 09 1982 Niedersachsenhalle Hanover, Germany Add time Add time
• Nov 10 1982 Messehalle Hamburg, Germany Add time Add time
• Nov 11 1982 Westfalenhalle 3 This Setlist Dortmund, Germany Add time Add time
• Nov 12 1982 Volkshaus Zurich, Switzerland Add time Add time
• Nov 13 1982 Teatro Tenda Brescia, Italy Add time Add time

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MOTÖRHEAD IRON FIST SPECIAL 40th ANNIVERSARY EDITIONS TO BE RELEASED ON 23rd SEPT 2022

July 28, 2022 Celtic Bob Heavy Metal 0

WATCH A NEW VIDEO FOR A PREVIOUSLY UNRELEASED, DEMO VERSION OF ‘IRON FIST’ PLUS PREORDERS & EXCLUSIVE MERCH BUNDLES HERE –

motorhead.lnk.to/IronFist40thPR

The time-honoured phrase “Follow that!” rang with deafening resonance when Motörhead were faced with having to follow a rock milestone (Ace Of Spades), a number one album (No Sleep Till Hammersmith) and their bomber – the most spectacular stage prop rock had ever seen. As last shout from the three amigos line-up of Lemmy, Fast Eddie Clarke and Phil ‘Philthy Animal’ Taylor, Iron Fist was rudely dismissed by some ignorant loud mouth hap’orths as being ‘less’, and has always suffered slightly from that initial idiotic disdain. We’re here to finally correct that nonsense, as Iron Fist reveals itself as a vital snapshot of the band at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride. Forty years later, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest, most out-of-control of them all. If you know, you know, and if you don’t enjoy the gloriously wreckless education that is Iron Fist!

To celebrate the 40th anniversary of this seminal cannon in the Motörhead armoury, it is being presented in new deluxe editions. There will be hardback book-packs in two CD and triple LP formats, featuring a hammer fist blow, remaster of the original album, previously unreleased demo bonus tracks and a full concert, originally broadcast on Radio Clyde from 18th March 1982. Plus the story of the album and many previously unseen photos. There’s also a limited edition, blue and black swirl of the original standalone album.

LP AND CD TRACKLISTING

Original Iron Fist album

Heart of Stone

I’m the Doctor

Sex and Outrage

Shut It Down

(Don’t Need) Religion

Bang to Rights

Jackson’s Studio Demos October 1981

Remember Me, I’m Gone

Young & Crazy

CD & Digital Bonus Tracks

Lemmy Goes to the Pub

Some Old Song, I’m Gone

(Don’t Let ‘Em) Grind Ya Down (Alternate Version)

Sponge Cake (Instrumental)

Ripsaw Teardown (Instrumental)

Peter Gunn (Instrumental)

Live at Glasgow Apollo 18/3/82

(Previously unreleased)

Shoot You In The Back

(Don’t Let ‘Em) Grind Ya Down

(We Are The) Road Crew

Ace of Spades

Bite The Bullet

The Chase Is Better Than the Catch

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Motorhead Iron Fist Special 40th Anniversary Editions Available Now

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• With the Band
• Lemmy Forever
• Here’s a story…

Date: 29 Jun 1982

Location: Tokyo, Japan

Venue: Nakano Sanplaza

Existing Media

Iron Fist Go To Hell (Don’t Need) Religion Hoochie Coochie Man America Bite The Bullet The Chase Is Better Than The Catch Overkill

The footage itself is a single audience cam, & begins on what appears to be the 2nd row, between Lem & Robbo – however, the audience are a particularly lively one, resulting in only ‘Iron Fist’ being shot from this position before the taper decides to head to the balcony centre to continue filming. The rest of the footage from this point is really good – it’s handheld so there is some shake, it does appear to be a low to mid-gen and also has a timecode (top right corner), but this is virtually priceless footage as far as we’re concerned, as it has a good clear view of the stage from the balcony, runs for around 35 minutes & offers a much clearer picture than the only other known bootleg video of Another Perfect Lineup from Cardiff ’83.

The show is a good one with the band & audience feeding off each other, both clearly enjoying themselves. The audience take to Robbo (who is using a Firebird for a change before switching to a Les Paul), which means a tightly played set without interruptions, the only shame being that the setlist is missing four songs between ‘Iron Fist’ & ‘Go To Hell’, as well as the encores. There’s also a cut after ‘America’, indicating that ‘…The Road Crew’ is also missing.

Remember – We are Motorhead and we played Rock & fucking Roll – Don’t forget us!

Provided by Darkorb Authored by BONG Thanks to hothcanada