tour roche basel

Locals became curious, wondering about the view from the top and the interior design. The controversial structure opened its doors to the public, with guided tours teaching interested locals about the architecture. Like how the spiral staircases are an homage to 20th-century Roche architect Otto R. Salvisberg’s elegant balustrades. Or how the floors themselves were designed to spark innovation by giving employees comfortable ways to collaborate and communicate, as well as eat and relax. They learned about its earthquake-resistant structure and its energy-efficient system that uses waste energy to heat the building and groundwater for cooling.

Like anything new, it took some time. Eventually, people began to see it differently – less like a Tetris block and more as a beacon for the future of biotech. Sitting on the original site where Roche was founded 125 years ago, drawing from traditions of the past but with a modern outlook, it has become an icon of the Basel skyline and a source of pride: a symbol of cutting-edge technology and first-rate healthcare innovation with a 125-year-old legacy.

It was a construction site for five years. Neighbours grumbled as they watched the Roche Tower in Basel, Switzerland go up, floor by floor. There were complaints about loss of sunlight and the annoying building noises six days a week. Aesthetically, the building itself was divisive, many finding it ugly and comparing it to a giant cheese grater or coining it “the pizza box tower.”

Whether you loved it or hated it, on September 15, 2015, the Roche Tower, also known as Building 1, became the highest building in Switzerland. Although it was a time of exodus, with many companies leaving for less expensive countries and cheaper labour, Roche chose to construct a promise in the form of a 178-meter, 41-storey building designed by Basel-based architecture firm Herzog and de Meuron. As Roche CEO Severin Schwan remarked: “We also regard Building 1 as a clear commitment to Switzerland and to Basel.” Basel has always been, and continues to be, Roche’s home.

Baslers open up about the Roche Tower with plenty of harrumphings, Novartis loyalists and even poetic musings.

Tell us how you really feel!

And for those who thought it appeared lonely, you’ll be happy to know that Building 2 will open in the spring of 2022. Though not yet finished, at 205 metres and with nine extra floors, it has already dethroned Building 1 as the tallest in Switzerland.

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Roche Tower

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Roche Tower: a visit to Switzerland’s tallest building - Basel

A breathtaking 360-degree panorama: visitors enjoy a bird’s-eye view of Basel on a guided tour through the Roche Tower.

With buildings by superstar international architects from Frank Gehry and Renzo Piano to David Chipperfield, Basel is unequivocally Switzerland’s capital of modern architecture. Herzog & de Meuron are the local heroes: Jacques Herzog and Pierre de Meuron were both born in Basel, and have played a key role in shaping Switzerland’s architectural landscape. Their latest work in the city is the Roche Tower: Switzerland’s tallest building by far at 178 metres. The structure recently started offering guided tours to visitors.

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A Tour of Basel's Modern Architectural Landmarks

Basel is a famously artsy city. It’s home to world renowned art exhibitions and museums, so you won’t be surprised to hear that it’s got some great modern architecture scattered throughout its streets and in the country beyond. Embark on a tour of the modern architecture that you must see in Basel.

1. biz building, 2. vitra design museum.

3. Goetheanum

Building, Library, Museum

5. Schaulager

6. Basler Messeturm

Basel’s second tallest skyscraper, the Messeturm, is a gleaming green-giant that dominates the city’s skyline and doubles as a hotel and office space. If you can get over the vertigo, you can try out a cocktail at Bar Rouge which sits on the top floor of the Messeturm and is known as the highest bar in Switzerland. A stiff drink here could be the perfect spot to round off your architecture tour.

Messeplatz, 12, Basel , +41 61 695 90 10

7. Roche Tower

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Roche Tower

Top ways to experience nearby attractions

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Also popular with travellers

ROCHE TOWER: All You Need to Know BEFORE You Go (with Photos)

• (0.37 mi) DASBREITEHOTEL
• (0.39 mi) Hotel Wettstein
• (0.46 mi) Hyperion Hotel Basel
• (0.41 mi) Hotel Restaurant Resslirytti
• (0.56 mi) Pullman Basel Europe Hotel
• (0.19 mi) Ziegelhof
• (0.21 mi) Restaurant Chez Jeannot
• (0.32 mi) Cantina Don Camillo Restaurant
• (0.23 mi) Le Rhin Bleu
• (0.21 mi) Strada 4058

Roche Tower

Top ways to experience nearby attractions

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Also popular with travellers

Roche Tower - All You Need to Know BEFORE You Go (2024)

• (0.59 km) DASBREITEHOTEL
• (0.62 km) Hotel Wettstein
• (0.74 km) Hyperion Hotel Basel
• (0.66 km) Hotel Restaurant Resslirytti
• (0.90 km) Pullman Basel Europe Hotel
• (0.30 km) Ziegelhof
• (0.33 km) Restaurant Chez Jeannot
• (0.51 km) Cantina Don Camillo Restaurant
• (0.36 km) Le Rhin Bleu
• (0.33 km) Strada 4058

Roche Tower

Top ways to experience nearby attractions

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Also popular with travellers

Roche Tower - All You Need to Know BEFORE You Go (2024)

• (0.59 km) DASBREITEHOTEL
• (0.62 km) Hotel Wettstein
• (0.74 km) Hyperion Hotel Basel
• (0.66 km) Hotel Restaurant Resslirytti
• (0.90 km) Pullman Basel Europe Hotel
• (0.30 km) Ziegelhof
• (0.33 km) Restaurant Chez Jeannot
• (0.51 km) Cantina Don Camillo Restaurant
• (0.36 km) Le Rhin Bleu
• (0.33 km) Strada 4058

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Roche Building 1, Basel

• Typologies Commercial / Office  Culture / Leisure 
• Date 2009 - 2015
• City Basel 
• Country Switzerland 
• Photographer Ruedi Walti 

Roche Building 1 goes up in Basel’s new area of urban development. The building, standing 178 meters tall, counts a total of 41 floors and presents a profile shaped like a terraced wedge. This new office building houses approximately 2,100 workplaces related to various departments heretofore scattered throughout the city. The concentration of all these in one place allows for a smoother flow of communication, the integration of staff and the promotion of synergy between different fields.

The architecture of Building 1 expresses and actively encourages interdepartmental communication, creating flexible workspaces interspersed with attractive infrastructural facilities for the staff. The building scheme – which departs from the typical monofunctional high-rise in which each separate floor is accessed only via one central core – is vertically structured by superimposed slabs of varying sizes, tapering towards the top on the western and eastern side. The zoning envelope is the base for a clear and regularly stepped form with setbacks in a two terrace interval to the west, rising nearly vertically with subtle and even steps over three floors to the east. The regular stepping provides open-air patio areas that are accessed from communication zones linked by sweeping spiral staircases, creating points of orientation on each floor where staff can meet informally. The narrow form of the building allows ideal natural lighting conditions, while outdoor spaces provide natural ventilation.

The public program such as a 500-seat auditorium, the staff restaurant and central meeting rooms, which are to be used by all employees in the headquarters, are located at the lower level, where they are easily accessible. These areas are wrapped in a glass skin and take the form of a cantilevered volume, clearly marking the main entrance of the high-rise building.

The geometry of the building creates different perceptions depending on the angle of view. From the south, seen from the Rhine, it appears as a wedge-shaped high-rise that dissolves towards the sky, while from the east and west it appears as a slender vertical or staggered building with contours that are emphasized by three-dimensional balustrades and run along the perimeter. Light and shadows stress these distinctive impressions. 

Client F. Hoffmann-La Roche AG

Herzog & de Meuron Project Team Partners: Jacques Herzog, Pierre de Meuron, Stefan Marbach (Partner in Charge) Project Team: Michael Fischer (Project Director, Associate), Stefan Segessenmann (Associate), Mirjam Imgrüth (Project Manager), Falk Schneemann (Project Manager), Barbara Zeleny (Project Manager), Florian Becker, Martin Knüsel, Nathalie Rinne, Tanja Thomae, Caesar Zumthor. Abdulfatah Adan, Farhad Ahmad (Visualizations), Bruno de Almeida Martins (Visualizations), Troels Andersen (Visualizations), Edyta Augustynowicz (Visualizations), Juliane Bank, Alexander Bartscher, Michal Baurycza (Visualizations), Axel Beck, Nathalie Birkhäuser, Pascal Bögli, Caetano Braga da Costa de Bragança, Martin Brandsdal, Leif Nader Buchmann, Alexandra Butterworth, Zdenek Chmel, Arianna Conca, Massimo Corradi (Digital Technologies), Dorothee Dietz (Visualizations), Carmen Eichenberger, Felix Fassbinder, Francis Fawcett, Bruce Feng, Jenny Fetveit, Oliver Franke, Michal Gabas, Timothée Gauvin, Andrew Gibbs, Lena Göpfert, Salomé Gutscher, Adriana Hernández Arteaga, Elisabeth Hinz, Marc Hölscher, Roger Huwyler, Christoph Jantos, Tamara Jechnerer, Soran Jester, Sara Jiménez Núñez (Digital Technologies), Victor Julebaek, Leonard Kadid, Evert Klinkenberg, Denis Kolesnikov, Beatus Kopp, Kenzo Krüger-Heyden, Christina Liao (Visualizations), Áron Lörincz (Visualizations), Alexandre Massé, Nadine Mauritz, Hania Michalska, Melk Nigg, Colm O’Brien, Argel Padilla Figueroa, Pedro Peña Jurado, Holger Rasch (Digital Technologies), Hendrik Christian Schikarski, Tilmann Schmidt, Katrin Schwarz, Günter Schwob (Workshop), Jakob Seyboth, Sophie Shiraishi, Merethe T. Skjellvik, Alexander Stern, Michaela Stolcova, Ole Robin Storjohann, Kai Strehlke (Digital Technologies), Fumiko Takahama, Moritz Thierfelder, Raúl Torres Martín (Visualizations), Luca Ugolini, Paul Vantieghem, Jana von Mackensen, Julie Wagner, Thomas Wagner, Ailish Walker, Viktor Westerdahl, Gerd Wetzel, Achim Winter, Fen Xiao, Mika Zacharias, Camillo Zanardini, Daniel Zarhy, Sjoerd Zonderland.

Planning Architect Planning, Executive Architect: Herzog & de Meuron; General Planning: Drees & Sommer; Construction Logistics: Rapp Infra AG; Construction Management: OmniCon Gesellschaft für innovatives Bauen mbH; Electrical Engineering: KIWI Systemingenieure und Beratung AG; HVAC Engineering: Thurm & Dinges Planungsgesellschaft mbH with Advens AG; Plumbing Engineering: Thurm & Dinges Planungsgesellschaft mbH; Structural Engineering: Weischede Herrmann und Partner GmbH with Walter Mory Maier; Facade Engineering: Drees & Sommer Advanced Building Technologies GmbH; Survey: Rapp Infra AG; Tender Documents: Nissen & Wetzlaff Architekten; Theater Engineering: Theater Projekte Daberto und Kollegen; Traffic, Underground Construction: Gruner AG Ingenieure und Partner; Vertical Transportation & BMU: Jappsen Ingenieure

Consulting Acoustics, Building Physics: Drees & Sommer Advanced Building Technologies GmbH; Aerodynamics: I.F.I. Instiutut für Industrieaerodynamik GmbH; CAD: SCD Architekten Ingenieure GmbH; Catering: Klaus Architekten; Cost: Drees & Sommer; Geotechnical: Pfirter Nyfeler + Partner AG; Lighting: Reflexion AG; Modular Building: Digitales Bauen GmbH; Demolition: ZPF Ingenieure; Fire Protection: HHP Berlin Ingenieurgesellschaft für Brandschutz GmbH, AFC AG; Wayfinding: Unit-Design GmbH.

Contractors Ceiling: Peuckert GmbH; Doors: Franz Dreier AG; Dry Walling: Canonica + Lotti AG; Facade: Josef Gartner GmbH; Fire Gates: Stawin AG; Fire Protection: Novisol; Flooring: Hoffmann & Stetter; Flooring / Subflooring: Lenzlinger Söhne AG; Glass Walls: Strähle Raum-Systeme GmbH; Heating / Cooling: ARGE Heizung/Kälte Bau 1 c/o Alpiq InTec West AG; Lighting: Regent; Paint Work: Schweizer Söhne; Parquetry: ARGE: Amschwand AG, Hassler AG; Roofing: Tecton; Sanitary: ARGE: Alltech Installationen AG, Alpiq InTec West AG, Rosenmund HT AG; Shell Work: Marti AG; Sprinkler: Contrafeu AG; Terrazzo: Walo Bertschinger AG; Ventilation: Alpiq InTec West AG; Auditorium: Schnackenberg; Steel Work / Spiral Stairs: Marti AG, Josef Meyer AG; Tiles: Cristofoli AG; Underground Construction: ARGE: Bilfinger & Berger Spezial Tiefbau GmbH, Schleith GmbH; Vertical Transporation: Schindler AG.

Photos Ruedi Walti 

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Herzog & de Meuron Basel Ltd. Rheinschanze 6 4056 Basel, Switzerland

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445 Roche Building 2

Roche Basel Site, Basel, Switzerland

Site development

F. Hoffmann-La Roche AG and Herzog & de Meuron first began working together in the 1990s. Since then, over the past three decades, an entire series of buildings has emerged, most recently Building 1, an office building rising to a height of 178m. It was the tallest in Switzerland upon its completion. The investments Roche has been making clearly demonstrate the firm‘s commitment to its headquarters in the city of Basel.

Building 2, even taller than Building 1 at a height of 205 m, is a logical consequence of this commitment with its concentration of workplaces in the Wettstein neighborhood. The development plan devised by Herzog & de Meuron in 2014 provides the urban guidelines for the project and also underlies the development of the northern sector of the site. The zoning plan was approved in 2016, paving the way for Building 2 and the research and development center, pRED.

The current location of production and research at the Rheinknie, the bend in the Rhine, dates back to Swiss architect Otto Rudolf Salvisberg’s masterplan of the 1930s. He designed the checkerboard structure in which the footprint of Building 2 is embedded. The original buildings established an architectural idiom with which Roche still strongly identifies today. The two new towers can be read as a contemporary extension of this architecture which originated in the principles of classical modernism.

Highrise typology

The design of Building 2 relates explicitly to Building 1; the two form an ensemble in the center of the site. The second tower is governed by the same volumetric concept: the building tapers to a point through regular setbacks on the north side; the three remaining sides are straight and vertical. The southern façade frames the street of Grenzacherstrasse, in combination with the equally straight and vertical northern façade of Building 1.

Building 2 has office space for 3100 employees with exceptional spatial properties for a high-rise. The office floors are divided into clusters of three, each with connecting spiral staircases, fostering communication among employees from different departments. In addition, thanks to the geometry of the building, an outside space in the form of a terrace or loggia is accessible to users of each cluster. The office spaces are supplemented by five floors reserved for special uses. These include meeting and conference rooms on the first and second floors which are easily accessible from outside, a café on the ground floor, a bistro on the 12th floor overlooking the northern sector, and the topfloor cafeteria. Looking out over the top of Building 1, visitors to the cafeteria enjoy a spectacular view of Basel and the surrounding countryside. Grenzacherstrasse is a public axis that runs through the middle of the site. In the not-too-distant future, when construction on Building 2 and pRED has been completed, the street will become a vibrant public space with pedestrians, bicycles, cars, buses – and a great deal of greenery. It will become a Life Science Boulevard, connecting the northern and southern sectors. The red iron sculpture by Bernard Luginbühl in front of Building 67, the blue wall piece by Rémy Zaugg in Building 95, and the stacked boulders by Fischli/Weiss at the entrance to Building 1 are works of art that deliberately figure as protagonists in this public space.

Herzog & de Meuron, 2018

Arealentwicklung

Die Anfänge der Zusammenarbeit der F. Hoffmann-La Roche AG mit Herzog & de Meuron reichen zurück in die 1990er Jahre. In den folgenden fast drei Jahrzehnten brachte diese eine ganze Reihe von Bauten hervor, zuletzt den Büroturm Bau 1, mit seinen 178m Höhe bei der Fertigstellung das höchste Gebäude der Schweiz. Die Investitionstätigkeit von Roche ist ein klares Bekenntnis zu seinem Hauptsitz in der Stadt Basel.

Der mit 205m Höhe den Bau 1 noch überragende Bau 2 ist ein weiterer konsequenter Schritt hin zur Konzentration von Arbeitsplätzen auf dem Areal im Wettsteinquartier. Als städtebauliches Leitbild für die Ausbaupläne dient der Entwicklungsplan von Herzog & de Meuron aus dem Jahr 2014. Von diesem leitet sich der Bebauungsplan für das Nordareal ab, mit dessen Verabschiedung 2016 der planungsrechtliche Weg für den Bau 2 und das Forschungs- und Entwicklungszentrum (pRED Center) geebnet wurde.

Die heutige Erscheinung des Produktions- und Forschungsstandorts am Rheinknie geht zurück auf den Masterplan des Schweizer Architekten Otto Rudolf Salvisberg aus den 1930er Jahren. Er prägte die schachbrettartige Struktur, in die sich auch der Fussabdruck des Bau 2 einbettet. Die damals entstandenen Bauten etablierten eine Architektursprache, mit der sich das Unternehmen Roche noch heute stark identifiziert. Auch die beiden Türme verstehen sich als eine zeitgenössische Weiterentwicklung dieser Bautradition, deren Ursprung in den architektonischen Prinzipien der klassischen Moderne liegt.

Hochhaustypologie

Die Erscheinung von Bau 2 stellt einen klaren Bezug zu Bau 1 her und vereint die beiden Hochhäuser zu einem Ensemble im Zentrum des Areals. Auch volumetrisch folgt der zweite Turm demselben Konzept: In regelmässigen Rücksprüngen auf der Nordseite verjüngt sich das Volumen hin zur Spitze, während die übrigen drei Seiten gerade ansteigen. Die Südfassade fasst mit der ebenfalls über ihre gesamte Höhe gerade verlaufenden Nordfassade von Bau 1 den Strassenraum der Grenzacherstrasse zusammen.

Bau 2 ist ein Bürogebäude mit Arbeitsplätzen bis zu 3100 Personen und bietet für ein Hochhaus ausserordentliche räumliche Qualitäten. Jeweils drei Bürogeschosse sind mit Wendeltreppen zu einem Cluster verbunden und fördern damit die Kommunikation unter den Mitarbeitenden verschiedener Abteilungen. Gleichzeitig steht aufgrund der Geometrie des Gebäudes den Nutzern in jedem Cluster ein begehbarer Aussenraum, eine Terrasse oder eine Loggia, zur Verfügung. Die Büronutzung wird durch fünf Sondernutzungsgeschosse ergänzt. Dazu gehören vom Areal aus gut erreichbare Sitzungszimmer im ersten und zweiten Geschoss, ein Café im Erdgeschoss, ein das Nordareal überschauendes Bistro im 12. Geschoss sowie die „Topfloor Cafeteria“. Diese bildet den oberen Abschluss, von dem aus sich dem Besucher über die Spitze von Bau 1 hinweg ein spektakulärer Blick auf die Stadt Basel und ihr Umland bietet. Mitten durch das Areal verläuft die Grenzacherstrasse als öffentliche Achse. Sie wird in nicht allzu ferner Zukunft, wenn die Baustellen von Bau 2 und von pRED abgeschlossen sein werden, lebendiger Teil des öffentlichen Raumes sein, mit Passanten, Fahrrädern, Autos und Bussen und mit viel Grün – sie wird zu einem Life Science Boulevard, der das Nord- und Süd-Areal miteinander verbindet. Die rote Eisenplastik von Bernard Luginbühl vor Bau 67, die blaue Wandarbeit von Rémy Zaugg in Bau 95 und die aufeinandergestapelten Felsblöcke von Fischli/Weiss vor dem Eingang von Bau 1 sind als Kunstwerke ebenso Teil dieses öffentlichen Raums und ganz bewusst darin gesetzte Protagonisten.

Bibliography

Katharina Marchal: “Raum für Innovation. Bauten für Actelion, Novartis und Roche, Basel.” In: Marko Sauer (Ed.). Modulor. Hülle und Prozess. Urdorf, Boll AG, 02.2019. pp. 44-55.

“Herzog & de Meuron.” In: Luis Fernández-Galiano (Ed.). Arquitectura Viva Proyectos. Vol. No. 89, Madrid, Arquitectura Viva SL, 2018. pp. 16-19.

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