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Feist  

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Born 13 February 1976, Leslie Feist is a Canadian-American indie pop singer who is known individually as a vocalist and as part of band Broken Social Scene.

Though she made her solo career debut in 1999 with album “Monarch (Lay Your Jewelled Head Down)” Feist had previous experience as a singer and guitarist for various bands. She was the lead singer of punk band Placebo as a teen living in Calgary, Canada. Having damaged her voice from singing so loudly and forcefully with punk rock music, Feist moved to Toronto the following year to rest her vocal instrument. She played bass for alternative rock band hHead and then rhythm guitar for the band By Divine Right. Before the release of her first album she was featured on several Peaches songs and also collaborated with Gonzales.

Gonzales inspired Feist to move to Europe and, whilst in Paris, Feist appeared as a guest vocalist on Norwegian music group Kings of Convenience’s album. She sung and recorded her second album “Let it Die” in 2002 and supported her work by touring the next few years. The album won Feist a nomination in Canada as “Best New Artist” at the Canadian Grammy awards.

Feist reached international fame with the album “The Reminder” released in 2007. The single “1234” was inspired by her participation as a performer in the opening ceremony of the Calgary Winter Olympics at age twelve. The song was featured as the song in an iPod nano commercial in 2007. Her song "Mushaboom" was on the soundtrack of feature film "500 Days of Summer."

Critics have compared Feist to singers like Norah Jones and Ella Fitzgerald. During an interview with NPR in 2007 Feist revealed her music is inspired by Toni Morrison’s writing and the color indigo blue.

Live reviews

WOW. What a night. Slow dancing on stage. Dancing in the stalls in the unusually seated Shepherds Bush Empire.

An absolutely fabulous show from the wonderfully talented Canadian Feist.

Plenty of material from the new album Pleasure.

From the opening guitar riff on set opener Pleasure its evident that the songs have a much heavier feel than the album and highlights what a great guitarist she is.

We get more songs from the album i wont list them all a couple from Metals, 3 from Reminder and 1 from Let it Die. Plus 3 others a 2 hour set filled with love, anger , and some beautiful vocal moments and to top that an appearance by the man himself Jarvis Cocker on the track Century. The roof was being blown off the Empire.

She had the audience from the off. Florescent opening fans and a rotating globe of hanging percussion bits and pieces and a bank of Florescent tubes behind to light up the skys.

She is a great performer( even though she sometimes looks awkward when moving around the stage) and there was plenty of interaction with the crowd.

This was no nonsense Folk/Rock/Pop/Indie call it what you will there for me was never a dull moment.

Her vocal performance was one of beauty especially when it was tracked and you had a bank of vocals ringing around the old Empire walls.

She seems to be able to sing in all styles and this really comes across live far more than on record.

The show was over all to quickly.

She came on for an encore which ended with 1234 she left the band onstage and disappeared out the door. Wonderful.

This is one of the best gigs ive been to this year. Top quality performance from all of her band. Great violinist by the way.

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Leslie Feist isn’t really known in Britain for her prodigious touring schedules, so it tends to be the bigger rooms she’s playing when she does make it over; that, in itself, provides the Canadian with a unique problem. A sense of intimacy has long been crucial to her recorded output - particularly on key albums Let It Die and The Reminder - and replicating that in yawning theatres is likelier easier said than done. Not that she makes it look particularly difficult, though; on her last UK jaunt, in support of the criminally-underrated Metals, she put together a terrific live band that included vocal trio Mountain Man. The new tracks - many of which, like ‘Graveyard’, ‘A Commotion’ and ‘Undiscovered First’ - sounded thrillingly huge, thumping percussion providing an anchor for group vocals, but the decision to huddle the extensive live lineup around the centre of the expansive stages proved a masterstroke; when the classics were aired - ‘I Feel It All’, or a reworked version of ‘Mushaboom’ - you felt like you could have been watching them in the back of a bar. So impressively did Feist pull off that delicate balance on her last tour, in fact, that it almost seems a travesty that we don’t get a chance to bear witness to it too often; with any luck, she won’t leave it quite so long before she returns.

Considered to be one of the iconic female vocalist of our time, Leslie Feist has gained both critical and commercial success since her career began in the late 90's following the release of 'Monarch (Lay Your Jewelled Head Down)'. The Canadian songstress is a true believer of quality over quantity as with a career that has spanned over 15 years, she has only released four studio albums.

This is good news for her fans as there is a likelihood you will hear tracks from your preferred album. As Feist appears onstage, the cheers from the audience gives you the impression she could play anything from her discography and the fans would be delighted. Demonstrating her abilities with her guitar during the first two tracks 'Undiscovered First' and 'A Commotion' the audience are attentive and clap, cheer and sing in all the right places.

She flies through an extensive setlist supported by her fantastic, on point live band. There is a lot of music taken from fourth LP 'Metals' including the single 'How Come You Never Go There' which the audience clearly love. The largest applause of the night go to encore of 'Limit to Your Love' which is a true moment of the evening.

My first encouter with Feist since on stage! I love her work since 2004, and saw her yesterday at the Tempodrom in Berlin. I was at first shocked to find out that there is a real person behind the voice. She is so funny, and moving, and close to her audience. The first half of the concert was all "Pleasure", which is a fine album, but there came so much more afterwards. It was a concert with seating, which is usually a reason for me not to go, but she invited us to the stage (and some of us even on the stage) at around half time. She made us all sing as promised, and everyone known at least a few lines from a Feist song. I think the most moving part for me was when she told us about a song that left her about 10 years ago (they did not part on good terms) and that recently stood at her doorstep. The song had been in the world for all that time, getting in fights, having sex, geting in more fights, having more sex. It looked very different from when it left her 10 years ago. Then she sang a wonderful slow version of "1234". Ach, what can I say. Unforgettable.

Fiest has one of the greatest female voices I've ever heard. With her soothing, jazz-flare tone she makes you feel calm, cool, and collected. Her incredible vocal abilities give you a feeling like no other. She vaguely sounds like a mixture of Norah Jones and Colbie Callait. From 'Gatekeeper' to 'Mushaboom', Fiest will always make you feel comforted and happy. She has the appeal of a young female artist with the capabilities of a distinguished and adorned older artist. With her elegant guitar playing, she fills you ears with an ever-pleasing sound. Without a doubt, you could never go wrong listening to Fiest.

That moment when Feist turned into a giant woman was amazing! The music was great too. Introduced to some new songs...

But in all, it was overshadowed by a bad experience with the ticketing service. Had some trouble at the door with a Ticketfly transfer gone wrong. I probably just won't buy tickets online anymore if this is how it's going to be in the future. If I can't get tickets at the door, I just won't go.

Fue un concierto muy íntimo, muy a tono con su último disco. Me agrada la humildad de Feist y su irreverencia, es muy entregada al público. Aunque quería interactuar más con el público, lo cierto es que nos hipnotizó y estábamos más atentos a escuchar sus canciones que a levantarnos del asiento.

When Feist brings it she brings it like no other. Without any sort of fanfare, she played her new album, Pleasure, from start to end and then treated us to greatest hits from her previous studio albums. All of this mixed with some very creative lighting made for an unforgettable music experience.

Feist was pumped to play her hometown and put an extra special performance on! She showed the diversity of her talent to the pleasure of her audience. I was pleasantly surprised at the age range of the crowd. Great show and of course a great venue!

Leslie Feist is that kind of gifted artists for live performances. She can also hypnotise the audience and make them do whatever she wants, like learning lyrics that they didn't know before the concert or make germans get up and dance to her music ;)

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Feist is not due to play near your location currently - but they are scheduled to play 32 concerts across 2 countries in 2024-2025. View all concerts.

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November 5, 2017

Feist australian tour.

A decade on from her world-conquering hit ‘1234’, four-time Grammy-nominated singer-songwriter FEIST announces her return to Australia this November and December.

Five years on from her last Australian visit, Feist’s towering live performances have gained her worldwide acclaim, with the musician swinging between whispers and wails, from luminous ballads to the unhinged guitars also heard in her work with Broken Social Scene.

Possessing a nomadic, ever-evolving spirit with echoes of Joni Mitchell, Bob Dylan and fellow Canadian Leonard Cohen, Feist’s recent six year sabbatical saw her side-step any pop traps set by the immense success of The Reminder and Metals, the latter of which debuted at No.9 on the Billboard Chart and was named Album of the Year by The New York Times.

To date, Feist’s music has sold over 3 million units worldwide and amassed more than 500 million streams. She’s been described as “an artist yet to disappoint” by tastemaker Consequence Of Sound, and on her November-December dates will draw from five timeless albums to mesmerise Australian audiences.

Feist Australian Tour November 28 – The Tivoli, Brisbane December 01 – Forum Theatre, Melbourne December 03 – Sydney Opera House, Sydney www.listentofeist.com

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Feist Announces First Australian Shows In Five Years

The acclaimed Canadian singer-songwriter will be bringing a full band along for the ride.

Beloved songstress  Feist  is returning to Australia for her first shows in five years with an east-coast tour in support of her new album,  Pleasure .

Bringing a full band in tow, Feist will play Brisbane, Melbourne and Sydney this November and December, highlighting the material from her fifth studio full-length (and first in six years) along with the rest of her decades-spanning back catalogue as she reacquaints herself with her Australian fans.

Now a decade on from the breakthrough success that was her Grammy-nominated, Juno Award-winning third LP,  The Reminder —  and her international hit  1234,  Feist has come back from her half-decade sabbatical with a vengeance, not only unveiling Pleasure  (which has already yielded two singles, including one co-written with Jarvis Cocker) but featuring once more in a prominent position as part of Canadian indie mega-group Broken Social Scene, recording her first lead vocals for the band in over a decade on their lauded new album,  Hug Of Thunder .

With so much activity and acclaim once again surrounding her every move, it's an extremely safe bet that Feist will be putting on a run of shows to remember when she touches down once more on Australian shores.

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Tickets for Feist's Australian east-coast tour will go on sale from 9am local time this Friday, 11 August, through Ticketmaster and the Sydney Opera House.

See theGuide for dates and other booking details .

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About Feist

Feist is a Canadian singer-songwriter from Amherst, Nova Scotia. She is known for her lyrically-poignant sparkly-pop sound. She surged to the forefront of the music scene with her breakout album “Let It Die” which spawned the hit single “Mushaboom”. Feist has released a total of 4 studio albums to date, and her music has been featured in movies, television shows, and video games. Feist has won 4 Juno Awards, as well as 2 Brit Awards and received multiple Grammy Award nominations. In 2012, she was named to Canada’s Walk of Fame.

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Feist Announces ‘Multitudes’ North American In The Round Tour Dates

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  Feist has announced the Multitudes tour, which will feature the 11-time Juno Award winner performing in the round with 360-degree immersive sound. The production was conceived by  Feist  and developed with artist/filmmaker Colby Richardson, artist Heather Goodchild and Artistic Producer Mary Hickson.

The North American headline tour will kick off on May 2 at The Sylvee in Madison, WI and include shows at Radius in Chicago (May 5), 9:30 Club in Washington, DC and Brooklyn Steel in New York City (May 13). The artist ticket pre-sale will begin tomorrow, February 22, at 10:00 AM local time. Tickets will go on sale to the general public on Friday, February 24, at 10:00 AM local time. See below for itinerary or visit  https://www.listentofeist.com/ . Check out the full dates below…

Feist – 2023 Multitudes U.S. Tour

5/2 Madison, WI  The Sylvee

5/3 Minneapolis, MN First Avenue

5/5 Chicago, IL  Radius

5/6 St. Louis, MO  The Pageant

5/7 Nashville, TN  Brooklyn Bowl

5/9 Atlanta, GA  Coca-Cola Roxy Theatre

5/10 Raleigh, NC  The Ritz

5/12 Washington, DC  9:30 Club

5/13 Brooklyn, NY  Brooklyn Steel

5/15 Philadelphia, PA The Fillmore

5/17 Boston, MA  MGM Music Hall at Fenway

5/18 Toronto, ON  HISTORY

5/19 Montréal, QC  MTelus

7/11 Halifax, NS  Halifax Jazz Festival

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Feist review – one of the best live shows of the year

Roundhouse, London The magnetic Canadian singer performs her perceptive songs of love and loss during a gig that is precisely choreographed but still feels intimate and vividly in the moment

L eslie Feist has made a career out of being underestimated. The Canadian indie-folk stalwart netted a ubiquitous, broad-based hit in 2007 with 1234 , a song featured in an iPod ad; to many, she is known simply as the “1234 singer”, and is frozen in time at that point in her career when she was making singalong folk-pop with striking dance videos. Those who stuck around for her subsequent albums – 2011’s arid Metals, the minimalist, bluesy 2017 album Pleasure, and this year’s fragmented, lightly electronic Multitudes – have witnessed first-hand her transformation into one of indie music’s most perceptive, penetrating songwriters. Her freeform songs of love and loss, delivered with a 200-grit sandpaper voice, feel like family heirlooms; objects whose stories become richer and more distinct every time you pick them up.

Feist’s tour in support of Multitudes plays on her tendency to be underestimated brilliantly. I’ve never seen a show quite like it, one which is so precisely choreographed and staged while still feeling so wildly, vividly real. It is a feat of sleight-of-hand that is spooky and psychedelic, utilising fairly commonplace performance tools – crowd work, a live video feed, minimalist staging, good old-fashioned charisma – to execute a masterful rug-pull from beneath the audience’s feet. It feels ridiculous to say in regards to a live show, but I’m a little afraid of spoiling the surprises the Multitudes tour has up its sleeve. The best guidance I can give is simply that you should see one of the tour’s few remaining dates for yourself, and find yourself caught off-guard by one of the most masterly rock shows I’ve seen in a long time.

Feist begins this show in the round, on a small stage in the middle of the audience. Carrying an iPhone that feeds back to a projection on the main stage, she walks through the crowd, zeroing in on coats and dresses, joking with the audience members she passes, eventually climbing on to her small podium and mounting the phone on a stand. Feist’s magnetism – her ability to make you feel like she’s speaking only to you as she cracks jokes about feeling like she’s performing at Wembley or speaks about the natural landscapes that got her through Covid – is weaponised here. It feels, as she runs through a handful of songs including early hit Mushaboom and Pleasure highlight A Man Is Not His Song on solo guitar, like a very traditional folk show, to the point that it’s easy to miss some of the set’s sly enhancements, such as Feist’s use of a loop pedal to harmonise with herself, or the way the video feed shimmers with distortion.

Early on, she calls for audience participation, asking someone to take the phone from her and walk around filming the venue and audience members. It quickly becomes clear that what seemed like an intimate, homespun show is actually far more complex: the cameraman steals a notebook from an audience member leading to a striking, unnerving recitation of a poem; Feist re-enters the audience, pretending to till a field and plant a tree as she sings I Took All of My Rings Off.

Halfway through the two-hour show, there is a dramatic, gut-punch curtain drop for the ages. All the while, Feist is performing beloved songs such as Any Party and My Moon My Man on a tightrope between wildness and precision, making it abundantly clear that even without the mysterious, magnetic stagecraft, it would be one of the year’s best live shows.

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Feist Announces “The Multitudes Finale Tour”

Today, Feist announced The Multitudes Finale Tour, which will feature the 11-time Juno Award winner performing in the round with 360-degree immersive sound. The production was conceived by Feist and developed with artist/filmmaker Colby Richardson, artist Heather Goodchild and Artistic Producer Mary Hickson.

Multitudes – Feist’s sixth full-length album and first release since 2017’s critically acclaimed Pleasure – was released on April 14 via Interscope Records. The new songs were largely written during an intensely communal 2021-2022 tour of the same name, which was hailed as a “work of genius” by the Toronto Star. The run included a three-night stand at Los Angeles’ Shrine Auditorium. After the tour, Feist retreated to Northern California’s Redwood Forest to record the album, which she produced alongside Robbie Lackritz (Peach Pit, The Weather Station, Bahamas, Jack Johnson, Robbie Robertson) and Mocky (Jamie Lidell, Vulfpeck, Kelela), who had partnered with her on 2011’s Metals.

The official video for “In Lightning” captures Feist’s joyful performance of the song at the water’s edge on a deserted beach. She directed the video with Julia Hendrickson and Sara Melvin. View HERE. The New York Times’ Jon Pareles said, “She sings about lightning as illumination, as power and as revelation; is it ‘in lightning’ or ‘enlightening’? The track begins with clattering drums and banshee vocal harmonies, then veers between hushed contemplation and a brawny, Celtic-flavored stomp.” Pitchfork observed, “Feist talks of keeping her energy intact in a hectic world as strings zip by like a bug zooming in your ear…It all retains the common feeling in her music of pieces falling together, each element getting its own space to shine. The queen of controlled calamity has officially returned.”

Multitudes took shape soon after the birth of Feist’s daughter and the sudden death of her father. Amid meditations on mortality, connection and the frenetic state of the human condition, the album ultimately radiates an ineffable sense of hope.

Feist 2024 Tour Dates: 02/06 Winnipeg, MB – Burton Cummings Theatre 02/07 Saskatoon, SK – TCU Place 02/09 Calgary, AB – Palace Theatre 02/11 Victoria, BC – Royal Theatre 02/12 Vancouver, BC – Commodore Ballroom 02/16 Seattle, WA – Showbox SoDo 02/17 Portland, OR – Wonder Ballroom 02/20 San Francisco, CA – The Fillmore 02/23 Los Angeles, CA – Belasco 03/03 Toronto, ON – Massey Hall

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Feist Announces World Tour

By Carrie Battan

Photo by Erez Avissar

Feist has announced another sizeable tour in support of her 2011 LP Metals . Beginning in a couple of days, she'll loop through Australia, Indonesia, Europe, the UK, and North America (including a stop at Coachella).

02-01 Melbourne, Australia - Palais Theatre 02-04 Melbourne, Australia - Laneway Festival 02-05 Sydney, Australia - Laneway Festival 02-07 Sydney, Australia - Enmore Theatre 02-09 Adelaide, Australia - Thebarton Theatre 02-11 Perth, Australia - Laneway Festival 02-15 Jakarta, Indonesia - Fairgrounds 03-06 Oslo, Norway - Sentrum Scene 03-07 Stockholm, Sweden - Cirkus 03-08 Copenhagen, Denmark - Falkoner Theatre 03-10 Vienna, Austria - Gasometer 03-11 Zurich, Switzerland - Volkshaus 03-12 Munich, Germany - Tonhalle 03-13 Cologne, Germany - E-Werk 03-15 Frankfurt, Germany - Jahrunderthalle 03-18 Lisbon, Portugal - Coliseum 03-19 Porto, Portugal - Coliseum 03-21 Paris, France - Le Zenith ^ 03-22 Lyon, France - Transbordeur ^ 03-23 Lille, France - Theatre Sebastopol ^ 03-25 London, England - Royal Albert Hall ^ 03-26 Manchester, England - O2 Apollo ^ 03-27 Glasgow, Scotland - Royal Concert Hall ^ 04-14 Indio, CA - Coachella Music Festival 04-21 Indio, CA - Coachella Music Festival 04-22 Phoenix, AZ - Orpheum Theater 04-26 Austin, TX - Stubb’s 04-28 New Orleans, LA - New Orleans Jazz Fest 04-30 Indianapolis, IN - Egyptian Room 05-01 Nashville, TN - Ryman Auditorium 05-02 Asheville, NC - Thomas Wolfe Auditorium 05-03 Raleigh, NC - Memorial Auditorium 05-05 New York, NY - Radio City Music Hall 05-07 Boston, MA - House of Blues 05-08 Philadelphia, PA - Academy of Music 05-09 Bethesda, MD - Strathmore 05-11 Burlington, VT - Flynn Theater 08-08 Oslo, Norway - Oya Festival 08-10 Gothenburg, Sweden - Way Out West Festival 08-17 - 08-19 Beacons, England - Green Man Festival

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Feist Announces 2024 North American Tour

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The post Feist Announces 2024 North American Tour appeared first on Consequence .

Feist has mapped out a 2024 North American tour in support of her latest album,  Multitudes. The dates will serve as the “finale” of her “MULTITUDES” concert residency , which began in 2021.

The tour will kick off proper with a performance in Winnipeg, Canada, on February 6th, followed by stops in cities like Vancouver, Seattle, Portland, San Francisco, Los Angeles, and more. On March 3rd, Feist will wrap things up with a final show in Toronto.

Tickets will first become available through a Ticketmaster artist pre-sale beginning Wednesday, October 25th, at 10:00 a.m. local time (use access code REDWING ), and will go on-sale to the general public on Friday, October 27th. Once tickets are on sale, you can also find them at StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program.

Get Feist Tickets Here

Multitudes is the Canadian songwriter’s first full-length in six years, and arrived this past April. The album was forged over a several-year period, during which Feist experimented with intimate, collaborative live performances. Reflecting on the experience in a new press release, she noted how different and inspiring the songwriting process became. “I’ve never played unfinished songs, and they [became] finished by the mutuality of these first-shows-in-a-year collective experience,” she said.

Now, with  Multitudes out, she’s returning to the road to cap off the cycle. “Well, the show that made an album then made a new show,” she said. “So maybe Multitudes has drawn its own full circles, backwards, and it should culminate in a finale.” Check out an “adventure infographic” Feist shared to explain the timeline of the project below.

In May, Feist chatted with Kyle Meredith about the new record, as well as the songwriting group she was part of that included Beck, Mac DeMarco, Adam Cohen, and Damien Rice. She also joined Liz Phair, Fontaines D.C., and Bombay Bicycle Club in honoring Nick Drake on the tribute album The Endless Coloured Ways – The Songs of Nick Drake .

Feist 2023-2024 Tour Dates: 11/19 – Mexico City, MX @ Festival Corona Capital 02/06 – Winnipeg, MB @ Burton Cummings Theatre 02/07 – Saskatoon, SK @ TCU Place 02/09 – Calgary, AB @ Palace Theatre 02/11 – Victoria, BC @ Royal Theatre 02/12 – Vancouver, BC @ Commodore Ballroom 02/16 – Seattle, WA @ Showbox SoDo 02/17 – Portland, OR @ Wonder Ballroom 02/20 – San Francisco, CA @ The Fillmore 02/23 – Los Angeles, CA @ Belasco 03/03 – Toronto, ON @ Massey Hall

Feist Announces 2024 North American Tour Eddie Fu and Jo Vito

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