florence welch home tour

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Watch: Florence Welch takes you on a tour of her home.

florence welch home tour

As one would imagine, Florence Welch’s house has a beautiful vintage aesthetic -  it could totally pass as an antique store or luxury B&B.

Thanks to Nowness, we now get our very own private tour led by Florence herself, all around her magical home.

Watch the tour unfold below...

florence welch home tour

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florence welch home tour

kingofsorrow 600 --> 600" style="margin-left: 21px" class="date">6 years ago 600 -->

What a lovely, lovely short. FW's quaint home is as magical and enchanting as she. Thank you Nowness for this wonderful series!

florence welch home tour

Emanuel Monrroy 600 --> 600" style="margin-left: 21px" class="date">5 years ago 600 -->

That's why I love so much Florence.. Ty Nowness

Material Archive 600 --> 600" style="margin-left: 21px" class="date">6 years ago 600 -->

The_Dark_Lady_2 600 --> 600" style="margin-left: 21px" class="date">6 years ago 600 -->

Love this - this lovely eclectic home is just where you would imagine Ms Welch would live.

florence welch home tour

Carol Ciszek 600 --> 600" style="margin-left: 21px" class="date">6 years ago 600 -->

Love Florence's style! Her home is truly an expression of her personality! It has a Flo to it!

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= 5" class="">community rating, average of 257 ratings.

Art & Design

  • Florence Welch
  • Barbara Anastacio

Through the looking glass into the British chanteuse's eccentric Georgian townhouse

“I don’t think I’m quite comfortable in minimalist spaces,” says multi-platinum selling artist Florence Welch of her whimsically cluttered London pad. “It’s the first house that I moved into after I moved out of my mum’s – but my mum said I wasn’t allowed to move further than ten minutes from the house, so here I am.”

“My mum said I wasn’t allowed to move further than ten minutes from the house, so here I am.”

With her roots firmly in South London – it’s where Welch was born and also attended art school – the musician reimagined a “mature" version of her childhood bedroom and a cabinet of curiosities. “I haven’t really changed the space that much,” she says. “It was just coats of paint and changing door knobs, because small things can really make the difference. Finding bits of furniture you like and re-upholstering them… I’ve always been like an inherent decorator.” Her mother’s paintings hang next to a pair of leather lungs made for her debut album cover, as well as countless postcards and books picked up on her travels.

“These little piles of books just grow everywhere like stalagmites and stalactites”

“Having lots of stuff and having lots of chaos around you is like a way to hide,” reflects Welch. “These little piles of books just grow everywhere like stalagmites and stalactites. I definitely need to be with my own thoughts and listen to music and read and write. It’s kind of how I make sense of the world.”

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Florence + The Machine  

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Florence Welch is the lead singer and frontwoman of the indie band Florence + The Machine, formed in South London, UK, in 2007.

Known for a unique and dreamy blend of folk, art-pop, indie rock, and neo soul, as well as her stirring and ethereal live performances, Welch has been likened to artists such as Adele, Amy Winehouse, and Ellie Goulding.

Florence + The Machine is a band composed of Welch, pianist Isabella Summers, Robert Ackroyd (guitar), Tom Monger (harp), Mark Saunders (bass), and a rotating cast of other artists. Welch credits her bandmates with helping unlock her creative process, as they have been so tuned-in to each others’ musical abilities for so long that they naturally know what she’s hoping for in each new song.

The band’s name came from Welch’s teenage years, when she collaborated with Isabella “Machine” Summers. For a while, the two performed as Florence Robot/Isa Machine — a private joke that eventually stuck in slightly altered form.

With huge encouragement from the BBC, Florence received early critical acclaim and attention from UK audiences as BBC Music Introducing strongly promoted the band. The band’s debut album, Lungs, was released on July 6, 2009, and reached the number two slot in the UK Album Chart, retaining the position for five consecutive weeks. It finally reached the number one position on the album chart on January 17, 2010. By October 2010, Lungs had spent a total of 65 consecutive weeks in the top 40 album charts.

Notable singles from the album included “Rabbit Heart (Raise It Up),” “Kiss With A Fist,” and “Dog Days Are Over,” with the songs being featured on films and television series like Jennifer’s Body, 90210, Gossip Girl, Glee, and Skins.

Undoubtedly, the biggest hit single released from Lungs was the cover of The Source and Candi Staton’s 1986 single “You’ve Got The Love.” The track was later also released in collaboration with UK grime rapper Dizzee Rascal under the title, “You’ve Got The Dirtee Love,” following Welch and Dizzee’s 2010 Brit Award performance of the mash-up.

The band’s second studio album, Ceremonials, was preceded by a demo session in January 2010 at a small studio in London. Several producers vied for the chance to produce it, but Welch rejected their offers because she was after a new sound: something darker, heavier, more explosive, and grittier. The band had the rest of the year to work sporadically on the music, since they were out on the road touring heavily.

When the group did record, it happened between January and April 2011 at Abbey Road Studios with producer Paul Epworth, who co-wrote seven of the album’s tracks. Other co-writers included Kid Harpoon and Summers. Welch had to record many of the vocal tracks in various U.S. studios between shows on her tour.

Ceremonials featured singles “Shake It Out” and “What The Water Gave Me,” with the latter video receiving an outstanding 1.5 million views on YouTube in just two days alongside the track on iTunes in August 2011. The fourth single for the album, a remix of “Spectrum (Say My Name)” by Scotland’s Calvin Harris, became the band’s first number-one hit in the UK.

Unsurprisingly, Ceremonials reached number one on the UK Album Chart and number six on the U.S. Billboard 200. Furthermore, Florence + The Machine was honored with nominations for two Brit Awards: British Album of the Year and Best British Female Artist.

2012 was a year of rest for Florence + The Machine after having gone all out for the past half-decade. By the end of December 2012, Ceremonials had received a nomination for Best Pop Vocal Album.

In June 2014, Welch revealed that the band was working on its third studio album. Seven months later, the band performed the new album in its entirety to a crowd in a private London show. The next day, a music video for the title track, “How Big, How Blue, How Beautiful,” dropped, followed by another video for the song “St. Jude.”

When How Big, How Blue, How Beautiful finally dropped on May 29, it rose to the number-one spot on the UK Albums Chart — the band’s third time enjoying the honor — and hit number one on the U.S. Billboard 200. It was nominated five times for the Grammys. That year, the band headlined Glastonbury Festival, and its set received critical acclaim from a number of outlets. In 2016, Florence and the Machine released a short film called The Odyssey, which combined all of the album’s music videos into one narrative structure.

May 2017 saw an announcement of yet another studio album, High as Hope. During this period, then-drummer Christopher Hayden left the band, but the music didn’t stop: singles like “Sky Full of Song” and “Hunger” came in April and May of 2018. Florence + The Machine stayed busy with tours and song-crafting through the beginning of the COVID-19 pandemic, when it released “Light of Love” to support the Intensive Care Society.

By early 2022, the band was back on the road, headlining festivals like Madrid’s Mad Cool. The band’s fans began receiving letters with a cryptic print entitled “King – Chapter 1,” which led to speculation of a new single. Welch confirmed the rumors on February 22 on her Instagram account. “King,” the new single, came out the next day along with a music video. “Heaven Is Here” followed on March 7. Dance Fever, the fifth studio album, was released on May 13 and immediately shot to the number-one spot in the UK.

Live reviews

Only a few hours after I wrote about Hozier performing one of the most intimate sets I had ever experienced at Red Rocks, Florence Welsh completely redefined the word ‘intimacy’. The 28-year-old vocalist of Florence + the Machine had been photographed in meltdown mode at the Montreal airport just days prior, so it came as no shock when she decided do to something a little different on the last date of her current tour. Welsh has been pretty honest about her personal challenges with the road. She’s described feelings of loneliness and exhaustion that border on depression. I’m sure she found solace in the fact that her vocal chords held strong this time around (she damaged them not long before her Red Rocks show in 2012), but she seemed slightly unraveled by the time she took the stage for a special acoustic set on Monday night.

Large scale performances and frayed nerves usually equal disaster, but as Florence’s emotions danced around her windswept red curls, she used her sweet sorrow to create an air of melancholy that infected the crowd during her stripped-down set. The audience gained another ounce of empathy with each breath…thus absorbing her sadness and eradicating any loneliness she might have been feeling. The science was exact, so by the time the 12-piece ensemble went into full effect for ‘the electric era’, we had become her friends, her confidants, and her choir. The collective energy was enough to bring the rocks crumbling down on our heads, but lucky for us (and the City of Denver) Florence held things together with the pure power of voice. There wasn’t a cloud in the sky during the entire set, but this season has seen its fair share of strong weather, and Florence + the Machine gave every drop of rain, gust of wind and bolt of lightning a run for its money. The calm before the storm just made the storm that much stronger. - See more at: http://ilistensoyoudonthaveto.com/2015/08/06/florence-the-machine-red-rocks-08-03-15/#sthash.nrdxF7Aq.dpuf

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kmartini’s profile image

Florence + the Machine are a power force in the UK indie scene who have conquered both sides of the Atlantic since their rise to fame following the release of 'Lungs'. Led by the charismatic and eccentric Florence Welch, the band has a reputation as one of the most exciting and energetic live acts currently working today.

As the thunder begins to roll, the machine appears onstage followed by a majestic looking Florence who confidently takes the helm and launches into the all-consuming 'Only If For A Night'. The haunting 'What The Water Gave Me' follows as Florence lifts her hands to the heavens and the audience cheer below her feet.

Before you have time to react, Florence abandons the facade of a renaissance painting brought to life and has launched herself from the stage to sing and dance 'Rabbit Heart' with the crowd. Her vocals shine through on the soulful 'Leave My Body' as she stands illuminated by a single spotlight and the restraint shown during early single 'Cosmic Love' make for an emotive moment. The finale of 'Spectrum' is a hedonistic piece of dark disco where the crowd surrender themselves to Florence's bizarre world.

Despite only having released their debut in 2009, Florence + the Machine have crafted a live show that is less a gig and more an all-consuming assault on the senses.

sean-ward’s profile image

Florence Welch has one of the most distinctive voices of this era, and the indie rock band in which she is the lead singer is carried by this timeless vocal performance time and time again.

Opening her concert with ‘You’ve Got the Love’, Florence finds the perfect balance between a classically lyrical performance, and enthusiastic and upbeat. The blend of the band is something that comes across to the audience much more pronounced in a live performance environment. Throughout their transitions between ballads and energetic upbeat songs, they maintained their engagement with the audience, having them hooked for the entire duration. Their stamina is worth noting, as throughout the concert, their performance, both physical and vocal did not dwindle at all. The live performance topped their studio recordings.

Their 2010 nomination for Best New Artist at the Grammys was wholeheartedly deserved. Their dedication to their fans is admirable, and their endeavours to make each concert about every member of the audience is something very refreshing. Florence and the Machine set the bar extremely high for live performances, making no mistakes and topping the quality of their recorded work.

yazhow’s profile image

I've waited several years for Florence + The Machine to play an intimate gig near me. Suddenly, on April26th 2018 SONGKICK emailed to say just such a gig was on at Scunthorpe Baths Hall on May6th ! Wow!

Applied online via Baths Hall website, & so pleased tickets limited to 2 per person, we were all in with a chance... Feel so, so lucky to get 2x Standing, the perfect way to see her and the band. My daughter Susie & I went: she couldn't believe our good luck either.

Venue was perfect. I'd researched the playlist from Halifax, May5th, visited the old numbers + checked out the new ones, too, so I felt prepared... but I wasn't: I'd expected the atmosphere to be up close and personal, but it was so much more.

Florence hit the stage & wow! Perfect blend of old/ new, a very balanced set from a hugely professional outfit. Florence was so open & warm giving background to several numbers. She floated, danced, teased and enthralled her adoring audience. We didn't want it to stop: so much pleasure was being shared. Her voice is incredible, it blends with the music so very well. Truly, we are blessed !

kenrob’s profile image

An electric show of epic proportions.

While I was expecting to hear more from the upcoming album, I was still delighted to hear all of the classics as well as a few new ones. This was my first time seeing FATM live, and they most certainly didn't disappoint. Florence's vocals were so omnipotent and sharp, and the same if not better than what you hear on the record. Her free as a bird movements and seemingly infinite pool of energy were wondrous to behold. I enjoyed her interaction with the crowd as well, she seemed to bring a life to her audience that I've never seen other live artists do, personally.

The only downsides might have been to do with the venue, which took too long to get everyone seated, also there wasn't much room between people so it was all rather cramped. And the supporting act, which I didn't particularly enjoy nor could I understand very well. But those things have nothing to do with Florence + The Machine personally, so it doesn't reflect on them negatively whatsoever.

Overall, an enjoyable experience that I would repeat in a heartbeat.

BobbyJutton’s profile image

I definitely recommend that you go and see Florence and The Machine if they come to your city! They are such an amazing band and they sound as good live as they do on their albums. Florence has so much stamina and tirelessly runs around onstage from side to side, looking into the eyes of as many people as she possibly can. Highlights of her show in Manchester this year were 'Rabbit Heart (Raise It Up)' when she encouraged people to get on their friend's shoulders and she ran offstage and up the steps into the lower tier seating! 'Dog Days Are Over' was a perfect finale that ended with many people leaving the concert with very little clothing on! The stage was minimal but dramatic, with a huge sparkling background, rows of spotlights and a large round moon and sun that came out from behind the background during the middle of the show. Definitely go and see them if you get the chance, you won't regret it! They're worth every penny.

Florence + The Machine @ Manchester Arena

Friday 18th September 2015

conorjgiblin’s profile image

10/10. Her voice sounds the same live as it does recorded. She was a crazy ball of energy dancing and running around every inch of the stage in a flowing dress and long hair. Florence even went into the crowd on several occasions to directly connect with people (much to the dismay of her security). Her commentary between songs majorly enhanced the performance as she is adorably shy and has the most calming ethereal presence- which basically means she is a massive hippie. She encouraged everyone to hold hands and embrace and put our phones away and jump wildly with her. Her band were also excellent and the staging- white sheets, almost like sails, hanging from the ceiling which were raised up and down and had lights shone on them- and the gorgeous glitter confetti which dropped at the end added to the magical experience. Next time I will be waiting for hours before to get to the front row!! Could not recommend more!!

abbey-miller-1’s profile image

This was the best concert I have ever been to. That is being said after seeing a lot of them. She has so much energy, and conects to the crowd so well.

A lady had jumped on to the stage while Florence was performing 'Rabbit Heart' and the security guard went after her. Florence stopped him politely, then gave the lady a big hug. Music continued on to add to the theme of her kindness. She then went on to run through the crowd, and hug a bunch of people. She ran around, then sang a note so clearly as if she hadn't moved a step. She even asked to have every one stand up and dance which was great, because where I live, people have the tendency to just sit and watch at concerts like that. I had a blast - danced my heart out to every song, and felt as if I was on some sort of high due to the energy that she sent through the crowd. I am going to see her every time she comes to town now. For sure.

Astanley777’s profile image

What can I say? What a fantastic evening. We got to Ally Pally really early to be one of the first in....we weren't first!. Despite the heavy rain loads of people were in the line before us. The doors opened and we all entered. Luckily, we were able to get into the hall quickly, resulting in us being centre stage, 5 from the front.

We waited and waited, feet getting tired. The support band (Three girls from Watford) came on. They were awesome.

Finally,, the moment arrived, with Flo coming on stage. The concert started with 'What the Water Wants'....it just got better and better. The whole audience were enthralled. The audience sang along to every song. The atmosphere was electric. What a talented lady and group of musicians. I go to loads of gigs and concerts. I was looking forward to seeing FTM the moist and she didn't disappoint.

andy-gilmore-1’s profile image

The concert was awesome.

Florence Welch's presence on stage is unbelievable, her voice is more powerful than in their CDs, and she dances and sings with a lot of passion.

The concert started with "What the water gave me", and it made clear that it was going to be very good. The band has a lot of great songs, and the concert was great from start to end.

One of the best moments was when, while performing "Dog days are over", Florence asked everyone to hug each other, then to take something off and wave it in the air, and to jump as high as we could on a count of three. Everyone was jumping and dancing, and the energy that the crowd, Florence and the song transmitted was huge.

Florence and the Machine´s fans shouldn´t miss the oportunity to go to one of their concerts.

Dariodofal’s profile image

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Florence Welch shares how anxiety came with her sobriety as she and the Machine embark on tour

Portrait of Melissa Ruggieri

Florence Welch feels things intensely.

From early hits “Dog Days Are Over,” “Shake It Out” and “Spectrum (Say My Name)” to the evocative emotional tsunamis on fifth album  “Dance Fever,” Welch’s music with her band the Machine takes root in your soul.

The London-born Welch and seven-piece Machine launch a North American tour on Friday that will roll through October before heading overseas.

The band’s brew of indie pop  and Welch’s distinctive mezzo-soprano voice – enticing on record – is even more striking on stage.

Calling from home on “Flo’s iPad,” Welch, 36, talked to USA TODAY about the intriguing songs on “Dance Fever,” filming videos in Ukraine and how Charles Dickens’ Miss Havisham factors into the upcoming tour.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

'I can't believe I'm not dead': Demi Lovato gets blunt on new album

Question: “Dance Fever” is such a phenomenal album . Can we talk about the song “Free"?  

Answer: “Free” was written in 2019 and ironically was the last song written before the first lockdown in the U.K. But even before the pandemic, I had been struggling with panic attacks and anxiety. There’s this thing that happens when you’ve been sober for a while and it’s been eight years for me. Your anxiety or whatever you’ve been suppressing comes to meet you, and when you get sober, you’re still managing it in other ways. When your life basically is settled and stable, it’s almost as if the body goes, “OK, time to release this,” but it was confusing to me, like why? The anxiety has been a constant force in my life for as long as I can remember, but there was a period in 2019 when it was particularly bad.

Can you share the backstory about the video, too, which you filmed in Ukraine and stars Bill Nighy?

There is a character in this video . I’m always running from something, so what is this something and how do we represent this? It’s extremely British to say something terrible and then be like, “ha ha ha.” We wanted to capture the sense of humor in the song, and (video director Autumn de Wilde) said, what about Bill? I didn’t think he’d say yes and he did. He was so good. He’s playing my anxiety. He’s a complete treasure. 

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It’s a beautiful scene at the end of the video, which you shot in Kyiv in November, along with the videos for “King” and “Heaven Is Here.” Do you feel a strong kinship with the Ukrainians?  

I can’t talk about it without crying. It was an amazing crew, amazing people. We had such an amazing time. We knew we were going to do a lot of stunts and they have amazing stunt people. It’s all been so devastating. A lot of it lately has been finding out if people were OK, making sure people were safe.

Does “King,” where you sing about mixing motherhood and a career, take on even deeper resonance now with everything women are dealing with in the U.S. with reproductive rights?

I think songs can hold things. The reason I make songs and I do performances is to give out statements. Songs can hold my feelings about things. They do tend to reflect what’s happening and it enters into the song and changes it.

You got me fascinated by choreomania (explored in a song of the same name). When did you learn about this phenomenon, where groups of people danced themselves to hysteric exhaustion?

I discovered it in 2019 when a friend told me about it and I went down a complete rabbit hole. I’d never heard of it. I couldn’t believe that this thing existed and there were outbreaks of it all over Europe from the 14th to 16th century. There are lots of theories about why it happened. It could have been a virus or a hallucinogenic brain and people were high or it was a psychological response to stress. I understood deeply that you could be so stressed that you could go onto the street and dance until you collapsed.

What can you share about the production for the Dance Fever tour?

We were looking at a lot of Miss Havisham references. There’s a funny sense of tragedy ascribed to unmarried, childless women at 35 and I do think people maybe think I sit in an old, crumbling mansion, crying in a wedding dress. So I was like, let’s just make that, then! I wanted to play with the humor and that sense of tragedy.

When you’re on the road, are there any must-haves on the tour bus?

I have to bring stuff to decorate every dressing room. Over the years, I’ve collected a lot of old piano shawls from various vintage stores and bring my own embroidered bedspreads. That really helps. No matter what hotel room I’m in, no matter what bus I’m in, I have things I can dress a room in.

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Arlo Parks, Sam Fender, King Princess, Yves Tumor, Japanese Breakfast and Wet Leg will join as support on select dates.

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Florence + the Machine are set to play an extended run of North American headline dates later this year, kicking off September 2 in Montreal with further stops including New York’s Madison Square Garden, Los Angeles’ Hollywood Bowl and many more. One dollar from every ticket sold will benefit Choose Love to aid refugees worldwide.

Arlo Parks, Sam Fender, King Princess, Yves Tumor, Japanese Breakfast and Wet Leg will join as support on select dates throughout the tour. See full routing below and visit Florence + The Machine’s official site for further information.

American Express Card Members can purchase tickets in select markets before the general public beginning Tuesday, March 29 at 10am local time through Thursday, March 31 at 10pm local time.

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The tour will celebrate the release of Florence Welch’s forthcoming, highly anticipated fifth album Dance Fever , out on May 13 . Florence has shared three songs from the album—“My Love,” “King” and “Heaven is Here” – all of which arrived alongside videos by the acclaimed director Autumn de Wilde with choreography by Ryan Heffington.

Additionally, Florence will play two very special, intimate shows this spring: April 29 in Los Angeles at the Los Angeles Theatre and May 6 at Lincoln Center’s Alice Tully Hall in New York—both shows sold out in seconds.

Dance Fever was recorded in London over the course of the pandemic in anticipation of the world’s reopening. It conjures up what Florence missed most in the midst of lockdown—clubs, dancing at festivals, being in the whirl of movement and togetherness—and the hope of reunions to come.

Just before the pandemic Florence had become fascinated by choreomania, a Renaissance phenomenon in which groups of people—sometimes thousands—danced wildly to the point of exhaustion, collapse and death. The imagery resonated with Florence, who had been touring nonstop for more than a decade, and in lockdown felt oddly prescient.

The image and concept of dance, and choreomania, remained central as Florence wove her own experiences of dance—a discipline she turned to in the early days of sobriety—with the folkloric elements of a moral panic from the Middle Ages. In recent times of torpor and confinement, dance offered propulsion, energy and a way of looking at music more choreographically.

Starting, as ever, armed with a notebook of poems and ideas, Florence had just arrived to New York in March 2020 to begin recording when Covid-19 forced a retreat to London. Holed up at home, the songs began to transform, with nods to dance, folk, ‘70s Iggy Pop , longing-for-the-road folk tracks a la Lucinda Williams or Emmylou Harris and more, ultimately arriving somewhere that Florence describes as “Nick Cave at the club.” Lyrically, she took inspiration from the tragic heroines of pre-Raphaelite art, the gothic fiction of Carmen Maria Machado and Julia Armfield, the visceral wave of folk horror film from The Wicker Man and The Witch to Midsommar .

Dance Fever is an album that sees Florence at the peak of her powers, coming into a fully realized self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculinity and femininity, redemption and celebration.

Pre-order Dance Fever .

FLORENCE + THE MACHINE NORTH AMERICAN TOUR DATES:

April 29: Los Angeles Theatre, Los Angeles, CA May 6: Alice Tully Hall at Lincoln Center, New York, NY September 2: Place Bell, Montreal, QC September 3: Budweiser Stage, Toronto, ON September 7: Huntington Bank Pavilion at Northerly Island, Chicago, IL September 8: Xcel Energy Center, St. Paul, MN September 10: Pine Knob Music Theatre, Clarkson, MI September 12: Capital One Area, Washington, D.C. September 14: TD Garden, Boston, MA September 16: Madison Square Garden, New York, NY September 20: Ascend Amphitheater, Nashville, TN September 21: Ameris Bank Amphitheatre, Alpharetta, GA September 23: Amway Center, Orlando, FL September 24: FTX Arena, Miami, FL September 27: Moody Center, Austin, TX September 28: The Pavilion at Toyota Music Factory, Irving, TX October 1: Ball Arena, Denver, CO October 4: Rogers Arena, Vancouver, BC October 6: Climate Pledge Arena, Seattle, WA October 7: Theater of the Clouds, Portland, OR October 9: Shoreline Amphitheatre, Mountain View, CA October 12: Cal Coast Credit Union Open Air Theatre, San Diego, CA October 14: Hollywood Bowl, Los Angeles, CA.

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Taylor Swift Welcomes Florence Welch to Perform ‘Florida!!!’ During Final London Eras Tour Show

The track was featured on Swift's most recent album, 'The Tortured Poets Department.'

By Rania Aniftos

Rania Aniftos

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Florence Welch of Florence + The Machine and Taylor Swift

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She continued, “We had such a fun time. And then when it came out I was like, ‘Oh, s—!’”

Swift also previously explained the narrative that inspired “Florida!!!” during an  interview  with iHeartRadio. “‘Florida!!!’ is a song I wrote with Florence and the Machine, and I think I was coming up with this idea of like, what happens when your life doesn’t fit, or your choices you’ve made catch up to you,” Swift said.

She added that she’s a fan of  Dateline  and noticed how “people have these crimes that they commit, where do they immediately skip town and go to? They go to Florida.”

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The Story Of Florence Welch’s Custom Rodarte Dress For Her “Super Emotional” Proms Performance

Rodarte’s autumn/winter 2024 collection might have been made for “a goddess, or a witch”, Vogue said when it was unveiled last season. Or, it turns out, the ever ethereal Florence Welch, who wore a custom version of the Mulleavy sisters’ dramatic closing look for a special performance at the Royal Albert Hall last night.

Welch was making her BBC Proms debut to mark the 15th anniversary of her beloved album Lungs , backed by the Jules Buckley Orchestra and London Contemporary Voices (all outfitted by London costumers Allen & Adcock), and her blood-red Rodarte gown – complete with trailing bell sleeves – represented the “perfect meeting of worlds”, says her longtime stylist, Aldene Johnson.

“We have a beautiful relationship with the sisters and I’ve worked with them on several bespoke pieces for Flo,” says Johnson, who knows instinctively when she’s stumbled across a look that’s just right for the singular artist. “When I started looking at the world that was being created for this performance, I knew the collection was perfect for it – even the way it was shot.” (The moodily-lit lookbook featured models posing before draped velvet curtains flanked by dramatic florals.) “The dress felt like Lungs , but it also felt like [Florence + the Machine’s most recent album] Dance Fever . It’s like Florence: then and now.”

Resurrecting tracks like “Cosmic Love” and “Dog Days Are Over” made for a memorable night at the Royal Albert Hall, where friends and collaborators were in the crowd to hear Welch sing the songs that made her a superstar for a live audience – some for the first time in years. “It was just so special and super emotional,” Johnson tells Vogue . “The very first thing I did with Florence was the Lungs album cover!”

It also involved no small amount of preparation from Welch, who joked that her vocals had been tested by returning to some of those 2009 high notes. “The range on some of these songs is crazy ,” she said on stage, as she recalled writing the lyrics as an aspiring artist in her teens and early twenties. “But you know… you’re young and you’re drunk, and you think you’re only going to sing them once…”

The milestone gig comes after Florence joined her old friend Taylor Swift on stage at Wembley last month, as the curtain fell on the European leg of Swift’s globe-straddling Eras tour. The pair surprised 90,000 fans with the first live performance of their track “Florida!!!”, with Welch dressed in another custom look – that time a white dress edged with black lace by Del Core.

“There’s always an element of light and dark – ethereal but also gothic,” Johnson says of sourcing looks for Welch, be they designer, custom or vintage. Styling the star is less a cerebral process, more an intuitive one, she explains. “When I see something [for her], it’s almost like my body has a physical ‘yes’ response. Intutively, I just know.”

Scroll down for a closer look at Florence’s custom gown for her BBC Proms debut.

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Florence and the Machine's Florence Welch 'Had a Hell of a Time' Working on 'Florida!!!' with Taylor Swift

Welch appeared on a B-Side track titled "Florida!!!" on Taylor Swift's brand-new album 'The Tortured Poets Department'

Charlotte Phillipp is a Weekend Writer-Reporter at PEOPLE. She has been working at PEOPLE since 2024, and was previously an entertainment reporter at The Messenger.

florence welch home tour

Matt Winkelmeyer/Getty; Gilbert Flores/Billboard via Getty

Florence and the Machine's Florence Welch is celebrating the release of The Tortured Poets Department .

On Friday, April 19, the "Dog Days Are Over" artist, 37, celebrated the release of Taylor Swift's newest album with a post on social media.

Reflecting on her collaboration with the pop megastar on their track "Florida!!!" on the 16-song album, the Florence and the Machine frontwoman wrote on Instagram : "Me and my ghosts we had a hell of a time 🖤 @taylorswift Honoured to be in this department."

Alongside it, she shared a written note with letterhead that said "Florence Welch Department of Hurricanes and Haunted Lace Florida" with what appears to be a backdrop of a body of water and trees with a moving image of lyrics from the song."

Florence Welch/Instagram

On the track, Welch and Swift sing about the devastation of a breakup and making plans to relocate to Florida and start anew.

"I need to forget, so take me to Florida / I've got some regrets, I'll bury them in Florida / Tell me I'm despicable, say it's unforgivable / At least the dolls are beautiful, f--- me up, Florida," the duo sing on the track.

The pair are longtime friends — they have a mutual friend in Blake Lively and have been spotted hanging out many times — but this marks the first occasion that they've collaborated on a musical project.

In 2015, Swift sang the "Dog Days Are Over" singer's praises to Billboard , giving the outlet a quote about her musical prowess in a profile.

“What sets Florence apart? Everything,” Swift told Billboard at the time. “Every time I’ve been around her, she is the most magnetic person in the room — surrounded by people who are fascinated by the idea of being near her. But when she meets people, she pays them a warm compliment and immediately disarms them. There are very few people I’ve met in my life who are truly electric, and Florence is one of them.”

“She’s the most fun person to dance with at a party, but then five minutes later you find yourself sitting on the stairs with her having an in-depth conversation about love and heartbreak,” Swift continued.

ROBYN BECK/AFP via Getty

In the same interview, Welch said that that Swift had helped her to become more comfortable putting her own life experiences into her music.

“Taylor said that you must sing about what’s happening in your life.” Welch said.

Swift first made the surprise announcement that  she was releasing her eleventh studio album during her acceptance speech for best pop vocal album for  Midnights  at the 2024  Grammy Awards  (which also  marked her 13th Grammy award , famously her lucky number).

During the speech, she thanked her fans for their support of her 10th album,  Midnights , and said she wanted to repay them by telling them a secret she’s been keeping for two years: the details of her brand-new album.

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. 

The day after the album's announcement,  Swift unveiled the official tracklist for the album . Side A includes “Fortnight," featuring Post Malone, “The Tortured Poets Department,” “My Boy Only Breaks His Favorite Toys,” and “Down Bad.” The songs on Side B are “So Long, London,” “But Daddy I Love Him” and “Fresh Out the Slammer.”

The Tortured Poets Department is out now.

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Tyumen city, Russia

The capital city of Tyumen oblast .

Tyumen - Overview

Tyumen is a city in Russia located in the south of Western Siberia, about 2,100 east of Moscow, the administrative center of Tyumen Oblast. Founded in 1586, Tyumen became the first Russian town in Siberia.

The population of Tyumen is about 828,600 (2022), the area - 698 sq. km.

The phone code is +7 3452, the postal codes - 625000-625062.

Tyumen city flag

Tyumen city coat of arms.

Tyumen city coat of arms

Tyumen city map, Russia

Tyumen city latest news and posts from our blog:.

5 May, 2024 / Tobolsk - One of the Most Beautiful Cities in Siberia .

11 December, 2018 / Tobolsk - the view from above .

5 November, 2018 / Tyumen - the First Russian City in Siberia .

21 June, 2018 / Photos of Tobolsk in 1912 and 2018 .

13 May, 2018 / Nenets Reindeer Herders of Yamal .

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News, notes and thoughts:

2 April, 2012   / Passenger plane ATR 72 crashed this morning in Tyumen airport Roshchino. It was carrying out the flight from Tyumen to Surgut. There were 43 people on board of the aircraft: 31 died, 12 were hospitalized with burns and severe injuries. Our condolences to the families and friends of the dead and injured.

History of Tyumen

Foundation of tyumen.

In the 13th-16th centuries, on the banks of the Tyumenka River, there was the capital of the Tyumen Khanate - Chingi-Tura. The construction of the Russian fortified settlement of Tyumen began near the remains of Chingi-Tura in the summer of 1586, during the conquest of Siberia by the Russians.

In the Russian chronicles of the 16th century, the Tyumen Khanate was called “Great Tyumen”. “Tumen” (“tyumyan”) in Turkic languages means “lower reaches of the river”, “lowland”. The same word also means a military unit 10 thousand people strong.

Tyumen was founded as an outpost for the conquest and development of Siberia and the Far East on the old caravan road from Central Asia to the Volga region. Waterways connected Tyumen with the lands of the Far North and East. The original population of Tyumen, as a frontier town, consisted of boyars (Russian nobility), streltsy (Russian firearm infantry), and Cossacks. In 1616, the Trinity Monastery was founded in Tyumen by the monk Nifont.

In the first years after its foundation, Tyumen was subjected to attacks by Tatars and Kalmyks. Over time, with the disappearance of the military threat, crafts became the primary occupation of the townspeople (blacksmithing, bell-making, soap-making, and tanning).

More Historical Facts…

Tyumen in the 17th-19th centuries

One century after its foundation, about 2 thousand people lived in Tyumen. In 1695, a fire broke out, as a result of which the wooden town burned down. After that, stone construction began in Tyumen. Of the stone structures of that time, the complex of buildings of the Trinity Monastery has been preserved.

At the beginning of the 18th century, Tyumen was a major transit point for trade; trade routes from China and all of Siberia to the center of Russia passed through the town. Tyumen was famous for the production of furniture and other wood products. In 1763, 6,593 people lived here, of whom 317 were artisans.

In the 19th century, simultaneously with the decline of Tobolsk, rapid growth began in Tyumen. In 1836, the first steamer in Siberia was launched in Tyumen. It became one of the largest river shipbuilding bases in the Russian Empire. In 1885, the Yekaterinburg-Tyumen railway was put into operation. At the end of the century, the cargo turnover of the Tyumen port reached 230 thousand tons per year, and the port itself was called “the gateway to Siberia”.

By the beginning of the 20th century, the number of residents of Tyumen reached 30 thousand and exceeded the population of Tobolsk. In Tyumen, there were 117 factories, including 3 shipyards, 2 steam mills, 70 tanneries, and other enterprises. In 1913, the Tyumen-Omsk railway connected the city with the Trans-Siberian Railway.

Tyumen in the 20th century and beyond

From 1923 to 1934, Tyumen was the center of the Tyumen District within Ural Oblast. On January 17, 1934, this huge region was divided into three oblasts - Sverdlovsk Oblast with the center in Sverdlovsk (Yekaterinburg), Chelyabinsk Oblast with the center in Chelyabinsk, and Ob-Irtysh Oblast with the center in Tyumen. From December 7, 1935 to August 14, 1944, Tyumen was part of Omsk Oblast. In 1939, the population of Tyumen was 79,205 people.

During the Second World War, the industrial potential of Tyumen increased significantly due to the enterprises evacuated from the European part of the USSR. In total, 22 evacuated enterprises were operating in the city, producing armored boats, mortars, motorcycles, electrical equipment for tanks, shells, mines, short fur coats, felt boots, and food. About 20 thousand residents of Tyumen fought at the front.

On August 14, 1944, Tyumen Oblast was formed - the largest region in the country in terms of area. The distance from the southernmost point of the region to the northernmost point was 2,100 km, and from west to east - 1,400 km. Tyumen became the administrative center of this new region.

In the 1960s, large deposits of oil and natural gas were discovered in the north of the Tyumen region, which became a new page in the history of Tyumen. In 1966, the construction of the Tyumen - Tobolsk - Surgut - Nizhnevartovsk railway began. A lot of enterprises of the city began to work for the oil and natural gas extraction industry.

Tyumen became the starting point and transshipment point for the delivery of goods to the North. New specialized enterprises, design institutes, and higher educational institutions were opened in the city. From 1959 to 1979, the population of Tyumen doubled - from 150 to 359 thousand people.

Tyumen Oblast became the country’s main oil and natural gas energy base. By the end of the 1980s, about 400 million tons of oil and 574 billion cubic meters of natural gas were annually produced here. In 1989, the population of Tyumen was 476,869 people.

In the 2010s, Tyumen was significantly transformed: new micro-districts, roads, bridges were built, streets were expanded. In 2015, the 700 thousandth inhabitant of the city was born. In 2020, the population of Tyumen exceeded 800 thousand people. In today’s Russia Tyumen is one of the fastest growing cities.

Streets of Tyumen

Summer in Tyumen

Summer in Tyumen

Author: O.Frolov

Apartment house in Tyumen

Apartment house in Tyumen

Author: Nesmachnykh Konstantin

Spring in Tyumen

Spring in Tyumen

Author: Shatalov Vladimir

Tyumen - Features

Tyumen is located in the south of Western Siberia, in the Asian part of Russia, on both banks of the Tura, the left tributary of the Tobol River. Tyumen is a large industrial city, the oil and natural gas capital of Russia, as the administrative center of the largest oil and natural gas producing region. The City Day of Tyumen is celebrated on the last Saturday of July.

The climate in Tyumen is transitional from moderately continental to sharply continental. The average temperature in January is minus 15 degrees Celsius, in July - plus 18.8 degrees Celsius. The warm period lasts only 3-4 months here. The longest seasons are autumn and spring. The weather in the city can change quickly, in the morning it is sunny and warm, and in the evening it is snowy and frosty.

Today’s coat of arms of Tyumen is generally very similar to the historical coat of arms approved in 1785. The image of a wooden river boat, according to the historical description, means that “from this town begins sailing along the rivers of all Siberia.”

The Trans-Siberian Railway “Moscow - Vladivostok” passes through Tyumen. At present, it is the only transcontinental railway that completely passes through the territory of Russia. It is adjoined by the Tyumen - Novy Urengoy railway line, which serves the transportation of the northern regions. The main feature of the Tyumen transport hub is that it is the only point of connection to the all-Russian transport network of the main transport communications of the Khanty-Mansiysk Autonomous Okrug - Yugra and the Yamalo-Nenets Autonomous Okrug.

The main air gateway to Tyumen is the international airport “Roshchino” named after D. I. Mendeleev. Located about 13 km west of Tyumen, this airport offers regular flights to such cities as Kaliningrad, Krasnodar, Moscow, Nizhnevartovsk, Novy Urengoy, Perm, Rostov-on-Don, Salekhard, St. Petersburg, Sochi, Surgut, Ufa, Khanty-Mansiysk, and a number of others.

Oil and natural gas of the Tyumen region contributed to the rapid growth of scientific organizations in the city. In total, several dozen research and design institutes are located here. Fundamental science is represented by the Institute of the Earth’s Cryosphere and the Institute for the Problems of the Development of the North. Applied science is focused on the needs of the oil and natural gas industry. Thousands of students study in 15 higher education institutions.

The beautiful wooden architecture of Tyumen should be noted separately. The unique carved decoration of the Tyumen buildings of the second half of the 19th - early 20th centuries uses the traditions of Russian decorative art, folk motives, as well as creatively reworked artistic techniques of the Renaissance, Baroque, Classicism, and partly Art Nouveau. Often, styles are combined, complemented by local motifs, forming a unique look of wooden architecture, characteristic only of Tyumen.

There are 17 federal cultural heritage sites in Tyumen. Among the specially protected natural areas in the city are the Botanical collection of the biological faculty of Tyumen State University (3 hectares), as well as the regional natural monuments Forest Park named after Yu.A. Gagarin (105 hectares) and the Zatyumensky Forest Park (77 hectares). In the vicinity of Tyumen there are about five hot (37-50 degrees Celsius) geothermal springs.

Interesting facts from the history of Tyumen during World War II

During the war, the body of V. I. Lenin was evacuated from Moscow to Tyumen; the functions of the mausoleum were temporarily performed by the building of the current Tyumen State Agricultural Academy.

In 1942, a single copy of a winged tank was built in Tyumen. Developed by aircraft designer Antonov from 1941 to 1943, it was a T-60 tank loaded on a glider (“Wings of a Tank”).

In February 1944, for two weeks, the Tyumen militia were catching cats in the city to send them to the Hermitage (Leningrad), where during the blockade numerous rodents bred, posing a threat to works of art. 238 cats were sent to the northern capital of Russia and gave rise to a new population of Leningrad cats.

Main Attractions of Tyumen

Embankment of the Tura River - one of the main walking areas of Tyumen. It is especially pleasant to walk here in the summer heat. The length of the embankment is 4 km. It runs along the right bank of the Tura River in the central part of the city. The four levels of the embankment have a total height of 24 meters. City holidays, festivals, concerts, etc. are held here.

At night, the Tyumen embankment looks especially beautiful, thanks to the illumination of the Lovers’ Bridge (a cable-stayed pedestrian bridge, where newlyweds come after the solemn registration of marriage). There are cafes and restaurants within walking distance from the embankment. The Tura River is navigable, so you can look at the Tyumen embankment from the water during a boat trip.

Tsvetnoy Boulevard - a pedestrian street 800 meters long, passing through the center of Tyumen between Ordzhonikidze and Pervomayskaya streets. It is a very popular place for recreation and walking among locals and tourists. In summer, city celebrations, concerts, and festivals take place here, in winter they organize an ice town with slides, ice sculptures, and bright lighting. Along the street there are cafes, shopping centers, a movie theater, a sports complex, and a circus. On one of the squares there is the fountain “Four Seasons” with a picturesque stained glass dome.

There are a lot of sculptures on the boulevard, the characters most beloved by the locals - clowns Nikulin, Karandash, and Oleg Popov - can be found near the Tyumen circus. The name “Tsvetnoy” was coined by analogy with Tsvetnoy Boulevard in Moscow, because a circus is also located on it. In the amusement park, you can enjoy a beautiful view of Tyumen from the Ferris wheel.

Siberian Cats Square - a unique place of its kind, often included in the lists of the most original sights of Tyumen. In 2008, on this then unnamed alley, 12 cast-iron gilded figures of cats were installed, sitting in different poses on stone pedestals.

This was done in memory of the fact that during the Second World War, after the blockade of Leningrad was broken, about 5 thousand cats were sent to the city from different places of the country to catch numerous rats. By that time, there were no cats in Leningrad, they were all eaten. 238 cats were taken from Tyumen to the northern capital specifically to protect the priceless storage facilities of the Hermitage and other Leningrad palaces and museums. Pervomayskaya Street, 11.

Tyumen Regional Museum of Fine Arts - one of the best art museums beyond the Urals. The exposition includes a unique collection of Russian portrait painting of the 18th - early 20th centuries, paintings created by Western European artists of the 17th-19th centuries, as well as art works by Soviet and contemporary artists and sculptors. Decorative and applied art is represented by porcelain from the Imperial Factory, a collection of Tobolsk carved bones, clay toys, and much more. Sovetskaya Street, 63.

Museum of Local Lore “The City Duma” - a museum located in the very center of the city, not far from the embankment and the Lovers’ Bridge, in a building that is an architectural monument (the first civil stone building in Tyumen, built in 1828-1834). Previously, the City Duma and the Tyumen archive were located here. Today, here you can see ethnographic, archaeological, natural science collections, as well as objects of handicrafts and decorative and applied arts. Lenina Street, 2.

Holy Trinity Monastery - a majestic religious monument with gilded domes and laconic white facades located on the bank of the Tura River, an architectural monument of federal significance. This is one of the oldest monasteries in Siberia, founded in 1616.

Today, it is one of the most famous and popular architectural religious complexes throughout Siberia. It is advisable for tourists to dress according to the weather, comfortable and not provocative, in accordance with the rules of the Russian Orthodox Church (women must have a skirt, as well as a scarf covering their heads). Kommunisticheskaya Street, 10.

Church of the Exaltation of the Cross (1774-1791) - one of the most famous architectural landmarks of Tyumen, built in the Baroque style. Lunacharsky Street, 1.

Church of the Savior (1796-1819) - one of the oldest and most expressive churches in Tyumen, an architectural monument of federal significance. This building combines in its architecture the Siberian Baroque of the late 18th century and the Russian style of the early 20th century. Chelyuskintsev Street, 44.

Znamensky Cathedral (1786-1801) - the main church in Tyumen built in the Siberian Baroque style. This majestic, snow-white building with an abundance of blue and gilded details looks incredibly sophisticated. Semakova Street, 13.

Gilevskaya Grove - a picturesque forest park with almost 80 hectares of dense forest, a river, and a lake, one of the most favorite places for recreation and walks in Tyumen. On the territory there are scooter and bicycle rental, asphalt paths for jogging and cycling, gazebos for picnic and barbecue, etc. Gilevskaya Roshcha, 1

Hot springs “Verkhniy Bor” - a recreation center located about 15 km from Tyumen. Here you can swim in pools both in summer and in winter, when it is minus 30 degrees Celsius outside. The water temperature reaches plus 40 degrees Celsius. Bathing in healing hot waters has a positive effect on human health. A visit to “Verkhny Bor” is recommended for people with respiratory and cardiovascular diseases.

Monument to Grigory Rasputin - an art object located in the heart of Tyumen, in Aptekarskiy Garden, near the city Perinatal Center. Grigory Rasputin (1869-1916) is a highly controversial personality in Russian history known for his friendship with the family of the last Russian emperor Nicholas II. They believed that he had the talents of perspicacity and healing. This gave Rasputin the opportunity to exert a great influence on the administration of the Russian Empire in the last years of its existence.

This monument was erected here for a reason. In the summer of 1914, Rasputin was taken to a hospital located near the garden with a knife wound to the abdominal cavity. He was brought from afar, from his native village of Pokrovskoye. Later, for some time, Rasputin worked here as a medical orderly.

The sculpture is a full-length image of Rasputin - a tall man with a thick beard. He is dressed in the so-called “Siberian coat” - a traditional Russian caftan. The left hand rests on a Viennese chair - an exact copy of the original chair from the Rasputin Museum located in the village of Pokrovskoye. There are city legends about this monument. It is said that men, by sitting down on this chair, can be cured of their illnesses, as well as get a career progression. Daudel’naya Street, 7.

Grigory Rasputin Museum . This museum is located in the village of Pokrovskoye (Sovetskaya Street, 79), about 80 km from Tyumen, if you drive in the direction of Tobolsk. A lot of secrets, mysteries, and hoaxes are associated with the name of Rasputin. Therefore, visiting this museum will be interesting for those who are interested in Russian history.

The museum was created thanks to the enthusiasm of fellow villagers of Rasputin in 1990. They collected things and documents related to his personality and family. It was the first private museum in the USSR. The building of the museum is not much different from the rest of the village houses on this street, but this is not the original house in which the Rasputin family lived, but a reconstructed one. The original one was demolished in 1980. Every Saturday and Sunday, at 11:00 am, a two-hour excursion is held.

Tyumen city of Russia photos

Tyumen views.

Circus in Tyumen

Circus in Tyumen

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Monument to Lenin in Tyumen

Monument to Lenin in Tyumen

Modern architecture in Tyumen

Modern architecture in Tyumen

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Apartment house in Tyumen

Author: Eremenko E.V.

Tyumen Drama Theater

Tyumen Drama Theater

Author: Melnikov Vladimir

Church of the Ascension in Tyumen

Church of the Ascension in Tyumen

Author: Dubinsky Roman

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The bourgeois charm of Siberia's oil capital

florence welch home tour

If you’re driving west across Russia from the Pacific Ocean, the first thing that you notice upon entering the city of Tyumen is the McDonalds. Tyumen has long been one of the only Siberian cities with a McDonalds restaurant. Although the fast-food giant has plans to open locations in nearby Novosibirsk and other regional cities, Siberia still contains one of the longest distances on earth outside of Africa where you can remain on a major highway and not see a McDonalds. Until you reach Tyumen, that is.

A stop in Tyumen provides an interesting glimpse into how modern Russia’s oil revenue has influenced Siberia’s oldest Russian city. Tyumen is a great stopover point on the Trans-Siberian Railroad and a short ride from Yekaterinburg (five hours) or Tobolsk (four hours).

In the 16th century, Russia started expanding eastward into parts of Central Asia ruled by the Tatars, an Islamic people who still live thoughout Russia. A band of Cossacks wrested control of Tyumen from the Tatars in 1580. Six years later, Russians established a fort in Tyumen on the Tura River.

For centuries, Tyumen vied with the nearby city of Tobolsk—once the official capital of Siberia—for the prestige of the region’s most important city. Tyumen won in the end, when the Trans-Siberian Railroad bypassed Tobolsk and was routed through this now oil-rich city.

Tyumen played an important role in Russian history during times of war. At the beginning of the Russian Civil War, the Bolshevik Red Army slowly pushed the White Army, commanded by Admiral Alexander Kolchak, into Siberia. Kolchak and his anti-Bolshevik forces holed up in Tyumen until the Red Army overtook them in January of 1918.

During the Second World War, many Russian industries were moved away from the front to Siberian cities. Tyumen had already become an industrial capital during the early Soviet era, and the city became an ideal spot to relocate Russia’s western factories. As Nazi forces approached Russia in 1941, the embalmed body of Vladimir Lenin was sent from the Lenin Mausoleum in Moscow’s Red Square by train to the Tyumen State Agricultural Academy for safekeeping. In 1945, Lenin’s body was shipped back to Moscow.

Some of the factories relocated to Tyumen during wartime remained in the city. The discovery of oil in the region catapulted Siberia’s oldest Russian settlement to further prosperity. Modern Tyumen is a vibrant city with a number of universities and a revamped center well-suited for exploration by foot.

Start your walking tour around central Tyumen on Ulitsa Respubliki. The city’s main drag has fine pedestrian walkways and leads wanderers past an impressive collection of tsarist-era buildings that recall Tyumen’s importance in the beginning of Russia’s colonization of Siberia.

From the southeastern end of Ul. Respubliki, head north toward the Tura River and take a brief side trip onto Ul. Ordzhonikidze to visit the Fine Arts Museum (47 Ul. Ordzhonikidze) which houses exhibits of classical Russian and Soviet art as well as traditional bone carving and works produced by the native people who live in the far north of Tyumen Oblast.

Back on Ul. Respubliki, you’ll soon see the city’s requisite Lenin statue by the local government buildings. A block away, opposite Lenin, is Tyumen’s city park, a delightful place to walk or hop on one of its amusement rides.

Most Siberian cities developed under the watchful eyes of the atheist Soviet regime and churches are usually not Siberia’s strongpoint. But this isn’t true in four-centuries-old Tyumen. Strolling up Ul. Respubliki, you’ll soon come to the Church of the Saviour (41 Ul. Lenina) and the Znamensky Cathedral (13 Ul. Semakova). Each of these stunning Baroque-influenced churches are located right off Ul. Respubliki and were built in the late 18th century.

Tyumen is also famous for its historic wooden houses. Heading further up Ul. Respubliki, stop to wander around some of the side streets and snap photos of these ornate wooden structures which provide a glimpse back in time. Near the Tura River, you’ll pass a civil war monument in remembrance of the Tyumen natives who died fighting the White Army and the Tyumen State Agricultural Academy (7 Ul. Respubliki) an impressive building in its own right where Lenin was stored during the Second World War.

Near the end of Ul. Respubliki, take a walk over the Tura River on the Lover’s Bridge, a suspension bridge open to foot traffic only that has become one of Tyumen’s iconic sights. The other side of the river is a great place to see more of Tyumen’s signature wooden houses as well as take in the churches scattered around the city center.

Save the best for last and visit the Trinity Monastery (10 Ul. Kommunisticheskaya) at the end of Ul. Respubliki. A white wall surrounds the monastery, giving it the appearance of a mini-kremlin, and the golden onion domes of the 18th century churches within should not be missed.

Although navigating Tyumen is straightforward enough, the St. Petersburg-based travel company OSTWEST can arrange a city tour in Tyumen and the surrounding countryside.

All rights reserved by Rossiyskaya Gazeta.

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The 12 best places to visit in Tyumen (the oldest siberian city)

It is the oldest city in siberia and has many points of interest. find out about the best places to visit in tyumen, russia..

VxMag

The first Siberian city was founded in 1586. Tyumen has been unofficially titled the oil and gas capital of Russia. The city’s population is 707 000 people, which continues to increase. According to RBC Holding, Tyumen is one of ten the most quick-growing towns in Russia. Don’t let the mention of oil-hungry businesspeople leave you thinking this is a dull, money-focused city, though. The city has a buzzing street life in summer and a couple of worthwhile sights that, taken together, will keep you entertained for a day or so.

Tyumen is also the stepping stone to the gorgeous old town of Tobolsk, a few hours’ bus or train ride away. Tyumen is a cultural, business, educational and administrative center of the Tyumen region. Most of the city’s population comprises young people under 35.

Here are always places to go in the evening and to see during weekends. Cozy cafes, luxurious restaurants, the best theatres and philharmonic concert hall, and museums reminding about the rich history of the city — all that is Tyumen. These are the best places to see in Tyumen, Russia.

1. Tyumen’s Holy Trinity Monastery

Tyumen’s Holy Trinity Monastery

Tyumen’s Holy Trinity Monastery is located in the historical center of Tyumen. It is just a few minutes walk from the Tura Embankment. The monastery was founded on the picturesque bank of the Tura River in 1616. Almost a century later, in 1708, the old wooden monastery was rebuilt with stone. Shortly after, the monastery was named Holy Trinity. The building process was conducted under the leadership of metropolitan Philophey Leschinsky. Later, he took monastic vows and lived in seclusion for the rest of his life. After he died in 1727, he was buried at the monastery’s entrance.

During the Soviet period, the monastery was used as a dormitory for a military platoon and the headquarters of the city’s water control system. The monastery was returned to the Tyumen diocese in 1995, but the first service was not held there until 2003. In 2005 the relic of prelate Philophey was uncovered and is now kept in the Peter and Paul Cathedral monastery. In 2007 a square was dedicated to Philophey near the monastery. Today Holy Trinity Monastery is open for everyone to see and tour while it continues to hold regular liturgical services.

2. Znamensky Cathedral

Znamensky Cathedral

The history of Znamensky Cathedral found its roots in the first half of the 17th century, when a small wooden chapel was first erected at the site of the current Cathedral. The old wooden chapel was replaced with the construction of a stone church which began on September 1st, 1768. The church’s previous name was given in honor of Mary, the Mother of God, and her icon within the church. The building was dedicated only 33 years later, in 1801. The church’s first stone building was painted white and consisted of the main chapel, a bell tower, a refectory, and a porch.

After the Revolution of 1917, the Cathedral was used as a transit prison. Still, between 1933 and 1941, the church was returned to the diocese. With the beginning of World War II, however, it was again taken over and used to house dislocated army forces. Finally, the Cathedral was returned to the eparchy. On June 19th, 1994, the clergy held a liturgical service for the first time. Today Znamensky Cathedral is a functioning church and one of the most beautiful symbols of Tyumen.

3. Tyumen Bolshoi Drama Theater

Tyumen Bolshoi Drama Theater

In 2008, The Tyumen Bolshoi Drama Theater got a new building built in record time for one year and eight months. With a 158-year history, the theater is the most prominent Drama Theater in Russia. The history of the Tyumen theater began even before the first building. It is known that in 1858 the St. Petersburg guest expressed his admiration for Amateur performances.

This fact was recorded, and the city’s theatrical history was reckoned from it. History tells us that in 1890, the first Guild merchant, an honorary citizen of the municipality Tekut’ev Andrei Ivanovich, founded a permanent theatre, which entered the town history called Tekut’evsky. Andrei Ivanovich, in love with the spectacle of dramatic scenes, supported theatre for 26 years.

In 1916, before his death, he bequeathed the theatre to the city. The City Council accepted the gift, and newspaper announcements began to inform about the performances not in the Tekut’ev’s theater but in the city theatre named Tekut’ev. After the October revolution, the theatre received the name of V. I. Lenin.

Under the leadership of the Petrograd director Valmar, it was staged such performances as “Idiot”, “the Power of Darkness”, “the Living corpse”, and “the Day”. In subsequent years the core of the repertoire included Russian and foreign classics, the best works of modern drama.

4. Saint George Ascension church

Saint George Ascension church

Through the parishioners’ efforts, this church was erected on the Tura River’s left bank. The church began as a stone two-storied building with a bell tower and two thrones: one is on the first floor in honor of Saint George and the other in honor of the Ascension of God is on the second.

After the October Revolution in 1929, the church was closed, and a workshop of tanners and chemists used its building. In 1934-35 the church became a dormitory for driving school students and combined operators. Later the building was under the governance of Tuymen’s fur coat fabric company.

Only in 1996 was the building returned to the diocese of Tobolsk and Tyumen. Two years later, services were resumed there. Step by step, in 2005, the bell tower was restored. In 2006, the church participated in the government program entitled “Cultural memorials restoration.” Now it is a functioning church that adorns the historical center of Tyumen.

5. Church of the Saviour

Church of the Saviour

The Church of the Saviour, also known as the Church of the Image of “The Saviour Not Made by Hands” or shorter Spasskaya Church, is a church in Tyumen, Tyumen Oblast, Russia, located at Lenin Street, 43, at a crossroad between the Chelyuskintsev Street. Built-in a late 18th-century Siberian Baroque and early 20th-century neorussian style, the building is one of Siberia’s oldest and most expressive churches, under monument protection.

It is believed that the early wooden church was raised in 1586 and reconstructed after several fires into a stable stone building in the late 17th century. The Church of the Saviour saw another two rebuildings in the late 19th century. However, after the 1917 October Revolution, the church was subject to confiscations of its property in 1922, and in 1930 was closed and became a momentary prison.

After the failed attempt to destroy the church two years later, it has been used as an archive and a library. The building storage material for the Tyumen Local Historical Museum is expected to be returned to the local eparchy in 2019.

6. Tura Embankment

Tura Embankment

The only thing in the Russian four-level structure of this kind and one of the favorite holiday destinations among residents and visitors alike. Here, close to each other is full of the city’s attractions: Lover’s Bridge, historical area, the museum “City Council” Architecture and Construction University, and Holy Trinity Monastery. Embankment and bridge of lovers – the city card is depicted on the magnets, postcards, and other souvenirs tourists bring from Tyumen.

Construction of the promenade continues today, and it planned its expansion on both sides of the river Tura. Throughout the embankment, scattered monuments of famous people, life, and activity were somehow linked to Tyumen. Summer, early Fall, and spring – are the best time for walking and spending time on the waterfront.

It is always noisy: many people are playing songs with a guitar, working fountains, flash mobs, and holding various events, to the bridge of lovers traditionally come to the newlyweds. In the summer promenade Tours – the most popular holiday destination for residents.

7. The Lovers’ Bridge

The Lovers’ Bridge

The Lovers’ Bridge is a cable-stayed bridge over the Tura River in the Central District of Tyumen. The bridge was built in 1987 – five years after the collapse of an old wooden bridge in the exact location. The last name of the bridge was Peshehodniy (Pedestrian). Still, in 2003 local DJs Maria Kondratovich and Timur Shkval arranged an unusual contest called “The most unusual kiss”.

After this event, the city mayor Stepan Kirichuk offered to rename the bridge the Lovers’ Bridge. Then, on July 26th, newly married couples, the director of the Red Army Radio Station V. Bogodelov, and the city’s mayor performed an official ribbon-cutting ceremony to commemorate the bridge.

8. Kolokolnikovs Estate Museum

Kolokolnikovs Estate Museum

The Kolokolnikovs Estate Museum is the only remaining classical merchant’s estate in Tyumen. The building’s facade combines classical and baroque architecture elements and traditional Siberian carving. The doors open to a luxurious, brightly lit hall with lofted ceilings and walls decorated with vivid paintings of the Kolokolnikovs family.

One painting depicts an old trade shop, representing the collective image of the city’s shops. Stepping through the doors of the Kolokolnikovs Estate transports one back to the unique atmosphere of the late 19th and early 20th centuries.

The permanent exhibit of the Kolokolnikovs Estate Museum is called “The History of the House”. It is dedicated to the history of the merchant families, such as the Ikonnikovs and the Kolokolnikovs. The exhibit will also explain the historical events in this house, one of which was the monumental meeting between the future Emperor Alexander II and the great Russian poet V. Zhukovsky in 1837. In 1919 the estate was used as the headquarters of Marshal V. Blyukher.

9. Gorodskaya Duma Museum

Gorodskaya Duma Museum

The building of the Tyumen regional Museum of Local Lore Gorodskaya Duma was built in the second half of the XIX century. It is a magnificent example of Russian provincial architecture. The high ladder and a stepped attic give the museum its slenderness, combined with a Corinthian portico and massive columns — the traditional buildings of public institutions and architectural elements.

The Window into the nature constant exhibition introduces the variety of Flora and Fauna of the Tyumen region and its ancient inhabitants. An integral part of the museum is a small paleontological Museum. The skeleton’s collection of mammoth, fossil bison, woolly rhinoceros, and cave bears is presented at the museum. In addition, visitors can get acquainted with the Botanical, Zoological, and entomological collections.

10. House Masharova Museum

House Masharova Museum

The House Masharova Museum is an old house built in the neoclassical style and previously belonged to N. Masharov, a famous manufacturer and one of the founders of the iron industry in Tyumen. The museum is a monument to late 19th and early 20th-century Siberian architecture and is renowned for its luxurious décor.

Traditional musical events and temporary exhibitions are regularly organized in the House Masharova Museum. They take place in the chamber-like atmosphere of the welcoming hall of the merchant’s house.

The permanent exhibition called the Family Book tells the tale of the family’s life at the end of the 19th century. During a tour of the house built, you will see many authentic items of a past era and discover the etiquette of a traditional family from Tyumen.

11. Alexandrovsky Garden

Alexandrovsky Garden

The original name of the Alexandrovsky Garden is the Country Garden. The garden appeared on a vacant plot of land in 1851 when thousands of linden, birch, spruce, and pine trees were planted in the area of about 100 acres (40 000 m²) with the money of the merchant Ivan Ikonnikov.

The garden was named after the crown prince Alexander, the future Tsar Alexander II, who visited Tyumen on May 31st, 1837, during his journey through Siberia. After the October Revolution of 1917, the garden was abandoned until 1948, when a small portion of it was restored through the employees’ efforts of a ship-building plant.

The landscape of the garden was adorned with a pond, a small bridge built traversing the ravine, a shooting range, and a restaurant with a terrace. In the 1960s, it was abandoned again, and by the 1970s, it fell into disrepair. Later a development effort began on the garden’s premises with the construction of houses, a kindergarten, and garages. A road to the Profsoyuzny Bridge was also built through the park.

However, the renewal of the garden did not begin until 2007. Although ten times smaller than the original garden, the grounds were restored, and the Alexandrovsky Garden became its official name. The fountain was rebuilt as well as sculptures of citizens styled after the 19th century. Some statues include the Hussar, Ladies on a Walk, A Girl at Rest, and the Boy.

12. Rasputin Museum

Rasputin Museum

Grigory Rasputin was a friend of the last Russian emperor Nikolay II and his family. Rasputin is one of the most mysterious and exciting personalities of the end of the 19th and the beginning of the 20th centuries. In the 1900s, among Saint Petersburg’s high society, he had the reputation of the Tsar’s family friend, a religious elder, a seer, and a healer.

The exposition includes a cosmetic mirror, broken down in the middle that symbolizes the broken life of its owner, an icon of St. Simeon Verhotursky the Righteous, who is highly honored in Siberia, and the plate of the famous Kuznetsovky porcelain factory with the monogram of the empress, which Rasputin gave to his god-daughter Iraida Kolesnikova during her christening, an old Viennese chair from the Rasputin’s house. There is an authentic platband from the famous home of Rasputin, and the only thing remained of the building.

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