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Star Trek: The Original Series 1. Sezon 1. Bölüm

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Bölüm isimlendirmelerinde hata var dizigom, bu yüzden 30. bölümün ismini yazamamışsınız. 1 saatlik 1. bölüm pilot bölüm normal listede yok Spock’ ı canlandıran Leonard Nimoy dışında kadro farklı, kaptan da zaten Kirk den önceki Christopher Pike. Aslında tanıtım amaçlı olan Bu pilot bölümün adı “The Cage” olacak. Buradaki listeye göre orjinal kadronun rol aldığı ilk bölüm 2. bölüm oluyor yani “the man trap” the Cage den sonra 2. bölümden itibaren tüm bölüm isimlerini 30. bölüm “Operation: Annihilate!” olacak şekilde kaydırmanız gerek.

çok iyi bölümdü senaristleirn ellerine sağlık

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Star Trek: The Original Series

Amerika'da birçok yerde ırkçılığın köklü olduğu bir zamanda Roddenberry ırk ayrımcılığının ve seksizm'in olmadığı bir 23. yüzyıl hayal ederek çok-ırklı ve farklı cinsiyetlerden oluşan bir mürettabat yarattı. Bunun yanında yarı-insan yarı-volkan Spock gibi uzaylı ırklardan karakterler'de ekledi ve bunları hepsini Birleşmiş Gezegenler Federasyonu altında topladı. Diğer yenilikçi Uzay Yolu buluşları ise yapım sorunlarını karşılamak içindi. Işıktan hızlı warp sürücüsü bilim kurgu için yeni değildi ama anlartımda Atılgan'ın uzayda çabucak seyahat etmesini sağladı. Mürettabat'ın bir yerden bir yere ışınlanmasını sağlayan madde taşıyıcı, karakterleri gemiden gezegene, gezegende gemiye çabuçak taşımak içindi. Her bölüm için bir uzay mekiğinin iniş kalkış sahneleri çok pahalıya mal olmaktaydı. Uzay Yolu ilk olarak CBS televizyonuna önerildi. Fakat CBS o zamanlar tercihini başka bir bilim kurgu dizisi olan Lost in Space'ten yana kullandı. Daha sonra Uzay Yolu ilk önce bri pilot bölüme izin veren ve sonra geri çeviren NBC'ye önerildi. (NBC yöneticileri daha sonra şovun fazla entelektüel olduğunu dile getirdiler.) Fakat NBC hiç alışılmamış bir şey yaparak yeni bir pilot bölüm çekilmesine izin verdi; "en:Where No Man Has Gone Before". Orijinal karakterlerden sadece Spock ve orijinal oyunculardan sadece Leonard Nimoy ve Majel Barrett kalmıştı. İlk pilot'ta çekilen çekimlerin çoğu daha sonradan iki parçalık "en:The Menagerie"'de kullanıldı. İkinci pilot bölümde ana karakterler Kaptan Kirk (William Shatner), baş mühendis kıdemli yüzbaşı Scott(James Doohan), yüzbaşı Sulu(George Takei) takdim edildiler. Sadece bu bölümde Sulu'nun ünvanı geminin fizikçisi iken daha sonra dümenci olarak değiştirildi. Geminin baş doktoru ve kaptanın sırdaşı Dr. McCoy ve kâtip Janice Rand ve haberleşme subayı teğmen Uhura daha sonraki bölümlerde diziye dahil oldular. Roddenberry'nin her ikiside son derece akıllı ve profesyonel asyalı Sulu ve zenci Uhura'yı eklemesi o zamanlar hemen hemen hepsi beyaz, olmayanların ise steriotipler olduğu bir zaman için çok cesurca bir karardı. Roddenberry'nin personelleri arasında sanat yönetmeni Matt Jeffries vardı. Katkıları daha sonra bütün Federasyon gemilerinin yapımında kullanılan Jeffries Tüpleri ile onurlandırıldı. Jeffries'in tabak ve silindir dizaynı daha sonra üretilen neredeyse bütün Federasyon gemileri için standart oluşturdu. Jeffries aynı zamanda Atılgan'ın köprü dizaynı da gerçekleştirdi. II. Dünya Savaşı'nda ki tecrübesini ve bir havacı olmasını kullanarak ergonomik bir köprü dizayn etti. Kostüm tasarımcısı William Ware Theiss Atılgan mürettabatının üniformalarını ve misafir aktrislerin çarpıcı kıyafetlerini yarattı. Wah Chang, açılır kapanır haberleşme aygıtı, algılıyan, kaydeden, hesaplayan küçük bilgisayar trikoder ve faser silahlarını yaptı. Daha sonra Gorn ve diğer yaratıkları yaratacaktı. Dizi televizyon izleyicilerini daha sonra alışılmış hale gelen bilim kurgu terimleri ile tanıştırdı; Warp sürücüsü, ışınlanma, kablosuz el aletleri ve tarayıcılar, enerji silahları, masaüstü bilgisayar terminalleri, lazer ameliyat, uzay gemisi görünmezlik aletleri, ve bilgisayar ses sentezi. Bu terimlerinin bazılarının bazı örnekleri varsa da daha önce hiçbir zaman tek bir sunumda bir araya gelmediler ve teleziyon için kesinlikle yeniydiler. Geminin otomatik kapıları bile 1966 için bir yenilikti.

• Star Trek: The Original Series 3. Sezon 1. Bölüm
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Star Trek: The Original Series

Dr. Leonard "Bones" McCoy meets a former girlfriend when the Enterprise brings supplies to a remote archaeological survey group. Still attractive to McCoy, the woman's current appearance and her colleague hide a deadly secret, ultimately revealed as a tragedy of ecology.

Raised from infancy by noncorporeal beings, 17-year-old Charles Evans is ferried by an Enterprise crew unaware of his true nature. Once aboard, the teenager develops a crush on Yeoman Rand and proves dangerously unable to wield his enormous psionic powers with maturity until higher authorities intervene.

While exploring the energy barrier at galaxy's edge that crippled an earlier ship, Kirk's long-time friend and crewmate Gary Mitchell begins mutating into a god-like entity disdainful of the "mortals" around him. Can the captain overcome his own feelings for his friend before the new entity grows too powerful to stop?

An alien virus picked up from the now-dead Psi 2000 outpost strips the crew of their inhibitions, causing chaos as each individual is overcome by hidden emotions -- even Spock. Meanwhile, the disabled crew have left the Enterprise unable to react to the planet break-up below that is pulling them down.

A magnetic ore brought back from Alfa 177 causes a beam break-up in the transporter, splitting Captain Kirk into two different beings: one "good" and one "evil." The malfunction must be repaired before Sulu's stranded landing party freezes to death -- and Kirk's separated "halves" perish.

Just as his ship is destroyed by an asteroid field, conman Harry Mudd and his "cargo" of three beautiful wives for lonely miners are rescued by the Enterprise and arrested. The rescue burns out the big starship's dilithium crystals, but Kirk's unhappy reliance on Mudd's clients for replacements is in jeopardy when the women's real secret is exposed.

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William Shatner

Capt. James T. Kirk

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Dr. Leonard McCoy

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Engineer Montgomery Scott

Nichelle Nichols

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• Star Trek: Strange New Worlds
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• Is Strange New Worlds the Most Innovative Star Trek Series Since the Original?

As Star Trek is almost 60 years old, the latest series from this iconic Sci-Fi series may be the most groundbreaking since the original series.

The refreshing and entertaining storyline will please both newer fans of Star Trek and even the fans of the original Star Trek series that aired back in 1966.

The first season of Star Trek Strange New Worlds first premiered on the fifth of May 2022. It is actually a sequel to the slightly controversial Discovery series that didn't follow some of the known or established lore in the Star Trek universe.

How Does Strange New Worlds Fit Into The Star Trek Universe

The original Star Trek series takes place in 2265, while the Strange New Worlds series starts in 2259. This means the iconic Captain Kirk is not the captain of the USS Enterprise (NCC-1701), which means the current captain will be Captain Christopher Pike .

This may be a bit of a change for some Star Trek fans, but it's a good change. 

Star Trek's iconic characters from the original series, such as Spock, Scotty, and Nyota Uhura, are also in the Strange New World series.

Some minor characters from the original show also appear throughout the new series, making Strange New Worlds feel like the show was meant to be.

Why is Strange New Worlds The Most Innovative Star Trek Show In Many Years

As the Star Trek: Strange New Worlds series shows us the adventures of Captain Christopher Pike and the crew at the start of USS Enterprise, it will immediately be compared to the original series.

The cast of the new Star Trek show has a compelling story arc, which can make fans of the show feel attached and almost there with them during the crew's many adventures.

The new show takes many elements of the original show, such as the optimism and fun that the crew seems to lavish on.

This does not mean the Strange New Worlds series doesn't have any heart-wrenching moments. The show does have some heavy hitters, as any Star Trek fan knows the fate of Captain Christopher Pike.

Spoiler warning for new Star Trek fans who haven't watched the original series or finished Star Trek: Strange New Worlds Season 1 :

Captain Christopher Pike will die.

Captain Christopher Pike's death happened in 2266, seven years after the Strange New Worlds series started and two years after the original series.

Christopher Pike dies during an accident while trying to save a handful of trainees on a Class J Starship.

Strange New Worlds doesn't shy away from the fact that Captain Christopher Pike will die; during the show, he learns that he will die and that he has to learn to face his future.

Anson Mount , who plays Christopher Pike in the Strange New Worlds series, gives us one of the best Star Trek captains who has even been in the series.

Anson Mount conveys the essence of how a Star Trek captain should act and treat his crew during any situation, even during a stressful situation.

This doesn't mean this captain doesn't break the rules; he just bends them when there is a need to do so.

Another great reason many Star Trek fans hold Strange New Worlds in such high regard is that it is family-friendly.

This alone is why the show is so popular, as families who grew up watching Star Trek can now spread the joy of Star Trek to their children without worrying about any taboo subjects or vulgar words popping up in the episode. 

Why Does Star Trek: Strange New Worlds Look So Good?

Strange New Worlds does a great job of using the older elements and designs of the original series while still finding new ways to improve the show's look and feel.

For example, during the Star Trek: Discovery series, the USS Enterprise does make an appearance in the show.

However, the design elements did not match how the starship was supposed to look during the original series.

The latest Star Trek series did a great slight remodel of the starship hull to bring it closer to the original designs while still giving the design a modern feel.

Some fans of the original series may think that the "new" USS Enterprise may look too modern and have lost the charm of the '60s version; this can be seen with the bridge of the Enterprise.

The bridge of a starship in Star Trek is the most important room on all Star Trek shows; this means they are iconic, and many fans know exactly how they look.

The Strange New Worlds creators revamped the bridge with its own elegant and unique design, but it still has many elements of the original set.

The Strange New Worlds series also relies heavily on props and filming sets that help the actors easily immerse themselves in their roles.

This allows the acting and chemistry between the actors to flow naturally.

How Will the Show Progress?

As the Strange New Worlds series is a prequel to the original series, there is only so much time before they reach the original series starting date.

But don't worry because this doesn't mean that the show will not have any compelling stories or familiar faces for fans to enjoy.

As the series continues on Paramount+ , we'll surely see some exciting and unique storylines. 

What do you think about the two shows?

Is Strange New Worlds truly more innovative than the Original? 

Jason Collins is a staff writer for TV Fanatic. You can follow him on X .

Pike: Send someone else. You don't want me in command of that ship. April: You're getting us confused. You don't want you in command. Permalink: You're getting us confused. You don't want you in command. Added: May 04, 2022

No matter how many stars there are in the sky. No matter how many galaxies swirl beyond our own. No matter the mathematical probabilities or the number of times we say, 'We are not alone in the universe,' our first visit from the stars is always the province of children's stories and science fiction. First contact with aliens always lives squarely in the impossible. First contact is just a dream until one day, it isn't. Una Permalink: No matter how many stars there are in the sky. No matter how many galaxies swirl beyond our... Added: May 04, 2022

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Walter koenig points out a star trek trope that is “repeated again and again”.

Walter Koenig breaks down an issue with the Star Trek: The Original Series episode "The Changeling" he sees repeated throughout the franchise.

• Walter Koenig calls out Star Trek for recycled plotlines in "The Changeling" episode on The 7th Rule podcast.
• Koenig critiques the repetitive sci-fi trope of confusing a powerful force, seen in various Star Trek episodes.
• Koenig reveals his dislike for the recycled theme in the classic "The Changeling" episode.

Walter Koenig puts out a Star Trek trope that is "repeated again and again," especially by Star Trek: The Original Series . Koenig played Ensign Pavel Chekov in the original Star Trek , a role he reprised in 7 Star Trek movies. Although Chekov wasn't in Star Trek: The Original Series season 2, episode 3, "The Changeling", he reviewed the episode on The 7th Rule podcast with hosts Cirroc Lofton and Ryan T. Husk. None of them had seen "The Changeling" before reviewing it for their Star Trek podcast.

In Star Trek: The Original Series ' "The Changeling," the crew of the USS Enterprise encounters Nomad, an Earth space probe that was reprogrammed and has returned to find its "creator" and wipe out "biological infestations" , i.e. organic life forms. Walter Koenig is no fan of the episode, and he points out the plot is one that Star Trek has done multiple times . Read his quote and watch The 7th Rule video below:

It’s almost prototypically science fiction. The driving force is a premise that has been used again and again. And I can even name you Star Trek episodes, including even V’Ger in Star Trek: The Motion Picture. There was always that sense of some force behind the scenes that is organizing the world, and structuring it, in charge. One of the things that occurs is that if you want to get rid of it, you confuse it. We did that in “I, Mudd” when we all started dancing. We did it here, and [Nomad] goes a little nuts. So it’s an exercise that is repeated again and again in science fiction.

10 Best Star Trek: The Original Series Episodes To Hook New Fans

Star trek's repeated trope against a.i. explained, the recycled plot still appears but differently in new star trek shows.

As Walter Koenig pointed out, the plot of Star Trek: The Original Series ' "The Changeling" is similar to the story of V'Ger returning to find its creator in Star Trek: The Motion Picture . Both Star Trek tales centered on an Earth space probe that is rebuilt by aliens and travels back to Earth to find answers. Given the limited TV production budgets of the 1960s Star Trek , and the desire for a more profound science fiction story to build the first Star Trek movie around, recycling the plot of the USS Enterprise crew overcoming a superior technological threat by confusing it with their own humanity made sense for that era.

Star Trek does tend to repeat the same basic story again and again.

Modern Star Trek TV shows still depict dangerous A.I. threats, but the way to overcome them tends to lean more toward action. Star Trek: Discovery season 2's villain was a malevolent A.I. called Control that was defeated by an eye-popping outer space battle and the USS Discovery jumping 930 years into the future. Star Trek: Picard season 1 also introduced an inorganic species from another galaxy that was foiled by closing up a portal. Of course, Starfleet has always needed to be creative to defeat the overwhelming threat of the Borg . As Walter Keonig asserts, Star Trek does tend to repeat the same basic story again and again.

Source: The 7th Rule

Star Trek: The Original Series is streaming on Paramount+

Why 'Star Trek: Discovery' deserves more credit as a barrier-breaking series

Starship Discovery will soon be ending its mission, and what a journey it's been.

“Star Trek: Discovery,” which premiered in 2017, is entering its fifth and final season Thursday on Paramount+. And you’ll need the Captain’s Log to remember all the twists, turns and transformations the show has gone through since it began.

One thing that hasn’t changed, though, is the hate the series has received from some Trek fans. (“Discovery” has an overall audience score of 37% on Rotten Tomatoes, a stark difference from the 87% critic rating.)

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While the show is far from free of legitimate criticism, many of the complaints seem unfairly – though perhaps tellingly – placed on the show’s focus on a Black woman commander, its LGBTQ+ stars and allies and its inclusive storylines. “Woke agenda” and other dog whistles frequently surface on Reddit and social media posts about the series.

That so much of the negativity is rooted in a backlash against inclusivity raises questions. After all, the "Star Trek" franchise has long emphasized and celebrated culture, diversity and humanity coming together and preserving the integrity of beings they meet across the galaxy.

"It doesn't make any sense, because (these fans) say they love this franchise," series star Sonequa Martin-Green says in an interview. The show “has always been about breaking those boundaries. It's always been about diversity and equality. And our world has changed since the last iteration of 'Trek.' We have a responsibility to push that needle forward and to stay true to that."

More: Issa Rae says Hollywood needs to be accountable. Here's why diverse shows are so important

The series is originally set before the events of NBC's original “Star Trek: The Original Series” (later jumping to the future) and follows Michael Burnham (Martin-Green), who became the starship’s captain, and the rest of the crew of the USS Discovery: first officer Saru (Doug Jones), chief engineer Paul Stamets (Anthony Rapp), lieutenant and now Starfleet Academy teacher Sylvia Tilly (Mary Wiseman), medical officer Hugh Culber (Wilson Cruz), courier and Burnham’s love interest Cleveland “Book” Booker (David Ajala) and ensign Adira Tal (Blu del Barrio).

Many more characters have stood on the bridge, battled with Burnham, or otherwise make up the world of "Discovery." The series had some trouble finding the right footing, but it’s always had heart, especially in its recurring theme of redemption. And it deserves more support for what it has meant for the entire "Star Trek" franchise.

Here’s why “Star Trek: Discovery” deserves more credit:

Prioritizing diversity and inclusivity

A Vulcan philosophy (and one espoused by “Star Trek” creator Gene Roddenberry) is IDIC, or “infinite diversity in infinite combinations,” and many of the related series, movies and books underscore this belief. “Discovery” also has diversity at its core: the show focuses on a Black woman who becomes captain. Stamets and Culber are an openly gay couple, and engineer Jett Reno (Tig Notaro) is a lesbian. And the show introduced a few franchise firsts: Adira Tal as the first nonbinary character in "Star Trek ," and their boyfriend, Gray ( Ian Alexander ), is the first transgender character , both introduced in Season 3.

More: 'Star Trek' documentary unveils star Nichelle Nichols' impactful NASA connection

Starting a new age of Star Trek

“Discovery” helped launch the CBS All Access streaming platform, a CBS subscription service that would eventually become Paramount+, as well as a new era of "Star Trek" series including “Lower Decks” and “Picard.” Before “Discovery,” the last Trek series was “Star Trek: Enterprise,” which ended in 2005.

Exploring strange new worlds

The second season of “Discovery” also served as a launching pad for the well-received spinoff, “Star Trek: Strange New Worlds,” which resurfaced popular characters from the original series including Spock (Ethan Peck), Captain Pike (Anson Mount), Uhura (Celia Rose Gooding) and Number One (Rebecca Romijn).

Finding time for the simple things

In a few scenes scattered throughout "Discovery," we see characters like Culber and Stamets sharing a meal or talking about their day while brushing their teeth. It’s almost mundane, but there’s also something so lovely about watching LGBTQ+ characters who rarely are the focus in movies or television simply living their lives, being their whole selves. Burnham rocking braids at the beginning of Season 3 speaks cultural volumes. The subtle amid the big battles and overarching plots do have meaning, especially for those whose voices often go unheard.

Going boldly

The first season of “Discovery” went out of its way to highlight its connections to the original series: Burnham is Spock’s adopted sister, and there's a brief appearance by Spock’s father, Sarek. But it wasn’t always so neatly woven, sometimes seeming more like it was using franchise lore as a crutch. But “Discovery” wasn’t afraid to try new things, turning itself around after an overcomplicated first season and again after a very “TOS”-inspired second, slowly building up its own universe without relying too heavily on the old. 

The first episodes of Season 5 are a little rocky before it settles into a comfortable speed. 

"This time around, we wanted to bring in some levity," Martin-Green says. "But there's a grand sort of epicness to Season 5, even though we didn't know it was our last season when we were shooting it. I think looking back on it, and when we share it with the world, it'll seem that way because the season is so big. So people can expect a lot of fun. They can expect it to go really fast." 

It will be interesting to see if “Discovery” sticks the landing through the remainder of the season.

“The good outweighs the bad,” Burnham says in an upcoming episode about a mission, and that’s also true of “Discovery."

The fifth and final season of "Star Trek: Discovery" (two episodes now streaming, then weekly on Thursdays) streams on Paramount+.

This article originally appeared on USA TODAY: Why 'Star Trek: Discovery' deserves more credit as a barrier-breaking series

A Star Trek Origin Movie Is Coming in 2025 From 'Andor' and 'Doctor Who' Director Toby Haynes

'Star Trek' (2009) director J.J. Abrams is attached to produce.

The Big Picture

• A new Star Trek prequel film, an "origin story", is in development, at Paramount.
• The Star Trek history before Kirk's missions on the Enterprise is largely unwritten, leaving room for creativity with the new film.
• Director Toby Haynes, known for Andor , is working on the film alongside writer Seth Grahame-Smith; a 2025 release window was announced at CinemaCon.

Star Trek may finally be coming back to the big screen. A prequel to the 2009 J.J. Abrams reboot of the franchise is in the works from director Toby Haynes . The news comes from Paramount's presentation at CinemaCon today, as reported by Collider's Steve Weintraub and Britta DeVore . With Haynes, who recently helmed six episodes of the acclaimed Star Wars series Andor , at the rudder, the film will be written by Seth Grahame-Smith .

So far, other details on the new film are scarce, but it will reportedly be an "origin story", taking place decades before the 2009 Star Trek film, which took place in 2255. That likely means that it will not feature the cast from the 2009 reboot, which has so far been difficult for Paramount to wrangle together for a fourth film, despite numerous attempts to do so . That doesn't necessarily mean that a fourth movie isn't happening: back in March, Paramount hired The Flight Attendant scribe Steve Yockey to pen a new script for the film. For their part, the cast is game as well, with Zoe Saldaña recently stating her willingness to return for a fourth mission on the USS Enterprise .

What Happened Decades Before Kirk's First Missions on the Enterprise?

The history of the Star Trek universe prior to the celebrated voyages of the Enterprise is largely unwritten. The first starship Enterprise 's adventures in the 22nd century were chronicled on the UPN prequel series Star Trek: Enterprise . That series ended with the founding of the United Federation of Planets in 2161, which leaves almost a century of mostly unexplored history between that and the history now being charted on Star Trek: Strange New Worlds (and the first two seasons of mothership show Star Trek: Discovery ).

At some point, the nascent Federation faces a devastating war against the Romulan Star Empire , while also engaged in a Cold War with the Klingons. The USS Enterprise will eventually be launched in the 23rd century, under the captaincy of Robert April, who has been briefly glimpsed on Star Trek: The Animated Series and Strange New Worlds , before being handed off to Christopher Pike . Apart from that, however, Haynes and Graeme-Smith have a near-blank canvas upon which to make their mark.

In addition to Andor , Haynes has also helmed episodes of Doctor Who , Sherlock , and Black Mirror ; his work on the latter series includes the episode " USS Callister ," a loving pastiche of Star Trek . Graeme-Smith wrote the novels Pride & Prejudice & Zombies and Abraham Lincoln, Vampire Hunter ; he worked on the story for the upcoming horror comedy sequel Beetlejuice Beetlejuice .

A new Star Trek prequel film is in development; no date has yet been set beyond a 2025 release window . Stay tuned to Collider for future updates.

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Star Trek: Discovery

Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien.

• Bryan Fuller
• Alex Kurtzman
• Sonequa Martin-Green
• Anthony Rapp
• 4.4K User reviews
• 102 Critic reviews
• 21 wins & 87 nominations total

Episodes 65

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• Michael Burnham …

• Lt. Cmdr. Paul Stamets …

• Sylvia Tilly …

• Lt. Keyla Detmer …

• Lt. Joann Owosekun …

• Lt. Gen Rhys …

• Dr. Hugh Culber

• Lt. R.A. Bryce …

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• Cleveland Booker

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• Admiral Charles Vance
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• Trivia The Starfleet vessels seen in the first season, including the Discovery, the Shenzou and the redesigned Enterprise, were all designed by production artist John Eaves. Eaves' work with Star Trek spans three decades. Probably his most notable contribution was the design of the Enterprise-E for Star Trek: First Contact (1996) .
• Goofs With Michael being the adoptive sister of Spock, the series has many flashbacks to their childhood and upbringing on Vulcan. Spock's Vulcan half-brother, Sybok, does not appear nor is mention during these scenes. In Star Trek V: The Final Frontier (1989) , Spock says that he and Sybok grew up together. However, since it's never stated when Sybok joined Sarek's home - only that he did so following his mother's death - or when he was exiled from the family, it's not impossible Sybok moved in after Burnham, and left before she graduated (the two extremes of the flashbacks). Also, since Sybok was never mentioned before Star Trek V, it seems reasonable the family never spoke of him again after his estrangement.
• Alternate versions The serif-font legends and subtitles in the "broadcast" episodes are absent from the DVD versions, where they are replaced with the standard DVD subtitles.
• Connections Featured in MsMojo: Top 10 Female Lead TV Shows You Should Be Watching in 2017 (2017)

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• Dec 11, 2021

April 2024 TV and Streaming Premiere Dates

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• September 24, 2017 (United States)
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• Pinewood Toronto Studios, Port Lands, Toronto, Ontario, Canada
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How Star Trek's Vulcans Evolved Beyond Gene Roddenberry's Creation

While the in-universe history of the Vulcans in Star Trek is epic, the behind-the-scenes saga of their creation and development is equally important.

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Creating the vulcans in the original series era of star trek, the vulcans stay at arm's length during the next generation era, how star trek: enterprise reimagined the vulcans and history with humanity, the vulcans and romulans are living in the days of futures past.

When Gene Roddenberry was first creating his " Wagon Train to the stars" in 1964, the Vulcans were the first alien species he created during development. Personified by Mister Spock (played by Leonard Nimoy), these logical humanoids were imagined with pointed ears, green blood and, most importantly, no emotions. However, Nimoy, other actors and writers all contributed behind the scenes to making Vulcans the most important aliens in Star Trek history. What's interesting about the Vulcans is that along with being a logical and scientific people, they are also deeply spiritual and ritualistic. This seems a bit like an incongruity, especially knowing how adamant Roddenberry was about humanism over religion.

Later storytellers helped reconcile these two facets of the Vulcan culture by fleshing out the species' history. Along with strong psychic abilities, the Vulcans are not emotionless. Rather, they have very intense and destructive emotions, far different from their human cousins. Thus, ritualism and spirituality are the "scientific method" they use to suppress their emotions in healthy and constructive ways. In the modern, third wave of Star Trek series, the Vulcan culture continues to be examined with storytellers continuing to build on the foundation laid by Roddenberry, D.C. Fontana, Star Trek's "other" Gene , Nimoy and everyone from set designers to costumers.

'The Phone Didn't Ring': Walter Koenig Reflects on Career Struggles After Star Trek

When developing the first Star Trek pilot in 1964, Gene Roddenberry hadn't fully fleshed out the idea of what the Vulcans were. Vulcans existed only so far as making Spock half-human. "I wanted part of him to be at war with the other, the human part and the alien part," he said in The Fifty-Year Mission by Edward Gross and Mark A. Altman. Later, when developing the second Star Trek pilot, thanks to Lucille Ball , Roddenberry combined Spock's character with the "computer-mind qualities" of Number One, the woman First Officer discarded in the second version. That's how they became unemotional and logic-based.

In The Making of Star Trek by Roddenberry and Stephen E. Whitfield, the former envisioned that, despite the multispecies Federation, crews would be mostly human, Vulcan or other member species. As Spock became Star Trek 's central character , more stories about his people were created. Sarek, his father, was brought into the show. The classic Season 2 episode "Amok Time" introduced the Vulcan homeworld, while also establishing that Vulcans, while logical, were almost irrationally private about their most basic biological functions.

Leonard Nimoy was also essential to defining who the Vulcans were. He created the infamous Vulcan neck pinch and the salute, drawn from his Jewish heritage. Later, in the films, he would weigh in on Vulcan culture, defining it exclusively once he started directing. In The Center Seat - 55 Years of Star Trek , actor Robin Curtis who played Saavik described how Nimoy created the "love scene" between her and the reanimated Spock going through his first Pon Farr. Set and costume designers tried to marry the ideas Vulcans were scientific and logical as well as an ancient society. Their robes, ceremonial accessories and mostly stone structures were born from this notion.

9 Things About Star Trek: The Original Series That Make No Sense

When Gene Roddenberry was asked by Paramount to develop Star Trek: The Next Generation he turned to many of his collaborators from the days of the original series. Robert H. Justman, Dorothy Fontana, David Gerrold and others came back to help, though they didn't last long on the series. While many concepts from The Original Series were reused for The Next Generation , Roddenberry didn't want to include too many familiar elements. Primarily, this meant the Vulcans. There were no regular Vulcan characters in any of the second-wave series until Tuvok in Star Trek: Voyager .

Despite the lack of regular Vulcan characters, there was significant advancement to the Vulcan story. The first came in Season 3's "Sarek," in which it's revealed that Vulcans live hundreds of years longer than humans. This episode also introduced what writer Marc Cushman called "the idea of a Vulcan going through senility," in The Fifty-Year Mission . Roddenberry liked the idea, but in the same book writer Ira Steven Behr reveals there was a massive fight with producers over whether they could even say Spock's name. Later, Paramount would convince Nimoy to bring Spock to Star Trek: The Next Generation to "pass the baton" and promote Star Trek VI: The Undiscovered Country.

The episode featured Spock seemingly defecting from the Federation to the Romulan Star Empire. Only he wasn't defecting. Spock wanted to bring the logic philosophy of Surak to Romulus in the hopes of reunifying the Romulans and the Vulcans into a single society again. Some fans felt the episode was too small, and executive producer Michael Piller said he was unhappy with his work on the episode. He called the episode "dark," "flat" and "talky" in The Fifty-Year Mission . In hindsight, it's a love swan song for the Spock character. He shares a lovely scene with Data, and his final mission puts him on a path to making the last great enemy of his time in Starfleet an ally.

Star Trek The Next Generation: When Does TNG Get Good?

Every new iteration of Roddenberry's universe since Star Trek: The Animated Series has been met with skepticism, and in some cases, outright hostility from fans. Star Trek: Enterprise perhaps received the most flak, in part because of how it depicted the pre-Federation history of the Vulcans and humans. Rather than dear friends, the Vulcans were antagonistic and did not trust the emotional humans to join the larger galactic society. Enterprise 's creators were trying to do something different without moving things too far from what makes Star Trek so identifiable.

Still, there were conflicts. Antoinette Stella recounted in The Fifty-Year Mission when an angry fan called Paramount to complain a Vulcan character lied. Her assistant, Juan Hernandez spoke to the fan, who pointed out Spock said Vulcans don't lie, quoting The Original Series . "And Juan took a beat and said, 'When Mr. Spock said that, he was lying." In fact, there are many examples of Spock lying, especially in The Undiscovered Country . The Enterprise storytellers made Vulcans more complete by showing they had the same kind of idiosyncrasies and character flaws as any group of people .

The showrunner for season 4, Manny Coto , helped to reconcile the Vulcans of Enterprise with the Vulcans fans knew. " I thought there was a great opportunity to do [a series of episodes] which bridged those two cultures and to develop a story about how they'd floundered from the original teachings of Surak ," he said in The Fifty-Year Mission . Not only did it help explain why these Vulcans seemed so different, it also underscored why Vulcans and humanity would be close allies while still maintaining the elements of secrecy and tension established in previous series.

Review: Discovery's Final Season Is a Bittersweet Star Trek Symphony

The third wave of series -- particularly Star Trek: Discovery and Star Trek: Strange New Worlds -- faced fan consternation as well, particularly because of their handling of Vulcan history. Michael Burnham, played by Sonequa Martin-Green, was conceived as Spock's adopted sister, raised by Sarek and Amanda Grayson after her parents died. This gave viewers a new angle on Vulcan culture, from "logic extremists" to a reunified Vulcan and Romulan society in the 32nd Century . The producers know that Vulcans are extremely important to Star Trek , so they want to both honor the past and advance their story, justifying the use of the characters.

The best development to come of this is fixing the biggest mistake of the Kelvin Timeline films . The time-travel convention used to bring Nimoy's Spock into the past inadvertently meant his final mission was a failure. Yet, by the 32nd Century, Spock's mission to unify Vulcan and Romulans is a success, and they fully credit him for the development. This was an important element for Discovery Season 3, according to showrunner Michelle Paradise , allowing Burnham to discover just how far her adopted brother reached out to the galaxy.

In Strange New Worlds , however, some of the Vulcan cultural developments happen as they did in The Original Series era: out of story necessity. For example, the Vulcan V'Shal ritual "purely came out of [writers] breaking the story," co-showrunner Henry Alonso Meyers said . While the storytellers wanted to keep it authentic to Vulcan culture, it was created because it was funny to put Spock through a "when he's 'pretending' to be Vulcan" scenario. The danger of treating Star Trek Vulcans with too much regard for their sacred history is underserving the stories being told today . Thankfully, Star Trek has found that balance as it always does.

The Star Trek universe encompasses multiple series, each offering a unique lens through which to experience the wonders and perils of space travel. Join Captain Kirk and his crew on the Original Series' voyages of discovery, encounter the utopian vision of the Federation in The Next Generation, or delve into the darker corners of galactic politics in Deep Space Nine. No matter your preference, there's a Star Trek adventure waiting to ignite your imagination.

Star Trek: Discovery Continues A Famous Trek Tradition

Spoiler shields up! This article discusses events up to and including episode 3 of "Star Trek: Discovery" season 5.

Who knew we'd been watching an origin story? Last week, "Discovery" dropped the surprise reveal that the newly-introduced (former) Captain Rayner had been carefully maneuvered by the writing team to serve as a potential replacement to Mr. Saru (Doug Jones) in the position of Number One, despite firmly establishing himself as something of an antagonistic and far more reckless counterpoint to Captain Michael Burnham (Sonequa Martin-Green) during their near-disastrous away mission. It isn't every day that a Starfleet vessel recruits a new bridge officer at the onset of a critical assignment of top priority, let alone someone who was only just forced into early retirement after a scathing inquiry into his actions. But Burnham saw something in him (even if Ensign Tilly still can't figure out what that is) and with Saru off playing politics as a Starfleet diplomat, Rayner was exactly the wild card that the Discovery needed.

In the midst of all this, this final season has brought a classic "Star Trek" tradition right back to the fore: the weight and responsibility of a ship's Number One.

To date, this role has been filled at one point or another in "Discovery" by Saru, Una Chin-Riley ("Strange New Worlds" star Rebecca Romijn), and even Burnham herself. Various other "Trek" shows have seen many famous faces come and go, all adding their own unique flavor and leadership approach to complement their respective captains. Here, however, the prickly dynamic between Burnham and Rayner adds a much more combative twist than any we've previously seen. Time will tell if this turns out for the better or worse.

A Captain's only as good as their Number One

Where's Commander Will Riker when you need him? Considered by many to be the gold standard for Number Ones, the famous "The Next Generation" hero embodied all the ideals of Starfleet while never once letting Captain Jean-Luc Picard down — even though he disagreed with his friend and even questioned his orders on several occasions. What Commander Rayner has brought to this season of "Discovery," however, is something else entirely.

To his credit, it's not like Rayner ever pretended to be anything but what he is.  If even a thirty-year friendship with Admiral Vance (Oded Fehr) couldn't prevent him from changing his mind about his methods and his vision for Starfleet — episode 2 establishes that he views diplomacy as a fruitless endeavor when the organization ought to be preparing for war, instead — what hope could Burnham or anyone else on the Discovery have of tempering his more volatile instincts? Although Rayner is forced to make certain strides in episode 3 to connect with his new crew, the results are pretty much exactly what we'd expect them to be. As he puts it himself early on with Burnham, "Connection is not exactly where my skillset lies."

We've yet to see how Rayner fares under Burnham's command while out in the field, where his ability to mesh with his Captain and augment her leadership style will be truly tested. Spock's cool-headed logic balanced out Captain Kirk's need for action, while Riker's decisiveness oftentimes brought out the best in Picard's tendency towards caution. What happens when Burnham's already-reckless unstoppable force meets the immovable object that is Rayner's disregard for rules and protocol? We can't wait to find out.

New episodes of "Star Trek: Discovery" stream on Paramount+ every Thursday.