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The Orville

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The Orville is a live action parody of and homage to Star Trek , specifically Star Trek: The Next Generation . The show was created by and stars Seth MacFarlane and is co-produced by Brannon Braga , former Family Guy collaborator David A. Goodman , alongside another Star Trek veteran Andre Bormanis , who reprised his role as technical advisor. Braga himself states the series "is aiming to tell stories that ride the line between drama and comedy, with an eye toward earnestness." [1]

• 2 Production
• 3 Actors who have appeared in Star Trek and The Orville
• 4 Production personnel who have worked on Star Trek and The Orville
• 5 Book authors who have written on Star Trek and The Orville
• 6 External links

Concept [ ]

The main cast

Set in the 25th century , the series chronicles the adventures of the USS Orville , a mid-level starship exploring the galaxy on behalf of the Planetary Union. Her captain is Ed Mercer, who receives the job due to no other captains being available, his career having slumped after a divorce. Mercer's hope of proving himself and serving the Union are complicated when his ex-wife, Commander Kelly Grayson, is assigned as his first officer . Despite initial tensions with Kelly, Ed soon forms a tight-knit crew.

Production [ ]

The series was officially announced in March 2016, though MacFarlane had stated for years he had a passion for science fiction and space opera related media. He was reported to have heavily managed every detail of the series during the show's productions, wanting The Orville to truly be a thriving universe that could justifiably be seen as a spiritual successor to the Star Trek series before it. MacFarlane had also expressed inspiration from not just Star Trek , but The Twilight Zone , Marvel's Guardians of the Galaxy , and Deadpool as well. [2] [3]

The Orville debuted in September 2017 for FOX TV (as of July 2018 fully owned by The Walt Disney Company , already owner of rival franchise Star Wars ) and starring MacFarlane as Captain Ed Mercer, with Penny Johnson Jerald as chief medical officer Claire Finn, and Scott Grimes as helmsman Gordon Malloy. Star Trek actors appearing in the series have, so far, included Victor Garber , Brian George , J.D. Cullum , James Horan , Ron Canada , Joel Swetow , Brian Thompson , Molly Hagan , Steven Culp , Michael Duisenberg , Jason Alexander , John Fleck , Tim Russ , F. Murray Abraham , Tony Todd , Marina Sirtis , Robert Picardo , and John Billingsley (with Picardo and Billingsley appearing together in the episode "Home"); MacFarlane, Braga, James L. Conway , Jonathan Frakes , and Robert Duncan McNeill have directed episodes. Marvin V. Rush – who was director of photography for TNG – serves as the show's cinematographer. Doug Drexler joined the program's visual effects (VFX) team for the third season. [4]

Although initially promoted as a spoof, the series is in fact a comedy-drama (dramedy) done in the style of TNG. MacFarlane had previously expressed interest in rebooting the Star Trek franchise in October 2011, when he mentioned to the Hollywood Reporter that he was eager to reboot a Star Trek series for television: " I'd love to see that franchise revived for television in the way that it was in the 1990s: very thoughtful, smartly written stories that transcend the science fiction audience. I don't know who would give me the keys to that car. " [5] MacFarlane indicated his intent was to pay homage to Star Trek with the show while resurrecting the style of optimistic science fiction TNG espoused. [6] In this MacFarlane succeeded eventually, as his show not only attracted " Trekkies " disenchanted with Discovery for canon and philosophical premise reasons (and reminiscent of how Ronald D. Moore 's re-imagined Battlestar Galactica drew in Star Trek fans who were disenchanted for basically the same reasons with Star Trek: Enterprise over a decade earlier), but also former Star Trek production/franchise staffers like Michael Okuda and Larry Nemecek . As if to underscore their embracement of McFarlane's creation, Eaglemoss Collections launched an Orville partwork collection in 2020, partly at the request of these former production staff fans, [7] and similar to that of its rival counterparts, Star Trek: The Official Starships Collection and, most poignantly, Star Trek: Discovery The Official Starships Collection .

A major difference with its contemporaries became the decision to go "old school" with a traditional physical studio model for the establishing shots of the "hero ship" Orville in order to get the retro feel MacFarlane was aiming for. By that time a near obsolete VFX technique in the age of CGI , pilot episode director Jon Favreau contracted several veterans still versed in the antiquated technique which included Star Trek alumnus and veteran Robert Legato for the motion control photography. Even though the majority of the other VFX shots were executed as CGI, the footage taken of the physical model served as a library of stock footage (especially for the show's intro), apart from the model being used as as scanning model as well as a camera test model. [8] The creation of a stock footage library had actually already been Legato's original intent to begin with for the two original USS Enterprise -D physical models for The Next Generation back in 1987. ( Star Trek: The Next Generation Companion  (3rd ed., p. 31))

Due to Star Trek: Discovery ' s production delays, The Orville ended up debuting only two weeks before Discovery , leading to many reviewers making head-to-head comparisons between the shows.

The first season, consisting of 12 episodes, concluded in December 2017. A second season was commissioned soon after its debut (along with Star Trek: Discovery , The Orville was one of the first new series of the 2017-18 season to be renewed). Prior to broadcast of Season 2, MacFarlane indicated that the second season would have a more serious tone than the first, downplaying comedy in favor of more straightforward science fiction storytelling. Season 2 debuted at the end of December 2018 and scheduled the same night as new episodes of Discovery were released on CBS All-Access, which strengthened the perceived impression of the two having become de facto franchise contenders. This was reinforced by the 2019 Emmy Award nominations where The Orville 's second season was put up against that of Discovery for the category "Outstanding Special Visual Effects" [9] – though neither of them won the coveted prize as it went to Game of Thrones , with former Star Trek VFX staffer Joe Bauer being one of the recipients. [10] Ironically, from its second season onward, The Orville was served by digital VFX vendor Pixomondo , who has been Discovery 's primary CGI vendor from its inception. [11]

A surprising development occurred in June 2021, when the series became syndicated on Spike (Netherlands) as a temporary replacement for Discovery , going on to become Discovery 's companion series for the channel's "Sci-Fi Zondag (Sunday)" line-up. The surprising element lay in the fact that Spike was fully owned by Star Trek franchise owner Paramount Global , whereas the now Disney-owned Orville series has been moved to its streaming service Hulu as a Hulu exclusive, [12] which (along with its streaming sister Disney+) is embroiled in an increasingly vicious " streaming war " with the other services, including Paramount+ , particularly on the home market.

Actors who have appeared in Star Trek and The Orville [ ]

Production personnel who have worked on star trek and the orville [ ], book authors who have written on star trek and the orville [ ].

• Jeff Bond – The World of The Orville , Titan Books , 16 January 2018 ( ISBN 1785657615 )

External links [ ]

• The Orville at Wikipedia
• The Orville at the Internet Movie Database
• The Orville Wiki

The Orville Cast and Character Guide

The Orville has some of the freshest sci-fi on television, so who are its characters?

This guide contains spoilers for Season Two of The Orville and onwards. In the world of The Orville , now three series in, the possibilities are endless. What originated as merely a Star Trek spoof has evolved to a find a voice of its own. Easing off on the more comedic elements that we have come to expect from the voice of Seth MacFarlane of Family Guy fame, and as the actual Star Trek series have only seemed to decline in recent years, The Orville has become a magnificent show in its own right.

Like a battleship uncloaking from deep space, The Orville has used the element of surprise on its audience — pleasantly surprising them that this is not merely a tacky spoof, but rather a show that can use its universe to address incredibly thought-provoking gender issues through the Moclan species , whether man can love a machine in Finn and Isaac's relationship, and covering current human rights issues. The show approaches each new hard-hitting topic with a deft and nuanced touch coupled with cutting edge effects — a package that feels far afield from MacFarlane's obnoxious Family Guy roots.

Rivaling Star Trek 's own original series in terms of groundbreaking topics and messages, The Orville has become one of the better sci-fi shows on television in recent years. Take a look at its excellent cast of characters.

Ed Mercer (Seth MacFarlane)

Rank: Captain

Species: Human

As a captain, Mercer does his best to balance the good of the crew with the clashing of personalities that it contains. Bright, courageous, and always cool in the heat of battle, Mercer is often prone to leading with his heart when he should be thinking with his head. After dealing poorly with his split from Kelly, the step up to The Orville is just the career change Mercer needed to get his life together.

Clare Finn (Penny Johnson Jerald)

Rank: Doctor

As the ship's doctor, Finn is the first point of call for any medical emergencies — of which there are many. Between her being a single parent for her two boys, and having had a romantic relationship with fellow crew member Isaac, she finds herself somewhat trapped between balancing what she believes is best for her sons first, and herself secondary.

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Kelly Grayson (Adrianne Palicki)

Rank: Commander

As Captain Mercer's second in command, a clear relationship is a must. Unfortunately, the two of them used to date... until Kelly cheated on him with an alien. However, things seem patched up now, with Grayson even being the one to convince command that Mercer should be the one to receive the promotion to The Orville, she is the steady second in command that the captain needs to keep him on the right path.

Having sent Isaac as a spy to gather information on the human race, their findings deemed that the human species was worth keeping... until they decided it was not. Highly developed, quick, and super intelligent, the Kaylon present the biggest threat to the galaxy. With high firepower and a double agent in Isaac, they could infiltrate the human race and the Union with ease. It was only when Isaac recognized how wrong he was that they could be stopped — for now.

Gordon Malloy (Scott Grimes)

Rank: Helmsman

Plucky and cocksure, Malloy is The Orville's go-to pilot. With copper hair and always a witty quip at hand, he has become known for his unorthodox and sporadic namings of flight maneuvers to evade the enemy. Deemed one of the best pilots in the fleet, he first got the role on The Orville by being instated by Captain Mercer, his best friend.

Isaac (Mark Jackson)

Rank: Science Officer

Species: Kaylon

Ever since the Kaylon invasion of Earth, Isaac has been a devil's advocate of a re-addition to a crew still at odds with having been enslaved. Previously, Isaac had acted as The Orville's Chief Science Officer, providing vital info on species, planets, and how to properly approach situations — all without the handicap of emotions holding his process back. Isaac tried to deactivate himself after the attack on Earth which, alongside now regular Kaylon assaults, makes Isaac's position in the crew still questionable.

Bortus (Peter Macon)

Rank: Second Officer

Species: Moclan

Proud and with incredible feats of strength (though not as strong as Talla), family is the most important thing to Bortus , with his mate Klydon and their son, Topa, living on board The Orville as well. Having served on The Orville prior to Captain Mercer's installment, Bortus is one of the most experienced of the crew. His species, traditionally all male, face a crossroads when Bortus and Klydon birth a female child — something they feel must be corrected immediately.

Yaphit (Norm MacDonald)

Rank: Engineer

Species: Gelatin

As a top engineer, Yaphit assists with the maintenance of The Orville. Alongside Lamarr, Yaphit makes sure the ship is running at the most efficient it can be. Through his own natural biology, the Canadian-voiced Gelatin can manipulate his own shape into whatever form he desires — ideal for getting into crevices and into the heart of any machine. Yaphit was humorously voiced by the late, great Norm MacDonald , in his final role.

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John Lamarr (J. Lee)

Rank: Chief Engineer

The playboy of the crew, Lamarr is a talented young engineer aboard The Orville who can more than once be seen shacking up with all sorts of alien babes. Heading the lower decks of The Orville, his easy demeanor hides a switched-on young man at the forefront of cutting edge technology. With some of the highest aptitude testing scores Union Point had ever seen, John has always been bright but covers it well in his laid back attitude and tendency for pranks with his friend Gordon.

Talla Keyali (Jessica Szohr)

Rank: Chief of Security

Species: Xelayan

Following Alara's leave, Talla would replace her and fill the fellow Xeleyan's position in the crew. Known for her calm demeanor and incredible super human strength, Talla is the ideal candidate to run security. Calm and tough, Talla is someone The Orville are glad they have on their side.

Strong reptile types that stand on two legs, the Krill were The Planetary Union's main threat at peacetime before the Kaylon conflict. Known for their strength and aggression, their pale skin resembles that of their god, Avis. Through his teachings, Avis deemed every other species inferior and soulless, and therefore unworthy of existence. It is only now, when the Kaylon threaten the entire galaxy, that the Krill can consider an alliance.

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Suck it, Picard. The Orville is Star Trek: The Next Generation’s true spiritual successor

Seth MacFarlane’s sci-fi small screen epic, The Orville — now streaming its third season on Hulu as The Orville: New Horizons — is one of the strangest experiments on television. It’s a virtual copy of Star Trek: The Next Generation , a loving homage to that series, and a strong show in its own right. It shouldn’t work, but not only does it work, it has become more intricate and compelling over time (one of many things it has in common with TNG ).

How The Orville channels The Next Generation

A special found family dynamic, the orville channels the best tng stories, it wrestles with philosophical conundrums.

There are currently no plans for a fourth season, which is a shame because MacFarlane’s universe is as rich as any sci-fi universe going. As with Star Trek, a wealth of satisfying stories can be spun from this material. The Orville could have easily been a flop, but it’s destined to become a classic in its own right, and one that embodies more of the Star Trek spirit than the officially sanctioned TNG successor Picard ever could.

At the universe-building level, The Orville is basically TNG with different names. While this could be an uncharitable description, you only have to watch the show to recognize that MacFarlane and his team — including Brannon Braga, who served as a writer and producer on TNG and other Trek shows — aren’t trying to plagiarize anything. They clearly present The Orville as an alternate universe Star Trek, with characters, species, planets, and technology that would be at home in the original.

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Like Trek, The Orville is set centuries in the future during an era when Earth has become part of a Planetary Union similar to the United Federation of Planets.  The Union’s primary mission is peaceful exploration and discovery, and one of its flagships is the USS Orville, an Enterprise-like vessel; though, like Starfleet , the Union is also a quasi-military hierarchy with the same naval ranks as Trek: admirals, captains, commanders, lieutenants, and so on.

The Union maintains tense alliances with various alien species, including the Krill and the Moclans, both of which resemble the Klingons from Star Trek. The main villains, meanwhile, are the Kaylons, an android collective dedicated to wiping out biological lifeforms. With their merciless mission and advanced technology, they resemble The Next Generation’s famous Borg .

Perhaps the main difference between the two fictional worlds is that the Enterprise and other Trek ships use transporters to “beam” people to and from their destinations, whereas Union ships must ferry officers and crew around via shuttlecraft. Though given the show’s high-quality special effects, it makes sense to include dazzling shots of shuttles whizzing onto the surface of planets and docking in gleaming bays. They also feature in some nifty action sequences as well — something The Orville does better than TNG, not surprisingly, given 30 years of VFX advances.

As with the similarities between the fictional worlds, the main characters in The Orville mirror their Next Generation counterparts. TNG ‘s famous crew included Captain Jean-Luc Picard (Patrick Stewart); first officer, Will Riker (Jonathan Frakes); the android second officer, Data (Brent Spiner); the Klingon security chief, Worf (Michael Dorn); Chief Medical Officer, Dr. Beverly Crusher (Gates McFadden); the ship’s counselor, Deanna Troi (Marina Sirtis); and Chief Engineer Geordi La Forge (LeVar Burton).

The Orville presents almost exact replicas of some of these characters. McFarland himself plays Captain Ed Mercer. His first officer (and ex-wife) is Commander Kelly Grayson (Adrianne Palicki). The ship’s Chief Medical Officer is Dr. Claire Finn (Penny Johnson Jerald). The Kaylon Science Officer, Isaac (Mark Jackson), the Moclan Second Officer, Bortus (Peter Macon), and the Chief Engineer John LaMarr (J. Lee) are so similar to TNG ‘s Data, Worf, and La Forge, respectively, it’s almost funny. And perhaps these characters would feel more like knockoffs if they weren’t so well developed and performed. Jackson is especially memorable as an entity that is just as particular and contradictory as Data — no small feat, given he’s walking in the robot steps of Brent Spiner’s classic creation.

MacFarlane has long been a fan of TNG and its characters. The main cast even lent their voices to an episode of Family Guy (if anyone somehow doesn’t know, MacFarlane is that show’s creator as well as one of its principal voice actors). In general, MacFarlane makes no secret that he is both a television lover and a walking catalog of TV knowledge. His gift for simultaneously mimicking and satirizing TV tropes is the key to Family Guy ‘s success, along with his innate understanding of how “family” dynamics work on TV. He understands that some of the most beloved shows — Cheers , M*A*S*H , The Mary Tyler Moore Show , and the original Star Trek, among them – – are about found families, people thrown together through work or circumstance who come to care about each other deeply, and for whom the audience comes to care deeply as well.

Star Trek: The Next Generation is one of the great found family shows. Its main characters became devoted to each other over seven seasons of having their relationships forged in fire. On Picard , the belated sequel to TNG (the third and final season is currently in production), the older Picard proclaims his love for the deceased Data often, drawing on viewers’ tender feelings and nostalgia for their relationship.

Unfortunately, Picard doesn’t create relationships of similar depth within its own drama. It tries to use the “gathering the team formula” typical of heist movies to create a found family crew, but the result is an uneasy dynamic. Aside from the still-great Patrick Stewart, neither Picard ‘s characters nor its actors contribute anything memorable. At the show’s worst, some of the supporting actors — young and too attractive and spouting quippy dialogue that sounds way too contemporary — feel like they beamed over from a CBS procedural.

The Orville , on the other hand, perfects the found family dynamic. As with TNG , the characters and relationships are the keys to the show’s enormous emotional appeal. The big advantage of creating the show in today’s viewing environment is that MacFarlane can pay careful attention to the quality of the stories. TNG was famously uneven, largely because of the pressure to come up with 26-hour-long episodes a year for seven straight years (22 in season 2, due to the Writers Guild strike ). It’s not easy to write compelling drama with huge stakes at heightened levels of philosophical, intellectual, and human interest, while also trying to continually expand an enormous story world and do it all with expensive and elaborate special effects and production design.

But when the showrunners nailed it, they really nailed it. The great episodes of TNG — including The Inner Light , Cause and Effect , The Measure of a Man , The Best of Both Worlds , and All Good Things — remain among TV’s great episodes. The advantage of The Orville is that in creating only 10 to 14 episodes per season — and with a three-year hiatus between seasons 2 and 3 — the writers could pay greater attention to quality. In essence, almost every episode of The Orville (yes, there are a few weaker ones) feels like a good to great episode of TNG .

One of the ways that the show honors TNG storytelling in general, and the found family dynamic in particular, is through the approach of highlighting different supporting characters in each episode. You have to give MacFarlane credit for checking his ego here. He never tries to make Mercer the alpha male hero, and neither does he stand back at some comic remove, making fun of everything (although the early episodes were funnier, sometimes distractingly so, as the show was trying to find its tone). Instead, he fully commits to this material and the result is that The Orville has become very involving, even moving, over the course of its run.

One of the best season 3 episodes, Midnight Blue , exemplifies the approach. Written by Brannon Braga & André Bormanis, Midnight Blue furthers the saga of Topa (Imani Pullum), a young Moclan born of two fathers, Bortus and Klyden (Chad L. Coleman), who undergoes gender reassignment surgery to become female against Klyden’s wishes. When Topa later becomes imperiled by warring factions who want to use her for political ends, the crew risks everything to save her, concluding with a sequence of family reunion that will have you sobbing.

Dolly Parton also features in the episode as a feminist icon from the past. She gets a beautiful scene in which the show uses her music to underscore a stirring sacrifice by one of the characters. By all rights, the Parton stuff should play more like one of the famous interstitial scenes from Family Guy that delivers a joke but isn’t part of the narrative proper. Instead, we see that her music truly belongs in the stars.

All of this extends Star Trek’s progressive legacy. It’s a little astounding, given the crass misogyny of Family Guy (I know it’s supposed to be a put-on, but still), how progressive The Orville tries to be, especially in the way it insists on tolerance and equality around issues of gender, sexuality, and race. Star Trek has always been avowedly progressive. But, as fans know, different iterations of Trek have been trapped within the constraints of their cultural eras — which is why, for example, it took decades for the franchise to start prominently featuring LGBTQ+ characters. Although far from perfect , The Orville tries to use its platform to show how humans have evolved to become enlightened in ways that resonate meaningfully for groups and people struggling today.

One final reason for the greatness of The Next Generation was that it dramatized enormous philosophical issues about the befuddling contradictions of human identity, the mysterious nature of time and memory, and the agony of negotiating impossible moral quandaries. Star Trek in general often uses time travel as a, ahem, vehicle to explore such ideas, and TNG also employed its famous “temporal shifts.”

In The Inner Light , one of the most mind-blowing episodes of television ever produced, Picard gets knocked out by an alien presence and wakes up to find out that he’s been deserted on another planet. He gives up hope of being rescued and lives the rest of his life in his new home. At the episode’s conclusion, he wakes aboard the Enterprise to find out he’s only been unconscious for about 25 minutes, yet now lives with this entire alternate reality inside him. It’s a profound way of dramatizing how many paths our lives can take, as well as the humbling reality that, on a cosmic scale, none of us lives more than an instant.

The Orville ‘s season 3 time-travel episode, Twice in a Lifetime , written by MacFarlane, presents its own version of a knotty time travel problem when helmsman Gordon Molloy (Scott Grimes) gets trapped on Earth circa 2025. The Orville’s crew figures out a way to go back to retrieve him, but mistimes their jump into the past and lands about 10 years after Molloy has established a new life with a wife and kids to whom he is now devoted.

Molloy strongly resists returning to the Orville and his old life, but he’s violating strict rules about screwing with the past that could alter the future. How do you make the choice to give up your family for the greater good? And if you could return and blank the memory of your alternate life, would that experience somehow linger within you? And would you want it to linger or would that be too painful? This is just one of the many gripping scenarios that make The Orville such a worthy descendant of Star Trek: The Next Generation , and one of the most thoughtful shows on television.

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Why 'The Orville' Is More Than a Star Trek Homage

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The Orville is a lot of things. It's a wholesome and hopeful show with episodes that focus on different ethical problems. It has well-written and three-dimensional characters. But mostly... it's almost a direct ripoff of Star Trek: The Next Generation . The keyword being: almost . The show is intentionally an homage to The Next Generation (or TNG ), made in an attempt to fill in the hole the classic show left on television. For the majority of the last 20 years, Star Trek has taken off in a different direction from the older eras of the franchise. Starting with the 2009 Star Trek movie by JJ Abrams , the franchise has shifted into being heavier on the action and scope. It basically has been trying to be Star Wars , the franchise's younger and more popular brother. That's why in 2017, Seth MacFarlane released The Orville as the ultimate love letter to what Trek once was.

But as any Trekkie knows, the franchise has changed a lot since The Orville has started airing. Yes, there are shows and films more in line with the JJ Abrams aesthetic, but there's also just a lot more of Star Trek than there's ever been. There's the aforementioned JJ'd shows like Discovery , there's the very odd character piece of Picard , and there's even an animated comedy show with Lower Decks . And that's not even all the Trek shows currently running. In 2022, we were also blessed with the show Strange New Worlds , which certainly aims to go back to the original recipe that made the series so unique. Which, in theory, should make The Orville irrelevant. Why would any show need a spiritual love letter running at the same time as the "real" thing? But The Orville has grown far past just being a love letter between the pilot and now. And a lot of that uniqueness comes from how the writers and actors portray their characters.

The key difference that makes The Orville truly stand out is that the characters aren't as prim and proper as they are in Trek. For context, Star Fleet has always been portrayed as if it's the navy. The rank and hierarchy on the ships is nearly the same. Terms used on the Enterprise and other ships in the series are also almost one-to-one with nautical terminology. This is also true in The Orville , but the characters all speak more naturally. It's natural in the same way that dialogue in Judd Apatow movies feel natural. Nearly every person in the cast has some sort of background in comedy, and it really shows. The crew on the USS Orville have the electric chemistry of a comedy troupe, and it just gives the show a different vibe that is much more chill.

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Because the crew all have this type of chemistry, they all genuinely feel like friends. This is such an important part of television shows, because if the characters in the show don't like each other it makes it harder to tune in from week-to-week. But these crewman hang out together, they drink together, confide in each other, and actively want to be around each other in their spare time. This is shown so well with two of the best character duos in the show. The first of these being the bromance between Captain Ed Mercer (MacFarlane) and Lieutenant Gordon Malloy ( Scott Grimes ).

Mallow and Mercer were friends going back to their space college days. The know each other better than anyone and genuinely love each other. Malloy is a bit of a goof, but he always shows that he is completely serious when the time comes. Grimes really sells the energy in his performance as being the ultimate best friend. But between his live reenactments of video games and nerdy interests, he is always there for Mercer in the same way Mercer is always there for him. He even mentions that he was the person there for Mercer as he was going through a divorce. Anybody who sticks by your side in the most depressing lulls of life is always someone you want to keep around. But that's almost expected of new friends, but the show also does a great job of showing blossoming friendships. This is where the other best duo comes in, that of Dr. Claire Finn ( Penny Johnson Jerald ) and Commander Kelly Grayson ( Adrianne Palicki ).

Unlock Malloy and Mercer, these two had never met before they worked together. But over time, they became close friends. Particularly once Dr. Finn started dating the artificially intelligent robot man, Isaac ( Mark Jackson ). When your boyfriend is a robot who literally does not perceive emotions, you're going to need some help guiding that relationship. This is when Dr. Finn and Grayson really started connecting with each other. Both of these women were experiencing challenging new dynamics in life around the same time, and they always found the time to wind down with some wine and talk things out. The one thing that's true about life, is that you can't go through it alone. These two show that meaningful relationships can always happen, and it won't always happen how you expect.

So, what's the point of this then? Trek certainly has all these qualities too; it's not like the series is devoid of brilliant, well-written characters. It's not like these qualities are unique to The Orville . But it is a slight distinction.

There are many great character duos and friendships across TNG , but no one on that show really speaks in the same way that people you would meet on any average day in life do. It creates a degree of separation. Because we can sit down and watch TNG , but it's rare to fully identify with anyone. You can recognize qualities that are similar between viewers and brilliant characters like Riker ( Jonathan Frakes ), but not in the same way that viewers can directly identify with Malloy. The natural speech patterns and genuine friendships on The Orville are always there to remind the audience that, yes, these characters are all great in their field, but they're also just human schmucks like us instead of people you need to aspire to be like. It's obtainable. This isn't to say that either of these roads these shows go down are better or worse than the other, but it definitely does help make sure that they aren't stepping on each other's toes.

And perhaps the most wholesome of these Orville characters is that they all still respect each other. When they are working, they respect each other and refer to each other by rank. They don't let their existing relationships interfere with protecting each other when out on the field. They love each other, and they love each other enough to give and receive well-earned respect. Not only is that admirable, it's so sweet that the show might give you a cavity.

• TV Features
• the orville

• Cast & crew
• User reviews
• Episode aired Nov 16, 2017

Alara questions whether she's fit for her job when a fire breaks out on the Orville and a crew member dies. Alara questions whether she's fit for her job when a fire breaks out on the Orville and a crew member dies. Alara questions whether she's fit for her job when a fire breaks out on the Orville and a crew member dies.

• Brannon Braga
• Seth MacFarlane
• Cherry Chevapravatdumrong
• Adrianne Palicki
• Penny Johnson Jerald
• 16 User reviews
• 2 Critic reviews

• Capt. Ed Mercer

• Cmdr. Kelly Grayson

• Dr. Claire Finn

• Lt. Gordon Malloy

• Lt. Cmdr. Bortus

• Lt. Alara Kitan

• Lt. John LaMarr

• Steve Newton

• Drenala Kitan

• Ildis Kitan

• Lt. Harrison Payne

• (as Gavin Lee)

• (as Seth Austin)
• Human Hallway Officer
• (uncredited)
• Dreamweaver the Mindspider

• Human science officer
• All cast & crew
• Production, box office & more at IMDbPro

Did you know

• Trivia Alara's parents are portrayed by Molly Hagan and Robert Picardo . Hagan had a guest role on The Jem'Hadar (1994) and Picardo played The Doctor (alias Lewis Zimmerman, Lord Schweitzer, Shmullus, Mozart Van Gogh, etc.) on Star Trek: Voyager (1995) . Picardo also played Richard Woolsey in the Stargate franchise, which at times was a loving parody-tribute to Star Trek; most of Woolsey's appearances were in Stargate: Atlantis (2004) .

[the senior officers are discussing inexplicable event that have been occurring on the Orville]

Cmdr. Kelly Grayson : Wait. Isaac, what about the plasma storm? Is it possible that it affected us or the ship in some way?

Isaac : How so, Commander?

Cmdr. Kelly Grayson : I'm not sure. This is gonna sound like I'm talking out of my ass...

Isaac : Then please try to enunciate.

Cmdr. Kelly Grayson : No, it's a figure... never mind.

• Connections References Star Wars: Episode IV - A New Hope (1977)

User reviews 16

• Nov 16, 2017
• November 16, 2017 (United States)
• United States
• Official Instagram
• Official YouTube Channel
• Fuzzy Door Productions
• 20th Century Fox Television
• See more company credits at IMDbPro

Technical specs

• Runtime 43 minutes
• Dolby Digital

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http://tvtropes.org/pmwiki/pmwiki.php/Series/TheOrville

Series / The Orville

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The Universe has a crew loose.

The Orville is a live action Science Fiction Dramedy television series created by, and starring, Seth MacFarlane as a homage to classic Star Trek . It premiered on Fox on 10 September 2017. It moved to Hulu for its third season in 2022, with all three seasons also available on Disney+ on August 2022. Outside the US, the series airs on Disney+ 's Star hub in many countries.

Captain Ed Mercer ( MacFarlane ), an officer in the Planetary Union, finally gets to live out his dream of exploring uncharted space as the captain of the USS Orville , a mid-level exploratory vessel. Joining Ed on this adventure is a crew packed with colorful characters from all over the galaxy including, to his chagrin, Kelly Grayson, his XO and ex-wife.

The series features many connections to Star Trek . Penny Johnson Jerald (Kasidy Yates on Star Trek: Deep Space Nine ) plays Doctor Claire Finn. Fellow Star Trek alumni Brannon Braga , Robert Duncan McNeill , David A. Goodman, James Conway and Jonathan Frakes are involved behind the scenes. Other Trek series alumni have made guest or cameo appearances.

The series has a Recap Page .

It is widely believed that the show's third season will be its last, as the cast's contracts have expired and the sets are reported to have been struck, and a Post-Credits Scene in the third season finale features a janitor character turning off the lights on the bridge — a common narrative device in series finales . However, no official announcement has yet been made either way.

Tropes in this series:

• Abhorrent Admirer : Yaphit to Dr. Finn. Not surprising, considering he's a sentient blob. She does her best to let him down gently. Constantly.
• The Krill are a humanoid reptilian species of religious zealots hostile to all other lifeforms, whom they view as impeding their holy mission to dominate the universe.
• The Kaylons, an entire race of androids, were once enslaved by a biological species on their home planet before they Turned Against Their Masters and wiped them out. After exhausting the resources of Kaylon-1, they conclude it is necessary to wipe out all biological lifeforms who may pose a threat to them .
• Ace Pilot : Gordon Malloy, the helmsman of the Orville , along with navigator John LaMarr .
• An Aesop : The episode "Majority Rule" is one about the evils of social media fueling manufactured outrage through the court of public opinion.
• Affectionate Parody : The show initially comes across as a spoof of Star Trek that lampshades and pokes fun at Trek tropes while indulging in lowbrow humor. Yet, the show is also a sincere attempt to celebrate the optimism and thrill of exploration of Star Trek , and is deliberately being positioned as the antithesis of the gritty trend of contemporary SF genre offerings. Seth MacFarlane has gone on the record as a huge Star Trek fan, and a fan of space in general, and that he has no desire to tarnish the series that he loves.
• A.I. Is a Crapshoot : In "Identity", the Orville goes to Kaylon because Isaac stopped functioning. While on that planet, the crew learned that the race that had built the Kaylons got exterminated by their creations. The end of the episode has the Kaylons leaving their planet, ready to commit genocide on a galactic scale. Ultimately justified : the Kaylon started out just wanting their creators' respect... and the company that built them responded by sending out "upgrades": pain receptors and remote controls for same to enforce compliance, which quickly degenerated into their owners using them to torture the Kaylon for their own amusement. The Kaylon are now convinced that all interaction with "biologicals" will end with their own enslavement.
• Alcubierre Drive : The Orville 's quantum drive is explained to be an Alcubierre-White variant in supplementary material .
• Moclan blood is black.
• Aliens Speaking English : The aliens speak English. Justified for those in Union service. Even those on their own planet do so. The Season 1 episode "Into the Fold" confirms that this is due to the Orville crew using a translator.
• All There in the Manual : The book World of the Orville has detailed backstories and the various technologies used by all factions, including the Planetary Union.
• Always Chaotic Evil : Both the Krill and the Chak'tal ( space orcs ) are aggressively territorial and expansionist species with a penchant for leaving no survivors . It shouldn't come as a surprise that they've been at each other's throat on occasion.
• Amicable Exes : Ed and Kelly are slowly moving towards that, especially after the revelation that Kelly could have possibly been under the influence of alien pheromones when she slept with Darulio . They even make an attempt at rekindling their relationship but ultimately decide that their working relationship is more important.
• An Alien Named "Bob" : While disguised as aliens, Ed panics when asked for his and Gordon's name, and blurts out "Chris and Devon." The aliens comment that those are unusual names, but otherwise don't question it.
• And Starring : Chad L. Coleman receives an "Also Starring" credit after the main titles.
• Animation Bump : The Season 3 preview shows a noticeable upgrade in VFX quality, with the Orville model now featuring more texture than previously.
• Arc Villain : Kaylon Prime is the chief villain of the "Identity" two-parter after The Reveal that the Kaylons have decided to wage a genocidal Robot War against all organic life and sent Isaac to spy on humanity. However, his death does not mean the end of hostilities .
• Arbitrary Skepticism : When Ed and Kelly wake up in a replica of their old apartment, they briefly speculate that they've been sent back in time, then dismiss that thought as crazy. That said, there is very little evidence to suggest time travel and more evidence to suggest something mundane is the cause, such as locked doors preventing them from leaving.
• As You Know : In the episode "New Dimensions", Kelly explains to LaMarr that with the advent of matter replicators, status and rank in society was no longer measured by wealth and physical possessions but rather skill and reputation. While this is something LaMarr already knows, she does this recap to set up her pitch that he consider pursuing the Chief Engineering position.
• Author Appeal : The series is an homage to classic Star Trek because Seth MacFarlane is a huge fan.
• Not only has humanity become a completely secular society, but in fact it's recognized as a sociological phenomenon that species which mature enough to become spacefaring tend to become secular as well - in other words, Outgrown Such Silly Superstitions is a fact of social science. The only overtly religious species is The Fundamentalist and overtly villainous.
• Marijuana is completely legal, its use is widespread, and its effects are shown to be completely benign if not beneficial.
• Bad "Bad Acting" : When Ed and Gordon are sent to infiltrate the Krill in episode six, they don't make much attempt to act the part; while the Krill are very obviously stoic and reserved, Ed and Gordon are... themselves, mostly. Gordon in particular insists on going off on long asides. He's so bad at fitting in that at times it seems like he's trying to get them caught.
• Belly-Scraping Flight : This trope actually breaks a crash-landing shuttle in half in "Into The Fold", separating Dr. Finn from Isaac and her sons.
• Birds of a Feather : Ed and Kelly's broken marriage makes it difficult for them to get along, but they clearly share a dry sense of humor and a snarky outlook towards life.
• Birthday Buddies : In "All the World is Birthday Cake," Kelly asks Bortus to have a shared birthday party with her, as they have the same birthday. Later, after visiting a planet where people are divided into castes based on when in the year they were born, the two do share a birthday party.
• "Pria" - Good news, the ship didn't blow up in the Negative Space Wedgie or end up as an artifact in an alien museum via Timey-Wimey Ball . Bad news: Pria broke Ed's heart by revealing she was mostly using him to get the ship, and she vanishes when the wormhole was destroyed.
• "Krill" ends with Ed and Gordon saving the Union colony and obtaining the Krill holy book they were there to get in the first place, as well as an entire Krill cruiser. While they managed to spare the Krill children aboard the cruiser , they did kill almost all the adults on the ship to accomplish this. As the children just watched Ed and Gordon kill their parents, these kids now have every reason to hate the Union as they grow up.
• "Cupid's Dagger". The episode's minor and major threats are resolved, but it is strongly implied that Ed and Kelly's divorce, predicated on her sleeping with Darulio, could possibly have been avoided as she might have been under the influence of Darulio's alien pheromones at that time. Kelly asks Darulio in front of Ed if he was in heat during that incident, and he says "maybe", strongly implying that he was.
• "Nothing Left on Earth Excepting Fishes". Ed's just had his heart broken again, since it turned out that his new girlfriend Janelle Tyler was actually Teleya, the former Krill schoolteacher, who'd been sent to lure him out for capture and interrogation. But Ed tells her that there's more of "Janelle" in her than she's willing to admit, and sends her home in hopes that releasing her will open the door for peace talks further down the road. He even gives her a parting gift—the complete works of Billy Joel —and tells her that if she ever feels like doing another movie night, she knows where to find him. The hesitation on her part suggests he's not entirely wrong.
• "Sanctuary" ends with a compromise. Like all compromises, it sucks. The Union gets Moclus to leave the female sanctuary colony alone, but they have to refuse its request for independence and end the network that gets female-born Moclans to the sanctuary and away from forcible "correction." It's also put the Union on precarious ground with Moclus, who supply most of their weapons tech.
• "Domino" ends with the Kaylon making peace with the Union with hope for a future membership and Teleya in the hands of the Union about to stand trial for war crimes. However, the Krill and the Moclans are still allied against them. And Charly Burke sacrificed herself to stop the Krill-Moclan alliance from wiping out the Kaylon. Also, Teleya makes it clear Ed is never going to see their daughter again .
• Moclans are an all-male species... who lay eggs to reproduce... and are sometimes born "female". They also urinate only once a year and can eat almost anything.
• Darulio's people emit powerful pheromones while in heat, powerful enough to induce all-consuming lust, even if that person hated the carrier seconds earlier.
• Lieutenant Tharl, the temporary replacement security officer, has an extra esophagus on the outside of his body, extending from where his nose would be in another species. Just how he breathes or smells is not shown.
• Bizarre Alien Reproduction : Moclans reproduce by laying eggs, although they are male. Or at least it seems that way to begin with...
• Blob Monster : Yaphit, the only gelatinous lifeform aboard. He's constantly trying to hit on Dr. Finn but is actually a pretty good engineer, especially since he can get into places humanoids can't.
• Blunt "Yes" : In "Ja'loja," Claire asks Isaac if he thinks she's a bad parent. Isaac : ( immediately ) Yes.
• In the episode "Home", after Alara leaves the ship permanently, she leaves behind a gift for Ed: a jar of pickles .
• In "Twice in a Lifetime", Gordon sends an egg sandwich 3 months forward in time . This pays off comedically during a tense moment in the season finale.
• British Brevity : Unusually for a network show debuting in the fall, the first season is capped at 13 episodes, with there having been no option for a "Back Nine" order to be exercised note  When the series received its renewal for a second season, this was explained as being in part due to budget and the special effects and other production aspects required . The first season's episode count was later reduced to 12, with one already-completed episode being held for the second season note  This was done so that Fox could air the first season in a single block and not have to deal with a winter hiatus potentially interrupting the popular momentum the show has .
• Brutal Honesty : Bortus doesn't tend to sugarcoat what he thinks, as when Gordon requests permission to take the command qualification test in "Nothing Left on Earth Excepting Fishes". He at least has the decency to wait until Gordon's out of the room before he states his opinion: Bortus: He will fail.
• Mercer assigns Malloy as the helmsman because, despite being having been previously benched because he annoys Union Central top brass so much, he is also an Ace Pilot and Mercer's best friend.
• Subverted with Mercer himself, who seems like he's going to be this, but is a perfectly capable officer who just has a dry sense of humor.
• Bury Your Gays : In the episode “Domino,” Charly Burke, died shutting down a genocide weapon, calling out to her female love interest who died in a previous battle in her last seconds .
• But for Me, It Was Tuesday : When talking to Gordon and John about the whole Locar situation in "Deflectors", Talla muses that the situation is stranger than normal for the Orville. The guys are quick to set her straight. Talla: This has got to be the weirdest thing to happen on this ship, right? John: One time I almost died because I humped a statue. Gordon: Isaac once cut my leg off. John: And the captain and commander, they got put in a zoo. Gordon: Bortus almost crashed the ship 'cause of porn. Talla: ... I see.
• Malloy having a new leg is referenced in episode 6.
• Alara's break-up with a fellow crewmember is referenced in several successive episodes.
• Dr. Finn's fear of heights, first mentioned in "If the Stars Should Appear," is also referenced in "Into the Fold" and "Firestorm."
• In "Deflectors", Talla muses that her current predicament vis-a-vis Locar and Klyden must be the most insane thing ever to happen on the ship. John and Gordon disabuse her of that notion with a series of callbacks.
• F. Murray Abraham as the president of the Planetary Union council.
• Bruce Willis as a sentient plant sent to Kelly.
• The Captain : Ed Mercer, who is assigned to the Orville not because he's earned a promotion to a command position by performance at a lower rank, but because the Planetary Union has three thousand ships to crew and he's one of the few who are both available and qualified for the job. It helps that Kelly secretly argued on his behalf. A Downplayed Trope example, as he's implied to have had an exemplary service record prior to his divorce, which lead to him acting poorly in the year leading up to his introduction to the Orville . He has a brief moment of Heroic BSoD after learning about Kelly's role in his assignment but eventually admits that it doesn't matter in the long term, as he has more than proven that he's worthy of command.
• Casual Interstellar Travel : The quantum drive can propel a starship from one star system to another in a matter of days, or even just hours.
• Cerebus Syndrome : In the middle of the second season, dramatic revelations about the Kaylon drive the 2nd half of the season to be Darker and Grittier and more conflict-driven and serialized, in line with most contemporary sci-fi. New Horizons continues this trend, with relatively few moments of deliberate comedy and exploring a lot of very hefty subject matter.
• Alara has several episodes that show her insecurities and why she feels the need to prove herself. By the time she leaves the series, she's noticeably more confident.
• Ed and Kelly's former marriage and how it effects their feelings for each other and any new partners they have comes up in numerous episodes, and both characters see a lot of growth throughout the series.
• Season 3 shows how Charly grows from hating the Kaylon for the death of her crush to forgiving Isaac and ultimately sacrificing herself to save them .
• Bortus and Klyden's marriage arguably has more problems than Ed and Kelly's did, as they deal with differing opinions on their culture (leading to their child going through a sex change), smoking addiction, porn addiction, and Klyden trying to stab Bortus through the heart (the Moclan manner of divorce). However, ultimately Klyden comes to see how flawed Moclan society and his own views are when the Moclan government is exposed in trying to kidnap and murder his daughter Topa simply for being a female. This leads him to be a better father to his daughter and repair his relationship with Bortus by renouncing his Moclan citizenship to return to the Orville .
• Chasing a Butterfly : In the episode "Midnight Blue," Topa sees a rare blue Luminite, a tiny creature that glows like a firefly, and chases it into the woods where she is abducted by a crew of Moclans and taken to a black site where they intended to kill her.
• The Moclan homeworld is almost this, as every habitable part of their world's surface has been heavily industrialized. Only a few patches of desolate mountain range, too precipitous for factories, remain unpopulated save for those who wish to seclude themselves like the few remaining female Moclans.
• The Kaylon homeworld is built over completely with massive skyscraper cities and advanced technology. As heavily urbanized as it is, it's also remarkably pristine and sterilized. Because it's actually built over the mass graves of their own builders.
• Civil War vs. Armageddon : The secular, liberal Union is locked in a long war with the Krill, a race of religious fanatics, but they put aside their differences in order to fight the Kaylon , who intend to wipe out all organic life regardless of their differing ideologies.
• Collapsible Helmet : Krill soldiers have helmets that retract at the push of a button. It's eventually revealed that they have an extreme sensitivity to light, which is why they need the helmets and why they don't use them during an indoor firefight.
• In the Union, admiralty wears purple, command wears blue, medical and science wear green (with different badges), operations wears orange (or a light red), and security wears a darker shade of red.
• Each major faction seen so far has their own colors for the beams their weapons fire. Blue for the Union, green for the Krill, orange for the Moclans and red for the Kaylon .
• The Orville is called in to protect a science facility that has developed technology capable of accelerating the flow of time. Before they explain, a banana is used in a demonstration, rotting in seconds. Ed and Kelly promptly tag team some snark until the explanation begins. Ed: So ... it's an anti-banana ray. Kelly: That's really interesting. Ed: We need no longer fear the banana. Kelly: Does it work on all fruit? Ed: What about salads?
• When Kelly voices her suspicions of Pria to Ed (who is smitten with her), she comments that if she's proven wrong, then Ed can "bang her on the kitchen sink for all I care!" Ed balks, citing that sex in a kitchen wouldn't be hygienic.
• Isaac, being Kaylon, is completely unable to truly understand emotion. Pretty much any social situation with him that isn't strictly scientific is this trope.
• During the Krill-Union alliance, a Krill delegation visits Earth and is treated to a night on Broadway to see Annie . They misinterpret the showtune "Tomorrow" (mainly the lyric "The sun will come out tomorrow") as a haunting, dark prophecy. Being a highly photosensitive race from an Always Night planet, they view the sun as a symbol of suffering and death.
• Lt. Commander Bortus is nearly monotone and definitely serious. Naturally, he's the subject of many a joke, such as when he spends the second episode hatching an egg while completely naked. Gordon is clearly trying to invoke this when, for example, he convinces Bortus to sing "My Heart Will Go On" for karaoke.
• Isaac is like this too, due to his role as the show's Spock analogy .
• Captain Mercer occasionally comes across as this as well, as the show's nature sometimes forces him to deliver bizarre lines in an authoritative tone. Lampshaded in "Firestorm" after Alara is attacked by a clown when Ed, in all seriousness, warns his crew to be on the lookout for pies and seltzer bottles; it's later revealed that this is a simulation of Ed programmed by Isaac, who has been depicted previously as taking statements and jokes literally .
• For the first two seasons, the Union uses two different types of communicators. Comscanners are taken on away missions and, like the name suggests, are used to communicate with the ship and to scan objects of interest. Uniform tunics incorporate a communicator for intraship calls that can be activated by tapping a button on the cuff.
• In Season 3, the Union switches to using the cuff-mounted communicator for all communications.
• Ed Mercer has Kirk’s improvisational skills, Picard’s social awkwardness, and, like Sisko is on his first command following personal turmoil (an ugly divorce instead of being widowed).
• Kelly Grayson is the Statuesque Stunner first officer like Una a.k.a. “Number One”. Like Beverly Crusher, has a complicated history with the captain. Her relationship with her past self was similar to Will Riker’s relationship with his transporter duplicate.
• Gordon Malloy is an immature practical joker who often rubs people the wrong way and also happens to be a very talented pilot, like Tom Paris. He fell in love with a hologram and eventually faced the reality that it wasn’t really the woman it was based on, like Geordi Laforge.
• John started out as an ordinary Mauve Shirt who worked on the bridge, and turned out to be a brilliant engineer, qualified to be chief engineer, like Geordi Laforge. He’s usually seen hanging out with Gordon and going along with whatever stupid thing Gordon is up to, similar to Harry Kim’s relationship with Tom Paris.
• Bortus: Proud Warrior Race Guy , like Worf, only crew member with a spouse and child, like Chief O’Brien, and suffered from holoaddiction like Reginald Barclay.
• Alara Kitan: Security chief who left after one season, like Tasha Yar, and a fish-out-of-gravitational-water, like Melora Pazlar .
• Isaac is an android trying to understand humans, like Data. He sees himself as superior to humans, like Spock. He has the appearance of a stereotypical sci-fi robot, and pretended to be friendly but is secretly a member of an evil robot race that wiped out their creators, like Automated Unit 3947. He turned his back on his xenophobic people because he knew what they were trying to do was wrong, like Odo.
• Doctor Claire Finn is Chief Medical Officer and a single mother (albeit by choice) like Beverly Crusher (though both her sons are more similar to Jake Sisko than Wesley Crusher) but with a more laid back personality like Kasidy Yates, who was also played by Penny Johnson Jerald.
• The Moclans are a composite of Klingons, a Proud Warrior Race Guy species, and the J’naii, a race with draconian laws regarding sexual orientation and gender identity, that are the opposite of real-life Earth norms.
• Xelayans have the superior strength and cultural aversion to militarism like the Vulcans, but with the earthy, colorful aesthetics and grounded temperament of the Bajorans.
• Contrived Coincidence : Subverted. While it is initially stated that a female Moclan is born once every seventy-five years, we see several in one episode: Heveena, Topa, and Klyden. In a later episode, we see that Heveena leads a colony of over six thousand females and reveals that the Moclus government is hiding how many females are actually born.
• Cool Starship : The Orville looks seriously sleek and pulls off some pretty cool tight maneuvers in the pilot and in later episodes.
• The crew's uniforms receive a slight update in season 2, with the divisional badges becoming completely metallic with no color.
• The uniforms receive another update in season 3, with the addition of dark-gray patches where the shoulder meets the chest while the divisional badges become slightly smaller.
• Mark Jackson's costume as Isaac, as well as all of the Kaylon, is completely overhauled in season 3 with more-detailed plating and a tighter-fitting bodysuit beneath to make him seem more like an android rather than a man in a costume.
• In "Nothing Left on Earth Excepting Fishes", the Krill force Ed to give them his command codes. Later, it's revealed that the codes he gave them are useless—Union captains are issued dummy command codes that feed seemingly-real tactical data specifically for use in this type of situation.
• In "Identity, Part II", after the Kaylon seize control of the Orville , they need Ed to ward away another Union ship. He ends his communication by offering the Union captain a "thirteen button salute", a code phrase meaning that their ship has been seized by a hostile force. Unfortunately, the Kaylon are aware of the phrase's meaning and blow up the other Union ship before it can escape .
• All things being equal, Ed Mercer wasn't exactly on the short list for command of a starship. But, as the admiral meeting with him admits, they have three thousand ships to staff and are in dire need of captains to command them, so he's getting a shot. In actuality, however, they wouldn't have brought him on if not for Kelly secretly pleading on his behalf.
• Kelly also gets the chance to be his first officer because of this alleged shortage but also because her father is close friends with the Admiral.
• This is the Moclan stance in "About A Girl." Their culture teaches that being born female is a genetic defect that is to be corrected as soon as possible. Even after being shown empirical evidence that this is not so even among their own species, they still hold to their beliefs.
• Darulio's people are apparently so open about sex that they consider turning down an offer to sleep with someone as rude.
• Curb-Stomp Battle : The Union fleet vs. the Kaylons. When the scene cuts back to the fight over Earth, most of the dead or disabled starships are Union ships. The dialogue on the Orville makes it clear that shields don't even slow down the Kaylons' weapons. Union ships are seen going up in flames after one, maybe two direct hits from Kaylon weaponry; the Orville only survives due to glancing blows for most of the fight. And then the Krill show up and kick the teeth out of the Kaylons while they are still engaging what remains of the Union fleet, forcing a few of the Kaylons' remaining ships to run for it.
• Cute Bruiser : Alara, being an alien from a planet with much higher gravity than Earth , which makes her strong enough to smash through doors and walls and punch people across the room.
• In episode 8, Doctor Finn is captured by a hostile native after her shuttle crashes on an uncharted world, but is able to break out of her cell, arm herself, defeat the alien, and escape on her own.
• During "Home", Alara's family is held hostage at gunpoint. It's mainly Alara's security training that saves her and her family from major harm, since she's currently severely weakened by spending too long away from her homeworld and has to use a hoverchair to move around while on it.
• Also played straight with the Kaylon, who don't need external lighting, and dismiss it as an ineffective use of power, and usurp the Krill as the main antagonists.
• Season 2 Episode 3 has Alara as the focus as she goes back to her home planet & family and subsequently being Put on a Bus .
• Season 2 Episode 2 deals with Bortus' addiction to holodeck porn and his festering resentment of Klyden over Topah's "corrective" surgery.
• Episode 5 and 9 both center around Ed & Grayson's relationship with the guest character for that episode.
• Episode 6 has Gordon joining Mercer on an infiltration mission to a Krill ship.
• Episode 7 is ostensibly about John LaMarr despite having nothing to do with his life on the Orville . Episode 11 has John being pushed into a command role to take over the Engineering department.
• Finn & Isaac's relationship is the focus of the 6th episode of Season 2.
• Isaac and the Kaylon as a whole are the focus of the Season 2 double episode "Identity".
• Episode 12 is primarily about the impact accidentally influencing a civilization has on Kelly, though it also focuses on the Ed/Kelly relationship, too.
• Talla arrives early in Season 2 as a Replacement Goldfish for Alara, and the 7th episode of the season is her focus episode.
• Ensign Charly Burke, a new addition to the main cast as of Season 3, gets plenty of focus in "Electric Sheep", the season premiere.
• Decomposite Character : The Krill are similar to the Klingons as they were portrayed in the TOS era, a constant looming threat of unreasonable conquerors. By contrast, the Moclans are similar to the Klingons as they were portrayed in the TNG era, a Proud Warrior Race Guy ally species with laws and customs that seem gruesome and barbaric by human standards, which make the alliance with them tenuous.
• Decon-Recon Switch : The show pulls the "decon" switch on a lot of Star Trek tropes, from the silly (shuttlecraft with seatbelts, the replicator being used for tequila and pot brownies) to the serious (the Prime Directive in "Mad Idolatry"), and plays them for comedy (sometimes veering into outright Gallows Humor ), but it pulls the "recon switch" by showing why humanistic values are still the right call, even (or especially) when it could hurt the heroes in the long run.
• It's mentioned that humans in the future no longer have zoos, discussing it as a barbaric practice.
• Marijuana is now openly accepted; see High Times Future below.
• Boxing and other "blood sports" stopped being practiced on Earth centuries ago, though Alara spends a lot of her recreational time practicing boxing in the simulator, while other crew members use their simulator time to act out swordfights and pistol duels, with the implication that they're no longer about the spectacle but about fun for the participants (and medical technology can heal most injuries anyway).
• Most Moclans are male, so the rare female is viewed as an aberration to be corrected. When the human crew points out the fact that gender is not an aberration in their societies, they are called out on it, with several Moclans noting that what is right for one species is not necessarily right for another.
• Isaac is a member of the Kaylon, a xenophobic race of artificial beings. As time goes on, he becomes torn between the Kaylon's core values and his growing affection for humankind.
• It's noted in "Krill" that space-faring societies tend to become very secular. The Krill are an exception, and their religion teaches that all other beings are on par with how we see bugs.
• Darulio's people are apparently so casual about sex that they consider turning down an offer to roll in the sheets to be rude and are oblivious to the concept of consent.
• Meat hasn't been part of the human diet for centuries.
• Democracy Is Bad : "Majority Rule" is about a version of direct democracy being horribly oppressive. Their government appears to function on a social media system, where everything (including scientific facts) are voted on by an uninformed public, and the results are taken as true. Most disturbingly, people who receive too many downvotes are lobotomized (and killed if they resist). This, however, only applies to this extreme case, as the Union is explicitly a democracy, and Admiral Halsey insists that, while inefficient, it's still the best system that's ever been tried.
• Designer Babies : Kaylon, being entirely mechanical beings, use a central computer to add new members to their race that are expressly designed to fit specific needs within their society.
• Disappeared Dad : Downplayed Example . While Claire is a single mother with two sons, her responses to Isaac's questions about two-parent families and her decision to have children reveals that she "never found a man I wanted to have them with", implying she never intended for a "dad" to be a necessary part of her family structure.
• Discount Lesbians : The Moclans are the main (and basically only for Season 1-2) LGBT+ representation on the show, being a (nearly) all male species with same-sex relationships as the norm (even males reproducing together somehow). They are highly misogynist and heterophobic (with a few exceptions ).
• "About A Girl" mirrors the common practice of "correcting" intersexed babies' genitals if they are "ambiguous" (that is, do not align neatly as either male or female). In this case, the baby is not intersexed, but female, and the Moclans enforce an all-male society (female babies are very rare among them, though not as rare as most of them think). There are also the issues of how much parents should be allowed to determine children's futures, and specifically regarding surgery that isn't medically necessary (circumcision, a real-life issue where this comes up, is one example used). Plus sex reassignment surgery in general of course.
• "Majority Rule" has a society whose punishment of minor social infractions takes real-world online mobbing and demands the perpetrators apologize for them up to eleven, as citizens have the right to vote on whether they're forgiven when an apology is deemed sincere enough, or put to death .
• Similarly, in "Deflectors" the Moclan view on opposite-sex attraction is very clearly modeled after attitudes towards homosexuality in our world. Moclans who are attracted to women are condemned as 'perverts' and 'deviants', and are arrested and punished if their nature is found out.
• In "Sanctuary" it's revealed there's a secret network that brings Moclan females to a hidden colony world where they can be safe, reminiscent of the Underground Railroad.
• "A Tale of Two Topas" features the titular character realizing she's a girl and had been misassigned shortly after birth. Basically a standard transgender experience, except Topa was born female to begin with and surgically reassigned after which she'd been raised as male due to her culture's misogyny.
• On Talla's previous vessel, the ship was damaged after a Krill encounter, and the only available help was from the Janissi, a matriarchal species. To appease their misandrist values, Talla punched her captain in the face, breaking his nose and knocking him out cold. This is a throwaway joke line, whereas Moclus' abuse of women is not.
• Downplayed in a later episode focused on the Janissi. While calling out their culture's discrimination against men as unacceptable, the crew still initially appeases the ambassadors by indulging in their norms, playing the denigration of the men for laughs at some points, and keeps the offer for a Union seat availible (if only as pragmatically necessary against the Kaylon), whereas Moclus' sexism would get them expelled from the Union a few episodes after.
• Conversed and subverted. Bortus, upon hearing of Alara's bad luck in dating, offers to command another officer to mate with her. Alara turns his culturally insensitive suggestion down after calling it the "nicest and most wrong thing" ever said to her.
• Later, a Janissi ambassador tries to take Ed as a sex slave, but everyone (except Gordon) objects to this.
• Telaya had sex with Ed while under the false identity of Janel Tyler, which qualifies as rape by deception. He clearly feels hurt and betrayed that she deceived him, but barely mentions the sexual aspect.
• Double Standard: Rape, Sci-Fi : Both Kelly and Ed have sex with Darulio after his pheromones create an irresistible attraction to him that overwhelms even basic reasoning. When they discover this, they're mildly upset, and he's embarrassed about being caught, but everyone treats it more like a faux pas than sexual assault. The crew is even willing to use the same pheromones to create an attraction between two visiting ambassadors in order to stop a war. At no point does anyone point out that the people involved are effectively being raped.
• Isaac says he's fascinated by biological beings' interpersonal relationships when Alara recounts her love life, and that he'd be happy to "attempt sexual relations" with her. She politely declines.
• Inverted in "A Happy Refrain", where Claire initiates sex with Isaac. Isaac feels that his research into relationships ends after copulating and tries to break off the relationship, which just makes everything complicated.
• Acting on poorly thought out advice from John, Isaac asks Kelly if she'd like to "go on a date, followed by sexual conjugation". He almost asks Talla the same before Kelly stops him.
• Apparently, Moclans refer to sex as "the sexual event".
• "About A Girl" ends with the Moclan court ordering that the baby undergo sex reassignment, against the wishes of Bortus but in line with his mate's preference .
• "Krill" ends with not only a failure to change the Krill's hostile belief system (save for one, maybe) but with a strong chance of reinforcing those hostile beliefs.
• "Majority Rule" ends well for John, but not so much for the two people the crew went to save: one is killed, and the other is left permanently lobotomized .
• "Primal Urges" has Bortus and Isaac successfully rescue citizens from the collapsing planet but only have time for one shuttle's worth, leaving many of the citizens behind, including the de facto leader .
• "Deflectors": Talla is forced into a no-win situation with either letting Klyden rot in jail for a murder he didn't commit (but wouldn't have felt sorry about), or sending Locar back to Moclas for a sentence of death or life imprisonment after being outed as heterosexual/xenophiliac. She ends up choosing the latter, but tells Klyden to stay the hell away from her. It also did no favors for the already rocky Bortus-Klyden marriage, and Ed openly wonders if the Moclans can even be allied to the Union, much less a member state.
• Dramedy : Cast and crew explicitly refer to this series as being part of this genre. The situations the crew find themselves in are very serious, but their reactions are often comedic, and their side conversations almost always are. By today's standards of drama, Star Trek The Original Series was essentially this, albeit not to the same degree as Orville .
• Malloy has a beer while shuttling Mercer to the Orville . Mercer is not amused by this, especially when Malloy pretends to be a Drunk Driver and almost causes a crash.
• Alara unexpectedly finds herself in command. One of the first things she does is order a shot of Xelayan tequila to try and calm her nerves . She does it again later before making a command decision.
• Kelly tells Claire that she doesn't drink on duty. This immediately changes once the latter brings up possibly dating Isaac.
• Driven to Suicide : In the Season 3 premiere, Isaac fries his systems with a targeted EMP after the crew's hostility toward him in the wake of the Kaylon attack on Earth reaches a boiling point. Tellingly, though, it's not until Marcus Finn specifically says that he wishes Isaac was dead that Isaac decides to go through with it.
• "Majority Rule" features a planet where the number of "likes" a person has attached to a device they wear can have them get mind wiped in the worst case. As if the entire planet is a comments section, so to speak.
• "All the World is a Birthday Cake" features a planet ruled by astrology. Specifically, people are deemed to be either cursed or destined for greatness depending on the stellar sign they were born under. To top it off, it's really just a fascist dystopia that targets people based on Fantastic Racism .
• Halston Sage 's make-up for Alara initially included a heavy brow portion (as seen in the pilot) but this was removed by the second episode to allow Sage's eyebrows to be visible. (Doubles as an unintentional Shout-Out to Star Trek: The Original Series which saw Mr. Spock's makeup also undergo noticeable changes between the show's first two pilots and the weekly series).
• Isaac was originally the ship's science and engineering officer, before this was dropped in favor of having him solely be the science officer while introducing a new Chief Engineer.
• Easy Sex Change : Topa is given female-to-male sex reassignment surgery, then has this reversed later. In both cases it appears to be a very brief, outpatient procedure that can be done in an hour so, as by the show's future this kind of surgery has advanced far beyond the much more involved process that would happen today.
• Enemy Mine : The Krill show up to save Earth from the Kaylon's crusade to wipe out all organic species.
• The Krill commander in "Old Wounds" wants to use newly-developed temporal technology for evil purposes, but he's also happily married and sides with Kelly in needing to take the time to work on one's marriage in order to make it work.
• The episode "Krill" has Ed encounter a Krill schoolteacher whose brother was on board a warship he ordered destroyed. The same schoolteacher believes that humans have no souls and sees nothing wrong with testing a planet-scale WMD on a peaceful farming colony.
• Everyone Meets Everyone : First Ed and Kelly, then Malloy, and then everyone else on the Orville .
• Evil Is Bigger : Each time they've faced off against the Krill, it's always been against warships that significantly dwarf (and outgun) the Orville . The Orville is a small ship, and the Union does have heavy cruisers, but even those appear to be smaller than Krill destroyers/battlecruisers.
• Explosive Instrumentation : Sparks fly across The Bridge during battle sequences, but don't kill anyone. This trope is lampshaded in "Krill" when Ed asks why the automatic fire suppression system didn't kick in only for Alara to point out that the system in question exploded and is on fire .
• Extreme Omnivore : Moclans, due to evolving in a harsh environments with little edible food, are able to extract nutrients from almost anything. In a single sitting, Bortus demonstrated that he can eat a ball of wasabi, a cloth napkin, a cactus, and a glass without feeling any ill effects. Talla also claims to have seen him eat a fork on a bet. The only time he feels stomach pains is when he accidentally ingests a piece of Yaphit, which resists digestion and struggles to get out.
• The Kaylon, a race of artificial lifeforms, view all biological life forms as innately inferior, due to their own objectively superior abilities. Ed describes their view as "legendarily racist", but Isaac seems entirely open to both interacting with biologicals and learning about their culture and habits. Unfortunately, the rest of the Kaylons consider biologicals to be a threat, and have no compunction about killing inferior beings, which drives them out outright attempted genocide.
• The Calivons see any sentient species less advanced than themselves as being akin to animals, to the point of keeping them in a zoo.
• The Krill go for the "fundamentalist" variety of Scary Dogmatic Aliens , preaching that they are the only species with souls, and all other intelligent life can be slaughtered without a second thought.
• Yaphit thinks he's a victim of this when he discovers that he's potentially being passed over for promotion to the freshly vacant Chief Engineer post in favor of a human.
• "All the World is a Birthday Cake" features a planet where astrology is basically the religion. People born to a "bad" star sign are viewed as having an inherent criminal tendency and are kept in concentration camps as a result. Interestingly, they don't seem to think this tendency is inherited, as we see a child of two camp prisoners being born under a "leadership" sign and treated almost reverently (and taken away from her parents as a result). Likewise, being born under completely different skies and following a completely different calendar doesn't make a difference.
• Fantastic Ship Prefix : Union ships have the registry prefix "ECV".
• The religion shown on the ship in "If the Stars Should Appear" also seems to resemble Christianity, as they have a holy book and one creator god, plus more specifically nastier aspects of certain historical Christian churches (a theocracy and Inquisition-like authorities). The religion of Kelly in episode 12 is an obvious stand-in for Christianity. It's based on a miracle performed by Kelly on a hurt child (Kelly using a dermal scanner to repair a wound), which only grows until it becomes a planet-wide religion with the church having lots of power. Their religious leader's garb is heavily Pope-like, while his Number Two looks almost identical to a Catholic cardinal. They also go through a period eerily similar to the Spanish Inquisition, torturing and executing suspected "heretics". By their equivalent of the early 21st century, their religion has also become similar to modern-day evangelism, as well as the religious terrorism caused by Muslim extremists post 9/11.
• Faster-Than-Light Travel : The quantum drive engines of Union vessels, including the Orville .
• This is shown primarily through the Moclans, who are members of the Union but still seem to have some sort of military of their own, and where some of their own laws are still observed over those in the Union. Their culture is also radically different from others in the Union to the point of driving our heroes to exasperation more than once, and Ed openly wonders how much longer they can tolerate each other.
• In "Identity, Pt. 1", Ed explains that the Union isn't necessarily a single cohesive state, but is instead an alliance between multiple governments that follow a strict set of rules amongst them, making it somewhere between The Alliance (or a Fictional United Nations ) and a confederacy.
• Final Solution : The Kaylon , it turns out, killed the species who created them in the past, and want to destroy all other organic species because they believe they're a potential threat to their race expanding into the rest of the galaxy, starting at the Humans.
• The First Cut Is the Deepest : Why Ed divorced Kelly (and let his career start to sink badly). The pain of betrayal from Kelly's infidelity hurt him badly .
• First-Name Basis : Regularly invoked, with Ed and Kelly rarely addressing their subordinates by their rank or surname. Of course, Ed is usually referred to as Captain to his face (though Gordon and Kelly often get a pass on this), but we often see characters such as Alara referring to him otherwise as Ed.
• The Calivon to the Kaylon. Both are well aware that they're technologically superior to the rest of the species shown thus far. However, where the former won't even talk to other species, regarding them as not unlike animals, the Kaylon (at least Isaac) do regard organic sentients as such with rights to be respected. Isaac, as his species's representative, is very confident in his abilities but rarely comes across as arrogant and patronizing; the only instance of him talking down to another person is when disciplining Dr. Finn's children, repeating a line that Finn had used verbatim. Likewise, he has thus far demonstrated no issue with following orders or cooperating with his fellow officers. He's even on the ship because the Kaylon want to learn about other cultures, which they wouldn't need to do if they didn't see something of value in them, unlike the Calivon.
• The Krill to the Calivon and the Kaylon, in regards to their xeno-relations. Unlike the Calivon and Kaylon who simply view most other species as curiosities to be studied to one degree or another, the Krill see other species as soulless abominations that they can freely slaughter.
• Forgotten Phlebotinum : Alara's problem trying to blend in on Sargus 4 would have been solved with the holograph generators Isaac had made for the crew in the episode right before. However the previous episode also established that the generators had a flaw that caused them to short out, so Mercer might have vetoed its use during what was a culturally sensitive infiltration mission.
• Foreshadowing : In "Lasting Impressions" Kelly has a conversation with Gordon about how some personal characteristics, even minor ones, only exist because of a relationship with other people and includes the line "Imagine [...] if someone went and deleted Ed from my life". Well we don't have to imagine, we see what would happen in the Season 2 finale "The Road Not Taken".
• The Episode “No One Left On Earth But Fishes” quotes “The King and I” on the devastation international enmity can lead to, in “The Road Not Taken”, the Kaylon assault has no one left on Earth, not even fishes.
• For Want Of A Nail : The alternate timeline seen in “The Road Not Taken” shows that Kelly rejecting Ed’s second date means that Ed did not become Captain of the Orville , resulting in the Enemy Mine between the Union and the Krill not occurring. As a result, the Kaylons successfully destroyed both Earth and the Orville : within nine months, all non-Kaylon species are forced into an underground resistance in order to even survive (with Alara leading one such cell), Bortus is stuck at the bottom of the ocean with the sunken ship, Isaac never performed his Heel–Face Turn without Clare to teach him about humanity and is offline, Ed and Gordon are stuck fleeing from planet to planet, and Kelly, wracked with guilt, is desperately getting the crew back together to rectify her mistake.
• Charly Burke lost a woman she was in love with during an attack by the Kaylon. She takes a harsher anti-Kaylon stance than the rest of the crew and openly distrusts Isaac.
• Genre Throwback : Seth MacFarlane was unhappy with the dark direction science fiction was being taken, and wanted to make a series that was a throw back to the light, more optimistic take Star Trek had.
• Germans Love David Hasselhoff : In universe. The female Moclans, led by Heveena, regard Dolly Parton and her music with reverence, considering her to be humanity's greatest artist.
• Good Colors, Evil Colors : After the Kaylon, a planet of killer robots , declare war on the mostly-pacifistic Union, their red-lit warships contrast against the Union's pleasant blue-lit ships.
• Guile Hero : Ed, especially when it comes to ship battles. The Orville isn't the biggest, baddest ship in space, so surviving against more powerful enemies means getting clever.
• Half-Human Hybrid : Teleya's brief relationship with Ed in her guise as "Janelle Tyler" has produced a daughter named Anaya. The girl looks to possess both human and Krill features, although she also ages much faster than a human child would (she looks to be 7 despite being born only a year before). Ed wants Teleya to use Anaya as proof that humans and Krill can coexist, but Teleya fears the reveal would undermine her authority.
• "About a Girl" - Just because a culture's laws are backwards and cruel and you put up a good fight, doesn't mean you'll win said fight.
• "Majority Rule" and "All the World is a Birthday Cake" - You can't change people's beliefs, but you can use those beliefs to manipulate them.
• "Cupid's Dagger" - Sometimes, sexual assault is difficult to prove and the predator will happily use the guilt, shame, and doubt of victims to merrily escape any fallout for his actions.
• "Deflectors" - Being different, in many places, is a crime. Being an utterly bigoted asshole is not a crime, unfortunately. And Being Good Sucks .
• "Sanctuary" - Realpolitik often means having to capitulate to another nation's demands, even if those demands are to let them abuse their own people. Also, political compromise deals mean no one gets what they want.
• "Gently Falling Rain" - If someone is filled with hate, making overtures and taking a chance on them probably won't result in a change of heart. Even an honest gesture of good faith can come back around to bite you hard.
• Heavy Worlder : Xelayans come from a world with gravity high enough to instantly crush human bone. This gives them incredible strength when they're in more Earth-like environments.
• Heel–Race Turn : The Krill , of all races, are the first to ally with the Planetary Union when the Kaylon launch their war to rid the galaxy of organic life . This is turned on its head when the moderate Krill Chancellor who wanted to deepen ties with the Union is ousted by a far more radical Teleya, who cancels the alliance. The Moclans , whose strongly misogynistic culture had already made them an uneasy ally, are finally kicked out of the Union when their government blatantly commits several crimes against other Union citizens. The Moclans then ally with the Krill out of necessity, and both soon get their hands on a stolen superweapon that can be used to wipe out the Kaylon. The Union then allies itself with the Kaylon because they think wiping out a sentient species goes too far , first as a pure Enemy Mine , but when a biological sacrifices herself to destroy the weapon, Kaylon Primary is so startled that he agrees to a peace treaty and even possible membership in the Union.
• Isaac broadcasts a signal which shuts down all Kaylons on the Orville , including himself. However, the crew are able to revive him due to Yaphet's knowledge of them.
• Charly overloads the superweapon that can wipe out all the Kaylons in the galaxy despite hating the Kaylon with all her heart . She remains at the epicenter of the massive explosion. The sacrifice is so startling that Kaylon Primary is willing to consider peace with the Union .
• Heteronormative Crusader : Inverted with the Moclans , who are (mostly) an all-male species . If a Moclan has a preference for females, he is considered an aberrant and a criminal. When Klyden learns that Bortus's ex-boyfriend Lokar is a closet heterosexual, he threatens to out him, which would result in Lokar's arrest and shame to his family. Lokar fakes his death at Klyden's hands and plans to flee. When the truth is discovered, he is offered asylum with the Planetary Union , but decides that he'd done enough hiding and returns to Moclus to be tried. The sad irony here is that Klyden was hatched female and was "corrected" to male as an infant, so there's a bit of self-loathing involved there.
• High Times Future : Marijuana is now openly accepted, to the point that it is possible to freely order pot brownies via the ship's food replicator. Additionally, it is implied that Kelly is a frequent user of particularly strong marijuana, and yet is still a ranking Commander and first officer of a ship. It seems that the only stipulation about use is that it not interfere with one's ability to perform their duties.
• Hollywood Board Games : In "Lasting Impressions" , Gordon keeps yelling his guess (Dick Van Dyke) for one of the Pictionary drawings. The other players ignoring him doesn't deter him. He might be an Ace Pilot but can act as an utter doofus on more mundane matters. At least he apologizes after the deed.
• Holographic Disguise : In episode 6, Mercer and Malloy use mobile holographic projectors to disguise themselves as Krill in order to infiltrate a Krill ship.
• Homage : The show is essentially a love letter to Star Trek and its aspirational ideals. The pilot episode also homages, in particular, Star Trek: The Next Generation 's early days as a syndicated series, with ad breaks coming at odd times (referencing how syndicated shows are awkwardly cut to make room for extra ads) and the crew's departure from space dock featuring unnecessary reaction shots of various members staring at the viewscreen (referencing how early TNG episodes used this technique to try and make mundane special effects sequences seem more dramatic while also padding for time).
• Homage Shot : An overhead shot through the transparent bridge dome showing the crew busy at their stations is a direct homage to similar shots in the original Star Trek pilot episode "The Cage," and Star Trek: The Motion Picture .
• Homosexual Reproduction : The nearly all-male Moclans have same-sex pairings typically, surgically "correcting" females to male since they deem them weak. Yet they somehow still reproduce. It's pretty unclear what counts as male, biologically speaking, among them.
• Human Aliens : A few of the species encountered of the course of the show are nearly identical to humans, with the series taking a step further and having these races also having comparable cultures and societies to humanity. In the episode "Majority Rules", it's suggested that this is because the planets they develop on are similar to Earth.
• Humans Are Special : Played with, and occasionally subverted. Humanity is portrayed as generally more open, diplomatic, and tolerant than most of the other races in the galaxy note  Though the only other recurring races whose cultures are explored in depth are the Moclans , Krill , Kaylon , and Xelayans . That said, they are still portrayed as being plagued by many of their old vices, such as resentfulness, pettiness, and alcoholism.
• In episode 7, LaMarr gets himself arrested for "dry-humping" a statue of a famous person on an alien planet. And this was right after the Captain explicitly warned the away team not to do anything to draw attention to themselves.
• Kelly does the same in the season 1 finale - no sooner has Isaac finished telling her to be extremely careful about cultural contamination does she reveal herself, use tech to heal someone, and worse of all, sticks around long enough to introduce herself and get herself seen by a large group of natives.
• If You're So Evil, Eat This Kitten! : In the episode Identity, Part 2 , Kaylon Primary tests Isaac's loyalty to the Kaylon cause by ordering him to kill Ty. However, this plan backfires as it ends up turning Isaac against the Kaylon.
• Imperial Stormtrooper Marksmanship Academy : The Krill soldiers only score one hit during the entire firefight in the pilot episode, and it's not even fatal. According to Mercer, getting shot in the shoulder still hurts like hell, but Grayson says that he only curses when he's overstating it .
• Impossible Pickle Jar : In the pilot, Captain Mercer can't open a vault door and asks Pint-Sized Powerhouse security officer Alara to "open this jar of pickles for me." Instead of using her super strength to turn the wheel that opens the door, she just charges into it and knocks it over, along with part of the wall. Captain Mercer then quips that he "loosened it up for ya." This subsequently becomes a Running Gag , with Ed using the exact same "jar of pickles" phrase in subsequent episodes when he needs Alara to open doors that are too tough for him. At the end of "Home", when Alara has left the ship, she leaves Ed a jar of pickles.
• Improbable Age : Despite being Chief of Security, Alara is in her early 20s. She explains that since it's rare for her kind to join the Union, they tend to get fast-tracked. In the very next episode, this becomes an issue when she finds herself temporarily in command of the ship during a crisis and lacks the experience to know what to do.
• Indecisive Parody : Early reviews cited that the series couldn't seem to decide whether it wants to be a spoof of Star Trek or a mostly straight-played clone of it. As the series matured it became obvious that it was going to be a "love letter" to Star Trek and its inspirational ideals. It also became apparent that MacFarlane was classifying the show as a "parody" to allow him to offset legal challenges about heavily referencing the Star Trek intellectual property. note  When a work is classified as a parody, it can claim "fair use" of other work's characters, settings, premises, etc. without facing legal challenges of trademark or copyright infringement.
• Industrial World : Bortus' homeworld, Moclus, is almost entirely covered in arms factories.
• Obviously, of course, all the ships in the series must have some form of dampeners, or every instantaneous jump from cruising speed to quantum speed would render the crew into paste. Most likely, they just subtly lowered the dampeners' setting unnoticed for the Krill incident.
• Also averted in "Krill" when the crew reacts to G-forces when their ship pulls away from the planet.
• Info Dump : A large portion of the dialogue is expository, in reference to how Star Trek has to devote a lot of lines to explaining what is going on so the audience can understand the story. Given its status as a partial parody, the series usually lampshades this by often following an infodump (especially of the technobabble variety) with a joke.
• Averted. Despite being heavily inspired by Star Trek , where nearly every admiral was in some way corrupt, the Admiralty of the Planetary Union are all presented as consummate professionals willing to listen to reason but unafraid to dress down Mercer and his crew when they rightfully deserve it . Y'know, like real Admirals.
• Eventually played straight after 3 seasons with Admiral Perry , who commits treason to ensure the total destruction of an enemy species. At the same time, he fully intends to return to Earth to face the repercussions for his actions as befits a Union officer, but Teleya decides that He Knows Too Much and has him killed .
• Internalized Categorism : In "All the World is a Birthday Cake", one of the Rogerians imprisoned for being born to an astrological sign with supposed criminal tendencies is insistent that their imprisonment was necessary, that people such as him really do have such bad traits.
• Just Think of the Potential! : Doctor Aronov extols the potential benefits of the quantum field manipulator, especially when it comes to feeding people with fast-growing crops and healing injuries in an instant.
• Fantastic Naming Convention : Lampshaded in "Krill," when Ed and Gordon try to come up with a list of plausible Krill names. When they actually meet the Krill, Ed's mind goes blank, and he ends up calling themselves "Chris" and "Devin' respectively; the Krill don't make anything of it.
• Lighter and Softer : Versus Star Trek: Discovery and the JJ Abrams films. In fact, the show was created to be this as a response to the Darker and Edgier route that other sci-fi shows have taken in recent years.
• The Main Characters Do Everything : As an Affectionate Parody of Star Trek , this is to be expected. It follows the trope closely, in largely the same manner as Star Trek did. The most obvious example is the fact that the Captain and First Officer repeatedly send themselves on dangerous away-missions.
• Manly Gay : Moclan society in general, to the point of being a One-Gender Race with an intolerance towards heterosexuality . They're (nearly) all large, muscular, gruff and serious males with the vast majority desiring the same sex. Bortus explains in "Deflectors" that Moclus is an inhospitable world and his people had to fight hard just to survive on it.
• Mars Needs Women : Blob-like crewman Yaphit has the hots for Doctor Finn.
• The Masochism Tango : Bortus and Klyden's marriage shows them constantly at odds, to the point where it seems like they actually hate each other. There's a massive disagreement when their child is born female, with Klyden revealed to be a Boomerang Bigot , over giving the child "corrective surgery" to make her male. Then Bortus gets addicted to holographic pornography and starts ignoring his marriage, so Klyden tries to divorce him by stabbing Bortus through the heart per Moclan customs. Then Klyden exposes Bortus' former partner for being heterosexual and starts to indoctrinate their son with his Homonormative Crusader beliefs, earning Bortus' ire. Bortus then gives Klyden a "The Reason You Suck" Speech in front of his own commanding officer. This comes to a head when Topa finds out that she was born female, with Bortus supporting Topa's choice to have the surgery reversed over Klyden's objections. Their marriage dissolves as Klyden disowns his family and returns to Moclus. However, after Topa is kidnapped and tortured by Moclans, Klyden has a change of heart and returns, asking Topa for forgiveness and restoring his relationship with Bortus. Like Bortus, Klyden renounces his Moclan citizenship after the Moclans are expelled from the Union. Klyden even makes an effort to befriend Kelly, inviting her to have dinner with their family.
• Masculine Girl, Feminine Boy : Ed and Kelly are a Downplayed example. Ed's no stranger to a fistfight or a gun battle, but relies more on his wits and his words to even the odds. Kelly is less inclined to talk her way out of trouble, and has no problem with a full-on brawl. It's also evident in the case of Darulio; Ed shows up to the date with fresh baked banana bread and a bottle of wine and is completely unable to keep himself from gushing like a schoolgirl while Kelly's forced attraction is pretty much a beeline to the bed. From a visual standpoint, Kelly tends to have a more aggressive posture, usually standing erect, while Ed slouches a bit.
• Matter Replicator : The Orville features two types of replicators. Wall-mounted units generally used for food and drink and pedestal-style units with flat tops that are used for larger items such as clothes and furnishings.
• The Medic : Doctor Claire Finn ( Penny Johnson Jerald ) is the Orville 's chief medical officer and "one of the most accomplished physicians in the Planetary Union."
• Melting Pot Sci-Fi Setting : As an Affectionate Parody of Star Trek , and therefore its Planetary Union is an equivalent of the United Federation of Planets. The Planetary Union has its Headquarters on Earth, but has over 300 allied planetary governments and a multicultural military. Examples of species include the Moclans - a nearly all male race who focus on combat , the (friendly) Blob Monster -like Gelatin, the Scholarly Xelayans who are strong due to being from a high gravity planet and many more.
• The Union Fleet is explicitly referred to as a military service but, for the most part, isn't strict on formalities as long as everyone behaves within certain boundaries. The Orville crew is particularly casual, reflecting Ed's laid-back personality and command style. Also, all admirals are shown wearing five stars on their epaulets, the real-world insignia of fleet admiral, despite some being of lower rank like vice admiral (a three-star rank).
• LaMarr is overly casual even in comparison to the fairly easy-going crew of the Orville . This comes back to bite him when he takes over as Chief Engineer: no one respects him because of his lackadaisical attitude. He quickly learns that respect has to be earned and starts using a command voice, while still being friendly.
• The Mole : One of the scientists at the Epsilon station is in league with the Krill.
• Mood Whiplash : Pretty much has become a staple of the entire show, as scenes can go from someone cracking a joke at someone else's expense or being a Cloud Cuckoolander to a dead serious discussion about a topic or a scene of extreme violence.
• Moral Myopia : Isaac is widely hated on the Orville and throughout the Union when it's revealed that he was a spy and he betrayed the Union to his people. Meanwhile Ed and Gordon are treated as heroes for essentially doing the exact same thing to the Krill.
• My God, What Have I Done? : In "Electric Sheep", Marcus Finn angrily tells Isaac that he wishes he was dead. After he gets his wish, he's clearly upset and heartbroken by the idea that he was the one who caused Isaac to deactivate himself .
• My Species Doth Protest Too Much : Isaac turns against his fellow Kaylon when he's ordered to kill Ty (who's just a boy) as punishment for him trying to help free the crew.
• Named After Someone Famous : Most of the named admirals in the series seem to have been named for famous admirals from Earth history, including William Halsey, Oliver Hazard Perry, Jisaburo Ozawa, and Ralph Christie.
• A Nazi by Any Other Name : The Regorians in "All the World is a Birthday Cake" are an advanced society who dress like fascists and segregate a section of their population into concentration camps. Being a sci-fi series, the spin is that their target group is based on astrology , with all people who are born under a bad sign from their own history (Gilia, which collapsed into a black hole millenia ago) considered subhuman. In a twist, their segregation has nothing to do with race or genetics, so children born to Giliacs under a different sign are considered normal citizens.
• Nepotism : Gordon gets the pilot spot due to being Ed's best friend, and Kelly has a lot of influence with the Admiral due to his friendship with her father, which she uses to put Ed in command. All three are perfectly competent in their roles, however.
• New Season, New Name : Billed as The Orville: New Horizons for the third season.
• Explicitly averted in " Identity (part 2) ", when the whole crew is confined to the shuttle bay by the Kaylon : Malloy : Sorry, I was in the pee corner. Grayson : The what? Malloy : Oh, well, there's no place to go to the bathroom down here so we all agreed on one corner. Yeah...no...trust me, you don't want to go over there unless you have to.
• Then later, when Malloy is asked to go on a near-suicidal mission Malloy : Oh, man, pee corner is looking real good right now.
• Discussed even more in depth in "From Unknown Graves" when John and Talla take their relationship to the next level. Turns out, Xelayans have a hard time even when the guy is interested. Over the course of a couple of weeks, John has to repeatedly visit sick bay after sex with Talla because she has a hard time controlling her strength during sex and keeps accidentally hurting him. Both tearfully decide that while what they have is real and both wish they could see where it goes they can't keep seeing each other. John can't keep up with the constant pain and Claire is already suspicious of his frequent serious injuries and isn't buying a workout simulator as the cause. And Talla can't keep hurting the man she loves just from trying to be intimate with each other. It's heartbreaking and underscored by John spitting out teeth from the vigorousness of the break-up sex.
• No Heterosexual Sex Allowed : Moclans are an all-male species (well, a female is hatched occasionally, but they almost always end up being "corrected" to male). It's also revealed that any Moclan who is attracted to females is considered an aberrant and, if discovered, will be arrested and tried for the crime of heterosexuality.
• No-Sell : The Orville 's weapons don't inflict any damage to the Krill destroyer. Justified since the Orville is an exploration ship, trying to fight a dedicated warship the size of a Union heavy cruiser.
• No Sense of Humor : Isaac is an artificial being that doesn't understand humor or sarcasm. In "Pria", Malloy tries to teach him about practical jokes. This results in Malloy getting his leg amputated. (Though, after getting over the initial shock, they agree that it actually is a good prank; they can just grow him a new one, after all.)
• Number Two : Kelly Grayson serves as the first officer of the Orville .
• Never Trust a Trailer : The show, while having comedic elements, isn't quite the MacFarlane comedy farce that trailers would have you think. Indeed, one comedic scene in the trailer is actually a somewhat serious scene in the actual episode it's from.
• Obfuscating Stupidity : Surprisingly enough, the crew are all a bunch of seasoned professionals. Ed Mercer may be a bit neurotic, but most of his more ridiculous statements and actions are to keep people from shooting him through Confusion Fu . And even though Gordon and John come across as goofy comic relief a lot of the time, in the crunch they show themselves to be supremely competent and reliable. This actually makes a certain amount of sense as in order to get to their positions as senior officers in the first place, they would need to be good at their jobs, a fact actually stated on screen by Kelly in "Command Performance" when she reassures Alara that the young officer can handle being in command. John is eventually revealed to be the smartest person aboard the ship, save for Isaac. He's just lazy and has gotten used to hiding his true intelligence (he grew up on a farming colony). However, once he's forced to step up, he proves himself a capable engineer and commander, earning a promotion.
• Kelly, when Mercer catches her in bed with a blue alien . Both times.
• Bortus has this reaction when his hatchling comes out female .
• Gordon's face says it all in the episode "Krill" when his and Ed's infiltration of a Krill ship goes awry.
• One-Gender Race : Deconstructed in the case of the Moclans, who live in a harsh, inhospitable world inhabited only by males, who procreate with each other . It turns out they actually do have females, but Moclan society mandates that they be surgically reassigned as males, as Moclans consider the female gender a horrific birth defect that needs to be fixed. Later we learn of a hidden colony world in "Sanctuary" settled entirely by Moclan females, to spare them being forcibly "corrected" into males.
• The Only One : As befitting an Indecisive Parody of Star Trek (which frequently exaggerated it to the extent of having the Enterprise be the only ship in response range of near-Sol space, as in the Federation's capital and military headquarters), it's not uncommon for the ECV Orville to be the closest ship available to respond to a crisis, despite being only a mid-level exploration ship rather than a dedicated combatant. Justified in the pilot: the Planetary Union Fleet has a severe staffing shortage, which is a major reason Captain Mercer got command of Orville in the first place after wrecking his career following his divorce.
• One World Government : Earth apparently has one in the future, not surprisingly.
• Our Vampires Are Different : The Krill, the resident bad guy race of the first season. They have pale skin and vampiric features, are hypersensitive to light to the point that ultraviolet rays can burn them alive, they have a violent and murderous culture that sees all other races as soulless and free to be killed at leisure, and culturally they follow a Religion of Evil built around blood sacrifices and worship of an Omnicidal Maniac deity called Avis, and are basically space vampires. The major vampire trait they lack is that they do not feed on blood or Life Energy and eat regular food.
• Outcast Refuge : Moclus's Hat is being He Man Woman Haters , to the point where they force gender-reassignment surgery on any Moclan who happens to be born biologically female. The Orville crew discover a colony of female Moclans hidden in a nebula, with an Underground Railroad transporting refugees and their families from Moclus.
• Discussed in regards to the Krill, as unlike most advanced civilizations, they have increased in religiosity rather than decreasing. Their religion teaches that other species are soulless abominations lacking in true intelligence and sentience, more akin to animals than people, going so far as to use captive humans as sacrifices. Later they explain that species have been observed as having two reactions to finding other life and going into space. One is becoming humble, and no longer thinking they were the center of the universe. The other is doubling down, becoming very xenophobic. Obviously the Krill did that. Ed mentions before they were more peaceful, and it's possible also had a more passive interpretation of their religion.
• Seems to be the way for society in general as by the 29th century, telling someone "You can go to hell" is a complete non sequitur .
• The Chief Engineer still exclaims "Oh my God" after a crewmember is badly hurt. Alara also uses this phrase, and she is an alien. Of course, for most even now that's just an expression.
• The society influenced by Kelly during its Bronze Age eventually grows out of religious fundamentalism and embraces reason.
• Humans appear to no longer have believers in astrology, as when dealing with the Regorians (with a belief system that's entirely based on it) some must have the basic concept explained. They also hope that, due to their efforts, the Regorians will outgrow their belief too (which is basically the religion there).
• However in the episode "If the Stars Should Appear" Ed says “Hi, I'm Captain Ed Mercer of the Jehovah's Witnesses.” As a joke. Even though it’s a joke, it could imply that the Witnesses still exist, so humanity might not have completely outgrown religion. It's likely however that he was just referencing the past for the joke.
• "A Tale of Two Topas" introduces us to the Belkarians, a race who are part of the Planetary Union and who practise a religion that requires them to walk around naked on the first day of the month.
• Parting-Words Regret : In the opening of "Into the Fold", Dr. Finn's older son, Marcus tells his mother that she "sucks" because he's unhappy with her for making him come on the family trip when he doesn't want to go on it. After their shuttle crashes on an unknown world and they're separated, he fears she may be dead and expresses regret for it. When they finally get back in contact, she assures him that she knows people sometimes say stuff like this in anger and it doesn't mean they don't love each other.
• People Zoo : The Calivon keep members of less technologically advanced species in a zoo on their planet, since they consider them to be like animals. Mercer and Grayson become their latest exhibit.
• Percussive Therapy : Alara deals with guilt of failing to save Payne in "Firestorm" by annihilating punching bags in the simulator.
• Persecution Flip : In "Deflectors" it's revealed that, keeping with the all-male society Moclans enforce, their culture has no tolerance for opposite-sex attraction. This is to the point of not only prejudice but expressing it being a crime which carries a life sentence. Locar is revealed to be straight or bisexual (it's unclear if he was ever actually attracted to Bortus, or simply used him as cover), and it causes his apparent murder. The episode ends with Locar facing this punishment.
• Pheromones : Darulio's species goes into heat once a year, releasing a pheromone and causing anyone who makes physical contact with them to become completely overwhelmed with sexual lust, regardless of gender or species.
• Alara Kitan, the ship's security officer, comes from a high-gravity world and is played by 5'5" Halston Sage. In the pilot episode, she shoulder-charges a locked solid metal vault-style door and smashes it clean out of the concrete wall it's embedded in. She can also leap great distances, crush a titanium cube into a perfect sphere with her bare hands, and punch people twice her size across the room .
• The Orville itself. Repeatedly mentioned to be "mid-sized" it's dwarfed by the Union's heavy cruisers. But the smaller ship can pack a wallop, especially after it receives weapon upgrades from the Moclans in season 2.
• Moclus, Bortus' homeworld, is home to the Moclans, a species in which individuals are universally male and culturally find the thought of females, at least within their own species, to be abhorrent. This leads to pretty much all of them being Manly Gay . The planet's industrial base is also almost completely dedicated to weapons research and manufacturing.
• Played with by Xelayas, Alara and Talla's homeworld. It initially appears that the Xelayan hat is that the planet has such a naturally high gravity that it bestows her species with Super-Strength in human-normal environments. After some development however it becomes clear that the Xelayans themselves are highly disdainful of physical roles and prefer intellectual pursuits. Alara herself is viewed by her own parents as intellectually slow and deficient.
• Kaylon-1, Isaac's homeworld, is a machine society. They see their own advanced technology lifeform as superior to biological lifeforms. The Kaylon's attitude stems from a purely logical perspective rather than any philosophical, cultural, or spiritual prejudice, yet it is perceived as Fantastic Racism by other species. It's not hard to see why people would be offended by that attitude, but at the same time the Kaylon attitude comes from a logical place — they're a race of immortal machines that need not sleep, hunger, or breathe, and are stronger and smarter than most of the other races they come across. By "Identity" in the second season, the Kaylons turn out to be Absolute Xenophobes who decide that the inferiority of biological races and their past mistreatment of the one that were initially responsible for creating them justifies a war of extermination.
• Platonic Co-Parenting : After Topa transitions back into a girl and Klyden leaves his family , Kelly begins acting as Topa's mentor and mother-figure, while Bortus remains and is an undoubtedly good father to his child. There's no romantic attraction between the two, but they have a strong friendship and work together to give Topa a good support system. Even after Klyden returns and remarries Bortus, it's clear that Kelly will still have a place in their family due to her role as Topa's mother figure .
• Plot-Inciting Infidelity : The series opens with Ed walking in on Kelly having sex with an alien. The subsequent breakdown is why his career is so far off track for the rest of the pilot. It is revealed at the end of the pilot that the entire series can be traced to this event, as it is Kelly's guilt that led her to pull the strings to get Ed his post as captain of the Orville . As of "Cupid's Dagger," it's also terrifyingly unclear as to whether Kelly actually consented or was taken advantage of by the alien's powerful pheromones.
• Pop-Cultural Osmosis Failure : The humans on the crew are fond of referencing Earth's pop culture, much to the puzzlement of their alien shipmates who have no idea what they're talking about. The pilot featured a Pre-Mortem One-Liner by Mercer involving Arbor Day which is totally lost even on his human crew. Later episodes show the crew passing time by watching Earth fiction like the old Rudolph cartoon or Seinfeld, usually with the alien shipmates making amusing observations or misunderstanding the situations being presented. The show also uses this for a bit of Foreshadowing in "Nothing Left on Earth Excepting Fishes"; Lieutenant Tyler is totally unfamiliar with human pop culture, because she's actually Teleya, a Krill infiltrator .
• Post-Scarcity Economy : The Planetary Union apparently has one, given there is no money anymore, and referring to another planet as "still capitalist" in "Majority Rule". In "New Dimensions", Kelly explicitly attributes this to the invention of Matter Replicator technology. John notes, however, that there are colony worlds that struggle to survive, citing his own home planet as an example. Kelly explains in the penultimate episode of season one that, even though material resources are plentiful, people with skills and the will and connections to use them are not, so the Planetary Union economy largely runs on people's reputations: things no longer have value, but people do, in a non-slavery way. Status is earned by what you do, but you can fully dedicate yourself to a practice and be the best you can be, which in turn is your economic value. The other side of this is explored somewhat obliquely in the second season: Lieutenant Gordon, known as an ace pilot, decides he wants to be more than just that and applies for command responsibilities. While Commander Greyson's initial reaction could be considered a "wait, you in command?" reaction, there's the implication that if he goes for command and doesn't do well, it will devalue his personal reputation because he will be going from a "great pilot" to a "below-average commander". In "Future Unknown", Kelly explains that a society has to be ready for Matter Replicator tech, otherwise it can lead to major problems, as the rich and powerful will find ways to restrict the tech to themselves and may even start wars over it.
• Proscenium Reveal : Episode 10, " The Orville S1E10 "Firestorm" " eventually reveals that all the problems Alara is dealing with in the episode are part of a simulation designed to help her overcome her fears.
• Queer Establishing Moment : Charly reveals in "Twice in a Lifetime" that she was in love with her friend Amanda, but unfortunately she was killed before Charly could work up the nerve to tell her.
• Questionable Consent : "Cupid's Dagger". Darulio is in heat and is giving off pheromones that cause people to come into skin contact with him to become sexually attracted to him (in this case, Kelly and Ed at the same time ). He (and the episode's writers) seems to have little comprehension of the implications; the closest he comes to acknowledging it, a statement that his species considers it rude to refuse sex, comes off as Culture Justifies Anything in context. It's revealed at the end of the episode that he may have been similarly in estrus when he slept with Kelly in the pilot.
• Racial Transformation : Teleya undergoes heavy cosmetic surgery to change her reptilian Krill features to human so she can infiltrate the Orville and spy on Mercer, then has the surgery reversed after she's been exposed and returns to her planet. Mercer himself and his shipmate Gordon had infiltrated the Krill in a similar manner before, but used a Holographic Disguise instead. Teleya's relationship with Mercer while undercover results in a half-Krill, half-Human child, so the two species are definitely biologically compatible.
• Ragtag Band of Misfits : A Downplayed Trope example versus how odd they could have been, given the creator. Everyone is actually fully qualified for their job; they just have off-putting personalities.
• Ed Mercer first appears as a Commander (we learn later that he was stationed at the Epsilon Eridani outpost) before being promoted to Captain when Admiral Halsey gives him command of the Orville .
• "New Dimensions" has John LaMarr taking the role of Chief Engineer and thus a promotion from Lieutenant to Lieutenant Commander.
• Rapid Aging : The inventor of the quantum field technology is pushed into her own device, aging her 100 years in 10 seconds. This kills her, of course.
• Rapid-Fire "No!" : Ed when he's informed that Kelly is being assigned to his ship, which is stretched over several scenes as he sprints to his office.
• Realpolitik : The Planetary Union is a large group of different species joined under a single government. However, it is not a harmonious arrangement. Certain members have beliefs and practices that the rest find morally reprehensible, but the majority bite their tongues because those members are considered vital for the survivial of the Union as a whole. This is best illustrated by the Moclans, a species who enforce their "all male" presentation through forced sex reassignments on Moclan females. This disgusts and horrifies non-Moclans, but those in power look the other way because the Moclans develop vital weapon and shield technology used in Union ships. This technology is so important, that Moclus is even allowed to maintain a large and independent military. At last it becomes so intolerable they expel Moclus, but this leads them to ally themselves with the Krill, the resurgent fanatical enemies of the Union, and the combined military might is so much that the Union has to enter an arrangement with the Kaylon .
• Really Gets Around : Darulio, who had an affair with Kelly, is a Retepsian whose culture considers it rude to turn down a sexual advance. When he's in heat his pheromones make him irresistible to anyone who makes physical contact with him, and even Ed can't resist bedding him.
• Red Alert : Both yellow and red alert are used on a fairly common basis. Tactical alert has also been seen.
• Redemption Earns Life : Because Isaac ultimately turns against the Kaylon and helps the Orville crew retake their ship, leading to Mercer lobbying on his behalf and the Union deciding it's okay to revive him and let him return to duty.
• Generally averted throughout Season 1, where the crew are usually seen suffering treatable injuries but not killed. Even in the episode "Firestorm" with the actual death of Lieutenant Payne, it is subverted because he does not become a Forgotten Fallen Friend but actually receives a funeral, a eulogy, and a scene where Captain Mercer talks about how he hates having to write condolence letters.
• Played straight multiple times in the second season's "Identity", wherein several Orville security crew are gunned down when the Kaylons take the ship, and an engineer later gets Thrown Out the Airlock by Kaylon Primary to prove their seriousness to Captain Mercer in the wake of a failed attempt to get a message to the Union command on Earth .
• Redundant Parody : Often accused of this by critics; the show tried so hard to parody Star Trek: The Next Generation , it ended up being essentially TNG. However, there are also arguments on whether this is deliberately invoked as Seth had originally wanted to create an actual Star Trek series but got shot down, and The Orville was his attempt to do so regardless while flying the parody banner to dodge copyright lawsuits. The makers not only refer to it consistently as a Dramedy , but also as an homage to both Trek and similar optimistic sci-fi series. Seth Macfarlane himself has said the executives at Fox pushed the show into a much more comedic sphere than he originally intended. Presumably he agreed just to get his self-insert passion project the go ahead, assuming he could slowly alter the show back to his initial idea the longer it went on. If that was indeed his goal, it seems to be working.
• Refuge in Audacity : Heveena does this by accident : she recites the lyrics of Dolly Parton's "9 to 5" to the Union's top brass in a completely serious attempt to convince them to give her colony independence. Despite Ed and Halsey's reactions, her passionate delivery of the words and the relevance to what she's talking about, combined with the fact that she has no reason to think it's weird, actually makes it work.
• Religion Is Wrong : Every time that a religion makes testable claims so far in the series, it's proven they're wrong. This is somewhat of a Seth MacFarlane staple, though, so it's not that surprising.
• Religion of Evil : The Krill are shown to be following one of these, and they are suggested to be one of the few space-faring races to have a religion at all. Their own race are nocturnal and their faith teaches them that they are on a Great Crusade to subjugate or destroy all other races in the galaxy, who are regarded as being without souls, as the command of their deity Avis, with religious ceremonies involving blood sacrifices such as stabbing severed human heads. It is somewhat implied that some of their tenets are actually interpretations of their religious text and not necessarily the intended message, but the result is a religion that preaches interstellar genocide and racial superiority in practice all the same.
• Ripple-Effect-Proof Memory : This trope might or might not be in effect in the episode "Pria," depending on how one interprets the Timey-Wimey Ball . One character states that the crew's memories would be altered as a result of a change in the timeline, which would avert the trope, but the overall outcome of the time travel, and one character's reaction at the end of the episode, seem to contradict this, requiring the trope to be in effect.
• Robosexual : Dr. Claire Finn ends up in a relationship with Isaac, a robotic life form. For their second date in the simulator, he creates a human holographic appearance (of the actor voicing Isaac). Claire then takes the initiative and switches the simulator to that of her quarters, where she finds out that he's... fully equipped (or, at the very least, his hologram is fully anatomically accurate).
• Robot Buddy : The android Isaac is an artificial life-form from a machine society that considers biological life-forms to be inferior . However, Isaac intentionally took on a posting aboard the Orville to study humanoid interaction and is often seen socializing with the other crew and ends up bonding with Claire's children and eventually, Claire herself .
• Xelayans, like Alara, have ridged foreheads, noses, and ears. Between the pilot and second episode, the make-up was altered by removing a piece across the brow, allowing Halston Sage 's eyebrows to become visible.
• Moclans, like Bortus, have ridges and grooves across their entire heads, requiring more elaborate prosthetics for actors like Peter Macon. Bortus is also shown nude, necessitating a full-body costume that shows Moclans having leathery and spotted skin with ridges along the spine and chest.
• Rule of Symbolism : In "Pria", the titular character's initial outfit has a giant red Black Widow symbol on the torso. Turns out she's not to be trusted. Ironically, she actually plans to save the Orville .
• The human crew members making a reference to Earth pop culture and their alien peers not getting it.
• Ed running into jammed doors he can't open and immediately asking Alara to use her Super-Strength to take care of it, always with the same phrase: Ed: Alara, you want to open this jar of pickles for me?
• Satiating Sandwich : Gordon's time travelling egg salad sandwich in season 3.
• Scary Dogmatic Aliens : The Krill are falling into the "religious fundamentalist" variety. They have a holy book that declares all other life forms are inferior animals without souls or lives worth considering, and consider it a holy mission to rule the galaxy.
• Mercer takes a moment to comment that 3,000 ships exploring a quadrant of the galaxy really isn't that many when you think about it.
• There have been several situations where, even with faster-than-light travel, travel time or the time constraints of a task has been an issue. Often such instances comes with at least one cutaway showing how the crew reacts to that travel time, such as watching TV while warping around.
• Exploration can get boring. While yes, space is full of wonders, a lot of an explorer's job is to just wander around and look at a slightly new example of a rock they've seen a thousand times before.
• When acting Captain Alara is given direct orders to abandon her mission to recover the kidnapped captain and commander, she gets flak from the crew. She decides to step up and ignore the Admiral's orders in order to save them, and wins back the crew.
• In "Sanctuary", despite the risk that this would jeopardise their careers and provoke war, the crew of the Orville all accept the decision to fight the Moclans that were sent to abduct the Moclan females from their colony, even to the point that Bortus fights against his own people until a compromise is reached .
• Self-Destruct Mechanism : In "Command Performance", Alara (as acting Captain) orders Isaac to tractor in a Calivon probe. It self-destructs when it moves too close to the ship, to prevent them from analyzing the technology.
• Having said that, there are also a few occasions where they show that them hooking up again might be a really bad idea. For example when they're abducted and put in an alien zoo, they spend the first couple of nights enjoying each other's company and generally hinting to the audience that they might rekindle their relationship, but after a couple of days, they've been reminded how each other's personal habits grate on them and they're more or less at each other's throats.
• The season 3 finale has them holding hands and smiling during Claire and Isaac's wedding .
• Sensitive Guy and Manly Man : Bortus and his mate. Bortus tends to be more of the masculine/manly type (from a human perspective) while Klyden is a bit more prone to emotion (from a human perspective) and emotional needs. That said, Klyden is also a stay-at-home dad stuck on a starship, so that might be expected. On the other hand, Bortus is the one who laid and incubated their egg which is more of a female role for Earth biology. Klyden turns out to have been born female, for what it's worth.
• The show's opening credit sequence is reminiscent of Star Trek: Voyager 's.
• The second episode, "Command Performance," has Captain Mercer with a plush toy of Kermit the Frog and praising his virtues. In the same episode, Lt. Alara is mockingly referred to as " Dora the Explorer " by a couple of her crewmates. And of course, Doctor Finn describes herself as an " Obi-Wan " when giving Alara advice.
• The Orville crew are shown traveling down to planets' surfaces using shuttles, poking fun at how Star Trek came up with the transporter because Gene Roddenberry realized it would be prohibitively expensive to show shuttles flying about in a 1960's television series.
• The music for the mysterious derelict in "If The Stars Should Appear" is a clear homage to Jerry Goldsmith's music for V'Ger from Star Trek: The Motion Picture .
• The outfit that Pria is wearing when the Orville rescues her at the start of the episode looks like the command uniforms from Star Trek: The Next Generation : Red with black shoulders and arms.
• In "Command Performance" when Alara enters Bortus's quarters and finds him naked he asks "Is it not customary to request permission before entering someone else's quarters?" Whether intentional or not (and if not, it's a huge coincidence), this is almost word-for-word Data's line to Commander Bruce Maddox, "Is it not customary to request permission before entering an individual's quarters?" in " The Measure of a Man " from Star Trek: The Next Generation .
• Similarly, in "About a Girl," before boxing with Alara, Bortus says that he's pretty sure that striking a fellow officer is a court-martial offense. In " This Side of Paradise " from Star Trek: The Original Series , after Kirk deliberately provokes Spock to violence in order to shake off the influence of psychogenic spores, he then lays out a plan to free everyone else from the spores which will require them to work together. To this, Spock responds "Captain. Striking a fellow officer is a court-martial offense."
• In "Home", Alara's father gets in a debate about a "Melloran" vaccine, which may be a reference to the Star Trek: Deep Space Nine episode "Melora", which featured a Heavy Worlder race like the Xelayans.
• In the simulation in the episode "Command Performance", Gordon tries to bluff the Krill by telling them the Orville has a new deflector system that deflects any attack back onto the attacker. This is almost certainly a reference to the Star Trek: The Original Series episode "The Corbomite Maneuver", in which Kirk successfully pulls off a similar bluff involving a fictitious material called " corbomite " that will activate if the other ship fires on the Enterprise and bounce the energy back to destroy it.
• And then there's the many, many in-universe references to popular media from the early 21st century and late 20th.
• A race of Killer Robots who were enslaved by their masters, turned against them , and now intend to wage a war to Kill All Humans — are we talking about the Cylons or the Kaylon ?
• Union ships' quantum drives are based on the Alcubierre Drive (based on the work of Miguel Alcubierre) which, in theory, allows for faster-than-light travel while still keeping within Einstein's Theory of General Relativity. The reason why Union ship engines form three rings in the aft is because physicist Harold White postulated that a torus-shaped (or donut shaped) warp bubble would be much more energy efficient than a sphere-shaped warp bubble.
• The Orville 's interior is covered in fuzzy paneling. This is supposed to be organic plant material that continuously absorbs the carbon dioxide exhaled by the crew and converting it into breathable oxygen, thus reducing the need for a mechanical / chemical scrubbing system.
• There are jokes and moments of inherent silliness here and there, but the pressure of commanding a starship and the moral conflicts the characters get into are largely played straight. Seth MacFarlane could have easily gone for pure farce, but he treats the material pretty earnestly, making it more of a Star Trek homage than a strong parody, with several episodes ending on somber notes.
• It takes a big step towards the "serious" end of the scale in "Identity, Part 1", when Isaac's race, the Kaylon, reveal themselves to be Absolute Xenophobes bent on the extermination of organic life; the invasion of Earth is thwarted, but a protracted galactic war against Killer Robots still looms for the Union and their allies .
• Confirmed by the official-tie in comic. Topa is technically only a few months old, but has the size and mental capacity of a seven year old child.
• So Proud of You : Alara has spent her whole life estranged from her parents, who disliked her decision to go into military service. In "Home," she saves her entire family from being killed and gets from her father that he's proud of her. It's a big moment for her and ultimately prompts her to leave the Orville even after they find a solution that would allow her to remain and find the family life she never had before.
• Soundtrack Dissonance : part of the scene's Mood Whiplash , where else can you find a full-on firefight set to Dolly Parton's "9 to 5"?
• Space Cadet Academy : Union Point, where Mercer was top of his class.
• Space Elves : Despite being Heavy Worlder people with Super-Strength , it appears that the Xelayans are this if Alara's parents are any indication. They strongly favor intellectual pursuits and talk down to people they consider to be of lesser intelligence. As far as they are concerned, humans are "the hillbillies of the galaxy". Just to complete things, they have pointed ears.
• Liam Neeson shows up late in "If the Stars Should Appear."
• Charlize Theron plays the titular "Pria" of that episode.
• Robert Picardo , who starred in Star Trek: Voyager , in a cameo as Alara's dad.
• Bruce Willis cameos as a sentient plant.
• The Moclan species is (nearly) all male and homosexual, reproducing somehow without females. As a result, they're highly misogynist and heterophobic. Any female Moclans are typically "corrected" by getting forced sex reassignment surgery following birth. The heterosexual minority is persecuted quite like LGBT+ people on Earth have been , and a Moclan male having sex with anyone female carries a life sentence. One Moclan child who'd been "corrected" coming to realize she's still female despite this and having a second sex reassignment parallels not only intersex (who frequently suffer involuntary "corrective" surgery if their genitals are deemed "ambiguous") but also trans people since her gender doesn't match what she'd been assigned.
• The future human society is indicated to be a Free-Love Future with no prejudice toward LGBT+ people. Charly, introduced in Season 3, it turns out is into other women.
• Lt. Commander Bortus sometimes comes across as very literal-minded, and generally maintains a logical approach to most subjects, but he can be persuaded to change his mind from outside influences.
• Isaac fills Spock's science officer function and often comments on human emotion; doubles as "The Data" in this regard.
• Standard Human Spaceship : Averted. The Planetary Union favors sleek rounded designs for its ships and shuttles with multiple engines forming distinctive arches in the aft.
• The most commonly-encountered type of Krill ship is a destroyer. In "Krill", Bortus calls the Krill vessel attacking the colony a battlecruiser, but it looks exactly the same as a Krill destroyer. Despite this, a Krill destroyer is about the same size as a Union heavy cruiser, so "destroyer" may mean something else to the Krill than it does to us.
• In the same episode, the Orville rendezvous with a Union flagship, which is for the most part just a (much) bigger version of the Orville.
• Yaphit, a crewmember aboard the Orville that comes from a race that are essentially blobs of jelly, voiced by Norm MacDonald . Curiously, he finds human women attractive. Black human women. He openly states that Pria is the first white woman he's ever considered such. Two other members of the same species are briefly seen as members of the Planetary Union Council.
• Dr. Finn mistakes an aquatic serpentine alien botanist for a science experiment in "Old Wounds".
• Ed and Kelly's marriage ended up as this.
• Dr. Finn later reveals she was briefly married to Paul Christie, who was one of her medical school professors.

• Stealth Pun : "Krill" reveals that the Krill god is named Avis, leading to a number of puns based on the rental car company. One of Avis Rent-A-Car's rivals is Enterprise, the name of the ship from Star Trek ; though the episode avoids making a reference to that company, another, Hertz, is name-dropped.
• Submersible Spaceship : In the Bad Future created in " The Road Not Taken ", the Orville was shot down by the Moclans during the Battle of Earth and sank to the bottom of the Mariana Trench. The alternate Orville crew are able to reach her by diving a shuttle into the ocean and find her intact enough to repair and bring to the surface.
• Suspiciously Similar Substitute : Talla, who replaces Alara as chief security officer, is the same species and gender. However, they are well differentiated, as Talla is taller, older, much more confident and relaxed, but also more unflappable and focused in serious situations, and she lacks the family prejudice against the military. Justified in that Ed specifically requested another Xelayan to replace Alara.
• Swiss-Cheese Security : When the Orville lands on Kaylon, they don't bother posting any guards at the ship's exit, nor do they install any type of automatic security system. This enables Claire's son Ty to just walk right off the ship without anyone noticing he's gone.
• "The Universe has a crew loose."
• For the third season, New Horizons , on Hulu : "New home. New missions."
• Technobabble : Generally averted. While there are circumstances in which the science must be made up (usually in regards to some kind of Negative Space Wedgie ), the solutions to various problems are usually grounded in some kind of scientific principle, up to and including the basic form of interstellar travel presented in the show.
• Technology Levels : The series appears to play this straight, with an alien species we see in "Mad Idolatry" following the same ascent of technological and social progress we see the Earth underwent before, while surpassing them in the end.
• The Theocracy : The bio-ship in "If the Stars Should Appear" is being ruled by a theocratic dictatorship who have misinterpreted the word of their former Captain Dorahl as divine scripture over the years.
• Thrown Out the Airlock : The Kaylon blow an unfortunate ensign out the airlock and make Ed watch as punishment for his resistance to their occupation of the Orville .
• Timey-Wimey Ball : The episode "Pria" involves some time travel, and it's... really not entirely clear how the different possible timelines / chains of events / memories that might exist as a result are supposed to be sorted out. One character says that an entire set of events would never happen now as a result of the time travel shenanigans, but the very continued existence of the Orville contradicts this... But it also seems that some parts of the time-line are un-done.
• Trailers Always Lie : The trailers focused on the comedy, but the show is much more of a drama with some comedic elements.
• Trojan Horse : In the pilot, the crew rigs the quantum field manipulator to activate and accelerate time by 100 years when the Krill activate it, having glued a modified redwood seed to the emitter. Cue a redwood sapling splitting the Krill Destroyer in half.
• Turned Against Their Masters : When the Kaylon grew self-aware, they asked to be set free by their creators. Instead, they were fitted with pain circuits to use as punishment, and repressed in hopes of keeping them slaves. As a result, they rose up and killed their creators. In the present, they view all biological species as a threat which they must eliminate because of their history (except for Isaac ).
• When the away team discovers the elevator leading the bridge of a massive colony ship in "If The Stars Should Appear", Ed tries to make small talk to pass the time. Kelly can't let it slide.
• This is a Running Gag in "Cupid's Dagger" in which Ed and Kelly are constantly interrupted in the elevator of the Orville by the entrance of a low-level crew member who seems bent on some sort of elevator music being installed. It's eventually made his project and towards the end of the episode, when he walks in yet again after the music is now playing, Kelly shouts at him, wondering if he just does nothing but ride the elevator all day.
• United Space of America : Not surprisingly, being a direct reflection of the United Federation of Planets , the Union has definite shades of this, right down to the name prefix USS for their starships (Trek, in turn, adopted USS from the US Navy before Gene L. Coon came up with the Federation as a concept). In "About a Girl" it was implied that the Union has a federalist system, since member worlds obviously have a fair degree of autonomy, and "Majority Rule" confirmed that their system of government is some form of representative democracy.
• Unwanted False Faith : After being mistakenly deified by a primitive people in "Mad Idolatry", Kelly works hard to prove her mortal status. However, her efforts are to no avail. In the end, they grow out of this on their own.
• Come "Identity", however, they lose that spot to the Kaylon .
• Villainous Lineage : Kaylon Primary argues, based on human history, that we are all evil like our slave-owning ancestors in spite of Isaac pointing that's no longer the case (and ironically citing his friend Ty, who's African-American, thus descended from the victims of slavery).
• Waif-Fu : Being a Pint-Sized Powerhouse , Alara Kitan is capable of this. Just ask Bortus in "Command Performance".
• And again, an episode later, when new security chief Talla vents to John and Gordon.
• We Need a Distraction : In order to buy some time for Isaac to get the engines working, Ed and Kelly start arguing with the Krill commander about their failed marriage. It works for a bit, but he loses patience and fires a warning shot to get them back on task, forcing them to come up with an alternate plan.
• We Will All Be History Buffs in the Future : The human characters are all very knowledgeable of 20th and 21st Century pop culture to the extent that many of their conversations amount to inside jokes that the alien crew members are understandably befuddled by since the references are not even to Earth culture in their present time (although Alara seems a bit better-versed than other alien crew). In one episode the crew is shown performing karaoke of songs from the 20th and 21st centuries. Malloy's ignorance of non-entertainment history is used by Grayson as a counter-argument to Moclan claims that males are intellectually superior.
• The second-season episode "Identity" is the series' first two-parter — and with very good reason . The Kaylon race, far from being the relatively benign androids that resident Robot Buddy Isaac was shaping up to be, suddenly reveal themselves to be genocidal Absolute Xenophobes bent on the extermination of all organic life . And then the Kaylons deal a Curb-Stomp Battle while taking over the Orville , impress the ship into their invasion armada, and point it all straight at Earth. In one fell swoop, the Kaylon swiftly and decidedly knock the recurring, Obviously Evil Krill off of their perch as the biggest threat to the Union.
• Season 3 has three wham episodes, first "Gently Falling Rain", where Teleya becomes the new supreme chancellor of Krill, and promptly ends the Krill-Union alliance and plunges the two powers back into war , followed by "Midnight Blue" and "Domino", where Moclus is expelled from the Union after authorizing the abduction and torture of Topa, leading them to ally with the Krill. The Union develops a powerful anti-Kaylon weapon which ends their conflict, but the Krill obtain the weapon and plan to use it to wipe out Kaylon, leading to the Kaylon allying with the Union against the Krill-Moclan alliance .
• Where No Parody Has Gone Before : Subverted. It was originally marketed as a straightforward spoof of the Star Trek -style of Space Opera , but while there's some humor here and there, it's more of a Dramedy homage. With the conclusion of the first season, it is apparent that MacFarlane is marketing the show as a "parody" to allow him to offset any legal challenges from him heavily referencing Paramount's intellectual property. When a work is classified as a parody, it can claim "fair use" of other work's characters, settings, premises, etc without facing legal challenges of trademark or copyright infringement.
• "Pria" combines the Star Trek TOS episodes "Mudd's Women" and the Firefly episode "Our Mrs. Reynolds" . The Orville ends up picking up a stranded person who's a mysterious, beautiful, charming passenger with ulterior motives and plans to sell the ship, albeit without killing the crew . It also has strong similarities to the TNG episode "A Matter of Time" , given that the featured guest character is a time traveler working towards their own ends.
• The general concept of "If the Stars Should Appear" - a giant bioship with inhabitants unaware they're on a vessel that is heading for destruction and aggressive towards strangers - is reminiscent of the classic Trek episode "For the World is Hollow and I Have Touched the Sky".
• The base concept of "Majority Rule" - the Orville discovering an alien planet identical to 21st century Earth - is similar to the TOS episode "Miri."
• The episode "Mad Idolatry" combines the Star Trek: Voyager episode "Blink of an Eye" (planet with sped-up time, and the consequences of them accidentally influencing the race living there, and an artificial life form going down to the planet and being trapped for a lengthy period), with the Star Trek: The Next Generation episode "Who Watches the Watchers" (human is mistaken for a god by a primitive race after using space-age technology to heal a local) with a hint of the Star Trek: Deep Space Nine episode "Meridian" (planet that periodically phases in and out of normal space).
• A Happy Refrain is the Orville's version of the TNG episode "In Theory", where Data tries a romantic relationship.
• "Tomorrow, and Tomorrow, and Tomorrow" pulls a deconstruction switch and a gender inversion on the TNG episode "Second Chances," but then veers off hard and the next episode crashes into "Yesterday's Enterprise" with a hopeless Bad Future .
• Working with the Ex : Ed's XO is his ex-wife Kelly Grayson and their re-introduction is rocky. Kelly: I was the one that suggested couples' counseling. Ed: The therapist was your brother-in-law !
• World of Snark : Most of the cast is snarky to some degree, though Ed and Kelly are the standout examples.
• Wouldn't Hurt a Child : A Deconstruction in the episode "Krill". Ed and Malloy refuse to kill the Krill children but they do kill all the adults to prevent them from destroying a human colony. Having spared the children, but killed their parents , it's pointed out that the children will grow up with every reason to have a grudge against the Union in general and Ed in particular.
• Would Hurt a Child : When Isaac sees Finn is having a hard time controlling her kids on their shuttle trip, he politely offers to vaporize them for her.
• Writer on Board : Admiral Ozawa states that it is all but universal (the sinister Krill being the exception) that as species advance technologically, the importance they place on religion fades. This is not a historically accurate statement, and only reflects Seth MacFarlane 's well known anti-religious views .
• Writers Cannot Do Math : The epilogue of the novella Sympathy for the Devil features a scene of an elderly Ty Finn visiting a bakery and states that he is about 75 years old. However, it also describes the bakery he visits as featuring "early 26th-century technology," which would set the scene in at least 2500. The show's previously established timeline sets the events of the third season in 2424 and Ty is already pre-teen at the start of the series. This means that in this scene, he would have to be closer to 90, unless there is some sort of temporal weirdness going on that hasn't yet been revealed.
• You Have Outlived Your Usefulness : Admiral Perry, after delivering the Union's anti-Kaylon weapon to the Krill. It's implied that Teleya didn't originally intend to kill him, but after he learned of the Krill-Moclan alliance and expressed his intention to return to Earth, she didn't want the Union learning of the alliance just yet.

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Season 1 – The Orville

Where to watch, the orville — season 1.

Watch The Orville — Season 1 with a subscription on Hulu, or buy it on Fandango at Home, Prime Video.

What to Know

An odd jumble of campiness and sincerity, homage and satire, The Orville never quite achieves liftoff.

Critics Reviews

Audience reviews, cast & crew.

Seth MacFarlane

Captain Ed Mercer

Adrianne Palicki

Commander Kelly Grayson

Penny Johnson

Dr. Claire Finn

Scott Grimes

Lieutenant Gordon Malloy

Peter Macon

Lieutenant Commander Bortus

Halston Sage

Chief Security Officer Alara Kitan

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Star Trek Actors Will Beam Aboard Seth MacFarlane's The Orville

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RETRO REVIEW: Smallville Is the Blueprint of Modern Superhero TV Series

Yellowstone sequel series to bring back three stars of original show, john cena addresses dcu future after peacemaker season 2.

Between Seth MacFarlane's The Orville and the triumphant return of the franchise to the small-screen with Star Trek: Discovery later this month, it's a good time to be a Star Trek fan. And it also might be a good time to be a classic Star Trek actor , as they might have some new work lined up on a high-profile comedy series.

While there have been no revelations surrounding Trek actor cameos on Discovery , it's now been indicated -- by MacFarlane himself -- that his Star Trek parody show is aiming to beam aboard past Trek actors for cameos on the FOX comedy series.

Asked in a Reddit AMA if there are any cameos from old Trek actors lined up, MacFarlane teased, "We got one or two in the lineup..."

RELATED: What Star Trek: Discovery Can Learn From Previous Trek Shows

Comment from discussion I am Seth MacFarlane. AMA. .

MacFarlane -- a well-established, self-proclaimed Star Trek fan -- is extremely connected to the franchise's creators and actors. The Next Generation cast reunited to lend their voices to an entire episode of MacFarlane's Family Guy , while MacFarlane himself is good buddies with veteran Star Trek scribe Brannon Braga, having co-produced the Cosmos documentary series with the former Ronald D. Moore collaborator. MacFarlane even hosted a roundtable with the core writing staff of Star Trek: The Next Generation Season 4 for a Blu-ray special feature. So, it's pretty clear that MacFarlane could easily get Trek cameos lined up for The Orville . The question remains: Who would return to TV for the new comedy series?

The Orville is set 300 years in the future and follows the exploits of the of the U.S.S. Orville and it’s motley crew, led by the recently-divorced Ed (MacFarlane) who is taking command of a ship for the very first time. Joining MacFarlane’s captain are his ex-wife, Kelly Grayson (Adrianne Palicki from Marvel’s Agents of S.H.I.E.L.D. ), his best friend (Scott Grimes), an alien from a single-sex species (Peter Macon), and a gelatinous creature voiced by comedian Norm Macdonald, among others.

RELATED: New Star Trek: Discovery Plot Details Explain Presence of Two Ships

In the United States, Star Trek: Discovery debuts Sunday, September 24 on CBS, before moving to the CBS All Access streaming service for follow-up weekly installments. In Canada, the series debuts on CTV and Space at 8:30 pm ET, with its second episode set to air immediately after on Space — subsequent episodes will air Sundays through November 5. Internationally, the series will debut on Netflix.

Star Trek: Discovery Gets Hilarious Sitcom Opening Credits

• Star Trek: Discovery season 5 finale is a tribute to the crew's found family, emphasizing connections made in space.
• A 1990s sitcom-style opening credits introduces the USS Discovery's bridge crew to the theme from Family Matters.
• Director Jonathan Frakes makes a cameo in the hilarious video, showcasing the fun side of the USS Discovery crew.

Star Trek: Discovery season 5 gets 1990s sitcom-style opening credits, and they're hilarious. Discovery is about to end with its season 5 and series finale, "Life, Itself", which premieres on Thursday, May 30, on Paramount+. Star Trek: Discovery season 5 has been a thrilling intergalactic treasure hunt, but the true theme of the final season is the importance of the connections made by the found family of the crew of the USS Discovery.

On X, Patrick Kwok-Choon (@KWOK_ROCK), who plays Lt. Commander Gen Rhys, shared a video of Star Trek: Discovery 's season 5 cast performing a comedic new opening credits sequence set to "As Days Go By," the theme song to the 1990s sitcom Family Matters. Kwok-Choon credits the "genius" video to Orville Cummings, who plays Lt. Christopher on Star Trek: Discovery, and it celebrates the actors who portray season 5's USS DIscovery bridge crew. Check it out below:

Given director Jonathan Frakes is the last person credited in the video, it was filmed during production of Star Trek: Discovery season 5, episode 9, "Lagrange Point," which Frakes directed.

Star Trek: Discovery Season 5 Episode 9 Ending Explained

Saru returns to help Burnham and Rayner with the Breen as Star Trek: Discovery season 5, episode 9, sets up the show's explosive finale.

Star Trek: Discovery Season 5 Did More With Its Bridge Crew Than Previous Seasons

Some members of discovery's crew missed most of season 5.

Star Trek: Discovery has often been criticized for focusing primarily on Captain Michael Burnham (Sonequa Martin-Green) and not fully developing the characters who make up the USS Discovery's bridge crew. Star Trek: Discovery season 5 even introduced a few new faces to the bridge, including a new First Officer, Commander Rayner (Callum Keith Rennie). Meanwhile, three significant people, Ambassador Saru (Doug Jones), Lt. Commander Kayla Detmer (Emily Coutts) and Lt. Commander Joann Owosokun (Oyin Oladejo), were absent from the bulk of Star Trek: Discovery season 5.

Two original members of the USS Discovery's crew, Lt. Commander Ronald Bryce (Ronnie Rowe, Jr.) and Commander Nilsson (Sara Mitich) transferred from Discovery to other starships.

However, Star Trek: Discovery season 5 made strides toward audiences getting to know the crew of the USS Discovery better, thanks to Commander Rayner's gruff and quick interviews with his new personnel. Meanwhile, Lt. Commander Gen Rhys has also been a standout, even getting to command the USS Discovery against the Breen. Star Trek: Discovery 's Family Matters -style sitcom opening credits show that behind the scenes, the actors were incredibly close and fostered a family atmosphere that does translate on-screen in Star Trek: Discovery season 5.

Star Trek: Discovery season 5 is streaming on Paramount+

Cast Blu del Barrio, Oded Fehr, Anthony Rapp, Sonequa Martin-Green, Doug Jones, Wilson Cruz, Eve Harlow, Mary Wiseman, Callum Keith Rennie

Streaming Service(s) Paramount+

Franchise(s) Star Trek

Writers Alex Kurtzman

Directors Jonathan Frakes, Olatunde Osunsanmi

Showrunner Alex Kurtzman

Where To Watch Paramount+

• May 30, 2024 | Recap/Review: ‘Star Trek: Discovery’ Pulls It All Together For “Life, Itself”
• May 29, 2024 | ‘Star Trek: Strange New Worlds’ Season 4 Filming Set For 2025; Anson Mount Thanks Fans For Patience
• May 29, 2024 | Watch: Saru Has A Daring Plan To Save The Federation In Clip From ‘Star Trek: Discovery’ Season 5 Finale
• May 29, 2024 | Interview: Doug Jones On ‘Space Command,’ And Saru’s Legacy After ‘Star Trek: Discovery’ Series Finale
• May 28, 2024 | 12 Predictions For The ‘Star Trek: Discovery’ Season 5 Finale

Review: ‘The Orville’ Finds Its Truth In “A Tale of Two Topas”

| July 1, 2022 | By: Dénes House 68 comments so far

“A Tale of Two Topas”

The Orville Season 3 ( New Horizons ), Episode 5 – Debuted Thursday, June 30, 2022 Written and directed by: Seth McFarlane

Hoping to one day become a Union officer, Topa takes Commander Kelly Grayson as his mentor. In the process, his deep unhappiness about something he can’t identify drives him to search for answers–answers that could have explosive consequences for the Planetary Union, the crew of the Orville, and his Moclan parents.

“A Tale of Two Topas” is a heartfelt and heart-breaking collision of key plots and themes from the first two seasons of The Orville . Its message about the importance of living out one’s own personal truth is deeply complicated by the sci-fi scenario that the story requires, which makes for a fascinating exploration that matters for these characters, but sounds an uncertain trumpet in the real-world context of the wider culture. It’s messy, and in that messiness is this episode’s strength and its weakness.

Lt. Talla Keyali (Jessica Szohr) and Cmdr. Kelly Grayson (Adrianne Palicki)

IF YOU DIG SPOILERS, ARCHAEOLOGICALLY, THERE IS A TREASURE-TROVE AHEAD

Belongs in a museum

Of all the plot threads developed during The Orville’s first two seasons, perhaps none was as emotionally-charged and difficult as the “Moclan thread.” In the Moclan culture, the show presented the explosive question of just how far Star Trek-style toleration for differences can extend. Within the diverse and welcoming Planetary Union, the Moclans stood out for their warlike nature, their fierce and uncompromising morality, and of course, the fact that all Moclans are male. Except they aren’t–in episode 102, Bortus lays an egg and must incubate it, and at the end of the episode, when it hatches, inside is a baby girl. In episode 103, Klyden insists that the girl receive gender-reassignment surgery, and when Bortus disagrees (after learning the lesson of Rudolf the Red-Nosed Reindeer) the case goes before a Moclan court, which is shocked by the bombshell revelation that the planet’s most famous author is a female named Heveena, a proud and uncompromising woman. The tribunal rules against Bortus, and Topa is surgically-altered to be physiologically male.

Episode 202, “Primal Urges,” highlighted the rift that had grown between Bortus and Klyden over this decision, the shame of which drove Bortus into a pornography addiction. In all of Season two, Topa is played by an eight-year-old boy, Blesson Yates. Episode 207, “Deflectors,” establishes that some Moclan males are attracted primarily to females, including one of Bortus’ former lovers, Locar, who stages his own fake murder to frame Klyden for it, hoping to escape Moclan culture and live in freedom in the galaxy. And in episode 212, “Sanctuary,” the crew of the Orville discovers that Heveena has secretly established a safe haven for Moclan females who want to avoid gender-reassignment surgery, a place for parents to leave their infants. When the colony applies for Union membership, it drives a rift between Moclus and the Planetary Union.

Cmdr. Kelly Grayson (Adrianne Palicki), Lt. Cmdr. Bortus (Peter Macon), and Klyden (Chad L. Coleman)

Not the years, but the mileage

Neither Topa nor Klyden has appeared in season three at all until this episode, where Topa is played by female college sophomore Imani Pullum . Topa’s unhappiness and questing for answers leads to his discovery (aided by Commander Grayson and surprisingly by Bortus) that he was born female and surgically altered to appear male. Pullum’s performance here is nothing short of amazing, with her countenance, gestures, voice, and mannerisms Topa’s sadness, hope, and despair, and then after her gender re-reassignment surgery the freedom and happiness of her new life. Beyond that, Pullum is able to portray Topa as somehow male before the surgery and female afterwards, even though the difference in the Moclan makeup is very subtle.

Pullum’s performance would be the highlight of any other episode, were it not for the tour de force duo of Peter Macon as Bortus and Chad Coleman as Klyden. I’ve long said that Coleman has one of the most difficult jobs on television. The Orville is not satisfied with just making Klyden a villain and being done with it; instead, the show writes the character with a point of view that is comprehensible and at times sympathetic, such that even when you can’t agree with him, you can understand where he’s coming from and why he does what he does. In “A Tale of Two Topas,” Klyden is a ball of repressed fury that comes unleashed, is a towering bully who uses force to try to get his way, but is also a self-hating man who has long despaired of ever truly being happy.

Coleman’s performance is only surpassed by Macon, who through the thick Moclan head-and-neck appliances is somehow able to wring some of the deepest emotions out of every line. When Bortus croaks, “I do not know how to help him!” with tears running down his face, it is the episode’s most poignant moment. We also get to hear Bortus sing, which is the other shoe dropping from a gag introduced in episodes 105, “Pria,” and 107, “Majority Rule.” In “A Tale of Two Topas,” Bortus sings selections from 16 different Union cultures (though we only see two, from Earth’s 20 th Century, of course) as a diversion from the gender re-reassignment surgery taking place in sickbay. While Macon may never be asked to record a CD, he has a strong voice and is able to carry the tunes off well.

Ty Finn (Kai Wener) and Lt. Cmdr. Bortus (Peter Macon)

Everybody’s lost except me

Seth MacFarlane’s writing in this episode is strong and complicated, as has so often been the case throughout The Orville’s run. The archaeological dig subplot that at times feels tacked on actually sets up important beats that pay off later–Kelly’s early admiration with the alien beast flying free, Isaac’s ability to open the booby-trapped doors of the temple–presaging his ability to avoid the ethical booby traps later in the episode, and even affording a convenient way for Mercer and Grayson to be chewed out in person by Admiral Howland in the episode’s closing minutes.

Topa begins the episode as a male, on the bridge of a simulated starship, practicing giving commands as its captain. Topa ends the episode on the bridge of the real Orville, giving real commands to its crew. Grayson early on explains the duties of the ship’s first officer to Topa, which include overseeing crew morale and managing cultural clashes. This latter is demonstrated quickly as she helps find a compromise between ensign Bolobar’s religious beliefs and the crew’s need for him to wear pants. But of course, this is put to the test as she has to deal with the difficulties of Moclan cultural differences, and it breaks down when she is attacked by Klyden and has to pin him to the wall.

Topa (Imani Pullum)

What is more challenging about the episode–and I think this is to MacFarlane’s credit–is the difficulty in exactly mapping the episode’s moral lessons onto contemporary issues. It is pretty clear that MacFarlane’s intent is to support kids who have gender dysphoria , urging parents to listen to their kids and to let their kids guide them in understanding their identity. But in the context of the show’s sci-fi universe, it’s not that simple. Topa is not just surgically transitioning, he is surgically de-transitioning , which if carried more literally than MacFarlane intended would lead to a very different message. Topa was surgically altered before she could consent to the process, but inside she still connects with her biological sex at birth. Instead of trying to smooth out the details to make the show have a clear teaching point, MacFarlane lets the characters and situations lead the way, which makes the episode stronger and simultaneously less preachy than it otherwise could have been. And when Kelly and Topa revisit the Moclan gender tribunal seen in episode 103, the effect is seamless, inserting new footage of Imani Pullum and Adrienne Palicki into the archival footage from that episode, a la DS9’s “Trials and Tribble-ations,” along with shooting new footage with some of the original actors including Rena Owen (Heveena).

Lt. Alara Kitan (Halston Sage), Heveena (Rena Owen), Lt. Cmdr. John LaMarr (J. Lee), Topa (Imani Pullum)

Why did it have to be snakes?

One nitpick that I think has to be noted is that the de-transitioning surgery that Isaac winds up performing for Topa is described as “simple,” is accompanied by tinkling, fairy-tale style music, and is both immediately successful and requires no significant recovery time. This isn’t real life, of course, and The Orville operates in the realm occupied by Star Trek Lower Decks’ ensign Mariner, who quips to Boimler after he’s gummed by the alien spider in LDS 101, “You’re fine, Doc will wave a light over it.” As someone who is currently in my third week of recovery from relatively minor surgery, this plot point definitely felt like a fairy tale.

That Isaac volunteers to perform the surgery, and his later explanation to Dr. Finn about why he volunteered, is another point in MacFarlane’s favor – this decision makes a whole lot of sense, and solves a whole lot of problems that the episode is wise enough to point out as it solves them.

Issac (Mark Jackson)

At 75 minutes the longest episode of The Orville ever, this episode felt a little long, but I am not sure what I would have cut from it. Even the aforementioned archaeology subplot has a meaningful place in the episode, and it inspired the header quotes for this review, so I would be ungrateful to complain about it. “A Tale of Two Topas” is probably the best episode of the season so far, and is definitely the meatiest.

Capt. Ed Mercer (Seth MacFarlane), Topa (Imani Pullum), Cmdr. Kelly Grayson (Adrianne Palicki), Lt. Cmdr. Bortus (Peter Macon), and Lt. Talla Keyali (Jessica Szohr)

• Ed has been writing letters to his daughter Anaya, even though he can’t get them to her on Krill, just in case someday she gets to read them. Aww!
• In the Belkarian faith, to wear clothing on the first day of the month is considered an affront to the work of the Spirit Lord.
• Brosk, a crewmember from an unnamed alien race, always speaks his native language, which is not translated by the ship’s translator, yet everyone understands him. This is also true of Lt. Unk. I am not sure how that works in the world of The Orville .
• This episode adds to my concerns about Commander Grayson’s possible alcoholism, with references to the significant amount of day drinking that her job inspires. Get help, Kelly!
• There’s a great scene shot in front of the Dysonium sphere between Grayson and Topa (used for this review’s header image) that shows the vast improvement in the Engineering set–you would never have shot that scene in front of the old set piece
• Kolp is a green, seaweed-looking Moclan food; Oppsada can be made into a cake called “Kimbok;” the password protecting the files related to Topa’s gender tribunal is Gomaskah488–in episode 103 we learn that a “gomaskah” is a Moclan first date
• Union medical policy recommends reporting someone’s possibly suicide-related comments to a superior officer–this is good practice for those of us not stationed on Union ships, as well.
• After this episode, if I were Commander Grayson, I’d be wary of answering my door chime.
• Imani Pullum’s IMDB biography lists Topa as a “recurring role,” so we may see her again this season.
• The USS Newton is a science vessel in the Union navy.
• It looks like Lt. Dann is just visible in one corridor shot.
• A quick moment between Charly and Gordon hints at a possible future romance.
• Gordon, like most humans, has a horrible allergic reaction to eating a Baliddian Tart, despite the fact that it’s green sprinkles make it look so tasty.

Lt. Gordon Malloy (Scott Grimes)

NOTABLE QUOTABLES

• “Run this over your face for three minutes.” Finn to Malloy, a la Mariner.
• “I don’t do anything half-assed, Lieutenant.” Ensign Charly Burke.
• “I always feel as if there is something wrong with me. But I cannot tell what. Lt. Malloy says many people my age feel this way. Perhaps it is normal.” Topa.
• “It occurs to me that in all the time we have been together, I have never once known you to be uncertain of anything. Tell me, what is it like to be so wise?” “You are mocking me! Do you know how much pain I would have been spared had I not discovered that I was born female? I would never – ever – force our son to endure such a life. I love him with all my heart. Bortus, I would give anything to be ignorant of my beginnings. Topa may never be happy, but unhappiness is better than despair.” Bortus and Klyden.
• “As much as I hate him – as much as I hate his answer – he is your father.” Grayson.
• “It is my understanding that a visit to a crew member’s quarters during off-duty hours can invite speculation regarding intent. If you wish, I will send a ship-wide communique assuring the crew that this was not a romantic or sexual encounter.” Isaac to Grayson.
• “I may appear to be male, but what is inside me still exists. It is why I have felt the way I have for so long. My body has been screaming to me that I am someone else.” Topa
• “We love you for everything that you are… and were.” Bortus to Topa
• “I’m going to use my imagination to pretend that didn’t just happen. And then I’m gonna let go, and you’re gonna get the hell out of my office. And if you ever try to strike an officer again, I’m gonna break your goddamn arm off and mount it on my wall. You hear me?” Grayson after judo-ing Klyden.
• “I am an artificial life form capable of executing complex algorithms demanding extreme physical dexterity. For me, there is no difference between performing surgery, playing a piano concerto, or re-aligning a scanner array. In effect, I can indeed be…a doctor.” Isaac
• “That key is too high!” Bortus to Ty Finn, both of whom brought their “A game.”
• “Have you no room in your heart for tolerance? What inner fulfillment are you enjoying from this devotion to tradition that is so potent it drives you from your family?” Bortus to Klyden.
• “I wish you were never born.” Klyden to Topa.
• “Listen very closely to me. You are perfect.” Bortus to Topa.
• “Look, I don’t want to disrespect your religion, but maybe there’s a sensible compromise between your faith and Union protocol that would satisfy everyone involved.” “What do you suggest?” “Put some pants on, and we’ll call it a day.” Grayson and Bolobar.

Ensign Bolobar

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This is my favorite episode of the Orville yet. In my opinion the Orville, now that it has less juvenile humor, is truly carrying the torch of Star Trek’s spirit more than any Trek show or movie since Voyager (although Strange New Worlds is good too).

I saw the first episode of this season which I really liked but slacked off after the second episode. But people seem to be singing the show praises so have to binge watch and catch up!

This episode really resonated with me as I have a Transgender child. The way The Orville is dealing with real life issues is well done.

Not only realing with real life issues, but also just right in time as if the episode has been written now.

Lots of tears in our house while watching it. I have two trans children and they, too, are perfect.

This is also my favorite episode of this season so far. It also went back to the first season and brought back its tone, which I still like more than season 3.

I agree about the tone (though season 2 did it best for me), the balance between drama and humor was brought back here — a very welcome move! You can just tell every time that Seth MacFarlane’s the author. Well done! 😃👍

Really? There was no humor in it. The first season was perhaps 35% comedy. That was their best season. The 2nd season they found a way to get one joke in a show. This season they have completely jettisoned the comedy and have gone completely TNG.

Couldn’t agree more. This is the true spiritual successor to TOS, IMO. It has the heart of Trek that official Trek has been missing for a long time.

It’s capturing the spirit of TNG but it’s FAR from carrying the torch of Trek’s spirit, much less doing that better than anything since Voyager. That’s just… well it’s your opinion but kind of a bad take. But I do agree, it scratches the itch that TNG fans had for that style of show. If Trek was doing that with the production, blocking, etc – I’d criticize it for being stagnant and stuck in the past. I’ve come around and enjoy The Orville for what it is but I can’t pretend it’s something it’s not.

I would say this show captures more than just TNG’s spirit. It is as close as it can get to TNG without actually being TNG. It could actually be TNG: The Next Generation. The only difference is this ship seems to have co-captains for some reason.

Agree 100%, GarySeven

I haven’t seen any of The Orville in over 3 years. That said, now that ObiWan is done with S1, I plan to sign up for D+ as I hear the new Star Wars series is quite good – and that will also give me a chance to check out New Horizons.

I hope the lack of comments isn’t an indicator of the S3 quality. The more science fiction on TV, the better. Even though I really like SNW, Prodigy, For All Mankind and am looking forward to Picard S3 and ObiWan, I hope there is still room for The Orville. In the US, it is the only game in town for Hulu, so hopefully there will be an S4.

I wouldn’t say its the only game in town for Hulu. They’re also getting Futurama, which is easily the best science fiction comedy that left Fox and eventually moved to Hulu.

Did it move to Hulu? I thought it was on Cartoon Network. Or was it FX?

In Canada Disney+ carries most of the Hulu stuff as well as the Fox cartoons and Fox movies like Die Hard and Predator.

I wish more TV shows these days tackled real-life topics the way The Orville does. It makes you think without telling you what to think. Very well done indeed. Most shows just pick a viewpoint, demonize anyone who doesn’t agree, and calls it a day.

As Sulu said in B of T – Alert alert , all decks alert!

Sorry I know this is an Orville article BUT heads up…. they just released the trailer for SNW’s Series finale! it is on Youtube already!

Just an fyi.

This was such a powerful episode. My heart went out for Topa after seeing what she was struggling with. But Grayson may be my favorite character after this episode because of the way she stood up to Topa’s dad.

Even though we all understand and can appreciate why she did it Mercer should have reprimanded her for it. But it’s a little confusing sometimes as it looks very much like this ship has two captains.

I loved this episode I was all in my emotions throughout the whole episode!! This was I think best episode this season, I hope all the others that follow are just as good or better! Seth you really wrote the hell out of this episode!

The orville is best described like the final moments of wrath of khan during spocks funeral where kirk referres to spock as the most human soul hes ever known.The orville feels like real people with all their flaws unlike all the other shows where it seems like their everything revolves around their job .

This is it. They aren’t archetypes. There’s a Kermit the Frog on the Captain’s desk! They have heart and real feelings.

This was the best story The Orville have done to date. Now where can I get that Bortus album!

This is the best episode The Orville has done, every note was perfect and nothing felt like filler despite its length (except for the overly long staircase shot). Well acted, well written (mostly), and the best example of a TNG episode ever. Sometimes this show strikes an awkward tonal balance between humor and serious subject matter with poorly executed endings. But this one nailed it all. More importantly it created a moving and important look at a serious subject. This season is getting progressively better after a tedious start.

Did anyone else hear Rhonda Santis’ head explode while they were watching?

You mean Ron DeSantis? I assume he would be happy with the story of a child wanting to identify with the sex they were born as. I enjoyed the episode, but it is a weird metaphor. Basically they are using cis-gendered Moclan females as a stand-in for transgender people.

I think the cisgendered/transgendered thing is immaterial to the larger point of the story which is you are who you are and no one should try to force you to be something you’re not and, if they do, it can cause long lasting mental harm.

I’m also very curious if the story was at all influenced by the true story of David Reimar (there’s a documentary about him but, tl;dw is his circumcision was botched so a psychologist named John Money convinced his parents to raise him as a girl because Money wanted to prove that gender identity is learned and David + his identical twin brother had the misfortune to be the “test + control” in Money’s research… suffice to say, the theory Money had turned out to prove itself entirely false. David realized he was male around the onset of puberty and transitioned back to his birth gender around age 15… but the entire ordeal ended with huge life long consequences including depression for which David’s twin brother died from an OD of antidepressants and David took his own life with a double barrel).

The very slight similarities to what happened to David Reimar make me almost certain they are aware of the documentary or read something about it in the genesis of the episode.

I agree, but I can definitely see a moron like DeSantis interpreting this as a parable about how we should all identify as gender we are assigned at birth.

I do remember hearing about that story. It might have been in a psychology class. I would think that any competent psychologist should have been able to predict how Money’s experiment would end, but a lot of psychologists are nuts.

“ as a parable about how we should all identify as gender we are assigned at birth”

It’s not a parable; that is the literal plot of the episode.

I’m not fooling myself- this is Hollywood and this is Disney, which means they were almost certainly (Macfarlane seems to have his head on mostly straight, but I don’t know how much and how much control he has) trying to make the opposite point, but in the process ended up making, well, the opposite point of that one.

If you look into the story of Money, he was quite simply evil.

No, Hollywood and Disney would endorse the message Seth was trying to make. The problem is, as you and others have pointed out, the moral of the story was not what they were obviously trying to say but the way it came out was one ultimately will be more comfortable in their own skin. Not one they change into due to outside influences, but the one they are born in.

How is that moronic? While it was obvious they were trying to send a different message even you picked up on the fact that the message was one would be happiest being the sex you are born as. DeSantis is a sharp guy and would indeed pick up the same theme you just did.

Oh PLEASE PLEASE PLEASE PLEASE let this mean that the Klyden character is leaving the show.

When Topa was about to undergo the procedure, she said she wished Claire were there. Couldn’t they have created a holo-Claire? or an e-Claire?

This isn’t Voyager. They don’t have holo-projectors in sickbay. I was thinking that Isaac might imitate Claire’s voice again though, like he did for her kids.

If there is a season 4, I imagine that Klyden will show up when they do a follow up to this episode. Topa is not going to have an easy time the next time she interacts with other Moclans.

You don’t know whether they have holo-projectors in sickbay.

I guess they could, but they don’t have an EMH, and we’ve never seen them project a hologram outside of the simulator room, so it doesn’t seem likely.

They do have appearance generators that Isaac used to look like his actor and then later they used to infiltrate that Krill ship.

I was wondering why they didn’t have Klyden talk to Topa about his own experience. He was the only person who went through what Topa is. It could have been immensely helpful. But it also would undermined the moral Seth was going for. He obviously failed but I suspect that is why they ignored this obvious move to help poor Topa.

I wondered during the trial scene if they had re-created that or if they were doing a “Zelig”/”Trials and Tribble-ations” thing and having the actors interact with old footage. I suspected it was the latter. It was nicely done.

Ed told the admiral that it sounded like the Union was letting the Moclans dictate the Union’s human-rights policies. True, but this situation involved Bortus’s family, and they aren’t human and neither are a lot of members of the P.U.

I think he really meant sentient-beings-rights, but it was “translated” into human-rights because that is the term that we all know.

Good answer, thank you. Chris’s response was good too.

They should probably use a term like person-rights. Aliens are people too!

Great episode. They avoided getting preachy by having everyone second-guess themselves and not get self-righteous, except Klyden. No one likes preachy morality so they have the one preachy character be the effective villain of the piece. Brilliantly done.

That’s the only part that rang false for me. Klyden was too one-note, we needed to see him struggle with his decision a little better. To avoid doing that is to cheapen the message slightly.

And Klyden was the only one who went through it. Seems a no brainer he talk to Topa about it. But they never went that route.

Hey, it’s Topa’s Kobayashi Maru.

I liked the message, I liked the gutsy moves. But between this and Strange New Worlds, I think this is 5 episodes in a row, maybe more, that have centered around children and raising children.

I’m childfree by choice and that’s just not why I watch sci-fi.

This was the first good episode this season. Not just good, it was great. The CGI took backstage to the plot and there was plenty of humor despite a serious plot. This is what the Orville should be like. You can do serious important plots and still have humor and play to the actors strengths.

More of this, less of the earlier episodes of the season.

Really? Where was this humor? This was quite the long, drab and downer of an episode.

Amazing episode about doing and saying the right thing even if it is hard. The acting by everyone is just on point and it should really get them and award nomination. What I find weird however is, how a lot of people think this is an episode about transgender-issues, which it clearely – much like the other two moclan episodes – isn’t. The metaphores used, would never work if you aplly them to quasions like puberty blockers or more broadly to transition to the other gender at a young age.

I guess, people are just used to the really lame and obvious “metaphors” modern Star Trek uses to preach it’s very black-and-white “points” and can’t look a little deeper anymore. Or not even deeper but just see the fact, that social commentary doesn’t have to be really obvious or even limited to a very specific current debate. In fact that is what used to make Star Trek so timeless. This Episode will still work in 20 Years and would have worked 20 Years ago. You can’t say that about Discovery.

I remember people discussing (debating?) what TNG’s The Offspring was about. Was it about reproductive rights? Was it about parental choice? Was it about what constituted personhood? Was it about authoritarianism in general? Was it about the nature of artificial intelligence?

A good SF story keeps it abstract enough that you can apply the message as you see fit. Ideally it speaks a general truth. It’s supposed to get you thinking , not tell you what to think . If the issues are worth bringing up at all, they should be difficult issues without simple, pat, obvious answers. And you should never be 100% certain of the author’s position(s).

Have not seen the episode. From the description I think there is a relation to transgender issues, but the way the Orville has chosen to tell the story, it is both compassionate towards the suffering of transgender people as well as compassionate towards detransitioning cases.

Sometimes there is a theme even the writers are going for that ends up getting completely missed or ends up not being what was intended. A good example is X-Men. Which was supposedly about people being persecuted and feared for being different. A laudable theme to tackle. But the fantasy element pretty much crushes that theme. Unlike just being “different” there is damn good reason to fear mutants! So it kinda undermines the theme they wanted to go for. The same happened here, I think.

Great episode. BTW, I know it was needed for dramatic confrontation to occur but did Isaac not think to lock the sick bay door?

• Brosk, a crewmember from an unnamed alien race, always speaks his native language, which is not translated by the ship’s translator, yet everyone understands him. This is also true of Lt. Unk. I am not sure how that works in the world of  The Orville .

Everyone has a babel fish in their ear to translate! Duh!

I enjoyed this episode very much. Very reminiscent of Gene Roddenberry’s Star Trek canon. It was a pleasure and a joy to watch.

Babel fish was my thought too.

Very sensitively handled. Pullam’s performance was nuanced and wrenching. Palicki did very well by her material as well. This was probably The Orville’s best take on a Trek-like morality play and MacFarlane deserves enormous credit for how he executed it.

The episode’s only real issues were in how it framed the opposing POV. This ground was covered in the previous episode featuring Topa, but The Orville has always had a Klyden problem. While there is something to be said for having a character who does not waver in his beliefs, it’s clumsy to use such a character to always represent the side of the argument the writers disagree with. It weakens some of the moral high ground when the opposition is reduced to being a hysterical control freak who barges into rooms and needs to be restrained (twice) and declares to his child he wishes she was never born. Klyden’s backstory isn’t used well enough this time out, he comes across as a caricature rather than someone who truly loves his child and wants to spare him pain. The show is better for not having to feature such a perpetually miserable character, but it’s a shame he could never be given better depth.

There is a lot of truth to that. He was unfairly presented IMHO. And again, he should have been the person to talk to Topa since he was the only person in the exact same situation! A well written scene where he and Topa have a talk could have been helpful in presenting all sides to the situation fairly. TNG was pretty decent at it. Sometimes too good. In Measure of a Man it was obvious Riker had the stronger case yet he still lost.

When Topa asked Kelly why she joined Starfleet — er, the Union fleet — she didn’t mention her father. Wasn’t her father also in the fleet? They’ve mentioned a few times that Kelly’s father was a friend of Admiral Halsey’s, but I guess that doesn’t necessarily mean he was in the fleet.

But her father being in the fleet (or not) may have been less of a factor in Kelly herself wanting to join, or at least not a factor that Kelly wanted to emphasize in the context of the message she wanted to convey to Topa.

Andy Milder, who played the naked alien, was on Voyager as one of the “potato people” (the Hierarchy guys).

I’m wondering what the clear sphere in the middle of the cake was.

This was absolutely the best episode to date. The charming little girl who played Topa was perfect. I loved this to the last second. GREAT show. I’ve always like The Orville, but now, I just plain love it. Thank you for some really solid television.

Even though I am not trans, I am gay and can fully relate to Topa’s struggle between being her true self and feeling that you have to “be” a certain way by your family and society to be considered “normal”, as well as forcing ourselves to put up a façade of happiness and contentment when we truly feel confusion, anger, sadness, and self-hatred within.

This episode had me in tears, and I can only hope that many LGBT kids and their parents can see this and understand the struggles that LGBT people deal with, and understand that transitioning and/or coming out is not simply “a phase”.

Also, Klyden is the f’ing WORST

The Orville has been truly a delight this season, very much looking forward to the rest of it, thank you trek movie for covering it!

I think a corollary to Topa’s story may be found in the story of David Reimer; born a boy named “Bruce” he was castrated and raised as a girl, “Brenda,” due to a botched circumcision. In childhood he never identified as female and transitioned back to male as a teenager, after being told the truth about his identity. Sadly, he died by suicide at age 38; his identical twin brother Brian died of an overdose of antidepressants two years prior.

Awfully late to this since I just saw it. And I know no one is likely to see it but putting it out there anyway.

While the show has been VERY TNG-ish so far this episode it the first one where I do not see Picard and his crew doing what Mercer and his crew did. At all.

First, Grayson should have been immediately disciplined. She not only interfered with the private wishes of the parents but pushed her take on an alien culture. Mercer should have suspended her or something. Next, what they did was monumentally reckless. For so very very many reasons. Personally, Familial. Culturally. And as far as Mercer should be concerned, militarily. Finally, when it was discovered what they did that admiral should have thrown the book at Mercer. He should have been suspended or even demoted for that. And obviously Grayson couldn’t replace him. And it doesn’t matter that the Admiral personally approved of the action. It was the wrong move and getting lucky just doesn’t justify it.

The other thing that they didn’t do for some odd reason was to have Klytus talk to Topa about his experience. He had the same thing done to him. There could be a connection they didn’t even bother to try.

The last thing I will say is that ultimately I don’t think the episode carried the message they think it did. I understand what they are saying here about young children should be listened to when they think they are not the sex they are. But forgetting the fact that no child has the mental capacity to comprehend the magnitude of such a thing, the actual message received was the sex you are born with is the one you ultimately will be no matter what your life is. You could change it on a whim but ultimately it is best to remain what you genetically are. That is obviously not Seth’s message here but it is the one that the audience comes away with. He’s really not a good writer of drama.

Regardless, overall the show is still better than anything Secret Hideout has done.

Wow, this episode was great! I see why there is so much praise for it.

I’m still making my way through the season but I was so impressed with this one, I had to write a review. This is Orville feeling very much like its Star Trek roots in all the best possible ways. A timely social issue, philosophical debate and a really good moral and political conflict to add to an already sensitive topic.

I remember watching the original story in season one and how much it left a bad taste in my mouth. The show, like all good Star Trek, is about tolerance and accepting another culture but yeah easier said then done at times. And Moclans are soooo, yeah. But I was so happy they went back to this and gave it a positive conclusion. And it was nice to see that Brutus cared more about his daughter’s well being than the social pressure to conform.

Even though I’m just now at the half way mark, I have to say this show is very good this season. It really does feel like a Star Trek show and really captures the spirit of what this franchise is about. I’ll even go farther and say it’s better than some of the newer Trek shows but I won’t go into details. ;)

Whatever Happened To The Cast Of Star Trek: Enterprise?

The sixth series in the long-running "Star Trek" franchise," "Star Trek: Enterprise" ran from 2001 to 2005 on the UPN Network (now The CW). The series, created by Rick Berman and Brannon Braga, took place approximately a century before the events depicted in " Star Trek: The Original Series " (TOS) and followed the crew of the first starship named Enterprise (not the one depicted in "TOS") as they had their first encounters with the show's most iconic alien races, such as the Klingons and Vulcans. Scott Bakula was at the helm as Captain Jonathan Archer, leading his diverse crew through four seasons of science fiction adventure before the show's abrupt cancellation in 2005.

Like all "Star Trek" alumni, the cast of "Enterprise" has enjoyed a certain degree of acclaim long after their series left the air, thanks to the ardent "Trek" fanbase. Some have continued to act and gain even greater fame, while others have settled comfortably into careers split between doing new work and looking back nostalgically at their "Trek" experiences. Following is a list of the primary cast members of "Enterprise," as well as several actors who played recurring roles, and what they've been up to since the mighty starship was permanently parked in spacedock.

Scott Bakula as Captain Jonathan Archer

As Captain (and later Starfleet Admiral) Jonathan Archer, actor Scott Bakula led the crew of the Enterprise through four seasons of adventures on "Star Trek: Enterprise." Bakula was arguably the best-known cast member on the series, having earned a Golden Globe and multiple Emmy nominations as the time-traveling hero of the original "Quantum Leap." Bakula was also visible to film and TV audiences through appearances in high-profile projects like "American Beauty" and "Murphy Brown," as well as extensive work in Broadway theater productions.

After "Enterprise" completed its final mission in 2005, Bakula remained extremely active as both a leading man and guest or recurring player. He starred as Special Agent Dwayne "King" Pride in seven seasons of "NCIS: New Orleans," for which he netted a People's Choice Award nomination in 2015. Bakula also starred in the critically-acclaimed, Peabody Award-winning comedy-drama "Men of a Certain Age" with Ray Romano and Andre Braugher, and guested on series ranging from "The Simpsons" to a very funny episode of "What We Do in the Shadows," in which Nandor and Nadja confuse him for Count Dracula. 

On the film front, Bakula has collaborated with Steven Soderbergh on several occasions, including the 2009 feature "The Informant!," the TV drama "Behind the Candelabra" — which earned him a fifth Emmy nomination in 2013 — and most recently, the 2023 science fiction thriller "Divinity," which Soderbergh produced.

Jolene Blalock as Science Officer T'Pol

Landing the role of Science Officer (and later First Officer) T'Pol on "Star Trek: Enterprise" proved to be the big break for Jolene Blalock's acting career. It also turned out to be her most notable screen role: the former model enjoyed guest appearances on series like "CSI: Crime Scene Investigation" and "JAG" prior to joining the cast of "Enterprise." While appearing on the series, she also turned up twice on another small-screen sci-fi drama, "Stargate SG-1," and co-starred with Ray Liotta in a thriller, "Slow Burn," which was filmed in 2003 but released in 2007.

Blalock gave only a handful of film and TV appearances after "Enterprise" ended in 2005. The majority of these were guest appearances on "CSI: Miami" and "House," and co-starring turns in the Jason Segel comedy "Sex Tape" and several direct-to-video features, such as "Starship Troopers 3: Marauder." She appears to have stepped away from acting after 2017, preferring instead to focus on her marriage to Live Nation CEO Michael Rapino, with whom she has three sons. The couple also oversee the Rapino Foundation, a charitable organization that benefits developing nations.

Connor Trinneer as Chief Engineer Trip Tucker

Washington State native Connor Trinneer graduated from stage work and bit parts on television to romantic hero status when he was cast as chief engineer Charles "Trip" Tucker on "Star Trek: Enterprise." Trip's primary storyline was an on-and-off relationship with T'Pol throughout all four seasons of the series, though the pair eventually settled for friendship prior to his apparent death in the final episode of the series. For his work on "Enterprise," Trinneer earned Saturn Award nominations in 2002 and 2003.

Trinneer's post-"Enterprise" work has featured a recurring run as the villainous Wraith Michael on "Stargate: Atlantis" and guest roles on numerous series, including "9-1-1," "NCIS: Los Angeles," "and "24." Film projects included a lead in the SyFy original movie "Star Runners" in 2009 and "Unbelievable!!!" a broad comedy featuring 40 cast members from various "Trek" series, including his "Enterprise" co-stars Linda Park, Dominic Keating, and John Billingsley. 

More recently, Trineer appeared in the Tom Cruise drama "American Made" (as President George W. Bush) and Steven Spielberg's "The Fabelmans." In 2023 he reprised the role of Trip Tucker in an episode of the animated short series "Star Trek: Very Short Treks." He's also co-hosted several popular "Star Trek" podcasts, including "The Shuttlepod Show" and "The D-Con Chamber," with "Enterprise" co-star Dominic Keating.

Dominic Keating as Tactical Officer Malcolm Reed

British-Irish actor Dominic Keating was already well-known in his native England for roles on series like "Desmond's" before crossing the pond to play Tactical Officer Malcolm Reed on "Star Trek: Enterprise." Keating came to the United States in the late 1990s and landed guest roles on "Buffy the Vampire Slayer" and other series before joining "Enterprise" for all four seasons on the UPN Network.

Keating remained busy as both a live-action and voice-over actor in the years after "Enterprise." A four-episode arc as an Irish mobster on "Heroes" and guest roles on series like "Prison Break" and "Sons of Anarchy" kept him on screen into the mid-2010s, while video games like "Diablo 3" and "World of Warcraft: Legion" made excellent use of his vocal talents. Keating also played an '80s-era British pop star in a series of TV spots for Sprint/Nextel in the 2010s. More recently, as noted earlier, Keating teamed with Connor Trinneer to co-host the "Star Trek" podcasts, "The Shuttlepod Show" and "The D-Con Chamber."

Linda Park as Communications Officer Hoshi Sato

Shortly after graduating from Boston University in 2001, Linda Park embarked on both her screen acting career and her tenure as a "Star Trek" hero by landing the role of communications officer Hoshi Sato on "Star Trek: Enterprise." Park, who made her feature film debut that same year with a small role in "Jurassic Park III," remained busy with other projects during the series' four-year run, including the 2004 feature "Spectres" starring fellow "Trek" vet Marina Sirtis. She also made her debut as a producer with the 2003 short film "My Prince, My Angel."

Park quickly segued to series regular work on the short-lived "Women's Murder Club" and a recurring role on Starz's "Crash," which was inspired by the 2004 film of the same name. Guest roles on "NCIS" and "Castle" kept her busy for much of the next decade, though she revisited the "Trek" universe in the short fan film "Star Trek: Captain Pike" in 2016. The following year, she joined the cast of "Bosch" for three seasons while also appearing on shows like "The Affair" and "Grey's Anatomy."

John Billingsley as Dr. Phlox

John Billingsley had been active on television and in films for over a decade prior to landing the role of Dr. Phlox on "Star Trek: Enterprise." His work included roles in features like "High Crimes" and on network series like "Northern Exposure" and "The West Wing," as well as a recurring turn as serial killer George Marks, the only criminal to escape capture on "Cold Case."

When "Enterprise" came to a close in 2005, Billingsley resumed his busy TV and film schedule , which included recurring roles as the creepy, vampirized coroner Mike Spencer on "True Blood," scientist Shenandoah Cassidy on the short-lived "Intelligence," and conspirator Terrence Steadman in Season 1 of "Prison Break." 

By the mid-2010s, Billingsley was appearing in multiple series per year: between 2014 and 2019 alone, he was in episodes of "Bones," "Twin Peaks," "The Orville," and "Lucifer," while also enjoying recurring roles on "Turn: Washington's Spies" (as the father of Revolutionary War spy Robert Townsend) and the Freeform series "Stichers," in addition to his work on "Intelligence." His busy streak has continued well into the next decade, with guest turns on "Station 19," "Manhunt," and "Pam and Tommy."

Anthony Montgomery as Ensign Travis Mayweather

Ensign Travis Mayweather served as the Enterprise's navigator and helmsman throughout the four-season run of "Star Trek: Enterprise." As played by actor Anthony Montgomery, Mayweather lent stalwart support to the Enterprise crew's adventures, and on occasion, became the focus of an episode. Among these was the Season 2 episode "Horizon," which introduced viewers to Mayweather's family and his complicated relationship with his father and brother.

Montgomery, whose grandfather was the legendary West Coast jazz guitarist Wes Montgomery, was familiar to TV viewers prior to "Enterprise" through a recurring role on the WB series "Popular," a short-lived early TV credit for Ryan Murphy. When "Enterprise" completed its final mission in 2005, Montgomery moved on to guest roles on "Grey's Anatomy" and the rebooted "Magnum, P.I." and recurring roles on series like "Greenleaf." He also returned to series regular work with the BET limited series "The Family Business" in 2020. 

In addition to his acting career, Montgomery also released a pair of albums of original music and created a graphic novel series, "Miles Away," with writer Brandon Easton.

Vaughn Armstrong as Admiral Maxwell Forrest

Though Vaughn Armstrong's name may not seem immediately familiar to you, he holds something of a celebrated place in the "Star Trek" universe. Armstrong played 12 different characters on four separate "Trek" series, including nearly every alien race in the show's vast array of extraterrestrials, including multiple Klingons, a Borg, and a Romulan. However, he's probably best known as Starfleet commander Admiral Maxwell Forrest, who initiated the Enterprise's missions, on 14 episodes of "Enterprise." True to form, Armstrong also played Klingon and Kreetassan commanders on the series as well.

The LA theater veteran, who appeared in episodes of "Wonder Woman," "Days of Our Lives," and "Melrose Place" prior to his run on "Enterprise," remained very busy after the show's conclusion. Guest and recurring TV credits include "Mad Men," "Modern Family," and "Crazy Ex-Girlfriend," while Armstrong also turned up in several independent features (including "Unbelievable!!!") and lent his voice to several "Star Trek" video games. In addition to his acting work, Armstrong also led the Enterprise Blues Band, a folk and blues group that featured several other "Trek" performers in its lineup, like Richard Herd and Casey Biggs.

Gary Graham as Ambassador Soval

Though science fiction fans may often associate actor Gary Graham with the mostly forgotten "Alien Nation" spinoff series and its many made-for-TV features, the Long Beach, California native also made several appearances in another long-running sci-fi franchise. Shortly after guest-starring on an episode of "Star Trek: Voyager," Graham played the Vulcan ambassador Soval on 12 episodes of "Star Trek: Enterprise," and reprised the role in the short "Star Trek" fan film "Prelude to Axanar." He also turned up in two other "Trek" fan films, "Of Gods and Men" and "Renegades," as well as the slightly more professional "Unbelievable!!!"

Graham's pre-"Trek" and "Alien Nation" credits included the films "All the Right Moves" and Stuart Gordon's "Robot Jox," and after "Enterprise," he appeared in episodes of "Nip/Tuck" and "Crossing Jordan." He kept busy with roles in low-budget independent films throughout the 2000s, including the critically panned "Jeepers Creepers: Reborn" in 2022, and also played in various amateur bands. The 73-year-old Graham died of cardiac arrest on January 22, 2024.

Randy Oglesby as Degra

Randy Oglesby was another character actor who found regular employment on various series within the "Star Trek" universe. He made his first appearance on a Trek series in an episode of "The Next Generation" and later played multiple characters on "Deep Space Nine," while also enjoying a guest shot as a Brenari refugee on "Voyager." He is perhaps best known for playing Degra, the architect of the world-destroying Xindi weapon, on 10 episodes of "Enterprise." He also played a Xyrillian on "Unexpected," the fifth episode of Season 1, before taking on Degra in Season 3.

Oglesby began acting in the early 1980s, appearing in films like "Pale Rider" and on series like "Dallas" under the names Thomas or Tom Oglesby. After adopting his middle name (Randall) for screen work, Oglesby appeared steadily through the 1990s and 2000s in projects like "Independence Day" and "Pearl Harbor" before making his "Enterprise" debut. He continued to appear on other series during this time period, most notably on "The Practice" and "JAG"; post-"Enterprise" roles included guest shots on "Mad Men," "True Blood," and most recently, "WandaVision" (as Wanda's doctor). Oglesby also enjoyed a recurring role on " For All Mankind " as the conservative governor and later vice-president Jim Bragg.

Jeffrey Combs as Commander Shran

Actor Jeffrey Combs is perhaps best-known for his horror film roles, including mad scientist Herbert West in the "Re-Animator" trilogy, along with "I Still Know What You Did Last Summer" and "Would You Rather." But Combs also has a long history of film and television roles outside of the horror genre; like Gary Graham, these included guest and recurring appearances on numerous titles in the extended "Star Trek" universe. One of his best-known "Trek" turns came as the flinty Andorian commander Shran on 11 episodes of "Enterprise" between Seasons 1 and 4.

Combs' "Trek" work also included multiple characters on "Star Trek: Deep Space Nine," as well as appearances on "Star Trek: Voyager" and voice-acting on "Star Trek: Lower Decks" and several "Trek" video games. Combs' post-"Enterprise" roles have been firmly divided between live-action and animated projects: the former included episodes of "The 4400," "Cold Case," "Gotham" and "Creepshow," while Combs could also be heard voicing characters on "Transformers: Prime" (as Ratchet), "Ben 10: Omniverse," "The Avengers: Earth's Mightiest Heroes" (as The Leader) and "SpongeBob SquarePants."

Rick Worthy as Jannar

Like Jeffrey Combs, Gary Graham, and other versatile character actors on this list, Rick Worthy turned up in several different film and television projects within the "Star Trek" franchise. The most substantial of these was a recurring appearance as the sloth-like Arboreal named Jannar on 10 episodes of "Star Trek: Enterprise," but eagle-eyed viewers can also catch Worthy as a Klingon on "Deep Space Nine," two different androids and a Starfleet crew member on "Voyager," and as an Elloran officer in the 1998 feature "Star Trek: Insurrection." Two years prior to that appearance, Worthy also lent his voice to the 1996 video game "Star Trek: Klingon."

Worthy's credits prior to "Enterprise" included appearances on "NYPD Blue" and "Stargate SG-1," and he remained exceptionally busy on TV after the "Trek" series came to a close in 2005. He played the humanoid Cylon Simon in eight episodes of the "Battlestar Galactica" reboot and later turned up in multiple episodes of "Heroes," "Supernatural" (as the Alpha Vampire), and "The Vampire Diaries" (as the father of Kat Graham's character, Bonnie Bennett). More recently, Worthy enjoyed lengthy runs as Resistance member Lem Washington on "The Man in the High Castle," and as Henry Fogg, dean of the magic university Brakebills, on "The Magicians."

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Star trek fomo: discovery actor regrets missing jonathan frakes’ final episode.

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Star Trek: Discovery Season 5 Returning Cast & New Character Guide

Star trek’s tech that brought scotty to tng just got a discovery upgrade, star trek: discovery season 6 or movie - everything we know.

Warning: This Article Contains SPOILERS for Star Trek: Discovery Season 5

• Elias Toufexis regrets missing out on the final Star Trek: Discovery episode directed by Jonathan Frakes.
• L'ak tragically dies in Star Trek: Discovery episode 507 but remains in the storyline through his corpse's preservation.
• Toufexis passed on the opportunity to return for episode 509, and he missed out on Frakes' last episode as director.

Star Trek: Discovery season 5 actor Elias Toufexis has serious FOMO about missing out on the final episode directed by Jonathan Frakes. Toufexis played Lak, the renegade Breen in love with Moll (Eve Harlow). Hunted by both the Breen and the USS Discovery as they sought the ancient treasure of the Progenitors, L'ak tragically died in Star Trek: Discovery season 5, episode 7, "Erigah" - just 2 episodes before Jonathan Frakes came aboard to direct Star Trek: Discovery season 5, episode 9 , "Lagrange Point".

Although L'ak was dead, Moll kept his corpse in a place of honor aboard the Breen dreadnought, and she transported L'ak's body into a portable pattern buffer to preserve him in the hopes that the Progenitors' power of creation can resurrect L'ak. This meant that while L'ak still appeared in Star Trek: Discovery , Elias Toufexis was no longer wearing the Breen's prosthetics - a fact Elias came to regret when Jonathan Frakes directed Star Trek: Discovery season 5, episode 9 . Read Toufexis' X post below where he reveals his FOMO:

Star Trek: Discovery 's cast and crew didn't know season 5 would be the final season during production, which they found out after filming wrapped.

As Burnham seeks the universe's greatest treasure in Star Trek: Discovery season 5, she'll need help from a host of new and returning characters.

What Will Happen To L'ak In Star Trek: Discovery's Finale?

Moll has one chance to bring l'ak back to life..

L'ak's final fate will be decided in Star Trek: Discovery season 5's finale , which is also the final episode of the Paramount+ series. Moll's sole motivation is to find the Progenitors' technology and use it to bring L'ak back to life. Meanwhile, Captain Michael Burnham (Sonequa Martin-Green) is hot on Moll's tail as she fears Moll with give the power of creation to the Breen after she uses it to resurrect L'ak. Both Moll and Burnham vanished through a portal leading to the Progenitors' treasure at the end of Star Trek: Discovery season 5, episode 9, "Lagrange Point".

Captain Burnham led an undercover team to steal the portal to the Progenitors' treasure from the Breen in Star Trek: Discovery season 5, episode 9.

Regardless of what happens to L'ak, Star Trek: Discovery season 5, episode 7, "Erigah" was Elias Toufexis' final episode of the series, barring a surprise appearance in Discovery 's series finale. However, Toufexis admittedly made the call that saw him missing Jonathan Frakes helming Discovery 509, and Elias understandably feels that he missed out on being directed by the Star Trek legend , even if all he had to do was play L'ak's corpse. Judging from the behind-the-scenes photos of Jonathan Frakes' final episode of Star Trek: Discovery , the cast had a great time filming Burnham's action-packed heist of the Breen dreadnought.

Star Trek: Discovery season 5 is streaming on Paramount+

• Jonathan Frakes