Review: Tom Cruise is out to save the movies. Is ‘Mission: Impossible 7’ enough?

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It begins with a plunge into the icy deep, where a submarine is menaced by an invisible threat — a scene that induces shivery memories of “The Hunt for Red October” and “Das Boot” (and also triggers inevitable thoughts of a certain ill-fated submersible ). Then it shifts to a hot orange desert, billed as Arabia though it might as well be Arrakis , where a dust-storm pursuit gives way to some tricky sleight-of-sand. Ludicrously entertaining and even more ludicrously titled, “Mission: Impossible — Dead Reckoning Part One” doesn’t just rack up the miles in style. Like so many globe-trotting thrillers and big-screen tourist brochures, it’s also a gleaming advertisement for Hollywood itself, a celebration and a reminder of how profoundly the movies have shaped our views of the world.

The task of saving that world once again falls to Ethan Hunt, a.k.a. Tom Cruise — and if the world can’t be saved, well, maybe at least the movies can. Or can they? Even if not, just try and stop Cruise, now 61, from taking the weight of the entire industry on his shoulders. His gargantuan cine-savior complex was apparent back in 2020, when he railed against COVID protocol violators on the U.K. set of “Dead Reckoning Part One,” captured in an audio recording that did not exactly self-destruct in five seconds. If the rant was overblown, this actor-producer is hardly alone in having bought into his own mythos: Earlier this year, Cruise was praised by none other than Steven Spielberg for having single-handedly “saved Hollywood’s ass” with the stunning success of “Top Gun: Maverick.”

Now, on the eve of this seventh “M:I” caper’s release, Cruise is playing the familiar role of the exhibitors’ evangelist, urging audiences on social media to seek out some of the summer’s biggest titles ( “Indiana Jones and the Dial of Destiny,” “Barbie” and “Oppenheimer”) in theaters. The cross-studio solidarity is touching; it also reflects some of the industry’s deep existential anxieties around moviemaking and moviegoing. No single picture, no matter how successful, is going to lay those anxieties to rest, though “Dead Reckoning Part One,” with its queasily apocalyptic stakes and enjoyably kinked-up plot, at least seems to be in conversation with some of the underlying issues. Is it a coincidence that this time around, the movie’s big bad villain is artificial intelligence?

A man and a woman hang precariously inside a falling train car.

That would be something called the “Entity” — no, not the horror-movie incubus that menaced Barbara Hershey back in 1982, but rather a frighteningly self-aware robo-weapon powerful enough to bring data systems, economies and entire nations to their knees. Ethan and his loyal Impossible Mission Force gizmo experts, Luther (Ving Rhames) and Benji (Simon Pegg), are tasked with neutralizing this threat before it falls into the hands of the wrong country — which, as the movie cynically asserts, pretty much means any country. Fortunately, the Entity hasn’t reached Skynet levels of techno-malevolence yet; presumably that’s still to come in “Mission: Impossible — Dead Reckoning Part Two,” due out in theaters next year. For now, AI proves a frustratingly elusive phantom, one that acts primarily through a powerful human emissary, more devilish than angelic, named Gabriel (Esai Morales).

Flashbacks shed light on Gabriel and Ethan’s ugly, not always compelling history, which involves a confrontation, a betrayal and, surprise surprise, a beautiful dead woman. She’s a throwback to the many beautiful dead women from Ethan’s past, including three of his doomed IMF colleagues (played by Kristin Scott Thomas, Ingeborga Dapkūnaitė and Emmanuelle Béart) from the Brian De Palma-directed first “Mission: Impossible” feature (1996). Christopher McQuarrie, who directed the series’ two previous movies ( “Rogue Nation” and “Fallout” ) as well as both halves of “Dead Reckoning,” has a more restrained, less operatic visual style than De Palma (which could be said of most filmmakers). But in many respects he’s paying tribute to that 1996 caper, not only by staging a doozy of a runaway-train sequence, but also by reintroducing Ethan’s old IMF nemesis Eugene Kittridge, played once again by a banally sinister Henry Czerny.

Kittridge’s return can’t help but serve as a marker of how far Ethan, Cruise himself and this ever-durable series have come over nearly 30 years. It also suggests that the IMF, the utterly vital, eternally disavowable, brutally underloved bastard child of American intelligence, may not survive this latest and severest test of its abilities and resources. The “Dead” in the movie’s title certainly doesn’t bode well for anyone on-screen; neither does Ethan’s unnerving habit of reminding his closest colleagues that their survival means more to him than his own life. The sentiment may be cheesy, to the point where you half expect Ethan to pull off his latex mask and reveal Vin Diesel underneath. But it also reminds you that the “Mission: Impossible” movie franchise began with Ethan being framed for his teammates’ coolly premeditated murders, a formative trauma that he has never fully shaken off.

A gray-haired man and a woman share an anxious moment

For the record:

10:50 a.m. July 5, 2023 An earlier version of this review said Tom Cruise’s character maneuvered a yellow Beetle through the streets of Rome in one scene. It was a yellow Fiat.

It’s enough to make you fear for Ethan’s closest allies, among them Luther, Benji and the always-on-the-run Ilsa Faust (Rebecca Ferguson), all of whom are put in varying degrees of escalating danger as the typically serpentine narrative leaps from one spectacular piece of on-location fight choreography to the next. Notably, Ethan also finds himself a new sparring partner named Grace (a terrific Hayley Atwell), a wily thief who first pops up during an undercover operation at the Abu Dhabi airport before taking Ethan on a harrowing, sometimes hilarious ride (by yellow Fiat) through the streets of Rome. That Italian escapade soon leads to another in spooky nighttime Venice, where, in tight alleys and on haunted canals, the combat takes on a murderous close-quarters intimacy.

The quality of the action here is, for the most part, more fluid and satisfying than jaw-dropping; there’s nothing here to rival De Palma’s snazziest set pieces, or Ethan’s vertiginous climb up the walls of the Burj Khalifa in “Mission: Impossible — Ghost Protocol” (2011), or his men’s room demolition derby in 2018’s “Fallout.” But McQuarrie’s typically fastidious writing (undertaken this time with Erik Jendresen) makes up for whatever his direction may lack in sheer verve. And he does pull off one major cinematic coup: a triumphantly visceral, spatially disorienting, pull-out-the-stops ripsnorter of a climax that seems designed to ensure that no one dares set a movie aboard the Orient Express ever again, for fear of inviting unfavorable comparisons.

There’s more to the story, of course, which, though relatively fleeting at 163 minutes, feels generously overstuffed for a first-parter. I haven’t yet mentioned Pom Klementieff’s role as Paris, a lethally lithe newcomer of mysterious motives, killer threads and very few words. Or Vanessa Kirby, who, reprising her “Fallout” role as a ruthless arms dealer, has only to sit in a train car with a smartphone to deliver the movie’s single most impressive performance.

Maybe that’s unfair to Cruise, who once again suffers for our pleasure like no one else, hurling himself and his motorcycle from great heights, fighting in claustrophobically tight spaces and, yes, running and running and running some more. For all that, he knows how to temper his usual superhuman self-seriousness with lightness and wit. He’s even gracious enough to cede some of the spotlight to his co-stars this time around, spending a fair chunk of the movie’s endgame amusingly on the sidelines. He returns for the big-bang finish, of course, in a spirit of goofy optimism and eternal vigilance. “Dead Reckoning Part One” ends on his watch, but the movies will not.

‘Mission: Impossible — Dead Reckoning Part One’

Rating: PG-13, for intense sequences of violence and action, some language and suggestive material

Running time: 2 hours, 43 minutes

Playing: Starts July 12 in general release

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Tv/streaming, collections, great movies, chaz's journal, contributors, mission: impossible - dead reckoning: part one.

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Last summer, Tom Cruise was given credit for saving the theatrical experience with the widely beloved “ Top Gun: Maverick .” One of our last true movie stars returns over a year later as the blockbuster experience seems to be fading with high-budget Hollywood endeavors like " The Flash " and " Indiana Jones and the Dial of Destiny " falling short of expectations. Can he be Hollywood's savior again? I hope so because “Mission: Impossible – Dead Reckoning Part One” is a ridiculously good time. Once again, director Christopher McQuarrie , Cruise, and their team have crafted a deceptively simple thriller, a film that bounces good, bad, and in-between characters off each other for 163 minutes (an admittedly audacious runtime for a film with “Part One” in the title that somehow doesn’t feel long). Some of the overcooked dialogue about the importance of this particular mission gets repetitive, but then McQuarrie and his team will reveal some stunningly conceived action sequence that makes all the spy-speak tolerable. Hollywood is currently questioning the very state of their industry. Leave it to Ethan Hunt to accept the mission.

While this series essentially rebooted in its fourth chapter, changing tone and style significantly, this seventh film very cleverly ties back to the 1996 Brian De Palma original more than any other, almost as if it's uniting the two halves of the franchise. It’s not an origin story, but it does have the tenor of something like the excellent “Casino Royale” in how it unpacks the very purpose of a beloved character. “Dead Reckoning Part One” is about Ethan Hunt reconciling how he got to this point in his life, and McQuarrie and co-writer Erik Jendresen narratively recall De Palma’s film repeatedly. And with its sweaty, canted close-ups, Fraser Taggart ’s cinematography wants you to remember the first movie—how Ethan Hunt became an agent and the price he’s been paying from the beginning.

It’s not just visual nods. “Dead Reckoning” returns former IMF director Eugene Kittridge ( Henry Czerny ) to Ethan’s life with a new mission. Kittridge informs Hunt that there’s essentially a rogue A.I. in the world that superpowers are battling to control. The A.I. can be manipulated with a key split into two halves. One of those halves is about to be sold on the black market, and so Ethan and his team—including returning characters Luther ( Ving Rhames ) and Benji ( Simon Pegg )—have to not just intercept the key but discern its purpose. The key only matters if IMF can figure out where and how to use it.

After a desert shoot-out that ushers Ilsa Faust ( Rebecca Ferguson ) back into the series, the first major set piece in “Dead Reckoning Part One” takes place in the Dubai airport, where Hunt discovers that there are other players in this espionage chess game, including a familiar face in Gabriel ( Esai Morales ), a morally corrupt mercenary who is one of the reasons that Hunt is an agent in the first place. Gabriel is a chaos agent, someone who not only wants to watch the world burn but hopes the fire inflicts as much pain as possible. In many ways, Gabriel is the inverse of Ethan, whose weakness has been his empathy and personal connections—Gabriel has none of those, and he’s basically working for the A.I., trying to get the key so no one can control it.

At the airport, Ethan also crosses paths with a pickpocket named Grace ( Hayley Atwell ), who gets stuck in the middle of all of this world-changing insanity, along with a few agents trying to hunt down the rogue Ethan and are played by a wonderfully exasperated Shea Whigham and Greg Tarzan Davis . A silent assassin, memorably sketched by Pom Klementieff , is also essential to a few action scenes. And Vanessa Kirby returns as the arms dealer White Widow, and, well, if the ensemble has a weakness, it's Kirby's kind of lost performance. She has never quite been able to convey "power player" in these films as she should.

But that doesn't matter because people aren't here for the White Widow's backstory. They want to see Tom Cruise run. The image most people associate with “ Mission: Impossible ” is probably Mr. Cruise stretching those legs and swinging those arms. He does that more than once here, but it seems like the momentum of that image was the artistic force behind this entire film. “Dead Reckoning Part One” prioritizes movement—trains, cars, Ethan’s legs. It’s an action film that's about speed and urgency, something that has been so lost in the era of CGI’s diminished stakes. Runaway trains will always have more inherent visceral power than waves of animated bad guys, and McQuarrie knows how to use it sparingly to make an action film that both feels modern and old-fashioned at the same time. These films don’t over-rely on CGI, ensuring we know that it’s really Mr. Cruise jumping off that motorcycle. When punches connect, bodies fly, and cars crash into each other—we feel it instead of just passively observing it. The action here is so wonderfully choreographed that only “ John Wick: Chapter 4 ” compares for the best in the genre this year.

There’s also something fascinating thematically here about a movie star battling A.I. and questioning the purpose of his job. Blockbusters have been cautionary tech tales for generations but think about the meta aspect of a spy movie in which the world could collapse if the espionage game is overtaken by a sentient computer that stars an actor who has been at the center of controversy regarding his own deepfakes. There’s also a definite edge to the plotting here that plays into the actor’s age in that Ethan is forced to answer questions about what matters to him regarding his very unusual work/life balance, a reflection of what a performer like Cruise must face as he reaches the end of an action movie rope that’s been much longer than anyone could have even optimistically expected. Cruise may or may not intend that reading—although I suspect he does—but it adds another layer to the action.

Of course, the most important thing is this: “Mission: Impossible – Dead Reckoning Part One” is just incredibly fun. It feels half its length and contains enough memorable action sequences for some entire franchises. Will Cruise save the blockbuster experience again? Maybe. And he might do it again next summer too.

In theaters on July 12 th .

Brian Tallerico

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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Mission: Impossible - Dead Reckoning Part One movie poster

Mission: Impossible - Dead Reckoning Part One (2023)

Rated PG-13 for intense sequences of violence and action, some language and suggestive material.

163 minutes

Tom Cruise as Ethan Hunt

Hayley Atwell as Grace

Ving Rhames as Luther Stickell

Simon Pegg as Benjamin 'Benji' Dunn

Rebecca Ferguson as Ilsa Faust

Vanessa Kirby as The White Widow

Henry Czerny as Eugene Kittridge

Esai Morales as Gabriel

Pom Klementieff as Paris

Cary Elwes as Denlinger

Shea Whigham as Jasper Briggs

  • Christopher McQuarrie
  • Erik Jendresen

Cinematographer

  • Fraser Taggart
  • Eddie Hamilton
  • Lorne Balfe

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Mission: impossible - dead reckoning part one and part two : release date, trailers, cast & more, we break down the characters, the ensemble cast, the plot, the release date, and more..

tom cruise mission impossible 2023

TAGGED AS: Action , blockbusters , movies

Your mission, should you choose to accept it, is to watch Tom Cruise drive a motorcycle off a cliff. The seventh movie in the Mission: Impossible franchise will hit theaters this July, and it looks as though it will continue Cruise’s tradition of putting increasingly jaw-dropping, death defying stunts into each one of these action flicks. But, Mission: Impossible – Dead Reckoning Part One will just be the first half of a two-part story, as the title suggests. Ahead of the premiere of the first half of Ethan Hunt’s next mission, we’ve done our own stunt work and gathered up everything you need to know about the Dead Reckoning Part One and Part Two .

When Do Parts One and Two Come Out?

 Rebecca Ferguson, Ving Rhames, Simon Pegg, and Tom Cruise in Mission: Impossible - Dead Reckoning Part One (2023)

(Photo by Christian Black/©Paramount Pictures)

Mission Impossible: Dead Reckoning Part One , the seventh film in the Crusie-led film adaptation of the ’60s and ’70s espionage TV series , hits theaters soon, on July 12, 2023. Fans won’t have to wait (that) long for the conclusion, as Part Two is set to premiere slightly under a year later, on June 28, 2024. However, filming on Part Two is currently paused due to the Writers Strike, so it’s quite possible that the release date will be delayed again.

Both movies will be exclusive theatrical releases — and if they’re anything like Top Gun: Maverick , another Cruise movie from Paramount Pictures, the same studio behind Mission: Impossible , they won’t be streaming for a while. Maverick hit Paramount+ more than 200 days after its theatrical premiere.

Were it not for the COVID-19 pandemic, Dead Reckoning would have already been released, as Part One was originally slated for a July 2021 premiere. Delays due to the pandemic and subsequent COVID filming protocols (this is where Cruise’s viral, uh, virus rant originated) pushed the release back to 2022, then eventually to 2023.

Though it’s rare that any franchise ever truly ends, Dead Reckoning Part Two is expected to be the end of the franchise — at least as it currently exists.

Who’s Directing It?

Tom Cruise and director Christopher McQuarrie on the set of Mission: Impossible - Dead Reckoning Part One (2023)

Christopher McQuarrie , the director who took Mission: Impossible to new heights starting with Rogue Nation , the fifth film in the franchise, returns for both Part One and Part Two of Dead Reckoning . McQuarrie also co-wrote both installments with Erik Jendresen .

Who’s In It?

Ving Rhames and Simon Pegg in Mission: Impossible - Dead Reckoning Part One (2023)

Tom Cruise first played IMF agent extraordinaire Ethan Hunt in 1996 when the original Mission: Impossible hit theaters. He’ll have just turned 61 when Dead Reckoning Part One premieres, and Part Two will supposedly be his final appearance as the character, some 28 years later.

He’ll be joined by several returning cast members, including Simon Pegg and Ving Rhames as his fellow IMF agents Benji Dunn and Luther Stickell, respectively. Rebecca Ferguson returns as ex-MI6 agent Ilsa Faust, and Henry Czerny returns as former IMF director Eugene Kittridge, a character who hasn’t been seen since the original ‘96 franchise-starter. Vanessa Kirby returns as Alanna Mitsopolis, the black market arms dealer-turned-uneasy ally to Ethan Hunt, as does Frederick Schmidt , playing her brother Zola Mitsopolis.

Tom Cruise and Hayley Atwell in Mission: Impossible - Dead Reckoning Part One (2023)

There are lots of new additions to the franchise as well. Hayley Atwell , best known for playing Peggy Carter in the MCU, joins as Grace, a character McQuarrie described as a “ destructive force of nature ” with “somewhat ambiguous loyalties” on the franchise-focused Light the Fuse podcast . Ozark’ s Esai Morales plays the film’s primary villain, Gabriel (Morales took over for Renfield star Nicholas Hoult , who dropped out due to scheduling issues), while Guardians of the Galaxy’ s Pom Klementieff plays an assassin who works for Gabriel.

Esai Morales and Pom Klementieff in Mission: Impossible - Dead Reckoning Part One (2023)

(Photo by ©Paramount Pictures)

Shea Whigham , recently seen in HBO’s Perry Mason , plays Jasper Briggs, an enforcer in a mysterious group known as “The Community” who is attempting to track Ethan Hunt down along with his partner, played by Greg Tarzan Davis . Charles Parnell ( Top Gun: Maverick ), Rob Delaney ( Deadpool 2 ), Indira Varma ( Obi-Wan Kenobi ), and Mark Gatiss ( Sherlock ) also star, as does The Princess Bride’ s Cary Elwes in an as-yet undisclosed role.

Recent Oscar-winner Angela Bassett , who played CIA director Erika Sloane, was originally supposed to reprise her role but couldn’t due to COVID travel restrictions.

The cast for Part Two hasn’t fully been revealed, though it’s probably safe to assume that most of the major actors from Part One will appear once more, assuming they survive the first movie. We do know, however, that Ted Lasso star Hannah Waddingham will join the ensemble, as will Parks & Rec’ s Nick Offerman , who plays Sydney, chairman of the Joint Chiefs of Staff.

What Is Dead Reckoning About?

Tom Cruise in Mission: Impossible - Dead Reckoning Part One (2023)

Candidly speaking, the plots of the Mission: Impossible movies aren’t really their main appeal. They tend to be slick, serviceable MacGuffin chases that are an entertaining framework for banter and Tom Cruise’s insane stunts. But we do have some idea of what to expect from Dead Reckoning Part One . Here’s the official synopsis from Paramount:

“In Mission: Impossible – Dead Reckoning Part One , Ethan Hunt and his IMF team embark on their most dangerous mission yet: To track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With control of the future and the fate of the world at stake, and dark forces from Ethan’s past closing in, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than his mission — not even the lives of those he cares about most.”

Tracking down a weapon that threatens humanity before the bad guys get it? Dark forces from Ethan’s past? A deadly race around the globe, and a mysterious enemy? This is, in other words, pretty standard spy movie stuff, but few franchises are capable of pulling it off with as much style as Mission: Impossible . No specifics for the plot for Part Two have been revealed, so as not to spoil Part One , but it’s probably safe to say it won’t deviate too far from the tried and true formula, even as it serves to wrap up loose ends from  Part One .

How Long Will It Be?

Tom Cruise in Mission: Impossible - Dead Reckoning Part One (2023)

Part One is on the longer side. Without credits, it boasts a runtime of 2 hours and 36 minutes. The length of Part Two , of course, is TBD.

How Many Trailers Are There?

While there have been no trailers for Part Two yet, naturally, there have been a few for Part One . The first , which was light on dialogue, came out in May of 2022, more than a year before the film’s release. The full trailer came out a year later.

While they’re not quite trailers, Paramount also released a trio of behind-the-scenes featurettes, one of which centers on Cruise’s most dangerous and ambitious stunt yet — driving a motorcycle off a cliff and parachuting to safety. It’s wild, and it certainly inspires a deeper appreciation for the work that went into the stunt, but if you don’t want to spoil the majesty of it all, it’s probably best to check it out after you’ve seen the film.

Is Tom Cruise Doing His Own Stunts?

Did you not see the featurette right there? The man drove a motorcycle off a cliff!

Mission: Impossible – Dead Reckoning Part One opens in theaters on July 12, 2023. Mission: Impossible – Dead Reckoning Part Two opens in theaters on June 28, 2024.

Thumbnail image by ©Paramount Pictures

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Mission: Impossible - Dead Reckoning Part One

Where to watch.

Watch Mission: Impossible - Dead Reckoning Part One with a subscription on Paramount+, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

What to Know

With world-threatening stakes and epic set pieces to match that massive title, Mission: Impossible - Dead Reckoning Part One proves this is still a franchise you should choose to accept.

With a terrific cast and some beautifully shot stunts, Mission: Impossible - Dead Reckoning Part One might be the best action movie of the year.

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Judd apatow & matthew broderick swap ‘cable guy’ war stories, talk jim carrey’s “double-edged sword” success in a $20m pay day – tribeca, ‘mission: impossible – dead reckoning part one’ review: tom cruise & co. take excitement & suspense to new level.

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Tom Cruise in Mission: Impossible - Dead Reckoning Part One

They should call it Mission: Exceptional. Given that this is a series that began on television 57 years ago and over the past 27 years has delivered seven big feature films, no one would be terribly surprised if it were to begin flagging a bit. But Tom Cruise & Co. will have none of that; to the contrary, this new entry, officially called Dead Reckoning Part One, ramps up the excitement and sheer flat-out impressiveness to a new level, with the absolute final piece of the puzzle already shot and due to open in a year’s time.

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Even though every manifestation of M:I has been successful on its own terms, the franchise has been boosted to literal and heretofore unimagined heights by the involvement, since 1996, of Cruise, whose personal investment in the meaning of the title hardly seems limited to the financial rewards. There could be personal reasons involving ego, the competitive spirit and so on, but behind it all one feels the star’s need to tackle a difficult new challenge, to up the ante, to take something as far as he can, to press the limits and set a new standard.   

But nothing seems to hold Cruise back; when he’s committed he’s all in, and this attitude seems to be contagious for everyone on the entire crew, in front of or behind the camera. The by-product of this is that everything is taken to the limit, whether it’s the decision to play long ball, the inspired choices of locations, the compulsion to top what you’ve done before and to refresh and renew old ingredients with new flavors. Perhaps, when you’re fortunate enough to be part of a franchise that’s always been successful and you know by now what works and what doesn’t, it’s somewhat easier to move ahead with confidence. But we’ve seen enough revamping, updating and attempted rehabilitating of old properties to know that failure is always lurking nearby, that it takes a lot of attention for well-worn properties to maintain their luster. But the team here avoids all the potential traps and missteps and, despite the familiarity of the format, pretty much everything here feels fresh, alluring and a pleasure to revisit.

RELATED: Tom Cruise Gets Emotional On ‘Mission: Impossible’ Red Carpet Talking About Love Of Cinema – Watch

What everyone seeing the film will behold for the first time is the spectacular new Midfield Terminal Building at the Abu Dhabi airport long before it officially opened. The structure is almost distractingly striking, but it’s here that the seed is planted that will drive the narrative for the 163 minutes of entirely involving action, suspense and flat-out fun.

As in many mystery and suspense films, the motivating action here stems from a MacGuffin, a term coined by the British screenwriter Angus MacPhail and made famous by Alfred Hitchcock. The trigger for the film’s events can be innocuous in and of itself, but functions to set all the gears in motion. Here, it’s a small orb held by a mysterious man at the airport who, if he can obtain the matching second one, will have the power to trigger devastation of unthinkable magnitude.

Think what you may of such a corny old advice, but it’s enough to get things rolling, especially when the usual M:I suspects begin materializing and get the fun stuff rolling. Rejoining Cruise’s Ethan Hunt, albeit with variable amounts of to do, are Ving Rhames’ hacker/tech genius Luther Stickell; Henry Czerny’s Eugene Kitteridge, who’s now director of the CIA; Simon Pegg back again as tech genius Benjamin Dunn; and Rebecca Ferguson as MI6 agent Ilsa Faust, who previously appeared in Rogue Nation and Fallout . And then there’s franchise newcomer Hayley Atwell as Grace, a force of nature who’s impossible to pin down and is known to play a significant role in the final installment, as well as Vanessa Kirby. The women here are sharp, proactive and intriguing, hardly the sort of tag-along women who generally populated male-oriented action films in the past.

Although numerous voluptuous European settings help augment the tony pedigree of the entire undertaking, a significant part of the film is set in Italy, specifically in Venice and Rome. The latter really gets a heavy workout as hot cars take to the streets, often in very rough ways, and you get an uneasy feeling that some sort of assault on the ancient city is on the way.

RELATED: ‘Mission: Impossible – Dead Reckoning Part One’ World Premiere Photo Gallery: Tom Cruise & Team Hit Rome

The climactic bike flight is part of a rugged and notably cinematic climactic train journey on what’s meant to be the Orient Express, a sequence that, like so much else in the film, is familiar in its essential components but is pushed to an unprecedented degree of risk. Makers of spectacle and adventure films mostly feel the need to come up with something new to top anything that’s come before, and the creative team here has done that and more.

This is a serious, sharp-minded and top-tier action film by any standard, and many fans will no doubt mollify themselves by seeing it more than once before Part Two opens a year from now. This is Hollywood action filmmaking at its peak.

Title: Mission: Impossible – Dead Reckoning Part One Distributor: Paramount Release date: July 12, 2023 Director: Christopher McQuarrie Screenwriters: Christopher McQuarrie & Erik Jendresen Cast: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Mariela Garriga, Henry Czerny, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Frederick Schmidt, Cary Elwes, Mark Gatiss, Indira Varma, Rob Delaney Rating: PG-13 Running time: 2 hr 43 min

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Tom Cruise hangs on for dear life to his 'Mission' to save the movies

Justin Chang

tom cruise mission impossible 2023

Tom Cruise is back, and doing his own stunts, in Mission: Impossible — Dead Reckoning Part One. Paramount Pictures and Skydance hide caption

Tom Cruise is back, and doing his own stunts, in Mission: Impossible — Dead Reckoning Part One.

For some time now, Tom Cruise has been on what feels like a one-man mission to save the movies. Back in 2020, when Mission: Impossible — Dead Reckoning Part One was shooting in the U.K., Cruise was recorded screaming at crew members who'd violated COVID-19 lockdown protocols, all but claiming that the industry's future rested on their shoulders. Earlier this year, Steven Spielberg publicly praised Cruise for saving Hollywood with the smash success of Top Gun: Maverick .

Now, with the box office still struggling to return to pre-pandemic levels, Cruise has become a kind of evangelist for the theatergoing experience, urging audiences to buy tickets not just to his movie, but also to other big summer titles like Barbie and Oppenheimer .

'Mission: Impossible' is back, but will you accept it, or will it self-destruct?

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'mission: impossible' is back, but will you accept it, or will it self-destruct.

Cruise's save-the-movies spirit goes hand-in-hand with his self-styled reputation as the last of the great Hollywood stars. In this seventh Mission: Impossible movie, the now 61-year-old actor and producer still insists on risking life and limb for our viewing pleasure, doing his own outrageous stunts in action scenes that make only minimal use of CGI. And so we see Cruise's Ethan Hunt, an agent with the Impossible Missions Force, or IMF, tearing up the streets of Rome in a tiny yellow Fiat, riding a motorcycle off a cliff and — in the most astonishing sequence — hanging on for dear life after a deadly train derailment.

The plot that connects these sequences is preposterous, of course, but reasonably easy to follow. In an especially timely twist, the big villain this time around is AI — a self-aware techno-being referred to as the Entity. It's an invisible menace, everywhere and nowhere; it can wipe out data systems, control the flow of information and bring nations to their knees.

'Top Gun: Maverick' is ridiculous. It's also ridiculously entertaining

'Top Gun: Maverick' is ridiculous. It's also ridiculously entertaining

Hunt and his IMF team are determined to destroy the Entity before it becomes too powerful or falls into the wrong hands. But his old boss, Eugene Kittridge, played by the sinister Henry Czerny, warns Hunt to fall in line with the U.S. government, which wants to control the Entity and the new world order to come.

This is notably the first time we've seen Kittridge since Brian De Palma 's 1996 Mission: Impossible — the first and still, to my mind, the best movie in the series. That said, the director and co-writer Christopher McQuarrie has done a snazzy job with the most recent ones: Rogue Nation , Fallout and now Dead Reckoning Part One .

Sorry, Tom Cruise Fans — New 'Top Gun' And 'Mission Impossible' Movies Delayed Again

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Sorry, tom cruise fans — new 'top gun' and 'mission impossible' movies delayed again.

Here, he seems to be paying sly tribute to that 1996 original, even evoking its horrific early setpiece in which Hunt watched helplessly as his IMF teammates were murdered, one by one. That trauma was formative; it explains why, in movie after movie, Hunt has repeatedly put his life on the line for his friends.

If you're kept up with the series, you'll recognize those friends here, including Hunt's fellow operatives played by Ving Rhames, Simon Pegg and Rebecca Ferguson. You may also remember Vanessa Kirby , reprising her Fallout role as a ruthless arms broker and giving, in a single sequence, perhaps the movie's best performance. There are some intriguing new characters, too, including a wily thief, well played by Hayley Atwell, who draws Hunt into an extended game of cat-and-mouse. Pom Klementieff steals a few scenes as a mysterious assassin, as does Esai Morales as a glowering enemy from Hunt's past.

That's a lot of characters, double-crosses, chases, fights, escapes and explosions to keep track of. But even with a running time that pushes north of two-and-a-half hours — and this is just Part One — the movie never loses its grip. McQuarrie, a screenwriter first and foremost, paces the narrative beautifully, building and releasing tension at regular intervals.

Compared with the visual effects-heavy bombast of most Hollywood blockbusters, Dead Reckoning Part One feels like a marvel of old-school craftsmanship, just with niftier gadgets. Even Hunt wears his devil-may-care recklessness with surprising lightness and grace, spending much of the movie's third act on the sidelines and even playing some of his most daring escapades for laughs. Not that the actor doesn't take his mission seriously. I don't know if Tom Cruise can save the movies, but somehow, I never get tired of watching him try.

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‘Mission: Impossible — Dead Reckoning Part One’ Review: Still Running

In this franchise’s seventh entry, Tom Cruise’s mission includes increasingly improbable leaps, chases and stunts. Luckily for us, he chooses to accept it.

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In a film scene, a man in a shirt, tie and vest with no suit jacket is handcuffed to a woman in a button-down shirt. A car is behind them in an alley.

By Manohla Dargis

I don’t know if anyone has ever clocked whether Tom Cruise is faster than a speeding bullet. The guy has legs, and guts. His sprints into the near-void have defined and sustained his stardom, becoming his singular superpower. He racks up more miles in “Mission: Impossible — Dead Reckoning Part One,” the seventh entry in a 27-year-old franchise that repeatedly affirms a movie truism. That is, there are few sights more cinematic than a human being outracing danger and even death onscreen — it’s the ultimate wish fulfillment!

Much remains the same in this latest adventure, including the series’ reliable entertainment quotient and Cruise’s stamina. Once again, he plays Ethan Hunt, the leader of a hush-hush American spy agency, the Impossible Mission Force. Alongside a rotating roster of beautiful kick-ass women (most recently Rebecca Ferguson and Vanessa Kirby) and loyal handymen (Simon Pegg and Ving Rhames), Ethan has been sprinting, flying, diving and speed-racing across the globe while battling enemy agents, rogue operatives, garden-variety terrorists and armies of minions. Along the way, he has regularly delivered a number of stomach-churning wows, like jumping out a window and climbing the world’s tallest building .

This time, the villain is the very au courant artificial intelligence, here called the Entity. The whole thing is complicated, as these stories tend to be, with stakes as catastrophic as recent news headlines have trumpeted. Or, as an open letter signed by 350 A.I. authorities put it last month: “Mitigating the risk of extinction from A.I. should be a global priority alongside other societal-scale risks, such as pandemics and nuclear war.” In the face of such calamity, who you gonna call? Analog Man, that’s who, a.k.a. Mr. Hunt, who receives his usual mysterious directives that, this time, have been recorded on a cassette tape, an amusing touch for a movie about the threat poised to the material world by a godlike digital power.

That’s all fine and good, even if the most memorable villain proves to be a Harley Quinn-esque agent of chaos, Paris (Pom Klementieff), who races after Ethan in a Hummer and seems ready to spin off into her own franchise. She tries flattening him during a seamlessly choreographed chase sequence in Rome — the stunt coordinator, Wade Eastwood, is also a racecar driver — that mixes excellent wheel skills with scares, laughs, thoughtful geometry and precision timing. At one point, Ethan ends up behind the wheel while handcuffed to a new love interest, Grace (Hayley Atwell, another welcome addition), driving and drifting, flirting and burning rubber in what is effectively the action-movie equivalent of a sex scene.

Despite the new faces, there are, unsurprisingly, no real surprises in “Dead Reckoning Part One,” which features a number of dependably showstopping stunts, hits every narrative beat hard and, shrewdly, has just enough winking humor to keep the whole thing from sagging into self-seriousness. This is the third movie in the series that Cruise and the director Christopher McQuarrie have made together, and they have settled into a mutually beneficial groove. On his end, McQuarrie has assembled a fully loaded blockbuster machine that briskly recaps the series’ foundational parameters, adds the requisite twists and, most importantly, showcases his star. For his part, Cruise has once again cranked the superspy dial up to 11.

Over the years, McQuarrie has loosened up the star, who generally seems to be having a pretty good time. Still, it must be exhausting to be Tom Cruise, who famously performs his own stunts. A smattering of creases now radiate around his smile, but time doesn’t seem to have slowed his relentless roll. The most arresting set piece here finds Ethan smoothly sailing off a cliff via a motorbike and a parachute. Improbable, yes? Impossible? Nah. Like the other large-scale, stunt-driven sequences, this showy leap at once underscores Cruise’s skills and reminds you that a real person in a real location on a real motorbike did this lunatic stunt.

Nothing if not a classicist, Ethan also goes one to one with a baddie (Esai Morales) atop a speeding train, perhaps in homage to his cliffhanger moves on another train in the first “ Mission: Impossible ” (1996). In his review, the New York Times critic Stephen Holden observed that with this film Cruise had “found the perfect superhero character.” It’s worth noting that, in 1996, the top 10 movies released in the United States were largely high-concept thrillers and comedies; in 2022, half the top 10 releases were from Marvel or DC. Yet the film that connected most strongly with audiences was Cruise’s “Top Gun: Maverick.”

Although “Maverick” featured plenty of digital whiz-bangery, its most spectacular draw of course was Cruise, who has also remained the single greatest attraction in the “Mission” movies. To that point, while there’s little of substance that I remember about the first film other than it was directed by Brian De Palma, I can vividly picture — with the crystalline recall that only some movies instill — two distinct images of Cruise-Ethan from it. In one, he races away from a tsunami of water and shattered glass; in the second, he hovers inches above a gleaming white floor, his black-clad body stretched head to toe in a near-perfect horizontal line. The filmmakers imprinted those images on my memory; so did Cruise.

Early in the “Mission: Impossible” series, the outlandishness of the movies’ plots and Cruise’s equally fantastical stunts started to make him seem less than human. By the second movie, I wondered if he were disappearing altogether, turning himself into little more than a special effect. Since then, the plots and the stunts have remained impossibly absurd, sometimes enjoyably so, as here. Yet over the years, the series has unexpectedly made Cruise seem more poignantly human than he has sometimes seemed elsewhere. One reason is that the “Mission” movies were instrumental in shifting the locus of his star persona from his easygoing smile — the toothy gleam of “Risky Business” and “Jerry Maguire” — to his hardworking body.

The obvious effort that Cruise puts into his “Mission” stunts and the physical punishment he endures to execute them — signaled by his grimaces and popping muscles — have had a salutary impact on that persona, as has the naked ferocity with which he’s held onto stardom. It’s touching. It’s also difficult to imagine any actor today starting out in a superhero flick reaching a commensurate fame, not only because the movies, Hollywood’s at least, no longer retain the hold on the popular imagination that they once did, but also because the corporately branded superhero suit will always be more important than whoever wears it. Tom Cruise doesn’t need a suit; he was, after all, built for speed. He just needs to keep running.

Mission: Impossible — Dead Reckoning Part One Rated PG-13 for thriller violence. Running time: 2 hours 43 minutes. In theaters.

Manohla Dargis is the chief film critic of The Times, which she joined in 2004. She has an M.A. in cinema studies from New York University, and her work has been anthologized in several books. More about Manohla Dargis

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Tom Cruise Vows to ‘Always Fight for Big Theaters’ From Rome’s Spanish Steps at ‘Mission: Impossible 7’ World Premiere

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Tom Cruise Mission Impossible 7 World Premiere

Tom Cruise made an impassioned speech about cinemagoing from Rome’s Spanish Steps at the world premiere of “Mission: Impossible – Dead Reckoning Part One.”

“There is a community that we are all part of — different cultures and ways of life, we all join together to enjoy cinema,” said Cruise, dressed in a crisp blue suit and wearing aviator shades. “It’s something that I grew up with, that made me and inspired me to dream and want to travel the world.

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“He’s had a hand in every single film I’ve made over the past 16 years,” Cruise declared. “Uncredited, he wrote ‘Mission: Impossible – Ghost Protocol.” He’s had a hand in editing and writing every single I’ve ever done. He is my creative brother and an exceptional human being.”

Cruise, who reprises his role as Ethan Hunt in Paramount’s latest tentpole, added: “I want to thank Rome and the city. And also we got to film in Venice, which was extraordinary, during some very difficult times in this country. I dreamed to be coming here and [sharing] it with all of you.”

The seventh installment of the “Mission: Impossible” franchise was partly filmed in the Italian capital, where the cobblestoned streets provided the perfect pavement for drifting cars burning rubber in numerous hair-raising chases that are likely to go down in action film history. The Spanish Steps, by the Piazza di Spagna, is the setting of a wild car chase involving a massive Hummer chasing a tiny vintage yellow Fiat 500 driven by Cruise and Hayley Atwell, who are handcuffed.

Cruise came to Italy with director McQuarrie and an ensemble cast of returning talents including Simon Pegg, Rebecca Ferguson and Vanessa Kirby on the red carpet. Franchise newcomers Hayley Atwell, Pom Klementieff, Shea Whigham and Greg Tarzan Davis were also among those who made the trek to the Eternal City for the launch.

Atwell, who plays thief and agent of chaos Grace, told Variety during a weekend junket that she trained for months on a race track with stunt coordinator Wade Eastwood for her Rome chase. Only after her hardcore training did she arrive in Rome to work alongside Cruise, who was determined to keep the stunts as real as possible.

“I was handcuffed to Tom Cruise, who is in the passenger seat,” Atwell recalled. “Both Wade and Tom said: ‘We want you to go in front of this monument, do some 360 doughnuts, drift in, drift out, dodge cars and keep going.'”

During this feat, Atwell was told that “Tom’s going to be suggesting lines to you [while] he’s going to be acting as Ethan. But he also might give you moments of direction, too. Like: ‘turn left’ or ‘slow down,’” she said.

So Atwell’s challenge, as she was drifting, was to work out: “Is Tom as a producer telling me as Hayley to slow down because something is unsafe? Or is he as Ethan telling Grace to slow down?”

“It was an amazing day,” Atwell noted. After it was over, McQuarrie took her out to lunch and said: ‘Tom put his life in your hands today. That was no small thing,’” she added.

By contrast, Pom Klementieff – who plays the psychopathic villain Paris – didn’t train at all for scenes in which she drives the Hummer in pursuit of the yellow Fiat as it comes darting down the ancient staircase filled with screaming people who are jumping and running.

For Klementieff, the hard part was “not having too much fun doing it,” she said during the junket. “I was trying not to laugh the whole time, because for me it was so funny to be chasing a Fiat [500] … in this crazy Hummer.”

“ I had to tone it down a bit. I had to remember that I’m a villain,” she laughed. But Klementieff also noted “that some of that [irony] is in the movie, of course!”

Paramount’s July 12 U.S. release of “Mission: Impossible 7” – which also shot in England, Abu Dhabi and Norway – was pushed back several times from its original planned 2021 launch date due to pandemic-related setbacks.

In February 2021, the movie was forced to halt production in Italy, days before its planned shoot in Venice, as the country contended with one of the highest COVID death rates in Europe.

“In every city we were in across the world, it was the middle of COVID,” she added. “So it was amazing that they got the system [COVID production protocol] in place — and Tom drove it.”

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The World’s Coming After Tom Cruise in Mission Impossible 7

Portrait of Rebecca Alter

Your mission — should you choose to accept it: Reveal the whereabouts of Shelly Miscavige.

Kidding, Tom Cruise . Kidding! Your mission, if you choose to accept it, is to gain access to the mechanisms that sway public thought and morality, according to a villain-adjacent sales pitch by Eugene Kittridge (Henry Czerny) in the final trailer for the seventh Mission: Impossible film, which is laboriously called Mission: Impossible — Dead Reckoning Part One. That’s some nice punctuation you have there, MI7. Where did you get it — the punctuation store ? “Hang on,” “Oh my God,” and “Go, go, go” are just some of the indelible phrases uttered in the new trailer, which also shows us explosions of trains, explosions of green substances, sexy Vanessa Kirby, a bunch of movie-critic quotes about how great it is , and no behind-the-scenes footage of Tom Cruise losing all five feet and seven inches of his shit at the film’s U.K. crew . The movie, should you choose to go see it, comes out July 12, 2023.

This post has been updated.

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How to Watch the 'Mission: Impossible' Movies in Order (Chronologically and by Release Date)

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The Big Picture

  • Tom Cruise has been the face of the Mission: Impossible franchise for 25 years, playing the daring and intelligent Ethan Hunt.
  • The franchise has released seven films so far, with Mission: Impossible 8 coming in summer of 2025.
  • The movies can be watched in either release date order or chronological order, with each installment building upon the previous ones.

Tom Cruise helped revive a franchise in 1996 when he starred in the first Mission: Impossible film as Ethan Hunt, a member of a fictional spy agency called Impossible Missions Force, or IMF. The first film kicked off a successful movie franchise that's run for 25 years, with the number of Mission: Impossible nearing the double digits. The entire series focuses on the daring and intelligent Hunt, and while playing the same character for more than two decades is no small feat, Cruise makes the impossible look easy. While Cruise has been onboard for all of the Mission: Impossible films — seven so far, with the eighth having stopped filming due to the 2023 SAG-AFTRA strike — the other actor who’s been by his side since day one is Ving Rhames , who plays Luther Stickell, an expert hacker at IMF and Hunt’s most trusted friend. Over the years, many great actors like Jon Voight , Philip Seymour Hoffman , and Angela Bassett have had roles in the franchise, whether as allies or antagonists to Hunt.

Thankfully, for anyone wondering how to watch the Mission: Impossible movies in chronological order or by release date, the action spy franchise isn’t as complicated as Hunt’s “impossible” missions. Here’s a straightforward guide.

Editor's Note: This article was updated on November 5, 2023.

  • Mission: Impossible

An American agent, under false suspicion of disloyalty, must discover and expose the real spy without the help of his organization.

Mission Impossible Movies In Order of Release Date

Here’s every film in the Mission: Impossible movie franchise, in the order they were released in:

Mission: Impossible (1996)

Mission: impossible 2 (2000), mission: impossible iii (2006).

Mission: Impossible – Ghost Protocol (2011)

Mission: Impossible – Rogue Nation (2015)

Mission: Impossible – Fallout (2018)

Mission: Impossible – Dead Reckoning Part One (2023)

Mission Impossible Movies in Chronological Order of Events

The timeline of the Mission: Impossible franchise is pretty straightforward, but if you're wondering when Cruise climbed the Burj Khalifa, how many movies Ilsa Faust has been in, or who's been on Ethan Hunt's IMF team the longest, we've got you covered. Here's a breakdown of how to watch the Mission: Impossible films in chronological order and the important details to remember:

Based on the TV series of the same name that ran from 1966 to 1973, Mission: Impossible , the first film in what is now a multi-billion-dollar-earning franchise, takes the original story and turns it on its head. When a whole team of IMF agents is killed during a mission, Cruise’s Hunt is left as the only survivor. Unfortunately, surviving doesn’t do him much good, as IMF, in turn, suspects Hunt of being a mole in the organization and the one responsible for the killings. In order to prove his innocence, Hunt goes on the run in search of the real mole, intent on stopping them before they do any more damage. Along with Cruise and Rhames, Mission: Impossible also stars Voigt as Jim Phelps, one of the original series’s characters, Vanessa Redgrave as an arms dealer named Max, as well as Kristin Scott Thomas and Emilio Estevez as other major characters. Directed by Brian De Palma , the 1996 film is more of a contained, paranoid spy thriller, and ultimately, the franchise goes above and beyond the first film’s story and action sequences, but Mission: Impossible will always be the one that started it all.

Released four years after the first film, Mission: Impossible 2 , directed by John Woo, features the return of Hunt and the IMF, as Hunt is tasked with finding and disposing of a biochemical weapon called “Chimera.” The villain of this mission is a former IMF agent named Sean Ambrose, played by Dougray Scott . Other new additions to the cast are Thandiwe Newton as Nyah Nordoff-Hall, Ambrose’s ex-girlfriend who helps Hunt accomplish his task, as well as Brendan Gleeson as John C. McCloy, the CEO of Biocyte, the company that creates both the Chimera weapon and its antidote, “Bellerophon.” Ambrose aims to start a pandemic so that he can earn billions of dollars by selling the antidote, and Hunt and Nyah must secure the virus before it’s too late. The second film in the Mission: Impossible franchise ups the ante, with Hunt traveling all the way to Sydney, Australia to chase down Ambrose, and the action sequences are jam-packed in typical Woo fashion .

The third film in the Mission: Impossible franchise took a really long time to be released, with six years between 2000’s Mission: Impossible 2 and 2006’s Mission: Impossible III . The third outing for IMF agent Hunt introduces two more key characters to the story — Michelle Monaghan as Hunt's fiancée, Julia Meade, and Simon Pegg ’s Benji Dunn, an IMF technician and trusted teammate of Hunt’s. In Mission: Impossible III , Hunt attempts to retire from fieldwork and settle down with Julia, but the organization can’t seem to let him go. He is called in to rescue a kidnapped agent and stop an arms dealer named Owen Davian ( Seymour Hoffman ) from receiving a dangerous MacGuffin called the “Rabbit’s Foot.” All the while, Hunt tries to keep the secret of his real job from Julie, but despite his efforts, she gets dragged into danger anyway. Directed by J.J. Abrams , the third Mission: Impossible film also features many other fantastic actors, including Laurence Fishburne , Keri Russell , and Billy Crudup .

Mission: Impossible - Ghost Protocol (2011)

In the new decade, this is where the action franchise really hits its stride. The first Mission: Impossible film to have a subtitle, 2011’s Mission: Impossible - Ghost Protocol does not disappoint. After a mission goes terribly wrong, ending with the Kremlin blowing up, the U.S. government disavows IMF in what is known as the “Ghost Protocol,” leaving Hunt and his team alone and without backup. Along with Cruise, Rhames, Pegg, and Monaghan, the fourth Mission: Impossible film also stars Jeremy Renner , Paula Patton , Michael Nyqvist , and Léa Seydoux . While Hunt’s previous missions have involved traitor agents and virus weapons, this particular adventure features Hunt working to prevent a nuclear war. The stakes are higher than ever, and Hunt must overcome both physical and emotional hardships in order to do his job and save the world. The Iron Giant and Incredibles director Brad Bird made his live-action debut with Ghost Protocol , and the film is a major step up from the previous three, escalating the action set-pieces (most notably, Cruise's instantly iconic climb up the Burj Khalifa ) and introducing a more ensemble-driven approach the franchise is still embracing today.

Mission: Impossible - Rogue Nation (2015)

Enter Rebecca Ferguson . Mission: Impossible - Rogue Nation is the fifth film in the Mission: Impossible series that never seems to stop. Alongside Alec Baldwin , Sean Harris , and Tom Hollander , this movie marks the first appearance of Ferguson's Ilsa Faust , an MI6 agent who encounters Hunt while undercover in the Syndicate crime organization; an international group of spies who went rogue. Ferguson’s character is definitely one of the most complicated of the series so far, and she adds new life and intrigue to the franchise. After Hunt is captured by the Syndicate, led by Harris’s character Solomon Lane, he is tortured for information and later escapes with Faust’s help. The Syndicate’s main goal is to reconstruct the world order through a series of violent terrorist attacks, and of course, Hunt gets blamed for the crimes, leaving him constantly on the run. It’s an age-old story. Hunt gets involved with a huge conspiracy then gets framed and must go on the run, relying on his amazing skills as an agent to take the Syndicate down before they can complete their plan. Considering that this formula has gotten the franchise this far, there’s really no reason to change it up, but director Christopher McQuarrie makes it feel fresh and new with extraordinary stunts and a deeper interest in Hunt as a character. It's no wonder that he's the only filmmaker to date to stick with the franchise for multiple sequels.

Mission: Impossible - Fallout (2018)

Mission: Impossible - Fallout follows Hunt, Faust, and the rest of Hunt's now-familiar team as they work to stop what’s left of the Syndicate. The organization has reformed as the Apostles, led by an unknown figure known as John Lark. After a mission to secure stolen plutonium cores doesn’t go well, Angela Bassett, finally joining the franchise as CIA Director Erika Sloane, assigns Henry Cavill ’s August Walker to oversee Hunt’s future missions. Meanwhile, an arms dealer named Alanna Mitsopolis, or the White Widow (a new character played by Vanessa Kirby ) causes trouble for Hunt and the IMF by stealing the plutonium to make a deal. According to Mitsopolis’s offer, Hunt must secure Lane (the villain from the previous movie) and deliver him to MI6, and she will give him the plutonium cores for the CIA and IMF. Of course, very little goes according to plan, as Hunt discovers that the person known as Lark is closer than he thought. Set two years after Rogue Nation , the two films’ plots are heavily intertwined, so it’s best to watch them together if you can.

Mission: Impossible - Dead Reckoning Part One (2023)

The latest chapter of the Mission: Impossible franchise, Mission: Impossible - Dead Reckoning Part One features even bigger stunts than ever before and adds a host of exciting new cast members, including Hayley Atwell , Pom Klementieff , Shea Whigham, Esai Morales , Indira Varma , Cary Elwes , and Mark Gatiss , among others. Christopher McQuarrie once again wrote and directed the movie and will be doing the same for MIssion: Impossible 8 . The film introduces a new threat involving a familiar face, an organization known as the Community. It is by far the biggest film in the series, both in terms of cast and scope.

What's Next?

With every new installment, the Mission: Impossible franchise gets better and better. And while Dead Reckoning Part One may just be the best it's ever been, Cruise and McQuarrie will be looking to top that with Mission: Impossible 8 . However, the film has been delayed multiple times and has undergone a quiet name change. As of now, the eighth part of Ethan Hunt's story is set to premiere on Memorial Day, May 23, 2025.

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WARNING: This article contains SPOILERS for Mission: Impossible - Dead Reckoning Part One Mission: Impossible - Dead Reckoning Part One once again sees Tom Cruise push himself to new heights when it comes to devising big stunts for him to perform in character as Ethan Hunt. Cruise's commitment to practical effects and actors doing their own stunts is legendary by now, and those stunts guarantee box office gold for each of his movies. The majority of movie theater audiences aren't flocking to opening night of a Mission: Impossible movie to find out what new threat the IMF are facing, they're showing up to see Tom Cruise risk life and limb in pursuit of delivering something they've never seen before.

Mission: Impossible - Dead Reckoning Part One is no exception, and features all the big stunts that audiences have come to expect from a Tom Cruise movie. From the highly-publicized steam train crash to Cruise literally riding a motorbike off a cliff, all the stunts are performed by the actor himself, supported by an incredibly skilled team of professionals. The fact that these stunts were all performed in the wake of the COVID-19 pandemic makes the feats acheived by Cruise and the Mission: Impossible 7 team even more remarkable.

RELATED: Mission Impossible - Dead Reckoning Part 1 Cliffhanger Ending Explained

Ethan Hunt's Abu Dhabi Airport Escape

In a movie that features Tom Cruise hanging out of a train and riding a motorbike off a cliff, a brisk jog across the rooftop of Abu Dhabi Airport could appear quite tame. However, the whole airport sequence where Ethan first meets Grace (Hayley Atwell) is remarkable for the sheer scale of shooting huge crowd scenes while maintaining social distancing and observing COVID regulations. Speaking to The National in an interview on YouTube, director Christopher McQuarrie outlined how 150 background artists, the cast and the crew realistically realized a crowded international airport at a time when opportunities for non-essential international travel were scarce.

Tom Cruise's run in Mission: Impossible 7 was shot on location at the airport by a hugely talented camera crew that made such a hair-raising stunt look like an everyday jog. A small set was built on the roof to capture close-ups of Cruise running across what McQuarrie describes as " metal sand dunes ", while aerial cameras give a sense of the distance and scale of the rooftop. It's a typically bravura Mission: Impossible stunt, but it's only the beginning of M:I7 's dazzling sequences.

Tom Cruise And Hayley Atwell's Car Chase While Handcuffed

After tracking Grace down to a police station in Rome, Ethan handcuffs himself to her, so that she can't escape again. However, they soon find themselves on the run from the local police and a team of international assassins led by Paris (Pom Klementieff). It's joyous to watch Ethan and Grace trade quips as they drive through the streets of Rome while handcuffed to each other. It gets even more fun when they have to drive a tiny yellow Fiat 500 down narrow alleyways and down city steps, avoiding a local baby in a pushchair. Tom Cruise revealed to Buzz Feed Australia that he and Atwell were handcuffed throughout the chase sequence, adding the required degree of believability and jeopardy.

To ensure the safety of himself and new Mission: Impossible star Hayley Atwell , Cruise practiced the stunt for hours, as he does with all of his vehicular action sequences. Not content to settle for a car chase where Tom Cruise drives one-handed with his co-star manacled to him, he's also pulling off one-handed drifts and handbrake turns on the notoriously cobbled streets of Rome, prompting Chris McQuarrie to reflect that the team couldn't " have made a sequence that was more difficult to shoot. " As the finished movie shows, Mission: Impossible 7 certainly reaps the rewards from the difficulties in realizing the car chase sequence.

Tom Cruise Rides A Motorbike Into A Base Jump

According to an exclusive IMAX video , Tom Cruise has wanted to ride a motorbike off a mountain into a base jump since he was a kid. While this speaks volumes about the type of child that Tom Cruise was, the vicarious thrill that an audience experiences watching him live out that childhood dream is palpable. As with the handcuffed car chase, Cruise put a great deal of practice into achieving the stunt. Rehearsing the motorbike jump on specially built ramps while both bike and Tom were tethered was only one phase in realizing what may be the most dangerous of Mission: Impossible 's stunts .

Cruise assembled a team of consultants who were all experts in motorcycling, skydiving and base jumping. On top of the regular skydiving and base jumping drills - up to 30 a day - a special Motocross track was built for Cruise to practice achieving the required heights on the motorbike to safely pull off the jump. Of course, training for an impressive stunt like the base jump was only half the battle, as director Christopher McQuarrie also had work out how to shoot the stunt for a theater audience when it came to principal photography commencing in Norway.

A huge ramp was built that ran to the crest of the mountain, from which Tom Cruise would eventually launch himself and the bike. In preparation for the shot, Cruise would base jump from a helicopter above the top of the ramp to ensure that the markers were right for filming. These drills also ensured that he would know when to pull his parachute, to avoid a fatal impact with his mountainous surroundings. The stunt was filmed by cameramen in a chopper and a drone and camera mounted on a bike that followed Tom all the way to the end of the ramp. Present on the day was Simon Pegg, who recently shared the footage on his Instagram.

Ethan And Gabriel's Fight On The Train

Mission: Impossible 's new villain Gabriel (Esai Morales) has a tragic past with Ethan, and continues to author more tragedy for Hunt throughout Dead Reckoning Part One . At the movie's breathtaking climax the two men face off atop a moving train, which is a callback to the original Mission: Impossible movie in which Ethan clings to the roof of the Eurostar. That climax was achieved with a mixture of blue screen, model work, and CGI provided by Industrial Light and Magic. The fight scene in M:I7 puts more focus on the practical side of things.

Having specially built a steam locomotive for use in Mission: Impossible - Dead Reckoning Part One , the team then set about filming Cruise and Morales fighting on top of it as it wound through the same Norwegian locations as the base jump. Although it was moving at a much slower pace than an average train, the two actors were still grappling on top of a vehicle that was achieving speeds of 60mph. Fighting Tom Cruise on top of a moving train was a new experience for actor Esai Morales, but it's a significant upgrade on the scene from the very first Mission: Impossible movie.

Mission: Impossible 7's Train Crash

After building the locomotive, the Mission: Impossible 7 team then had to destroy it in the movie's climactic scenes. Escaping with his life, Gabriel primes a bridge with explosive charges, leaving the train with no more rails to travel, and killing Hunt and Grace in the process. Thankfully, Ethan and Grace escaped with both their lives and Mission: Impossible 's key to unlock the Entity source code . The crash of the front carriages of the train was shot in the Darlton Quarry in Stoney Middleton, in the UK once all the scenes inside the specially built locomotive were in the can. The train was rigged with multiple cameras so that it could capture the moment of impact at the bottom of the quarry.

The fact that the Mission: Impossible - Dead Reckoning Part One team built their own train meant that the various scenes of Ethan and Grace hanging from the train were mostly captured on the genuine article. Interestingly, Hayley Atwell believed that her toughest stunts were during the later sequences inside the train carriage after the crash. These were achieved inside a "virtual carriage" which had Tom Cruise and Hayley Atwell defy gravity as the movements reflected the physics of the train crash as depicted on-screen. All of which leaves the question of just what Tom Cruise, Christopher McQuarrie and the Mission: Impossible team could possibly have planned for the second part when it hits theaters in 2024.

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Mission: Impossible - Dead Reckoning Part One is 69 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 24 places since yesterday. In the United States, it is currently more popular than The Dark but less popular than John Wick.

Ethan Hunt faces his toughest adventure yet in Mission: Impossible - Dead Reckoning Part One

Alongside his team of trusted operatives and some potentially untrustworthy ones also, Ethan has to face down a new villain and save the world from a new threat. Between old faces and new challenges the story of Ethan Hunt is coming to a stunt-filled spectacular close in this adrenaline-filled first installment of the two-part movie experience.

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Tom cruise returns in the first of a two-part mission impossible movie experience.

Mission: Impossible - Dead Reckoning Part One is an action thriller and the the seventh film in the Mission Impossible franchise. Dead Reckoning Part One is the first in a two-part movie series which sees the return of Tom Cruise as IMF agent Ethan Hunt. After having directed the last two Mission Impossible films ( Fallout  and  Rogue Nation ) Christopher McQuarrie returns as writer and director.

Reprising their roles in the film are Ving Rhames, Simon Pegg and Rebecca Ferguson all of whom have been featured in the series before. Hayley Atwell, Shea Whigham and Esai Morales all join the Mission Impossible series for the first time and Henry Czerny is set to return as Eugene Kittridge – a character who hasn’t been featured since the first Mission: Impossible . Mission: Impossible - Dead Reckoning Part One was released in cinemas across the US on July 12th, 2023.

Production News

  • Paramount confirm that Christopher McQuarrie has signed on to write and director the next two Mission Impossible films with Tim Cruise returning as lead and producer.( Source: The Wrap )
  • Release dates are set for Mission Impossible 7 and 8 for 2021 and 2022 respectively with back-to-back shooting expected.( Source: Collider )
  • Hayley Atwell is confirmed to have joined the cast.( Source: Hollywood Reporter )
  • Pom Klementieff, known for her casting in Guardians of the Galaxy joins the cast. ( Source: Collider )
  • Vanessa Kirby joins a confirmed cast that includes: Shea Whigham, Simon Pegg, Ving Rhames, Henry Czerny and Nicholas Hoult.( Source: Collider )
  •  Production of the film that had set up in Venice, Italy was suspended due to the COVID-19 pandemic.( Source: Deadline )
  • Production for the film restarted in the UK after it was given special dispensation for continuation.( Source: Collider )
  • Mission Impossible 7 wrapped filming after many production delays and went into post-production. ( Source: Collider )
  • The title of the film is revealed to be Dead Reckoning Part One at CinemaCon. ( Source: Collider )
  • The first trailer for the film is released. ( Source: ScreenRant )
  • A behind-the-scenes featurette is released showing the death-defying stunt work of Tom Cruise. It shows the work behind one of the biggest stunts in cinema history.( Source: The Playlist )
  • The poster for the movie is revealed highlighting an incredible moment of stunt work by the star Tom Cruise. (Source: Collider)
  • A new image from the movie is released giving a glimpse of the new villain played by Pom Klementieff. Original Mission Impossible character Eugene Kittridge is also confirmed to be returning to the franchise as a villain. (Source: Screen Rant)
  • Mission Impossible: Dead Reckoning Part One is confirmed to be arriving two days earlier than previously reported. The new release date for the movie is July 12th, 2023. (Source: Collider)
  • Director Christopher McQuarrie posted a photo to confirm that the movie had wrapped production. The movie is confirmed to have taken a year and a half since the principal photography. (Source: ScreenRant)
  • The main villain of the movie played by Esai Morales is teased by the filmmaker Christopher McQuarrie. He suggests that the villain is a 'ghost from the past' of protagonist Ethan Hunt. (Source: ScreenRant)
  • A new full-length trailer is released. It depicts Ethan Hunt risking his life to complete his mission while facing up against old friends and new villains. (Source: Collider)
  • The movie is confirmed to have the longest runtime in the whole franchise at 2 hours and 27 minutes. (Source: Collider)
  • Director of the movie, Christopher McQuarrie confirmed that the film was completely finished with all post-production also complete. (Source: Collider)
  • A new featurette is released teasing an intense car chase sequence in the movie. The featurette confirms that star Tom Cruise drove one-handed during the stunt scenes. (Source: YouTube)
  • A new behind-the-scenes clip shows the crew and cast filming at Abu Dhabi International Airport and across sand dunes in the region.  (Source: YouTube)
  • Continuing a campaign of teasing the biggest stunts in the movie, a new clip is released detailing Cruise's fight scene atop a moving train. (Source: Deadline)
  • Mission: Impossible - Dead Reckoning Part One was released in cinemas across the US.  (Source: Collider)

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The 8th entry in the long running Mission Impossible franchise. The 8th entry in the long running Mission Impossible franchise. The 8th entry in the long running Mission Impossible franchise.

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  • Trivia Production on the 7th and 8th installments were planned to be filmed back to back. This changed after the 7th completed filming, due to Tom Cruise having to leave to do promotion for the Top Gun sequel, " Top Gun: Maverick (2022) ".
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