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London Grammar  

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Upcoming concerts (7)

Glastonbury Festival

Latitude Festival

Zénith de Paris - La Villette

Vorst Nationaal/Forest National

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Endorsing an electronic pop, fused with ambience and melancholy are London Grammar, who formed in 2011 and have since achieved a platinum record certification by the British Phonographic Industry Association, for their debut, “If You Wait”.

Originally from London, singer Hannah Reid and guitarist, Dan Rothman met in the halls of the University of Nottingham. The two started to collaborate, and were joined by Dominic “Dot” Major, on keyboard, djembe and drums the following year.

Together, the band moved to the capital to pursue a career as a band. They gained management and promotion, building up their support playing gigs at bars, working on their material. It wasn’t long before A&Rs were knocking on their doors, and they were later signed to Ministry of Sound. In their early career, they collaborated with Rollo Armstrong from Faithless and Liam How from Sneaker Pimps. It was on December 12th 2012 that the trio uploaded “Hey Now” to YouTube receiving critical acclaim, and plenty of attention.

The single “Wasting My Young Years” in June 2013 saw the single rise to 31 on the UK Singles Chart, they also collaborated with Disclosure on the song “Help Me Lose My Mind”, which was released the same month. The album, “If You Wait” followed the released of their song “Strong”, which made it to number 16 on the UK Singles Chart. “If You Wait”, released on September 9th 2013, sold upwards of 33,000 units in its first week, and made it to number 2 in the UK and Australia.

They have had their music feature on the Dior advertisement, have played “Strong” and “Wasting My Younger Years” on Late Night with Jimmy Fallon which was their debut on American television, and have won an Ivor Novello Award in the Best Song Musically and Lyrically category for “Strong”.

Live reviews

London Grammar - Hannah Reid is Sam Smith's female equivalent in terms of the BEST vocals in the UK right now. What a talented bunch they are. So another outstanding gig. It seems the music scene is pretty safe right now with a lot of super talented up and coming artists and bands. I think that i’ll begin with someone called Nick Mulvey. Well, what an amazingly talented guy he is. He came on stage as the second support act and the applause from the audience already gave us a clue that he was going to be good. I remember looking at the time and seeing that there was 45 minutes until London Grammar appeared and that I wouldn’t have minded one bit if he played for those 45 minutes. His passion and talent shine right through just by his voice alone, let alone his outstanding guitar playing. His band were also brilliant but I have to mention his double bass and bass guitar player. Another one whose skill and passion is shown through the way he played. If I had the opportunity to see Nick Mulvey again I would jump at the chance and dare you too also. Now onto London Grammar. A performance that left me speechless. Before they appeared, the crowd was already cheering and clapping and if that doesn’t create an atmosphere then I don’t know what does. The stunning vocals from Hannah Reid, awesome guitar playing from Dan Rothman and, one of the most skilled musicians I can think of; Dot Major all make up the lovely band. The piano playing, drum machine and the coolest drum solo all come from Dot which blew me away. Not forgetting that each member of London Grammar is insanely talented and, I’m pretty sure, have perfected what they do. I also have to mention the stunning light show that happened I think for every song. Out of the gigs I’ve been to, this one had the most incredible lighting. Their album is absolutely beautiful and although it’s impossible to pick a favourite, there’s one song that gets me every time and I almost shed a tear at the gig to ‘Sights’. It is the most beautiful and delicate song and speaks to me through the gorgeous chords used and I can’t put it into words how they do it, but it’s the chorus that gets me. There was a brilliant remix of a song they recorded with Disclosure ; ‘Help Me Lose My Mind’ which, I’m sure, put a smile on everyone’s faces. It seems that all the talent at the moment has occurred in the space of a year – Ella Eyre, Sam Smith, Gorgon City, Naughty Boy, just to mention a few. There were also about 6 violinists and cellists cleverly hidden away behind the band until they were needed, then a light shone on them and they owned the venue with the band. Overall it has to be the calmest gig I’ve ever been to and I thoroughly loved every minute of it and would do it again in the blink of an eye. Credit and thanks to London Grammar, Nick Mulvey and the rest of the musicians and crew. A lovely night and hope to see both of them again. By Amba Pattison

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Perfect! They were perfect , I've been to many concerts before , but this is the first time i enjoy a live performance more then recorded songs ! It was such an amazing and emotional performance ! While waiting outside BIEL, I heard one of the staff who watched them training on stage earlier that day saying : " This is the first time i witness a voice that is better live than recorded !" And I couldn't wait to see it happen ! He was right , we could see it from the crowd singing with Hannah , she just closed her eyes and smiled ! It was one of the best moments ! I believe they enjoyed their performance in Beirut as much as we all did . Another amazing moment was when , I was standing right in front of Dan staring at him and his guitar for a while and smiling , and he looked at me for a few seconds then he smiled and continued performing ! I know he doesn't remember it , but it was magical ! I do appreciate artists down to earth !! I even had the chance to meet them backstage and give them portraits i've drawn , and I was extremely happy , they reacted amazingly to the drawings , it made me feel so special and lucky!

I did the impossible to go to that concert , That I will never ever forget ! The music , The voice and the lighting ! perfect ! everything was perfect and not even one mistake . They used lighting in such an amazing way , it went very well with the music , and one of the best performances was metal & dust ( though it's not my favorite song) but the way they played it with drums and passion and amazingly warm stunning performance made it one of my Favorites songs that night ! Thank you London Grammar , Radio One , Poliakov vodka and whoever made this concert possible , Not to forget the Lebanese Band : MASHROU' LEILA !! Proud to be lebanese , Maria , ...

London Grammar sounded better live than they do on their CD and they totally blew me away! I’ve had their album for a while and sort of casually listened to it but only really latched on to a few of their songs. However, seeing them live was a completely different experience and it’s made me go back and re-listen to the album with a new appreciation for the music.

The first thing that really rose the bar for me was how flawless Hannah’s voice sounded. Sometimes when you see an artist live, they sound pitchy or just not quite like they do on a CD after all the editing, but Hannah never hit a bum note. Her voice is so rich and inviting that I was mesmerized. Dot really impressed me as well with the range of instruments he plays from different drums to the keyboard and Dan’s guitar provided a strong base for all their songs. To really round out the sound, they also revealed, after a few songs, a small group of violinists that added immense depth to the entire musical balance.

But the music wasn’t just the amazing part. They also had a ridiculously amazing light show, which just immersed me further in the music, and I found myself just staring at the stage, captivated.

For those of you that are Disclosure fans don’t worry, because they also do a rendition of “Help Me Lose My Mind” in a slightly different style that was awesome. I loved all of it so much that I’ve already bought tickets to see them again this summer.

London Grammar, have risen from a small living room-music band to one of the most popular of this time. The show opened not with a lot of the glim&glam, but with the whisper of the first notes and than that deep awesome voice of hers. The show was perfect! You could feel the bass and music rushing through your veins. We didn’t get any of her covers, however, they played almost the whole album, which she did perfectly. She sings live even better than on CD. Some songs were shortened, on the other side, they made a great expansion of the intro’s. During the song ‘stay awake’ she had some gigs with the other band members. Result: laughing while singing. It was great to see that they amused themselves as well. The only downside was that it only lasted an hour, I could have listened to her all night! All in all, a great performance and I would really recommend it to all the London Grammar fans out there. As for the band; keep up the good work, waiting impatiently for more.

The old sandstone buildings and tiered lawns of the Arts Centre in Fremantle was the venue for the debut of London Grammar as headline acts. I must admit some trepidation as to whether the complexity of their sound and the power and delicacy of Hannahs voice would translate well to the live venue.

I needn't have worried as from the opening bars of rooting for you with Hannah soaring unaccompanied through occasional barrages of sound all with exceptional musicianship from Dan on guitar and Dom on everything else, this was a gig to remember. The light show though simple was used to perfection and at times was gentle, at others brutal but always effective.

They endeared with their lighthearted banter and will be craved for the impression they left this cool Saturday evening.

As I drove home listening to their cd, the music was still beautiful but now somehow unfulfilling after such a powerful performance and leaves me impatient for the next time they visit.

Awesome job guys.

London Grammar is a trio of artists. They create a sound between the melancholic and the obscure, which brings the soul in a magic, far away world. A world dominated and enchanted by Hannah's pure voice. An universe with Dot's and Dan's perfect sound as landscape too.

They make you forget all your troubles, or better they express your inner problems in a poetic and almost mystic way. They seemed to be an only person, who dominated the scene for almost a hour and a half. They did not stop.. In order not to stop the dream too.

The acoustic support perfectly embraced Hannah's capacities, the light system was simple and effective. All was connected in an equilibrate way to offer to the 4000 people unforgettable memories.

I have to say I almost cried during "Hell to the Liars" and touched heaven with the last but not least "Metal and Dust"... My life's song, now and forever.

I was very lucky to attend the London Grammar show at Roundchapel in Hackney-tickets were very sought after as this was an intimate show-an audience of around 425 people!!The venue could not have been more perfect for the type of music London Grammar excel at...beautifully crafted ambient ballads...and the fantastic vocals of Hannah Reid sounded strong and beautiful as they echoed around this church space.They played new songs from their upcoming album as well as old established favourites like If You Wait and Strong.The band had apparently rehearsed and recorded demo,s for their new album at the Roundchapel and they did seem very comfortable in their surroundings tonight....a night to be cherished/remembered for quite awhile9/10

Great gig! Preceded by Until The Ribbon Breaks who we'd not heard of before and loved, we were excited to see London Grammar live. Thrilled that the sound of the band really accurately represented the studio album, especially the vocals of Hannah which were divine - some of the most accomplished I've heard live. Can't wait to hear more from them in 2015 and hope they return to Toronto before too long to give me a taste of home!

AMAZING!! I love these guys!

The one thing I would recommend you improve is that your sound crew needs to well, be slightly better. Your must has a lot of depth and detail and the sound was not clear. The low frequency was overloaded and sometimes blurred in quality. Overpowering the vocals in many moments. The band has spent a long time adding detail to the songs and they are not coming through clearly

The venue was a great choice for starters. The gig...well, what can I say! I had high hopes and wasn't disappointed...what a band! Hannah, Dan and Dot were superb...the subtlety and blend of the music, and the versatility and strength of Hannah's voice makes for a fantastic combination. It's what makes them so unique and compelling. Lomg may it continue...best British band for a very long time!

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London Grammar is not due to play near your location currently - but they are scheduled to play 7 concerts across 5 countries in 2024-2025. View all concerts.

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• Thu 25 Jul ➙ Sun 28 Jul Southwold, Henham Park Latitude Festival 2024 Kasabian, London Grammar, Keane, Duran Duran, Khruangbin… View tickets

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London Grammar announce first US tour (US)

UK-based trio London Grammar have announced their first US for September and October. The tour is in support of their highly anticipated debut album, If You Wait   will be available digitally in the US on September 10. The album features the recently released  Strong , which is gaining strong radio support in the UK and lighting up the blogosphere.

The album is a result of 18 painstaking months spent writing and recording. Heavily involved in every decision made on  If You Wait , the band handpicked their team, co-producing the album with Tim Bran (The Verve, Richard Ashcroft, La Roux) and Roy Kerr AKA The Freelance Hellraiser. Roc Nation’s KD (Outkast, Beyoncé, Jay-Z) was drafted to mix the album, with Grammy-winning Tom Coyne (Adele’s 21) joining them to master.

Tickets go on sale on August 9. For additional information on the tour visit http://www.londongrammar.com/live .

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London Grammar - The Greatest Love Arena Tour

London Grammar

Dance/electronic.

Listen to London Grammar’s pulsing new single ‘Into Gold’

The trio have also announced 2024 European tour dates

London Grammar have shared their pulsing new single ‘Into Gold’ and have announced a 2024 European arena tour.

• READ MORE: The  NME  Big Read – London Grammar: “I always end up being the only female in the room”

‘Into Gold’ features a soft pulsing beat with frontwoman Hannah Reid singing: “Make ashes from stone / All of these things that I’ve seen turn darkness into gold / And when I was made from the right kind of wrong / All of these things that I’ve seen turned darkness into gold, ” describing overcoming a tough situation.

Speaking about the track in a press release, Reid shared: “‘Into Gold’ is about mourning loss and overcoming heartbreak. It’s interesting, as I think it’s a bit more like old London Grammar. As much as I love our old music, I’ve definitely moved into a different phase where I notice how different my voice sounds on the older material; it’s a lot more sad.”

She continued: “I think in our newer material I might be touching on things that are sad but telling the story in more of a celebratory way. With Into Gold it’s been carved up and dressed up so beautifully by Dan and Dot.”

‘Into Gold’ marks the third single to be released from the band’s forthcoming LP ‘The Greatest Love’ which is set for release on September 13 ( pre-order/pre-save here ). It follows the previously released songs ‘ House ‘ and ‘Kind Of Man’.

The new release will mark the fourth studio album to be shared by the British trio, and the follow-up to the critically acclaimed ‘Californian Soil’ , which arrived back in 2021 and earned the band their second BRIT nomination.

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The album comes over a decade since the group – comprising Reid, Dot Major and Dan Rothman – first entered the industry, and “will see them celebrate a new chapter as they leave their past behind them and hone in on a newfound sense of freedom” according to a press release.

London Grammar are set to headline the Park stage at this year’s edition of Glastonbury this Sunday (June 30) and have also announced a handful of European tour dates that will kick off later this year. Check out the full list of dates below and visit here to purchase tickets .

London Grammar 2024 live dates are: 

JUNE 30 – Glastonbury, Pilton, UK

JULY 27 – Latitude Festival, Suffolk, UK

OCTOBER 31 – Zenith, Paris, France

NOVEMBER 1 – Forest National, Brussels, Belgium 3 – Ziggo Dome, Amsterdam, Netherlands 5 – Jahrhunderthalle, Frankfurt, Germany 7 – UFO Velodrome, Berlin, Germany

Speaking to NME last April , Major teased that London Grammar were “definitely getting there” with their next project. “We’re all really excited, because it’s been a little while – as it always is with us,” he explained.

This coincided with comments shared by Rothman in July 2022, when he told NME that the band had “been working on” their fourth album throughout the COVID-19 pandemic.

Similarly, London Grammar previously said in an interview with NME that their next LP could be their “best one yet” . At the time, Reid said it would contain “a lot of deep, philosophical questions about life, relationships and love”.

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London Grammar

London grammar concert setlists & tour dates, californian soil uk tour 2021 tour, upcoming shows.

• Date and Venue Doors Scheduled
• Jul 27 2024 Latitude Festival 2024 Southwold, England Add time Add time Add times
• Oct 31 2024 Le Zénith Paris, France Add time Add time Add times
• Nov 01 2024 Vorst Nationaal / Forest National Vorst / Forest, Belgium  –  Find tickets Add time Tickets Add time Add times
• Nov 03 2024 Ziggo Dome Amsterdam, Netherlands  –  Find tickets Add time Tickets Add time Add times
• Nov 05 2024 Jahrhunderthalle Frankfurt, Germany  –  Find tickets Add time  –  Scheduled: 8:00 PM Tickets Add time Add times 8:00 PM
• Nov 07 2024 UFO im Velodrom Berlin, Germany  –  Find tickets Add time Tickets Add time Add times

London Grammar at Glastonbury Festival 2024

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London Grammar at Radio 1's Big Weekend 2024

• Californian Soil
• Wasting My Young Years
• Baby It's You
• Kind of Man

London Grammar at Electric Picnic 2022

• Lord It's a Feeling
• How Does It Feel
• Hell to the Liars
• Metal & Dust
• Lose Your Head

London Grammar at Rock en Seine 2022

London grammar at hampden park, glasgow, scotland, london grammar at wembley stadium, london, england, london grammar at koning boudewijnstadium / stade roi baudouin, laken / laeken, belgium.

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• Hey Now ( 181 )
• Wasting My Young Years ( 179 )
• Strong ( 171 )
• Metal & Dust ( 157 )
• Sights ( 107 )

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London Grammar

The greatest love arena tour.

Fri 01.11.2024

London Grammar is coming to Forest National! Get ready for a night of musical fireworks as the dreamy sounds of London Grammar and the enchanting voice of lead singer Hannah Reid come together.

London Grammar ’s new album, ‘ The Greatest Love ’, is out now, and the popular British indie pop band is excited to present it at Forest National . London Grammar's concerts are known for their intense and captivating atmosphere, and this time will be no different. Experience how Hannah Reid 's unique voice can captivate an entire room and let yourself be swept away into the dreamy universe of London Grammar.

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Fri 01.11.2024 • Forest National

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London Grammar Tour 2024 - 2025

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About London Grammar

London Grammar are a British electronic pop trio formed by Hannah Reid, Dan Rothman and Dominic 'Dot' Major.[7] Their début EP, Metal & Dust, was released in February 2013 by Metal & Dust Recordings Ltd.

Discography

If you wait.

If You Wait is the debut studio album by English electronic music band London Grammar. It was released on 9 September 2013 on Metal & Dust Recordings, while being distributed... Read More

LONDON GRAMMAR

Eleven years after London Grammar’s double platinum-selling debut If You Wait, the band release their fourth album, The Greatest Love. It’s a celebration of creative freedom for a group who’ve carved a unique path, performing to stadium crowds while swerving celebrity. Having sold 3 million albums world-wide, with two #1 selling records, an Ivor Novello win and numerous BRIT Award nominations under their belts, Hannah Reid, Dan Rothman and Dot Major have enjoyed rare longevity and success for three musicians who met as teenagers at university. ‘Getting to this point is the proudest achievement of my life,’ says frontwoman and songwriter Hannah.

With this triumphant start to their second decade in the industry, they have doubled down on their musical instincts and found rebellious new confidence. ‘The last couple of years have changed our priorities and process as artists,’ says Hannah. ‘That is a big part of our story.’

As a young band keen to find their audience, they had held nothing back in promoting 2013’s game-changing If You Wait and 2017 follow-up Truth Is a Beautiful Thing , which hit number one. ‘It was drummed into us early that you had to kill yourself on the road if you wanted to get anywhere, and that is true, to an extent,’ says Hannah, who recently welcomed her first child. ‘If it starts coming at the cost of the creative process, though, there’s no point in doing any of it.’

Hannah lives with the chronic pain condition fibromyalgia, which can be triggered by stress. In the build-up to their third album, Californian Soil , she was focused on preserving her energy in preparation for promoting the record. ‘We were so geared up to release it,’ she recalls. ‘I knew I’d have to get through a lot of shows, so I’d got myself really fit and healthy – but then lockdown hit. Suddenly we had no idea whether we’d be able to tour.’

Their uncertainty about the future was a wake-up call. ‘It felt possible that we might not do another gig for years. We had to ask ourselves: if we’re not touring, what do we want to do?’

The question was revelatory. ‘We realised that writing songs, and making art that makes us happy, is actually the job,’ says Hannah. ‘Nothing else really matters.’ Californian Soil had explored her experiences of misogyny in music, but now that the band had more unscheduled time to talk, she realised that Dan and Dot had also been bruised by the industry. ‘It had made all three of us insecure in different ways, but suddenly we were spending hours making music and talking – it was like band therapy.’

‘In the past we’ve been surrounded by very masculine behaviour, and it became problematic,’ agrees Dan. ‘I think Dot and I are part of the generation of men who’ve crossed over and become more conscious of how that behaviour affected us and rubbed off on us – and that awareness has helped us to become happier as a band.’

Californian Soil was released in 2021 and became another number-one album; once restrictions eased, the band performed their biggest UK tour to date, including two gigs at Alexandra Palace for which they sold 35,000 tickets in a day. They went on to play to over 700,000 fans on Coldplay’s 2022 stadium tour.

Now they return with The Greatest Love , the fruit of a joyfully creative period. It delivers the heartrending lyrics and celestial vocals that London Grammar fans adore, but includes moments of real freedom and celebration. Opening track House sets the tone. Over a driving beat – set to fill dancefloors all year – comes an uncompromising lyric: This is my place, my house, my rules. ‘It’s about drawing boundaries around yourself,’ says Hannah, who is now thirty-four. ‘When I hit my thirties, my mindset shifted, and I no longer felt like a victim of anything – it all felt within my power. I thought, making music should be fun, and we’re gonna make that happen.’

The London Grammar sound is as genre-blending as ever, moving smoothly from electronica to pop. The album’s second track, Fakest Bitch, is a ballad accompanied by stripped-back piano and guitar – yet its razor-sharp lyrics provide a satisfying contrast. Don’t turn to me with the driest tears that you’ve been faking for years, sings Hannah, addressing a (fictional) frenemy with that immaculate voice. She’s ‘obsessed’ with the track, she says; it was written in an hour, and features the original demo vocal. ‘It also makes me a little uncomfortable, which I think is a good sign,’ she laughs. ‘It came out so quickly, and the lyrics are savage but some of my best.’

London Grammar produced the majority of the album themselves. ‘When we were a young band, we found magic with older, very experienced producers, and that was important – we learnt a lot,’ she says. ‘But now we’re becoming those people, and that means that we can be really prolific and self-reliant.’ The band trust their own judgement more: ‘We no longer care what anyone else thinks. If we love it, we do it.’

That’s why they defiantly named the album after its final track The Greatest Love , a song that represents a newfound confidence in their craft. ‘That song is like a symbol of us believing in ourselves,’ says Dan. ‘When we first worked on it, we came out of the studio like, “This is the best thing we’ve ever done!”

The production of You and I , a letter to Hannah’s younger self with an epic Ibizan-sunset sound that’s reminiscent of the late Nineties, also helped them lean into their instincts. ‘It’s about things that I wish I’d known. I wrote it six or seven years ago, and at the time, it was written off,’ she says. ‘When we came across it again, we couldn’t believe that. We really went for it, with strings and a children’s choir – and I love it.’

The three band members all have independent projects, which has enhanced the music they make together: Hannah paints and writes songs; Dot is a DJ who releases electronic music; and Dan produces several other artists. ‘I think those outlets for self-expression have helped us become more experimental,’ says Hannah.

‘If you think of us as a Venn diagram, what we’ve learnt is to nurture our crossover point,’ says Dot. ‘This album feels to me like a celebration of our friendship.’

London Grammar enjoy an enormous fanbase. Their music has been streamed more than a billion times – but they never aspired to be famous. ‘We were exposed to celebrity with the success of the first album, when we were really young,’ says Dan. ‘We probably overindulged, but we quickly realised that personality wise, it wasn’t for us.’

Hannah agrees. ‘This album is probably the last time that we’ll appear in our music videos,’ she says. She’s delighted by the balance that they’ve found as a band. ‘I love the fact that I can walk down the street and nobody knows who I am – and yet we can fill huge spaces with people who love our music. We’ve worked really, really hard, and it has paid off.’

The future looks bright. ‘I want us to keep making music together until we’re old, wrinkly and completely irrelevant,’ she jokes. ‘As long as we prioritise the art, there is no reason why we can’t go on for decades.’

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When is Glastonbury, who’s on the lineup and can you still get tickets?

Coldplay, dua lipa and sza are headlining the pyramid stage at worthy farm this year, while shania twain will take on the coveted legends slot, article bookmarked.

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Glastonbury , the world’s most famous music festival, returns this week and will see thousands of fans flocking to Worthy Farm in Somerset.

Co-organiser Emily Eavis and her team are preparing to welcome revellers to the site and play host to some of the biggest artists across pop, rock, indie, R&B, rap, punk and soul.

Here’s everything you need to know ahead of the big weekend.

When is Glastonbury 2024?

The gates to Glastonbury Festival 2024 will open at around 8am Wednesday 26 June, with the event running until Sunday 30 June. The majority of the live music performances take place between 29-30 June, with many of them also shown on TV.

A word of warning: there is no entertainment or facilities in the Glastonbury car parks, and guests are expected to remain in their cars until the festival gates open. Car parks will be open from 9pm on Tuesday 25 June, allowing festival-goers to avoid the worst of the traffic and arrive through the night.

Who’s playing Glastonbury this year?

After months of speculation and rumours that several bookings had fallen through, this year’s festival will be headlined by Dua Lipa, Coldplay and SZA , while country-pop superstar Shania Twain will take on the Legends Slot.

It was rumoured that Madonna was a strong contender to headline, as Eavis has previously expressed her desire to have the pop icon play the Pyramid Stage. However, The Independent understands that negotiations collapsed due to various requirements from the “Hung Up” star’s team, including the estimated cost of putting on a show that would match her 2024 Celebration tour.

Other rumoured artists in the running were Stevie Nicks, Cher and Stevie Wonder.

Other artists on the lineup include Avril Lavigne, Cyndi Lauper, Little Simz, Seventeen, Idles, The Last Dinner Party, Camila Cabello, Burna Boy, London Grammar, PJ Harvey, Janelle Monae, Fat White Family, Sugababes, Fatboy Slim, Michael Kiwanuka, Bloc Party, Two Door Cinema Club, Jessie Ware and Paloma Faith.

Are there any Glastonbury 2024 tickets left and how much do they cost?

The Glastonbury resale took place in April and, due to typically high demand, sold out in just 22 minutes. The cost of getting into the 2024 festival was £360 per person including the booking fee, up from £340 last year.

Eavis justified the hike last year in a statement that said: “We have tried very hard to minimise the increase in price on the ticket but we’re facing enormous rises in the costs of running this vast show, while still recovering from the huge financial impact of two years without a festival because of Covid.”

Are there any other ways to get into Glastonbury festival?

Besides the general resale, another great way to get into Glastonbury is by volunteering. Registration to volunteer for charities WaterAid and Oxfam has closed, but spaces do occasionally become available if people drop out.

Greenpeace also offers free entry to the festival and three meals a day to volunteers. In return, you are expected to work a minimum of five eight-hour shifts during the festival between 25 June and 1 July. However, applications for 2024 are now also closed.

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What to See on London Stages This Summer

British theater recommendations for visitors and residents of all ages — and inclinations.

By Matt Wolf

The critic Matt Wolf has been covering theater in London for The Times for over 20 years.

London’s theaters offer something for everyone. Whether in big West End venues or on stages tucked away above a pub, the city’s shows include the classics, new plays and some productions that defy classification. Open air playhouses attract audiences willing to brave the unpredictable summer weather, and venues spread throughout the city make for an accessible theater landscape that extends far beyond the heavily trafficked tourist hot spots.

Whether you’re looking for frothy musicals or fiercely charged political writing, chances are your wishes can be answered somewhere around town. Below, in seven categories, are some of the shows vying for the attention of visitors and residents seeking out London theater this summer.

Give Me Serious Drama

Few London playhouses generate as much buzz as the Almeida, and expectations are high for its run of this new play from the Australian playwright Kendall Feaver, whose theatrical debut, “The Almighty Sometimes,” impressed British critics when it played in Manchester, England, in 2018 . Feaver’s latest is set on a university campus rocked by sexual assault allegations, and Polly Findlay directs a cast led by Phoebe Campbell and Justine Mitchell . Through July 20 at the Almeida Theater.

The Boys from the Blackstuff

The regional accents may prove a challenge — especially if English isn’t your first language — but there’s no denying the passion and power that course through James Graham’s stage adaptation of this era-defining 1982 British TV show. Through a community of Liverpool road builders’ struggles, Kate Wasserberg’s empathic production reminds us that employment is crucial to self-esteem. Through Aug. 3 at the Garrick Theater.

My Father’s Fable

The Bush Theater in West London might seem off the beaten path, but it’s where the stage version of “Baby Reindeer” had its London run , before Netflix’s runaway hit adaptation brought it to TV screens all over the world earlier this year. The Bush’s current offering is the debut play from the British Nigerian actress Faith Omole, who was a 2023 nominee for London’s equivalent to the Tonys, the Olivier Awards. “My Father’s Fable” follows a character named Peace, who discovers a brother she didn’t know she had; Rakie Ayola stars and Rebekah Murrell directs. Through July 27 at the Bush Theater.

People Places and Things

Duncan Macmillan’s take-no-prisoners account of addiction and recovery — with snippets of Chekhov’s “The Seagull” thrown in — won awards aplenty in London nearly a decade ago for its leading lady Denise Gough, who then brought the show to New York in 2017 . Here it is again, with Gough in fearless form once more as the angsty, anguished Emma, and a supporting cast led by Gough’s fellow Irishwoman Sinead Cusack. Through Aug. 10 at the Trafalgar Theater.

Buying tickets

The box office is often the best port of call, if you want to avoid online fees or get “rush” seats that are sometimes available shortly before curtain up. Various websites, including whatsonstage.com, sell tickets alongside reviews and features.

Reusable Sippy Cups may be the norm on Broadway, but they are rare outside the United States. “Interval drinks,” as intermission beverages are known in Britain, are often served in actual glasses that can sometimes be taken into the auditorium and which can be ordered before the performance to avoid a crush at the bar in the break.

The pleasures of a free Playbill don’t exist in London, where programs — not Playbills, which is an American brand — must be purchased. Some theaters have gone paperless and make program information available only by scanning a QR code or looking online.

Refunds and exchanges

These policies vary venue to venue, and sometimes show to show. Some theaters will issue a credit that can be used for other productions under the same roof, but London is stricter than New York about offering money back if a star is absent.

Show Me the Classics

Richard iii.

This production at Shakespeare’s Globe — a reconstruction of the 16th-century theater where many of the Bard’s plays were first performed — has been a talking-point in London’s theater world after disability activists objected to the theater’s artistic director, Michelle Terry, taking the title role, because she is not disabled (and Terry performs the role without its typical hunch). That brought some renewed attention to a venue that has always been popular with visitors, where you can stand in an arena under an open sky, as Jacobean theatergoers did, or opt for seats around the side. Through Aug. 3 at Shakespeare’s Globe.

Suite in Three Keys

Noël Coward is a London favorite and his “Private Lives” received two major revivals here in 2023 alone. Now, the director Tom Littler is turning the attention of the Orange Tree Theater toward three lesser-known Coward plays from 1965, all set in the same Swiss hotel suite and all dealing with relationships on the rocks. Tara Fitzgerald, Stephen Boxer and Emma Fielding lead the cast, and the Orange Tree Theater presents the plays as a double-bill and a stand-alone show, which can be seen in either order. Through July 6 at the Orange Tree Theater.

A View from the Bridge

Each decade seems to offer up a defining London production of Arthur Miller’s 1950s tragedy. This go-round finds the small-screen star Dominic West (“The Wire,” “The Affair”) returning to his theatrical roots to play Eddie Carbone, the Brooklyn longshoreman with a guilty secret. The protean Kate Fleetwood plays his wife, Beatrice, who learns far more about her husband than she ever expected. Through Aug. 3 at Theater Royal, Haymarket.

The Grapes of Wrath

Frank Galati’s adaptation of John Steinbeck’s enduring novel played the National Theater in 1989 on the way to a Tony-winning Broadway run. Now, it’s back in a new production that underscores the timeless importance of the Joad family’s Depression-era travails on the largest of the National’s three stages. Expect large-scale emotion in a big theater, not least with the mighty Cherry Jones, a two-time Tony winner, heading the cast. Runs July 17 to Sept. 14 at the National Theater.

I Want to See Stars

The constituent.

It’s been a dozen years since James Corden took the play “ One Man, Two Guvnors ” to Broadway; he went on to win a Tony and launch a successful career in the United States as a late-night talk show host. This summer, he’s back on the London stage for the first time since then, leading the cast for a new play by Joe Penhall set in the world of British politics, a timely production given Britain votes this summer in a general election. Matthew Warchus, who runs the Old Vic, directs. Through Aug. 10 at the Old Vic.

Hello, Dolly!

Leading lady Imelda Staunton has shown a career-long interest in the American repertory, from Edward Albee to Stephen Sondheim. This summer, she lends her powerful singing voice to to a revival of the Jerry Herman Broadway favorite, here directed by Dominic Cooke, who also worked with Staunton on an acclaimed revival of Sondheim’s “Follies.” Her character, the matchmaking Dolly Gallagher Levi is a funnier, frothier one than Staunton often plays, so look for smiles both onstage and in the audience; Andy Nyman and Jenna Russell co-star. Runs July 6 to Sept. 14 at the London Palladium.

Romeo and Juliet

The last time Tom Holland was on a West End stage, he was a prepubescent member of the company in “Billy Elliot the Musical.” The 28-year-old “Spiderman” star has now graduated to the big league with his Shakespeare debut in “Romeo and Juliet”: a heavily cut, stripped-back version that bears the stark signature of its director, Jamie Lloyd . With Holland’s name attached, the show sold out in just hours, even before Juliet had been cast (she’s played by Francesca Amewudah-Rivers), but last-minute box office visitors have been known to snap up returned tickets. Through Aug. 3 at the Duke of York’s Theater.

Kit Harington may have come to worldwide attention as Jon Snow on “Game of Thrones,” but the actor returns regularly to his theatrical roots. And despite his star power, he’ll be getting alphabetical billing in the West End premiere of the Jeremy O. Harris drama “Slave Play,” which made headlines in New York for its bold depiction of race, sex and power in the American South. The London cast includes alumni from the New York cast, such as James Cusati-Moyer and Chalia La Tour; Robert O’Hara directs again. Runs June 29 to Sept. 21 at the No ë l Coward Theater.

I’m Looking for a Laugh

Fawlty towers: the play.

The BBC only made 12 episodes of this TV show in the 1970s, but that was enough to secure Basil Fawlty and his wife Sybil spots in the canon of British comedy, along with the employees and guests of their seaside hotel. A dashing Adam Jackson-Smith is the spitting image of John Cleese as the easily flustered Basil, and Anna-Jane Casey, sporting surely the heaviest wig on the West End, steps ably into Prunella Scales’s shoes as his sly and snarky wife. Through Jan. 4, 2025, at the Apollo Theater.

The Play That Goes Wrong

It’s nearly 10 years since the West End opening of this Mischief Theater company production about an amateur theatrical troupe attempting — not very successfully — to stage a 1920s murder mystery. After many cast changes and a heap of international acclaim, Mark Bell’s staging continues to offer up both mayhem and mirth, not to mention a Tony Award-winning set from Nigel Hook that collapses on cue in each performance. At the Duchess Theater.

The 39 Steps

This frothy stage version of Alfred Hitchcock’s 1935 spy thriller ran for nine years on the West End, won a 2007 Olivier Award for best comedy and toured to 39 countries. Its late-summer London return will surely beguile audiences anew. Tom Byrne, who played Prince Andrew in “The Crown,” is the star this time around, supported by three multitasking colleagues who take on a dizzying array of roles. Runs Aug. 16 to Sept. 28 at the Trafalgar Theater.

I Love Musicals

The baker’s wife.

A busy summer for American musicals in London includes a rare outing for of “The Baker’s Wife,” a portrait of French provincial life in the 1930s from the book writer Joseph Stein (“Fiddler On the Roof”), and the composer Stephen Schwartz, whose subsequent monster hit, “Wicked ,” is soon to be a two-part film. This latest production of “The Baker’s Wife” is in the hands of the American director Gordon Greenberg, whose Huey Lewis musical “The Heart of Rock and Roll” just closed on Broadway ; Clive Rowe (“Carousel”) and Lucie Jones (“Waitress”) play the middle-aged baker and his beautiful young wife. Runs July 6 to Sept. 14 at the Menier Chocolate Factory.

Guys and Dolls

Frank Loesser’s gorgeous 1950 musical chronicling two love affairs is especially adored in London, where it seems to get revived every few years. But Nicholas Hytner’s acclaimed production for the Bridge Theater is the first time this show has been presented as an immersive experience. You can watch the performance on foot, following the cast from one shifting location to another, or you can sit and watch the action from the above. Whatever you choose, you’ll thrill anew at Arlene Phillips’s high-kicking choreography and a cast whose affection for the immortal score is palpable from the first note. Through Jan. 4, 2025, at the Bridge Theater.

Kiss Me, Kate

The Barbican Theater, once home to the Royal Shakespeare Company, gives itself over every summer to a production of an American musical. This year it’s Cole Porter’s feisty 1948 backstage musical “Kiss Me, Kate,” about two warring lovers putting on “The Taming of the Shrew. ” The American director Bartlett Sher is at the helm of an international cast headed by the expert Stephanie J. Block, on loan from Broadway, in the dual roles of Lilli Vanessi and Shakespeare’s Katharine; the Irish actor Adrian Dunbar (“Line of Duty”) makes his mainstream musical theater debut playing Fred Graham and Petruchio. Through Sept. 14 at the Barbican Theater.

High school can be an unforgiving place, as we are reminded by this stage musical version of the popular 2004 film. Six years after its Broadway run led to 12 Tony nominations, “Mean Girls” has reached the West End, directed, as in New York, by Casey Nicholaw. Charlie Burn plays the wayward class newbie, Cady, who finds herself confronting Georgina Castle’s Regina, the meanest of the girls in her midst. At the Savoy Theater.

My Kids Want to Come, Too

The gruffalo.

This adaptation of Julia Donaldson’s 1999 children’s book reached the stage in 2001, courtesy of the Tall Stories theater company. Here’s a chance to revisit the tale of the hungry mouse whose quest for hazelnuts brings him into contact with the titular forbidding buffalo-like creature. The show is being performed during the day in the same West End theater where the more adult musical “ Hadestown ” runs in the evening. Runs July 17 to Sept. 8 at the Lyric Theater.

Harry Potter and the Cursed Child

J.K. Rowling’s Hogwarts saga was a benchmark achievement in children’s literature long before the stage version pushed the narrative forward to encompass Harry and his school friends’ adult lives. On Broadway, the director John Tiffany’s ceaselessly imaginative two-part production has been compressed into one play; New York visitors wanting to see the more capacious original can still do so on the West End, where the eye-popping production celebrates its eighth birthday on July 30. At the Palace Theater.

The Secret Garden

Frances Hodgson Burnett’s tale of 10-year-old Mary Lennox, dispatched from India to northern England to live with an uncle she doesn’t know, has been refashioned many times and reaches the stage anew this summer, alfresco in Regent’s Park. (Check the weather forecast before heading out.) Puppets have been added to the mix in this version, directed by Anna Himali Howard. Through July 20 at the Open Air Theater, Regent’s Park.

There’s something rather sweet about watching girls dressed as Anna or Elsa heading into the West End production of “Frozen ,” which is now the Disney musical’s flagship production since the Broadway version shut down in 2020 . Families have just a few more months to check out the director Michael Grandage’s lavish reappraisal of the hit film — that icescape! — with Laura Dawkes and Samantha Barks as the two sisters who let their voices go. Through Sept. 8 at Theater Royal, Drury Lane.

Tweedy’s Massive Circus

Circuses don’t usually think small, but that’s the case with this ironically named show from Tweedy the Clown, in which the big top has shrunken in size. Tweedy, a baggy-trousered Scot, has long been a mainstay of the touring Giffords Circus in England; this time, he’s in the company of three colleagues, one of whom (Sam Goodburn) joins Tweedy in a tightrope walk without a wire. Runs July 18 to 27 at the Underbelly Festival, Cavendish Square.

I Like the Weird

The Argentine company Fuerza Bruta’s high-octane mixture of physical theater, music and movement has been seen around the world, and now the company is returning to London with “AVEN,” a show that promises more of their trademark, take-no-prisoners energy. The production, which premiered in Buenos Aires, promises to have the vibrancy of a rave . Runs July 9 to Sept. 1 at the Roundhouse.

Interview with the Vamp

Richard Thomas was a backstage figure for the scabrous musical “Jerry Springer: the Opera,” which he created over 20 years ago with Stewart Lee. This time, Thomas will be onstage, alongside cabaret mainstay Dr. Adam Perchard, in a short but scintillating-sounding run of a shows billed as an “epic queer song cycle”— and why not? Runs July 10 to 13 at the Soho Theater.

Viola’s Room

There are no masks required in this 45-minute offering from Punchdrunk, the British company behind such vaunted immersive experiences as “The Burnt City” and “Sleep No More.” And rather than splitting the audience up into small groups, as is the Punchdrunk norm, spectators will come together and walk barefoot through a labyrinth while listening on headsets as the whispery voice of Helena Bonham Carter tells a spooky tale drawn from a gothic 1901 short story, “The Moon-Slave.” Through Aug. 18 at One Cartridge Place .

Arts and Culture Across Europe

A production of “Richard III” at the Shakespeare’s Globe theater faced criticism because a nondisabled actor plays the scheming king. But disputes like these miss the point , our critic writes.

The violent history of the Dutch colony that is now New York is not well known in the Netherlands. The curators of a new exhibition at the Amsterdam Museum  want to change that.

The Victoria and Albert Museum in London is a treasure trove of art and design. Here’s one besotted visitor’s plan for taking it all in .

The Royal Shakespeare Company’s co-artistic directors have put together a challenging debut season . But many visitors come to Stratford-upon-Avon seeking something more traditional.

The Venice Biennale, the art world’s most prestigious exhibition, opened recently  to some fanfare, some criticism  and a number of protests . Here’s a look at some of the standouts  from the 2024 edition.

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The full Glastonbury 2024 line-up and stage times you need to know

Dua Lipa, Coldplay and SZA headline the Worthy Farm festival this weekend

The wait is finally over: Glastonbury 2024 is kick off tonight. The headliners have been announced. The weather forecast is in . You might even have caught a 100mph ‘rave train’ to Worthy Farm . All that’s left now is to figure out who you’re seeing, where and when. 

Beyond the headliners Dua Lipa, Coldplay and SZA, thousands of acts will play Glastonbury this year. As usual, it’ll be a stacked line-up with every kind of music you can imagine, with everyone from legendary household names to plucky up-and-comers. And, thanks to secret sets , the official line-up is just the start. 

‘Glasto hasn’t even properly kicked off yet, but we’ve already been treated to a drone show, a heatwave and some killer DJ sets, including a late night Shygirl appearance at Levels that had queues stretching all the way to the next stage,’ says Time Out London’s events editor Rosie Hewitson, ‘After completing the trudge onto a campsite on the hottest day of the year, the atmosphere is one of relief and contentment, with LCD Soundsystem’s early evening slot on the Pyramid Stage and Charli XCX’s Partygirl club night seemingly the hottest tickets for the first ‘proper’ day of the festival.’

So, if you’re after the Glasto’s full weekend line-up, check Clashfinder or the official website – but be warned, the amount of stuff in there is vast . Below we’ve condensed all the timings from Worthy Farm’s five biggest stages. Get planning!  

RECOMMENDED:  ✨  Dua Lipa at Glastonbury 2024: Time Out Day One Review   🎵  Coldplay at Glastonbury 2024: start time, schedule and potential setlist . ⛺️  How to get Glastonbury 2025 tickets .

Friday June 28

Pyramid stage.

• Dua Lipa 10pm– 11.45pm
• LCD Soundsystem 7.45 – 9pm
• PJ Harvey 6pm – 7pm
• Paul Heaton 4.15pm – 5.15pm
• Seventeen 2.45pm – 3.45pm
• Olivia Dean 1.15pm – 2.15pm
• Squeeze noon – 12.45pm

Other Stage

• Idles 10.15pm – 11.30pm
• D-Block Europe 8.30pm – 9.30pm
• Anne-Marie 6.45pm – 7.45pm
• Bombay Bicycle Club 5.15pm – 6.15pm
• Confidence Man 3.45pm – 4.45pm
• Headie One 2.15pm – 3.15pm
• The Snuts 1pm – 1.45pm
• Annie Mac 11.30am – 12:30pm

West Holts 

• Jungle 10.15pm – 11.45pm
• Heilung 8.15pm – 9.30pm
• Danny Brown 6.30pm – 7.30pm
• Sugababes 4.55pm – 5.55pm
• Noname 3.30pm – 4.25pm
• Squid 2pm – 3pm
• Asha Puthli 12.30pm – 1.30pm
• Sofia Kourtesis 11am – noon
• Jamie xx 22:30 – 23:45
• Sampha 21:00 – 22:00
• Declan Mckenna 19:30 – 20:30
• Arlo Parks 18:00 – 19:00
• The Vaccines 16:30 – 17:30
• Kenya Grace 15:15 – 16:00
• Remi Wolf 14:00 – 14:45
• Lambrini Girls 12:45 – 13:30
• Voice Of Baceprot 11:30 – 12:15
• Fontaines DC 11pm – 12.15am
• King Krule 9.15pm – 10.15pm
• Aurora 7.30pm – 8.30pm
• Dexys 6pm – 7pm
• This Is The Kit 4.30pm – 5.30pm
• The Mary Wallopers 3.15pm – 4pm
• Barry Can’t Swim 2pm – 2.45pm
• Moonchild Sanelly 12.45pm – 1.30pm
• Lynks 11.30am – 12.10pm

Saturday June 29

• Coldplay 9.45pm – 11.45pm
• Little Simz 7.45pm – 8.45pm
• Michael Kiwanuka 5.45pm – 6.45pm
• Keane 4pm– 5pm
• Cyndi Lauper 2.30pm – 3.30pm
• Ayra Starr 1.15pm – 2pm
• Femi Kuti noon – 12.45pm
• Disclosure 10.30pm – 11.45pm
• The Streets 8.30pm – 9.30pm
• Camila Cabello 6.45pm– 7.45pm
• Bloc Party 5.15pm – 6.15pm
• The Last Dinner Party 3.45pm – 4.45pm
• Tems 2.15pm – 3.15pm
• The Staves 1pm – 1.45pm
• Jamie Webster 11.45am – 12.30pm
• Jessie Ware 10.15pm – 11.45pm
• Masego 8.30pm – 9.30pm
• Black Pumas 7pm – 8pm
• Nitin Sawhney 5.30pm – 6.30pm
• Corinne Bailey Rae 4pm – 5pm
• Alogte Oho & His Sounds Of Joy 2.30pm – 3.30pm
• The Skatalites 1pm – 2pm
• 47soul 11.30am – 12.30pm
• Gossip 10.30pm – 11.45pm
• Sleaford Mods 9pm – 10pm
• Yard Act 7.30pm– 8.30pm
• TBA 6pm – 7pm
• Fat White Family 4.30pm – 5.30pm
• Soccer Mommy 3.15pm – 4pm
• Mannequin Pussy 2pm – 2.45pm
• High Vis 12.45pm – 1.30pm
• Kneecap 11.30am – 12.15pm
• Peggy Gou 11pm – 12.15am
• Orbital 9.15pm – 10.15pm
• The Breeders 7.30pm – 8.30pm
• Lankum 6pm – 7pm
• Arooj Aftab 4.30pm – 5.30pm
• Otoboke Beaver 3.15pm – 4pm
• Bar Italia 2pm – 2.45pm
• Kara Jackson 12.45pm – 1.30pm
• Johnny Flynn 11.10am – 12.10pm

Sunday June 30

• SZA 9.30pm – 11.15pm
• Burna Boy 7.30pm – 8.30pm
• Janelle Monae 5.45pm – 6.45pm
• Shania Twain 3.45pm – 5pm
• Paloma Faith 1.45pm – 2.45pm
• Seasick Steve 12.30pm – 1.15pm
• Interlinked Ballet 11.30am – noon
• The National 9.45pm – 11.15pm
• Two Door Cinema Club 7.45pm – 8.45pm
• Avril Lavigne 6pm – 7pm
• Nothing But Thieves 4.30pm – 5.30pm
• James 3pm – 4pm
• Soft Play 1.45pm – 2.30pm
• Rachel Chinouriri 12.30pm – 1.15pm
• The Zutons 11.15am – noon
• Justice 10pm– 11.15pm
• Nia Archives 8pm – 9pm
• Brittany Howard 6.30pm – 7.30pm
• Jordan Rakei 5pm– 6pm
• Steel Pulse 3.30pm – 4.30pm
• Balming Tiger 2pm – 3pm
• Jalen Ngonda 12.30pm – 1.30pm
• Matthew Halsall 11am – noon
• James Blake 21:30 – 22:45
• Romy 20:00 – 21:00
• Kim Gordon 18:30 – 19:30
• Alvvays 17:00 – 18:00
• Blondshell 15:30 – 16:30
• Newdad 14:00 – 15:00
• The Ks 12:30 – 13:30
• Jayahadadream 11:15 – noon
• London Grammar 9.15pm – 10.30pm
• Ghetts 7.30pm – 8.30pm
• Mount Kimbie 6pm – 7pm
• Baxter Dury 4.30pm – 5.30pm
• Mdou Moctar 3.15pm – 4pm
• Psychedelic Porn Crumpets 2pm – 2.45pm
• Lime Garden 12.45pm – 1.30pm
• Problem Patterns 11.30am – 12.15pm

Can you watch Glastonbury on TV?

Loads of Glasto sets are available to watch live via BBC iPlayer. Exact info about which channels to watch and when to catch SZA, Coldplay, and Dua Lipa and more are available here .

How much are Glastonbury tickets?

Tickets for Glastonbury 2024 cost £360 (including a £5 booking fee), which was up from 2023 ’s  £340. As for 2025, we might reasonably expect ticket prices to increase again, but this hasn’t been confirmed.

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