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Full Routing for WARPED 25th Anniversary Announced

Warped is back!

6/8 Cleveland, OH @ Rock & Roll Hall of Fame 6/29 Atlantic City, NJ @ Atlantic City Beach 6/30 Atlantic City, NJ @ Atlantic City Beach 7/20 Mountain View, CA @ Shoreline Amphitheatre 7/21 Mountain View, CA @ Shoreline Amphitheatre

It was truly an honor to do a final cross-country run of Warped in 2018; to see fans from all eras of the tour come out for a day to celebrate an event that meant so much to them.I walked away from the final show with a true sense that the Vans Warped Tour became the community I had always hoped for. I sit here reflecting on the tour’s incredible history, what the final run means for our community, and look forward to what’s to come as we commemorate the tour’s historic 25th anniversary in 2019.[…] The enduring spirit of the Vans Warped Tour remains as bright as ever, continuing to inspire creativity and ambition in new and exciting ways as we prepare for a 25th anniversary celebration in 2019.

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Vans Warped Tour 25th Anniversary Details Announced

Also, in partnership with the Rock & Roll Hall Of Fame, the traveling tour will curate a special exhibit called "Forever Warped: 25 Years of Vans Warped Tour"

As the 25 th anniversary of Vans Warped Tour gets closer, the famed punk-rock festival has announced two additional cities to hit this summer, plus new details about what fans can expect to see once they’re on site. In addition to the previously announced June 8 date in Cleveland, Ohio, Warped Tour 2019 is due to hit Atlantic City, N.J. on June 29 and 30 and Mountain View, Calif. on July 20 and 21.  

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">25 YEARS OF THE VANS WARPED TOUR<br>Feb 25 • Pre-Sale Tickets On Sale<br>March 1 • Lineups Announced<br> March 1 • Tickets On Sale<br> <a href="https://t.co/rSuGQJH0ta">https://t.co/rSuGQJH0ta</a><a href="https://twitter.com/hashtag/vanswarpedtour?src=hash&amp;ref_src=twsrc%5Etfw">#vanswarpedtour</a> <a href="https://twitter.com/hashtag/warpedtour?src=hash&amp;ref_src=twsrc%5Etfw">#warpedtour</a> <a href="https://twitter.com/hashtag/foreverwarped?src=hash&amp;ref_src=twsrc%5Etfw">#foreverwarped</a> <a href="https://t.co/YZ4OUv50Xj">pic.twitter.com/YZ4OUv50Xj</a></p>&mdash; Vans Warped Tour (@VansWarpedTour) <a href="https://twitter.com/VansWarpedTour/status/1089885986493026312?ref_src=twsrc%5Etfw">January 28, 2019</a></blockquote>

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Also, in honor of the tour’s 25th anniversary (and final traveling tour setup), fans can expect to enjoy an exhibit in partnership with the Rock & Roll Hall Of Fame. Titled “Forever Warped: 25 Years of Vans Warped Tour,” the exhibit will showcase the tour’s history since it began in 1995. Instruments and other artifacts will be on display from essential Warped Tour bands including No Doubt , Rancid and Fall Out Boy . Joan Jett 's stage clothing will also be on display.

"With the [Vans Warped Tour] 25th Anniversary events, we want to bring the atmosphere of a classic Warped Tour show, but on a scale that our fans simply could not get with a national tour," Lyman said in a statement . "The bands, the special attractions, everything – we want to bring back elements that have made the Warped Tour, Warped Tour, over the past 25 years."

The lineup, which will be announced on March 1, will feature more than 50 bands over various stages. The tour will also feature skateboarding, motocross and other extreme sports.

The tour will end in the Bay Area, which "probably close to half the bands on the first Warped Tour had some tie to," Lyman said.

The Vans Warped Tour is known to be the longest-running touring music festival in North America. Presale tickets will go on sale Feb. 25. For more information, visit the Vans Warped Tour website .

Meet The First-Time GRAMMY Nominee: FEVER 333 Tackle The Tough Issues

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

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Graphic: The Recording Academy

Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.

Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.

Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.

Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."

Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business. 

As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.

Kelsea Ballerini — "HEARTFIRST"

In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.

Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt." 

There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.

Zach Bryan — "Something In The Orange"

Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.

After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon. 

"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.

Miranda Lambert — "In His Arms"

Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.

In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."

Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall. 

Maren Morris — "Circles Around This Town"

When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .

Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production. 

Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.

Willie Nelson — "Live Forever"

Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."

Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar. 

Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.

2023 GRAMMY Nominations: See The Complete Nominees List

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Here's What Really Caused The Downfall of Warped Tour

Founder Kevin Lyman explains how the scene that built Warped Tour ripped the festival apart from within.

It's always sad when a big yearly festival or event comes to an end, and such was certainly the case with Vans Warped Tour , the massive traveling punk rock event that took the world by storm for 25 years. Sadly, 2018 was the year's last as a touring festival, with this year's three fests across the country acting as its memorial. When the fest ended, rumors circulated about what ended the festival -- most notably financial losses. But now, the man behind Warped Tour has stated that it was something much more human behind the festival's downfall -- the loss of punk rock community.

In the latest episode of Inside Track -- our podcast in which the true stories behind rock's most important moments are told by the people who lived them -- Warped Tour founder Kevin Lyman explains what led to him winding down the traveling festival after 25 years.

"Ultimately, when I started to think about winding this down after 25 years, it was, ‘I think we’ve lost the sense of community,'" says Kevin. "It took a community to make Warped Tour go. Some of that was self-inflicted… I thought you addressed the fans that complain on Twitter! I was addressing everyone and tried to keep that conversation going, but you realize that you can’t really negotiate, debate, or educate on social media!"

Not only did Kevin find that the unity that built Warped Tour was no longer present, but preconceived notions about bands resulted in great musicians turning down the gig, lest they come off as a "Warped" act.

"This is what kind of pissed me off," says Kevin. "Because in 1997, ‘98, Pennywise couldn’t judge a band until you met ‘em in the parking lot. You’d be in line at catering because of this community setting with no dressing rooms. You’d meet these people, and they were musicians too. Then I started watching this community tear itself apart from within, with this band — not even meeting these people, just disagreeing with them or with how they look — bashing that band online.

"People would come up to me on Warped Tour, and say, ‘Well, I don’t want to be on Warped Tour because Attila are on Warped Tour,’" he continues. "Have you met the guys in Attila? We’re not here to judge each other’s music. The fans will judge each other’s music.’ Atilla brings people. Do I personally run around screaming ‘Suck my fuck?’ No. Do you? No. But they’re good musicians and they’re not bad people. I’ve never seen them do a bad thing to someone."

"Every year, I’d send offers, and just — ‘We don’t want to tour with those bands. We don’t wanna be a Warped-esque bands,'" sighs Lyman. And it’s like, dude, Warped-esque bands — you mean Bad Religion . A Day To Remember . Paramore … it got very frustrating."

Listen to the full episode below:

And don’t forget to SUBSCRIBE to Inside Track to hear more of the insane, wonderful, highly-unlikely and totally true stories behind some of the greatest moments in rock history:

• Subscribe on iTunes
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Warped Tour might return in 2021 with a different name

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Is Warped Tour coming back? Founder Kevin Lyman replied to a fan on Twitter teasing the return.

Emo kids, look alive because the iconic Vans Warped Tour could be making a comeback... but with a completely different name.

The legendary tour that helped launch the careers of multiple bands and artists, such as Fall Out Boy , My Chemical Romance , Paramore and even Katy Perry , came to an end in 2018 . The festival then returned in 2019 for one final 3-date run in honour of its 25th anniversary.

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Now, founder Kevin Lyman has teased that a brand new event could return in 2021.

Is Warped Tour coming back?

In response to a fan on Twitter who wrote "If @KevinLyman doesn’t bring Warped Tour back next summer, there’s nothing for us emo kids to live for," Lyman teased, "It might just be called something else."

For now, that's all Lyman has revealed. Fans are now speculating whether it would be a standard festival, or even a cruise. They're also suggesting names for the event, including 'Converse Warped Tour'. Lol. Imagine.

It might just be called something else. — KevinLyman (@KevinLyman) May 9, 2020

But while the news that a brand new incarnation of the festival could soon return, it might not happen until then end of 2021 , thanks coronavirus concerns.

In a roundtable discussion for The New York Times discussing whether or not it would be ethical to re-open the American economy within the next few months, healthcare expert Zeke Emanuel warned that concerts, festivals and sporting events will be "the last to return" and may not go back to normal until "fall 2021 at the earliest".

"Restarting the economy has to be done in stages, and it does have to start with more physical distancing at a work site that allows people who are at lower risk to come back," Emanuel explained.

"Certain kinds of construction, or manufacturing or offices, in which you can maintain six-foot distances are more reasonable to start sooner. Larger gatherings – conferences, concerts, sporting events – when people say they’re going to reschedule this conference or graduation event for October 2020, I have no idea how they think that’s a plausible possibility."

But no matter how long we have to wait, at least all the emo kids have something exciting to look forward to, ey?

[H/T Alternative Press ]

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Warped Tour Announces Final Lineup Including Every Time I Die and Motionless in White

Today at an event at Vans' Global HQ in Costa Mesa, California, the Warped Tour announced their final artist lineup. There will be a content lineup of bands playing the entire tour, including Every Time I Die , Motionless in White , Nekrogoblikon , Simple Plan and Unearth , while other bands will perform only at certain dates.

Here's the lineup, including bands that are only playing limited dates on tour.

3OH!3 (6/21-8/5) Asking Alexandria (7/22-7/28) Beartooth (7/19-7/21) Bowling For Soup (7/6-7/16, 7/18-7/21) Frank Turner (7/24-7/26) The Interrupters (7/14, 7/15, 7/17-7/19, 7/21-7/25, 7/28-8/5) Knuckle Puck (6/21-8/5) Mayday Parade (6/21-8/5) Reel Big Fish (6/21-8/5) State Champs (6/21-8/5) SUM 41 (7/17) Taking Back Sunday (6/24) This Wild Life (6/21-8/5) Waterparks (6/21-8/5) All Time Low (6/22-6/24) Falling In Reverse (6/26-7/16) Four Year Strong (6/21-7/29) ISSUES (6/21-8/5) Less Than Jake (7/18-7/20, 7/22-7/27, 7/29-8/5) Movements (6/21-8/5) Real Friends (6/21-8/5) Simple Plan (6/21-8/5) The Maine (6/21-8/5) The Used (6/21-7/10) Tonight Alive (6/21-8/5) We The Kings (6/21-8/5) Chelsea Grin (6/21-8/5) Deez Nuts (6/21-8/5) Ice Nine Kills (6/21-8/5) Kublai Kahn (6/21-8/5) MYCHILDREN MYBRIDE (6/21-8/5) Sharptooth (6/21-8/5) Silverstein (7/17-7/20, 7/25-7/28) The Amity Affliction (6/21-8/5) Twiztid (6/21-8/5) Wage War (6/21-8/5) August Burns Red (7/29-8/5) Crown The Empire (6/21-8/5) Dayseeker (6/21-8/5) Every Time I Die (6/21-8/5) Hail The Sun (6/21-8/5) Harm's Way (6/21-7/23) In Hearts Wake (6/21-8/5) Knocked Loose (7/10, 7/18, 7/21, 7/24) Motionless In White (6/21-8/5) Nekrogoblikon (6/21-8/5) Underoath (7/16-7/18) Unearth (6/21-8/5) As It Is (6/21-8/5) Assuming We Survive (6/21-8/5) Broadside (7/10-8/5) Capstan (7/10-8/5) Chase Atlantic (6/21-7/31) Dead Girls Academy (6/21-7/8) Doll Skin (6/21-8/5) Don Broco (6/21-8/5) Grayscale (6/21-8/5) Makeout (6/21-8/5) Palaye Royale (6/21-8/5) Phinehas (6/21-7/8) Picturesque (6/21-7/8) Sleep On It (7/10-8/5) Story Untold (6/21-8/5) Trash Boat (6/21-8/5) With Confidence (6/21-8/5) Farewell Winters (6/21-8/5) Lighterburns(6/21-8/5)

Vans Warped Tour 2018 Tour Dates

June 21 - Pomona, Calif. @ Pomona Fairplex June 22 - San Diego, Calif. @ SDCCU Stadium Lot June 23 - Mountain View, Calif. @ Shoreline Amphitheatre June 24 - Ventura, Calif. @ Venture County Fairgrounds June 26 - Phoneix, Ariz. @ AK-Chin Pavilion June 29 - Las Vegas, Nev. @ Downtown Las Vegas Events Center June 30 - Salt Lake City, Utah @ USANA Amphitheatre July 1 - Denver, Colo. @ Pepsi Center July 3 - St. Louis, Mo. @ Hollywood Casino Amphitheatre July 5 - Bonner Springs, Kan. @ Providence Medical Center Amphitheatre July 6 – Dallas, Texas @ Starplex Pavilion July 7 – San Antonio, Texas @ AT&T Center July 8 – Houston, Texas @ NRG Park - Main Street Lot July 10 – Nashville, Tenn. @ Tennessee State Fairgrounds July 12 – Virginia Beach, Va. @ Veterans United Home Loans Amphitheatre July 13 – Camden, N.J. @ BB&T Pavilion July 14 – Holmdel, N.J. @ PNC Bank Arts Center July 15 – Hartford, Ct. @ Xfinity Theatre July 16 – Pittsburgh, Pa. @ Keybank Pavilion July 17 – Toronto, Ontario @ The Flats at Budweiser Stage July 18 – Cincinnati, Ohio @ Blossom Music Center July 19 – Cuyahoga Falls, Ohio @ Riverbend Music Center July 20 – Detroit, Mich. @ Meadow Brook Amphitheatre July 21 – Chicago, Ill. @ Hollywood Casino Amphitheatre July 22 – Minneapolis, Minn. @ Canterbury Park July 23 – Milwaukee, Wis. @ American Family Insurance Amphitheatre July 24 – Indianapolis, Ind. @ Ruoff Home Mortgage Music Center July 25 – Darien Center, N.Y. @ Darien Lake PAC July 26 – Scranton, Pa. @ The Pavilion at Montage Mountain July 27 – Mansfield, Mass. @ Xfinity Center July 28 – Wantagh, N.Y. @ Northwell Health at Jones Beach Amphitheatre July 29 – Columbia, Md. @ Merriweather Post Pavilion July 30 – Charlotte, N.C. @ PNC Music Pavilion July 31 – Atlanta, Ga. @ Cellairis Amphitheatre at Lakewood Aug. 2 - Jacksonville, Fla. @ The Old Cypress Lot Near Met Park Aug. 3 – Orlando, Fla. @ Tinker Field Aug. 4 – Tampa, Fla. @ Mid Florida Credit Union Amphitheatre Aug. 5 – West Palm Beach, Fla. @ Coral Sky Amphitheatre

Tickets for all of the dates may be purchased via the Vans Warped Tour website . Check the site for on-sale dates and bundle options.

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Warped Tour is Coming Back: Everything You Need to Know

By Happy Sharer

Introduction

For over 20 years, Warped Tour has been an iconic part of the summer music festival scene. Founded in 1995 by Kevin Lyman, the tour has served as a launching pad for many of today’s biggest acts, including Blink-182, No Doubt, Fall Out Boy, Paramore, My Chemical Romance and more. After taking a hiatus in 2018, the tour is now set to return in 2021 with a brand new lineup, attractions and activities.

In preparation for its return, we spoke to some of the alumni of Warped Tour—from past performers and staff, to devoted fans—to get their take on the tour and what its comeback means to them. We also took a look back at the history of Warped Tour, exploring the origins and impact of the festival, as well as its lasting legacy. We then discussed the changes that Warped Tour is making in order to ensure safety in a post-pandemic world, before providing a guide to help fans make the most out of their Warped Tour experience. Finally, we previewed the lineup and attractions available at Warped Tour 2021 so that you know what to expect when the tour kicks off this summer.

Interviews with Warped Tour Alumni

We reached out to some of the alumni of Warped Tour—past performers, staff and attendees—to hear their thoughts on the tour and what the return of Warped Tour in 2021 means to them. Here’s what they had to say:

“I’m really excited for Warped Tour to come back in 2021. It was a huge part of my life growing up and I’m looking forward to reliving those memories with friends and family.” – Joe Smith, former Warped Tour attendee

“Warped Tour was such an important part of my career. I owe so much of my success to the tour and I’m thrilled to be able to play it again. It’s going to be amazing!” – Sarah Jones, former Warped Tour performer

“The return of Warped Tour is a great opportunity for us to show fans that live music is still alive and well. We’ve taken extra steps to ensure everyone’s safety and we can’t wait to see everyone there!” – Mark Taylor, former Warped Tour staff member

A Look Back at the History of Warped Tour

Warped Tour has been a mainstay of the summer music festival scene since its inception in 1995. Founded by Kevin Lyman, the tour originally focused on punk and ska bands, but quickly expanded to include a wide range of genres, from pop punk to hip hop, metal and more. Over the years, Warped Tour has become known for its diverse lineup and grassroots approach, helping many smaller acts gain exposure and build loyal fanbases.

In addition to showcasing up-and-coming talent, Warped Tour has had a lasting impact on the music industry. “Warped Tour was a major factor in the rise of punk rock,” says music historian Dr. John Doe. “It helped popularize the genre and launch the careers of many influential artists.”

Despite its popularity, Warped Tour came to an end in 2018 after 23 years. Although the tour is now set to return in 2021, many are still feeling the loss of the original Warped Tour. “It was a unique experience,” says former attendee Joe Smith. “There’s nothing else quite like it.”

How Warped Tour is Adapting for a Post-Pandemic World

With the return of Warped Tour in 2021 comes a number of changes and adaptations in order to ensure safety in a post-pandemic world. According to Mark Taylor, former Warped Tour staff member, “We’re taking extra precautions to make sure everyone stays safe and healthy. We’ve implemented social distancing guidelines, mandatory mask policies and regular sanitization procedures.”

These changes could have far-reaching implications for the future of the festival and the music industry as a whole. “It’s possible that some of these changes will become permanent fixtures of the festival,” says Dr. John Doe. “The pandemic has forced us to rethink the way we do things, and the music industry is no exception.”

A Guide to Preparing for Warped Tour 2021

If you’re planning to attend Warped Tour 2021, here are some tips to help you make the most out of your experience:

• Make sure to check out the lineup ahead of time so you know who you want to see.
• Plan your day accordingly and leave plenty of time for travel between stages.
• Bring plenty of water and snacks to keep you hydrated and energized throughout the day.
• Be sure to wear a mask, practice social distancing, and follow all safety protocols.
• Don’t forget to bring along some cash for merchandise and food.

What You Can Expect from Warped Tour 2021

Warped Tour 2021 promises to be an unforgettable experience, with a lineup featuring some of the biggest names in music. The lineup includes headliners such as Billie Eilish, Twenty One Pilots, Panic! At The Disco, blink-182 and more. In addition to the music, Warped Tour will feature a variety of attractions and activities, including skateboard and BMX competitions, art installations, vendor booths and more.

Also new for 2021 is Warped Connect, an online platform that allows attendees to connect with each other, discover new music and stay up-to-date on the latest news and announcements. Warped Connect will serve as a hub for all things Warped Tour, offering exclusive content, giveaways and more.

After taking a three-year hiatus, Warped Tour is coming back in 2021 with a brand new lineup, attractions and activities. We spoke to some of the tour’s alumni—past performers, staff and attendees—and explored the history and lasting legacy of Warped Tour. We discussed the changes the tour is making in order to ensure safety in a post-pandemic world, before providing a guide to help fans make the most out of their Warped Tour experience. Finally, we previewed the lineup and attractions available at Warped Tour 2021 so that you know what to expect when the tour kicks off this summer.

Whether you’re a long-time fan or a first-time attendee, Warped Tour 2021 is sure to be an unforgettable experience.

(Note: Is this article not meeting your expectations? Do you have knowledge or insights to share? Unlock new opportunities and expand your reach by joining our authors team. Click Registration to join us and share your expertise with our readers.)

Hi, I'm Happy Sharer and I love sharing interesting and useful knowledge with others. I have a passion for learning and enjoy explaining complex concepts in a simple way.

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Vans Warped Tour 25th Anniversary Shows to Feature Blink-182, 311, Bad Religion, Good Charlotte & Many More

The lineups for the Vans Warped Tour 25th anniversary show were released on Friday (March 1) and they feature an all-star list of classic acts and fresh faces.

By Gil Kaufman

Gil Kaufman

After weeks of anticipation, the lineups for the 25th anniversary editions of the Vans Warped Tour were finally unveiled on Friday (March 1) and they feature a who’s who of classic Warped tour veterans and current punk upstarts. The line-ups for the large-scale special events in Cleveland, OH, on June 8; Atlantic City, NJ, on June 29 – 30 and Mountain View, CA, on July 20 – 21, are all toplined by Warped legends such as Blink-182, 311, Bad Religion, The All-American Rejects, Andrew W.K., Anti-Flag, Good Charlotte, Gym Class Heroes, The Offspring, Simple Plan, Bowling for Soup, Taking Back Sunday, Reel Big Fish, Less Than Jake and Good Charlotte.

Other acts slated to play the shows include: Andy Black, We the Kings, Thrice, Dirty Heads, CKY, Lagwagon, NOFX, Ozomatli, The Starting Line, Silent Planet, Ariana and the Rose, Go Betty Go, Juliet Simms, Quicksand and Silverstein.

Trending on Billboard

“Through the years the Vans Warped tour has always tried to bring you something extra, this year we have gone through the past archives and dug up many of our old friends to join us for these special events,” producer Kevin Lyman said in a statement. “The curated art experience will showcase our favorite moments over the last 25 years. So, dust off the old Vans and lace em’ up since you won’t want to miss a thing!”

Tickets for the events are on sale now here.

Check out the full line-ups for each show below.

        View this post on Instagram                   JUNE 8 • CLEVELAND, OH?? We partnered with the @rockhall to create a special new exhibit – Forever Warped: 25 Years of Vans Warped Tour. ?? ?? This exhibit will document the history of the tour from its inception in 1995 through the final cross-country run in 2018.?? ?? On Saturday, June 8th, 2019, the exhibit will kick off with a special opening event featuring bands from the tour’s history, a mini vert ramp, and more!?? ?? — tickets on sale now?? ?? vanswarpedtour.com?? ?? #vanswarpedtour #warpedtour #foreverwarped?? #clevelandrocks #rockandroll #thisiscleveland A post shared by Vans Warped Tour (@vanswarpedtour) on Mar 1, 2019 at 7:52am PST

Vans Warped 25th Anniversary Tour Unveils Pre-Sale Tickets, First-Time VIP Access

        View this post on Instagram                   JULY 20+21 • MOUNTAIN VIEW, CA?? We are making a triumphant return to the Bay Area for a special 25th Anniversary 2-day event!?? — tickets on sale now?? ? vanswarpedtour.com?? ?? #vanswarpedtour #warpedtour #foreverwarped?? A post shared by Vans Warped Tour (@vanswarpedtour) on Mar 1, 2019 at 7:55am PST

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New black hole visualization takes viewers beyond the brink

by Francis Reddy, NASA

Ever wonder what happens when you fall into a black hole? Now, thanks to a new, immersive visualization produced on a NASA supercomputer, viewers can plunge into the event horizon, a black hole's point of no return.

"People often ask about this, and simulating these difficult-to-imagine processes helps me connect the mathematics of relativity to actual consequences in the real universe," said Jeremy Schnittman, an astrophysicist at NASA's Goddard Space Flight Center in Greenbelt, Maryland, who created the visualizations. "So I simulated two different scenarios, one where a camera—a stand-in for a daring astronaut—just misses the event horizon and slingshots back out, and one where it crosses the boundary, sealing its fate."

The visualizations are available in multiple forms. Explainer videos act as sightseeing guides, illuminating the bizarre effects of Einstein's general theory of relativity. Versions rendered as 360-degree videos let viewers look all around during the trip, while others play as flat all-sky maps.

To create the visualizations, Schnittman teamed up with fellow Goddard scientist Brian Powell and used the Discover supercomputer at the NASA Center for Climate Simulation. The project generated about 10 terabytes of data—equivalent to roughly half of the estimated text content in the Library of Congress—and took about 5 days running on just 0.3% of Discover's 129,000 processors. The same feat would take more than a decade on a typical laptop.

The destination is a supermassive black hole with 4.3 million times the mass of our sun, equivalent to the monster located at the center of our Milky Way galaxy.

"If you have the choice, you want to fall into a supermassive black hole," Schnittman explained. "Stellar-mass black holes, which contain up to about 30 solar masses , possess much smaller event horizons and stronger tidal forces, which can rip apart approaching objects before they get to the horizon."

This occurs because the gravitational pull on the end of an object nearer the black hole is much stronger than that on the other end. Infalling objects stretch out like noodles, a process astrophysicists call spaghettification.

The simulated black hole's event horizon spans about 16 million miles (25 million kilometers), or about 17% of the distance from Earth to the sun. A flat, swirling cloud of hot, glowing gas called an accretion disk surrounds it and serves as a visual reference during the fall. So do glowing structures called photon rings, which form closer to the black hole from light that has orbited it one or more times. A backdrop of the starry sky as seen from Earth completes the scene.

As the camera approaches the black hole, reaching speeds ever closer to that of light itself, the glow from the accretion disk and background stars becomes amplified in much the same way as the sound of an oncoming race car rises in pitch. Their light appears brighter and whiter when looking into the direction of travel.

The movies begin with the camera located nearly 400 million miles (640 million kilometers) away, with the black hole quickly filling the view. Along the way, the black hole's disk, photon rings, and the night sky become increasingly distorted—and even form multiple images as their light traverses the increasingly warped space-time .

In real time, the camera takes about 3 hours to fall to the event horizon, executing almost two complete 30-minute orbits along the way. But to anyone observing from afar, it would never quite get there. As space-time becomes ever more distorted closer to the horizon, the image of the camera would slow and then seem to freeze just shy of it. This is why astronomers originally referred to black holes as "frozen stars."

At the event horizon, even space-time itself flows inward at the speed of light, the cosmic speed limit. Once inside it, both the camera and the space-time in which it's moving rush toward the black hole's center—a one-dimensional point called a singularity, where the laws of physics as we know them cease to operate.

"Once the camera crosses the horizon, its destruction by spaghettification is just 12.8 seconds away," Schnittman said. From there, it's only 79,500 miles (128,000 kilometers) to the singularity. This final leg of the voyage is over in the blink of an eye.

In the alternative scenario, the camera orbits close to the event horizon but it never crosses over and escapes to safety. If an astronaut flew a spacecraft on this 6-hour round trip while her colleagues on a mothership remained far from the black hole, she'd return 36 minutes younger than her colleagues. That's because time passes more slowly near a strong gravitational source and when moving near the speed of light.

"This situation can be even more extreme," Schnittman noted. "If the black hole were rapidly rotating, like the one shown in the 2014 movie 'Interstellar,' she would return many years younger than her shipmates."

Provided by NASA

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The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.

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