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DJ MYD – World Tour All Time Mix (AfroBeat, Rap, R&B, Reggae, Dancehall, Hip Hop)

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I bet you’ve never heard anything like this before as it span across common genres like rap, R&B, reggae, dancehall, hip hop, and afro. Enjoy

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25 Greatest Internet DJ Mixes of All Time

There's no substitute for experiencing a skilled DJ in a killer space, mixing live. Still, there are still only so many nights you can spend dancing to the wee hours. Thankfully, during the past 10 years or so, the Internet has made it possible to see or hear sets by legendary or soon-to-be-legendary DJs from around the world. Here are 25 of the greatest mixes from the Internet age, spanning radio sessions streamed online, Soundcloud uploads, podcasts, Boiler Room sessions and more. 

Mary Anne Hobbs, BBC Radio 1: Breezeblock Dubstep Warz (2006)

Then closely intertwined with the grime scene, the slow, bass-heavy sound of dubstep grew out of a London underground far more diverse than the bleached-out U.S. mainstream of today. Luckily, Mary Anne Hobbs — the influential radio DJ, then the host of the BBC 1 electronic show Breezeblock — captured the best movers and shakers on this 2006 episode. Featuring now-legendary acts like Digital Mystikz, Benga, Coki and Kode 9 — and some who have left dubstep behind, like Skream — the mix recalls a time when the genre truly allowed free-form experimentation. Once upon a time there was, indeed, a "dub" influence in dubstep.

Listen:   SoundCloud

Lindstrøm and Prins Thomas, BBC Radio 1: Essential Mix (2007)

Few dance music genres were regarded with more disdain than disco at the end of the 20th Century, with visions of coke spoons and polyester shirts run through with chest hair. But in the nether regions of Norway, two scruffy hippies saw enough space in disco's grooves to evoke the cosmos. Call it cosmic or else "beardo" disco, but Hans-Peter Lindstrøm and Prins Thomas recast the form with a heavy dose of satellite-shaking bass, mesmerizing synth arpeggios and plenty of Carl Sagan spaciness. This BBC Essential mix shows the duo at the height of their hirsute powers, paying tribute to Giorgio Moroder and Greek crooner Demis Roussos. And then there's the revelatory drop of "You Make Lovin' Fun," recasting Fleetwood Mac as the greatest cosmic disco band ever.  A. Beta

Listen:   Mixcloud

Flying Lotus, BBC Radio 1: Essential Mix (2008)

Perhaps the most time-honored and visionary of all of BBC Radio 1's Essential Mixes, Flying Lotus' 2008 edition  left U.K. heads scrambled. Starting with the almost-melancholy spiritual-jazz fantasia of his great-aunt Alice Coltrane and a quietly crawling Charlie Haden bass exploration, a robotic English voice intones: "Would you care for some tea?" And we're off, with FlyLo unveiling the tripped-out tentacles of the Los Angeles bass scene, which is capable of fusing Weather Report to Radiohead, maximalist Glasgow kids (Hudson Mohawke, Rustie, Mike Slott) to harpist Dorothy Ashby, or Madlib and Dilla to dubstep bro Rusko. Fellow L.A. bass artists Daedelus, Daddy Kev, et al. get some shine, while the closing suite entwines Bjork, Broadcast, Portishead and folkie footnote Linda Perhacs, in a lovely meditation before FlyLo returns for his own broken-beat farewell. C.A.

Listen:   YouTube

Greg Wilson, BBC Radio 1: Essential Mix (2009)

The group-hug peak of Greg Wilson's 2003 return from a 20-year DJ'ing hiatus, this 2009 mix  reveals why he's revered as one of the earth-moving dons of U.K. dance — notably for his late-Seventies/early-Eighties stints at northern clubs like Wigan Pier and Legend. This two-hour set evokes that period, as well as his time as the first resident at Manchester's Hacienda club. There are soulful flourishes (blending edits of the Originals' Motown stunner "Down to Love Town" and the Soul Searchers' go-go blazer "Blow Your Whistle"); his own tweak on Talking Heads' "Psycho Killer" with James Brown howls; a bassbin full of disco obscurities (Kasso, Atlantic Conveyor, Gunchback Boogie Band), plus a handful of Madchester mementos (Happy Mondays, Stone Roses, 808 State).  C.A.

[soundcloud url="https://api.soundcloud.com/tracks/1382347" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Theo Parrish, Boiler Room #29 (2010)

There's no DJ quite as irascible and obstinate as Detroit's Theo Parrish. While he's rightly revered for his deep house productions and sets that make the dancefloor sweat, he'll do whatever he damned well pleases, be it playing a Fela Kuti track in its entirety or taking a free-jazz detour at peak hour. For this deft Boiler Room set, Theo feels free to be free, as his opening track puts it, moving between soulful Detroit house tracks (some that he also had a hand in producing), cavernous Berlin dub techno and space-y disco, with a short lecture about playing actual records. As fans know, Theo's way with the EQ remains unparalleled, teasing new thrills out of a Loft classic like "Life On Mars" with just a twist of the high and low knobs at key moments.  A. Beta

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Nicolas Jaar, Resident Advisor Mix 211 (2010)

At the precocious age of 21, Jaar was already a rising star on the NYC electronic music scene, rendering moody, woozy dance singles in between earning his degree in comparative literature at Brown University. This masterful mix  — released before his acclaimed debut Space is Only Noise — danced playfully between genres, whether he's connecting Mobb Deep to a 1927 ditty about dope or Dave Brubeck to Ricardo Villalobos. Oftentimes never topping 60 beats per minute, Jaar nevertheless thrills with these heady juxtapositions that anticipated one of EDM's most singular talents.  A. Beta

Anthony “Shake” Shakir, Little White Earbuds Podcast 42 (2010)

Though Detroit's Anthony "Shake" Shakir had a track on the 1988 comp Techno!: The New Dance Sound of Detroit that first bestowed the electronic genre its moniker, he never achieved the fame of fellow pioneers like Juan Atkins, Derrick May and Kevin Saunderson, despite a sterling series of productions. In recent years he's struggled with multiple sclerosis, forced to man the turntables with the aid of a walker, but that hasn't stopped him, just merely pitched him down a bit. This 2010 Little White Earbuds mix is typically top-notch, a raw, crunchy, relentlessly funky dancefloor survey of the work of other underappreciated Motor City producers like Patrice Scott, Norm Talley, Mike Huckaby and Scott Grooves. M.R.

LWE Podcast 42: Anthony "Shake" Shakir by Little White Earbuds on Mixcloud

Marcellus Pittman, FACT Mix 201 (2010)

The buoyant 2010 FACT mix  from this world-class Detroit DJ is a deep-house travelogue that largely cruises back and forth on I-94 between Chicago (Chez Damier and Ron Trent, Marshall Jefferson, Lil Louis) and Detroit (Scott Grooves, Piranhahead, a few of Pittman's releases from his own Unirhythm label), before a climactic blast-off with Theo Parrish's "Space Station." Like any great road trip, it's the unexpected detours that are often the most memorable, and so it is here with Pittman's sidetrips to New York City, like ESG's "Moody" and Daniel Wang's "Like Some Dream I Can't Stop Dreaming." M.R.

FACT Mix 201: Marcellus Pittman by Fact Mix Archive on Mixcloud

Optimo, Optimogeddon (2010)

The Scottish DJ duo of JD Twitch and Jonnie Wilkes own four of the best ears in all of dance music. When they decided to pull the plug on their legendary Sunday night party Optimo (Espacio) at Glasgow's Sub Club after nearly 13 years, their farewell blowout was a deliriously epic affair, crammed start to finish with all the post-punk/leftfield disco/D.I.Y. funk you'd expect from an event named after a Liquid Liquid song. The pair's astonishingly far-ranging set list encompassed everything from Einstürzende Neubauten to Etta James and virtually all funky points in between (including Optimo staples like Blondie's "Atomic" and Dinosaur L's "Kiss Me Again") before culminating in (spoiler alert!) Fleetwood Mac's "The Chain." A whopping seven hours in duration, this is a glorious Soul Train line down memory lane. M.R.

Listen:  RadioZero

Disclosure, FACT Mix 327 (2011)

Before the Lawrence brothers became the biggest U.K. breakout dance act of the 21st Century, ultimately introducing Sam Smith to The View and Hot 97 alike, Guy and Howard were just lads from South London who were hungry for twitchy 2-step and classic American house music. Months before they released their smash hit "Latch," they dropped this profile-rising mix, which roved from a muscular Kerri Chandler beat to their own skittering production on "Flow," capping everything with their Jessie Ware remix.  A. Beta

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Nguzunguzu, ‘The Perfect Lullabye’ (2011)

Nguzunguzu made their first great mix in 2010, using Art of Noise's "Moments in Love" to thread two decades of R&B, hip-hop and club bangers from across America. The Perfect Lullabye , their follow-up for Dis Magazine , takes a more global approach, replacing the floating synth riff with zouk tracks and dembow drums. The L.A. duo open with three minutes of harp pulled from Brandy and Monica's "The Boy Is Mine" then glide through 23 songs that encourage the kind of bumping and grinding that their hyperactive live sets often inhibit: DJ Puto Cox's "Pensamento 2010" swirls into a Nicki Minaj mixtape cut; an edit of The-Dream's "I Luv Your Girl" tips the original beat on its side and adds gong hits to the hook. But this mix can't be reduced to the sum of its samples: The eery, sticky sound that emerges could only be Nguzunguzu.  N.M.

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DJ Cheeba, DJ Moneyshot and DJ Food, ‘Caught in the Middle of a 3-Way Mix’ (2012)

Caught in the Middle calls itself a DJ mix, but it's also an over-the-top opus of music criticism, history and fan fiction, rearranging the pieces from the Beastie Boys' 1989 album Paul's Boutique to tell new stories from the original source material. The three DJs worked over as many years, then doubled their efforts after Adam "MCA" Yauch's early passing. If nothing else, Cheeba, Moneyshot and Food had the guts to accept the Beasties' challenge, throwing together Bob Marley, the Beatles and Boogie Down Productions just to see what would come out the other side.  N.M.

[soundcloud url="https://api.soundcloud.com/tracks/59229514" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Rustie, BBC Radio 1: Essential Mix (2012)

Rustie's BBC Essential mix arrived at the moment when "trap music" was mutating from Southern rap to something made by skinny Caucasian laptop owners. It's to Rustie's credit that he'd barely be associated with the genre today, and his 2012 Essential Mix is one reason why. Where most "trap" artists utilized rap music for surface-level signifiers — hip-hop reduced to accent or color — Rustie's Essential Mix updates the maximal, kitchen-sink, house-party feel of house mixes a decade earlier, from groups like Basement Jaxx. When he incorporates hip-hop — Nicki Minaj, Drake, Big Sean and more — he does so with an understanding of how the songs function. D.D.

[soundcloud url="https://api.soundcloud.com/tracks/43649738" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

RyJ, ‘Nicki Minaj Pickle Juice Mix’ (2012)

For your rap-purist pals who disavowed Ms. Minaj as a wayward pop starship, cue up this 55-minute lyrical scud, concocted by RyJ, a partnership between glitchy house-techno producer Sasu Ripatti (a.k.a., Luomo, Vladislav Delay) and electronic spoken-word artist Antye Grele (a.k.a., AGF). The ingenious 2012 mix, which takes its name from a Minaj quote about demanding respect that men receive by default, isolates her polychromatic verses — no choruses — with urgent, atmospheric panache. Marvel at explosive verses from the familiar (Kanye West's "Monster," "Beez in the Trap") to mixtape burners ("Itty Bitty Piggy," "Handstand," "Getting Paid"). When the triumphant vocal suplex of "Blazin'" lands, the heads of any skeptics will be permanently blown back. C.A.

[soundcloud url="https://api.soundcloud.com/tracks/56921074" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

L-Vis 1990, ‘Night Slugs Mix 002’ (2012)

In 2010, London's Night Slugs crew broke with a sound that was wholly their own — grime pushed toward glistening techno, then beamed back from a fourth dimension of holographic dancefloors and radiant geometries. By 2012 they were delving into the next-gen ballroom house of MikeQ, reissuing lost Baltimore club from KW Griff and obsessing over Dat Oven's "Icy Lake," one of the eeriest records Junior Vasquez ever put his hands on. Co-founder L-Vis 1990's 70-minute Night Slugs Mix pummels through all of the above, and even squeezes in an original, nearly unrecognizable remix of Prince's "Batdance." The result is broad and exhilarating — proof that the cutting edge is not restricted by genre or place.  N.M.

[soundcloud url="https://api.soundcloud.com/tracks/67973805" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Frankie Knuckles, Boiler Room New York 007 (2013)

At its best, house music can deliver uplift, frenzy and ecstasy — and Frankie Knuckles would know, as the acknowledged inventor of the form. He brought his wisdom to bear for his Boiler Room set in New York, less than a year before he died unexpectedly at the age of 59. The vibe is charged from the start, with just an hour to cram in decades worth of aspirations. The sound is house in its most deep and classic varieties, with fleet beats that glimmer and shine like cymbals splashing underneath a spotlight. Horns wander in and out, and rousing vocals keep the human heart within it all pumping until the end.  A. Battaglia

[soundcloud url="https://api.soundcloud.com/tracks/91598428" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Galcher Lustwerk, ‘Blowing Up the Workshop’ (2013)

Brooklyn-based DJ/producer Galcher Lustwerk leans toward deep, moody house — a heavy-lidded antidote to the wide-eyed sounds that curry favor in the club. For this set on the U.K. mixtape site Blowing Up the Workshop, Lustwerk takes it easy and slow, with sumptuous grooves that toggle between a skip and a saunter. "Rolling trees, rolling deep, taking E, LSD," a voice intones early on, sounding like it doesn't want to be startled. The momentum comes by way of subtlety and a sense of mystery. It's the sound of the underground bubbling up to make the dance floor shake from beneath.  A. Battaglia

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L. Pierre, ‘Neverland Transmission, a Disney Mix’ (2013)

With this 2013 mix for Dazed Digital , Aidan Moffat of indie rockers Arab Strap masterfully condenses the Walt Disney pathology — childlike wonder swept away by blustery and treacherous adult winds — into 37 spine-tingly minutes. Sampling, stretching and essentially chopping and screwing music from the studio's Golden Age of animated features (pre-war 1940s and 1950s-1960s) into mesmerizing arrangements, Moffat suspends the possibilities of youth right in front of your face, soaking them with anxiety, sorrow and reverb. Barking dogs fade into cuckoo clocks. Bits of dialogue linger — "Now I shall never get out" from Alice in Wonderland ; "You are a bold and courageous person" from the 1964 album Chilling, Thrilling Sounds of the Haunted House — amid the scratchy specters of Peter Pan , Bambi and Dumbo . The Mickey Mouse Club farewell reads as both lifeline and threat. C.A.

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Arca, ‘&&&&&’ (2013)

Deep in the days of trap and deep house, Caracas-born, New York-based producer Arca led the charge of something far grimier and more sinister. Taking up a thin thread from the old "IDM" days, Arca's tracks almost repelled dancing, combining spartan, skittering beats with hiccupping hip-hop samples and the occasional layer of pure, atmospheric murk. This 2013 release — technically a mix but really just a free album — signaled a new shift in underground culture, represented visually in the similarly dark, almost sexless aesthetic of fashion collectives like Hood By Air. Building on the velocity of &&&&& and the like, Arca would go on to create fashion-week runway soundtracks for that label and eventually got tapped for work by Björk. A.C.

DJ EZ, Boiler Room London (2014)

During DJ EZ's riveting three-hour-plus live-streaming Boiler Room set, it often doesn't matter what music he's playing, though what he's playing — usually vintage U.K. garage of the past 20 years — tingles with the healing power of spun blood. What matters most, as the crowd pushes toward the decks, is to simply watch this guy go . The veteran of garage's Nineties heyday and Aughts crossover gives a flamboyant clinic in selecting, mixing, blending, chopping beats, and repeatedly teasing out builds and drops with a tasteful intensity. He uses the cue buttons on his CDJs like an MPC, punching in the vocal of Paul Johnson's house classic "Get Get Down" in triplet time, rewinding it repeatedly. Around the two-hour mark he switches to turntables — on the fly! — caning Issac Christopher's bass-bombing dustup of Chic's "Le Freak" as punctuation. A master at work. C.A.

[youtube https://www.youtube.com/watch?v=OraL6lKoyXE]

Jam City, ‘Earthly III’ (2014)

Night Slugs producer Jack "Jam City" Latham's third Earthly mix in 2014 signaled his lurch away from club jams into zonked introspection, and it's a revelation. After a warped, time-lapse version of Little Feat's aching "Long Distance Love," he pitches down and blurs Joni Mitchell's "Furry Sings the Blues" until it sounds like Bryan Ferry nodding out in a bus station, then follows Tweet's "C 4eva" with a static-y, interlude of excerpts from an interview with political philosopher Herbert Marcuse and a BBC special on teens and porn over a medieval choral drone. Dead Can Dance's "The Fatal Impact" cocoons Prime Minister David Cameron in goth ooze, while author bell hooks intros Sage the Gemini. It's a clattering soup of pretension that still blisses out with a glitchy bump of Jermaine Jackson's "A Better Way" and wraps with the Pop Group's gnarled "Don't Sell Your Dreams." C.A.

[soundcloud url="https://api.soundcloud.com/tracks/170020125" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

DJ Snake, BBC Radio 1: Essential Mix (2014)

In January of 2014, DJ Snake was just overcoming a reputation as a one-hit wonder — back then the one hit was EDM novelty "Bird Machine," not the soon-to-explode "Turn Down for What." Dubstep DJs Skream and Benga nominated Snake for Essential Mix's "Future Stars" series on the strength of the former, and the Parisian opened his set with the kind of cool, high-energy house that would sound at home in a sweaty French club. By the hour mark, he's setting off the kind of bombastic trap fireworks that would light up his next two years of festival sets — and the Billboard charts. When Pete Tong arrives to announce the end, we've heard "Turn Down for What" and a new remix of Alunageorge's "You Know You Like It" — both of which would remain on the radio well into 2015.  N.M.

[soundcloud url="https://api.soundcloud.com/tracks/132542209" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Joey Anderson, XLR8R Podcast 337 (2014)

"Where's the assassin? ? Where's the assassin?" So goes a line of questioning at the start of this curious set of house music twisted and turned out of shape. Murderousness is not usually the vibe associated with house, but Joey Anderson, from the New Jersey/New York axis, has a unique outlook even when churning through the classics. His favored sounds are gaseous and atmospheric, with a sense of creeping and crawling even when the rhythms are running at full speed. He goes big on lingering effects too, with piano lines and "acid"-minded synth squiggles.  A. Battaglia

Listen:   XLR8R

Madlib, ‘Mad Fusion: African Earwax’ (2015)

Madlib can cut and mix with nearly anyone, but on African Earwax he lets the records play at their own pace — less rocking the party than pulling out personal favorites for awestruck guests grooving on the couch. Compiled for a gallery show of Jason Jägel's MF Doom art, the volume crosses Western and Central Africa, focusing on old songs with the feel of turn-of-the-Seventies psychedelic funk. Isaac Hayes looms large, but he rubs shoulders with giants like Ghanaian highlife master Ebo Taylor and Nigerian rock band the Funkees. Each selection would be plenty compelling — and expensive — as a stand-alone 45, but Madlib doesn't treat them with the deference of a record hoarder. This music makes him excited, and he wants it to make you excited too.  N.M.

Mind Fusion: African Earwax by Madlib on Mixcloud

Floorplan, MixMagTV: Floorplan A.K.A. Robert Hood Religious Techno DJ Set @ Weather Festival Paris (2015)

One of Frankie Knuckles' greatest productions, the 1991 hit "The Pressure" for gospel group Sounds of Blackness, remains one of the most stirring house tracks of all time, body-moving and soul-saving in equal measure. Opening a DJ set with it is a foolhardy move for even the most adept DJ, but when he's not behind the decks, Detroiter Robert Hood doubles as an ordained minister. Recorded this past June under his Floorplan alias and captured by MixMagTV , Hood moves masterfully from gorgeous gospel to relentless techno and back on this instantly classic set, with a nod midway through to Inner City's classic "Good Life." Built primarily from his Floorplan productions, Hood proves that even as EDM nears ever closer to a creative impasse, you can always take 'em to church. A. Beta

Listen:  YouTube

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Midnight In A Perfect World: Myd

• Midnight In A Perfect World

Myd is a Paris-based musician who has been a steady presence on the underground electronic music scene for over a decade as a solo artist and as a member of the supergroup Club Cheval. His sharp mix of cutting-edge electronic rhythms with a quirky pop slant, global influences, and his cheeky sense of humor originally found a home on premier French labels Marble Records and Bromance Records, and he's since joined the influential Ed Banger roster, signing with the groundbreaking Parisian label in 2017. After a long run of EPs and singles, Myd will be releasing his debut full-length album Born A Loser  on April 30th.

Myd's guest DJ mix for Midnight In A Perfect World is a jubilant romp through infectious house, slinky funk, propulsive electro, and cerebral tech-house cuts. Featuring a few early singles off his upcoming album, a couple of his stellar remixes, and wrapping things up with a classic from Wings, Myd brings all these styles together with a playful and seamless touch.

Midnight in a Perfect World , KEXP’s weekly hour-long guest DJ show, airs Fridays at midnight. This multi-genre program features eclectic sets by a rotating cast of international and local DJ’s, each building upon a party vibe to kick off your weekend. Midnight in a Perfect World is made possible with support from New Belgium Brewing.

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Brussels-based electronic producer Lawrence Le Doux takes the listener on a deep journey through cerebral underground electronic rhythms on his guest DJ mix for Midnight In A Perfect World .

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VIDEO: INTERVIEW – Myd Says He Is Excited To Tour Again, Talks Debut Album ‘Born A Loser’, Collaboration With JAWNY

With the release of his debut album ‘Born A Loser’, producer/singer/sound engineer/DJ Myd has grown quite a fanbase since his solo start. Myd hails from France and has found solo success, aside from his internationally acclaimed band Club Cheval. Now, with nearly 3 million monthly listeners on Spotify alone, Myd’s solo musical presence is notably growing. With tracks like ‘The Sun’ and ‘Moving Men’, highlighted from his debut album, the Lille native wanted to explore more of his inner thoughts on the debut album. Expanding from his previous singles and EP, reaching “bigger points” on a “bigger canvas”, is key to him. ‘The Sun’, in particular, has been notably gaining more popularity in Europe. This prompted Myd’s decision to re-release the record with JAWNY, citing the desire to add some of the “Indie rock California scene” into the upbeat track. Starting out in the electronic music business as a youngster, Myd describes himself then as a “geek”, sitting on the computer in his makeshift studio in his living room, “synthesizing all day” This became the inspiration for the title of his debut album. Myd notes that making music has become more accessible in the digital age, but anything can be a “tool”, an instrument, and what matters most is mastering it and having something to say through music. Myd is currently on tour, DJ-ing his way into North American ears and hearts.

Myd recently talked about performing live again, the thought process of his debut album ‘Born A Loser’, collaborating with JAWNY and more.

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Myd has today released his new single ‘I Made It’. The single was produced by him alongside the Picard Brothers and is out now via Ed Banger Records / Because Music.

WATCH THE VIDEO  HERE  || STREAM ON ALL SERVICES  HERE  

An upbeat, piano-driven track, ‘I Made It’ is a celebration of Myd’s journey so far: from releasing his debut album deep in an global lockdown through to today – enjoying highs such as his first-ever gigs in Ibiza and Manchester where he played to thousands of fans ahead of releasing the new single. Myd is happy – and ‘I Made It’ serves to spread feelings of inspiration and ambition to all who listen to it.

“This year I have been touring all around the world, partying with my favorite artists and seeing my community grow so fast – that’s what inspired me to write this song. It’s a blessing to what’s happening to me right now and this is a conclusion to the Loser chapter. It’s time to take off”.

With funky ‘80s throwback synthesizers paired with infectious vocals, the track comes to a crescendo creating the ultimate high energy of an end-of-summer anthem. ‘I Made It’ continues themes of unity, togetherness, sunshine and nonconformity which flow throughout Myd’s music.

The track is accompanied by a live video filled with footage of Myd’s most recent tour across Europe and Australia, including his recent shows at Pikes Ibiza and Warehouse Project’s Repercussion in Manchester. Filmed by Myd himself along with his team, the video is full of his signature antics, friends, fans, and some furry creatures met along the way, capturing Myd’s distinct energy that make his live experiences so memorable.

Announced today, Myd will also release a new version of his acclaimed debut album ‘Born A Loser’, due out later this year. As well as the original 14 tracks, the release will feature new single ‘I Made It’ as well remixes and other unreleased tracks from the French DJ and producer.

Born in Lille, France, Myd is a DJ and producer whose sunkissed, indie-infused dance tracks and DJ sets have rapidly earned him a growing following across Europe. He also sings and plays guitar, with his band joining him on stage for live sets when he’s not behind the decks as a DJ.

Myd recently played a set at Ibiza’s world-renowned Pikes, before flying to Manchester for Warehouse Project’s Percussion weekender. Both performances were debut shows for Myd in those locations, but were widely hailed as triumphant sets by those who witnessed them – recruiting further followers of Myd (real name Quentin Lepoutre).

Myd’s debut album ‘Born A Loser’ was released via Ed Banger Records last year to widespread acclaim. Released during dark times for the whole world, it provided sunshine, optimism, calls for unity and togetherness – fusing a huge variety of influences, sounds and samples into one kaleidoscopic and truly unique record.

He has been nominated for a Victoires de la Musique Award (the equivalent of a GRAMMY in France), and his single ‘The Sun’ has been certified Gold worldwide. Before being known as Myd, he was a founding member of the beloved collective Club cheval, where he helped produce and remix for artists including Kanye West, Dua Lipa, Theophilus London, Brodinski and more. He was then swiftly signed by Ed Banger label boss Pedro Winter, and the Myd sound was born.

The Picard Brothers have been instrumental in shaping contemporary music over the past few years. The French duo’s songwriting and production credits reads like a who’s who of global icons – from Beyonce and Dua Lipa through to Mark Ronson, Major Lazer and Rudimental. Breathing fresh energy into French touch and soulful, golden-era house, their recent output follows a rich lineage of French dance music that can be traced back to Daft Punk, Laurent Garnier and Stardust. The Picard Brothers have reimagined and revitalized classic sounds in a way that connects with the contemporary dance music space.

‘I Made It’ by Myd is out now via Ed Banger Records / Because Music.

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Myd is a delightfully irreverent french dj, musician and producer. born in lille, myd has been making music for over ten years, firstly as a founding member of the beloved collective club cheval, where he helped produce and remix for artists including kanye west, dua lipa, theophilus london, brodinski and more. myd has releases his anticipated debut album ‘born a loser’ on friday april 30th, 2021 via ed banger / because music. here, myd has crafted an album completely alone – unabashedly showcasing his eccentric flair. ‘born a loser’ is his coming-of-age record and a soundtrack to life’s strange delights: a drunken round of jazzercise, a lazy float in the kiddie pool, your weird uncle gyrating under disco lights..

• Born a Loser 2 CDs Deluxe edition out now ! Myd celebrates and ends the Born A Loser journey with a 2 CD Deluxe Edition of his first album. After almost 100 Millions streams and more than 200 concerts, this edition enlights the community created around the project with his favourite remixes, live versions and more surprises... MORE HERE
• Myd live band's first-ever US tour ! Myd and his live band go to America together for the first time this winter for six shows in Brooklyn, Toronto, Montréal, San Francisco, Los Angeles and Acapulco ! MORE HERE
• New single "I Made It" featuring Picard Brothers out now ! Before his big party at the Olympia in Paris, Myd revealed "I Made It", a new dancy disco-ish track featuring Picard Brothers. The band also released their own version of the song on Ed Banger / Because Music. MORE HERE
• Born a Loser (Deluxe Edition) LP tag --> Ed Banger / Because Music, 2022
• I Made It (Picard Brothers version) SINGLE Picard Brothers tag --> Ed Banger / Because Music, 2022
• I Made It SINGLE Feat. Picard Brothers tag --> Ed Banger / Because Music, 2022
• Domino (Remixes) EP tag --> Ed Banger Records / Because Music, 2022
• Domino SINGLE tag --> Ed Banger Records / Because Music, 2022
• The Sun (feat. JAWNY) SINGLE Feat. JAWNY tag --> Ed Banger Records / Because Music, 2022
• Time Time SINGLE Feat. Trei Degete, Squeezie, KronoMuzik tag --> Balai Steak, 2021
• Whether the Weather (Laurent Garnier Remix) SINGLE Feat. Juan Wauters tag --> Ed Banger Records / Because Music, 2021
• Let You Speak (Remixes) EP tag --> Ed Banger Records / Because Music, 2021
• Let You Speak (Picard Brothers Remix) SINGLE Feat. Picard Brothers tag --> Ed Banger Records / Because Music, 2021
• Let You Speak (PPJ Remix) SINGLE Feat. PPJ tag --> Ed Banger Records / Because Music, 2021
• Loverini (feat. L'Impératrice) SINGLE Feat. L'Impératrice tag --> Ed Banger Records / Because Music, 2021
• Born A Loser LP tag --> Ed Banger, 2021
• Let You Speak SINGLE tag --> Ed Banger, 2021
• Born a Loser (Mad Rey Remix) SINGLE Mad Rey tag --> Ed Banger Records / Because Music, 2021
• Born A Loser SINGLE tag --> Ed Banger, 2021
• Moving Men (Remixes) EP Feat. Mac DeMarco tag --> Ed Banger Records / Because Music, 2021
• Moving Men SINGLE Feat. Mac DeMarco tag --> Ed Banger, 2020
• Together We Stand (Remixes) EP tag --> Ed Banger Records / Because Music, 2020
• Together We Stand SINGLE tag --> Ed Banger Records / Because Music, 2020
• Superdiscoteca (nit Remix) SINGLE tag --> Ed Banger Records / Because Music, 2020
• Superdiscoteca EP tag --> Ed Banger Records / Because Music, 2019
• Muchas Feat. Cola Boyy SINGLE tag --> Ed Banger records / Because Music, 2018
• All Inclusive Remixes EP tag --> Ed Banger Records / Because Music, 2018
• All Inclusive EP tag --> Ed Banger Records / Because Music, 2017
• No Bullshit EP tag --> Bromance Records, 2016
• Número Uno EP tag --> BROMANCE RECORDS, 2015
• Freak Andy EP tag --> Marble, 2013
• Octodip EP tag --> Marble, 2011
• I Made It tag --> 2022
• Domino Robert Carlson tag --> 2022
• The Sun Feat. JAWNY, Tamaya Sapey-Triomphe tag --> 2022
• Let You Speak Dan Carr tag --> 2021
• Born A Loser Art Camp tag --> 2021
• Moving Men Feat. Mac DeMarco, Alexandre Nart tag --> 2020
• Together We Stand Alice Moitié tag --> 2020
• Muchas feat. Cola Boyy Alice Moitié / Iconoclast tag --> 2018
• All Inclusive Alice Moitié tag --> 2017
• No Bullshit Feat. Twice & Lil Patt, tag --> 2016
• “Myd's talent for producing solar and addictive hits is needs not be demonstrated anymore !” – Tsugi
• “[Myd] blends humour and melancholia in a catchy and festive music !” – Le Monde
• “A producer whose versatility makes all the savour and stature” – i-D
• “Myd’s immaculate arrangements make a distinct statement, earning his place in the lineage of French house.” – Pitchfork

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Program: Friday Mix

Friday Mix: Myd

• X (formerly Twitter)

Myd has the Myd-as touch, and this mix is bloody gold.

French indie-dance artist Myd (real name Quentin Lepoutre) is a killer producer, known for indie electro grit & infectious pop hooks. 

His debut album, Born Loser , has been described as a soundtrack to life’s strange delights – perfect for a drunken round of jazzercise, a lazy float in the kiddie pool, or something for your weird uncle gyrating under disco lights.

Myd makes his Splendour in the Grass debut next month, and is also playing a few sideshows to warm you up ahead of the festival. To get you keen, check out his latest single Domino , a collab with Tom McFarland (one half of Jungle!).

Upcoming Gigs

• July 15 | Jack Rabbit Slims, Perth
• July 16 | Oxford Art Factory, Sydney
• July 22 | The Night Cat, Melbourne
• July 23 | Splendour In The Grass, Yelgun
• 1. Groove Armada - Superstylin (Dance System Mix)
• 2. Adelphi Music Factory - Save Me (Club Mix)
• 3. Session Victim - Chunky Dip
• 4. Hot Chip - Down
• 5. Soûl Saver - Another Day
• 6. Lester Fitzpatrick - Gone Fly
• 7. Atrip - Me + You
• 8. Barry Can’t Swim - Fiorucci Made Me Hardcore

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